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A Keane Live show is a thing of great joy.

As a fan since the early days, I have been to many different venues and it doesn't matter whether you are standing with 200 other souls or seated in the big Arena, Keane always deliver.

They have a large hard core international support (people traveling for hours to queue outside a tiny venue at early o'clock in the morning is quite 'normal') and always ensure that they interact with their fans as much as possible and seem to genuinely appreciate the support they've had over the years.

Tours are usually about promoting albums, and so people can be disappointed if their favourite doesn't get played, but by then end of the gig, no-one ever goes home unhappy. Most of them have no voices the following day because sing-alongs are quite central to the Keane live shows.

Now that they've decided to take a break, a lot of us are left wondering what's next.

My advice, if you ever get the chance to see them live, go along, you will be pleasantly surprised. I've seen them more than 20 times (which makes me a lightweight compared to some of the fans I know) and have never left a gig without a song in my head and a great big beaming smile....

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Folly49’s profile image

Went to the Apollo in Manchester to see Keane.I can honestly say that this was the best gig I have ever been to and i've seen most of the major names over 30 years! Sound and lighting were excellent and the band's performance was flawless.Fantastic energy on stage and they endeared themselves to the audience with their natural warmth and were very humble considering how much success they've already had.The playlist covered alot of the new album but also included all the old favourites and the songs were very well intergrated into the setlist. Tom's voice has to be one of the best and emotional in modern music and "A bad dream" and "Bedshaped" brought tears to a few eyes. Absolutely magnificent show and highly recommended and I guarantee you won't see a better gig.

The only downside was that they did't come on until 8.45 so we had to miss the encore as we needed to catch the last train home.

davidjones5142’s profile image

Keane were on FIRE last night!! I didn’t think the venue would be right for them being such a formal setting, however it really worked. Audience didn’t talk during songs/ in between (so annoying when people do that!) & the sound & acoustics were fantastic. They played all the great songs plus many of their new tracks, had the place absolutely rocking. Engaged with the crowd & was an absolute joy to see them. Outstanding

jan-eversfield’s profile image

Concert itself was good but at some point you get distracted by the fact that everybody around you is filming the concert with some crappy cheap phones some of them not even filming the stage but the screens for minutes.

So yeah, it's not the band but the quality of the fans :)

Also, the sound quality in the Movistar Arena could have been better. A lot of echo and not much deepness in the sound.

vaxilein’s profile image

I am a huge fan of shows. I manage to go at least 3/4 shows per year because i’m convinced that music is one of the most beautiful things life can give us. And keane is beyond that. I’ve seen them 10 years ago, and I already loved them by then, but this time was even better. Definitely on my top 3 of best concerts i’ve ever been to. A MUST GO for anyone. Thank you❤️

clari-griot’s profile image

I have seen Keane 7 times in concert, and they NEVER fail to disappoint! They really know how to put on a show, and Tom Chaplins voice sails across the audience, enchanting you for more. I have been listening to Keane since they came onto the scene in 2005, and I highly recommend seeing them!

kelsi-honeyman’s profile image

I love the show!!

Tom’s voice sounded better than ever.

The show as emotional and the band connected with the audience at a very personal level. It felt really good to see them together again as I missed their last concert in the Bay Area.

Bravo to a great come back!!

Eugeniojardim’s profile image

They were really good and lovely, I have always loved them a lot, their sound is still amazing! But this is my first time being so closed with them and it was a wonderful experience

It was well organised by Rought Trade and their staff were lovely

noelia-reguera’s profile image

They never disappoint, it's always a pleasure to see them live, I'm a big fan and can't be very objective but they are Soooo good and even better every time. It was a bit more than two hours which passed so quickly but I'll never get enough of them

Amazing comeback gig from Keane. They’ve definitely improved since I last saw them 6 years ago. The audience was stood up throughout the 2hr performance and the atmosphere was fantastic. Welcome back Keane the new album is the best yet.

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Keane Celebrate 20 Years of ‘Hopes and Fears’ With 2024 World Tour

by Lorie Liebig September 8, 2023, 12:36 pm

English rock group Keane will hit the road next year to celebrate their debut album’s 20th anniversary. Beginning on May 3, the chart-topping band will perform headlining dates across Europe and North America through the end of September.

