taylor swift speak now tour europe

Speak Now World Tour

This is about the tour. For the live album, see Speak Now: World Tour Live .

• 1 Background
• 2 Opening acts
• 3.1.1 Covers
• 5.1 Box office score data
• 6 References
• 7 External links

Background [ ]

"I’m so excited to go back out on tour again in 2011! The 'Fearless Tour' was so much fun and even more unforgettable than I ever imagined, and I can't wait to get back out and play my new music from Speak Now! The fans have been so amazing and I'm thrilled to play in new cities around the world and meet even more of my fans in 2011!" [3]

While promoting her current album, Swift mentioned her excitement for her upcoming tour. She stated the tour was going to be "big" and "extensive". [4] On November 23, 2010, various media outlets—including Billboard Magazine announced the second tour by Swift. [5] It follows her successful Fearless Tour which played for over 100 dates in over five countries. The tour marked the singer's first tour to perform in stadiums. Before the tour commenced, Swift performed "The Allure of Taylor Swift" aboard the MS Allure of the Seas at the Allure of the Seas Aquatheater, as apart Royal Caribbean Cruises in January 2011. [6]

Opening acts [ ]

Setlist [ ].

• " Sparks Fly "
• " The Story of Us "
• " Our Song "
• " Back to December " / "Apologize" / " You're Not Sorry "
• " Better Than Revenge "
• " Speak Now "
• " Fearless " / "I'm Yours" / "Hey, Soul Sister"
• " Last Kiss "
• " You Belong with Me "
• " Dear John "
• " Enchanted "
• " Haunted "
• " Long Live "
• " Fifteen "
• " Love Story "
• During the shows in Asia leg and Europe leg, " Our Song ", " Mean ", " Last Kiss ", " Haunted " were not performed, as the result of stage reduction and lacking background dancers. In addition, " Fifteen " was moved to the place where " Last Kiss " originally should be.
• " Ours " was added to the setlist after the Denver show on September 27, 2011.
• " Safe & Sound " was added to the setlist since the Oceania leg, although it was replaced by " Eyes Open " during the show in Auckland.
• During her concert at the Allstate Arena, Swift performed "Sugar, We're Goin Down" [12]
• During her concert at the Van Andel Arena, Swift performed "Lose Yourself" and "Smile". [13]
• During her concert at the Lincoln Financial Field, Swift performed "Who Knew" and "Unpretty". [12]
• During her concerts at the Staples Center, Swift was joined onstage my many guest stars. For the concert on August 23, Swift was joined onstage by Justin Bieber to perform "Baby". [14] For the show on the 24th, Swift was joined by Jason Mraz to perform his hit, "I'm Yours". She also performed, "God Only Knows" by The Beach Boys. [15] The following concert on the 27th saw Swift performing, "Tonight Tonight" with Hot Chelle Rae [15] and on the 28th, she performed "Super Bass" with Nicki Minaj . [16]
• During her concert in at Rogers Arena, Swift performed "You Learn" and "Baby". She was later joined onstage by Tal Bachman to perform his hit, "She's So High". [17]
• During her concert at the Bridgestone Arena on September 16, Swift was joined by Ronnie Dunn and the two performed "Bleed Red". She was also joined by Hayley Williams and the two performed "That's What You Get". [18]
• For her concerts in Atlanta, Swift was joined onstage by Usher to perform "Yeah!" on the first and rapper T.I. performing "Live Your Life" on the second. [19]
• During her concert at the Cowboys Stadium, Swift was joined onstage by B.o.B to perform " Airplanes ". [20]
• For her concerts in Glendale, Swift performed "No Parade", "The Middle" and "All You Wanted". [21]
• During her concert at the Valley View Casino Center, Swift performed, "Dare You to Move". [22]
• During the concert at the Frank Erwin Center, Swift was joined onstage by Shawn Colvin to perform "Sunny Came Home". [23]
• During her concert at Minute Maid Park, Swift was joined onstage by Nelly to perform "Just a Dream" [24]
• During her concert at the American Airlines Arena, Swift was joined by Flo Rida to perform "Right Round". [25]
• During her concert at the Colonial Life Arena, Swift was joined by Darius Rucker to perform "Alright". [26]
• During her concert at the Madison Square Garden, Swift was joined by Selena Gomez to perform "Who Says" and James Taylor to perform "Fire and Rain". [27]

Gallery [ ]

Tour dates [ ].

• ^ a This concert was a part of the Speak Now, Help Now

Box office score data [ ]

References [ ].

• ↑ "Top 50 Worldwide Tours (01/01/2011 - 06/30/2011)" . Pollstar . Pollstar, Inc.. 8 July 2011 . http://www.pollstarpro.com/files/Charts2011/071811Top50WorldwideTours.pdf . Retrieved 15 July 2011 .
• ↑ http://www.youtube.com/watch?v=O0Mnebw_TJc&feature=digest_fri
• ↑ 3.0 3.1 3.2 3.3 "Taylor Swift’s World Tour" . Pollstar . Associated Content. 2010-11-23 . http://pollstar.com/blogs/news/archive/2010/11/23/748307.aspx . Retrieved 2010-11-24 .
• ↑ Vena, Jocelyn (2010-11-23). "Taylor Swift Announces Speak Now World Tour Dates" . MTV News . MTV Networks . http://www.mtv.com/news/articles/1652946/20101123/swift__taylor.jhtml . Retrieved 2010-11-24 .
• ↑ 5.0 5.1 5.2 Mapes, Jillian. "Taylor Swift Announces 'Speak Now' World Tour" . Billboard . Prometheus Global Media . http://www.billboard.com/events/taylor-swift-announces-speak-now-world-tour-1004130458.story#/events/taylor-swift-announces-speak-now-world-tour-1004130458.story . Retrieved 2010-11-24 .
• ↑ Golden, Fran (2010-10-22). "Taylor Swift to Perform on World's Largest Cruise Ship" . AOL Travel News . AOL, Inc. . http://news.travel.aol.com/2010/10/22/taylor-swift-to-perform-on-world-s-largest-cruise-ship/ . Retrieved 2010-11-24 .
• ↑ Lee, Raquel (9 February 2011). "Singapore Idol Sezairi Sezali to open for Taylor Swift" . MediaCorp Channel NewsAsia . MediaCorp . http://www.channelnewsasia.com/stories/entertainment/view/1109575/1/.html . Retrieved 19 February 2011 .
• ↑ "Taylor Swift picks Sam Concepcion to be part of her show" . ABS-CBN News and Current Affairs . ABS–CBN Corporation. 3 February 2011 . http://www.abs-cbnnews.com/entertainment/02/03/11/taylor-swift-picks-sam-concepcion-be-part-her-show . Retrieved 3 February 2011 .
• ↑ "Tom Dice naar Vorst met countryster Taylor Swift [Tom Dice to perform with country star Taylor Swift]" (in Dutch). De Standaard . Corelio. 7 March 2011 . http://www.standaard.be/artikel/detail.aspx?artikelid=SU37696L . Retrieved 7 March 2011 .
• ↑ Smith, Jay (2 December 2010). "Taylor Swift’s NeedToBreathe" . Pollstar . Associated Press . http://www.pollstar.com/blogs/news/archive/2010/12/02/749061.aspx . Retrieved 2 February 2011 .
• ↑ 11.0 11.1 11.2 11.3 11.4 11.5 11.6 "Taylor Swift Adds Opening Acts to North American Tour" . Country Music Television . 2011-03-03 . http://www.cmt.com/news/news-in-brief/1659143/taylor-swift-adds-opening-acts-to-north-american-tour.jhtml . Retrieved 2011-03-18 .
• ↑ 12.0 12.1 Rubenstein, Jenna Hally (11 August 2011). "WATCH: Taylor Swift Covers Fall Out Boy's 'Sugar, We're Goin Down'" . MTV Buzzworthy Blog . MTV Networks. Archived from the original on 31 August 2011 . http://www.webcitation.org/61Lt95kH8 . Retrieved 31 August 2011 .
• ↑ Nessif, Bruna (4 August 2011). "Taylor Swift Makes Eminem's "Lose Yourself" Sound Sweet" . E! Online . NBCUniversal. Archived from the original on 31 August 2011 . http://www.webcitation.org/61LsrP3M0 . Retrieved 31 August 2011 .
• ↑ Gallo, Phil (24 August 2011). "Justin Bieber Crashes Taylor Swift's L.A. Concert: Video" . Billboard . Prometheus Global Media . Archived from the original on 31 August 2011 . http://www.webcitation.org/61LtT9uCM . Retrieved 31 August 2011 .
• ↑ 15.0 15.1 Jones, Anthony (29 August 2011). "Nicki Minaj, Jason Mraz join Taylor Swift on-stage for surprise duets" . All Headline News . http://www.allheadlinenews.com/articles/90058539 . Retrieved 8 September 2011 .
• ↑ Kennedy, Gerrick D. (29 August 2011). "Taylor Swift's final Staples show gets boost from Nicki Minaj" . Los Angeles Times . Tribune Company . http://latimesblogs.latimes.com/music_blog/2011/08/taylor-swift-gets-a-bit-of-help-from-nicki-minaj-.html . Retrieved 8 September 2011 .
• ↑ Collins, Leah (18 July 2011). "Taylor Swift Covers Justin Bieber In Concert (Alanis Morissette and Tal Bachman, Too)" . Dose . Postmedia Network. Archived from the original on 23 November 2011 . http://www.freezepage.com/1322084333DQEBCQSOLC . Retrieved 23 November 2011 .
• ↑ Hogan, Marc (20 September 2011). "Paramore's Hayley Williams Duets With Taylor Swift" . Spin . Archived from the original on 6 October 2011 . http://www.webcitation.org/62EDQI9b9 . Retrieved 6 October 2011 .
• ↑ RTT Staf Writer (3 October 2011). "Taylor Swift Performs With Usher And T.I. In Atlanta" . RTTNews. Archived from the original on 6 October 2011 . http://www.webcitation.org/62EDaa9hd . Retrieved 6 October 2011 .
• ↑ Partridge, Kenneth (11 October 2011). "Taylor Swift and B.o.B. Take 'Airplanes' for a Spin in Dallas" . The Boot . Aol, Inc.. Archived from the original on 27 October 2011 . http://www.freezepage.com/1319703157ATDBDBSHCF . Retrieved 27 October 2011 .
• ↑ Partridge, Kenneth (24 October 2011). "Taylor Swift Covers Jimmy Eat World, Michelle Branch + More" . The Boot . Aol, Inc.. Archived from the original on 27 October 2011 . http://www.freezepage.com/1319703490ZGKBKGNFPW . Retrieved 27 October 2011 .
• ↑ Kragen, Pam (21 October 2011). "CONCERT REVIEW: Swift wows local fans with spectacular arena show" . North County Times . Lee Enterprises. Archived from the original on 27 October 2011 . http://www.freezepage.com/1319703407NUTOPSYUQM . Retrieved 27 October 2011 .
• ↑ "Taylor Swift 'Came Home' to Austin With Shawn Colvin" . The Boot . Aol, Inc.. 2011 October 31. Archived from the original on 1 November 2011 . http://www.freezepage.com/1320330683LUPVXYAXLZ . Retrieved 1 November 2011 .
• ↑ Galperina, Marina (7 November 2011). "Taylor Swift and Nelly Duet in Houston" . The Boot . Aol, Inc.. Archived from the original on 23 November 2011 . http://www.freezepage.com/1322083778NRZENHUJPA . Retrieved 23 November 2011 .
• ↑ "Taylor Swift Brings Flo Rida On Stage To Duet" . WBBM-FM . CBS Radio. 16 November 2011. Archived from the original on 23 November 2011 . http://www.freezepage.com/1322083962EORGBJIKAL . Retrieved 23 November 2011 .
• ↑ Patridge, Kenneth (19 November 2011). "Taylor Swift Sings 'Alright' with Darius Rucker in South Carolina" . The Boot . Aol, Inc.. Archived from the original on 23 November 2011 . http://www.freezepage.com/1322084134PAPNOJLSPS . Retrieved 23 November 2011 .
• ↑ Smith, Grady (23 November 2011). "Taylor Swift wraps her Speak Now tour in New York City, sings with James Taylor and Selena Gomez" . Entertainment Weekly . Time Inc.. Archived from the original on 23 November 2011 . http://www.freezepage.com/1322083491PVSVXTAOEB . Retrieved 23 November 2011 .
• ↑ 28.0 28.1 28.2 "Schedule" . Taylor Swift's Official Website . Universal Music Group . http://www.taylorswift.com/tour . Retrieved 2010-11-24 .
• ↑ 29.0 29.1 29.2 Evans, Rob (2010-12-07). "Taylor Swift adds new shows in response to huge demand" . SoundSpike . MTV Networks . http://www.soundspike.com/news/tour/1187-taylor_swift_tour_taylor_swift_adds_new_shows_in.html . Retrieved 2010-12-10 .
• ↑ Evans, Rob (24 March 2011). "Taylor Swift's "Speak Now" tour to stretch into November" . Soundspike . MTV Networks . http://www.soundspike.com/news/tour/1825-taylor_swift_concert_news_tour_dates/ . Retrieved 7 April 2011 .
• ↑ "Taylor Swift Announces 2012 Australian Tour" . 2Day FM . Austereo Radio Network . 11 August 2011. Archived from the original on 18 August 2011 . http://www.webcitation.org/612pbsRyz . Retrieved 18 August 2011 .
• ↑ "Taylor Swift ending world tour in Auckland" . The New Zealand Herald . APN News & Media . 11 August 2011. Archived from the original on 18 August 2011 . http://www.webcitation.org/612q5nz09 . Retrieved 18 August 2011 .
• ↑ "Taylor Swift 'Speak Now' Australian Tour" . LiveGuide . Archived from the original on 31 August 2011 . http://www.webcitation.org/61LsRrxuv . Retrieved 31 August 2011 .
• ↑ 34.00 34.01 34.02 34.03 34.04 34.05 34.06 34.07 34.08 34.09 34.10 34.11 34.12 34.13 "Billboard Boxscore: Issue Date 11/12/2011" . Billboard . Prometheus Global Media. 12 November 2011. Archived from the original on 3 November 2011 . http://www.webcitation.org/62unqErKa . Retrieved 3 November 2011 .
• ↑ 35.0 35.1 "Billboard Boxscore: Current Scores" . Billboard . Prometheus Global Media. 25 June 2011. Archived from the original on 15 June 2010 . http://www.webcitation.org/5zTCZ3F5s . Retrieved 15 June 2011 .
• ↑ "Billboard Boxscore: Current Scores" . Billboard . Prometheus Global Media. 18 June 2011. Archived from the original on 15 June 2010 . http://www.webcitation.org/5zSnmfjuV . Retrieved 15 June 2011 .
• ↑ 38.0 38.1 38.2 38.3 38.4 38.5 38.6 "Billboard Boxscore: Current Scores" . Billboard . Prometheus Global Media. 2 July 2011. Archived from the original on 23 June 2010 . http://www.webcitation.org/5zeI2NXbR . Retrieved 23 June 2011 .
• ↑ 39.0 39.1 39.2 39.3 39.4 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 16 July 2011. Archived from the original on 7 July 2011 . http://www.webcitation.org/5zznvuCFd . Retrieved 7 July 2011 .
• ↑ 40.0 40.1 40.2 40.3 40.4 40.5 40.6 40.7 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 20 August 2011. Archived from the original on 5 August 2011 . http://www.webcitation.org/60rDyICmm . Retrieved 11 August 2011 .
• ↑ 41.0 41.1 41.2 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 27 August 2011. Archived from the original on 18 August 2011 . http://www.webcitation.org/612mObvTM . Retrieved 18 August 2011 .
• ↑ 42.0 42.1 42.2 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 17 September 2011. Archived from the original on 8 September 2011 . http://www.freezepage.com/1315494553EGFUVPBGXN . Retrieved 8 September 2011 .
• ↑ 43.0 43.1 43.2 43.3 43.4 43.5 43.6 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 8 October 2011. Archived from the original on 3 October 2011 . http://www.webcitation.org/62B39eFGi . Retrieved 3 October 2011 .
• ↑ 44.00 44.01 44.02 44.03 44.04 44.05 44.06 44.07 44.08 44.09 44.10 44.11 44.12 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 5 November 2011. Archived from the original on 27 October 2011 . http://www.webcitation.org/62jzr4ts8 . Retrieved 27 October 2011 .
• ↑ 45.0 45.1 45.2 45.3 "Billboard Boxscore - Current Scores" . Billboard . Prometheus Global Media. 19 November 2011. Archived from the original on 10 November 2011 . http://www.webcitation.org/635XAfq7J . Retrieved 10 November 2011 .

External links [ ]

• Swift's official website
• 1 List of Taylor Swift's ex-boyfriends
• 2 Taylor Swift (album)
• 3 Meredith Grey

Speak Now World Tour

Table of contents, background and development.

«I’m so excited to go back out on tour again in 2011! The 'Fearless Tour' was so much fun and even more unforgettable than I ever imagined, and I can't wait to get back out and play my new music from Speak Now ! The fans have been so amazing and I'm thrilled to play in new cities around the world and meet even more of my fans in 2011!» Taylor Swift

Acoustic Surprise Covers

«One day at rehearsals I was having a rough day, and I wrote a lyric by my friend Selena Gomez on my arm: 'You’ve got every right to a beautiful life.' It looked cool, so now I put lyrics on my arm every night. It’s like a mood ring.» Taylor Swift

Speak Now...Help Now

«One of my dancers lives in Alabama and showed photos of a backyard cyclone and I thought, 'If there was any way I could help with damage done and families who lost homes, I had to think of one.' Here we are at a rehearsal, in an arena, with empty seats. What if we fill those seats? And give the proceeds to the victims of the tornadoes?» Taylor Swift

Critical Review

Music video and tour dvd.

