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Don't Stop Believin' by Journey: Song meaning, lyrics, covers and more facts revealed

12 June 2024, 12:28

By Tom Eames

“Just a small-town girl, living in a lonely world…”

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Released in 1981 as part of their album Escape , 'Don’t Stop Believin'' quickly soared up the charts and became an anthem in the US. However, in the UK it would take several decades before it was finally the well-known anthem it deserved to be.

Its infectious melody, heartfelt lyrics, and Steve Perry’s soulful vocals struck a chord with listeners worldwide.

Whether you’re belting it out at a karaoke bar or hearing it during a pivotal movie scene, 'Don’t Stop Believin'' remains a timeless reminder that, no matter the odds, hope persists.

Who wrote 'Don't Stop Believin''?

By the dawn of the 1980s, Journey had begun its ascent to become one of the defining rock bands of the time.

Shifting away from their progressive rock origins, the band welcomed Steve Perry as their lead vocalist, heralding a smoother sound. With hits like 'Lovin', Touchin', Squeezin'' and 'Any Way You Want It', they climbed the American charts.

• The 100 greatest songs of the 1980s, ranked

In 1980, Gregg Rolie, the original keyboardist and a veteran since the band's early days, parted ways on good terms, leaving the group without one of its foundational sounds.

He suggested Jonathan Cain from the British band The Babys as his successor. Cain accepted the offer and came on board as the band geared up to produce their album Escape in 1981.

In anticipation of their upcoming project, Journey set up shop in an Oakland warehouse, dedicating their days to refining arrangements and brainstorming fresh concepts.

It was Cain who proposed the title and chorus for the song, inspired by his father's encouraging words during his tough times as a struggling artist on Sunset Boulevard in Los Angeles.

Whenever Cain considered quitting, his father would remind him, 'Don't stop believing or you're done, dude'.

Neil Schon, the guitarist, crafted the song's memorable bass line, while Perry prompted Cain to create a compelling synthesizer sequence to match it.

Drummer Steve Smith laid down a solid rock rhythm, and directed Schon to layer 16th note arpeggios over the mix, propelling the song forward like a "train" on its course.

What is the song about?

Journey - Don't Stop Believin' (Official Audio)

The theme also inspired the song's lyrics. Cain and Perry envisioned a narrative of two people leaving their pasts behind in their hometowns and catching a midnight train to anywhere else.

Perry liked the idea of the characters being a girl from a small town and a boy raised in the city.

"We felt that every young person has a dream and sometimes where you grow up isn't where you're destined to be," Cain said.

Though the lyrics mention being "born and raised in south Detroit," there is no area in Detroit, Michigan commonly called "South Detroit." The city primarily lies on the north bank of the Detroit River, with the Canadian city of Windsor, Ontario, directly south of downtown.

Steve Perry later said: "I tried north Detroit, I tried east and west and it didn't sing, but south Detroit sounded so beautiful. I loved the way it sounded, only to find out later it's actually Canada."

The line "streetlight people living just to find emotion" was inspired by Perry watching people walking in the streets of Detroit at night after a show.

What films and TV shows has it been used in?

The Sopranos - Final Scene [Complete] [HD]

The song has been used in many TV shows and movies over the years, as well as being adopted by sports teams.

The song gained significant press coverage and a surge in popularity due to its association with the Chicago White Sox's 2005 World Series championship.

It was also used in the famous final scene of HBO's The Sopranos series finale 'Made in America' in 2007.

For years, the song has been commonly played at Detroit Red Wings home games. During the last minutes of playoff victories, the volume is lowered during the "born and raised in south Detroit" line, allowing home fans to sing it.

GLEE - Don't Stop Believin' (S01 E01 "Pilot")

During every San Francisco Giants home game, the song is played in the 8th inning. Steve Perry, a Giants season ticket holder, famously led the crowd in singing it during a 2014 World Series game.

It was also used in the musical Rock of Ages , including the movie version starring Tom Cruise .

The song saw a resurgence in popularity in 2009 after being prominently featured in the pilot episode of Glee . It was performed a total of seven times on the show, as well as live on tour. The Glee version was a hit in the US and UK at the same time as Journey's original, reaching number two in the latter.

How did it perform in the charts?

Journey - Don't Stop Believin' (Live 1981: Escape Tour - 2022 HD Remaster)

The song reached number eight on Billboard's Mainstream Rock chart and number nine on the Billboard Hot 100.

It sold over a million vinyl copies and is the number one paid digital download song originally released in the 20th century.

Remarkably, it was the 72nd most downloaded song of 2008 and the 84th in 2009, over 27 years after its release.

In August 2009, the song surpassed 3 million paid downloads, making it the best-selling digital song from the pre-digital era. It held the title of the best-selling rock song in digital history until Imagine Dragons' 'Radioactive' overtook it in January 2014.

