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Journey’s 10 Best Songs

Sure, "Don't Stop Believin'" -- but there's a whole lot more.

By Gary Graff

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Though it arrives amidst lawsuits , social media sniping and infighting, Journey is turning 50 this year.

During that half century, the group has sold more than 100 million records worldwide, logging 11 platinum-or-better albums (including Diamond certifications for 1981’s Escape and 1988’s Greatest Hits) , earning eight top 10 albums on the Billboard 200 and 25 hits on the Billboard Hot 100. It’s also been a reliable ticket-selling act for most of its career, and in 2017, the band was inducted into the Rock and Roll Hall of Fame.

Journey’s is the story of eras. When the group originally formed in San Francisco in 1973, original manager Herbie Herbert helped bring together guitarist Neal Schon and keyboard player/vocalist Gregg Rolie from Santana, bassist Ross Valory and rhythm guitarist George Tickner from Frumious Bandersnatch and drummer Prairie Prince from The Tubes. Prince would be replaced by David Bowie/Frank Zappa skins man Aynsley Dunbar, while Tickner would leave after Journey’s self-titled first album in 1975. The remaining quartet recorded two more albums before Steve Perry came on board for 1978’s Infinity, which began the band’s run of multi-platinum smashes — also marking the first appearance of Alton Kelley and Stanley Mouse’s iconic scarab logo for the band. Dunbar was replaced by Steve Smith for 1979’s Evolution , and Rolie would leave in 1980 with Jonathan Cain of The Babys joining to help elevate the band to even greater fortunes on Escape and Frontiers .

The palette has been diverse, but there are common elements among Journey’s best songs — sturdy melodies and sing-along choruses, usually leading into one of Schon’s majestic guitar solos. But within that mold there’s also been plenty of invention and clever arrangements that have never been as formulaic as some of the band’s detractors (particularly during their early ‘80s heyday) would have you believe.

Journey has gone through its fair share of lineups, with singer Arnel Pineda on board since 2007 — the longest continuous tenure of any Journey frontman. The group released Freedom , it’s first new studio album in 11 years, in 2022, and despite the current legal fractures (which you can read about in detail here ), still they ride, as the Escape track says — and may they keep on runnin’ for a long time.

With all that in mind, here are our picks for Journey’s 10 best songs — not all of which come from the biggest hits.

"Someday Soon" ( Departure , 1980)

This album track from Rolie’s finally studio effort with the band is a hypnotic tone poem, with a ringing, cushy ambience and a hippie kind of optimism – not to mention the best give-and-take Perry and Rolie achieved during their time together in the band. It’s of course been eclipsed by Journey’s myriad hits (“Any Way You Want It” is the enduring top 40 Hot 100 hit from Departure ), but it’s a gem worthy of discovery.  Listen here.

"Escape" ( Escape , 1981)

The title track from Journey’s Billboard 200-topping studio album straddled the hard rock/pomp attack of the group’s mid-‘70s output with the melodic sensibility of the Perry-Cain axis. Its five-minute length provides room for the arrangement to stretch out and flow from one song part to the next, with a crunch that was part of Journey’s palette at the time. Listen here.

"Of a Lifetime" ( Journey , 1975)

The Journey of 1973-77 was certainly a different creature than the hitmaking colossus so many know and love. The group’s initial lineups flexed instrumental muscles, smoothly knitting together a number of styles more interested in the journey (ba- dum ) than any commercial destination. The first track from its first album is a prototype, leaning into blues, psychedelic rock and a touch of Latin, with the first of what would become many standout Schon solos, and a tuneful sturdiness delivered by Rolie’s soulful vocal. Listen here.

"Faithfully" (Frontiers , 1983)

The melody of this top 20 Hot 100 hit came to Cain in a dream on a tour bus, and his paean to the struggle between home and the road was written in a half-hour. The result was a swoon-inducing ballad tailor-made for a sea of lighters (back then) and cellphone flashlights (now), capturing one of Perry’s best recorded performances and one of Schon’s most inspired solos. One of its great side stories is that Prince contacted Cain after he wrote “Purple Rain,” concerned that it might be too similar to “Faithfully.” Cain determined it wasn’t, but joked to Billboard that, “After seeing what it became, I should have asked for a couple of points….”

"Ask the Lonely" (single, 1983)

Recorded for Frontiers , this one wound up in the romcom Two of a Kind (starring the Grease duo of John Travolta and Olivia Newton-John) and rocked its way to No. 3 on the Mainstream Rock Airplay chart. Like “Only the Young,” which wound up in Vision Quest two years later, it showed that Journey was on roll – and well-suited for big soundtrack moments. Listen here.

"Who's Crying Now" ( Escape, 1981)

The best of Journey’s swoon songs — started by Perry while driving into Los Angeles and finished with Cain — has a subtlety and dynamic build that sets it apart from the many others of its ilk they’d create. The verse slips into the chorus with a soulful ease, and Schon’s guitar accents deftly build up to his searing solo at the end. The Escape single reached No. 4 on the Hot 100. Listen here.

"Feeling That Way" ( Infinity , 1978)

If fans at the time wondered how Steve Perry and Gregg Rolie would co-exist, this was the answer — an ebb-and-flow tradeoff that proved they could complement each other as lead singers as well as harmonize smoothly together (first evidenced by Infinity ‘s lead track “Lights”). Its medley-like pairing with the next track, “Anytime,” was gravy that would become a motif on the next few Journey albums. Listen here.

"Just the Same Way" ( Evolution , 1979)

Journey’s fifth album had a punchier sound than Infinity — though they shared producer Roy Thomas Baker — which worked to the benefit of the album’s first single. Led by Rolie’s piano and muscular lead vocal, with Perry responding on the choruses and bridge, it reached No. 58 on the Hot 100 in 1979. In a perfect world this would have been as big as anything from Escape or Frontiers, but it’s still a convincing introduction to the Rolie era of the band. Listen here.

"Don't Stop Believin'" ( Escape , 1981)

More than a billion Spotify streams, a Library of Congress National Recording Registry placement and plays at virtually every sporting event around the world don’t lie — this one is Journey’s pinnacle of success. Created during a rehearsal at the group’s warehouse HQ in Oakland, Calif., it gave us the “streetlight people” of Hollywood’s Sunset Strip and put the non-existent South Detroit on the map. And it saves the chorus for the song’s end, after the guitar solo. A cross-generational hit? Believe it, gleefully.

"Stone in Love" ( Escape , 1981)

Schon reportedly called this “Stoned in Love” when he wrote the riff, and it’s certainly an addictive track that’s the best roll-down-the-windows-and-crank-it-up Journey fix you could ask for — not to mention a frequent show opener. A No. 13 Mainstream Rock Airplay hit in 1981, the song is practically a deep cut today. But its anthemic chorus is a spirit-lifter and the dynamic breakdown that segues into the song-closing guitar solo harks back to the ambitious musicality of the first few albums. “Stone” is a gem that still shines bright. Listen here.

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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The Best Journey Songs Of All Time

What is Journey's biggest hit? Here are the best Journey songs of all time, ranked by fans everywhere. Journey are indisputably known as one of the greatest rock bands to ever walk the Earth, with former lead singer Steve Perry even crowned "the voice" by many industry moguls. Established in San Francisco, CA, in 1973, Journey has sold out countless concert tours worldwide throughout their five decade career. The arena rock band's legendary music and unparalleled performance style ultimately led to their Rock & Roll Hall of Fame induction in 2017. Some of Journey's top songs include "Don't Stop Believin'" ( Escape , 1981), "Any Way You Want It" ( Departure , 1980), "Lights" ( Infinity , 1978), "Separate Ways (Worlds Apart)" ( Frontiers , 1983), and "Wheel In The Sky" ( Infinity , 1978).