Videos by American Songwriter

The trek marks Keane’s most extensive tour in many years and their first U.S. endeavor since the COVID-19 pandemic forced the band to cancel a stretch of dates supporting their 2019 album  Cause and Effect . The extensive set of performances will spotlight tracks from the band’s breakout debut record,  Hopes and Fears , and songs from throughout their two-decade-long career.

[RELATED: The Moving Meaning Behind Keane’s “Somewhere Only We Know”]

Keane will also release a remastered version of Hopes and Fears on May 10, 2024, exactly 20 years after its initial release.

“I remember standing by that amazing old mixing desk at Heliocentric Studios where we made  Hopes and Fears , listening to an early mix of ‘Somewhere Only We Know,'” lead vocalist Tom Chaplin says in a statement. “I had this feeling that we’d come up with something that had an extra bit of magic. Making music is so often a process full of doubt…but on this occasion, there was something undeniable about what we’d created. Clearly, a lot of people felt the same when the album came out!”

“When I think about these songs, I still picture us playing them in little rooms in pubs around the U.K.,” pianist Tim Rice-Oxley adds. “I remember how exciting it was watching the crowds start to grow. Those songs opened the door to another dimension for us; everything that has happened in our lives since then was born out of that moment. It’s an incredible privilege for us that people are still listening after all this time.”

A pre-sale for all newly announced 2024 tour dates will begin September 13 at 10 a.m. local time. Fans can access a general on-sale for all performances starting September 15 at 10 a.m. local time. 

A complete list of  Hopes and Fears’  20th anniversary tour dates can be found below. Additional information and ticketing details can be found at Keane’s  official website .

2024 Tour Dates:

May 3 – Leeds @ First Direct Arena May 4 – Birmingham @ Utilita Arena May 5 – Manchester @ Co-Op Live May 7 – Bournemouth @ International Centre May 10 – London @ The O2 May 13 – Dublin @ 3Arena April 1 – Mexico City @ Sports Palace April 3 – Guadalajara @ Auditorio Telmex April 19 – Amsterdam @ AFAS Live April 21 – Cologne @ E-Werk April 24 – Brussels @ Cirque Royal April 26 – Paris @ L’Olympia September 4 – Berkeley, CA @ The Greek Theatre at UC Berkeley September 5 – Los Angeles, CA @ The Greek Theatre September 6 – San Diego, CA @ Humphreys Concerts By The Bay September 8 – Salt Lake City, UT @ TBA September 9 – Denver, CO @ Temple Hoyne Buell Theatre September 11 – Dallas, TX @ The Majestic Theatre September 12 – Austin, TX @ ACL Live At The Moody Theatre September 14 – Atlanta, GA @ The Eastern September 15 – Nashville, TN @ Ryman Auditorium September 17 – Minneapolis, MN @ Palace Theatre September 18 – Chicago, IL @ The Chicago Theatre September 20 – Toronto, ON @ The Queen Elizabeth Theatre September 21 – Philadelphia, PA @ The Met September 23 – Boston, MA @ MGM Music Hall At Fenway September 24 – New York, NY @ Radio City Music Hall September 26 – Washington, DC @ The Anthem

Photo by Alex Lake, Courtesy of Island Records

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Keane talk ‘Hopes And Fears’ 20th anniversary reissue and tour: “I still feel very connected to the songs”

Tom Chaplin tells NME about the band’s early years, finding their sound, and structuring the setlist for the anniversary tour

Keane press shot

Keane have announced a 20th anniversary reissue and 2024 world tour for their debut album ‘Hopes And Fears’ – get all the details and read NME ’s interview with frontman Tom Chaplin below.

The album will be reissued on May 10, 2024 – 20 years to the day since its original release, and on the same night that the band play The O2 in London as part of the UK and Irish leg of the anniversary tour. Support at these gigs will come from The Sherlocks and The Lathums .

“I feel like I’ve lived quite a lot of life in the last 20 years,” Chaplin told NME . “To me, it does actually feel like quite a long time ago. The release of this album was the point at which all our lives changed very dramatically, and it feels like a marker of time, after which so much stuff, both good and bad, has come along. It sticks very clearly in the memory.”

