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• OLD EPISODES

Sancharam Vol- 1

20 DVDs 3500

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Sancharam Vol- 2

Sancharam Vol- 3

Sancharam Vol- 4

Sancharam Vol- 5

Sancharam Vol- 6

Sancharam Vol- 7

Sancharam Vol- 8

Irupatham Noottandu- 1

30 DVDs 3500

Irupatham Noottandu- 2

Animal Kingdom

20 DVDs 4000

Freedom At Midnight

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World War II - Vol- 1

World War II - Vol- 2

Sancharam: Abstract Of 20 Years

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Safari TV - ExplorationChannel 4+

Labour india publications ltd., designed for ipad.

• 3.6 • 10 Ratings

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Description.

It was ‘Sancharam’ that presented exploratory trips in their fullness in Indian visual media for the first time. Santhosh George Kulangara, the globetrotter, started his solo journeys outside India in 1997. He has already travelled through more than hundred countries, spanning the seven continents, with his camera. The wonderful experiences and splendid sights of those journeys were telecast by Asianet as ‘Sancharam’, a realistic visual travelogue. The viewers, who have always been fond of travel and knowledge, welcomed ‘Sancharam’ with great exuberance. In his turn, Santhosh George went about capturing in his camera the sights of the various lands, which the viewers haven’t seen and presented before them the diversity of world countries, as they longed to see. After 16 years since he had started travelling, ‘Sancharam’ has turned out to be an exclusive, round-the-clock exploration channel. And that is Safari. Thus, Safari has a unique history of transforming itself from a half-an-hour travelogue programme telecast once in a week into a 24 X 7 channel. Safari is a channel that brings the diversity of the global expanse to the visiting room of every Malayalee. This is the first exploration channel in India.Safari presents diverse programmes that provide entertainment and knowledge alike. World travels, Indian travels, numerous other journeys, history, geography, culture, art and adventure- all come before the viewers through this. The curiosity to know ‘what is beyond that’ is the real motive of all the explorations of mankind. The objective of Safari is to inspire each and every viewer to take up travels, both short and extensive, for experiencing and learning the world. Travels that take the viewer along... That is the ultimate objective of this channel.

Version 4.0.4

- Whole new design with better experience - New Live TV player with real time program schedule - Option to watch old episodes - Performance improvements - Player bug fixes

Ratings and Reviews

A sanchari influenced by sgk.

It’s very informative and useful channel for both kids and all age group, I appreciate they run the channel without any ads, Thanks Mr.Santosh George Kulangara 👍👍👍💯

Developer Response ,

Thanks for feedback. Try our new app which enables you to watch old episodes and lot of new features and new design

Live tv is playing on background while watching old episodes

Hello, While watching old episodes, live TV is also playing in the background , can’t hear anything because of two audios. Tried muting live tv and played old episodes still I can hear the voice from live tv. Please rectify the problem,

Simple.. but need improvement..

The app is simple and accessible but it Needs some more improvement to make more seamless.

We have updated our app with new design and option to view old episodes. Please try and let us know if you still have issues to stream videos.

App Privacy

The developer, Labour India publications Ltd. , indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .

Data Not Collected

The developer does not collect any data from this app.

Privacy practices may vary based on, for example, the features you use or your age. Learn More

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How to Correctly Format a USB Drive for Your TV

It is now common for television sets to come with a USB port(s). This port can be used for many things such as, connecting peripheral devices or connecting a USB drive. For the sake of USB drives, however, you must have it in a particular format before it can work on your TV set.

The FAT32 USB format is the most common format supported by TVs, although recent TVs support the ExFAT format. The ExFAT format also works when the videos you are going to show on the TV via the USB drive is larger than 4GB. If you aren’t sure about what format to use, do a Google search of your TV name, model, and add the word ‘manual.’ This will help to tell you the format your TV uses.

Various TVs support different File system formats for USB drives . So you need to make sure that your flash disk is formatted with the file system that your TV supports. Failure to do so means your TV won’t be able to read media off your flash disk or portable hard drive. 

• For instance Samsung QLED and SUHD TVs support FAT, exFAT, and NTFS file systems while their Full HD TVs support NTFS, FAT16 and FAT32.  
• Roku TVs such as TCLs and Hisense support USB drives that are formatted with the FAT16, FAT32, NTFS, EXT2, EXT3, and HFS+ file systems. 
• For LG Smart TVs: FAT32 and NTFS are supported.
• Sony : FAT, FAT32, and exFAT are supported.
• Hisense : NTFS, FAT32, and FAT are supported.