From their new and latest music to their older popular songs, this Journey playlist features all of their greatest hits, according to the fans. Do your favorite Journey songs crack the top 10? Vote up the best songs by Journey, and don't forget to show their underrated tracks love as well.

Don't Stop Believin'

Best Lyrics:

Strangers waiting Up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night

Separate Ways (Worlds Apart)

Someday, love will find you Break those chains that bind you One night will remind you How we touched and went our separate ways

If he ever hurts you True love won't desert you You know I still love you Though we touched and went our separate ways

And being apart ain't easy on this love affair Two strangers learn to fall in love again I get the joy of rediscovering you Oh girl, you stand by me I'm forever yours, faithfully

Feeling That Way

Opened my eyes to a new kind of way All the good times that you saved Are you feeling You feeling that way too Or am I just Am I just a fool

Wheel in the Sky

Winter is here again, oh lord Haven't been home in a year or more I hope she holds on a little longer Sent a letter on a long summer day Made of silver, not of clay I've been runnin' down this dusty road

Wheel in the sky keeps on turnin' I don't know where I'll be tomorrow

Stone in Love

In the heat with a blue jean girl Burning love comes once in a lifetime She found me singing by the rail road tracks Took me home, we danced by the moonlight

Those summer nights are calling Stone in love Can't help myself, I'm falling

Send Her My Love

Callin' out your name I'm dreamin' Reflections of a face I'm seein' It's her voice That keeps on haunting me

Send her, send her my love Roses never fade Memories remain

Any Way You Want It

She said, any way you want it That's the way you need it Any way you want it

I was alone I never knew What good love could do Ooh, then we touched Then we sang About the lovin' things

Who's Crying Now

One love, feeds the fire One heart, burns desire I wonder who's crying now? Two hearts, born to run Who'll be the lonely one? I wonder who's crying now?

When the lights go down in the City And the sun shines on the bay Ooh, I wanna be there in my City, oh Oh, oh, oh

Still They Ride

Spinning 'round, in a spell It's hard to leave this carousel 'Round and 'round And 'round and 'round

Still they ride, on wheels of fire They rule the night Still they ride, the strong will survive Chasing thunder

Only the Young

Shadows of a golden age A generation waits for dawn Brave carry on Bold and the strong

Only the young can say They're free to fly away Sharing the same desire Burnin' like wildfire

Ask The Lonely

You've got some fascination With you high expectations This love is your obsession Your heart, your past possession Let down your defenses Won't be up to the one who cares

Be Good To Yourself

Runnin' out of self-control Gettin' close to an overload Up against a no win situation Shoulder to shoulder, push and shove I'm hangin' up my boxin' gloves I'm ready for a long vacation

Be good to yourself when, nobody else will Oh be good to yourself You're walkin' a high-wire, caught in a crossfire

Girl Can't Help It

If he could hold her, so close in his arms again If she could show him The letter her heart forgot to send why They're livin' dreams on their own Ooh they'll never stop running

The girl can't help it, she needs more He hasn't found what he's lookin' for They're still standing in the rain He can't help it, and she's just that way

Just The Same Way

Take a chance now the timing's right. You're free to leave the key to my life. Stay with me. Won't you stay the night, In the mornin' feelin' fine, yeah.

That's the same way you love me. 

Touchin', Lovin', Squeezin'

It won't be long, yes, till you're alone When your lover, oh, he hasn't come home 'Cause he's lovin' who he's touchin', he's squeezin' another

He's tearin' you apart Ooh, every day, every day

I'll Be Alright Without You

I'll be alright without you Oh love's an empty face, I can't replace (You don't need it) People wonderin' why we broke apart The great pretender here I go again These things I do (It's all because of you) I'll keep holdin' but I'll try (Try not to think of you)

Mother, Father

Through bitter tears And wounded years, those ties Of blood were strong So much to say, those yesterdays So now don't you turn away.

Hey, mother, father, sister Hey, come back, tryin', believein' Hey, mother, father, dreamer

The Party's Over (Hopelessly In Love)

So I will tell you this, Our love is in a fix. Just what more can I do. When I'm hopelessly in love with you?

When You Love A Woman

When you love a woman You see your world inside her eyes When you love a woman (Well) You know she's standing by your side A joy that lasts forever There's a band of gold that shines Waiting somewhere, oh, yeah

I see your face at the movies I hear your voice on the radio You're making love on the silver screen I want you more than you will ever know Temptation...Infatuation

Suzanne, don't walk away

After The Fall

But a head strong stubborn man Only works it out the best he can Valentines he never sent There's not enough time he's a working man

Can't stop falling Heartaches calling Finds you after the fall

Why Can't This Night Go On Forever

Lost in twilight, the memories Precious moments, you and me We've been old friends, all through the years Picture postcards, sharing tears

What's in our hearts, there's never time, to say Need you tonight, lover don't fade away I've seen your city lights As I walk away Why can't this night...go on forever

After All These Years

A faded wedding photograph You and me in our first dance Our eyes are closed We're lost in one sweet embrace Since those days the world has changed But our love remains the same God knows we've had our share of saving grace

Where Were You

I didn't know what the hell was goin' on, Someday you're gonna break. So don't try to get yourself straight, You're just a little too late.

• Classic Rock

Top 10 Journey Songs Loved By Fans

After quickly abandoning the plan to be a backup group, the band experimented with a jazz-fusion sound. The band’s self-titled debut album was released in 1975, followed by Look into the Future a year later and Next in 1977. Sales of these first few albums were not promising, with only one (just barely) making the top 20. These disappointments led the band to move further away from their jazz roots and towards a harder (and more popular) rock sound. This coincided with Steve Perry joining the band as frontman, a change which, coupled with the band’s new sound, saw their fortunes improve dramatically.

Journey achieved their first top 20 single in 1979, while the band’s sixth album, Departure (1980), charted at number eight. The early ’80s saw the band peak their popularity, earning a number-one album, Escape, in 1981 and many successful singles. Following an explosion of success, the band took some time off, with a few members, including Steve Perry , working on solo projects. Raised on the Radio (1986) was a massive hit for the band, but Steve Perry felt unable to continue with the group, causing them to go on hiatus for almost a decade between 1987 and 1995.

The band eventually reformed to a decent enough reception, but following a hip injury, Steve Perry decided to leave the band for good. Ironically, he was replaced by another Steve, Steve Augeri (of Tyketto and Tall Story) while Dean Castronovo replaced drummer Steve Smith (who also left). The band’s 2001 album, Arrival , was met with quiet success, after which Augeri was forced to leave the band due to problems with his throat. The remaining band members scoured YouTube to find a new singer, eventually settling on Arnel Pineda. The first record released with Pineda on lead vocals ( Revelation, 2008 ) was a great success, and this was shortly followed by the TV series Glee, which introduced the band’s music to a whole new generation of listeners.

Although the glory days of the bands are over, it makes a nice change for an iconic band such as Journey to be decently still chugging along almost half a century since their debut. Despite an ever-changing lineup, the band created some extraordinary tracks, the best of which will be featured on this list of the top ten Journey songs.