By 2017, it had sold over 7 million digital units in the US and was certified eighteen-times Platinum by the RIAA.

Released in the UK in December 1981, the song initially only peaked at number 62. Despite not being re-released as a physical single, it maintained a cult following, re-entering the UK Singles Chart in February 2009 at number 94 due to digital downloads.

Following a performance on The X Factor on November 1, 2009, it re-entered at number 52 and climbed to number 19 a week later, staying in the top 40 for three weeks.

On December 20, 2009, after another X Factor performance, it re-entered at number nine and remained in the top 10 for seven more weeks, peaking at number six. It was the 65th best-selling single of 2009, nearly three decades after its release.

'Don't Stop Believin'' spent 21 non-consecutive weeks in the top 40 from November 2009 to April 2010 and was the 25th best-selling track of 2010, with over 435,000 copies sold. It re-entered the charts in 2011, 2012, and 2013, and has spent 95 weeks in the top 100 to date.

In September 2014, the Official Charts Company reported that the song had sold a million copies in the UK.

Who has covered it?

Teddy Swims performs 'Don't Stop Believing' and 'Lose Control' live on Australian TV

There have been various cover versions of 'Don't Stop Believin'' over the years.

The most promiment one in the UK was LadBaby's parody 'Don't Stop Me Eatin'', which became the UK Christmas number one single in 2020.

Other versions include:

• Joe McElderry
• Steel Panther
• Scouting for Girls
• Martina McBride
• Badly Drawn Boy
• Teddy Swims

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Don't Stop Believin' by Journey

Songfacts®:

• Journey's most enduring song, this track has a unique structure, which helps it stick in your mind. Where most songs have a chorus that's repeated several times, "Don't Stop Believin'" brings in its chorus (and title) only at the end - about 3:20 into the song. The structure goes: instrumental, first verse, instrumental, second verse, first pre-chorus, instrumental, third verse, second pre-chorus, instrumental, and then finally the chorus until fade-out. It was not their biggest chart hit (that would be " Open Arms "), but is by far Journey's most famous song, thanks to a resurgence in the '00s.
• The line, "Strangers waiting, up and down the Boulevard" is a reference to Sunset Boulevard in Hollywood, where dreams are made. Keyboard player Jonathan Cain got the idea for the song when he went there to pursue his career. In his Songfacts interview , Cain said: "The song began with the chorus. My father had coached me. I was in Hollywood, struggling with my career, kind of lost. I was asking him, 'Should I come back to Chicago and just give up on this dream?' And he said, 'No, son. Stay the course. We have a vision. It's gonna happen. Don't stop believin'.'" Cain's dream came true when he joined a group called The Babys with John Waite. In 1980, he joined Journey in San Francisco, and this song took shape. He told Steve Perry about his idea for placing the song in Sunset Boulevard, and Perry had him describe it. "I described the menagerie of people who would show up on a Friday night," Cain said. "All the dreamers that had dreams to become actors. Producers, artists, lawyers, anything... they were all there on a Friday night."
• Journey lead singer Steve Perry, keyboard player Jonathan Cain and guitarist Neal Schon are the credited songwriters on this one, but the entire band contributed. In the Time3 compilation, the genesis of this song is explained: "At the band's Oakland warehouse, this song bubbled out of a rehearsal. Schon developed the bass riff, the chugging guitar line and the sweeping chords on the chorus. Steve Smith built the song around a pattern featuring a lot of tom-toms, anchoring the number to a rich drum figure. Perry and Cain drew from their experiences with the Sunset Strip street scene for the lyrics, 'streetlight people.'"
• Speaking with New York Magazine , Perry explained that the song originated during a series of gigs in Detroit when he found himself in a hotel room unable to sleep, staring out of the window: Strangers waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night "I was digging the idea of how the lights were facing down, so that you couldn't see anything," he recalled. "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing."
• The popular resurgence of this song can be traced to its use in the 2003 movie Monster , which was based on the true story of the female serial killer Aileen Wuornos. The film was not widely seen but drew critical raves and a Best Actress Oscar for Charlize Theron, who portrayed Wuornos. In the movie, the song comes on when Wuornos and Selby Wall (played by Christina Ricci) are skating to it in a roller rink. They mention how they love the song, and as it builds, so does their passion, and they end up kissing outside the rink. The use of "Don't Stop Believin'" in this critically adored scene got the attention of the Hollywood community, who saw the emotion the song could bring out and no longer thought of it as a nostalgia track. Requests started pouring in to use the song in a variety of movies and TV shows, and soon another generation was familiar with the song. So how did it get in Monster in the first place? The film's director Patty Jenkins used it when they shot the scene and knew it fit perfectly. She sent the band members viewing copies of the film and asked permission to use it on a short budget. Perry called her back and not only gave approval, but helped her select music for the rest of the film; he's credited as a music consultant.
• The song was written to give the audience a connection with the band, a goal it achieved. Jonathan Cain told Songfacts: "It was the first attempt to bring an audience into the band's world. We're singing for you. We're singing about your world now. So, it was a departure from what they had been doing before. What I wanted to do was get a little Bruce Springsteen going on. Bruce was the master of that, bringing his audience into his songs. I was a huge fan of Bruce's."
• Speaking with the British radio station Planet Rock in 2010, Steve Perry said of this song: "Personally, it's something that means a lot to me. Everybody has emotional issues and problems, and the song has helped me personally to not give up, and I'm finding a lot of people feel that."
• This is the first track on Journey's seventh album, Escape . It was chosen to lead the album because, according to Cain, "With that piano line, it just sounds like a book opening up."
• The song got a boost when it was used as the closing number in Rock of Ages , a jukebox musical featuring hits of the '80s. The show ran on Broadway from 2009-2015, and in 2012 was made into a movie starring Tom Cruise. It's an appropriate choice, as Rock of Ages takes place on Sunset Boulevard, which is also the primary setting for the song.
• In the last ever episode of the TV show The Sopranos , which aired June 10, 2007, Tony Soprano plays this song on a jukebox during the final scene. The episode abruptly ends with the lyrics "Don't Stop" as the scene cuts to black. Steve Perry said in People magazine June 13, 2007: "I needed to know how this song was going to be used. I didn't want the song to be part of a blood-bath, if that was going to be the closing moment. In order for me to feel good about approving the song use, they had to tell me what happened. And they made me swear that I would not tell anybody."
• This was featured in an episode of the TV show Scrubs called "My Journey." Other television series and films to use "Don't Stop Believin'" include South Park , The Wedding Singer , Shrek the Halls , Bedtime Stories , Yes Dear , King of the Hill , The Comebacks , View from the Top , Cold Case , CSI: Crime Scene Investigation , My Name Is Earl , Just Shoot Me and Laguna Beach .
• In November 2008 it was announced that this track had become the first song available in the pre-digital era to sell more than 2 million downloads through iTunes. The track's popularity increased significantly after its appearance in the final episode of The Sopranos . It also became one of the most popular karaoke songs in America in the late '00s.
• In May 2009 a remake by the cast of the Fox TV musical comedy Glee debuted at #4 on the Billboard Hot 100, five places higher than Journey's version ever reached. It was performed in the season pilot and became part of the soundtrack album Glee: The Music, Volume 1 . By the end of 2009, the digital download had earned 500,000 digital sales. The Glee version was performed on Sesame Street with monsters portraying the cast. The bit featured the letter G, so the lyrics were adapted to "Don't stop G-ing."
• Believing in yourself and following your passion are ideals Steve Perry holds dear. When Randy Jackson, who used to play bass with Journey, was a judge on the singing competition American Idol , he asked Perry to come on as a guest judge. Perry turned him down, saying, "I don't feel good about sitting in judgment of anyone's honest passion to perform or their talent. If someone has a passion to perform, they should do it no matter what anyone says." Perry added: "I was passed on in the music business many, many times before Herbie [Journey manager Walter Herbert] heard my demo and believed in me. That was the moment that changed my life and I'm still forever grateful to him for believing in me. The hardest part is to keep believing in what you love when others tell you that you are not good at it."