NORTH AMERICA & AUSTRALIA

• 1. Sparks Fly
• 3. The Story of Us
• 4. Our Song
• 6. Back to December/Apologize/You're Not Sorry (Medley)
• 7. Better Than Revenge
• 8. Speak Now
• 9. Fearless/Hey, Soul Sister/I'm Yours (Medley)
• 10. Last Kiss
• 11. You Belong With Me
• 12. Dear John
• 13. Enchanted
• 14. Haunted
• 15. Long Live
• 16. Fifteen
• 17. Love Story

EUROPE & ASIA

• 4. Back to December/Apologize/You're Not Sorry (Medley)
• 5. Better Than Revenge
• 6. Speak Now
• 7. Fearless/Hey, Soul Sister/I'm Yours (Medley)
• 9. You Belong With Me
• 10. Dear John
• 11. Enchanted
• 12. Long Live
• 13. Love Story

Speak Now Era

Speak now (taylor's version), speak now (2010), speak now songs, speak now world tour – live, speak now tour arm lyrics, discography.

• Studio Albums
• Re-Recordings
• Extended Plays
• Work For Other Artists

Videography

• Concert Movies
• Filmography
• Music Videos
• Brand Deals

• Privacy Overview
• Strictly Necessary Cookies
• Cookie Policy

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.

More information about our Cookie Policy

• Film & TV
• Exclusive Series

• International
• New Zealand
• United Kingdom

Art Basel 2024 Opening Day Highlights: Major Sales and Gallery Successes Amid Market Fears

Art basel 2024: comprehensive guide to the 287 exhibiting galleries and exciting citywide programming, little island’s arts festival: a summer of premieres and innovation in new york.

• Best Canberra Art Exhibitions to Explore in 2024: Guide to the City’s Cultural Offerings

American Realism in Literature: Guide to Historical Context, Key Themes, and Prominent Authors

The j.k. rowling transgender controversy explained: key facts and reactions, best magical realism books: explore timeless classics and modern gems, paulo coelho: a comprehensive guide to the author’s inspiring journey and works, camila cabello announces fourth album ‘c, xoxo’ – exciting collaborations and release date details, billie eilish ‘hit me hard and soft’ earns her first top 10 hit on a billboard chart, eminem’s new single ‘houdini’: the last act of slim shady, morgan wallen controversy: nashville council rejects bar sign installation due to wallen’s past behavior, bioshock 4: release updates, development, gameplay, and other new bioshock details, metal gear solid delta: snake eater remake – detailed guide for the upcoming release, microsoft confirms call of duty: black ops 6 for xbox game pass, the latest update on playstation 6: expected release date, features, price, and more.

• New Jersey’s Crackdown on Underage and Prohibited Gambling
• China and Philippines Team Up to Fight Illegal Offshore Gambling
• Skill Games Stir Debate in Nebraska: Are They Fair to Casinos?
• Gambling Companies under fire for Alleged Big Tobacco Tactics
• Privacy Policy
• Affiliate Disclosure

sign up for your weekly dose of culture!

• Art & Culture

Taylor Swift’s Eras Tour Rocks Europe with New Songs and Stunning Fashion

Grace angelique.

• May 14, 2024

Taylor Swift’s 2024 Eras Tour has finally hit Europe. Check out all the highlights right here, including the complete setlist, unique outfit changes, and the debut of The Tortured Poets Department songs.

Plus, we’ve featured insights into other Swifties’ journeys to Europe for the concerts.

• Taylor Swift launched the European leg of her Eras Tour in Paris, introducing songs from her latest album, "The Tortured Poets Department."
• Swifties from the U.S. are flying to Europe, taking advantage of lower ticket prices and less restrictive resale rules.
• The tour now features multiple custom-made Atelier Versace outfits, reflecting Swift's evolving aesthetic for each musical era.

Taylor Swift Commences European Tour with Packed Show in Paris

Taylor Swift , the 34-year-old music icon, kicked off the European segment of her acclaimed Eras Tour with an electrifying performance on May 9 at Paris La Défense Arena in Nanterre, France.

This event marked the first performance since the release of her latest album , ‘The Tortured Poets Department.’

Swift introduced a completely revamped setlist, integrating songs from the new album, much to the delight of fans.

Every Change Made to the ‘Eras Tour’ Since ‘The Tortured Poets Department’ Release

Following the release of ‘The Tortured Poets Department,’ the Eras Tour setlist received a significant update.

The show now includes several songs from the new album while maintaining classics from previous eras.

No songs were removed from the Fearless or Red segments, although some adjustments were made to other sets, including removing one track from the Lover set and adjustments to the Speak Now and Folklore/Evermore sets.

Additionally, Swift showcased new fashion choices with custom-made outfits by Atelier Versace.

Fans Follow Taylor Swift to Europe, Citing Lower Costs and Exclusive Experiences

Amidst soaring ticket prices in North America, many Taylor Swift fans have chosen to see her perform in Europe , where tickets are comparatively cheaper .

According to Expedia, this trend, known as “tour tourism,” has become increasingly popular. Fans justify the travel expenses by the overall savings and unique experience of seeing Swift abroad.

The Paris shows alone saw Americans purchasing 20% of the tickets , and similar trends are expected in other European cities like Stockholm.

Taylor Swift’s New ‘Eras Tour’ Setlist for 2024

The Eras Tour setlist for Europe includes a wide array of hits across all of Swift’s musical periods:

• Lover Era: Songs like “Miss Americana & The Heartbreak Prince” and “Lover”
• Fearless Era: Classics like “Fearless” and “Love Story”
• Red Era: Including the extended version of “All Too Well”
• Speak Now Era: “Enchanted”
• Reputation Era: Hits such as “Ready For It” and “Look What You Made Me Do”
• Folklore/Evermore Era: Deep cuts like “Cardigan” and “Willow”
• 1989 Era: Fan-favorites including “Shake It Off” and “Blank Space”
• The Tortured Poets Department Era: New additions like “But Daddy I Love Him” and “The Smallest Man Who Ever Lived”
• Midnights Era: Latest hits such as “Anti-Hero” and “Karma”

The tour’s wide variety of music and theatrical elements, combined with Swift’s compelling stage presence, ensures an unforgettable experience for all attendees.

Don’t Miss Out on the 2024 Eras Tour in Europe!

If you love Taylor Swift’s music and want to see her perform live, consider coming to one of her European shows.

It’s a great chance to enjoy her latest songs and classic, all-time favorites. Hope to see you there for a fun and memorable night!

An accomplished Art News Journalist with a decade of experience, Grace has passionately covered global art events, exhibitions, and emerging trends. With a keen eye for aesthetics and a pulse on the art world's undercurrents, Grace has crafted compelling narratives that bridge art and its societal impacts. Her work has graced major publications, offering readers a fresh perspective on contemporary art and its evolving landscape.

LATEST NEWS

• June 14, 2024

British Museum Recovers 268 More Missing Artifacts After Theft Scandal

• June 13, 2024

Best Vineyards in the World: Top 10 Must-Visit Destinations for Wine Lovers

• June 12, 2024
• June 11, 2024

Top 16 Wellness Retreats for Women: Health Benefits, Prices, and Best Picks

Trap: everything you need to know about m. night shyamalan’s upcoming psychological thriller.

• June 10, 2024
• June 7, 2024
• June 6, 2024

Pro-Palestinian Protest at Brooklyn Museum Leads to Arrests and Artwork Damage

Explore the 11 top all-inclusive resorts in the world for the best vacation ever.

• June 5, 2024

The World’s Best Travel Destinations in 2024: Comprehensive Vacation Guide to Must-Visit Locations

• June 4, 2024

Christopher Nolan’s Next Movie: A New Chapter in His Storied Career

• June 3, 2024

15 Best Dystopian Novels of All Time: A Comprehensive Guide

• May 31, 2024

The Limitations of AI-Generated Art: Why AI Will Never Fully Replace Human Creativity

Best airlines to fly in the us: ultimate guide for every travel experience.

• May 30, 2024

Everything You Need to Know About Warhammer 40,000: Space Marine 2 – Release Date, Gameplay Modes, Features, and More

• May 29, 2024

Best Ski Resorts in Europe for 2024: Ultimate European Destinations for Every Skier

• May 28, 2024

Still Wakes the Deep: Release Date, Trailers, and Gameplay Details

Megalopolis release date: all you need to know about coppola’s sci-fi epic.

• May 27, 2024

Mick Herron: From Struggling Writer to Literary Superstar

World’s most famous street graffiti murals: stunning graffiti works and their stories.

• May 24, 2024

BBC Documentary Reveals Disturbing Secrets of the Burning Sun Scandal in the K-pop Industry

Comprehensive guide to fantasy fiction: origins, subgenres, and must-read fantasy books.

• May 23, 2024

New Assassin’s Creed Shadows Promises a Return to Classic Stealth in Feudal Japan with Dual Protagonists

Alien: romulus release date, cast, plot, and everything you need to know.

• May 22, 2024

Fortnite Chapter 5 Season 3: Start Date, Fallout Collab, and New Features

• May 21, 2024

9 Best Mountains to Climb: Ultimate Guide to Mountain Climbing

Slipknot new drummer: eloy casagrande’s transition from sepultura.

• May 20, 2024

Stephen King’s New Book “You Like It Darker” Features Classic Horror with a Fresh Twist

You're go-to-place for all things culture.

Sign-up for our mailing list for free betting picks, and exclusive promotions.

By signing up you agree with the Terms & Conditions and Privacy Policy .

DISCOVER MORE

You may also like.

Art Basel’s opening day saw strong sales despite worries about the art market. Dealers and collectors reported both challenges and…

American realism in literature focuses on portraying everyday life and societal changes in a detailed and accurate manner. This guide…

The British Museum has recovered 268 more missing artifacts after a major theft scandal, bringing the total to 626 recovered…

• Manage Account

Taylor Swift Announces International Eras Tour Dates in Europe, Asia & Australia

"I can't wait to see so many of you," the pop star wrote on Instagram.

By Hannah Dailey

Hannah Dailey

• Share on Facebook
• Share to Flipboard
• Share on Pinterest
• + additional share options added
• Share on Reddit
• Share on LinkedIn
• Share on Whats App
• Send an Email
• Print this article
• Post a Comment
• Share on Tumblr

Taylor Swift always keeps her promises. Just a couple weeks after unveiling a list of Latin American dates for her bestselling Eras Tour and pledging to schedule even more across the globe, the 33-year-old pop star has now announced a slew of international shows for the trek in 2024.

Here Are the Artists Opening for Taylor Swift’s Eras Tour: Paramore, Phoebe Bridgers…

Trending on billboard.

Swift first confirmed that the Eras Tour would be going global earlier this month, when the “Anti-Hero” singer announced a Latin American leg of shows in Mexico, Brazil and Argentina also featuring support from Carpenter, whom Swift called a “sweet angel princess.” “Really thrilled to tell you this!!” the pop star wrote in a post to her social media accounts at the time. “Mexico, Argentina and Brazil: We are bringing The Eras Tour to you this year!” she wrote on Instagram at the time.

“LOTS more international dates to come soon, promise!” she added.

Ten days later, Swift added three additional shows to the Latin America leg, which kicks off in early August and picks up in November.

In addition to the new shows, Swifties also have a new album to look forward to in the coming weeks. As announced in May, Swift’s third studio album, Speak Now, will receive the “Taylor’s Version” treatment. Re-recordings of the set’s original tracks drop July 7, as do previously unreleased “Vault” tracks featuring Hayley Williams and Fall Out Boy.

See the full list of new international Eras Tour dates below.

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

Get weekly rundowns straight to your inbox

Want to know what everyone in the music business is talking about?

Get in the know on.

Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.

optional screen reader

Charts expand charts menu.

• Billboard Hot 100™
• Billboard 200™
• Hits Of The World™
• TikTok Billboard Top 50
• Songs Of The Summer
• Song Breaker
• Year-End Charts
• Decade-End Charts

Music Expand music menu

• R&B/Hip-Hop

Videos Expand videos menu

Culture expand culture menu, media expand media menu, business expand business menu.

• Business News
• Record Labels
• View All Pro

Pro Tools Expand pro-tools menu

• Songwriters & Producers
• Artist Index
• Royalty Calculator
• Market Watch
• Industry Events Calendar

Billboard Español Expand billboard-espanol menu

• Cultura y Entretenimiento

Get Up Anthems by Tres Expand get-up-anthems-by-tres menu

Honda music expand honda-music menu.

Live from Paris: Taylor Swift adds 'Tortured Poets' songs to Eras Tour in France

PARIS, France — The Chairman jump-started her tour after a two-month hiatus, and anticipation was high over whether Taylor Swift would incorporate her 11th era album into the Eras Tour set at La Défense Arena on Thursday.

She did and then some.

Swift extended the set list by one track to land at 46 songs. But many changes were made along the way. She added a new era for "The Tortured Poets Department," cut a handful of songs and rearranged most of the eras including combining the sets for "Folklore" and "Evermore."

She also debuted a number of new outfits along the way.

Delivering all the updates were Bryan West, the USA TODAY Network's full-time Taylor Swift reporter, from inside La Défense Arena in Paris, with Swiftie and trending reporter Anthony Robledo assisting from his desk.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

We hereby present the minutes from the first Eras Tour meeting in Paris, France.

More: Taylor Swift unveils new Eras Tour set list in Paris

'Midnights' set follows secret songs

Swift stuck to her original set list for the "Midnights" era by singing "Lavender Haze," "Anti-Hero" and "Midnight Rain." She ended the night with a triumphant rendition of "Karma" as usual.

'loml' is second secret song

Fans got one more taste of "The Tortured Poets Department" when Swift played the heartbreaking song "loml" on the piano during her secret set.

'Paris' is a secret song, of course

Swift started her secret set with "Paris," a bonus song from her "Midnights" album.

'Tortured Poets' set list

Swift played these songs from her newest album:

• "But Daddy I Love Him"
• "So High School"
• "Who's Afraid of Little Old Me"
• "Fortnight"
• "The Smallest Man Who Ever Lived"
• "I Can Do It with a Broken Heart"

New 'Tortured Poets' set is here

Toward the end of her show, Swift officially launched the long-awaited “The Tortured Poets Department” section of the tour after the 1989 era.

Swift performed the track “But Daddy I Love Him” off the April 19 album for her ecstatic fans while wearing a new beige dress with cursive letters.  

A road spiraled down the catwalk in an animation to initiate the era. The background animation showed a deserted road while large cages animated and fell on the road.

“Oh my god you should see your faces,” she sang.

She quickly segued into a brief moment of “So High School,” the beloved track speculated to be about her romance with Kansas City Chiefs tight end Travis Kelce. She quickly performed the powerhouse anthem “Who’s Afraid of Little Old Me.”

Swift switched to “Down Bad” before seamlessly transitioning into the lead single “Fortnight.” Stage production recreated an asylum that resembled the music video for the song with Post Malone, recorded harmony played concluding the song. 

Dancers entered the stage in a marching band style format playing drums as she performed the wrath-fueled song “The Smallest Man Who Ever Lived.” Jan Ravnik and Kameron Saunders then revived Swift in a jazzy skit to set up “I Can Do With A Broken Heart,” where she debuted another new outfit. 

“The End” text displayed wrapping up the era that’s likely here to stay. Other beloved tracks like “Guilty As Sin” and “Florida!” did not make the cut.

New '1989' outfit

Swift never goes out of Style. During her “1989” set, she debuted a new, sequined outfit of blue and pink. Her sparkly shoes matched with a different colored heel on each. For the bridge of “Blank Space,” the crowd started chanting in Sydney, Australia, “Syd-ney” as a nod to the 1989 World Tour concert movie where Swift would chant the name of the city she was in after hitting a pole with a club two times. Singapore followed the chant and Taylor Nation tweeted they want every city to incorporate the fan-fueled chant.In Paris, thousands chanted “Par-ee,” the French way to say the capital city.

Swift made no cuts to the "1989" set.

Four songs cut from 'Folklore' and 'Evermore'

The new set list cut four tracks from the "Folklore" and "Evermore" eras:

• "'Tis the Damn Season"
• "Tolerate It"
• "The Last Great American Dynasty"

The combined set included eight songs altogether and wrapped up with "Willow."

'Folkmore' set debuts

Swift revealed she merged the 2020 pandemic albums “Folklore” and “Evermore” into one section. She told fans she wrote “Folklore” to represent spring and summer with “Evermore” representing fall and winter in what she always considered sister albums.

“On the Eras Tour we have now reunited the sisters, combined them into one chapter,” she said. “You can call it whatever you want as long as you promise to sing ‘Champagne Problems’ with me.”

'Folklore' set: 'Cardigan' makes the cut

Many fans had speculated "Cardigan" would be cut from the set list. But Swift actually moved it to the top of the "Folklore" set.

Up next: 'Reputation'

Swift kicked off her fifth set with "Ready for It?"

Another surprise: 'Speak Now' era comes fourth

Swift updated her "Speak Now" set with an intro dance featuring Raphael Thomas and eight other dancers wearing flowy purple dresses. She then sang "Enchanted."

Fan favorite track "Long Live" was cut from the set list.

Order of eras changed

After a fairly routine "Fearless" set, Swift altered her concert by including the “Red” era third instead of the expected “Evermore” set. Previously, "Red" came fifth.

With a new shirt that read “This Is Not Taylor’s Version,” the singer performed "22" and showed her audience that they needed to leave any expectations at home. 