# 10 –  Lovin’, Touchin’, Squeezin’

This single from Evolution (1979) was the band’s first song to break into the Billboard Top Twenty, where it peaked at number 16. Steve Perry wrote the track and seems to be an extremely personal track about a relationship that is believed to be inspired by actual events. The song sees Steve Perry’s  girlfriend having an affair with someone else, leaving him feeling broken and lonely. During the final chorus, the girl gets a taste of her own medicine when it is revealed that the guy she cheated with is now cheating on her. This twist allows Steve Perry to get the last laugh, even if his heart is broken.

The track begins with a bass-infused drum beat, quickly joined by a squealed guitar and lush piano chords. The screeched guitar soon makes way for a crunchy, distorted sound, which captures the familiar mix of joy and pain that is love when paired with the gorgeous piano notes. Steve Perry imbues the lyrics with anguish and emotion, particularly evident during the song’s title hook.

Most of the song’s second half is taken up by a Beatles’ Hey Jude -inspired “Na na na” section. In less capable hands, this could seem lazy or uninspired, but mixed with soaring guitar runs, Journey manages to create a catchy and evocative outro.  Lovin’, Touchin’ , Squeezin’ was the first of many Journey songs to succeed, so it thoroughly deserves its place on this list.

# 9 –  Only the Young

Initially intended for inclusion on Frontiers (1983), this track was sold to the band Scandal, who received significant payment after Journey decided to record and release their version of the song. As the title suggests, the track covers a timeless topic: youth’s boundless promise and freedom. Journey puts their spin on things by suggesting that the young are potentially smarter than the generations before and can see through past lies, allowing them to build a better future.

This track is full of ’80s rock essentials, including a powerful and catchy chorus and a face-melting guitar solo. Neal Schon’s solo is only short on this track, but he manages to pack it full of ideas, somehow suggesting freedom, victory, and a hint of sadness with just a few chords.

A sad story goes along with this song, as it was played to a sixteen-year-old fan with cystic fibrosis as part of a request from the Make a Wish Foundation. The band was deeply moved by this experience and was devastated to find out that the fan passed away the next day. This must have been incredibly upsetting given the song’s theme, and is believed to have caused the group to realize that in-band tension was petty and unimportant in the grand scheme of things. The track was used to open the band’s Raised on Radio tour in tribute to the departed teenager.

Only the Young is one of those often underrated Journey songs, which, especially given its backstory, comes with a real punch of genuinely powerful emotion.

# 8 –  Wheel in the Sky

Although it was only a minor hit upon release – peaking at number 57 in the US – Wheel in the Sky has become a bonafide Journey classic. Recorded in 1977, the track comes from when the band was transitioning toward a harder rock sound, so much of the song features edgy and immediate guitar chords and simple rock beats.

The track begins with an instrumental section composed of a thoughtful and subdued sound, quite unlike the rest. The ominous atmosphere begins to build as soon as the growling guitar kicks in. The song’s churning guitar riffs echo the titular wheel in the sky, representing the idea that time goes on and on, that seasons will change and repeat forever, and there’s nothing anyone can do about it.

The song’s references to being on the road and away from home suggest that the band’s incessant touring could also have informed the song’s lyrics. The track ends on a hopeful note, where the final instance of the song’s chorus hook changes from “turning” to “yearning,” hinting that the band finds hope and promise in their existence rather than an endless cycle of repetition.

Unlike many Journey songs, the meaning of “Wheel in the Sky” is ambiguous and open to interpretation. This ambiguity mixes with the track’s moody and vaguely menacing instrumental, creating an exciting and uneasy hard rock Journey classic.

# 7 –  Lights

One of the first Journey songs to feature Steve Perry , “Lights” is a soft rock ballad that has gone from being a minor hit (reaching number 68 on the charts) to being one of the band’s signature tracks. The song has become a mainstay of classic rock stations and San Francisco based sports events.

The track is an ode to San Francisco, where Journey originated, and is full of references to the beauty of the city and its bay. Ironically, Steve Perry originally wrote the track about Los Angeles but found that the lyrics did not scan as well as he’d hoped. Realizing that the band’s precious San Francisco would be a better fit, Perry and Schon tweaked the track and made history.

“Lights” is a calming and soothing rock song, and it’s almost impossible to resist finding a lighter to sway about. The track features tender chords, just on the very edge of distortion, and a harmonious, tinkling piano. Dramatic keyboard notes sound subtly in the background, adding further atmosphere to the song’s images.

The instrumental complements the track’s lyrics, creating a relaxed and peaceful image of San Francisco. Having never visited the place, you can’t help but imagine yourself watching a gorgeous sunset surrounded by loved ones.

“Lights” has gone from humble beginnings to being one of Journey’s best-loved tracks. You don’t have to be from San Francisco to understand how magical this dreamy track is.

# 6 –  Who’s Crying Now

“Who’s Crying Now “ is one of the more successful Journey songs, peaking at number four in the US and becoming the highest-charting Journey single in the UK. The track is a soulful piece with a simple piano riff. According to the band, Steve Perry wrote the song’s chorus while coming to Jonathan Cain’s house during a storm. Upon his arrival, Cain had a few suggestions for changes, and the song was finished that afternoon.

The instrumental is moody and bitter, and you can tell it was inspired by a storm. The central piano hook is catchy but not particularly joyful, and when this is paired with Schon’s piercing and high-pitched guitar solo, you get the sense of the tense and tragic relationship described by the song. The lyrics tell a story of a toxic and tumultuous relationship, which, once again, can be linked to the song’s stormy inspiration.

This was the first Journey song to feature Cain, who had previously been a member of The Babys . It speaks volumes of Cain’s talent that he was so effortlessly able to slot into the band’s lineup and help create such an evocative and atmospheric piece. Of additional note is the curious decision for the drumbeat to be absent for much of the song, only appearing during the chorus and towards the track’s end. This allows for Cain’s impressive piano hook to become the song’s anchor, allowing its greatness to take center stage. Who’s Crying Now is a grim and tempestuous masterpiece.

# 5 –  Open Arms

The third single from 1981’s Escape , this track is an emotional power ballad and is often seen as being one of the best examples of this vibrant sub-genre. It is believed that Cain had already begun working on the song when he was a member of The Babys , but that band was not keen on the melody. After hearing the concept, Steve Perry was immediately interested, and the two finished the track together. The rest of the band were not so enamored with the track (or ballads in general), but after performing the track live, they saw the crowd’s warm reaction to the song and changed their hearts.

The track’s lyrics see Steve Perry (in extraordinary vocal form) pleading with his lover to forgive his wrongdoings and restart their relationship. The track utilizes some sparkling piano chords, a heartbeat-like drum, and beautiful orchestral elements, all contrasted by some gritty guitar runs.

The track is one of the band’s most successful songs, earning them their highest position on the Billboard 100 (number two). The track has been introduced to a broader (and more contemporary) audience by becoming a staple of many pop diva’s covers discography, including Mariah Carey , Britney Spears , and Celine Dion . Open Arms’ immense popularity is undoubtedly down to its relatable, heartfelt lyrics and gorgeous instrumental. You can be sure that many couples have used this – and other Journey songs – as the first dance at their wedding, and it’s easy to see why.

# 4 –  Faithfully

Another one of those stunningly powerful Journey songs, “Faithfully,” comes from 1983’s Frontiers. The track was written by Jonathan Cain while on the road and was completed in an extremely short time (something which the religious Cain puts down to divine intervention). The track is a charming ode to Cain’s wife, which pays particular attention to the realities of a relationship with a rock star and how these issues aren’t a problem for them. The song is unusual because it has no actual chorus; instead, it features two chorus-like sections ending on the same lines.

