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AEG Presents  is thrilled to announce HIPPO CAMPUS live at Red Rocks Amphitheatre on Tuesday, May 2nd, 2023.

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Tours most with, live reviews.

So I only discovered Hippo Campus after "Way It Goes" was put on my recommended list on Spotify in late November, but it definitely feels like it was destined to be. I think I listened to that song on repeat for the next full day - as one does - and after that, I was hooked. I listened to their "all our songs" playlist on Spotify nonstop, and a week or two later, I discovered that the band was touring in LA. I had no idea if a) I was free, or b) I would have someone to go with, but impulsively I bought two balcony tickets for their Jan. 26 concert at the Fonda Theatre. After forcing my best friend to listen to them (which made her fall in love, too), the day finally came, and we arrived, with fanny packs full of candy, to the venue. We ended up sneaking onto the floor, pretty close to the front, and even though we were desperately excited to see HC, we really enjoyed Sure Sure's friendly, funny, and refreshingly intimate performance. Even so, nothing could have prepared me for Hippo Campus. Their energy from the first moment onstage was electric, and in such a way that the crowd was kind of frozen in their excitement; at least, I was. Entering into each song with a quirky quip or a long instrumental, we loved hearing old favorites, and in the middle of the concert, we were introduced to an equally-electrifying new song. I can go on forever here, but my point is this: any chance you can see this band live, take it. The atmosphere that this band can bring into a room in the span of two hours is genuinely phenomenal, and the impact they had on the people around me was unlike anything I could have predicted. I can honestly say that this concert was one of the best days of my life (and I'm not just quoting Tuesday).

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First, I'm a bit biased as my son is the drummer! But! I have watched these boys from the very beginning, and listened to them manifest in my basement as they became a band. And I have to say, and I'm not making this up, people have said from the very beginning that they, "are really good!" Not just their peers, but adults/friends of mine as well, and you can tell when people are "just being nice" and when they are truly impressed. Consistently, I would tell my friends about "my son's band" and they would be like, "Oh, uh huh... yeah,that's great." Then they would actually see them live and always give me THAT LOOK, and say, "Wow.. they ARE really good. No, I'm serious. I'm amazed." And so, I have gone from being one of 20 people in the audience(half parents/family), and thinking, "are these kids amazing, or is it just b/c I'm a dad?", to being 1 of 1500 people in the audience (only about 20 family and friends)and saying, "Yeah... these kids are amazing!!" So let's see... Will the buzz continue? Regardless, I see them every show I can b/c they ARE A FUN BAND!!

Having not heard a great deal of their music beforehand, Hippo Campus definitely managed to create a new fan in me after their gig in Bristol.

Their set was electric, mixing their well known hits in between lesser known and newer songs, providing a great jumping on point for newer fans like myself. Their show was simple but fun, with the band powering through the set list without distracting the crowd with much chatter between songs. Their style comes out in their music and they create a wonderful atmosphere whilst they play.

All too often with gigs nowadays bands push an agenda on people and distract from the music, Hippo Campus remained all about the music and it made the gig such a joy. I'd highly recommend them to anyone, whether you know them well or just started listening to them.

Great gig, 8/10

This live was a mind-blowing experience. The venue was quite small and the crowd was not as big as I expected, however it all turned out amazing and the show felt somehow intimate. Hippo Campus gave us really good vibes, they were chilling among the audience before the show and enjoying the opening act with us. When they got on stage in was simply amazing, it was clear they were having a really good time. They played for about a hour and a half, and they performed songs from pretty much all of their EPs and album, closing with Violet. After the show they spent some time with the fans, taking picture, signing autographs or just chatting. Me and my boyfriend had the chance to talk with Jake and Nathan, and it felt like talking to some friends of ours. Thanks HC!

I've seen Hippo Campus three times within a year--and if it would have been my way, that number would be much higher. All of the concerts have been lively, inviting, and have had the best emotional environments of any concert I've been to. Each time they perform they have something new to add and they perfect the parts which remained consistent throughout each concert. I've never seen a problem within the crowd, I've made a few friends because of them, and I've had friends who don't know the band tell me that they want to come along next time because it looks like a great time. I'd recommend these guys five times over, especially if they're performing with Remo Drive.

The show was great!!! The opener Samia was fantastic and engaged the audience really well. Very glad I got to meet Samia after the show. Not too much waiting in between acts. Hippo Campus was fantastic as usual. I saw them once before and knew I had to go see them again at Upstate Concert Hall. They make the audience feel very part of the show, and band members would talk directly to us every once in a while. I liked the venue. I got there right when doors opened but did not have the most amazing view so I would recommend that others going to this venue arrive even earlier than doors open.