The relocated "Red" set included the same four songs: "22," "We Are Never Ever Getting Back Together," "I Knew You Were Trouble" and "All Too Well (10-Minute Version)."

Beflore playing “All Too Well (10 Minute Version),” Swift talked about bringing all of her favorite memories to France.She did her 2019 “Lover” live show here but hadn’t brought a tour to the country since the Speak Now World Tour 13 years ago.“I cannot thank you enough. I’m so moved," she said.

Follow along with set list changes here .

First set list change

Swift cut "The Archer" from her "Lover" set before beginning her "Fearless" set in a silver and black minidress as opposed to her classic gold one. A graphic showed her "Lover" house with a new addition in the attic for "The Tortured Poets Department." Her "Fearless" set remained the same with "Fearless," "You Belong With Me" and "Love Story."

More: Taylor Swift's 'Love Story' castle will soon host weddings

'Je m'appelle Taylor'

In her monologue before playing the song "Lover," Swift said the night would span 18 years of music. Previously, the concert covered 16 years. Get ready for a "The Tortured Poets Department" addition some time tonight.

She confirmed the tour would still go era by era, and also spoke about how Paramore is a band she idolized since she was a teenager. She ended with some French: "Je m'appelle Taylor."

First new outfit

Swift debuted a new, orange bodysuit and jacket for the "Lover" set.

Snippet of 'Tortured Poets' in intro

A snippet of the song "The Tortured Poets Department" was included in the intro music Swift kicks the concert off with. Is she foreshadowing other changes ahead? It seems likely.

Taylor Swift takes the stage

Swift took the stage about 8 p.m. in Paris (2 p.m. ET) to relaunch her Eras Tour in Europe. She kicked it off with a countdown clock and the Lesley Gore song "You Don't Own Me" as usual. Then she began her "Lover" set with "Miss Americana."

Paramore covers Blondie, Talking Heads in Paris set list

At the Paris show Thursday, Paramore energized fans with eight tracks including their cover off the upcoming “Stop Making Sense” tribute album out May 17 featuring artists like Miley Cyrus and Lorde.

Debuting a blond mullet, lead singer Hayley Williams encouraged fans to dance without fear of judgment ahead of Swift’s performance.

“Enjoy your time with Miss Taylor, we will see you next time,” Williams said. 

Paramore's set list included:

• "Hard Times"
• "Burning Down the House" (Talking Heads cover) 
• "Caught in the Middle"
• “Brick by Boring Brick”
• “The Only Exception”
• “That’s What You Get”
• “Ain't It Fun”
• “This Is Why”

Paramore begins their set

At about 6:45 p.m. in Paris (12:45 p.m. ET), Paramore began their set, officially restarting the second year of the historic Eras Tour. Lead singer Hayley Williams sported a new, blond mullet hairdo.

Paramore opens European leg of Eras Tour

The American rock band is joining Swift on her European leg of 51 shows. Paramore also opened the show for two nights in Glendale, Arizona, in 2023. Their setlist then included nine songs:

• "This Is Why"
• "That’s What You Get"
• "The Only Exception"
• "Still Into You"
• "Rose-Colored Boy"
• "Misery Business"
• "Ain’t It Fun"

Where to watch the Eras Tour livestreams

The Eras Tour is one of the first tours that has been followed, globally, by thousands of fans on digital platforms. Fans dedicate part of their concert experience to livestreaming as Swift performs. Livestream Queen Tess Bohne has spearheaded the "Great War" to find fans going live on social media and broadcasting a custom show to tens of thousands of fans almost every night on her account @tessdear .

On YouTube, user @TaylorSwiftHockeyBro also livestreams the 3-hour show, and on Twitch, @folkleric is a host fans follow.

There is also an app, Swift Alert , that notifies fans who only want to watch certain eras like the acoustic, surprise set. The app also sends out push alerts if there are any major announcements.

What secret songs are left?

For the past 83 shows, Swift has had an acoustic set she customizes every stop with a guitar and piano performance. In 2024, the Eras Tour star added mash-ups of her songs for each stop. Here are the songs she has yet to perform:

• "Taylor Swift" (debut album): "Mary's Song" and "A Perfectly Good Heart"
• "Fearless": "The Way I Loved You," "Change," "Superstar," "We Were Happy," "That's When," "Don't You" and "Bye Bye Baby"
• "Red": "Girl At Home," "Ronan," "Forever Winter" and "Run"
• "1989": "Sweeter Than Fiction"
• "Reputation": "I Did Something Bad"
• "Lover": "London Boy," "Soon You'll Get Better" and "It's Nice to Have a Friend"
• "Folklore": "Hoax"
• "Evermore": "Happiness" and "Closure"
• "Midnights": "Paris" and "Glitch"
• "The Tortured Poets Department": all 31 tracks

Bienvenue dans le 'Eras Tour'

Welcome to the Eras Tour (France's Version). Swift is kicking off her 3-plus-hour concert from La Défense Arena in the Jardins de l’Arche district. The venue is Europe’s largest indoor arena and houses the Racing 92 rugby club. More than 40,000 fans will watch the concert, according to the stadium's website.

Don't miss any Taylor Swift news; sign up for the  free, weekly newsletter This Swift Beat.

Catch Taylor Swift live with tickets at  Vivid Seats , shop  merchandise , and stream her latest on  Disney+ . Purchases you make through our links may earn us and our publishing partners a commission.  

Follow Taylor Swift reporter Bryan West on  Instagram ,  TikTok  and  X as @BryanWestTV .

10 Ways Taylor Swift Changed The Eras Tour In Paris

The singer gave the show a big revamp for the European leg.

Taylor Swift has given the Eras Tour a whole new look. On May 9, the singer resumed her history-making world tour in Paris, France, after a two-month break, during which she released her 11th studio album The Tortured Poets Department . As fans expected, she added a whole new era into the show with several fan-favorite songs.

Not only did Swift incorporate the new album , but she also refreshed the entire show, rearranging the order of the acts representing her albums. While she began with Lover and ended with Midnights as usual, she shifted nearly every era in between, even combining two albums into one act.

Swift also introduced several new costumes, updated the intro, and gave the dancers something new to do. If you can’t keep track of all of the additions, read on for 10 changes Swift made for the Eras Tour’s European leg.

The Tortured Poets Intro

As expected, the show’s intro announcing the names of Swift’s albums now includes The Tortured Poets Department , sung between 1989 and Red , as well as a lyric from “The Alchemy.”

The Lover Outfit

Swift began the show on a fiery note by changing her Lover bodysuit and the matching blazer she wears for “The Man” to an orange-ombré look.

The Fearless Dress

For the Fearless act, she debuted a shiny fringe dress that 19-year-old Swift would have been very proud of.

Shaking Up The Eras

In an unexpected twist, Swift completely rearranged the order of the entire show. Rather than the Evermore act following Fearless as usual, she jumped ahead to Red . She then went into the Speak Now and Reputation eras in that order.

The Cryptic Red Shirt

Swift wore a brand new sparking shirt for “22” which read, “This is not Taylor’s Version.” Most Swifties think this is a loving compliment toward the fans who can automatically tell which songs are “Taylor’s Version” re-recordings when they’re played in public.

A New Speak Now Intro & Dress

Swift elevated the Speak Now act by having her dancers perform dazzling choreography to the intro of “Enchanted,” before she arrives onstage in a new princess gown.

Combining Folklore and Evermore

Swift combined the Folklore and Evermore eras into one act. She has always referred to Evermore as the sister album to Folklore , so this should come as no surprise.

The Yellow Folklore Dress

Going into the newly introduced “Folkmore” act, Swift donned a new yellow dress. She typically wore yellow gowns during the Evermore act, meaning this was likely an additional way to pay tribute to the album.

The New 1989 Outfit

Rather than stick to one of her monochrome two-piece sets for the 1989 act, Swift decided to mix it up, donning a glittery pink bra top and teal blue skirt that gave fans Barbie and Little Mermaid vibes.

The New Tortured Poets Act

Instead of going into the surprise songs after the 1989 act, Swift took the crowd to the Tortured Poets Department. She added a whole new era to the set, with seven songs from her record-breaking new album (plus one more track during the Secret Songs segment ).

Taylor Swift Taps Paramore for European Eras Tour Run

Taylor Swift knows we need more — so she’s giving us just that. The singer has added 14 more shows to the European/U.K. leg of her Eras Tour , and announced that Paramore will provide support throughout the trek.

“Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour,” Swift wrote on Twitter Wednesday, July 5. “And I get to travel the world doing shows with @paramore !! Hayley and I have been friends since we were teens in Nashville and now we get to frolic around the UK/Europe next summer??? I’m screaming???”

Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour. And I get to travel the world doing shows with @paramore !! Hayley and I have been friends since we were teens in Nashville and now we get to frolic around the UK/Europe next summer??? I’m… pic.twitter.com/kl1aijxR2o — Taylor Swift (@taylorswift13) July 5, 2023

Last month, Swift added dozens of shows to her Taylor Swift: The Eras stadium tour — bringing the total count of shows to a whooping 104 nights . She also extended her run at Los Angeles’ So-Fi Stadium with a sixth show scheduled for Aug. 7.

The new addition comes after the singer announced shows in Japan, Australia, Singapore, and Europe earlier this week. (See below for the full tour dates.)

“EXCUSE ME HI I HAVE SOMETHING TO SAY 🙋‍♀️,” she wrote on Instagram. “I can’t wait to see so many of you on The Eras Tour next year at these new international dates!”

She also added more dates to her already-announced Latin America tour. After wrapping her U.S. dates in Los Angeles on Aug. 9, Swift will head to Mexico City for four straight shows at Foro Sol starting Aug. 24. She’ll then stop in Buenos Aires, Argentina, and both Rio de Janeiro and São Paulo in Brazil in November.

Editor’s picks

Every awful thing trump has promised to do in a second term, the 250 greatest guitarists of all time, the 500 greatest albums of all time, the 50 worst decisions in movie history.

Joining the artist on her Latin America run and shows in Singapore and Australia will be “sweet angel princess” Sabrina Carpenter.

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

Swift first announced the tour last October after she completely took over the Billboard Hot 100 top 10 with Midnights . The added dates, which follow the addition of eight new shows last week, were slotted in “due to unprecedented demand,” according to the singer’s camp.

“Good Morning America, it’s Taylor,” Swift said during the announcement. “I wanted to tell you something that I’ve been so excited about for a really long time and I’ve been planning for ages, and I finally get to tell you I’m going back on tour. The tour is called the ‘Eras’ tour, and it’s a journey through all of my musical eras of my career.”

She gave us 8 shows last week, honey, but we want ‘em all. 💕 Due to unprecedented demand for tickets to #TSTheErasTour , Taylor has added 17 more shows in the US! https://t.co/ebjX0GgXTu pic.twitter.com/1NQeUZ7vml — Taylor Nation (@taylornation13) November 11, 2022

Taylor Swift Debuts ‘Carolina,’ ‘The Manuscript’ Live at Liverpool Show

Joe alwyn talks taylor swift breakup for first time: 'hard thing to navigate', taylor swift surprises liverpool show with 'this is what you came for' cover.

Across the tour, Swift is being supported in select cities by a combination of special guests including Paramore, beabadoobee, Phoebe Bridgers, girl in red, MUNA, HAIM, GAYLE, Gracie Abrams, and OWENN.

The Eras tour follows the cancelation of her planned 2020 Lover Fest tour, which was originally going to see her make stadium stops in Los Angeles, Boston, and New York, along with Brazil, Denmark, Norway, and Poland. “This is an unprecedented pandemic that has changed everyone’s plans and no one knows what the touring landscape is going to look like in the near future,” she wrote in 2021.

Swift last went the road in 2018 for her massive Reputation Stadium Tour , which saw Swift accompanied by the likes of Charli XCX and Camila Cabello across the United States, the United Kingdom, along with Australia, New Zealand, and Japan. The tour was the highest-grossing music tour by a female artist that year.

Since her last tour, Swift has released four albums and two re-releases: Lover , Folklore , Evermore , Midnights , and Taylor’s Version editions of Fearless and Red with additional songs. In total, she’s dropped 90 tracks of new material, not including collaborations with the likes of Haim and Big Red Machine.

Fans have long wondered what music she’ll be performing on the road, with some theorizing that she’d host a residency in Las Vegas or a music festival where she’d perform different “eras” on different nights.

Along with packing her setlist with songs from Reputation in 2018, she surprised each city with an acoustic rendition of fan favorites like “Red,” “Holy Ground,” and “Wildest Dreams.” At select shows, she also brought out special guests. Shawn Mendes, Selena Gomez, Hayley Kiyoko, and Maren Morris were among the artists to be brought out by Swift.

She previously took her 1989 album on the road for 85 dates, where she was accompanied by the likes of Mendes, James Bay, Vance Joy, and Haim. Before then was The Red Tour in 2013 and 2014, and her Speak Now World Tour from 2011 to 2012.

Taylor Swift The Eras Tour 2023 Europe, Asia, Australia (new dates in bold) Feb. 7 – Tokyo, JPN @ Tokyo Dome Feb. 8 – Tokyo, JPN @ Tokyo Dome Feb. 9 – Tokyo, JPN @ Tokyo Dome Feb. 10 – Tokyo, JPN @ Tokyo Dome

Feb. 16 – Melbourne, AUS @ Melbourne Cricket Ground Feb. 17 – Melbourne, AUS @ Melbourne Cricket Ground Feb. 23 – Sydney, AUS @ Accor Stadium Feb. 24 – Sydney, AUS @ Accor Stadium Feb. 25 – Sydney, AUS @ Accor Stadium March 2 – Kallang, SGP @ Singapore National Stadium March 3 – Kallang, SGP @ Singapore National Stadium

Taylor Swift The Eras Tour 2022 Latin America Dates (Additional Dates Bolded)

Aug. 24 – Mexico City, MEX @ Foro Sol Aug. 25 – Mexico City, MEX @ Foro Sol Aug. 26 – Mexico City, MEX @ Foro Sol Aug. 27 – Mexico City, MEX @ Foro Sol Nov. 9 – Buenos Aires, ARG @ Estadio River Plate Nov. 10 – Buenos Aires, ARG @ Estadio River Plate Nov. 11 – Buenos Aires, ARG @ Estadio River Plate Nov. 17 – Rio de Janeiro, BRA @ Estadio Nilton Santos – Engenhão Nov. 18 – Rio de Janeiro, BRA @ Estadio Nilton Santos – Engenhão Nov. 19 – Rio de Janeiro, BRA @ Estadio Nilton Santos – Engenhão Nov. 24 – São Paulo, BRA @ Allianz Parque Nov. 25 – São Paulo, BRA @ Allianz Parque Nov. 26 – São Paulo, BRA @ Allianz Parque

Taylor Swift The Eras Tour Second Round Additional Dates (Latest Addition Bolded) March 17 – Glendale, AZ @ State Farm Stadium March 24 – Las Vegas, NV @ Allegiant Stadium March 31 – Arlington, TX @ AT&T Stadium April 13 – Tampa, FL @ Raymond James Stadium April 21 – Houston, TX @ NRG Stadium April 23 – Houston, TX @ NRG Stadium April 30 – Atlanta, GA @ Mercedes-Benz Stadium May 7 – Nashville, TN @ Nissan Stadium June 4 – Chicago, IL @ Soldier Field June 9 – Detroit, MI @ Ford Field June 16 – Pittsburgh, PA @ Acrisure Stadium June 23 – Minneapolis, MN @ U.S. Bank Stadium June 30 – Cincinnati, OH @ Paycor Stadium July 7 – Kansas City, MO @ GEHA Field at Arrowhead Stadium July 14 – Denver, CO @ Empower Field at Mile High Aug. 7 – Los Angeles, CA @ SoFi Stadium Aug. 8 – Los Angeles, CA @ SoFi Stadium Aug. 9 – Los Angeles, CA @ SoFi Stadium

Taylor Swift The Eras Tour Additional Dates April 14 – Tampa, FL @ Raymond James Stadium May 5 – Nashville, TN @ Nissan Stadium  May 14 – Philadelphia, PA @ Lincoln Financial Field  May 21 – Foxborough, MA @ Gillette Stadium  May 28 – East Rutherford, NJ @ MetLife Stadium  July 23 – Seattle, WA @ Lumen Field  July 28 – Santa Clara, CA  @ Levi’s Stadium Aug. 3 – Los Angeles, CA @ SoFi Stadium

R.E.M. Share Band-Curated Playlist of Their Favorite R.E.M. Songs

Jeremy tepper, impresario of outlaw country music, dead at 60.

This story was updated on June 27 at 11:50 a.m. to include Swift adding a sixth night at So-Fi Stadium in Los Angeles.

This story was updated July 5 at 12:50 p.m. ET with Swift’s additional U.K./European shows, and news that Paramore would open on the tour.

See Snoop Dogg Throw First Pitch, Give Play-by-Play at Brewers Game

• The one and only
• By Althea Legaspi
• Double Feature
• By Joseph Hudak

Joe Alwyn Talks Taylor Swift Breakup for First Time: 'Hard Thing to Navigate'

• 'very unreal space'
• By Daniel Kreps

See Post Malone Bring Out Billy Strings for Two Songs at Bonnaroo

• Bonnaroo 2024

Most Popular

Pat sajak passes 'wheel of fortune' hosting baton to ryan seacrest and tells him: 'you’re never going to find a better job' or 'a better co-host' in vanna white, kenya moore suspended indefinitely from ‘real housewives of atlanta’, prince harry & meghan markle might be going back to their royal exit plan that queen elizabeth nixed, 50 cent's life threatened by former drug lord currently suing rapper for $1 billion, you might also like, ‘six feet under’ star rachel griffiths plays an ethical brothel owner in first image, trailer from new drama ‘madam’ (exclusive), the 31 best father’s day gifts for cool dads, tested by editors, the best yoga mats for any practice, according to instructors, taylour paige’s main goal on ‘beverly hills cop: axel f’ was getting eddie murphy to laugh: ‘i found it quite fun to crack him’, shilo sanders scores partial dismissal of bankruptcy lawsuit.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

Join us on Social

Photo: Jemal Countess/WireImage for Songwriter's Hall of Fame

For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

The third Taylor Swift album to receive the 'Taylor's Version' treatment, 'Speak Now' isn't just a time capsule for the superstar — it was the turning point for her both personally and professionally.