Being two of the band’s best-known power ballads, it’s inevitable that Faithfully will be compared to Open Arms . While traditionalists might prefer the more conventional Open Arms , “Faithfully”   imbues the power ballad with even more layers of drama and emotion. The strident and chiming electric chords that follow the first “chorus” are magical and a perfect example of the unbelievable range of sounds that guitars can create.

Bryan Adams (who supported Journey on the Frontiers Tour is thought to have been heavily influenced by “Faithfully” while writing “Heaven,” and legend has it that Prince called Cain to check whether or not he thought Purple Rain sounded too similar to the track. That “Faithfully”   could inspire such iconic songs should give you some idea of the sheer magnetism and brilliance of this moving and timeless power ballad.

# 3 –  Separate Ways (Worlds Apart)

This moody ’80s classic comes from Frontiers  and was a decent hit for the band, staying at number eight on the chart for six consecutive weeks. Separate Ways (Worlds Apart) is a dark and moody piece brooding with heavy, atmospheric guitar and foreboding synthesizer chords.

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. The track was written on tour while Schon and Valery were both going through stressful divorces, which no doubt informed the song’s creation. The track is notable for making its debut halfway through the tour, with these live performances being the first time fans would hear the record. The fan reaction was highly positive.

The song’s release coincided with the creation of MTV , meaning bands were forced to develop wacky and weird concepts for their music videos. This track has, unfortunately (if not unfairly), been labeled as having one of the worst music videos of all time. The video features the band playing cringeworthy imaginary instruments on a pier. As well as looking completely ludicrous, the video does a real disservice to what is a powerful and edgy piece of ‘80s rock.

# 2 –  Any Way You Want It

The opening track of Departure , Any Way You Want It, is an immense, stadium-filling, feel-good track. The song is often used to close Journey shows, finishing concerts on a genuinely euphoric note that will stick with fans. At the center of this hard rock track is a call and response between vocals and guitar, which is simply an absolute, unbridled pleasure to listen to. This method is believed to have been inspired by Thin Lizzy bassist Phil Lynott , who was jamming with Steve Perry and Neal Schon while the two bands were on tour together.

Even if you’ve never heard of Journey, chances are you will be familiar with this track, as it has been featured in many different films, TV shows, and commercials since its release. The song is well suited to this type of setting as it’s a real rip-roarer of a track that grabs listeners immediately with that introductory vocal hook and doesn’t let go until it reaches its end three and a half minutes later.

As well as the call and response guitar, the most notable part of the song is the sparkling organ (and mellotron) notes, which briefly play during the chorus, adding a pinch of variety and manic glamour to the proceedings. When a track is as shiny and genuinely excellent as this, it’s no surprise that it has become a mainstay of popular culture.

# 1 –  Don’t Stop Believin’

Love it or loathe it (not that that’s possible), there is truly no other track that will ever top a list of Journey songs. Taken from 1981’s Escape , this track is, quite simply, one of the most anthemic and catchy rock songs of all time.

Don’t Stop Believin’ begins with a glittering and iconic keyboard riff, which is soon joined by Perry’s vocals and some urgent and jittering guitar. From there, the song gets bigger and bigger, introducing some catchy pre-choruses and instrumentals before finally climaxing with that enormous chorus.

Like many Journey songs, this track did decently enough upon first release but, over time, morphed into achieving legendary status. Thanks to various television shows over the years ( The Sopranos, Glee , The X-Factor), the song has been in and out of the chart ever since its initial release, even managing to become the 25th best-selling track of 2010 in the UK, over twenty years since its release.

The track’s enduring popularity can be attributed to its cheerful and feel-good message, which everyone needs to hear at some point in their lives. The clever structure and progression also take the listener on (ironically) a journey. Don’t Stop Believin’ is a heavenly piece of everlasting rock goodness that will undoubtedly keep listeners believin ’ long into the future.

Journey’s various incarnations have created many memorable and moving tracks throughout their career, creating an impressive and influential discography. You can be sure that each of the Journey songs on this list will be remembered and cherished for years.

Feature Photo: Bruce Alan Bennett / Shutterstock.com

Top 10 Journey Songs article published on Classic RockHistory.com© 2024

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11 Song Chart Appearances

Journey first charted 6 years after their formation or first release. Journey first charted in 1979. Their last appearance in the charts was 1986. They had chart topping singles covering a span of 8 years.

Ask The Lonely

Separate Ways (Worlds Apart)

Who's Crying Now

Don't Stop Believin'

Stone In Love

Be Good to Yourself

The Party's Over (Hopelessly in Love)

Girl Can't Help It

Lovin', Touchin', Squeezin'

Related chart trivia, similar artist top songs.

Def Leppard

Cutting Crew

Huey Lewis and the News

List of Singles for Foghat

The list of top singles for Foghat come from the Playback.fm charts. Chart appearances and counts span from 1900-2016 only. Chart appearances include Pop, R&B, Country and Rock. Other genres are not yet included. This list only includes the first billed artist for the given track. It may include writing credits and featured credits in the near future. The data is for entertainment purposes only.

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• 10 Best Journey Songs of All Time

List of the Top 10 Best Journey Songs of All Time

Journey is an American rock band formed in San Francisco in 1973. They are known for their melodic rock sound, soaring vocals, and memorable guitar solos. Journey rose to fame in the late 1970s and early 1980s with a string of hit albums and singles.

The band’s classic lineup consisted of lead vocalist Steve Perry, guitarist Neal Schon, keyboardist Jonathan Cain, bassist Ross Valory, and drummer Steve Smith. Together, they created some of Journey’s most iconic songs, including “Don’t Stop Believin’,” “Any Way You Want It,” “Wheel in the Sky,” and “Separate Ways (Worlds Apart).”

Journey’s music is characterized by its anthemic choruses, catchy hooks, and uplifting lyrics, making them a favorite among fans of arena rock and classic rock alike. Their albums “Escape” (1981) and “Frontiers” (1983) are among the best-selling albums of the 1980s and cemented their status as one of the biggest bands of the era.

Despite numerous lineup changes over the years, Journey has continued to tour and record new music, with various lead singers stepping in to replace Steve Perry. The band’s enduring popularity is a testament to the timeless appeal of their music and their ability to connect with audiences around the world. Journey remains a beloved and influential band in the history of rock music.

Table of Contents

1. Don’t Stop Believin’

“Don’t Stop Believin'” is a song by Journey, released in 1981 on their album “Escape.” It was written by Journey members Jonathan Cain, Steve Perry, and Neal Schon.

“Don’t Stop Believin'” is one of Journey’s most iconic and enduring songs, known for its uplifting lyrics, catchy melody, and memorable piano intro. The song’s anthemic chorus and positive message have made it a favorite at sporting events, graduations, and other celebratory occasions.

The track features Steve Perry’s powerful vocals, Neal Schon’s melodic guitar work, and Jonathan Cain’s driving keyboard lines. Lyrically, “Don’t Stop Believin'” tells the story of a small-town girl and a city boy who meet on a midnight train journey, with the song encouraging listeners to hold onto their dreams and never give up hope.

“Don’t Stop Believin'” was a commercial success upon its release and has since become one of the best-selling digital singles of all time. It has been covered by numerous artists and featured in various TV shows, movies, and commercials, solidifying its status as a timeless classic and one of the most beloved songs in rock music history.

2. Faithfully

“Faithfully” is a song by Journey, released in 1983 on their album “Frontiers.” It was written by Journey keyboardist Jonathan Cain.