Honestly, the best band ever! On a cold day in March, my best friend Natalia was like Yo, listen to this one song, it has peace weed cocaine and mushrooms and shit, AND I FELL IN LOVE WITH EVERYTHING! Was obsessed with the music, and seeing them a month later, jamming out front row with my best friends, I knew this band had changed my life so much for the better. Never knew music could make me so happy. And their performance style is top notch, you can tell how into their music they are and it is just pure love emitting from those chords. Bless your Souls

Absolutely amazing. Cannot believe I had the opportunity to see the band in person. I really got into them last year right before their concert in SLC but I didn’t know about the concert. The day the tickets came out on sale for this concert I bought one with my close friend. This concert did not disappoint. I absolutely loved every second of it. He sound was perfect and they sounded soooo good live. Love them tons and i’m so happy i got to finally see them.

Awesome show ! It was my fourth time seeing the band, and it's always worth it. The boys put on a great show and know how to get the crowd going. Their music is immeasurably more exhilarating live, and I would heavily recommend going to see them regardless of how big of a fan you are. One critic however, is that sometimes the crowd gets too crazy, pushy, and rude, but that is definitely not the fault of the band. TL;DR great show and go see them if you can.

The show was absolutely amazing. I felt the music in ever part of my body. It was an amazing experience; even though it was my fourth concert it felt like it was my first. They honestly blew me away they get better and better. The musicality in this band is one of the best by far. Their contagious lyrics and amazing guitar riffs just keep you wanting more. Can't wait to see them again. Love you long time hippo campus. Love Jackie.

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Hippo Campus tour dates and tickets 2024-2025 near you

Want to see Hippo Campus in concert? Find information on all of Hippo Campus’s upcoming concerts, tour dates and ticket information for 2024-2025.

Hippo Campus is not due to play near your location currently - but they are scheduled to play 9 concerts across 2 countries in 2024-2025. View all concerts.

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All the secret messages to spot at Taylor Swift’s concert

A sk any Taylor Swift fan what the secret to her colossal success is, and you might be surprised by their answer. Her emotionally vulnerable lyrics, epic live shows and 11 chart-topping studio albums all come into play, of course, but it’s her Easter eggs – the secret clues she hides in her songs – that have established her as an unprecedented force in the music industry.

Since the release of her eponymous 2006 debut album, the 34-year-old has littered her music with hidden messaging, covering everything from the lovers – or foes – who served as inspiration to future release dates, aesthetics (each Swift album has an allocated colour) or even arithmetic (her lucky number, 13, shows up throughout her music). “I love to communicate through Easter eggs,” she told Entertainment Weekly in 2019. “I think the best messages are cryptic ones”. Fans relish the opportunity to dig and decipher because it makes them feel closer to their favourite star. 

As Swift’s record-breaking Eras tour finally arrives in the UK – she kicks off the first of three sold-out shows at Edinburgh’s Murrayfield Stadium tonight – we’ve taken a look at all of the clues, tips and tricks hidden behind certain stages, lyrics or costumes that feature in the three hour-plus show. As someone who has already seen – and been bowled over by – Eras, consider this your one-stop guide to the secrets of the biggest tour in a generation.

Opening the show with Lover…

Released in 2019, Swift’s seventh studio album was meant to get the full bells and whistles treatment: chart-topping singles (Me!, You Need to Calm Down, Lover and The Man) and a sold-out tour (“Lover Fest” was supposed to be a worldwide phenomenon, that included a show at London’s BST Hyde Park). Lover was also intended to mark a creative rebirth for Swift, whose popularity had waned following public spats with Kanye West and Kim Kardashian (that resulted in 2017’s Reputation). 

Instead, Covid arrived, the tour was cancelled, and some of the singles flopped (although the album did feature Cruel Summer, now her biggest, most-streamed hit). The album was her first record to be entirely hers – following her legal battle with former record label Big Red Machine, that has seen her re-record much of her back catalogue – and it never got its glory days because of the pandemic, so she seems to be picking up where she left off. Some fans have even construed the choice to be aimed at former boyfriend Joe Alwyn, who she reportedly broke up with in March 2023 (the same month the Eras tour kicked off in the US), with Swift the all-American golden girl and he, the brooding British actor, the prince who wound up breaking her heart.

… then burning its stage down

For much of the Lover section, Swift performs on stage in front of a huge glass house with rooms nodding at previous music videos or Eras. As the titular track ends and she prepares to move into the Fearless era, the house bursts into fake flames and looks like it is burning down on stage. Could it symbolise the breakdown of her relationship with Alwyn, an end to her romantic side, or a potential hiatus post-Eras tour?

The Fearless dance

Nostalgia forms the heart of the Eras tour. Over two decades, Swift has released 11 studio albums packed with hits – from Love Story to We Are Never Ever Getting Back Together – and made billions of dollars from her music. The tour itself is a celebration of this (as Swift announces at the beginning: “We are about to go on a little adventure together”), as well as her old and new fans. The second part of the show is dedicated to 2008’s country gem Fearless – which won her first Grammy for Album of the Year – and features multiple nods to her younger years and earlier performances.

