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The Compozers Tickets

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The Compozers Concert Experience

The Compozers has become one of the top Reggae artists in the 2024 music scene, delighting fans with a unique Reggae sound. The Compozers tickets provide an opportunity to be there in person for the next The Compozers concert. So experience it live and be there in person for a 2024 The Compozers Reggae concert.

You can buy The Compozers tickets from Vivid Seats with confidence thanks to the Vivid Seats Buyer Guarantee .

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The Compozers Ticket Prices and Tour Information

How much are the compozers tickets.

No matter what you're looking to spend, Vivid Seats has tickets to fit your budget. Currently, The Compozers tickets at Vivid Seats start at $75, with an average price of $84.

How to Buy Cheap 2024 The Compozers Tickets

No matter what you're looking to spend, Vivid Seats has you covered, with options for cheap The Compozers tickets. Right now, the cheapest price for The Compozers tickets is $75.

When Is the Next The Compozers concert?

Vivid Seats has full The Compozers tour info for all announced shows. Scroll up to see the next available The Compozers concert.

Will The Compozers Tour in 2024?

The Compozers tour dates for 2024 or 2025 may be available now. For any confirmed future The Compozers tour dates, Vivid Seats will have tickets. View all top 2024 concerts and tour rumor information for top artists.

The Compozers Floor Seats

The Compozers floor seats can provide a once-in-a-lifetime experience. Often, floor seats/front row seats can be some of the most expensive tickets at a show. Sometimes Vivid Seats offers VIP The Compozers meet and greet tickets, which can cost more than front row seats or floor tickets. The maximum price tickets for The Compozers could be front row or center stage tickets.

Are The Compozers Tickets Sold Out?

Even for popular Reggae events like The Compozers concerts, the Vivid Seats ticket marketplace usually has tickets.

When do The Compozers Tickets Go on Sale 2024?

The Compozers concert tickets 2024 are on sale now at Vivid Seats.

Top Reggae Tour Tickets Available Now

If you're a The Compozers fan and a Reggae lover in general, check out tickets for some of the top Reggae acts who have recently announced tours:

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The Compozers Tour Dates and Ticket Prices

The Compozers Tour Dates will be displayed below for any announced 2024 The Compozers tour dates. For all available tickets and to find shows near you, scroll to the listings at the top of this page.

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The Compozers

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The Compozers consist of five young spirited and talented musicians and artists who have consecutively been involved in several gospel events such as Get Connected and Healing Waters and have also performed for a variety of artists such as Ghetts, Rihanna, Ed Sheeran and many more at venues such as BBC Hackney's Weekend & IndigO2.

In their attempt to broaden the range of the traditional gospel audience, the Compozers wanted to produce a sound which has not been grasped yet by any other gospel group by creating fusions between different genres of music.

From the song "No-One Else Like You" they created a jazz fusion sound which has reached out to many young people and young adults throughout the United Kingdom.

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Twitter - www.twitter.com/compozers

Published: Thursday 16th June, 2022

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The Compozers Tickets

The compozers concert tickets.

Get The Compozers tickets now to see an amazing performance live by a great entertainer. Pop-Rock music has an emphasis on recording craft and songwriting and not as much emphasis on attitude. Beginning in the 1950s as an alternative to rock and roll, early iterations of pop-rock were influenced by doo-wop and rock-and-roll arrangements and styles. Many traditionalists prefer rock and roll to the more slick, commercial production of pop-rock. 

Some refer to the music as power pop with a similar sound and lyrical content. Pop-rock music has been very commercially successful using elements of rock music. Many describe it as an upbeat variety of rock music. The term pop comes from the early twentieth century referring to popular music. In the 1950s, it began to be referred to as a specific genre typically aimed at youth and young adults. It is frequently characterized as a softer alternative to rock and roll. Get your The Compozers tickets today!

How much are The Compozers tickets?

The average price of a The Compozers concert ticket is around $97 per ticket. If you’re looking for cheap The Compozers tickets, you’ll find better prices for cheap tickets in the upper levels furthest from the stage. Discount tickets that are farthest from the stage will typically be under $49. If you are looking for premium seating or VIP tickets, you can expect to pay over $150 per ticket in most cases.