“Faithfully” is a power ballad known for its heartfelt lyrics, soaring melodies, and emotional delivery. The song features Jonathan Cain’s iconic keyboard intro and Steve Perry’s powerful vocals, which convey the longing and devotion expressed in the lyrics.

The lyrics of “Faithfully” speak about the challenges of life on the road for a touring musician and the sacrifices made to maintain a relationship. Despite the distance and hardships, the narrator pledges to remain faithful and true to their partner.

“Faithfully” became one of Journey’s most enduring hits and a staple of their live performances. It reached the top 20 on the Billboard Hot 100 chart and remains a favorite among fans of the band and the power ballad genre.

The song’s emotional resonance and timeless appeal have solidified its status as one of Journey’s signature songs and a classic in the rock ballad canon.

3. Any Way You Want It

“Any Way You Want It” is a song by the American rock band Journey, released in 1980 on their album “Departure.” The song is known for its upbeat tempo, catchy chorus, and energetic performance.

“Any Way You Want It” features a driving rhythm and a melodic guitar riff, with Steve Perry’s distinctive vocals delivering the song’s anthemic lyrics. The lyrics of the song describe a sense of freedom and spontaneity, with the narrator expressing a willingness to adapt to the desires of their partner.

Musically, “Any Way You Want It” is a blend of rock and pop, with a polished production that reflects the sound of early 1980s rock music. The song’s arrangement includes a memorable guitar solo and a dynamic bridge section that builds to a climactic chorus.

“Any Way You Want It” was a commercial success, reaching the top 25 on the Billboard Hot 100 chart. The song’s catchy melody and uplifting lyrics have made it a favorite among Journey fans, and it remains one of the band’s most popular songs.

4. Open Arms

“Open Arms” is a song by the American rock band Journey, released in 1982 on their album “Escape.” The song is known for its heartfelt lyrics and powerful vocal performance by Steve Perry.

“Open Arms” features a soft rock ballad style, with a piano-driven melody and lush orchestration. The lyrics of the song describe a longing for love and connection, with the narrator expressing a willingness to open their heart to someone special.

Musically, “Open Arms” is characterized by its emotive vocals and soaring chorus, which showcase Perry’s vocal range and control. The song’s arrangement is simple yet effective, with a focus on the melody and Perry’s vocals.

“Open Arms” was a commercial success, reaching the top ten on the Billboard Hot 100 chart. The song has since become one of Journey’s most iconic songs and is often regarded as a classic of 1980s rock music.

5. Separate Ways (Worlds Apart)

“Separate Ways (Worlds Apart)” is a song by Journey, released in 1983 on their album “Frontiers.” It was written by band members Jonathan Cain, Steve Perry, and Neal Schon.

“Separate Ways (Worlds Apart)” is characterized by its driving beat, powerful guitar riffs, and catchy keyboard hook. The song’s energetic instrumentation is complemented by Steve Perry’s soaring vocals and emotive delivery.

Lyrically, “Separate Ways (Worlds Apart)” tells the story of a relationship on the brink of ending, with the narrator expressing frustration and longing for reconciliation. The chorus, with its iconic line “Someday love will find you, break those chains that bind you,” captures the theme of hope amidst heartache.

The song’s music video, featuring the band performing against a backdrop of industrial landscapes and dramatic lighting effects, became iconic and is often cited as one of the most memorable music videos of the 1980s.

“Separate Ways (Worlds Apart)” was a commercial success, reaching the top ten on the Billboard Hot 100 chart and becoming one of Journey’s most popular and enduring songs. It remains a staple of classic rock radio and a favorite among fans of the band.

6. Wheel in the Sky

“Wheel in the Sky” is a song by the American rock band Journey, released in 1978 on their album “Infinity.” The song is known for its driving rhythm and catchy chorus, as well as its powerful vocal performance by Steve Perry.

“Wheel in the Sky” features a hard rock sound, with a prominent guitar riff and a driving drum beat. The lyrics of the song describe life on the road and the experiences of being a touring musician, with the “wheel in the sky” symbolizing the constant motion and unpredictability of life on tour.

Musically, “Wheel in the Sky” is characterized by its energetic performance and memorable guitar solo. The song’s arrangement is dynamic, with a building intensity that culminates in a climactic chorus.

“Wheel in the Sky” was a commercial success, reaching the top 40 on the Billboard Hot 100 chart. The song has since become one of Journey’s most enduring hits and is often included in their live performances.

7. Who’s Crying Now

“Who’s Crying Now” is a song by Journey, released in 1981 on their album “Escape.” It was written by band members Steve Perry and Jonathan Cain.

“Who’s Crying Now” is a power ballad characterized by its memorable melody, soulful vocals, and emotive lyrics. The song features a dynamic arrangement, with soft verses building into powerful choruses, showcasing the band’s ability to blend rock and pop sensibilities.

Lyrically, “Who’s Crying Now” explores themes of heartbreak and resilience in the aftermath of a failed relationship. The narrator reflects on the pain of lost love but finds strength in moving forward and letting go of the past.

The song’s chorus, with its anthemic refrain “Who’s crying now?,” became iconic and is often cited as one of Journey’s most memorable hooks. “Who’s Crying Now” was a commercial success, reaching the top ten on the Billboard Hot 100 chart and becoming one of the band’s signature songs.

The song’s emotional resonance and timeless appeal have solidified its status as a classic in the rock ballad genre and a fan favorite among Journey’s extensive catalog.

8. Lovin’, Touchin’, Squeezin’

“Lovin’, Touchin’, Squeezin'” is a song by the American rock band Journey, released in 1979 on their album “Evolution.” The song is known for its catchy chorus and energetic performance.

“Lovin’, Touchin’, Squeezin'” features a driving rhythm and a bluesy rock sound, with Steve Perry’s powerful vocals delivering the song’s lyrics. The lyrics describe a tumultuous relationship, with the narrator expressing frustration and confusion over their partner’s behavior.

Musically, “Lovin’, Touchin’, Squeezin'” is characterized by its catchy guitar riff and infectious groove. The song’s arrangement includes a memorable vocal harmony section and a dynamic guitar solo.

“Lovin’, Touchin’, Squeezin'” was a commercial success, reaching the top 20 on the Billboard Hot 100 chart. The song has since become one of Journey’s most popular songs and is often included in their live performances.

“Lights” is a song by Journey, released in 1978 on their album “Infinity.” It was written by band members Steve Perry, Neal Schon, and Gregg Rolie.

“Lights” is a melodic rock song characterized by its upbeat tempo, catchy melody, and reflective lyrics. The song features a prominent piano riff and lush harmonies, creating a nostalgic and uplifting atmosphere.

Lyrically, “Lights” is an ode to the city of San Francisco, where Journey was formed. The song’s lyrics express a sense of longing and nostalgia for the city’s vibrant atmosphere and the memories associated with it. The chorus, with its iconic refrain “When the lights go down in the city, and the sun shines on the bay,” captures the essence of the song’s theme.

“Lights” became one of Journey’s most beloved and enduring songs, achieving commercial success and reaching the top 20 on the Billboard Hot 100 chart. It remains a staple of classic rock radio and a fan favorite among Journey fans, often cited as one of the band’s signature tracks.

10. Send Her My Love

“Send Her My Love” is a song by the American rock band Journey, released in 1983 on their album “Frontiers.” The song is a power ballad with a heartfelt melody and emotional lyrics.

“Send Her My Love” features a soft rock sound, with a melodic piano intro and Steve Perry’s soulful vocals delivering the song’s lyrics. The lyrics describe a sense of longing and regret, with the narrator expressing a desire to reach out to a lost love.