As Taylor Swift began work on her third album, she knew all eyes were on her. The singer had solidified her status as a bonafide country-pop superstar thanks to her sophomore LP, 2008's Fearless , which earned Swift her first four GRAMMYs, including Album Of The Year. Meanwhile, her personal life had become non-stop fodder for the tabloids; critics painted her as a boy-crazy maneater ready to chew up exes for the sake of hits.

While her first two records had largely centered on romantic daydreams and small-town adolescence, Swift's new level of fame meant her next set of music would involve more high-profile subjects. Like, say, the rapper who'd tried to humiliate her in front of the entire world at the 2009 MTV Video Music Awards. Or the Hollywood starlet she was convinced had stolen her pop star boyfriend. Or the critic who had taken a particularly vicious swipe at her on his well-known industry blog. All of those moments pinwheeled around a common theme: speaking up, speaking out, speaking her truth. And the result became Speak Now .

"These songs are made up of words I didn't say when the moment was right in front of me," Swift wrote in the LP's liner notes. "These songs are open letters. Each is written with a specific person in mind, telling them what I meant to tell them in person."

Swift's Speak Now era officially began in August 2010, when she released "Mine" as the album's lead single. The rollout was expedited by two weeks after the song leaked on the internet, but even with an earlier-than-planned release, the star immediately proved she was pushing her songcraft past the high school hallways and teenage fairytales of her first two albums — a level of maturity that rang through Speak Now .

"Mine" told an altogether different kind of love story, one that confronted the daunting realities of adulthood head-on. Instead of the hopeless romantic fans had come to know on past hits like "Love Story" and "You Belong With Me," Swift positioned herself as the jaded protagonist at the tale's center, one whose walls are only broken down by this new, grown-up kind of love.

Becoming her fourth top five hit on the Billboard Hot 100, "Mine" also contained a particularly flawless turn of phrase in its chorus — "you made a rebel of a careless man's careful daughter" — that remains, to this day, one of the best examples of Swift's razor-sharp talent for crafting the perfect lyric.

The rest of Speak Now — which Swift wrote entirely alone as a mic drop against critics — proved to have the same kind of brilliance. Swift had unleashed a new layer of her songwriting ability; not only did she dive deeper into the unveiled honesty of her diaristic style, but she also hinted at the whimsical storytelling that was to come on future albums, particularly 2020's folklore and evermore . But above all, Speak Now showed that Swift would never leave anything unspoken again.

Swift's evolution as a songwriter mirrored her growing success: Upon its October 2010 release, Speak Now sold an eye-popping 1,047,000 copies in its first week. The seven-digit sales figure nearly doubled Fearless ' opening week tally of 592,300, and became the first album to achieve the million-copy first-week feat in more than two years. (The achievement also foreshadowed the records Swift would break with her subsequent releases, most recently her majorly record-breaking 10th album, Midnights .)

Nearly every track on Speak Now had fans and the press hunting for clues about who was on the receiving end of Swift's open letters. There's "Back to December," a break-up ballad written for Taylor Lautner, and "Better Than Revenge," a condescending clapback at Camilla Belle for "sabotaging" her romance with Joe Jonas . She even offered Kanye West a surprising amount of grace after their viral VMAs moment on the downtempo ballad "Innocent."

Arguably the most talked-about Speak Now subject was (and still is) John Mayer , who had two songs aimed squarely at him: pop-punk-fueled single "The Story of Us" and "Dear John," a devastating dressing down of their 12-year age gap. The latter even mimicked Mayer's trademark blues guitar as Swift wailed, "Dear John, I see it all now, it was wrong/ Don't you think 19's too young/ To be played by your dark, twisted games when I loved you so?/ I should've known."

Perhaps the most victorious moment from Taylor's Speak Now era, though, came from "Mean." The banjo-tinged tune served as a deliciously twangy clapback to critic Bob Lefsetz, who had publicly derided Swift's 2010 GRAMMYs performance with Stevie Nicks , just hours before she was awarded Album Of The Year for the first time.

Not only did "Mean" end up winning Best Country Song and Best Country Solo Performance at the 2012 GRAMMYs, but Swift also got the last word by performing the single during the ceremony. In the final chorus, Swift landed her knock-out punch — the music dropped out completely as she triumphantly declared, "But someday I'll be singin' this at the GRAMMYs/ And all you're ever gonna be is mean."

Nearly 13 years after Speak Now was first unveiled, Swift is now on the precipice of giving her beloved third album its highly anticipated Taylor's Version re-release — appropriately the third project after Fearless and Red to be re-recorded in her history-making quest to own her life's work.

The new edition of Speak Now will contain all 14 tracks on the original LP as well as sixth single "Ours" and fellow deluxe cut "Superman." (Though released in March to celebrate the start of The Eras Tour , "If This Was a Movie" was mysteriously left off the (Taylor's Version) tracklist.) It will also feature six vault tracks from the era, including collaborations with Paramore 's Hayley Williams ("Castles Crumbling") and Fall Out Boy ("Electric Touch"), two acts Swift said "influenced me most powerfully as a lyricist" back when she was recording the album in 2010. 

As the lone LP in her now 10-album discography to be written solely by Swift's pen, Speak Now undoubtedly holds a special and solitary place in the superstar's heart. Looking back on the album after announcing the Taylor's Version release at her first Nashville Eras Tour stop , she made clear it has only become more meaningful over the last 13 years. 

"I first made Speak Now , completely self-written, between the ages of 18 and 20," she wrote in a social media post announcing the album . "The songs that came from this time in my life were marked by their brutal honesty, unfiltered diaristic confessions and wild wistfulness. I love this album because it tells a tale of growing up, flailing, flying and crashing…and living to speak about it."

10 Albums On Divorce & Heartache, From Fleetwood Mac's 'Rumours' To Kelly Clarkson's 'Chemistry'

Photo: Mike Formanski

"Let Yourself Be Idiosyncratic": Moby Talks New Album 'Always Centered At Night' & 25 Years Of 'Play'

"We're not writing for a pop audience, we don't need to dumb it down," Moby says of creating his new record. In an interview, the multiple-GRAMMY nominee reflects on his latest album and how it contrasts with his legendary release from 1999.

Moby ’s past and present are converging in a serendipitous way. The multiple-GRAMMY nominee is celebrating the 25th anniversary of his seminal work, Play , the best-selling electronic dance music album of all time, and the release of his latest album, always centered at night .  

Where Play was a solitary creation experience for Moby, always centered at night is wholly collaborative. Recognizable names on the album are Lady Blackbird on the blues-drenched "dark days" and serpentwithfeet on the emotive "on air." But always centered at night ’s features are mainly lesser-known artists, such as the late Benjamin Zephaniah on the liquid jungle sounds of "where is your pride?" and Choklate on the slow grooves of "sweet moon."  

Moby’s music proves to have staying power: His early ‘90s dance hits "Go" and "Next is the E" still rip up dancefloors ; the songs on Play are met with instant emotional reactions from millennials who heard them growing up. Moby is even experiencing a resurgence of sorts with Gen Z. In 2023, Australian drum ‘n’ bass DJ/producer Luude and UK vocalist Issey Cross reimagined Moby’s classic "Porcelain" into "Oh My." Earlier this year, Moby released "You and Me" with Italian DJ/producer Anfisa Letyago .  

Music is just one of Moby’s many creative ventures. He wrote and directed Punk Rock Vegan Movie as well as writing and starring in his homemade documentary, Moby Doc . The two films are produced by his production company, Little Walnut , which also makes music videos, shorts and the podcast "Moby Pod ." Moby and co-host Lindsay Hicks have an eclectic array of guests, from actor Joe Manganiello to Ed Begley, Jr., Steve-O and Hunter Biden. The podcast interviews have led to "some of the most meaningful interpersonal experiences," Moby tells GRAMMY.com.  

A upcoming episode of "Moby Pod" dedicated to Play was taped live over two evenings at Los Angeles’ Masonic Lodge at Hollywood Forever Cemetery. The episode focuses on Moby recounting his singular experiences around the unexpected success of that album — particularly considering the abject failure of his previous album, Animal Rights . The narrative was broken up by acoustic performances of songs from Play , as well as material from Always Centered at Night (which arrives June 14) with special guest Lady Blackbird. Prior to the taping, Moby spoke to GRAMMY.com about both albums.  

'Always centered at night' started as a label imprint then became the title of your latest album. How did that happen?  

I realized pretty quickly that I just wanted to make music and not necessarily worry about being a label boss. Why make more busy work for myself ?

The first few songs were this pandemic process of going to SoundCloud, Spotify, YouTube and asking people for recommendations to find voices that I wasn’t familiar with, and then figuring out how to get in touch with them. The vast majority of the time, they would take the music I sent them and write something phenomenal.

That's the most interesting part of working with singers you've never met: You don't know what you're going to get. My only guidance was: Let yourself be creative, let yourself be idiosyncratic, let the lyrics be poetic. We're not writing for a pop audience, we don't need to dumb it down. Although, apparently Lady Blackbird is one of Taylor Swift 's favorite singers .   

Guiding the collaborators away from pop music is an unusual directive, although perhaps not for you?  

What is both sad and interesting is pop has come to dominate the musical landscape to such an extent that it seems a lot of musicians don't know they're allowed to do anything else. Some younger people have grown up with nothing but pop music. Danaé Wellington, who sings "Wild Flame," her first pass of lyrics were pop. I went back to her and said, "Please be yourself, be poetic." And she said, "Well, that’s interesting because I’m the poet laureate of Manchester." So getting her to disregard pop lyrics and write something much more personal and idiosyncratic was actually easy and really special .  

You certainly weren’t going in the pop direction when making 'Play,' but it ended up being an extremely popular album. Did you have a feeling it was going to blow up the way it did?

I have a funny story. I had a date in January 1999 in New York. We went out drinking and I had just gotten back the mastered version of   Play . We're back at my apartment, and before our date became "grown up," we listened to the record from start to finish.   She actually liked it.   And I thought,   Huh, that's interesting. I didn't think anyone was going to like this record .  

You didn’t feel anything different during the making of 'Play?'

I knew to the core of my being that   Play   was going to be a complete, abject failure. There was no doubt in my mind whatsoever. It was going to be my last record and it was going to fail. That was the time of people going into studios and spending half a million dollars. It was   Backstreet Boys   and   Limp Bizkit   and   NSYNC ; big major label records that were flawlessly produced.   Play   was made literally in my bedroom. 

I slept under the stairs like Harry Potter in my loft on Mott Street. I had one bedroom and that's where I made the record on the cheapest of cheap equipment held up literally on milk crates. Two of the songs were recorded to cassette, that's how cheap the record was. It was this weird record made by a has-been, a footnote from the early rave days. There was no world where I thought it was going to be even slightly successful. Daniel Miller from Mute said — and I remember this very clearly — "I think this record might sell over 50,000 copies." And I said, "That’s kind of you to say but let's admit that this is going to be a failure. Thank you for releasing my last record."   

Was your approach in making  'Play'  different from other albums?  

The record I had made before   Play ,   Animal Rights , was this weird, noisy metal punk industrial record that almost everybody hated. I remember this moment so vividly: I was playing Glastonbury in 1998 and it was one of those miserable Glastonbury years.   When it's good, it's paradise; it's really special.   But the first time I played, it was disgusting, truly. A foot and a half of mud everywhere, incessant rain and cold. I was telling my manager that I wanted to make another punk rock metal record. And he said the   most gentle   thing, "I know you enjoy making punk rock and metal. People really   enjoy   when you make electronic music." 

The way he said it, he wasn't saying, "You would help your career by making electronic music." He simply said, "People enjoy it." If I had been my manager, I would have said, "You're a f— ing   idiot. Everyone hated that record. What sort of mental illness and masochism is compelling you to do it again?" Like Freud said, the definition of mental illness is doing the same thing and expecting different results.   But his response was very emotional and gentle and sweet, and that got through to me.   I had this moment where I realized,   I can make music that potentially people will   enjoy   that will make them happy.   Why not pursue that?  

That was what made me not spend my time in ‘98 making an album inspired by Sepultura and   Pantera   and   instead make something more melodic and electronic.  

After years of swearing off touring, what’s making you hit stages this summer?  

I love playing live music. If you asked me to come over and play Neil Young songs in your backyard, I would say yes happily, in a second. But going on tour, the hotels and airports and everything, I really dislike it.   

My manager tricked me. He found strategically the only way to get me to go on tour was to give the money to animal rights charities. My philanthropic Achilles heel. The only thing that would get me to go on tour. It's a brief tour of Europe, pretty big venues, which is interesting for an old guy, but when the tour ends, I will have less money than when the tour begins.  

Your DJ sets are great fun. Would you consider doing DJ dates locally?  

Every now and then I’ll do something. But there’s two problems. As I've become very old and very sober, I go to sleep at 9 p.m. This young guy I was helping who was newly sober, he's a DJ. He was doing a DJ set in L.A. and he said, "You should come down. There's this cool underground scene." I said, "Great! What time are you playing?" And he said "I’m going on at 1 a.m." By that point I've been asleep for almost five hours.

I got invited to a dinner party recently that started at 8 p.m. and I was like, "What are you on? Cocaine in Ibiza? You're having dinner at 8 p.m .  What craziness is that? That’s when you're putting on your soft clothes and watching a '30 Rock' rerun before bed. That's not going out time." And the other thing is, unfortunately, like a lot of middle aged or elderly musicians, I have a little bit of tinnitus so I have to be very cautious around loud music.

Are you going to write a third memoir at any point?  

Only when I figure out something to write. It's definitely not going to be anecdotes about sobriety because my anecdotes are: woke up at 5 a.m., had a smoothie, read The New York Times , lamented the fact that people are voting for Trump, went for a hike, worked on music, played with Bagel the dog, worked on music some more went to sleep, good night. It would be so repetitive and boring. 

It has to be something about lived experience and wisdom. But I don't know if I've necessarily gotten to the point where I have good enough lived experience and wisdom to share with anyone. Maybe if I get to that point, I'll probably be wrong, but nonetheless, that would warrant maybe writing another book.

  Machinedrum's New Album '3FOR82' Taps Into The Spirit Of His Younger Years  

Photo: Marcelo Hernandez/Getty Images

The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint

"It’s not just [about] a single tour, it’s every tour," singer Brittany Howard says of efforts to make concerts more sustainable. From the nonprofit that partnered with Billie Eilish, to an MIT initiative, the music industry aims to curb climate change.

Beloved by fans around the globe, yet   increasingly unaffordable   for many artists, concert tours are central to the world of entertainment and   local economies . After the pandemic-era   global shuttering of concert venues   large and small, tours are back, and bigger than ever.   

Taylor Swift ’s Eras Tour is   smashing records , selling more than four million tickets and earning more than $1 billion. But that tour made headlines for another reason: as reported in   Business Insider   and other outlets, for a six-month period in 2023, Swift’s two jets spent a combined 166 hours in the air between concerts, shuttling at most a total of 28 passengers.  

Against that backdrop, heightened concerns about the global environmental cost of concert touring have led a number of prominent artists to launch initiatives.   Those efforts seek both to mitigate the negative effects of touring and communicate messages about sustainability to concertgoers.  

A   2023 study   sponsored by Texas-based electricity provider Payless Power found that the carbon footprint of many touring bands was massive. In 2022, concert tours in five genres — country, classic rock, hip-hop/rap, metal and pop — were responsible for CO 2   emissions totaling nearly 45,000 metric tons. A so-called greenhouse gas, carbon dioxide contributes to climate change by radiative forcing; increased levels of CO 2   also contribute to health problems.   

No serious discussion of climate issues suggests a worldwide halt to live music touring, but there exists much room for improvement. Both on their own and with the help of dedicated nonprofit organizations, many artists are taking positive steps toward mitigating the deleterious effects that touring exerts upon the environment.   

Smart tour planning is one way to lessen an artist’s carbon footprint.   Ed Sheeran ’s 2022 European run minimized flights between concert venues, making that leg of his tour the year's most environmentally efficient. Total carbon dioxide emissions (from flights and driving) on Sheeran’s tour came to less than 150 metric tons. In contrast,   Dua Lipa ’s tour during the same period generated 12 times as much — more than 1800 metric tons — of CO 2 .   

In July, singer/songwriter and four-time GRAMMY nominee Jewel will embark on her first major tour in several years, alongside GRAMMY winner Melissa Etheridge . During the planning stage for the 28-city tour, Jewel suggested an idea that could reduce the tour’s carbon footprint.

"I always thought it was so silly and so wasteful — and so carbon footprint-negative — to have separate trucks, separate lighting, separate crews, separate hotel rooms, separate costs," Jewel says. She pitched the idea of sharing a backing band with Etheridge. "I’ve been trying to do this for 25 years," Jewel says with a laugh. "Melissa is the first person who took me up on it! "  

The changes will not only reduce the tour’s carbon footprint, but they’ll also lessen the cost of taking the shows on the road. Acknowledging that there are many opportunities to meet the challenges of touring’s negative impact upon the environment, Jewel emphasizes that “you have to find [solutions] that work for you.”