‘Hopes And Fears’ was released in 2004, six years after Keane formed, and Chaplin said that he is grateful in retrospect that the band were able to take their time out of the spotlight and find their voice slowly and organically.

“There wasn’t the same level of access to information at the time,” the frontman remembered. “We didn’t really understand how to make it all work – we were just three kids from a small town in the middle of nowhere, so we didn’t we didn’t have many reference points. We didn’t really know what we were doing.”

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As a result, Chaplin said that six years from playing their first gig to releasing ‘Hopes And Fears’ “felt about right”.

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“We had to learn what we were best at as musicians, and had to learn how to write songs,” he said. “My voice developed lots over that time as well, and it was a long and fairly slow learning curve for all of us.

“It was a relief in a way that we were able to do nearly all of our early gigs in private, and there’s not very much that remains [online]. I saw a video the other day of us playing at the Bull & Gate [in Kentish Town, London] in around ‘98, ‘99. It’s very sweet, but we definitely weren’t the finished article at that point.”

Across the half a decade between forming and releasing the debut, Keane had to contend with the departure of founding guitarist Dominic Scott, and spent years crafting the songs that would end up on the debut album.

One particularly revolutionary session came in a dilapidated French mansion with producer James Sanger. “I remember thinking that it was the start of an interesting relationship between us and James,” the frontman said. “We were his guinea pigs for this plan he had to turn the mansion into a big studio complex, and he obviously saw something in the songs.”

In the departure of Scott, Chaplin said that the make-up of the ‘Hopes And Fears’-era Keane came together almost by accident. “All the pieces were kind of improving and getting better, but they needed assembling in the right way,” he told NME . “Dominic leaving forced us into this new world of having to do things in a different way. At that point we were a fairly standard rock band, but when when Dominic left, it left us with this quandary of it just being the three of us. With James’ help, and Tim [Rice-Oxley, songwriter] moving from the bass to the piano, suddenly everything fell into place.”

Talking of Rice-Oxley’s songwriting for ‘Hopes And Fears’, Chaplin said: “I remember thinking, ‘Oh god, he’s suddenly gone up a level’. Yeah. I heard everything that he had written and was blown away by it. After two years of working shitty jobs in London, we moved back to our parents’ houses in the countryside and would meet up and write in Tim’s mum and dad’s house. I remember Tim presenting us with a few of the songs that he’d written that summer. I remember hearing ‘Somewhere Only We Know’ and ‘Everybody’s Changing’ and just thinking, ‘Holy shit’.”

The frontman added: “What Tim’s always been very good at is articulating heartbreak. He was able to draw on his many heartbreaks and translate a lot of it into the songwriting, but not in an overly confessional way. His great skill at that point was to write songs that had a universality to them. During those years, my voice also began to grow, and I wasn’t trying to copy other people any more – I began to sing in my own voice.

“I’ve had enough sadness, loneliness, fear, anxiety and heartbreak in my own life for that to feel like a really good combination, my singing and his writing. It’s hard to pinpoint an exact moment when that happened, but it certainly went from being this very disjointed thing to having this chemistry that seemed to really work.”

Discussing the legacy of the album, which has sold millions of copies worldwide and is the ninth best-selling album of the 21st century in the UK, Chaplin said: “I still feel very connected to the songs. When I sing them live, they still surprise me, and something will hit me that hadn’t hit me before, like a new way of hearing the song.”

As for how the anniversary shows will look, and whether they will play ‘Hopes And Fears’ in full from front to back, Chaplin said that discussions are still in progress as to the setlist and plans for the show.

“I went to see The Flaming Lips doing ‘Yoshimi Battles The Pink Robots’ live and I’ve seen David Gray do ‘White Ladder’ too, and it’s an interesting quandary because albums were never written with the intent of playing them live in order. One of our plans with ‘Hopes And Fears’ was not to frontload it, but we ended up putting nearly all of the big singles near the front of the album.”