Don't miss your chance to see the next The Compozers show in London. The Compozers concert tickets can start as low as $71.10 and as high as $88.20 a ticket. Check The Compozers concert schedule to compare prices to all upcoming live shows.

When do The Compozers tickets go on sale?

Typically, The Compozers concert tour tickets go on sale 4-6 months prior to the performance and sometimes even a year in advance. Once the tour dates and concert schedule is announced, you can check our event calendar to find your perfect date and venue. The Compozers concert tickets will typically be available within 24-48 hours of a tour announcement. There is never a need for a presale code. Why wait for the public on sale when you can secure your seats today.

The Compozers 2024 Tour Dates

The Compozers tour dates vary from year to year. In most cases, tours tend to be 6-12 months but can extend over multiple years especially if it is a final tour. The Compozers concert schedule will typically have 25-50 tour dates. The Compozers's 2024 concert schedule has 1 events scheduled.   The Compozers's next show will take place on 10/12/2024 6:00PM in London, , at OVO Arena Wembley . The Compozers tour is set to end on 10/12/2024 6:00PM in London,  at OVO Arena Wembley. The Compozers tickets to these upcoming live performances typically average around $82.94 a ticket.

There also can be a performance at music festivals across the country including Coachella , Lollapalooza and Bonnaroo Music Festival. Bonnaroo is held in Manchester, Tennessee. Coachella is held at Empire Polo Fields in Indio, California and Lollapalooza in the United States is held at Grant Park in Chicago, Illinois. It's easy to find seats to The Compozers tour when you shop with us. Shopping with TicketSmarter even makes it easier to get into the venue. Our mobile transfer The Compozers tour tickets let you skip past the box office line and head right for your seats.

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The Compozers

The compozers tour dates.

To date there haven't been any big The Compozers concerts or tours revealed for cities in the US. Sign up for our Concert Tracker to get alerts when The Compozers performances have been added to the calendar. For new announcements regarding The Compozers events, take a look at our Tour announcements page . In the meantime, check out other World performances coming up by Agsunta , BeauSoleil , and Alasdair Fraser .

The Compozers Concert Schedule

No events =(, about the compozers tour albums.

Currently The Compozers does not have any albums

The Compozers Tour Albums and Songs

The Compozers: The Experience

• It's Time (Intro)
• The Experience (feat...
• Burn Out (feat. Rax ...
• Like This Like That ...
• Ready (feat. Moelogo)
• Better (feat. Vicky ...

The Compozers: Born You Well

• Born You Well

The Compozers: Problem

The compozers: over you, the compozers: feel right, the compozers concert tour questions & comments, the compozers tour and concert ticket information.

• Tickets for the future The Compozers concert can now be purchased.
• Concert schedule for The Compozers is available for viewing above.
• The Compozers concert schedule has just been made public.
• Tour dates for all The Compozers concerts are revised daily.
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The Compozers might soon come to a city near you. Browse the The Compozers schedule on this page and click the ticket button to checkout our huge inventory of tickets. Look through our selection of The Compozers front row tickets, luxury boxes and VIP tickets. As soon as you locate the The Compozers tickets you need, you can buy your seats from our safe and secure checkout. Orders taken before 5pm are normally shipped within the same business day. To purchase last minute The Compozers tickets, browse through the eTickets that can be downloaded instantly.

The Compozers Top Tour Album

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Afrobeats News

With their exceptional talent, the Compozers have added zest to numerous musical projects and stages over the years. Let’s delve into a brief overview of these musical virtuosos.

You might have encountered them on several occasions, as they are frequently discussed in Afrobeats circles. They’ve collaborated with numerous Afrobeats artists on various platforms, from Diamond Platinumz to Davido, and have shared the stage with Asake on multiple occasions, most notably during his recent O2 show . Allow me to introduce you to the remarkable Compozers band.