Sheeran and Jewel aren’t the only popular artists trying to make a difference. A number of   high profile   artists have become actively involved in creating the momentum for positive change. Those artists believe that their work on sustainability issues goes hand in hand with their role as public figures. Their efforts take two primary forms: making changes   themselves, and advocating for action among their fans.   

The Climate Machine  

Norhan   Bayomi   is an Egypt-born environmental scientist at Massachusetts Institute of Technology and a key member of the   Environmental Solutions Initiative , a program launched to address sustainable climate action. She’s also a recording artist in the trance genre, working under the name   Nourey .   

The ESI   collaborates with industry heavyweights   Live Nation, Warner Music Group and others as well with touring/recording acts like   Coldplay   to examine the carbon footprint of the music industry. A key component of the ESI is the   Climate Machine , a collaborative research group that seeks to help the live music industry reduce carbon emissions. "As a research institution, we bring technologies and analytics to understand, in the best way possible, the actual impact of the music industry upon climate change," says John Fernández, Director of the ESI.   

View this post on Instagram A post shared by MIT Climate Machine (@mitclimatemachine)

"I’m very interested in exploring ways that we can   bridge between   environmental science, climate change and music fans,"   Bayomi   says. She explains that the tools at the ESI’s disposal include "virtual reality, augmented reality and generative AI," media forms that can communicate messages to music fans and concertgoers. Fernández says that those endeavors are aimed at "enlisting, enabling and inspiring people to get engaged in climate change."  

The Environmental Solutions Initiative cites Coldplay as a high-profile success. The band and its management issued an   "Emissions Update" document   in June 2024, outlining   its   success at achieving their goal of reducing direct carbon emissions from show production, freight, band and crew travel.   The established target was a 50 percent cut in emissions compared to Coldplay’s previous tour; the final result was a 59 percent reduction between their 2022-23 tour and 2016-17 tour.   

A significant part of that reduction came as a result of a   renewable-energy   based battery system that powers audio and lights. The emissions data in the update was reviewed and independently validated by MIT’s Fernández.   

Change Is Reverberating  

Guitarist Adam Gardner is a founding member of Massachusetts-based indie rockers   Guster , but he's more than just a singer in a rock band. Gardner is also the co-founder of   REVERB , one of the organizations at the forefront of developing and implementing climate-focused sustainability initiatives.   

Founded in 2004 by Gardner and his wife, environmental activist Lauren Sullivan,   REVERB  began   with a goal of making touring more sustainable; over the years its focus has expanded to promote industry-wide changes. Today, the organization promotes sustainability throughout the   industry  in   partnership with music artists, concert venues and festivals.   

REVERB initiatives have included efforts to eliminate single-use plastics at the California Roots Music & Arts Festival, clean energy projects in cooperation with   Willie Nelson   and   Billie Eilish , and efforts with other major artists. Gardner has seen sustainability efforts grow over two decades  

"It’s really amazing to see the [change] with artists, with venues, with fans," Gardner says. "Today, people are not just giving lip service to sustainable efforts; they really want to do things that are real and measurable."   

The   Music Decarbonization Project   is one tangible example of REVERB’s successes. "Diesel power is one of the dirtiest sources of power," Gardner explains. "And it’s an industry standard to power festival stages with diesel generators." Working with   Willie Nelson , the organization helped switch the power sources at   his   annual Luck Reunion to clean energy. At last year’s festival, Nelson’s headlining stage drew 100 percent of its power from solar-powered batteries. "We set up a temporary solar farm," Gardner says, "and the main stage didn’t have to use any diesel power."   

Billie Eilish was another early supporter of the initiative. "She helped us launch the program," Gardner says. Eilish’s   set at Lollapallooza 2023   drew power from solar batteries, too.   

With such high-profile successes as a backdrop, Gardner believes that REVERB is poised to do even more to foster sustainable concerts and touring. "Our role now," he says, "isn’t just, ‘Hey, think about this stuff.’ It’s more how do we push farther, faster?"   

Adam Gardner believes that musicians are uniquely positioned to help make a difference where issues of sustainability are concerned. "When you’re a musician, you’re connecting with fans heart-to-heart. That’s what moves people. And that’s where the good stuff happens."   

Small-scale, individual changes can make a difference — especially when they’re coordinated and amplified among other concertgoers. Gardner provides real-world examples. "Instead of buying a plastic bottle, I brought my reusable and filled it up. Maybe I carpooled to the show." Conceding that such steps might seem like drops of water in a giant pool, he emphasizes the power of scale. "When you actually multiply [those things for] just one summer tour, it adds up," he says. "And it reminds people, ‘You’re not alone in this;   you’re   part of a community that’s taking action."   

Gardner understands that REVERB’s arguments have to be framed the right way to reach concertgoers.   "Look," he admits, "It’s a concert. We’re not here to be   a buzzkill . Our [aim] now is making sure people don’t lose hope." He says that REVERB and its partners seek to demonstrate that, with collective action and cultural change, there is reason for optimism.   

"There’s a wonderful feedback loop between hope and action," Gardner says with a smile. "You can’t really have one without the other."   

Sustainable Partnerships  

Tanner Watt is Director of Partnerships at REVERB; he works directly with touring artists to develop, coordinate and implement initiatives that bring together his organization’s objectives and the specific personal concerns of the artists. "I get to come up with all the fun, big ideas," he says with a wide smile.   

Watt acknowledges that like every concertgoer, each touring artist has a certain level of responsibility where sustainability is concerned.   "And everyone can be doing something," he says, noting a number of straightforward actions that artists can put in place while on tour.   "They can eliminate single-use waste. They can donate hotel toiletries that [would otherwise] hit the landfill."   

Watt stresses that artists can lead by example. "Nobody wants to listen to an artist telling them what to do if they’re not doing it themselves," he says. "But we believe that everybody cares about something." He suggests that if an artist has cultivated a following, "Why not use [that platform] to be that change you want to see in the world?"   

Each artist has his or her own specific areas of concern, but Watt says that there’s a base level of "greening" that takes place on every REVERB-affiliated tour. Where things go from there is up to the artist, in coordination with REVERB. Watt mentions Billie Eilish and her tour’s sustainability commitment. "The Venn diagram of food security, community health, access to healthy food, and the impact on the planet is a big cause for her," he says. " So   there’s plant-based catering for her entire crew, across the entire tour."  

Speaking to   Billboard , Eilish's mother Maggie Baird said championing sustainability starts with artists. "If artists are interested, it does really start with them telling their teams that they care and that it’s foremost in their thoughts." In the same conversation, Eilish called the battle for sustainability "a never-ending f–king fight."   

Watt acknowledges that with so many challenges, it’s important for a concerned artist to focus on the issues that move them the most, and where they can make the biggest difference. " Jack Johnson   is   a great example," he says. While Johnson is a vocal advocate for many environmental issues, on tour he focuses on two (in Watt’s words) "cause umbrellas": single-use plastics solutions and sustainable community food systems. Each show on the tour hosts tables representing local nonprofit organizations, presenting concertgoers with real-world, human-scale solutions to those specific challenges.   

Four-time GRAMMY winner   Brittany Howard   is another passionate REVERB partner. "Knowing that I wanted to make my tours more sustainable was a start," she tells GRAMMY.com, "but working with REVERB really helped me bring it to life on the road. REVERB has helped us with guidelines and a green rider to keep our stage, greenrooms and buses more sustainable."  

After listing several other specific ways that her tour supports sustainability, Howard notes, "By supporting these efforts, I am helping ensure future generations have access to clean water, fish, and all that I love about the outdoors." A dollar from every ticket sold to a Brittany Howard concert goes toward support of REVERB’s Music Decarbonization project. "I’m also excited to see industry-wide efforts that are reducing the carbon pollution of live music," Howard continues. "Because it’s not just [about] a single tour, it’s   every   tour."  

There’s a popular aphorism: "You can’t manage what you can’t measure."   From its start, REVERB has sought not only to promote change, but to measure its success.   "As long as I’ve been at REVERB, we’ve issued   impact reports ," says Tanner Watt. "We include data   points, and   give the report to the artists so they understand what we’ve done together." He admits that some successes are more tangible than others, but that it’s helpful to focus on the ones that can be quantified. "We’re very excited that our artists share those with their fans."   

Watt is clear-eyed at the challenges that remain. "Even the word ‘sustainable’ can be misleading," he concedes, suggesting that the only truly sustainable tour is the one that doesn’t happen. "But if folks don’t step it up and change the way we do business in every industry — not just ours — we’re going to get to a place where we’re forced to make sacrifices that   aren’t   painless." Getting that message across is REVERB’s aim. "We can’t stop the world," Watt says. " So   we find ways to approach these things positively."   

Watt says that the fans at concerts featuring Jack Johnson and the   Dave Matthews Band   — both longtime REVERB partners — are already on board with many of the sustainability-focused initiatives which those artists promote. "But there are lots of artists — and lots of fan bases — out there that aren’t messaged to, or have been mis-messaged to," he says.   "I’m really excited to find more ways to expand our reach to them, beyond mainstream pop music.   Because these are conversations that are meaningful for everyone, regardless of political affiliation or other beliefs."   

Reimagining The Planet’s Future  

Singer, songwriter and multi-instrumentalist Adam Met does more than front   AJR , the indie pop trio he founded in 2005 with brothers Jack and Ryan. Met has a PhD in sustainable development and is a climate activist; he's also the founder/Executive Director of   Planet Reimagined , a nonprofit that promotes sustainability and activism through its work with businesses, other organizations and musicians.   

"I’ve spent years traveling around the world, seeing the direct impact of climate change," Met says. He cites two recent and stark examples. "When we pulled up to a venue in San Francisco, the band had to wear gas masks going from the bus into the venue, because of forest fires," he says. AJR’s road crew had to contend with a flash flood in Athens, Greece that washed out their hotel. "And in Rome, some of our crew members fainted because of the heat."   

Encouraged by representatives from the United Nations, Met launched Planet Reimagined. Met’s approach focuses on tailored, city-specific actions to empower fans and amplify diverse voices in the climate movement. Through social media and live shows, Met strives to galvanize climate activism among AJR fans. And the methods he has developed can be implemented by other touring artists.   

Met points out that one of the most climate-unfriendly parts of the entire concert tour enterprise is fans traveling to and from the concerts. And that’s something over which the artist has little or no control. What they can do, he says, is   try   to educate and influence. Working closely with Ticketmaster and other stakeholders, Met’s nonprofit initiated a study — conducted from July to December 2023, with   results published in April 2024   — to explore the energy that happens at concerts. "In sociology," he explains, "that energy is called collective effervescence." The study’s goal is to find ways to channel that energy toward advocacy and action.   

Polling a quarter million concertgoers across musical genres, the study collected data on attitudes about climate change. "Seventy-three percent of fans who attend concerts believe that climate change is real, and that we need to be doing more about it," Met says. "Seventy-eight percent have already taken some sort of action in their lives." He believes that if his organization can activate even a fraction of the estimated 250 million people annually who attend concerts around the globe, "that’s the ballgame."   

Met’s goal is to do more than, say, get concertgoers to switch from plastic to paper drinking straws. "At   scale   those things make a difference. But people want to see actions where there’s a track record," he says; a return on investment.   

AJR will be putting a plan into action   on   the second half of their upcoming arena tour.   Part of the initiative is encouraging concertgoers to register to vote, and then actually vote.   Beyond that, Met has specific actions in mind. "At every single stop, we’re putting together materials around specific policies that are being debated at the local level," he explains. "We give people a script right there, so they can call their elected representative and say, ‘I want you to vote [a certain way on this issue].’"   

He believes the initiative will lead to thousands of people contacting – and hopefully influencing – their representatives.   With regard to sustainability issues, Met is convinced that "the most impact that you can have as an artist is when you give fans ways to pick up the mantle themselves."  

Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More  

Photo: ROBYN BECK/AFP via Getty Images

11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More

From Paul McCartney to Paramore, Emily Dickinson and even "Game of Thrones," read on for some of the major influences Taylor Swift has referenced throughout her GRAMMY-winning career.

As expected, much buzz followed the release of Taylor Swift 's 11th studio album, The Tortured Poets Department , on April 19. Fans and critics alike have devoured the sprawling double album’s 31 tracks, unpacking her reflections from "a fleeting and fatalistic moment in time" in search of Easter eggs, their new favorite lyrics and references to famous faces (both within the pop supernova’s closely guarded orbit and the historical record). 

Shoutouts abound in The Tortured Poets Department : Charlie Puth gets his much-deserved (and Taylor-approved) flowers on the title track, while 1920s screen siren Clara Bow, the ancient Greek prophetess Cassandra and Peter Pan each get a song titled after them. Post Malone and   Florence + the Machine ’s Florence Welch each tap in for memorable duets. Relationships old (Joe Alwyn), new (Travis Kelce) and somewhere in between (1975’s Matty Healy) are alluded to without naming names, as is, possibly, the singer’s reputation -era feud with Kim Kardashian. 

Swift casts a wide net on The Tortured Poets Department , encompassing popular music, literature, mythology and beyond, but it's far from the first time the 14-time GRAMMY winner has worn her influences on her sleeve. While you digest TTPD , consider these 10 figures who have influenced the poet of the hour — from Stevie Nicks and Patti Smith to Emily Dickinson, William Wordsworth, Arya Stark and more.

Stevie Nicks

If Taylor Swift is the chairman of The Tortured Poets Department , Stevie Nicks may as well be considered its poet laureate emeritus. The mystical Fleetwood Mac frontwoman earns an important mention on side A closer "Clara Bow," in which Swift ties an invisible string from herself to a pre- Rumours Nicks ("In ‘75, the hair and lips/ Crowd goes wild at her fingertips"), and all the way back to the 1920s It Girl of the song’s title.

For her part, Nicks seems to approve of her place in Swift’s cultural lineage, considering she penned the poem found inside physical copies of The Tortured Poets Department . "He was in love with her/ Or at least she thought so," the Priestess of Rock and Roll wrote in part, before signing off, "For T — and me…"

Swift’s relationship with Nicks dates back to the 2010 GRAMMYs, when the pair performed a medley of "Rhiannon" and "You Belong With Me " before the then-country upstart took home her first Album Of The Year win for 2009’s Fearless . More recently, the "Edge of Seventeen" singer publicly credited Swift’s Midnights cut "You’re On Your Own, Kid" for helping her through the 2022 death of Fleetwood Mac bandmate Christine McVie .

Patti Smith

Swift may see herself as more "modern idiot" than modern-day Patti Smith, but that didn’t stop the superstar from name-dropping the icon synonymous with the Hotel Chelsea and punk scene of ‘70s New York on a key track on The Tortured Poets Department . Swift rather self-deprecatingly compares herself to the celebrated Just Kids memoirist (and 2023 Songwriters Hall of Fame nominee) on the double album’s synth-drenched title track, and it’s easy to see how Smith’s lifelong fusion of rock and poetry influenced the younger singer’s dactylic approach to her new album. 

Smith seemed to appreciate the shout-out on "The Tortured Poets Department" as well. "This is saying I was moved to be mentioned in the company of the great Welsh poet Dylan Thomas. Thank you Taylor," she wrote on Instagram alongside a photo of herself reading Thomas’ 1940 poetry collection Portrait of the Artist as a Young Dog .

Emily Dickinson

When it comes to iconic poets, Swift has also taken a page or two over her career from Emily Dickinson. While the great 19th century poet hasn’t come up explicitly in Swift’s work, she did reference her poetic forebear (and actual sixth cousin, three times removed !) in her speech while accepting the award for Songwriter-Artist of the Decade at the 2022 Nashville Songwriter Awards.

"I’ve never talked about this publicly before, because, well, it’s dorky. But I also have, in my mind, secretly, established genre categories for lyrics I write. Three of them, to be exact. They are affectionately titled Quill Lyrics, Fountain Pen Lyrics and Glitter Gel Pen Lyrics," Swift told the audience before going on to explain, "If my lyrics sound like a letter written by Emily Dickinson’s great-grandmother while sewing a lace curtain, that’s me writing in the Quill genre," she went on to explain.

Even before this glimpse into Swift’s writing process, Easter eggs had been laid pointing to her familial connection to Dickinson. For example, she announced her ninth album evermore on December 10, 2020, which would have been the late poet’s 190th birthday. Another clue that has Swifties convinced? Dickinson’s use of the word "forevermore" in her 1858 poem "One Sister Have I in Our House," which Swift also cleverly breaks apart in Evermore ’s Bon Iver-assisted title track ("And I couldn’t be sure/ I had a feeling so peculiar/ That this pain would be for/ Evermore").

The Lake Poets

Swift first put her growing affinity for poetry on display during her folklore era with "the lakes." On the elegiac bonus track, the singer draws a parallel with the Lake Poets of the 19th century, wishing she could escape to "the lakes where all the poets went to die" with her beloved muse in tow. In between fantasizing about "those Windermere peaks" and pining for "auroras and sad prose," she even manages to land a not-so-subtle jab at nemesis Scooter Braun ("I’ve come too far to watch some name-dropping sleaze/ Tell me what are my words worth") that doubles as clever wordplay on the last name of Lake Poet School members William and Dorothy Wordsworth.

Swift revealed more about why she connected to the Lake Poets in her 2020 Disney+ documentary folklore: the long pond studio sessions . "There was a poet district, these artists that moved there. And they were kind of heckled for it and made fun of for it as being these eccentrics and these kind of odd artists who decided that they just wanted to live there," she explained to her trusted producer Jack Antonoff . "So ‘the lakes,’ it kind of is the overarching theme of the whole album: of trying to escape, having something you wanna protect, trying to protect your own sanity and saying, ‘Look, they did this hundreds of years ago. I’m not the first person who’s felt this way.’"