Musically, “Send Her My Love” is characterized by its lush orchestration and powerful vocal performance. The song’s arrangement builds to a climactic chorus, with a memorable guitar solo adding to the emotional impact.

“Send Her My Love” was a commercial success, reaching the top 30 on the Billboard Hot 100 chart. The song remains a favorite among Journey fans and is often regarded as one of their standout ballads.

Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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Journey’s ‘don’t stop believin’’ is still hitting new highs on the charts.

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Journey, group portrait, New York, June 1979, L-R Neal Schon;Steve Smith;Steve Perry;Ross ... [+] Valory;Gregg Rolie. (Photo by Michael Putland/Getty Images)

Journey scored the hit of a lifetime—maybe the hit of all time—when they released “Don’t Stop Believin’.” The track has become an anthem, a bestseller, and one of the most beloved and recognizable singles ever.

While it remains a favorite among millions, it is odd to see how well “Don’t Stop Believin’” is performing on certain Billboard charts at the moment. The decades-old cut is on the rise once again, and this frame, it manages to reach a new peak on several lists as people all around the world continue to press play on the smash.

“Don’t Stop Believin’” reaches a new peak on both of Billboard’s global songs charts this week. The tune advances by more than two dozen spaces on the two rankings, which use methodologies that combine streams and sales to show what the masses all around the planet are listening to.

This week, “Don’t Stop Believin’” jumps to No. 80 on the Billboard Global 200 chart. Last time around, it was down at No. 108. Journey appears inside the upper half of the list of the most-consumed tracks in the world for the first time this frame.

Over on the similar Billboard Global Excl. US—which doesn’t use data from America—“Don’t Stop Believin’” is also doing better than ever before. The single surges more than 40 spaces, which is a huge uptick for any track, let alone one that’s been out for decades. This frame, Journey settles at No. 117 after coming in at No. 158 last time around.

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“Don’t Stop Believin’” is Journey’s loftiest placement on both of the aforementioned global rankings. So far, they’ve only sent one track to the Billboard Global Excl. US throughout their years together. The band has scored just one other win on the Billboard Global 200, as the Bryce Miller/Alloy Tracks remix of their tune “Separate Ways (Worlds Apart)” once spent a single week at No. 137.

Journey released “Don’t Stop Believin’” in 1981. It served as the second single from their album Escape , which had been released just a few months prior. The tune climbed to No. 9, marking their second top 10 on the Hot 100. While it was never one of their loftiest wins on that roster, the song has gone on to outsell and outperform all other cuts from the band, and it remains a favorite among countless listeners—apparently all over the world.

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‘Born in the USA’ turns 40 − and still remains one of Bruce Springsteen’s most misunderstood songs

E lton John, Adele and R.E.M. did it . So did Rihanna and the Rolling Stones. If Donald Trump tried to use her music, Taylor Swift would likely do it, too .

Many musicians have said “no” when politicians try using their music for campaigning. But Bruce Springsteen may be the most famous naysayer of all.

In September 1984, Springsteen’s “Born in the U.S.A.” was atop the charts, and Ronald Reagan, running for reelection against Walter Mondale, told a New Jersey audience that he and the singer-songwriter shared the same American dream.

Springsteen disagreed.

Three days later, performing in Pittsburgh, Springsteen spoke about his version of that dream.

“In the beginning, the idea was we all live here a little bit like a family where the strong can help the weak ones, the rich can help the poor ones. You know, the American dream,” he said in between songs.

“I don’t think it was that everybody was going to make a billion dollars but that everybody was going to have an opportunity and a chance to live a life with some decency and some dignity.”

June 4, 2024, marks the 40th anniversary of “Born in the U.S.A.,” Springsteen’s top-selling album . In my recent book, “ Righting the American Dream: How the Media Mainstreamed Reagan’s Evangelical Vision ,” I describe the president’s attempt to use Springsteen’s lyrics to support that vision, which included cutting welfare, boosting the military and ending abortion – all positions dear to the religious right.

Springsteen had a different vision, and Reagan’s attempt to co-opt it spurred the singer to be more explicitly political in his words and actions.

Blinded by the light

The confusion over “Born in the U.S.A.” is easy to understand. Just look at the album’s cover art .

Shot from the rear, Springsteen is facing a huge American flag. The flag’s red and white stripes, along with Springsteen’s white T-shirt, blue jeans and red baseball cap, all telegraph, “America.”

So why a butt shot of the blue-jeaned rocker whose pose screams youth, sex and swagger?

The photo is a Rorschach test, a purposeful mixed message.

Spingsteen called the album’s eponymous title song “one of my greatest and most misunderstood pieces of music.” It’s driven by forceful, pummeling drums and a synthesizer’s haunting refrain. Springsteen’s gruff rasp can make it difficult to hear the lyrics, which express the anguish of a Vietnam vet who regrets enlisting and faces unemployment at home.

Yet the song’s chorus, which Springsteen sings proudly and loudly, fist in the air, repeats “Born in the U.S.A., I was born in the U.S.A.”

Springsteen was doing two things: criticizing the war and subsequent treatment of veterans and affirming his American birthright. The song was, in his words , “a demand for a ‘critical’ patriotic voice along with pride of birth.”

Human touch

But its message eluded many listeners, including conservative columnist George Will, whose wife had been given two tickets to a concert.

Afterward, Will told his Washington Post readers that Springsteen “is no whiner, and the recitation of closed factories and other problems always seems punctuated by a grand, cheerful affirmation: ‘Born in the U.S.A.!’”

Will, a favorite of the Reagan’s inner circle, was the likely source for the president’s mistaken view that he and Springsteen shared the same American dream.

Springsteen wrote about everyday people: bus drivers, factory workers, waitresses and cops. Reagan needed their votes, but not all of them were his people. His fiscal policies benefited wealthy Americans and corporations but did little for working families and the poor.

Springsteen said as much in a Rolling Stone interview at the end of 1984: “And you see the Reagan reelection ads on TV – you know: ‘It’s morning in America.’ And you say, well, it’s not morning in Pittsburgh. It’s not morning above 125th Street in New York. It’s midnight.”

In that same interview, Springsteen admitted that he last voted in 1972, when his candidate, George McGovern, lost to Republican incumbent Richard Nixon . His preference, he said, was “human politics” – concrete action with a direct effect on local communities.

He put that into practice at the Pittsburgh concert following Reagan’s shout-out. Making a US$10,000 donation to a food bank for unemployed steelworkers, he urged his audience to also support the cause. His pitches for local food banks have been a concert staple ever since.

The promised land

Reagan articulated his American dream in speeches and interviews.

He believed God had blessed America with freedom – a freedom embodied in free markets, limited government and the freedom to live according to your religious beliefs.

Springsteen has made his American dream the subject of his music: a nation that welcomes immigrants, condemns racism and opposes economic inequality. Its people stand together even – especially – amid tragedy.

Before Reagan cited him as a Republican muse, Springsteen was content to let his music convey his politics.

Afterward, he was more candid, often riffing on a favorite phrase , “Nobody wins, unless everybody wins.”

In 2004, he jumped into electoral politics, supporting John Kerry’s presidential bid. At a large Midwest rally , he warned that the ideals championed in his music were at risk, “‘United We Stand’ … and ‘one nation indivisible’ aren’t just slogans. They need to remain the guiding principles of our public life.”