Chaplin continued: “Until we actually get in a room and start playing it, we won’t really know how it will work out, but we’ve got some ideas about how to make it work. My experience of going to see these anniversary shows and seeing people play the record, it’s nice to hear it from start to finish, because that’s how you know the album to be.

“‘Hopes And Fears’ ends with ‘Bedshaped’ too, which feels like quite a final note to end on, and we often end our [regular] gigs with that. We’ll be figuring it out in the coming months.”

As for the future of the band beyond the anniversary celebrations, Chaplin was looking ahead to what comes after their 2019 album ‘ Cause & Effect’.

The frontman ended: “It feels more hopeful and positive and full of ideas than it has done for a very long time.”

Tickets for the band’s ‘Hopes And Fears’ tour will go on sale on Friday, September 15, and you can buy UK tickets here and buy US tickets here .

Keane will play:

MAY 2024 3 – Leeds, First Direct Arena 4 – Birmingham, Utilita Arena 5 – Manchester, Co-Op Live 7 – Bournemouth, International Centre 10 – London, The O2 13 – Dublin, 3Arena

APRIL 2024 1 – Mexico City, Sports Palace 3 – Guadalajara, Auditorio Telmex 19 – Amsterdam, AFAS Live 21 – Cologne, E-Werk 24 – Brussels, Cirque Royal 26 – Paris, L’Olympia

SEPTEMBER 2024 4 – Berkeley, CA, The Greek Theatre at UC Berkeley 5 – Los Angeles, CA, The Greek Theatre 6 – San Diego, CA, Humphreys Concerts By The Bay 8 – Salt Lake City, UT, TBA 9 – Denver, CO, Temple Hoyne Buell Theatre 11 – Dallas, TX, The Majestic Theatre 12 – Austin, TX, ACL Live At The Moody Theatre 14 – Atlanta, GA, The Eastern 15 – Nashville, TN, Ryman Auditorium 17 – Minneapolis, MN, Palace Theatre 18 – Chicago, IL, The Chicago Theatre 20 – Toronto, ON, The Queen Elizabeth Theatre 21 – Philadelphia, PA, The Met 23 – Boston, MA, MGM Music Hall At Fenway 24 – New York, NY, Radio City Music Hall 26 – Washington, DC, The Anthem

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Tour Update: Keane Is Releasing A New Album, 'Cause And Effect'

English rockers Keane are back on the road and in the studio after a 6-year hiatus. Hint: New music is coming!

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Keane are happy to announce brand new tour dates for October/November, including one of their biggest shows to date at London’s Brixton Academy. See below for the full list of dates and ticket sales numbers. Tickets go on sale on Saturday, 17th July at 9.30am OCTOBER Norwich UEA – 28th October (01603 508 050) Manchester Apollo – 30th October (0870 401 800/0161 832 1111) NOVEMBER Northumbria Uni – 1st November (0191 233 0444) Glasgow Barrowlands – 3rd November (0870 169 0100) Leeds University – 5th November (0113 245 5570) Birmingham Academy – 7th November (0870 771 2000) Nottingham Rock City – 8th November (0115 941 2544) Bristol Academy – 9th November (0870 771 2000) Exeter University Great Hall – 10th November (01392 425 309) Truro Halls for Cornwall – 12th November (01872 262 466) Southampton Guildhall – 13th November (023 8063 2601) Cambridge Corn Exchange – 14th November (01223 357 851) London Brixton Academy – 16th November (0870 771 2000/020 7403 3331/020 7734 8932/020 7434 2222) 24hr cc hotline 0871 2200 260 or buy online at www.gigsandtours.com

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Keane at London’s O2 Arena: timings, tickets and everything you need to know

The band is celebrating 20 years of ‘Hopes and Fears’ with a world tour – and it stops by Greenwich this weekend

Ed Cunningham

Noughties nostalgists, the time has finally come. Pop rock titans Keane are currently in the midst of a world tour celebrating 20 years of the band’s seminal debut album Hopes and Fears – and this weekend that tour finally arrives in London.

The band best-known for hits like ‘Somewhere Only We Know’ and ‘Everybody’s Changing’ (both of which are on Hopes and Fears ) are playing two huge shows at London’s O2 Arena. After these shows, Keane will head off for more performances in Europe and South America.