Paul McCartney

Paul McCartney and Swift have publicly praised one another’s work for years, leading to the 2020 Rolling Stone cover they posed for together for the special Musicians on Musicians issue . The younger singer even counts Sir Paul’s daughter Stella McCartney as a close friend and collaborator (Stella designed a capsule collection for Swift’s 2019 studio set Lover and earned a shout-out of her own on album cut "London Boy").

However, Swift took her relationship with the Beatles founder and his family a step further when it was rumored she based Midnights deep cut "Sweet Nothing" on McCartney’s decades-long romance with late wife Linda. While the speculation has never been outright confirmed, it appears Swift’s lyrics in the lilting love song ("On the way home, I wrote a poem/ You say, ‘What a mind’/ This happens all the time") were partially inspired by a strikingly similar quote McCartney once gave about his relationship with Linda, who passed away in 1998. To add to the mystique, the Midnights singer even reportedly liked a tweet from 2022 espousing the theory.  

The admiration between the duo seems to go both ways as well, with the former Beatle admitting in a 2018 BBC profile that the track "Who Cares" from his album Egypt Station was inspired by Swift’s close relationship with her fans.

From her days as a country music ingénue to her ascendance as the reigning mastermind of pop, Swift has credited the Chicks as a seminal influence in her songwriting and career trajectory. (Need examples? Look anywhere from early singles like "Picture to Burn" and "Should’ve Said No" to Evermore ’s Haim-assisted murder ballad "no body, no crime" and her own Lover -era collab with the band, "Soon You’ll Get Better.") 

In a 2020 Billboard cover story tied to the Chicks’ eighth album Gaslighter , Swift acknowledged just how much impact the trio made on her growing up. "Early in my life, these three women showed me that female artists can play their own instruments while also putting on a flamboyant spectacle of a live show," she said at the time. "They taught me that creativity, eccentricity, unapologetic boldness and kitsch can all go together authentically. Most importantly, they showed an entire generation of girls that female rage can be a bonding experience between us all the very second we first heard Natalie Maines bellow ‘that Earl had to DIE.’"

"Game of Thrones"

When reputation dropped in 2017, Swift was on a self-imposed media blackout, which meant no cover stories or dishy sit-down interviews on late-night TV during the album’s roll-out. Instead, the singer let reputation speak for itself, and fans were largely left to draw their own conclusions about their queen’s wildly anticipated comeback album. Two years later, though, Swift revealed the dark, vengeful, romantic body of work was largely inspired by "Game of Thrones."

"These songs were half based on what I was going through, but seeing them through a 'Game of Thrones' filter," she told Entertainment Weekly in 2019. "My entire outlook on storytelling has been shaped by ["GoT"] — the ability to foreshadow stories, to meticulously craft cryptic story lines. So, I found ways to get more cryptic with information and still be able to share messages with the fans. I aspire to be one one-millionth of the kind of hint dropper the makers of 'Game of Thrones' have been."

Joni Mitchell

Swift has long made her admiration of Joni Mitchell known, dating back to her 2012 album Red , which took a cue from the folk pioneer’s landmark 1971 LP Blue for its chromatic title. In an interview around the time of Red ’s release, the country-pop titan gushed over Blue ’s impact on her, telling Rhapsody, "[Mitchell] wrote it about her deepest pains and most haunting demons. Songs like ‘River,’ which is just about her regrets and doubts of herself — I think this album is my favorite because it explores somebody’s soul so deeply."

Back in 2015, TIME declared the "Blank Space" singer a "disciple of Mitchell in ways both obvious and subtle" — from her reflective songwriting to the complete ownership over her creative process, and nearly 10 years later, Swift was still showing her appreciation for Mitchell after the latter’s triumphant and emotional appearance on the GRAMMY stage to perform "Both Sides Now" on the very same night Taylor took home her historic fourth GRAMMY for Album Of The Year for Midnights .

Fall Out Boy & Paramore

When releasing the re-recording of her third album Speak Now in 2023, Swift cited two unexpectedly emo acts as inspirations to her early songwriting: Fall Out Boy and Paramore . 

"Since Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album," she wrote in an Instagram post revealing the back cover and complete tracklist for Speak Now (Taylor’s Version) , which included Fall Out Boy collaboration "Electric Touch" and "Castles Crumbling" featuring Paramore frontwoman Hayley Williams .

For one of Swift’s original career inspirations, we have to go all the way back to the very first single she ever released. "Tim McGraw" was not only as the lead single off the 16-year-old self-titled 2006 debut album, but it also paid reverent homage to one of the greatest living legends in the history of country music. 

In retrospect, it was an incredibly gutsy risk for a then-unknown Swift to come raring out of the gate with a song named after a country superstar. But the gamble clearly paid off in spades, considering that now, when an entire generation of music fans hear "Tim McGraw," they think of Taylor Swift.

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

Photos (L-R): Buda Mendes/TAS23/Getty Images for TAS Rights Management, Jeff Kravitz/FilmMagic, Christopher Polk/Getty Images for Clear Channel

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Upon the arrival of Taylor Swift's 'The Tortured Poets Department,' take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today.

Editor’s note: This story was updated on April 19 to reflect the release of The Tortured Poets Department.

The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Since then, she's released 11 studio albums, re-recorded four as "Taylor's Version," and cultivated one of the most feverish fan bases in music. Oh, and she's also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist.

Swift has become one of music's most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk and beyond. A once-in-a-lifetime generational storyteller, one could argue that she is music's modern-day maverick, constantly evolving both her music and the culture around her.

Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. In turn, Swift hasn't just become one of the biggest artists of all time — she's changed pop music altogether.

To celebrate Taylor Swift's newest era with The Tortured Poets Department , GRAMMY.com looks back on all of her albums (Taylor's Versions not included) and how each era shaped her remarkable career.

Taylor Swift : Finding Her Place In Music

In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist. The thing that differentiated her from other writers — and still does to this day — is her songwriting. She didn't want to be just "another girl singer" and knew writing her own songs would be what set her apart. 

Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. Serving as a snapshot of Swift's life and teenhood, she avoided songwriting stereotypes typically found in country music. Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. 

As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers. One writer in particular, Liz Rose , applauded Swift's songwriting capabilities, stating that she was more of an "editor" for the songs because Swift already had such a distinct vision. 

The album's lead single, "Tim McGraw," an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift's songwriting process; meticulously picking apart her emotions to better understand them. With its follow-up, "Our Song" — which spent six consecutive weeks on the top of Billboard's Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. 

Although Swift's eponymous debut is underappreciated now — even lacking its own set on Swift's Eras Tour — Taylor Swift 's forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer's current and more refined vocals. Still, for fans who haven't properly explored Taylor Swift , it's easy to tie together Swift's earlier work to her current discography. 

On the track "A Place In This World," a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights ' "You're On Your Own, Kid." 

Even as a new country artist, critics claimed that she "mastered" the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. 

Fearless : Creating A Different Kind Of Fairytale

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift's coming-of-age record. More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like "Love Story" and "You Belong With Me," yet still keeps the confessional attributes known in country songwriting. 

Most of Fearless is Swift coming to terms with what she believed love to be. On the album's liner notes, Swift says Fearless is about "living in spite" of the things that scare you, like falling in love again despite being hurt before or walking away and letting go. The 2008 version of Taylor wanted to "believe in love stories and prince charmings and happily ever after," whereas in Swift's Fearless (Taylor's Version) liner notes, she looks back on the album as a diary where she was learning "tiny lessons" every time there was a "new crack in the facade of the fairytale ending she'd been shown in the movies." 

Much of Fearless also sees Swift being reflective and nostalgic about adolescence, like in "Never Grow Up" and "Fifteen." Still wistful and romantic, the album explores Swift's hopes for love, as heard in the album's lead single "Love Story," which was one instance where she was "dramatizing" observations instead of actually experiencing them herself. 

Unlike the slow-burn of Taylor Swift , Fearless went straight to No. 1 on the Billboard 200 and stayed there for eight consecutive weeks. It won Swift's first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20. To date, it has sold 7.2 million copies in America alone. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come.

Speak Now : Proving Her Songwriting Prowess

Everything that happened after the success of Fearless pushed Swift from country music's best-kept secret to a mainstream star. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.

For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. No longer was she the girl writing songs like "Fifteen" in her bedroom — now she was working through becoming a highly publicized figure. Speak Now is the answer to those growing pains. 

Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. But that also resulted in some of her most poignant lyrics to date.

Read More: For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. The album's title track pulled from the saying, "Speak now or forever hold your peace," inspired by a friend's ex-boyfriend getting engaged; meanwhile, "Mean" was everything Swift wanted to say to a critic who was continuously harsh about her vocals.

Retrospective and reflective, Speak Now is an album about the speeches she could've, would've and should've said. From addressing the aforementioned VMA incident in the forgiving "Innocent" to a toxic relationship in "Dear John," Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.

Red : Coming Into Her Own

Highly regarded as Swift's magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first "adult" record. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience " intense love, intense frustration, jealousy and confusion " — all feelings that she'd describe as "red." 

Unlike most of her previous writing that had been inspired by happy endings and fairytales, Red explores the lingering pain and loss that can embed itself within despite trying your hardest to let go. In her liner notes, she references Pablo Neruda's poem "Tonight I Can Write," stating that "Love is so short, forgetting is so long" is the overarching theme for the album. She plays with time — speeding it up in "Starlight," dabbling in the past in "All Too Well," and reframing it in "State of Grace" — to better understand her experiences. 

After releasing country-pop records, Red toed the line between genres more than ever before. Swift leaned further into the full pop territory by working with esteemed producers Max Martin and Shellback for the dubstep-leaning track "I Knew You Were Trouble," the punchy lead single "We Are Never Getting Back Together," and the bouncy anthem "22." But even when the pop power players weren't involved, her country stylings still leaned more pop across the album, as further evidenced with the racing deep cut "Holy Ground" and the echoing title track. 

The slight change of direction became polarizing for critics and fans alike. Following the more country-influenced Speak Now , some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out. If that wasn't enough, Red became an era where Swift's personal life went from speculation to tabloid fodder, with misogynistic headlines and diluting her work to just "writing about her exes." It's an era that would eventually inspire many tracks on Red 's successor, 1989 , like "Blank Space" and "Shake It Off."

Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. The impact of Red extended beyond its own success, too. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray , Swift's confessional, soul-bearing authenticity set a new standard for straightforward pop music. 

1989 : Reinventing Into A Pop Genius

The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. And in true Swiftian fashion, turning into a pop artist didn't just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone.

1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. Swift opted to lean more into radio-friendly hits, which resulted in songs like "Style," "Wildest Dreams," "Blank Space," and "Shake It Off," all of which became singles. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn't falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.

After exploring pop-leaning sonics she first found with Red , Swift worked with Martin and Shellback again on most of 1989 . This reinvention brought new (and very important) collaborators as well. Swift's now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with "I Wish You Would" and "Out Of The Woods"; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights .

At the time, 1989 became Swift's best-selling album to date. It sold nearly 1.3 million copies within release week in the U.S., debuting atop the Billboard 200 and reigning for 11 non-consecutive weeks. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice. 

Following the release of 1989 , Swift became a cultural juggernaut, and the album has had an omnipresence in music since. Swift didn't just normalize blending genres, but proved that you can create a sound that is uniquely yours by doing so. In turn, Billie Eilish , Dua Lipa and more pop stars have refused to conform or stick to what they've done prior. 

reputation : Killing The Old Taylor

For years, Swift was on a strict two-year cycle — she'd release an album one year, tour the next, and then release a new album the following year. But following the heightened scrutiny and highly publicized tabloid drama that followed the end of the 1989 era, Swift completely disappeared for a year. She stayed away from public appearances, didn't do any press, and missed the album schedule fans became accustomed to. It wasn't until summer 2017 when she returned from her media (and social media) blackout to unveil the fitting title for her new album: reputation .

Born as a response to the naysayers and name-callers, reputation follows Swift shedding her public image — which includes the pressure to be perfect, the drama, and the criticism — by declaring, "There will be no further explanation. There will just be reputation." Leaning on the same tongue-in-cheek songwriting techniques she used while penning "Blank Space," Swift wrote from the mindset of how the public perceived her.

When Swift released the lead single "Look What You Made Me Do," a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. Although Swift said that the album has its vindictive moments — even declaring that the "old Taylor" is dead on the bridge of "Look What You Made Me Do" — it's a vulnerable record for her. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments. 

Swift still remained in the pop lane with reputation , largely leaning on Antonoff and the Martin/Shellback team. The sound almost mirrored the scrutiny Swift faced in the years prior — booming electropop beats, maximalist production and pulsing synthesizers dominate, particularly on "End Game," "I Did Something Bad," and "Ready For It…?" But the "old Taylor" isn't entirely gone on songs like "Call It What You Want," "So It Goes…" and "New Year's Day," where she lets her guard down to write earnest love odes.

Even after Swift spent some time away from the spotlight, the public didn't immediately gravitate toward her return. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989 . With time, though, it became clear that the response to reputation became muddled with the public's overall perception of her at the time — some even claimed that Swift was ahead of her time with the album's overall sound.

For her 2023 TIME Person of the Year profile , Swift described reputation as a "goth-punk moment of female rage at being gaslit by an entire social structure." For years, she felt the pressure to be "America's Sweetheart" and to never step out of line. Writing reputation became a lifeline following the events that catalyzed it  — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. 

Lover : Stepping Into The Daylight

After finding love amongst chaos with reput ation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover . Both sonically and visually, Lover was a complete change from reputation . After touring reputation , Swift found that her fans saw her as "a flesh-and-blood human being," inspiring her to be "brave enough to be vulnerable" because her fans were along with her. Stepping away from the dark and antagonistic themes around reputation encouraged Swift to step into the light and be playful with her work on Lover .

Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of "Blank Space" and "Look What You Made Me Do." Leaning into Lover being a "love letter to love," Swift explored every aspect of it. Tracks like "Paper Rings" and "London Boy" exude a whimsical energy, even if they center on more serious themes like marriage and commitment. Other songs, including "Death By A Thousand Cuts" and "Cornelia Street," are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. 

Looking at Lover retrospectively, it's an album that almost symbolizes a bookend in her discography. She was playful yet poignant, picking apart her past lyrics and feelings and looking at them with the perspective of someone who was once on top of the world, hit rock bottom, and survived in spite of it. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012's Red , "Daylight," which sees her describe her love as "golden" rather than "burning red." 

Lover also marked the first time Swift divulged into politics and societal issues, like campaigning against Donald Trump, releasing the Pride-infused "You Need To Calm Down," and feeling disillusioned by the political climate with "Miss Americana & the Heartbreak Prince." Swift's documentary Miss Americana explores this change further, discussing how she regrets not being vocal about politics and issues prior, in addition to opening up about her body image issues and mental health struggles.

Lover became Swift's sixth No. 1 album in America, making her the first female artist to achieve the feat. But Lover was more than any accolades could reflect — it was Swift's transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018.

folklore : Looking Beyond Her Personal Stories

After the pandemic started and Swift cancelled her Lover Fest, she spent the early stages of quarantine reading and watching a myriad of films. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. The result became folklore , 2020's surprise archetypal quarantine album.

Crafting a world with characters like the folklore love triangle between those in "betty" and "august," as well as Rebekah Harkness from "the last great american dynasty" (who once lived in Swift's Rhode Island mansion), was Swift's way of venturing outside her typical autobiographical style of writing. She'd see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. 

She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National . Some songs, like "peace," were recorded in just one take, capturing the essence and fragility in the song's story, whereas the lyrics for the sun-drenched "august" were penned on the spot as Swift was in her makeshift home studio in Los Angeles.

Another aspect that separated folklore from her previous work was the obvious decision not to create hits made for radio play, so much so that Dessner claimed that she made an anti-pop record at a time when radio wanted clear "bops." Sonically, it ventured into genres Swift hadn't explored much outside of a few folkier tracks on Lover . Rather than relying on mostly electronic elements, Swift, Antonoff and Dessner weaved in soft pianos, ethereal strings, and plucky guitars.

folklore 's impact on the zeitgeist at a time where everyone was stuck at home helped shape people's quarantine experience. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke , Gracie Abrams , and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. At the 2021 GRAMMYs, folklore took home Album Of The Year , making her the fourth artist in history to win three times in the Category. 

evermore : Embracing Experimentation

It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. So when evermore was released just six months after folklore , fans were in shock. 

Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn't have distinct "eras" between albums. She felt like there was something "different" with folklore , stating in a social media post that making it was less like she was "departing" and more like she was "returning" to the next stage of her discography. In turn, the album served as a similar escape for Swift as folklore did.

Bridging together the same wistful and nostalgic themes as heard on its predecessor, evermore sees Swift venture even further into escapism. She explores more stories and characters, some based in fiction like "dorothea," and some real, like "marjorie," written in dedication to Swift's grandmother. 

Evermore follows folklore 's inclusion of natural imagery and motifs, like landscapes, skies, ivy, and celestial elements. In contrast to the fairytale motifs and happy endings of Fearless , evermore saw Swift become fixated on "unhappy" endings — stories of failed marriages ("happiness"), lifeless relationships ("tolerate it"), and one-time flings ("'tis the damn season"). 

Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift's past records — from pop to country to indie rock — and features all of them on one album. Country songs like "cowboy like me" and "no body, no crime" reaches back to Swift's earlier work in narrative building, seamlessly crafting a three-party story with ease. "Closure" is a "skittering" track that has the same energy as tracks like Lover 's "I Forgot That You Existed," whereas the ballad "champagne problems" is thematically reminiscent of Swift's Speak Now track "Back To December" where she takes responsibility for her lover's heartache. 