Four years later, Springsteen campaigned for Barack Obama and again in 2012. He supported Hillary Clinton in 2016, and in 2020 he restyled “My Hometown” for a Biden campaign ad .

No surrender

In May 2024, things came full circle when Donald Trump, the putative GOP presidential candidate, name-checked Springsteen at a New Jersey rally. But this time, the candidate wasn’t praising the Garden State troubadour.

He called Springsteen a “ wacko ,” before claiming that the Boss and other “liberal singers” had nonetheless voted for him in 2020. Then Trump falsely added that his crowds outnumbered Springsteen’s.

But Springsteen made his opinion on the candidate clear in a 2020 interview , when Trump was running for reelection: “I don’t know if our democracy could stand another four years of his custodianship.”

Springsteen’s recent collection of R&B standards is titled “ Only the Strong Survive ,” and on the cover, the rocker is dressed in black, grizzled but game, looking directly at the viewer.

With the title, is he hinting that Reagan’s evangelical vision and Darwinian approach to economics had crushed Springsteen’s own American dream?

Or does his assured pose convey his belief that there’s still “treasure for the taking, for any hard working man, who’ll make his home in the American land”?

This article is republished from The Conversation , >, a nonprofit, independent news organization bringing you facts and analysis to help you make sense of our complex world.

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I have donated small sums, under $50, to Democratic candidates and have donated small amounts to groups that help get out the vote.

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Ranking All 52 Journey Songs From the ’80s

Journey moved more than 6 million albums in America in the '70s, most of them after Steve Perry joined in time for 1978's Infinity . Not bad.

Then their second proper studio album of the following decade, 1983's Frontiers , sold more than that all but itself. By then, however, they'd amassed so much commercial momentum that this LP was actually considered something of a letdown.

Journey kicked off the '80s with a trio of very different farewell projects as co-founder Gregg Rolie left the band. The Top 10 hit Departure arrived first as a proper studio album, selling three million copies. Journey followed that with Dream, After Dream (a little-heard largely free-form import movie soundtrack) and Captured , a double-platinum Top 10 live sendoff with two new songs.

Then Jonathan Cain supercharged the band's more recent pop-leanings, bringing along a new sensibility (and a song idea for their highest-charting single). Perry was still their honeyed frontman and Neal Schon was still their soaring guitarist – but something fundamental had changed.

READ MORE: Top 10 Post-Steve Perry Journey Songs

The chart-topping Escape proceeded to reel off three Top 10 hits, while moving a career-best 10 million copies in the United States alone. Prior to that, they'd never had a song go higher than the No. 16 finish for 1979's "Lovin', Touchin', Squeezin.'"

Journey couldn't quite reach those heights again, concluding the decade with 1986's double-platinum Raised on Radio . But they still spun off four more Top 20 hits.

Along the way, they issued a little more than 50 proper songs in the '80s, including B-sides, bonus tracks and stand-alone releases. Here's how they ranked, with comments and insight from my new Amazon best-selling rock and pop band bio, Journey: Worlds Apart :  

No. 52. "Back Talk" From: Frontiers (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn this spot.  

No. 51. "Departure" From: Departure (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.  

No. 50. "I'm Cryin'" From: Departure (1980)

Steve Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.  

No. 49. "Positive Touch" From: Raised on Radio (1986)

The demos for this album were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Partway through the sessions, it became the latter.  

No. 48. "Liberty" From: Time3 (1992)

A Frontiers -era leftover for those who wondering what Journey would sound like as a country band.  

No. 47. "Troubled Child" From: Frontiers (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 46. "Happy to Give" From: Raised on Radio (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.  

No. 45. "La Raza Del Sol" From: B-side of "Still They Ride" (1981)

The song's heart is in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.  

No. 44. "Mother, Father" From: Escape (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.  

No. 43. "All That Really Matters" From: Time3 (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.  

No. 42. "Homemade Love" From: Departure (1980)

Despite discovering a newfound chart prowess, Journey was still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.  

No. 41. "Dixie Highway" From: Captured (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 40. "Keep On Runnin'" From: Escape (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.  

No. 39. "Dead or Alive" From: Escape (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.  

No. 38. "Escape" From: Escape (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs. That's certainly the role it played in contemporary setlists after he became the band's sole remaining original member.  

No. 37. "Line of Fire" From: Departure (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."  

No. 36. "Precious Time" From: Departure (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 35. "Lay It Down" From: Escape (1981)

Steve Smith approximates early drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.  

No. 34. "Chain Reaction" From: Frontiers (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.  

No. 33. "Once You Love Somebody" From: Raised on Radio (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.  

No. 32. "Natural Thing" From: B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.  

No. 31. "Rubicon" From: Frontiers (1983)

This song drove a seemingly permanent wedge in the band. Schon said he was playing "Rubicon" when Perry walked over and turned down his amp . He argued that fans wanted to hear his voice rather than all of those guitars. They put out only two more albums together, and it took them 13 years to do it.

No. 30. "Frontiers" From: Frontiers (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for heartless generals and politicians: " War is for fools; crisis is cool ."  

No. 29. "It Could Have Been You" From: Raised on Radio (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.  

No. 28. "Where Were You" From: Departure (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. It simply crackles with energy. They were just coming off an opening gig with AC/DC at this point, and the headliner's knack for outsized, riffy rockers obviously rubbed off.  

No. 27. "Little Girl" From: B-side of "Open Arms" (1981)

"Little Girl" was the the only proper song from 1980's Dream, After Dream , a soundtrack that's not part of the band's main catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey was already on a pop-chart roll. Dream After Dream disappeared without a trace once Journey issued  Escape , and the too-often-overlooked "Little Girl" only saw U.S. release as the B-side to their "Open Arms" single.  

No. 26. "Raised on Radio" From: Raised on Radio (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. His absent father owned a station. At the same time, it's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, Perry has said he could see himself as a DJ, rather than a huge pop star.  

No. 25. "Ask the Lonely" From: Two of a Kind (1983)

Jonathan Cain once said Perry could write love songs in his sleep , and this only-okay leftover is an example of that assembly line-type approach. Yet, he gives his whole heart to every line. "This is my big theory on Steve Perry: Beyond being a great vocalist, I think the secret and maybe why generations connect with him is he is an empath," former Rolling Stone editor David Wild told me. By the end, "Ask the Lonely" still proves to be a better choice that most of what appeared on the back end of Frontiers .

No. 24. "Why Can't This Night Go on Forever" From: Raised on Radio (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 23. "The Eyes of a Woman" From: Raised on Radio (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds this quiet tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers -era midtempo sound.

No. 22. "Suzanne" From: Raised on Radio (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush – framed as a fantasy encounter with a film star who also had a singing career. He never revealed her name.

No. 21. "Edge of the Blade" From: Frontiers (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 20. "Be Good to Yourself" From: Raised on Radio (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert insisted – because "Be Good to Yourself" sounded the most like Journey on their previous two albums.

No. 19. "I'll Be Alright Without You" From: 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, told me he tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 18. "Only Solutions" From: Tron (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 17. "People and Places" From: Departure (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 16. "Faithfully" From: Frontiers (1983)

Journey was in the midst of a two-leg, 132-show tour in support of Escape and Jonathan Cain was feeling disconnected from his then-wife. Cain noticed the moon above their tour bus and, to him, "it looked like the midnight sun." He wrote that down then fell asleep. Upon awaking, Cain said the rest of "Faithfully" came to him in a rush. He wrote it in his own key, and that allowed Perry to explore a different vocal timbre. "'Faithfully' is to die for. I mean, Jonathan Cain's lyrics are amazing, and Steve Perry gave it everything he had," original MTV VJ Martha Quinn told me. "From the opening lines, he's just absolutely dripping with emotion. Every time you put the needle down, you can just feel it." Journey finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 15. "Walks Like a Lady" From: Departure (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, and he said it's one of his favorites.