View this post on Instagram A post shared by THE COMPOZERS (@compozers)

The Compozers, a quartet of British-Ghanaian instrumentalists, consist of Stephen Asamoah-Duah on drums, Nana Ntorinkansah on the bass guitar, David Ohene-Akrasi on keytar, and Charlie Mensah-Bonsu on the keyboard. They embarked on their musical journey nearly a decade ago and have consistently maintained their strong momentum in recent times.

The band is known for pioneering the concept of a full African instrumental ensemble, making them the first recognized group of their kind. The band’s origins trace back over a decade when they were experimenting with and reimagining musical renditions before formalizing their group.

One of their notable achievements is the annual show “A Night with The Compozers,” which premiered in 2013. The event initially attracted around 300 attendees, and its immense success prompted them to host a larger 2000-capacity concert the following year. This event has since become iconic, leading to multiple tours across Europe and America. The Compozers also earned recognition as the in-house band for “The Lateish Show with Mo Gilligan” on the UK’s Channel 4.

Beyond their role as an instrumental band, the Compozers have ventured into producing their own music. They debuted as musical artists with “Born You Well” in 2018 and have collaborated with prominent names such as Mr. Eazi and Nonso Amadi. Their impressive streaming numbers and fanbase are a testament to their musical prowess.

Additionally, they’ve extended their talents to production, earning credits for artists like Ed Sheeran, and Koffee, and notably contributing to J Hus’ debut album, “Common Sense”.

Their significant entry into the Afrobeats community came through multiple collaborations with Davido. Their initial collaboration was at a show in 2014, which marked the beginning of their enduring relationship with Davido and the broader Afrobeats genre. They have served as a backbone for acts like Tiwa Savage, Diamond Platinumz, Asake, and Sarkodie, lending their impeccable touch to these artists’ major shows.

What stands out most in their journey, aside from pioneering an unfamiliar style within the African music scene, is their ability to stay united over the years. Remarkably, they have maintained their bond as a band for an impressive 15 years. Throughout the world, including Africa, we have witnessed the rise and fall of various musical groups, with many struggling to maintain cohesion. However, the Compozers’ unique story has defied these odds and changed the narrative.

In the ever-evolving landscape of music, where collaborations come and go, and bands often face challenges in maintaining their unity, the Compozers stand as a testament to the power of passion, creativity, and unwavering camaraderie. Their journey, from humble beginnings to becoming pioneers in their own right, showcases not only their musical brilliance but also their unbreakable bond.

With each note they play and every stage they grace, the Compozers remind us that true artistry knows no boundaries and that the magic of music is most enchanting when shared among kindred spirits. As they continue to leave an indelible mark on the world of Afrobeats and beyond, the legacy of the Compozers will forever resonate as a symphony of talent, friendship, and the enduring pursuit of musical excellence.

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The Compozers

• Sat 12 Oct London, OVO Arena, Wembley The Compozers View tickets

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The Compozers

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• Saturday 12 Oct / 2024 Door: 18:00

12th October 2024 will mark another night in history, A Night with The Compozers held at the prestigious OVO arena. Touring in arena venues around the globe with the likes of Asake & Davido, the full 360 of The Compozers headlining their next show at Wembley is a testament to their hard work, dedicated fan base and musical talent. The Compozers have consistently wowed audiences with their energetic and soulful performances, blending Afrobeat, R&B, Hip-Hop, and other genres to create a unique sound and atmosphere that resonates with music lovers from all walks of life. Setting the precedent from their iconic 10-year anniversary performance at The Royal Albert Hall, this edition of A Night With The Compozers will be a celebration of music, culture, and unity, bringing together people of diverse backgrounds for a night of pure musical magic.