You can check the file system formats that your TV Supports from the manufacturer’s website or support forums online. So once you know the USB format you should use, now is the time to format your USB drive. The process is pretty straight forward on Mac and Windows.

NOTE: Formatting the USB device will delete all content on the device. Make sure the USB drive is empty or back up the data to another drive.

Format USB Drive with Windows OS

• Connect the USB Device to your Windows computer.
• Click Start and then click  My Computer (This PC) .
• In the  My Computer (This PC) window, right-click on the drive icon in which the USB drive appears.
• From the resulting drop-down menu, click  Format .
• Under  File system , click the drop-down arrow and select FAT32 and then click the  Start  button.

• A  WARNING  message will appear. Click  OK  to continue then also click OK at the  Format Complete  message.
• Click the Close button to close the  FORMAT device name (drive letter)  window.
• With that done, your USB drive should be formatted and ready to work on your TV.

Related Article: An updated guide to USB: From USB 1 to USB C to USB 4

Format a USB Drive with Mac OS

• Connect the USB Device to your Mac computer.
• Open  Disk Utility .
• Click to select the  USB Device  in the left panel.
• Switch to the  Erase  tab.
• In the  Volume Format  selection box, click  MS-DOS File System .
• Click the Erase  button.
• At the confirmation dialog, click the  Erase  button.
• Your USB drive should now be formatted and ready to work on your TV.

Once the formatting is done, you can proceed and load your USB drive with the movies and videos you would like to show on your TV and start watching. However, with the advancement in technology, most TV sets that are being released that come with USB ports have already been tailored so you wouldn’t need to format your USB drive. Be sure to check first and only format the USB drive if it is not read by the TV.

Here’s a Youtube video tutorial we have made on how to correctly format your USB drive or flash disk for your TV brand. Watch it below;

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Fallout season 1 review - a wild Wasteland safari where naive optimism meets gory mayhem

Boom time: whether by accident or design, the Fallout TV show - announced in 2020 and arriving in a binge-ready eight-episode payload this week - is launching at an auspicious moment. After the mushrooming success of HBO's The Last of Us, screen adaptations of video games have never been hotter or more respectable. Similarly, the lingering impact of Oppenheimer, now forever glowing with Oscar acclaim, means the world has had atomic bombs on the brain since last summer.

But transferring Fallout's hardscrabble post-nuclear pleasures to the small screen presents a problem similar to Fallout inventory management. With such an abundance of material and only so much capacity, what do you keep and what do you throw away? The good news is that the Prime Video adaptation cannily lifts the franchise's road-tested production design - refined over the course of six core titles spanning two decades - completely wholesale.

Of course they were going to keep the snazzy blue jumpsuits, hulking Brotherhood of Steel power armour and the vast, clanking, cog-shaped Vault doors that resemble a particularly intimidating Early Learning Centre playset teaching toddlers how gears work. Those are all cool as hell. But there are other visual callbacks to the games in practically every frame of this deluxe Prime Video adaptation, from Nuka-Cola bottle caps to the strangely comforting sight of two-headed Brahmin cows.

Will these medium-to-deep pulls mean much to the casual viewer simply looking for a Mad Max-adjacent streaming stopgap while they wait for season two of TLOU? Probably not, but every authentic click from a Pip-Boy feels like part of a concerted attempt to reassure hardcore Fallout heads that this monumental game series is in respectful hands.

Those fans might have been nervous when Amazon first announced the project would be overseen by Jonathan Nolan and Lisa Joy, the rising Hollywood power couple whose previous big sci-fi swing was HBO's sixguns-and-sexbots drama Westworld. That show was absolutely ravishing to look at but agonising to unpack: a lofty jumble of artificial intelligence buzzwords and unscrupulous timeline chicanery. There were certainly no jokes in its antiseptic vision of the future.

Nolan and Joy's preferred mode of operation appeared to be chilly, cryptic and nominally cerebral. Could that work with something as narratively down-and-dirty but satirically heightened as Fallout? (A less pressing question: during production, did Jonathan ever discuss nuclear cataclysms with big brother Christopher?)