No. 14. "Girl Can't Help It" From: Raised on Radio (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was another exception. This was classic Journey, spit-shined up for a new era.

No. 13. "After the Fall" From: Frontiers (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 12. "Good Morning Girl" / "Stay Awhile" From: Departure (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 11. "Who's Crying Now" From: Escape (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Cain's new presence impacted Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in Joel Selvin's Time3 liner notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 10. "Someday Soon" From: Departure (1980)

The final major vocal collaboration featuring Perry and Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared as Rolie exited. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured . But why weren't there more of these duets? "I didn't want to quit singing, but it got diminished, there's no doubt," Rolie told me. "I don't think Perry really liked me singing. 'I'm the singer.' Well, OK. But my answer to that is, you know, the Beatles did great with four singers. Four, right? Not one."

No. 9. "Open Arms" From: Escape (1981)

Jonathan Cain brought this to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms" either, but Perry intervened. He knew just what to do with it. "He was fascinating to write with because he's such a technician. I'd never worked with a vocal perfectionist," Cain told me. "I mean, he would memorize every line as we wrote it, then his voice — he'd put it in the register we wanted and deliver it how we wanted it. Steve rehearsed everything as we wrote it, so then when we got into the studio or rehearsal, he knew where it lived in his range. He was very specific about what words he wanted to say. I was kind of taken with it." That helped turn "Open Arms" a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 8. "Still They Ride" From: Escape (1981)

Cain and Schon earned co-songwriting credits on the lonesome "Still They Ride," and Steve Smith showed off an accomplished dexterity. But this song belonged in no small part to Perry. Its main character, Jesse, never left the town of his youth, and still drives through its darkening streets looking for some connection. Perry has admitted that this dreamer who refuses to give up on his youthful reverie works as a metaphor for himself. If you'd found yourself in mid-century Hanford, California, you might have seen Journey's future singer doing the same thing. Along the way, a touchingly emotional trip back to Perry's San Joaquin Valley youth showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 7. "The Party's Over (Hopelessly in Love)" From: Captured (1981)

"After I left," Gregg Rolie told me, "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner. He'd been working on a later-shelved project with Tickner, Valory and Schon in the next studio. He still hopes to have the old masters "baked so they can be released in some format," Roseman told me. "Neal played a couple of unbelievable solos that still need to be heard."

No. 6. "Stone in Love" From: Escape (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest. "Stone in Love" subsequently charted in the U.K., but never appeared on the main Cashbox or Billboard charts in America. After the release of "Open Arms" and "Still They Ride," however, it provided a welcome reminder that Journey had not given themselves completely over to balladry.

No. 5. "Separate Ways (Worlds Apart)" From: Frontiers (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words. Then they filmed a video that sharply divided some fans. "Rock aficionados may have said, 'Oh, that was cornball,'" Martha Quinn told me. "Well, ask people that are still doing send-ups today, down to every last camera angle. Those people love that video. That's something else you couldn't have predicted that would have stood the test of time — but it has. People love it."

No. 4. "Send Her My Love" From: Frontiers (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Love" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith told me, "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 3. "Only the Young" From: Vision Quest (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . The song is now credited with bringing Journey back together after a period of solo projects. "Only the Young" eventually opened every concert on Journey's subsequent tour, too. Still, it will be forever associated with Sykaluk's brave fight.

No. 2. "Any Way You Want It" From: Departure (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. So, Perry sang "she loves to laugh," and Schon responded with a riff. Perry sang "she loves to sing," and Schon responded again. Then "she does everything" led into another guitar riff — just like Thin Lizzy might have. Perry and Rolie then brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit – but not before Rodney Dangerfield's character in Caddyshack broke out in a hilariously awkward dance as "Any Way You Want It" blared out of a golf bag radio.

No. 1. "Don't Stop Believin'" From: Escape (1981)

It wasn't the biggest song of the year. In fact, "Don't Stop Believin'" finished at No. 72 on Billboard magazine’s year-ending Hot 100 singles of 1982. It wasn’t even the biggest song from Escape , which spun off not one but two songs that finished higher on the charts. It didn’t have a typical song structure, not referencing the title until 3:22 in, after three verses, two pre-choruses, and some abbreviated instrumental passages. It's set in a place — South Detroit — that doesn’t actually exist. So how did this become Journey's defining moment? "Who wants to keep believing? That would be everybody, you know?" Jonathan Cain told me. "And I think it's a certain song in uncertain times. You have this certainty about that song, and it has this rhythm to it that's just very assuring and very sure of itself. From the beginning piano line, it speaks — and it speaks to hope. I think people are looking for hope."

Rockers Whose Bands Tried to Erase Them

Gallery Credit: Nick DeRiso

You Think You Know Journey?

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Pianist Omar Sosa plays 'child trickster' in divinely inspired musical journey

Simon Rentner

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The unorthodox pianist Omar Sosa lives in a world of dynamic opposites. If you visit his artist page on a streaming service, you'll find that his most popular songs are moody, controlled and contemplative — stylistically almost giving off a New Age vibe. This could reflect Sosa’s deep spiritual life.

On the other hand, if you see him in concert, you’ll likely find yourself in the middle of a rambunctious party, a spontaneous musical event on the precipice of chaos. (In his younger days, he might jump on the piano bench and play with his feet.)

An improviser in the purest sense of the word, he'll likely shoo away any sheet music put in front of him. Yet he can write a work for a symphony orchestra and be scouted out by modern classical giant John Adams . He pridefully declares himself a jazz musician but also boasts not knowing any standards. He’s a piano man who prefers not to be called that, as the title of a documentary film about him, Omar Sosa’s 88 Well-Tuned Drums, makes clear.

These narratives have always made him difficult to classify, but these are also his greatest strengths as an artist. A Sosa concert can evoke a myriad of moods. There could be Arabic vibes, American hip-hop and swing, Malian blues and, of course, fragments of Cuban dances found in his homeland, arranged in his trademark off-kilter way.

In this episode, we try to understand Sosa’s deeply oblique yet profound artistic sensibility. What we found is that his artistic choices are informed by his deep spirituality. He tells a story he rarely shares, part of his Santería initiation ceremony, which he says makes him the deeply intuitive and unpredictable artist he is today. We discover that Omar Sosa is Elegguá, the child trickster deity worshiped in his ancient Cuban and African faith.

All songs composed by Omar Sosa.

• “Eleggua in the Road - live” (from the album Ayaguna )
• “Angustia with Tumbao” (from the album Omar Omar) 
• “Kharit” (from the album Suba by Omar Sosa & Seckou Keita)
• “Moradía de Babalú” (from the album Iroko by Omar Sosa & Tiganá Santana) 
• “Rojo Changó” (from the album Sentir)
• “ Medley of Eleggua / Dame Un Tiempo” (from the album Dame Un Tiempo: Live in Bremen 2000 )

Credits: Simon Rentner, writer and producer; Christian McBride, host; Sarah Geledi and Trevor Smith, producers; Ron Scalzo, episode mix; Nikki Birch and Mitra Arthur, video producers; Steven A. Williams, executive producer; Suraya Mohamed, executive producer of NPR Music; Keith Jenkins, vice president of visuals and music strategy at NPR.