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Ives at Yaddo self.__wrap_n=self.__wrap_n||(self.CSS&&CSS.supports("text-wrap","balance")?1:2);self.__wrap_b=(t,n,e)=>{e=e||document.querySelector(`[data-br="${t}"]`);let s=e.parentElement,r=O=>e.style.maxWidth=O+"px";e.style.maxWidth="";let o=s.clientWidth,u=s.clientHeight,a=o/2-.25,l=o+.5,d;if(o){for(r(a),a=Math.max(e.scrollWidth,a);a+1 {self.__wrap_b(0,+e.dataset.brr,e)})).observe(s):process.env.NODE_ENV==="development"&&console.warn("The browser you are using does not support the ResizeObserver API. Please consider add polyfill for this API to avoid potential layout shifts or upgrade your browser. Read more: https://github.com/shuding/react-wrap-balancer#browser-support-information"))};self.__wrap_n!=1&&self.__wrap_b("undefined",1)

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On today’s date in 1946, at the Yaddo Music Festival in Saratoga Springs, New York, the Walden Quartet gave the first professional performance of the String Quartet No. 2 by American composer Charles Ives.

Ives’ String Quartet No. 1 was his first major work — its manuscript is dated 1896, back when Ives was a 21-year old student at Yale. While Ives’ first quartet was written under the watchful eye and conservatively tonal ear of the Yale music professor Horatio Parker, his second, composed between 1907 and 1913, is more often than not a wildly atonal work that would have given poor Professor Parker a heart attack.

On the first page of its score, Ives provided a kind of program. It reads: “String Quartet for four men who converse, discuss, argue politics, fight, shake hands, shut up, and then walk up the mountainside to view the firmament.”

Judging from some musical quotations in the first movement of Ives’ quartet, it seems the American Civil War was one of the political topics fought over by the four men mentioned, and Beethoven’s Ode to Joy is quoted, along with Ives’ perennial favorite, Columbia, Gem of the Ocean .

Music Played in Today's Program

Charles Ives (1874-1954): String Quartet No. 2; Emerson Quartet; DG 435 864

On This Day

1863 - American composer and teacher, Horatio William Parker, in Auburndale, Massachusetts. He became chairman of the Yale music department in 1894, where he taught the young Charles Ives.

1890 - Swiss composer Frank Martin, in Geneva

1913 - American composer Henry Brant, in Montréal, Canada

1945 - Austrian composer Anton von Webern, 61, accidentally shot by an American soldier in Mittersill, Austria

1946 - Cowell: Hymn and Fuguing Tune No. 5 (string orchestra arrangement), at the Saratoga Springs Convention Hall, by the Spa Music Festival Orchestra, F. Charles Adler conducting. This music was originally written for five voices, and in that form was premiered on April 14, 1946, at Times Hall in New York by the Randolph Singers directed by David Randolph.

1946 - Ives: String Quartet No. 2, at the Yaddo Music Festival in Saratoga, New York, by the Walden Quartet (This music was completed in 1913)

2000 - Sallinen: opera King Lear , by the Finnish National Opera in Helsinki.

• On Charles Ives

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Robert Schumann (1810-1856): (transcribed by Franz Liszt) ‘Widmung’; Michael Ponti, piano; Marco Polo 223.127 Robert Schumann (1810-1856): ‘Widmung’; Sophie Daneman, soprano; Julius Drake, piano; EMI 72828

Couperin the Great

Francois Couperin (1688-1733): ‘Les Baricades Misterieuses,’ from ‘2nd Livre de Clavecin’; Kenneth Gilbert, harpsichord; Harmonia Mundi 190354/56

Marco Uccellini

Marco Uccellini (1603-1680): ‘Aria IX’ and ‘Corrente XX’; Romanesca; Harmonia Mundi 90.7196

Beethoven at 'The Wild Man'

Ludwig van Beethoven (1770-1827): String Quartet No. 15, Emerson Quartet; DG 447 075

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When a Hardworking Tour Is a Break From Wartime Stress

National Ballet of Ukraine dancers will perform Alexei Ratmansky’s “Wartime Elegy” in New York. Touring is “like taking a break,” one said, “because we can finally sleep.”