Special lyrics added by the crowd

If you’re lucky enough to have tickets to the Eras tour, learning 11 albums worth of songs – plus the Vault tracks from her “Taylor’s Version” rerecords – might seem like an impossible task. Unluckily, it’s not just Swift’s 274 official singles (46 of which make up the setlist) that you need to know, because the crowd adds special lines to multiple songs. During Delicate, from the album Reputation, fans yell the chant “One, two, three, let’s go b—h!” after she sings “We can’t make any promises, now can we, babe?” Chart-topping revenge anthem Bad Blood, meanwhile, taken from 2014’s 1989, sees fans screech the end of the line “You forgive / You forget / But you never let it go”. Swift’s knowing winks during the songs indicate she knows exactly what the crowd is gearing up for.

What do the outfits mean?

Each of Swift’s albums is colour-coded (gold for Fearless, purple for Speak Now, black for Reputation, etc). Those signifiers form the heart of many fans’ chosen outfits for the tour, but also Swift’s own style choices on stage. When she announced 1989 (Taylor’s Version) in Los Angeles on August 9, she swapped her usual outfits for blue variants (1989’s colour) throughout the show. The show’s newest Era, dedicated to 11th album The Tortured Poets Department, sees her wear a toned-down spin on a circus ringmaster outfit for I Can Do It With a Broken Heart (a knowing nod to her 2012 MTV Europe Music Awards outfit) – a song about powering through heartbreak to dazzle fans and critics – while the logo on the t-shirt she wears during 22 (from Red) changes depending on the show.

One particular outfit to keep an eye on is the black and red, snake-emblazoned sequin catsuit she wears during the Reputation era – because it’s the only outfit that hasn’t changed since the beginning of the tour. 

I Can Do It With a Broken Heart – and the Reputation glass boxes

ICDIWABH, mentioned above, is a defiant, gloriously poppy middle finger-up to anyone who thought Swift would buckle under the pressure of heartbreak and fame. “They said, ‘Babe, you gotta fake it ‘til you make it’ and I did,” she sings. “Lights, camera, b–tch smile, even when you wanna die”. The staging itself involves a motionless Swift, lying on the ground after performing The Smallest Man Who Ever Lived, being picked up by two grinning circus masters, who strip her dress and replace it with the ringmaster outfit. After flopping and falling around like a ragdoll, Swift suddenly jerks to life and bursts into song – a true professional, at whatever personal cost.

In the Reputation section, meanwhile, during Look What You Made Me Do, Swift performs in front of a collection of glass boxes containing dancers dressed in similar costumes to ones worn throughout her career. The song itself, which was originally aimed at West and Kardashian, is Swift’s way of standing up for herself in front of an industry who expected her to be the meek, good-girl country star, instead of a powerful woman. Taken together, the imagery of both songs (ICDIWABH and LWYMMD) supports this – Swift seeing herself as someone who hasn’t been allowed to grow up, whose entire adolescence (and now, adulthood) was catered to pleasing the public.

Taken from her fourth studio album, 2012’s Red, 22 marked a musical switch for Swift from country to pure pop. During her performance of the song at the Eras tour, she storms down the long stage with her crew of backing dancers to reach one lucky fan at the other end, who is handed the black (personally signed) trilby she wears during the performance (and wore in the original video). Fans looking to secure the hat would be best to direct their attention to the Taylor Nation social media accounts – allegedly run by a combination of 13 Management, her mother Andrea and father Scott – who personally choose the recipient. One such lucky fan was the late basketball player’s Kobe Bryant’s young daughter, Bianka, who was handed the hat (and embraced) by Swift in Los Angeles.

The light up wristband colours – and secret songs

Upon entry to the Eras tour, you will be handed a light up wristband that bursts to life throughout the set, making seas of various colours from the tens of thousands of hands in whichever stadium she’s performing in. But as we know, colours always mean something, so keep an eye out for it flashing a certain hue before the beloved acoustic section of the set, which involves Swift singing two (or a medley) of secret songs taken from any of her previous albums. When I saw her in Stockholm recently, the wristband flashed blue directly before she started singing the secret songs, and my immediate thought that it would be from 1989 proved correct when she burst into Say Don’t Go.

The Folklore house

Between the pop-tastic anthems of Red and 1989, Swift brings down the tempo for the Folklore section (twinned with Evermore on the European leg). The album, which she wrote and released during the pandemic, was a critical darling; co-written with and produced by The National’s Aaron Dessner, it marked a switch from pop to a more indie, mature sound. During the set, she performs songs from Folklore and Evermore from atop a grassy woodland cabin (inspired by her 2021 Grammy performance) that is also home to the moss-covered piano where she sits and performs Champagne Problems.

So High School’s ode to Travis Kelce

When Swift began the Eras tour, she was newly single and heartbroken, tearing up on stage while performing for songs she had written in honour of former beau Joe Alwyn. Since then, she’s released The Tortured Poets Department, another break-up album widely interpreted to be about Matty Healy, the 1975 frontman who she dated afterwards. But her current boyfriend, the NFL star Travis Kelce, has no reason to fear, because he gets his love story during So High School. Swift only sings part of the song, which is about her falling head over heels for this teenage-kind of love (and includes the line “You know how to ball / I know Aristotle”), but the accompanying dance is the clearest nod to Kelce. She and her backing dancers sit atop makeshift bleachers and “swag surf” – a waving motion typically used at US sporting events, that she was seen doing during a Kansas City Chiefs game earlier this year.