Working mostly with Dessner on evermore , Swift was emboldened to continue creating and opted to embrace whatever came naturally to them rather than limiting themselves to a sound. Swift felt a "quiet conclusion" after finishing up evermore , describing that it was more about grappling with endings of all "sizes and shapes," and the record represented a chapter closing. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department .

Midnights : Encapsulating Her Artistic Magic

After coming out of the folklorian woods following folklore and evermore , fans and critics alike were intrigued to see what direction Swift would take on her next studio album. On Midnights , Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover .

Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to "what if" fantasies, falling in love, and falling apart. They are the things that keep her up at night, like the self-critiquing in "Anti-Hero," her rise to fame in "You're on Your Own, Kid," and the anxiety of falling in love again in "Labyrinth." Similarly to Swift's cheeky songwriting style that sees her create caricatures of herself in songs like "Blank Space" and "Look What You Made Me Do," she doubles down on claims she's "calculated" on "Mastermind," a song about devising a plan for her and her lover. 

Although the album is a departure from the two pandemic sister albums, the overall creation process didn't differ too much. In addition to working alongside Antonoff (and bringing Dessner in for the bonus-track-filled 3am Edition), Swift's worldbuilding is still the throughline that connects Midnights and Swift's recent albums, whether she's dreaming of a Parisian escape in "Paris" or using war imagery as a metaphor for the struggle of love in "The Great War."

Read More: 5 Takeaways From Taylor Swift's New Album 'Midnights'

Following the success with folklore and evermore , Swift's intrigue was at a then-all-time high upon the release of Midnights . Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift's 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).

To say that Swift's celebrity has become otherworldly since the release of Midnights would be an understatement. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift's work. 

As a result, there has arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February. Midnights helped further solidify Swift's larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. 

The Tortured Poets Department : A Grief-Stricken Poetic Odyssey

It’s been a while since Swift has penned a full-fledged breakup album. On The Tortured Poets Department , she navigates the five stages of grief — denial, anger, bargaining, depression and acceptance — after her long-term relationship ended. Taking a page from the release of folklore and evermore , she dropped a double album and announced The Tortured Poets Department: The Anthology at 2 a.m. on release day. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. 

On Instagram, Swift described the album as a collection of poetic songs that reflect the "events, opinions and sentiments from a fleeting and fatalistic moment in time," Swift pulled out the fountain and quill pens to craft songs about the "tortured poets" in her life — sometimes musing about lovers, sometimes taking aim at villains, and sometimes pointing the finger at herself. 

TTPD is also her most confessional album thus far. It pokes fun at so-called fans who overstep with her personal life ("But Daddy I Love Him"), says goodbye to a city that gave her a home ("So Long London"), and muses on how her own celebrity has stunted her growth ("Who's Afraid Of Little Old Me?"). To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan ("Peter"), and Patti Smith .

In the same post, Swift declared that once she’s confessed all of her saddest stories, she’s able to find freedom. Yet The Tortured Poets Department (and its accompanying 15-track anthology) spends much time reflecting: she toys with her own lore, self-referencing past songs from albums like 1989 and poems from her reputation era. 

Fourteen years ago, Swift declared that she would never change, but she’ll never stay the same either. The Tortured Poets Department proves that in the throughline of Taylor Swift's many artistic eras is a commitment to exploration and a love of autobiographical lyricism.

All Things Taylor Swift

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More

Taylor Swift, The 'Tortured Poet': 6 Times She's Used Poetry In Her Work

The Taylor Swift Effect: 8 Ways The Eras Tour Broke Records & Shattered Sales

5 Reasons Why Taylor Swift's Eras Tour Will Be The Most Legendary Of Her Generation

2024 GRAMMYs: Taylor Swift Makes GRAMMY History With Fourth Album Of The Year Win For 'Midnights'

A Timeline Of Taylor Swift's GRAMMYs History, From Skipping Senior Prom To Setting A Record With 'Midnights'

6 Ways Taylor Swift's Eras Tour Took Over Movie Theaters

Watch Taylor Swift Become The First Woman To Win Album Of The Year Twice In 2016 | GRAMMY Rewind

Get Ready For Taylor Swift's ‘The Tortured Poets Department’ Album Release: Everything You Need To Know

10 Must-See Moments From The 2024 GRAMMYs: Taylor Swift Makes History, Billy Joel & Tracy Chapman Return, Boygenius Manifest Childhood Dreams

7 Ways Taylor Swift's '1989' Primed Her For World Domination

9 Artists Who Advocate For The LGBTQIA+ Community: Troye Sivan, Taylor Swift, Madonna & More

Behind The Scenes Of The Eras Tour: Taylor Swift's Opening Acts Unveil The Magic Of The Sensational Concert

• 1 For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word
• 2 "Let Yourself Be Idiosyncratic": Moby Talks New Album 'Always Centered At Night' & 25 Years Of 'Play'
• 3 The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint
• 4 11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More
• 5 Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Awesome, you're subscribed!

Thanks for subscribing! Look out for your first newsletter in your inbox soon!

The best things in life are free.

Sign up for our email to enjoy your city without spending a thing (as well as some options when you’re feeling flush).

Déjà vu! We already have this email. Try another?

By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.

• Things to Do
• Food & Drink
• Arts & Culture
• Time Out Market
• Coca-Cola Foodmarks
• Los Angeles

Get us in your inbox

🙌 Awesome, you're subscribed!

Here’s how Taylor Swift has updated her Eras tour setlist for Europe (so far)

The Eras tour setlist now features secret songs and tracks from her brand-new album, The Tortured Poets Department

Taylor Swift is almost midway through the  European  leg of her Eras Tour – time flies, doesn’t it!? The pop queen has brought her sparkling three-hour-plus show to cities including  Paris , Stockholm , Lisbon , Madrid , Lyon , Edinburgh and Liverpool  so far, and Swfities across the continent have really been in for a treat.

After the release of her brand-new double album, The Tortured Poets Department , there was a lot of speculation that the Eras Tour setlist might change to include a section of newbies from TTPD. And Taylor, as per, did not disappoint.  Seven songs from her new mega-record were performed on the tour’s first night in Paris, and they’ve become a mainstay on the tour – videos of Taylor belting lyrics from ‘Who’s Afraid of Little Old me?’ and skipping along to ‘I Can Do It With a Broken Heart’ have been dominating For You pages and Explore feeds everywhere. 

And while most Swifties will agree Mother can achieve pretty much anything, the new TTPD additions did mean a handful of songs had to be cut. So, here’s the adapted setlist for the Eras Tour in Europe. 

RECOMMENDED: Everything you need to know about Taylor Swift’s Eras Tour in the UK

This is the full confirmed Eras Tour setlist, in order, based on the first Paris show:

• Miss Americana and the Heartbreak Prince
• Cruel Summer
• You Need to Calm Down
• You Belong With Me
• We Are Never Ever Getting Back Together
• I Knew You Were Trouble
• All Too Well (10-minute version)
• … Ready For It?
• Don’t Blame Me
• Look What You Made Me Do

Folklore/Evermore (now combined into one Era)

• champagne problems
• illicit affairs
• my tears ricochet
• Blank Space
• Shake It Off
• Wildest Dreams

The Tortured Poets Department (new!)

• But Daddy I Love Him
• So High School
• Who’s Afraid of Little Old Me?
• The Smallest Man Who Ever Lived
• I Can Do It With A Broken Heart

Surprise songs

• Paris (from Midnights)
• loml (from TTPD)
• Lavender Haze
• Midnight Rain
• Vigilante Shit

And these are the songs that have been removed:

• The Archer (from Lover era)
• Long Live (from Speak Now era)
• the 1 (from folklore era)
• the last great american dynasty (from folklore era)
• ’tis the damn season (from evermore era)
• tolerate it (from evermore era)

Stay in the loop: sign up to our free Time Out Travel newsletter for all the latest travel news.

• Liv Kelly Contributing Writer

Share the story

An email you’ll actually love

Discover Time Out original video

• Press office
• Investor relations
• Work for Time Out
• Editorial guidelines
• Privacy notice
• Do not sell my information
• Cookie policy
• Accessibility statement
• Terms of use
• Modern slavery statement
• Manage cookies
• Advertising

Time Out Worldwide

• All Time Out Locations
• North America
• South America
• South Pacific

Taylor Swift ‘Eras Tour 2024′: See the complete list of concert changes during her European shows

• Updated: May. 14, 2024, 1:05 p.m. |
• Published: May. 14, 2024, 1:05 p.m.

Taylor Swift added "The Tortured Poets Department" to "The Eras Tour" set during her night No. 1 concert in Paris, France. Getty Images for TAS Rights Management

• Nicole Iuzzolino | NJ Advance Media for NJ.com

You can safely say that all Swifties are “Down Bad” for the new version of the “Eras Tour.”

The last time Taylor Swift hit the “Eras Tour” stage in Singapore, it was just a month before she released her newest album “The Tortured Poets Department .”

So, when Swift began the European leg of her “Eras Tour” in Paris, France, fans were anxiously waiting to see how she would implement the new album into her already jam packed set .

All in all, Taylor Swift did not disappoint on Night 1 of her Paris shows.

From new outfits to axed songs and new songs, there has been plenty to talk about and fangirl over, and anticipation has only grown for the rest of the European shows to see what else Taylor Swift has up her sleeve.

Here are all the changes Taylor Swift has made to the European leg of the “Eras Tour” so far.

Taylor Swift ‘Eras Tour’ changes

‘tortured poets’ added to the intro mash-up of albums.

Every Swiftie who has either been to the “Eras Tour” or has watched every concert video on TikTok has the introduction of album titles memorized by heart. That’s so much so that when the TTPD title was added to the intro , fans immediately freaked out.

Besides the album title, she added the line in the intro, “What if i told you I’m back?” which is from her song “imgonnagetyouback.”

Costume changes

There were several new costume changes throughout the night, which is one of the first extensive major outfit changes Swift has done across all eras since she announced “1989 (Taylor’s Version).”

First, during the “Lover” set, Swift hit the stage in a sparkly orange bodysuit and matching boots , which left fans, including me, in awe. She then put on a matching oversized blazer when she began performing “The Man.”

Then, during the “Fearless” set, Swift donned a new fringe dress very reminiscent of a black and grey one she wore during her 2009 “Fearless” tour .

During the “Red” era, Swift wore a new T-shirt that said “This IS NOT Taylor’s Version.” During her Paris Night 2 show, she went with a “I Bet You Think About Me” shirt .

The direct references to her past tours did not end there.

For “Speak Now,” Swift came out in a stunning new gown , which had the audience stunned. It was a faded lilac color with a ribbon pattern of gold sequins and rhinestones wrapping around the entire dress.

This gown was a direct reference to an outfit she wore during her 2011 “Speak Now” world tour.

For her “Folklore” and “Evermore” sets, Swift combined the two dresses into one. Generally, the Folklore dresses have very billowy sleeves and skirt layers that swish around as she spins across the stage while singing “August.” The “Evermore” dresses usually give off more of a fall vibe as they are more yellow, brown and rust colored.

To combine the two, Swift donned a beautiful dress in the shade of yellow , which she used for both sets. For her Night 2 show in Paris, she wore a bright fuchsia dress.

Next was the “1989″ set, where she came out in a completely new look . Swift took the stage in a bright turquoise skater skirt, which is something she wore quite often in 2015 when the album came out. She also wore a pink sparkly halter top and a mismatched pair of blue and pink Christian Louboutin ankle boots.

For Paris Night 2, she wore a purple skirt and orange top .

For the surprise song set, Swift wore a new pink dress and a new fringe bodysuit for the “Midnights” set, which closes out the show.

As much as we were dreading it, we knew song cuts would have to happen in order to add new songs to the set. The songs that were axed from the set were, “The Archer”, “Long Live”, “Tis the Damn Season”, “Tolerate It”, “The 1″ and “The Last Great American Dynasty”.

Set order change

If you have been to an “Eras Tour” show in the past, then get ready for a change up in the set.

The new order of “Eras” performed at the show is now, “Lover,” ”Fearless,” “Red,” ”Speak Now,” “Reputation,” ”Folklore” and “Evermore” as one combined set, “1989,″ ”The Tortured Poets Department,” surprise songs and ”Midnights.”

New ‘Speak Now’ visuals

This set now begins with a long, choreographed number while instrumentals from her “Speak Now” album play in the background.

There are also very purple new visuals playing as Taylor performs.

‘The Tortured Poets Department’ enters the ‘Eras Tour’ universe

This is what every fan watching through a TikTok livestream or live in concert has been waiting for.

The TTPD set comes right after “1989″ with literary themed visuals sprawling across the screens before Taylor and her dancers came out. There was new choreography , costumes and of course, a huge range of new songs.

As she sang, there were black and white visuals of stained glass, a haunted house, alien spaceships and the asylum from the “Fortnight” music video.

There was also a platform that moved around the stage as Taylor sang on it, which is something fans have not yet seen before on her tour.

Halfway through the set, Swift’s dancers lifted her while old timey, black and white film music played in the background and as she changed into a new gold and black outfit .

Here is the setlist for the new era:

• “But Daddy I Love Him” and “So High School” mash-up
• ”Who’s Afraid of Little Old Me?“
• “Fortnight”
• ”The Smallest Man Who Ever Lived”
• ”I Can Do It With a Broken Heart”

New ‘Eras Tour’ merchandise

The next best things after seeing Taylor Swift live is getting your hands on new tour merchandise.

After the concert, her website was updated with the merch : shirts and sweatshirts with the TTPD promo picture in the middle where the “Midnights” picture once was. The other eras surround the rectangular TTPD photo.

Taylor Swift "Eras Tour" Tickets & News

• Where to find the cheapest ‘Eras Tour’ tickets to see Taylor Swift in Liverpool
• Where to find the cheapest Taylor Swift tickets for the ‘Eras Tour’ in Scotland
• Taylor Swift ‘Eras Tour’ tickets are $69. Here’s how to secure last-minute tickets to see her with Paramore in France
• Taylor Swift ‘Eras Tour’ tickets are under $300. Here’s how to get tickets to see her (with Paramore) in Scotland
• Taylor Swift ‘Eras Tour’ tickets are down to $100. Here’s how to see her in Madrid

Our journalism needs your support. Please subscribe today to NJ.com .

Nicole Iuzzolino can be reached at [email protected] . Have a tip? Tell us at nj.com/tips .

If you purchase a product or register for an account through a link on our site, we may receive compensation. By using this site, you consent to our User Agreement and agree that your clicks, interactions, and personal information may be collected, recorded, and/or stored by us and social media and other third-party partners in accordance with our Privacy Policy.

To revisit this article, visit My Profile, then View saved stories .

• What Is Cinema?

Taylor Swift Announces End of Her Eras Tour Era: “I Think I Once Had Hobbies”

By Kase Wickman

There’s long, and then there’s “perform a very physical three-hour-plus concert 150ish times around the world throughout two calendar years.” The latter is where Taylor Swift finds herself, announcing onstage at her 100th Eras Tour performance that her December 2024 run in Vancouver, Canada will be the end of the tour.

While introducing the 10-minute extended version of “All Too Well” (speaking of long) Thursday evening in Liverpool during the first of her three planned shows there, Swift announced the news.

“You know, this is actually the 100th show of the show,” she said, saying that it “blows my mind.”

“This has definitely been the most exhausting, all-encompassing, but most joyful, most rewarding, most wonderful thing that has ever happened in my life,” she said. But all good things must come to an end, or so we hear. “This is the very first time I’ve ever acknowledged to myself and admitted that this tour is gonna end in December,” she said. “Like, that’s it.

“And that feels like so far away from now,” she added. “But then again, it feels like we just played our first show on this tour. Because you have made this so much fun for us that we wanted to do a hundred shows, 150-something shows that we have on the whole tour.”

She went on to admit that “this tour has really become my entire life. Like, it’s taken over everything. I think I once had hobbies, but I don’t know what they were anymore. Because all I do when I’m not on stage is, like, sit at home and try to think of clever acoustic song mashups and think about what you might want to hear. So when I’m not on the stage, I’m dreaming about being back on the stage with you guys.” She thanked the fans for their effort and told them that “I appreciate every single ounce of effort that you put in to be with us.”

Notably, Swift has dropped the (Taylor’s Version) re-recordings of two of her older albums, Speak Now and 1989 , during the tour’s run, plus the super-sized 31-track album The Tortured Poets Department . Oh, and she released that record-breaking concert film Taylor Swift: The Eras Tour . And she nabbed a historic fourth Album of the Year Grammy . That to-do list of hers has gotten plenty done, and there’s still time yet for more of the singer's signature surprises.

Though she sings in “Gorgeous” that she’ll “stumble on home to my cats,” Swifties know that there’s someone else the singer has been spending time with offstage, and he also has whiskers, despite being human. Swift stayed up late Thursday night to virtually join in on celebrations for boyfriend Travis Kelce as he and the Kansas City Chiefs accepted their latest championship hardware during the ring ceremony for their 2024 Super Bowl win. While Swift couldn’t do a repeat of February’s post-game celebrations (smooches, lip-sync serenades , and all), she hopped onto the Instagram Live cast of the ceremony to watch Kelce put a ring on it and dropped some choice all-caps comments in real-time.

“JOINING THE PARTY FROM LIVERPOOL LET’S GOOOOOOOO,” she commented on the stream, throwing in some “AHHHHHHH” and “YESSSSSSSS” to make her feelings clear. Eventually, she decided that it was time to get some sleep, presumably to prep for Friday night’s show and have those dreams about being onstage that she talked about. “Gotta go to sleep it’s so late here love you guys❣️❣️❣️,” she wrote in parting.