• MTV went on the air shortly before this song was released. The band made a Spartan performance video for it in an empty arena, apparently at a soundcheck. They made a better one with footage from a Houston stop on their Escape tour, which became the official video that shows up on their VEVO account. Neither video got much love on MTV, which preferred concept videos.
• In the UK, this song peaked at #62 when it was first released. In November 2009, it was rereleased after Joe McEldry sang it on the TV show X-Factor , and this time, it climbed to #19. Joe McElderry won the competition, and franchise boss Simon Cowell wanted to release his version of the song as the single in the aftermath of the teenage singer's victory. However, Journey declined and Cowell instead arranged for McElderry to cover Miley Cyrus' track " The Climb ." Guitarist Neal Schon explained to The Sun : "We knew about Joe's version because Simon had contacted our management. He wanted to re-do the song with a different arrangement. We listened to it. We declined. There was nothing wrong with the original version - if it's not busted, let's not fix it." Schon added that Journey were aware they were possibly passing up a UK #1 hit. "Randy Jackson, who was on American Idol with Simon, was stressing that we should let him do it because it would probably go to #1. But we stuck to our decision."
• In the UK, the Glee Cast version debuted at #5 on the UK singles chart dated January 17, 2010, one place above Journey's original recording. It was the first instance of two versions of the same song sitting at back to back positions on the chart since December 2008 when Alexandra Burke's take on " Hallelujah " was at #1 with Jeff Buckley's version one place behind.
• The song starts with Perry singing about a young couple from two different backgrounds: Just a small town girl, livin' in a lonely world She took the midnight train goin' anywhere Just a city boy, born and raised in south Detroit He took the midnight train goin' anywhere But hang on a sec, any good Motor City citizen will tell you, there is no location called South Detroit; Detroit, Michigan, distinguishes only between an East Side and a West Side. If you go south in Detroit ("down-river"), you end up in Canada. Perry admitted to New York Magazine that he wasn't overly concerned with being geographically accurate. "I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit," he said. "The syntax just sounded right. I fell in love with the line. It's only been in the last few years that I've learned that there is no South Detroit. But it doesn't matter."
• This was used in the 1982 Atari video game Journey Escape . The song played in the background while you controlled various band members, helping them find the space ship while avoiding groupies and evil promoters. Computer graphics were pretty bad back then, so the groupies were represented as hearts with legs, and the promoters were floating heads. In fact, the very game was created to be based on the band Journey and the album Escape .
• This was one of the first Journey songs on which keyboard player Jonathan Cain played. He replaced Gregg Rolle for the Escape album.
• Lady Gaga, Elton John, Bruce Springsteen, Sting, Blondie and Shirley Bassey performed this at the finale of a Rainforest Fund benefit at Carnegie Hall in May 2010.
• This song was used in a 2005 episode of animated TV series Family Guy where Peter, Joe, Cleveland, and Quagmire did a drunken karaoke rendition of the song. ITunes was catching on at this point, and after this episode aired there was a spike in download sales of the song. >> Suggestion credit : Bert - Pueblo, NM
• Journey toured to support this album, but they interrupted their tour to open for The Rolling Stones in Philadelphia on September 25, 1981. It was The Stones first show on their North American tour.
• This became the anthem of the Chicago White Sox during their 2005 season in which they won the World Series. Steve Perry attended the last game of the Series and sang the song at their victory parade. Perry's allegiance though, is to his hometown team the San Francisco Giants. He was often seen supporting the team when they won World Series titles in 2010, 2012 and 2014. Perry would sometimes lead the crowd in singing along to "Don't Stop Believin'" when it was played between innings at games.
• Steve Perry severed ties with Journey in 1998 when he needed hip replacement surgery and couldn't give his bandmates a return date. Anxious to tour, they replaced him with the similar sounding Steve Augeri, and later with Arnel Pineda. For Journey fans, a dream scenario finds Perry reuniting with the band, triumphantly taking the helm on "Don't Stop Believin'" in an affirmation of unity and faith. But every year, they scenario seems less likely. In 2017 when they were inducted into the Rock and Roll Hall of Fame, Perry attended but didn't perform with the band, which did three songs (including this one) with Pineda. When Perry emerged with a solo album, Traces , in 2018, he offered some insight into his split with the band and his absence. "My love for music had suddenly left me," he said. "If music was ever to return to my heart, then and only then I would figure out what to do. If not... so be it, for I had already lived the dream of dreams." Journey first fractured in 1987 after touring for their Raised On Radio album. This was Perry's doing, as he was burned out and worried about keeping his voice healthy. But it was Perry who initiated their return, calling Cain in 1995 to talk about getting back together. This resulted in the 1996 album Trial by Fire ; Perry's hip condition emerged after it was finished.
• "Don't Stop Believin'" powered Journey's 1988 Greatest Hits album to a whopping 15 million in US sales ( Escape sold 9 million), making it one of the best-selling compilation albums in history. In 2001, they released another compilation, The Essential Journey , which sold another 2 million.
• During the 2020 pandemic, some hospitals used the song as a rallying call for patients recovering from COVID-19 and those treating them. The New York-Presbyterian Queens Hospital, for instance, played "Don't Stop Believin'" throughout the building each time they discharged a coronavirus patient.
• In 2020, Ladbaby, a UK duo comprising YouTuber Mark Hoyle and his wife Roxanne, released a playful twist on this song titled " Don't Stop Me Eatin' ." Recorded to raise money for foodbank charity The Trussell Trust, Ladbaby's single was the UK's Official Christmas #1 that year.
• "Don't Stop Believin'" was honored by the Library of Congress, which added it to the National Recording Registry in 2022. Steve Perry said: "That song, over the years, has become something that has a life of its own. It's about the people who've embraced it and found the lyrics to be something they can relate to and hold onto and sing."
• On January 26, 2024, the RIAA certified "Don't Stop Believin'" at 18x Platinum, a jump from 5x Platinum in 2013. The new certification reflects streaming, and signals that the song is immensely popular across generations. Other songs to reach that milestone are all far more recent, like " Sunflower " by Post Malone. Based on these figures, it's safe to say that "Don't Stop Believin'" is the most widely popular song of all-time in America. You can play it to anyone and they'll certainly recognize the song and probably like it. The next-closest song from the pre-streaming era is Mariah Carey's " All I Want For Christmas Is You ," with a 14x Platinum certification in 2024.
• More songs from Journey
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• More songs covered by the Glee cast
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• More songs popular during the coronavirus pandemic
• More motivational songs
• More songs from 1981
• Lyrics to Don't Stop Believin'
• Journey Artistfacts