The Bejeweled TikTok dance

It’s easy to attribute the unprecedented success of the Eras tour to the rise of TikTok. The day after the tour began in Arizona in March 2023, I had seen it in its entirety – from my bedroom in London – thanks to people live-streaming from the concert, or uploading multiple videos. Since then, of course, there has been the blockbuster concert film, but the video sharing platform offered the first opportunity for international fans (or those who couldn’t afford tickets) to see the show. 

TikTok even provided Swift with a free choreographer. New Jersey-based creator Mikael Arellano went viral in 2022 with his dance to Bejeweled, the ninth track from Midnights, where he shimmies and shakes his hands and body to the chorus. It racked up billions of views and sure enough, when the Eras tour opened, Swift and her dancers did the same dance. As a way of saying thank you, Arellano was even called up to accept the much-feted 22 hat in May 2023.

The friendship bracelets

Whether you’re a bona fide Swiftie or the parent or guardian of one, I guarantee you will have heard of friendship bracelets. Inspired by a lyric from Midnights’ You’re On Your Own, Kid (“So make the friendship bracelets / Take the moment and taste it”), Swift’s fans wear armfuls of homemade, largely plastic bracelets featuring beads that spell out song names or inside jokes. Then, once at the show, the fans “trade” bracelets with each other to make new friends. The internet is full of tutorials on how to make them, but if your show is drawing closer and you’re yet to make any, Amazon Prime is your best bet.

The lack of a certain album

I don’t pretend to understand Swift’s justification for including certain songs on the setlist over other, fan favourites – Long Live, a beautiful ode to her band and fans, has been removed from the Speak Now section for the European leg, while the cheesy You Need To Calm Down lives to see another day. But the most striking omission is an entire album – namely, her 2006 self-titled debut album, which doesn’t feature on the setlist at all. She performs tracks as secret songs, occasionally, but the lack of an actual section suggests that she either no longer cares for country-pop teenage musings on broken hearts, or is waiting to release her “Taylor’s Version” of the album. 

With only two “Taylor’s Versions” left to go – Reputation and Taylor Swift – it seems probable that she’ll announce the latter last, at the close of the Eras tour, to mark the crowning achievement of her career with a full discography that belongs to her. Fingers crossed, because new, younger fans deserve to cry along to Teardrops On My Guitar live.

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The Cure's tour has been the surprise hit of the year. This is why it captivates.

COLUMBIA, Md. – It's the sleeper hit of the year , packing venues from Los Angeles to New York, allowing fans to channel the inner goth of their youth and dazzling with a career-spanning set list of nearly 30 songs.

Before the kickoff of their tour in May in New Orleans, The Cure hadn't rounded the U.S. since 2016. But last year’s excursion through Europe allowed idiosyncratic frontman Robert Smith, 64, and the band the opportunity to burnish their live production.

Both sleek and melancholy, the two-hour 45-minute show is ticking down to its final concerts, with a July 1 finale in Miami followed by festival spot dates this fall.

At an overflowing Merriweather Post Pavilion on Sunday, the band demonstrated why their following remains fanatical.

The Cure's new music is as solid as its classics

Fans have awaited a new album – "Songs of a Lost World," which pairs with the tour's name, Shows of a Lost World – since Smith unveiled the title in March 2022.

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Despite no definitive arrival for The Cure’s first release since 2008’s “4:13 Dream,” the band has included several new tracks in all of its shows.

The main set was bookended with newbies – the Pink Floyd-like opener "Alone" and the devastating "Endsong," a bleak musing on aging ("No hopes, no dreams, no world … I don't belong here anymore") filled with guitar squiggles and crashing cymbals.

But sandwiched between the aching longing of "Lovesong" and the starry backdrop, cerulean lighting and serrated guitar riffs of "At Night" sat a definitive new Cure creation.

Smith turned his back to the adoring audience, swaying while conducting indefatigable drummer Jason Cooper, before unleashing a voice wracked with pain on "And Nothing is Forever."

Smith’s voice enveloped lyrics such as "My world has grown old, but it really doesn't matter if you say we'll be together," suggesting his heart still swells with sadness, if not darkness.

Icons unite: Billy Joel and Stevie Nicks enchant on their dual tour playing throughout the year

The Cure's set list taps into deep cuts as well as hits

An early highlight came when Smith faced off with bassist Simon Gallup – the second-longest tenured member in the band – for the chugging intro to "Pictures of You."

The ballad, from The Cure's landmark 1989 album, "Disintegration," showcases all of the hallmarks of their sound – watery guitars, evocative synths and a slow burn into an explosive soundscape that unfolded beautifully on stage.

It was also one of their few hits played before the encores, which were packed with casual-fan favorites including the jubilant "Friday I'm in Love" and equally buoyant "Just Like Heaven" (both always seem at odds with The Cure's frequently gloomy thrust).