The Eras Tour continues its European run through August, before Swift takes a several-week break. In mid-October, she concludes the tour with stops in three U.S. cities, then a final jaunt to Canada to close out the run, which began in March 2023. Then, perhaps, she will rediscover her hobbies.

More Great Stories From Vanity Fair

Live Updates from Trooping the Colour 2024 : Kate Middleton Makes Her Royal Return

Stephen Bannon Cites Podcast Duties as Reason He Should Not Be Required to Report to Prison

Cover Star  Ayo Edebiri  Is Making Hollywood Her Playground

23 Summer Movies You Can’t Miss This Year

Bridgerton Star Luke Newton Unpacks Season 3’s Final Episodes

The Scary Skinny on Counterfeit Ozempic

What Is Cinema? Filmmaking Masters Share Their Secrets

By Bess Levin

By Savannah Walsh

Kase Wickman

Contributing editor, royal watch.

By signing up you agree to our User Agreement and Privacy Policy & Cookie Statement . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thousands of Taylor Swift concertgoers in Madrid have come down with COVID-19 after Eras Tour

"covid, infected by taylor swift, i'll sell my antigen test for 5000 euros," one swiftie said, by nardos haile.

Some Swifties in Europe have more than Taylor Swift in common — they have COVID-19 too.

During the singer's European  Eras Tour  stops, Swift performed in Madrid on   May 29 and 30. According to Spanish news site El Nacional , not long after the concert that amassed about 130,000 attendees over two days, thousands online have said they contracted COVID-19. Such gatherings are widely known for being possible  superspreader events , as people from many different areas – sometimes even flying in from different countries – are in such close proximity.

One specific X account, known for being a hub for Spanish Swifties, took a poll of their followers, asking if they had become sick with COVID-19 after one of Swift's concerts in Madrid. Of the 10,796 people who answered the poll online, 35%, or 3,780 of the concertgoers said they had.

One concertgoer described their symptoms as, "Cough, sore throat, body discomfort and I can hardly speak." Another said that a few days after both concerts, "On Saturday my neck hurt, and I spent the night from Sunday to Monday with a fever of 39C, one of the worst nights of my life." Another person said, "During the weekend, I noticed that I felt different because I was feeling very uncomfortable, and felt dizzy. Yesterday I was coughing non-stop. I took the test today and it came back positive."

It's not just some of the largest European cities facing superspreader events in the coming summer. In the United States, scientists are warning of what they have been calling a "summer wave"  of COVID-19 cases. The potential rise in COVID-19 cases stems from new Omicron subvariants like the KP.3 variant, JN.1 virus , or other strains known as the Flirt strains. The Centers for Disease Control said that these new strains of COVID now account for more than 50% of the cases in the U.S. According to the CDC , infection rates and hospitalization have been lower or "minimal" levels of "respiratory illness activity." However, the government agency's data suggests that infections are projected to increase in several states across the country like California, Washington D.C., Florida, New Jersey and Texas.

We need your help to stay independent

Despite the growing concerns about new variants causing an increase in infections, there has been an unexpected outcome to thousands of Swifties testing positive. Some have shared how the COVID experience and symptoms have been difficult to deal with but others have treated it as just another Taylor Swift Eras Tour bonus. "COVID, infected by Taylor Swift, I'll sell my antigen test for 5000 euros!" one person wrote, as if the test was a Swiftie keepsake. Another said, "Taylor Swift is so cute – she included the new COVID variant as a surprise in the Eras Tour Madrid." 

Even though some Swifties may wear their positive COVID tests as a badge of honor, Spanish Swifties aren't the only ones who have contracted COVID at the Eras Tour. The Nacional also reported that some French Swifties are experiencing similar symptoms to COVID-19 after the singer's two-day stint in Paris on June 9 and 10. There were also some concerns that some concertgoers contracted COVID-19 last year during the U.S. leg of the tour. However, the Los Angeles Times said it wasn't clear if those cases contributed to a larger spread of the virus.

about this topic

• Why COVID patients who could most benefit from Paxlovid still aren’t getting it
• "Not the flu": CDC's change in COVID guidance could misrepresent risks of virus, experts warn
• Mounting research shows that COVID-19 leaves its mark on the brain

Nardos Haile is a staff writer at Salon covering culture. She’s previously covered all things entertainment, music, fashion and celebrity culture at The Associated Press. She resides in Brooklyn, NY.

Related Topics ------------------------------------------

Related articles.

The Definitive Voice of Entertainment News

Subscribe for full access to The Hollywood Reporter

site categories

Heading to europe to see taylor swift here are the best new hotels along the eras tour summer stops.

Where to stylishly stay in London, Munich, Vienna, Milan, Amsterdam, Zurich and more cities along the Swift's tour while gig-jetting this summer.

By Kathryn Romeyn

Kathryn Romeyn

• Share on Facebook
• Share to Flipboard
• Send an Email
• Show additional share options
• Share on LinkedIn
• Share on Pinterest
• Share on Reddit
• Share on Tumblr
• Share on Whats App
• Print the Article
• Post a Comment

If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

Related Stories

Joe alwyn breaks silence on taylor swift breakup: "a hard thing to navigate", taylor swift's fans at edinburgh concerts danced so hard, seismic activity was recorded.

It doesn’t hurt that there’s a lot of exciting newness in hospitality throughout both perennial hot spots and quieter cities that are now being thrust into Swifties’ consciousness. Because Europe is so easy to get around — remember those trains! — a pilgrimage to see the megawatt singer is also an invitation to explore further. For example, even if you missed her recently in Edinburgh, the Scottish capital is a worthwhile side trip as a slew of hotels are all ultra-attractive newcomers, including 100 Princes Street ( 100princes-street.com or via priceline.com ), the W Edinburgh ( marriott.com ) and the soon-to-open inland surfing destination Lost Shore Surf Resort .

Here, we round up a dozen of the most beautiful new hotels along Swift’s upcoming European tour dates .

Liverpool, England: June 15

The Halyard Liverpool Hotel : Just opened in March, this IHG Vignette Collection boutique hotel sits in the center of the city’s boho Ropewalks district for easy access to everything, including art, music and bazaars in Victorian warehouses. Charming and lush, the property features plenty of touches that reference the area’s mercantile history, but it’s also perfectly modern with amenities such as Temple Spa night creams and bath oils in the 133 rooms. The Halyard Liverpool, 123 Duke St., rooms from $273/night .

Cardiff, Wales: June 18

London, England: June 21, 22 and 23

Broadwick Soho : One of London’s buzziest — and most flamboyant — new hotels is this independent 57-room entry from November 2023, designed by illustrious Swedish interior designer Martin Brudnizki (Pendry West Hollywood, The Beekman). Its West End location makes it feel like an instant icon and its design references range from Jazz Age to disco era fabulousness with some English quirk. Among eating and drinking outlets there’s a basement-level, modern-meets–classic Italian restaurant and also a top-floor terrace bar, Flute. Broadwick Soho , 20 Broadwick Street, rooms from $757/night, via booking.com .

The BoTree : Not far from there is butler-staffed The BoTree, which opened in September 2023 with 169 vivid rooms and 30 opulent suites (think Dyson hairdryers, cocktail stations and balconies) all embodying an ethos of conscious luxury. The BoTree , 30 Marylebone Lane, rooms from $839/night, via booking.com and hotels.com .

Art’otel London Hoxton : Another appealing new getaway that opened in April with rooftop yoga, art workshops and aqua aerobics. Art’otel London Hoxton , 1-3 Rivington St., rooms from $391/night, via radissonhotels.com and booking.com .

Amsterdam, Netherlands: July 4, 5 and 6

Avani Museum Quarter Amsterdam : This just-opened hotel combines the best of Amsterdam — a canal-side location in the museum district — with a heavy art influence via Stedelijk Museum to create a unique and colorful atmosphere behind a brick and glass facade. A ‘60s vibe pervades the 163 guest rooms, which are equipped with yoga mats. Perhaps even more enticing: the partnership with Girls Who Magazine that has produced experiences including a street art tour and a standup paddleboard adventure down a canal with stops for pizza and craft beer plus a local swimming spot. Avani Museum Quarter Amsterdam , Hobbemakade 50, rooms from $210/night, via booking.com and hotels.com .

Zurich, Switzerland: July 9 and 10

Milan, Italy: July 13 and 14

Park Hyatt Milano : Fresh off a multimillion-dollar renovation, the Park Hyatt Milano debuted its refresh in late March, just in time for its 20th anniversary. Much inspiration for the chic new look came from the nearby legendary Duomo Cathedral, while Milanese architectural details are visible — from the facade to the bright, airy guest rooms. Fine dining is on offer at Pellico 3 Milano. However, the prettiest space may just be Mio Lab Cocktail Bar, where every great night should end. Park Hyatt Milano , Via Tommaso Grossi 1, rooms from $1,745/night, via booking.com and hotels.com .

Munich, Germany: July 27 and 28

Rosewood Munich : Before last October, Munich hadn’t seen a new luxury hotel in more than a decade, so the Rosewood opening in two Old Town landmark buildings (one a grand aristocratic residence) with interiors by Tara Bernerd & Partners was anticipated, to say the least. The gracious hotel spans 73 generous rooms, 59 suites and five exclusive houses that are sumptuous odes to the Bavarian royal family. See-and-be-seen outlets include an Alpine-esque brasserie and a bar with live music, while the Asaya Spa takes up two floors and offers integrative wellness experiences. Rosewood Munich , Kardinal-Faulhaber-Strasse 1, rooms from $869/night, via booking.com and hotels.com .

Vienna, Austria: August 8, 9 and 10

Imperial Riding School, Autograph Collection : This May 2024 opening takes its theme and name from its building’s 19th-century origins as the Austro-Hungarian military’s equestrian school. It was later a cinema, and now it’s home to 342 bedrooms that feel contemporary and warm, along with a lush green space in the Garden Palace Harrach’s former orchards. A 4,800-plus square foot wellness area, including an indoor swimming pool, gives guests ample opportunity to relax. Imperial Riding School, Autograph Collection , Ungargasse 60, rooms from $270/night, via booking.com and hotels.com .

THR Newsletters

Sign up for THR news straight to your inbox every day

More from The Hollywood Reporter

Nick jonas, adrienne warren to star in ‘the last five years’ on broadway, when to watch emmy-winning series ‘house of the dragon’ season two online, ariana debose on why the 2024 tony awards may be her last time hosting “for a while”, hollywood’s first asian american star anna may wong celebrated in l.a. museum show, joe alwyn breaks silence on taylor swift breakup: “a hard thing to navigate”, “dear remy”: hollywood career coach gives advice to a grieving actor and an exec in script storm.

Your cart is empty

Taylor swift | the eras tour shop.

• Entertainment
• celebrities

Swifties Demand Taylor Swift ‘Speak Now’ on Gaza

S wifties flocked to the social media platform X on Wednesday to demand that Taylor Swift “Speak Now” on Gaza, calling out her silence on the ongoing conflict.

The hashtag #SwiftiesForPalestine was trending on X, garnering 105,000 posts by Wednesday. The online callout comes after an Israeli airstrike in Rafah killed at least 45 Palestinians over the weekend, sparking international outrage. Several celebrities, including Ariana Grande and Kehlani , have since shared statements of support for a ceasefire on social media. But Swift has not been one of them, prompting fans to take to social media.

Under the hashtag, fans posted photos of themselves holding up signs saying “We Demand Swift Action!” and “Swifties For Palestine” outside the singer’s Eras Tour venues in Europe. Fans were also circulating a letter on X, pressing the singer to use her large platform to speak up in support of the Palestinian cause.

. @taylorswift13 your silence has been deafening and in times like these you should speak up!! #SpeakNow #SwiftiesForPalestine there are children being burned alive and beheaded in rafah so SPEAK NOW TAYLOR #FreePalestine pic.twitter.com/U56rZN6zHD — robin 🍉 (@folkwhvre) May 29, 2024

“As an internationally renowned and significant artist, your voice has the ability to impact and draw attention to crucial problems affecting millions of people worldwide,” the letter said. “Today, I am writing to urge you to speak out against the current humanitarian crisis and decades-long genocide in Palestine.”

“The international community, including many influential voices, has called for justice and peace, yet the agony still continues,” the letter said. “Your influence transcends borders, and your words have the power to reach and activate an extensive audience, including people who are unaware of the severity of the genocide. Speaking out about the Palestinian genocide would not only be consistent with your history of advocating for the victims, but it could also encourage your millions of fans to learn and take action to help.”

“Your smallest action could make a significant difference in amplifying these pleas for pressing for real change. Free Palestine.”

The post had received 1.4 million views and 31,000 likes by Wednesday.

The trending hashtag comes after the online “Blockout” campaign, when social media users started blocking celebrities who had not spoken out about the war in Gaza.

Read More: Calls to Boycott Celebrities for Silence on the War in Gaza Spark a Debate Over Online Activism

Some celebrities have used their platforms to share support for the Palestinian cause, including Jenna Ortega , Billie Eilish and her brother Finneas , and Lizzo. On Tuesday, Dua Lipa shared an Artists4Ceasefire graphic with the hashtag #AllEyesOnRafah on her Instagram story, with the caption “Burning children alive can never be justified. The whole world is mobilising to stop the Israeli genocide. Please show your solidarity with Gaza.”

While Swift had stayed quiet about politics for the beginning of her career, she has spoken up about politics in more recent years. In 2018, she shared her political views publicly for the first time, endorsing two Democratic candidates in Tennessee. She endorsed President Joe Biden for the 2020 election. She has also spoken out in support of abortion and LGBTQ+ rights.

More From TIME

More must-reads from time.

• How Joe Biden Leads
• Lai Ching-te Is Standing His Ground
• Do Less. It’s Good for You
• There's Something Different About Will Smith
• What Animal Studies Are Revealing About Their Minds—and Ours
• What a Hospice Nurse Wants You to Know About Death
• 15 LGBTQ+ Books to Read for Pride
• Want Weekly Recs on What to Watch, Read, and More? Sign Up for Worth Your Time

Contact us at [email protected]

Taylor Swift Confirms Eras Tour Won’t Get Any More Extensions: ‘This Tour Is Going to End in December — That’s It’

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

• Taylor Swift Confirms Eras Tour Won’t Get Any More Extensions: ‘This Tour Is Going to End in December — That’s It’ 3 days ago
• The Black Opry, Nashville-Based Collective, Launches Its Own Label With Debut Single From Black, Queer Artist Jett Holden 3 days ago
• Mark James, Songwriter of ‘Suspicious Minds,’ ‘Always on My Mind’ and ‘Hooked on a Feeling,’ Dies at 83 4 days ago

For anyone who hoped that the Eras Tour might get an extension into its third calendar year with added dates in 2025, Taylor Swift has disabused them of that notion, affirming that her global trek really will come to a close with its currently scheduled final dates in North America in December of this year.

Swift made the proclamation while performing the 100th date of the tour on the first night of a weekend engagement in Liverpool on Thursday.

Related Stories

Summer movie meltdown math: years of box office data reveal discouraging trends, steven spielberg throws apple watch at 'sugarland express' 50th anniversary and remembers finding 'jaws' script 'sitting out' in producer's office, popular on variety.

“And that feels like so far away from now,” she added. “But then again, it feels like we just played our first show on this tour. Because you have made this so much fun for us that we wanted to do a hundred shows, 150-something shows that we have on the whole tour.

“And I think that  this tour has really become my entire life. Like, it’s taken over everything. I think I once had hobbies, but I don’t know what they were anymore. Because all I do when I’m not on stage is like sit at home and try to think of clever acoustic song mashups and think about what you might want to hear.  So when I’m not on the stage, I’m dreaming about being back on the stage with you guys. And you have done so much to be with us. You’vee made plans so far in advance. You planned what you were gonna wear, you memorized lyrics, you got yourselves here, you figured out parking, you figured out transportation. … And just know that I appreciate every single ounce of effort that you put in to be with us, (as) this tour reaches triple digits of of shows.”

Although Swift’s camp has not released any box office grosses from the tour, industry experts believe the total gross will surpass $2 billion by the time it wraps up in December. The closest runner-up will remain Elton John’s “Farewell Yellow Brick Road,” which grossed $939 million over a five-year span.

Swift’s European tour will wrap up Aug. 20 with the second of two runs in London’s Wembley Stadium. From there, she is scheduled to take time off from the road before returning to U.S. stadiums in November for the first time since late 2023, doing shows in just three U.S. cities — Miami, Indianapolis and New Orleans — before the tour concludes in late November and early December with six shows in Toronto and three in Vancouver. The last date is scheduled in the latter Canadian city for Dec. 8.

More from Variety

A ‘blade’ timeline: five years and counting for marvel’s reboot with mahershala ali, new bundles point to broadband’s growing power in svod packaging, taylor swift performs ‘this is what you came for’ during ‘eras tour’ show in liverpool, box office: ‘inside out 2’ jumps for joy with $62 million opening day — the biggest of 2024, live music blues: are black keys, jennifer lopez just the beginning, naoko yamada’s ‘the colors within’ shares character designs after annecy competition debut: ‘it’s about the joy of creating’ (exclusive), more from our brands, dems need to get in the ring with maga. take it from voters, watch: archer’s midnight evtol just completed its first hover-to-horizontal flight, shilo sanders scores partial dismissal of bankruptcy lawsuit, the best loofahs and body scrubbers, according to dermatologists, the tvline-up: what’s returning, new and leaving the week of june 16, verify it's you, please log in.