Tetiana Lozova, left, and Olga Golytia of the National Ballet of Ukraine rehearsing Alexei Ratmansky’s “Wartime Elegy” in Kyiv. It will be presented as part of Fall for Dance at New York City Center. Credit... Brendan Hoffman for The New York Times

Supported by

By Marina Harss

• Sept. 16, 2024

The scene is surprisingly ordinary. A dancer is speaking in a pleasant office at an opera house in a European city as sounds of a performance stream in from the stage. A window opens onto trees whose leaves rustle in a slight breeze. It could be Zurich or Nantes, but it’s not. It’s Kyiv, a city that in the last few months has been subjected, like much of Ukraine, to a steady barrage of Russian missile and drone attacks that have injured and killed scores and left many without electricity for several hours a day.

Still, the National Ballet of Ukraine, based in the stately Kyiv Opera House, performs twice a week — before the war it was four times — as does the opera company, for reduced audiences of about 450 (down from about 1,300). That way if there is an attack, everyone can fit into the shelter below. After these interruptions, performers and viewers return to their places and the performance picks up where it left off.

“That’s life on the stage,” Mykyta Sukhorukov , a principal dancer in the company, said in a recent video call from that pleasant office at the opera house. “We try our best. After two and a half years, unfortunately, it feels almost normal.”

At least the opera house has not been damaged or destroyed, unlike those in the Ukrainian cities of Kharkiv and Mariupol. The electricity supply in recent months has also been steady; not so in the dancers’ apartments.

The company has been able to perform not only at home, but also abroad on tours to Europe and Asia. And this fall, for the first time since Ukraine declared its independence in 1991, company dancers will perform in New York. On Sept. 18 and 19, a group will appear at the Fall for Dance festival at City Center. And then on Oct. 15 and 16 , a larger contingent will dance alongside the Canadian-Ukrainian folk troupe Shumka, also at New York City Center, as part of a three-week East Coast tour .

Tours provide relief from the constant stress and noise of incoming fire, the principal dancer Nataliia Matsak said in a video interview. “Even though we’re working very hard, it’s like taking a break,” she said, “because we can finally sleep.”

Matsak and her husband, Sergii Kryvokon, are two of eight dancers who will appear at Fall for Dance in Alexei Ratmansky’s “Wartime Elegy.” Ratmansky, currently artist in residence at New York City Ballet , was raised in Kyiv, where his parents and sister still live, and was a member of the National Ballet of Ukraine in the 1980s and ’90s, as was his wife, Tatiana, who also worked with the dancers in rehearsals of “Wartime Elegy.” It was in Kyiv that Ratmansky made his first choreographic experiments.

Both Nobuhiro Terada , the company’s director, and Tetiana Beletska , the ballet mistress in charge of rehearsals of “Wartime Elegy,” overlapped with the Ratmanskys when they were young dancers in Kyiv. Beletska even danced in some of those early experiments.

“She is one of the people who taught me how to partner,” Ratmansky said in an interview. “Most of the people I worked with at the theater are still there. We have had such different experiences in our lives, but at the same time, there is some deeper connection that is easy to recapture.”

Many dancers and teachers left Ukraine in the days after the Russian invasion, but a significant number have returned, including Sukhorukov, despite the danger and the possibility of being drafted. “This is my home and I never truly thought about moving away,” Sukhorukov said.

Oleksandr Shapoval, a dancer in the company who had recently become a teacher at the Kyiv ballet academy, joined the armed forces after the invasion. He was killed in the early months of the war.

The troupe, which used to have 160 dancers is now down to about 100, Terada said; they include dancers from other theaters, especially those near the Russian border, that have been unable to function.

The dancers, a generation younger than Ratmansky, don’t have memories of him as a performer or budding choreographer. But all have heard of him, less, perhaps, for his ballet work than for his vocal support of Ukraine since the war began. “He understands what is happening here in his heart,” Sukhorukov said. “He feels the pain inside, and you can feel that in his choreography.”

“Wartime Elegy” was created for Pacific Northwest Ballet in September 2022 , seven months into the war. It is set to mournful music for piano and strings by the Ukrainian classical composer Valentin Sylvestrov, alternating with recordings of folk music — some sound surprisingly like American bluegrass — played by village orchestras.