Comments: 119

• Chad Eicher from Apple Creek, Ohio This song has got to be one of the greatest hit songs that I knew the words to. The cast of the Fox television show "Glee" did their version of that hit song. It just blew me away.
• Rw Cain, at a songwriters festival in 2014, explained some parts of the song. The girl and guy story is like a version of Jack And Diane; they may not be real people. The trains moving at midnight is inspired by the song Midnight Train To Georgia. Live versions of the song, depending on the main vocalist, may change South Detroit to whatever city the band is playing in at that moment.
• Soulsoldseparately from Buffalo, Ny Does "city boy born and raised in South Detroit" refer to an actual person?
• Seventh Mist from 7th Heaven My daughter's favorite song. She often used it as inspiration once she was on her own and (seemingly) facing a new challenge every day. She never stopped believing.
• Susan from Illinois Question-asker from A Train Going Anywhere, I think the lyric means ourselves. The movie is our lives. I believe our lives on this planet will end, but our souls will live on and on in another place.
• Ronsha from New Jersey OMG. This song is so dang famous! People everywhere know this song. I swear to God it's even growing on the younger generations, including me. I used to hate it and think it's overrated, but deep down I always thought, oh darn, this song's catchy, who am I kidding? I'm 13 now and Don't Stop Believin' is one of the most uplifting songs I've ever heard. Not only the sound, but also the lyrics are beautiful. Good song to make you feel strong, nostalgic... it could make you cry too.
• Brett from Mason Whether we choose to hear Streetlight People for street lights, people Steve Perry came right out and said after a concert in Detroit he is looking out from his hotel room down on the street and there we're people just wandering around the street. Not necessarily prostitutes or any other specific type of people. More or less aimlessly wandering around Under The Lights doing nothing. Mendez for the South Detroit I don't think he was intending to give a geography lesson. He was making a song sound the best it could possibly be
• Mckinzie from United States This is my all time favorite song, I say that this is my song because I could relate to this song so much.
• Nick from Ohio This is the most played classic hit of all time. Who would have thought that a song that peaked at #9 would become the undisputed biggest song in history.
• Badintense from Erie Pa This song has crossed all generations and ethnicities as a beloved song. Last summer (2019) in my neighborhood a group of young black teens were hauling their giant boom box down the street blaring this song and singing the words perfectly as if they were in an adult karaoke bar. It actually brought a tear to my eye since I was a teen when this song first came out in 1981. Journey's music has really brought people together into a common bond no matter what the media tries to push on people.
• Question-asker from A Train Going Anywhere what does the lyric "Oh, the movie never ends It goes on and on, and on, and on" mean in this song?
• Seventhmist from 7th Heaven I recently took a long trip and played a Journey collection in my car, downloaded from a phone app. It contained a live version of this song, performed in Houston, that I hadn’t heard before. When Perry reached line about the boy, he sang, “Just a city boy, born and raised right here in Houston!” That definitely caught me by surprise.
• Jodie from Xx I'm pretty sure he's saying "streetlights, people". Not "streetlight people".
• Steve from Albany, Ny And the nonsense about Windsor being "considered" south Detroit continues to stick to the Wiki page like doodoo. LOL It's been said by many that you should never rely on Wiki as a source of reliable / accurate information. Very true.
• Charles from Charlotte The stuff about lowlife killer Eileen Wuernos kissing her female lover just sullies the discussion of a great American pop song. Wish Perry & Co, had said NO!! to that.
• Leonardo from Connecticut I would argue that the Sopranos season finale repopularized the song, not Monster...
• Tony from San Diego Steve Smith plays an amazing drum pattern during the choruses.
• Steve from Albany, Ny The info on the Wikipedia page for this song is inaccurate. And some moderator is allowing it to be there. I guess the following from John Cafferty & The Beaver Brown Band's song C-I-T-Y was actually referring to Windsor too: "On the South side of Detroit city I'm working all night on the line" Yep, definitely referring to Windsor, Ontario because everyone knows Windsor, Ontario is "considered" south Detroit. Right. LOL