Instead, the nucleus of the show spotlighted lesser-heard gems such as "Burn," from the 1994 soundtrack to "The Crow," complemented by crimson lights ricocheting around the stage as Cooper pounded the layered beat; the metronomic groove of "At Night" and hand-clapping of "A Forest," both from the band's second album, 1980's "Seventeen Seconds"; and "From the Edge of the Deep Green Sea," from 1992's "Wish," which was anchored by relentless keyboard plinks from Roger O'Donnell until the song erupted into a thrilling rumble.

Let's also tip the hat to Reeves Gabrels and Perry Bamonte for their dancing surf-guitar licks on "Push," an album track from 1985's "The Head on the Door."

Robert Smith hasn't changed

Smith remains the focal point of The Cure – and how could he not be with his trademark heap of black hair, blur of scarlet lipstick and lacquered eye makeup? His voice, a blend of sad wail and smooth croon, endures as a distinctive, undiminished sound.

But Smith also makes his appreciation for the band's audiences known. On Sunday, as he has throughout the tour, he spent the first several minutes of the show meandering to each section of the stage, quietly greeting fans with his eyes and accepting gifts tossed at him.

His gaze was one of gratitude mixed with disbelief that after all this time, the people still show.

Apparently, the sad prince of goth pop is still the king four decades on.

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• All the Surprise Songs Taylor Swift Has Played On The Eras Tour So Far

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Over a year into Taylor Swift’s Eras tour , she has found ways to keep the show fresh and new for those who have been waiting since she opened in Phoenix, Arizona in March 2023 to see her. Since the tour began in the United States last year, Swift has released two rerecorded albums —  Speak Now (Taylor’s Version)  and  1989 (Taylor’s Version)  in addition to a brand-new double album,  The Tortured Poets Department. 

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Taylor Swift’s U.S. Fans Flock To Europe To Bag Cheaper Eras Concert Tickets

Taylor Swift: Which Eras Tour Songs Didn’t Make Concert Film & Which Surprise Songs Got In

Every show on the Eras Tour involves an acoustic set where Swift performs at least two songs custom to that night’s show. At first, she wouldn’t allow herself repeats unless she messed up the lyrics to a song, but now, she has done away with that rule and gotten more creative by combining songs in mashups and playing up to four in a segment. The first song or three take place on guitar, and then she shifts to piano for the second half before diving beneath the stage to resume the setlist – which has since contracted and expanded to include a  Tortured Poets Department  era and set .

Below you’ll find Taylor Swift’s surprise songs that she has played most recently in Europe as well as a record of all those she has played on the entire tour so far.

International Leg 2024

• February 6 — “Holy Ground” and “Dear Reader”
• February 7 — “Eyes Open” and “Electric Touch”
• February 8 — “Superman” and “The Outside”
• February 9 — “Come In With the Rain” and “You’re On Your Own Kid”
• February 16 in — “Red” and “You’re Losing Me”
• February 17 — Mashup of “Getaway Car”/”August”/”The Other Side of the Door” and “This Is Me Trying”
• February 18 — Mashup of “Come Back… Be Here”/”Daylight” and “Teardrops on My Guitar”February 23 in Sydney, Australia – “How You Get the Girl” and Mashup of “White Horse/Coney Island” with Sabrina Carpenter
• February 24 — “Should’ve Said No (Naur)” and Mashup of “New Year’s Day/Peace”
• February 25 — Mashup of “Is It Over Now/I Wish You Would” and Mashup of “Haunted/Exile”
• February 26 — Mashup of “Would’ve Could’ve Should’ve/Ivy” and Mashup of “Forever & Always/Maroon”
• March 2  — Mashup of “long story short/The Story of Us” and Mashup of “Clean/evermore”
• March 3 — Mashup of “Mine/Starlight” and Mashup of “I Don’t Wanna Live Forever/Dress”
• March 4 — Mashup of “Foolish One/Tell Me Why” and Mashup of “This Love/Call It What You Want”
• March 7 — Mashup of “Death by a Thousand Cuts/Babe” and Mashup of “Fifteen/You’re On Your Own Kid”
• March 8 — Mashup of “Sparks Fly/gold rush” and “False God/Slut!”
• March 9 — Mashup of “Tim McGraw/Cowboy Like Me” and “Mirrorball/Epiphany”

RELATED: ‘Taylor Swift Vs Scooter Braun: Bad Blood’ Doc Set At Discovery+ UK

April 19 –  The Tortured Poets Department  release day

*Resuming her European tour in 2024 involved an additional set for the record-breaking   The Tortured Poets Department  complete with 7 staple songs. Most — “Fortnight (feat. Post Malone),” “Down Bad,” “But Daddy I Love Him,” “Who’s Afraid of Little Old Me?” “I Can Do It With A Broken Heart,” “The Smallest Man Who Ever Lived” from the first half and “So High School” from the second half. 