There are two distinct strains of humour baked into the Fallout games. There is the ironic juxtaposition of pre-apocalypse golly-gosh 1950s atomic optimism and the shattered reality of a Wasteland full of toilet seats and radroaches. But there is also the emergent slapstick that comes from actually playing, where low-level skirmishes abruptly turn into chaotic, cack-handed free-for-alls and raider heads blossom into fountains of bloody dogmeat with the help of V.A.T.S. targeting.

Being funny is a core part of Fallout's DNA and to their credit, producers Nolan and Joy - along with writers and showrunners Geneva Robertson-Dworet and Graham Wagner - have fully embraced every aspect of it. It helps that their lead character Lucy (Ella Purnell) is a sheltered vault dweller who suddenly has to adapt to surviving the Wasteland. Squint a bit and the wide-eyed Lucy acts like someone who literally has no idea how to play Fallout.

Most of the series takes place 219 years after an atomic bombardment flattened California and, presumably, the rest of the US. Lucy has been raised in the pristine Vault 33, a shining model of democracy where she spends her days racking up scout badges in various disciplines of good citizenship. Some day, when the rads have subsided and Vault 33 pops its cork, she is expected to bring civilising values to the surface.

Her surface-dwelling mirror is Maximus (Aaron Morten), an equally young Brotherhood of Steel initiate apparently trapped in the first half of Full Metal Jacket, mercilessly bullied by his fellow grunts but genuinely awed by the Brotherhood's military might (embodied by tiltwing dropships and Knights clanking about in bulky armour). Neither of these kids seem truly ready to face the cynical realities of the Wasteland but that is where they find themselves by the end of the first episode.

The world-weary wild card is Walton Goggins as a gunslinging ghoul with a mercenary streak. We first meet Goggins pre-apocalypse as charismatic cowboy turned toothy western movie star Coop Howard, a loving husband and father trying to navigate a Hollywood red scare while the Vault-Tec corporation grows in influence. As the rather more pragmatic ghoul, Goggins is an icy, self-amused killer, radiating malevolence even under heavy prosthetics and a distinctive CGI nose job.

If his Justified co-star Timothy Olyphant has made a career out of playing lanky cowboys - most recently as a sharp-shooting space marshall in The Mandalorian - Goggins relishes the opportunity to go full Clint in a tattered duster. His bandolier of chunky customised ammo helps lock in Fallout's tone of precarious survival punctuated by sudden and often gruesome ultraviolence. He also get most of the best lines, such as his knowing golden rule of the Wasteland: "Thou shalt get sidetracked by bullshit every goddamn time."

These three characters are all in search of a MacGuffin amid the ruins of California and while their allegiances shift depending on the circumstances, their moment-to-moment motivation remains refreshingly clear. Aside from one mid-season rug-pull, Fallout's main mystery - how did it all come to this? - hums in the background via the Coop flashbacks and Lucy's diminutive brother Norm (Moisés Arias) staying behind and picking away at the picket-fence utopia of Vault 33.

Whether this incarnation of Fallout chimes with you may well depend on whether you can roll with its whiplash changes in tone. At times, it looks like the most gorgeous widescreen, windswept, desert sci-fi: you could easily splice together a trailer to rival Dune: Part Two. But that epic tone is continuously undercut by Mr Bean-style mishaps: a limb blown off, a bout of projectile vomiting, a sneak attack by terrifying Wasteland wildlife. One episode opens with newborn puppies literally being thrown into an incinerator, just in case you aren't sure who the bad guys are.

If not for the runaway success of the similarly gruesome The Boys, perhaps Prime Video would not have signed off on all the splatter and swearing. But the surprisingly subtle trick that Fallout pulls off is that, aside from the odd slo-mo shootout, the brutality rarely feels like the point. Most of the leads genuinely seem to be trying their best in difficult circumstances.

There has been a glut of viscerally violent streaming comedy in recent years, from The Boys to Preacher and Peacemaker. But ultimately what Fallout put me in mind of was Dungeons and Dragons: Honour Among Thieves, a rollicking movie romp with likeable characters that managed to evoke the improvisational, seat-of-the-pantaloons spirit of actually playing D&D. Fallout does something similar, its gory scenes evoking the sort of accidental escalations that routinely happen in the game. What a lovely, if blood-spattered, surprise.

Season one of Fallout launches on Prime Video from 11th April.

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