• Steve from Albany, Ny Regarding "south Detroit", I'm simply going to paste in what I just got done explaining to a mod at Wiki who is apparently bent on leaving misinformation on the Wiki page for this song. Sorry but this is pretty simple stuff and anyone who doesn't get it is an imbecile. ........................ I'm guessing / just realizing that you're a type of moderator here. If you in fact have control over what info is on the page in question, it would be a HUGE wrong to leave in the very misleading entry you've re-submitted. Windsor, Ontario is south _OF_ Detroit, Michigan. Detroit, Michigan is the city that NUMEROUS bands would make reference to in their songs. Especially rock bands and especially during the 70s into the 80s. Not Windsor and not any other suburbs of Detroit that also lie south of Detroit (or "downriver"). The song simply makes reference to the south SIDE of Detroit. The quote by Perry makes it clear that the word south was only added because... well, try singing it without south and just a long INNNN in it's place. As the quote makes clear, the song would not have sounded right without south (or something) before the word Detroit. Not that it's is needed for most to understand that the song is referencing Detroit and only Detroit but there is also a quote by Perry in which he stated that Detroit was very much in their (the writers) minds as they wrote the song. Windsor is not a part of Detroit. The song makes reference to the south side of Detroit. If the entry about Windsor is left on the page, so be it, but it is completely misleading and wrong.
• John from Chino, Ca This song is played during the final minutes of Detroit Red Wings home games where it seems evident that the team will win. Played over the PA system, the song is muted so the crowd can sing the verse, "Born and raised in South Detroit."
• Barry from Sauquoit, Ny On December 13th 1981 "Don't Stop Believin'" by Journey peaked at #9 (for 3 weeks) on Billboard's Hot Top 100 chart; it had entered the chart on October 25th and spent 9 weeks on the Top 100... It reached #2 in Canada and #6 in the U.K. Was one of four tracks from the group's 1981 album 'Escape' to make the Top 100 (the others were "Who's Crying Now" (4), "Still They Ride" (#19) and "Open Arms" (#2)... And on September 12th, 1981 the album peaked at #1 (for 1 week) on Billboard's Top 200 Albums chart.
• Steve from Albany, Ny Some of the comments here regarding this song and it's mentioning of south Detroit are ridiculous. Saying there is no south Detroit is funny enough (there is a south side of any city and I was born and raised in SW Detroit myself) but I especially get a kick out of the people who say the song is referring to Windsor. If the following Steve Perry quote is accurate, "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing.", then the ONLY city being referenced in the song is Detroit. If by chance the lyrics were written as "South Detroit" as opposed to "south Detroit", I suppose that could indicate that Perry/ the writers were thinking of some area of Detroit or evena separate town with that name but it's not likely and that capital S is the only error here. There's nothing complicated here, the song simply refers to the south side of Detroit.
• Jay from Centereach, Long Island, Ny I am surprised that the "South Detroit" line is so controversial. As a New Yorker, and not wholly familiar with the local geography or the neighborhood names of Detroit, I always thought South Detroit simply meant the southern part of Detroit, much like the South Bronx is the southern part of the Bronx. But who cares? This is a great song; no one should be concerned about a geographic error.
• Deethewriter from Saint Petersburg, Russia Federation Neal Schon told RAW RAWK RU NEWS 2011-10-24 that the recent resurgence of "Don't Stop Believin'" after appearing on The Sopranos and Glee -- as well as becoming the first iTunes song to reach two million downloads -- is beyond his comprehension: "When the record came out, there were other songs that were actually bigger than that off it on radio. Y'know, to have it this many years later just come out and be bombastic (laughs) like never before, just like all over the place and just keep on . . . It just keeps on going. Y'know, it's just pretty amazing."
• Terry from Grafon, Wi This song should be the national anthem of the United States.
• Willie from Scottsdale, Az Bwaaahahaha! Now Michelle "White House Crasher" Salahi is shacking up with Neal Schon. Priceless.
• Ken from San Mateo, Ca Since last year's World Series victory, I will always associate this song to the Giants and the Bay Area. Absolutely one of the best songs!!!!
• Hannah from Gustavus, Oh I'm graduating this coming Sunday (May 29, 2011) and I couldn't be more thrilled that this was voted in as our class song. When they announced it at school you could hear people cheering. I think the reason it's such an enduring song for graduation is that unlike most of the class themes that get picked ("Good Riddance," "Here's to the Night," etc.) it's not about looking back and being sad it's over, but rather looking forward and realizing there is indeed life afterward. It's about living life to the fullest (the first verse) and how even though life is difficult ("some are born to sing the blues"), the important thing is to at least take chances and try ("roll the dice just one more time") - and of course, to not give up no matter what may happen, because everything will turn out just fine in the end.