The mood of the piece alternates too, between loss, a haunting fragmentation and hope, and a kind of flippant, tongue-in-cheek playfulness. Its evocations of folk dance are an occasion for silliness, almost as if the dancers were thumbing their noses at tragedy, as well as for bravura: speedy footwork, flips, airy leaps, mad chases and a macabre acrobatic move in which the bodies of the dancers rise and fall, an image that suggests death and resurrection as part of a continuous loop.

The dancers understand this pairing of darkness and humor. “It’s very organic to Ukrainian culture,” said the dancer Olga Golytsia on a video call from Kyiv. “Even in the darkest times, we don’t lose our humor in life. In the bomb shelters, you see someone singing, someone talking, kids laughing.”

The rehearsals, which took place in Amsterdam in May, were not easy logistically. Because there are no flights into or out of Ukraine, the dancers had to travel first to Warsaw, a 16-hour drive by bus, before flying to Amsterdam.

The Ratmanskys were waiting for them in Amsterdam, where Alexei was rehearsing two dances with the Dutch National Ballet . For five days, after a full slate of rehearsals with the Dutch troupe, Ratmansky rehearsed “Wartime Elegy” in the evening with the Ukrainian dancers. Additional rehearsals were held on Zoom once the dancers returned home.

The hardest thing, several dancers said, was finding a way to dance their own experiences of the war. “Alexei said, ‘This is your life and I want to see it on the stage. You understand all of this more deeply than I do,’” Matsak said of the process. At first “it was very difficult to understand how to express what I feel,” she said. “Now, I think, I understand, it’s my performance, my story.”

Only after their final rehearsal in Amsterdam were they able to sit down together and talk about their lives. “We went to a bar across the street and sat for a few hours,” Ratmansky recalled. “I listened to their stories, and we were just talking, talking, talking. But of course it wasn’t enough.”

“Wartime Elegy” was first performed in Kyiv in June, to tears and standing ovations. “You have everything in this performance,” Sukhorukov said, “true happiness, true sadness. And afterward, the audience feels hope about the future.”

Its inclusion in the National Ballet of Ukraine’s repertory is part of an attempt by Terada to bring new works to help the dancers grow. The company, whose dancing style reflects the training typical of the Soviet period, is no longer performing ballets with scores by Russian composers, like “Swan Lake,” “Spartacus” and “Romeo and Juliet.” (“La Bayadère,” despite being choreographed in Russia, gets a pass because Ludwig Minkus, its composer, was born in Vienna.)

The company continues to perform works by Ukrainian choreographers, like the comic “Chasing Two Hares” and the folk-inspired “Forest Song,” excerpts from which will be included in the U.S. tour. Terada has also invited stagers from abroad to set works like John Neumeier’s “Spring and Fall” and Hans van Manen’s “Five Tangos.” Next year, if all goes well, Terada said, the company will dance a work by George Balanchine, for the first time in its history.

It is all part of what Ratmansky considers a long overdue renewal of the repertory. “For too long, they were cut off,” he said. “Now they have to rethink their connection to the Russian, Soviet school they grew up in and enrich their repertory with works from abroad, from Europe, from America. I am hopeful.”

“Wartime Elegy,” too, ends on a note of hope, one that several of the dancers said they struggle to feel in their own life, after two and a half years of war. “Things are really bad right now,” Golytsia said. “But you cannot live without hope.”

Stepping Into the World of Dance

For “R.O.S.E.,” the choreographer Sharon Eyal turns the Drill Hall of the Armory into a club  at which her dancers appear at intervals, behaving oddly.

An exhibition at the Morgan sheds light on The Ballets Russes, the revolutionary dance company founded by Sergei Diaghilev. The objects on display reveal the company’s astounding level of collaboration across artistic mediums .

Jean-Paul Montanari’s 41-year career as the head of Montpellier Danse has been entwined with the rise of contemporary dance  as a force in France.

The choreographer Faye Driscoll uses the ocean as her collaborator in a sunset dance celebrating the 10th anniversary of Beach Sessions , a performance series at Rockaway Beach.

Shen Yun Performing Arts grew into an international juggernaut as well as an economic engine for Falun Gong, the persecuted Chinese religious movement, and its leaders. Behind the pageantry were untreated injuries and emotional abuse .

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