Planning on going to one of Keane’s shows in Greenwich this weekend? From the start time to ticket availability, here’s everything you need to know. 

When are Keane playing London’s O2 Arena?

Keane’s shows at the O2 will take place on Friday May 10 and Saturday May 11 2024.

What time do doors open?  

Doors open at 6.30pm on both days.

What time will Keane come on stage?

Expect the band to come on between 8.45pm and 9pm.

Who is supporting the band?

Indie rockers The Lathums will be supporting Keane on both dates.

Any news on the setlist?

While Keane aren’t playing Hopes and Fears in order and in full, expect plenty of tunes from that record. For an idea of what the band will play, here’s what the setlist was at a show in Bournemouth (according to Setlist.fm ). 

  • Can’t Stop Now
  • Silenced by the Night
  • Bend and Break
  • Your Eyes Open
  • Nothing in My Way
  • The Way I Feel
  • You Are Young
  • Everybody’s Changing
  • On a Day Like Today
  • Perfect Symmetry
  • A Bad Dream
  • Is It Any Wonder?
  • She Has No Time
  • This Is the Last Time
  • Crystal Ball
  • Somewhere Only We Know
  • We Might as Well Be Strangers
  • Sovereign Light Café

Can you still get tickets for Keane at London’s O2 Arena?

Tickets are still available for both shows, starting from £30. You can find ‘em on AXS here and on Ticketmaster here .

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  • Ed Cunningham News Editor, Time Out UK and Time Out London

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Local security forces brought 15 men to a military enlistment office after a mass brawl at a warehouse of the Russian Wildberries company in Elektrostal, Moscow Oblast on Feb. 8, Russian Telegram channel Shot reported .

29 people were also taken to police stations. Among the arrested were citizens of Kyrgyzstan.

A mass brawl involving over 100 employees and security personnel broke out at the Wildberries warehouse in Elektrostal on Dec. 8.

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Out of the Centre

Savvino-storozhevsky monastery and museum.

Savvino-Storozhevsky Monastery and Museum

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

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Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

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To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

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The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

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Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

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The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

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At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

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The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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The Unique Burial of a Child of Early Scythian Time at the Cemetery of Saryg-Bulun (Tuva)

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Pages:  379-406

In 1988, the Tuvan Archaeological Expedition (led by M. E. Kilunovskaya and V. A. Semenov) discovered a unique burial of the early Iron Age at Saryg-Bulun in Central Tuva. There are two burial mounds of the Aldy-Bel culture dated by 7th century BC. Within the barrows, which adjoined one another, forming a figure-of-eight, there were discovered 7 burials, from which a representative collection of artifacts was recovered. Burial 5 was the most unique, it was found in a coffin made of a larch trunk, with a tightly closed lid. Due to the preservative properties of larch and lack of air access, the coffin contained a well-preserved mummy of a child with an accompanying set of grave goods. The interred individual retained the skin on his face and had a leather headdress painted with red pigment and a coat, sewn from jerboa fur. The coat was belted with a leather belt with bronze ornaments and buckles. Besides that, a leather quiver with arrows with the shafts decorated with painted ornaments, fully preserved battle pick and a bow were buried in the coffin. Unexpectedly, the full-genomic analysis, showed that the individual was female. This fact opens a new aspect in the study of the social history of the Scythian society and perhaps brings us back to the myth of the Amazons, discussed by Herodotus. Of course, this discovery is unique in its preservation for the Scythian culture of Tuva and requires careful study and conservation.

Keywords: Tuva, Early Iron Age, early Scythian period, Aldy-Bel culture, barrow, burial in the coffin, mummy, full genome sequencing, aDNA

Information about authors: Marina Kilunovskaya (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Vladimir Semenov (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Varvara Busova  (Moscow, Russian Federation).  (Saint Petersburg, Russian Federation). Institute for the History of Material Culture of the Russian Academy of Sciences.  Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail:  [email protected] Kharis Mustafin  (Moscow, Russian Federation). Candidate of Technical Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Irina Alborova  (Moscow, Russian Federation). Candidate of Biological Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Alina Matzvai  (Moscow, Russian Federation). Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected]

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