• Michael from Cincinnati, Oh Journey's 1982 album "Eascape was made into a video game titled "Escape".It was produced by Atari for the 2600 model.It was made by Data Age in San Jose,Cal.The Object of the game was to help the band members "Escape" the fans chasing them around.Pretty cool game at the time.
• Steppy from Detroit, Mi *South Detroit Debate* I'm from metro Detroit (as well as a giant Journey fan) and had always wondered about the reference to South Detroit. I heard and interview a year or so ago with Steve Perry, where he addressed the issue. I listened to it online, maybe Youtube?, so the interview may have been old. At any rate, he said that after a concert in Detroit, he was sitting in his hotel room, very late, working on this song. The room was on a high floor and he was watching the people standing under the lights and pondering their lives ("streetlight people"). While he realized that South Detroit didn't really exist, he used a bit of artistic license, because it flowed better than East Detroit.
• Megan from Stevenson, Al Tell me why this is AMAZING?! lol This song is on a totally different level. Awesome.
• Jim from Long Beach, Ca Great song. South Detroit=Winsor,Ontario,Canada.....
• Jay from St Paul, Mn I listened to a few interviews Steve has given. He said he used South Detroit because it sounded better than North, East or West. He said he didn't realize there was no South Detroit. He jokingly said he found out South Detroit was actually Windsor. As far as streetlight people, he said it's something that he noticed when he looked out of a hotel window. If you Youtube it, you can find the interviews. Very worth while.
• Ken from San Mateo, Ca What a song...Like the Chisox, this also became a tribute song for the 2010 World Champion San Francisco Giants! And Journey is from this area, so it makes better sense.
• Bobby from Belleville, Nj While Journey's version is a classic, back in 2008 before it was used in Sopranos, freestyle artist George LaMond remade the song into a pop/dance version. And a very good one, I might add.
• Barry from Sauquoit, Ny Five years before Journey's "Don't Stop Believin'" Olivia Newton-John had a completely different record with the same title, it peaked at No. 33...
• Bd from Vienna, Va Probably worth noting in the brouhaha about Journey turning down a cover of this song is that Randy Jackson was in the band for a while in the mid-80s before their first breakup.
• Rob from Fredericton, Nb One of the many anthems most prominiately found in the 80s hall of great music. For every song played on the radio, this one song sticks out the most when I use to go to a carnival in my hometown. With the smell of fries, hotdogs and other foods lingering in the air, you could always hear a Journey tune blaring in the background while everyone enjoyed riding the many rides at this carnival. So when you take an experience, like a carnival, and feature all of it's pleasantries you soon inaugurate any song from the 80s, namely a Journey tune, and the picture is complete. Such a great band and such a great song.
• Sara from Detroit, Mi And for those of you that want to split hairs, Look on the map of Detroit. Melvindale, Ecorse, Lincoln Park, Ecorse, Delray, Allen Park, Southgate, Taylor, River Rouge, Wyandotte. These are all blue collar or very poor areas, and most people worked for the Big 3 auto companies. This area is called "Downriver" as it is south of Detroit. Detroit itself is a pretty small city. What most people think is Detroit is any one of the suburbs that lies within or outside of Detroit's city limits. Oak Park, Hazel Park, Highland Park, and Hamtramck, are all INSIDE the City Limits. Where as Dearborn, Dearborn Heights, Southfield, Eastpointe, are OUTSIDE of Detroit's City Limits...yet most people consider it part of the greater metro area. When the word METRO is used by itself all over the country it means DETROIT METRO. We were the first place to use the term "Metro" as a colloquial term for a specific large area, as Detroit was the first city in the country to spread out that fast with that large of a population. The city of Detroit itself, is small.
• Sara from Detroit, Mi You are all VERY WRONG about the South Detroit explanation. To those of us who are FROM Detroit and GREW UP THERE....SOUTH DETROIT IS ANYTHING SOUTH OF I-96...a.k.a "Downriver" ....There has NEVER been a place CALLED South Detroit. It's like being in any big city, the term is more loosely used, than say "South Philly", "South-Central L.A." "Southside Of Chicago". Yes Eastpointe was East Detroit but that has absolutely NOTHING to do with this, you don't see a "West Detroit" on the map do you? As for the lyrics it IS in fact "Streetlights, People". It's amazing how many Americans struggle with their own native language!
• Carrie from Roanoke, Va Petra Haden does a cover version of this song.
• Karen from Manchester, Nh I have loved this song for years...until I heard that it was the closing song on the piece of filth that is titled "The Sopranos".
• Jose from Brisbane, Australia Please tour Australia! I know it's hard because for some reason, Australia never really got into Journey... sad lot we are.