• May 9 — “Paris” and “loml”
• May 10 — Mashup of “Is It Over Now/Out of the Woods” and “My Boy Only Breaks His Favorite Toys”
• May 11 — “Hey Stephen” and “Maroon”
• May 12 — Mashup of “The Alchemy/Treacherous” and “Begin Again/Paris”
• May 17 — Mashup of “I Think He Knows/Gorgeous” and “Peter”
• May 18 — “Guilty as Sin” and Mashup of “Say Don’t Go/Welcome to New York/Clean”
• May 19 — Mashup of “Message in a Bottle/How You Get the Girl/New Romantics” and “How Did It End?”
• May 24 — Mashup of “Come Back…Be Here/The Way I Loved You/The Other Side of the Door” and Mashup of “Fresh Out the Slammer/High Infidelity”
• May 25 — Mashup of “Now That We Don’t Talk/The Tortured Poets Department” and Mashup of “You’re On Your Own Kid/Long Live”
• May 29 — Mashup of “Sparks Fly/I Can Fix Him (No Really I Can)” and Mashup of “I Look in People’s Windows/Snow on the Beach”
• May 30 – Mashup of “Our Song/Jump Then Fall” and “King of My Heart”
• June 2 – Mashup of “The Prophecy/Long Story Short” and Mashup of “Fifteen/You’re On Your Own Kid”
• June 3 – Mashup of “Glitch/Everything Has Changed” and “Chloe or Sam or Sophia or Marcus”
• Mashup of “Would’ve Could’ve Should’ve/I Know Places” and Mashup of “‘Tis the Damn Season/Daylight”

RELATED: ‘Taylor Swift: The Eras Tour’ Writes Her Name As No. 7 In Deadline’s 2023 Most Valuable Blockbuster Tournament

• March 17 — Mirrorball” and “Tim McGraw”
• March 18— “State of Grace” and “This Is Me Trying”
• March 24 — “Our Song” and “Snow on the Beach” 
• March 25 — “Cowboy Like Me” with Marcus Mumford and “White Horse”
• March 31 — “Sad Beautiful Tragic” and “Ours”
• April 1 — “Death by a Thousand Cuts” and “Clean”
• April 2 — “Jump Then Fall” and “The Lucky One”
• April 13 — “Speak Now” and “Treacherous”
• April 14 — “The Great War” with Aaron Dessner and “You’re on Your Own, Kid”
• April 15— “Mad Woman” with Aaron Dessner and “Mean”
• April 21 — “Wonderland” and “You’re Not Sorry”
• April 22— “A Place in This World” and “Today Was a Fairytale” 
• April 23 — “Begin Again” and “Cold as You”
• April 28 — “The Other Side of the Door” and “Coney Island”
• April 29 — “High Infidelity” and “Gorgeous”
• April 30— “I Bet You Think About Me” and “How You Get the Girl”
• May 5 in — “Sparks Fly” +  Speak Now (Taylor’s Version) Album Announcement  and “Teardrops on My Guitar”
• May 6 — “Out of the Woods” and “Fifteen”
• May 7— “Would’ve, Could’ve, Should’ve” with Aaron Dessner and “Mine”
• May 12 — “Gold Rush” and “Come Back…Be Here”
• May 13 — “Forever & Always” and “This Love”
• May 14 — “Hey Stephen” and “The Best Day”
• May 19  — “Should’ve Said No” and “Better Man” 
• May 20 — “Question…?” and “Invisible” 
• May 21 — “I Think He Knows” and “Red”
• May 26 — “Getaway Car” with Jack Antonoff and “Maroon” 
• May 27 — “Holy Ground” and “False God”
• May 28 — “Welcome to New York” and “Clean”
• June 2 in “I Wish You Would” and “The Lakes”
• June 3 in — “You All Over Me” with Maren Morris and “I Don’t Wanna Live Forever”
• June 4 Chicago, Ill. — “Hits Different” and “The Moment I Knew”
• June 9 — “Haunted” and “I Almost Do”
• June 10 — “All You Had to Do Was Stay” and “Breathe”
• June 16 — “Mr. Perfectly Fine” and “The Last Time”
• June 17 — “Seven” with Aaron Dessner and “The Story of Us”
• June 23 — “Paper Rings” and “If This Was a Movie”
• June 24 — “Dear John” and “Daylight”
• June 30 — “I’m Only Me When I’m With You” and “Evermore”
• July 1— “Ivy” with Aaron Dessner, “I Miss You, I’m Sorry” with Gracie Abrams and “Call It What You Want”
• July 7 — “Never Grow Up” and “When Emma Falls in Love”
• July 8  — “Last Kiss” and “Dorothea”
• July 14 — “Picture to Burn” and “Timeless”
• July 15 — “Starlight” and “Back to December”
• July 22 in — “This Is Why We Can’t Have Nice Things” and “Everything Has Changed”
• July 23 — “Message in a Bottle” and “Tied Together With a Smile”
• July 28 — “Right Where You Left Me” and “Castles Crumbling”
• July 29 — “Stay Stay Stay” and “All of the Girls You Loved Before”
• August 3 – “I Can See You” and “Maroon”
• August 4 — “Our Song” and “You Are in Love”
• August 5 — “Death By a Thousand Cuts” and “You’re On Your Own Kid”
• August 7 —“Exile” and “Dress”
• August 8 —“I Know Places” and “King of My Heart”
• August 9 — “New Romantics”  + “1989 (Taylor’s Version)”Album Announcement  and “New Year’s Day”

RELATED: Taylor Swift Breaks Yet Another Record In The UK, After A Historical Week On Spotify

International Leg 2023

• August 24 — “I Forgot That You Existed” and “Sweet Nothing”
• August 25 — “Tell Me Why” and “Snow on the Beach”
• August 26 — “Cornelia Street” and “You’re on Your Own, Kid”
• August 27 —“Afterglow” and “Maroon”
• November 9 —“The Very First Night” and “Labyrinth”
• November 10 — Cancelled Due to Rain
• November 11 — “End Game” and Mash-Up of “Out of the Woods” & “Is It Over Now?”
• November 12 — “Better Than Revenge” and “Slut!”
• November 17 — “Stay Beautiful” and “Suburban Legends”
• November 19 — “Dancing. With Our Hands Tied” and “Bigger Than the Whole Sky”
• November 20 — “Me!” and “So It Goes”
• Nov. 24 — “Now That We Don’t Talk” and “Innocent”
• Nov. 25— “Safe and Sound” and “Untouchable” 
• Nov. 25 — “Say Don’t Go” and “It’s Time to Go”

RELATED: Matty Healy Reacts To Taylor Swift’s “Diss Track” From ‘The Tortured Poets Department’

Songs That Haven’t Been Played Yet:

From Taylor Swift (her debut album):

• “Mary’s Song (Oh My My My)”
• “A Perfectly Good Heart”

Fearless (Taylor’s Version)

• “Change”
• “Superstar”
• “We Were Happy”
• “That’s When (feat. Keith Urban)”
• “Don’t You”
• “Bye Bye Baby”

Speak Now (Taylor’s Version)

• “Foolish One”

Red (Taylor’s Version)

• “Girl at Home”
• “Forever Winter”
• “Run (feat. Ed Sheeran)”

1989 (Taylor’s Version)   –  All songs have been played at least once [except for “Sweeter Than Fiction (Taylor’s Version)]

Reputation  – One of two rerecorded albums awaiting release.

• “I Did Something Bad”
• “London Boy”
• “Soon You’ll Get Better (feat. The Chicks)”
• “It’s Nice to Have a Friend”
• “Epiphany”
• “Hoax”
• “Happiness”
• “Long Story Short”
• “Closure”

Midnights All songs have been played at least once.

The Tortured Poets Department

• “So Long London”
• “Florida!!!”
• “I Can Fix Him (No Really I Can)”
• “Clara Bow”
• “The Black Dog”
• “imgonnagetyouback”
• The Albatross
• “Chloe or Sam or Sophia or Marcus”
• “I Hate It Here”
• “thanK you aIMee”
• “I Look in People’s Windows”
• “The Prophecy”
• “Cassandra”
• “Peter”
• “The Bolter”
• “Robin”
• “The Manuscript”

Grab-bag (songs not attached to specific albums):

• “I Heart ?”
• “Ronan”
• “Only the Young”
• “Renegade”
• “The Alcott”
• “Gasoline”
• “Beautiful Eyes”
• “Beautiful Ghosts”
• “Sweeter Than Fiction”
• “Carolina”

RELATED: ‘Taylor Swift: The Eras Tour’ Movie Profits

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Cécile McLorin Salvant, Silvana Estrada Provide Two Master Classes for the Price of One in Brilliant Disney Hall Double Header: Concert Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

• Cécile McLorin Salvant, Silvana Estrada Provide Two Master Classes for the Price of One in Brilliant Disney Hall Double Header: Concert Review 16 hours ago
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But there was plenty to latch onto for anyone for whom that material might have seemed a little esoteric. She harked back to “classic” McLorin Salvant sets with a set list that included “One Step Ahead,” a song she’d learned via Aretha, even if you wouldn’t mistake their respective arrangements; “Alfie,” an example of the reimagined Bacharach that frequently makes its way into her shows; and “Riding High,” a lesser-revived Cole Porter classic that occasioned solos from different members of her trio, including her perennial pianist, the masterful Sullivan Fortner. The latter musician could often be found between songs leaning over to his right, clearly attentive to what McLorin Salvant was saying, and it eventually became clear that — besides perhaps being perpetually delighted by his frontwoman — he was looking for clues about what was coming next, since hers are not solidly set-in-stone setlists.

McLorin Salvant is not nervous to throw her own very poetic compositions in amid the numbers she draws from the fringes of the Great American Songbook. “Fog” in particular was a great one, drawing down to a typically sotto voce ending as her band dropped away to leave her as lonely as described in the lyrics. Her performance veered away from jazz more toward the classical sounds typically heard in Disney Hall as she took on a gorgeous song by the 17th century Elizabethan composer John Dowland. Also lending itself more toward formality was a selection from “The Three Penny Opera,” with the singer opening it up to a big, rowdy roar.

But the most bravura part of the set came when she pulled an audible audible and decided to close things out with a two-part sampling of Stephen Sondheim’s “Company,” which her audiences are sometimes lucky to get one excerpt from, but not two. The soul-scorching “Being Alive,” dramatic climax enough for a show like this, was succeeded by the more comedic — and exhausting — “Getting Married Today,” a multi-character mini-opera for which McLorin Salvant was breathlessly prepared to belt or spit out all of the parts, male baritone and female soprano alike.

That would have seemed like the definition of unfollowable (and a few handfuls of patrons who apparently came just for her exit during the intermission). But McLorin Salvant established prior to the break just “how excited I am to listen to Silvana,” a compliment that was returned by Estrada in the second half when she remarked that her predecessor on stage was “probably my favorite singer, and one of the most genuine human beings I’ve ever known.” Estrada then went on to extol McLorin Salvant as the type of singer who transmogrifies into different types of mystical creatures over the course of a show, “then (is) human again.”

Starkest at the very start, Estrada began her set with a striking, a cappella “Tonada de Ordeño” before picking up her signature accompaniment, a small, guitar-like, but four-stringed instrument called the Venezuelan cuatro, and being joined by a small cadre of musicians that included electronic keys and viola. Her bottomlessly belty voice speaks of anguish and earnestness, but amid that immaculacy, you could hear that Estrada is not just paying lip service when she says that she was also influenced by Billie Holiday, Ella Fitzgerald and some of the same bluesy sirens that had an effect on McLorin Salvant.

Two left turns proved to be highlights of Estrada’s set. She turned to English-language material just once, for a somewhat faithful but jazzed-up cover of Suzanne Vega’s “Tom’s Diner” that brought her whole band into the pop oldie’s formerly a cappella scheme. And, as everyone on hand might have hoped, she brought McLorin Salvant back onto the stage. The two powerhouses clasped hands for part of their performance together as they dueted on “Gracias a la Vida,” a song that was a staple of the catalog of Mercedes Sosa, the great 20th-century Argentinian singer Mercedes Sosa. (It’s a song Kacey Musgraves also recorded on her next-to-latest album.) Estrada took the lower part and let McLorin Salvant go high, though clearly either singer could master any part of any harmony. The lovefest extended offstage, with an audience giving thanks for them saying gracias.

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• Smashing Pumpkins, The
• June 7, 2024 Setlist

The Smashing Pumpkins Setlist at Utilita Arena Birmingham, Birmingham, England

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Tour: The World Is a Vampire - Europe Summer 2024 Tour statistics Add setlist

• Song played from tape Atum Play Video
• The Everlasting Gaze Play Video
• Doomsday Clock Play Video
• Zoo Station ( U2  cover) ( First performance by Smashing Pumpkins ) Play Video
• Today Play Video
• Thru the Eyes of Ruby ( First performance since 2015 ) Play Video
• Spellbinding Play Video
• Tonight, Tonight Play Video
• That Which Animates the Spirit ( Live debut ) Play Video
• Ava Adore Play Video
• Disarm Play Video
• Springtimes ( Live debut ) Play Video
• Mayonaise Play Video
• Bullet With Butterfly Wings Play Video
• Empires Play Video
• Beguiled Play Video
• 1979 Play Video
• Birch Grove ( Live debut by TSP ) Play Video
• Panopticon ( First performance since 2013; first performance with James Iha & Jimmy Chamberlin ) Play Video
• Shame ( Snippet ) Play Video
• Jellybelly Play Video
• Rhinoceros Play Video
• Gossamer ( with “The Spaniards” ending; first performance since 2013; first performance with James Iha ) Play Video
• Cherub Rock Play Video
• Zero Play Video

Note: First show with touring guitarist Kiki Wong

Edits and Comments

77 activities (last edit by Shelly815 , 9 Jun 2024, 01:40 Etc/UTC )

Songs on Albums

• Bullet With Butterfly Wings
• Thru the Eyes of Ruby
• Tonight, Tonight
• Spellbinding
• Springtimes
• That Which Animates the Spirit
• Cherub Rock
• Birch Grove
• The Everlasting Gaze
• Doomsday Clock
• Zoo Station by U2

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Utilita arena birmingham.

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• The Smashing Pumpkins This Setlist Start time: 9:00 PM 9:00 PM

The Smashing Pumpkins Gig Timeline

• Sep 17 2023 Madame ZuZu's Teahouse Highland Park, IL, USA Start time: 9:15 PM 9:15 PM
• Nov 11 2023 Walt Disney World Lake Buena Vista, FL, USA Add time Add time
• Jun 07 2024 Utilita Arena Birmingham This Setlist Birmingham, England Start time: 9:00 PM 9:00 PM
• Jun 08 2024 The O2 Arena London, England Start time: 8:55 PM 8:55 PM
• Jun 10 2024 3Arena Dublin, Ireland  –  Find tickets Add time Tickets Add time

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Tour Update

Marquee memories: frank iero and watsky reflect on seeing the smashing pumpkins live.

• Frank Iero and the Future Violents
• Jun 7, 2024
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