• Nikki from Yamba, Australia greta song... love that it has on family guy.. scrubs... the sapranos... the wedding singer and love when LC and stephen sing it on the second series of laguna beach!
• Ellen from Chicago, Il A great song. See Wikipedia's article (search the song title) for additional details as to what exactly is meant by "South Detroit" - in the section called "Sports".
• Rahul from Chennai, India absolutely beautiful song....
• Stu from Philly, Pa They've been quoted as saying "it's streetlight people, we're talking about prostitutes." At any rate, check the lyrics book that came with the album. One of the greatest songs of all time, it was a real treat to see the cast of Glee perform it on that new TV show. One of the best non-Journey renditions of it. My band Raised On Radio usually starts our sets with this song.
• Mike from Brighton, Ma To answer the age old question, "South Detroit" actually refers Southfield, Michigan. (Southfield, ironcally is north of Detroit.) In the 1980s, Journey played many charity soft ball games with WRIF-FM (The Riff).
• Brendan from Cape Town, South Africa The line after "streetlights, people" sounds like "heaven just a fun emotion" Any other suggestions?
• Allen from Knoxville, Tn On the University Of Tennessee campus, somebody has spray painted on the stop signs "dont STOP believin'" Great song, even 27 years after it was released!
• Katie from St. Paul, Mn The lyrics say "Streetlights, people...", not "Streetlight people".
• Josh from Indianapolis, In Journey Rocks Big Time!!!!!!!!!!!!! thers not a song by them i dont like> Rock on!
• Bob from Dumbsville, Belarus Wow this song is beautiful! Everytime I'm down, I listen to it and it gets me back on my feet again. This song just defines 80s music. Journey will just never be the same without Steve Perry leading their crusade.
• Morten from Sydney, Australia I'm an 80's music tragic but suprisingly had never heard of this song! Thanks to Family Guy for introducing me to this gem! -Morten, Sydney, Australia
• Dean from Windsor, On I would just like to inform all those people who say this song isn't about Windsor. When "South Detroit" is mentioned the city of Windsor is what they are talking about. Windsor is actually SOUTH of Detroit. If your ever around my town and stand at the river your compass will point north. Enjoy!
• Julie from Taylor, Tx When this song comes on...me and best friend victoria go crazy! it's their best song. Classic 80's!
• Melanie from Seattle, Wa Scott from Boston - what a cool story! Haha I want to go write that on a stop sign now! :D This song is sooo good. Journey's best IMO. Steve's voice is amazing.
• Neil from Ottawa, Canada This song was sung by the football team in the 2007 film "The Comebacks". One of the players starts singing it in the change-room, and it turns in to a full-stage concert. It mocks the sports movie cliche of teams turning it around with an uplifting theme song, and also references the Chicago White Sox World Series.
• Liquid Len from Ottawa, Canada What a great song! The only song Journey did in the 80s that wasn't horrid!
• Fredrik from Stockholm, Sweden This song was also featured in the South Park episode "tsst" when Cartman is plugging in his X-Box. He sings the lines "Don't stop believing, hold on to your feelings"
• Krista from Elyria, Oh I love Journey! And I love it when ametuers sing the lyrics! But I HATE baseball cards...
• Scott from Boston, Ma During cross country last year there was a stop sign we always ran by during practice and it said "don't" above it and "believing" below it. It became our team's song and we often sang it very out of tune during runs. Also, that Family Guy episode is awesome (as most are). "Oh my god, that is Journey!"
• Michael from San Diego, Ca One of the most beautiful songs of all time...if this song doesn't get to you, then you may need to check your pulse!
• Richie from Sedalia, Mo Edgar, Kings Park, NY Better luck next time!!
• Edgar from Kings Park, Ny This song reminds me of my failed suicide attempt. Well... there's always next time.
• Brian from Portage, Mi Yes, Detroit is an East/West city, but no matter where an area is, there is still four cardinal directions.
• Brian from Detroit, Mi Anyone from Detroit will know what i am saying, but "south detroit" refers tothe area south of Outer Drive, Detroiters refer to the area as "downriver." i Just want to clear the confusion. It ISINT canada, it ISINT eastpointe, NOR groose pointe.
• Eamon from Motherwell, Scotland THis inspirational song was played every night in a juke by me when I was teaching summer camp in up state New York back in 1980. Being from Scotland, I loved the American rock scene and this classic just typifyies it. 27 years later, I play the Journey live DVD while I work out every other night and never tire of hearing it, it is in my blood. I had the pleasure of seeing Journey in Glasgow earlier this year and it was a real highlight. One question - I have heard different lyrics for this some say "Heaven is a funky mouse?" Any comments guys and girls? Eamon.Motherwell. Scotland.
• Sergio from Miami, Fl I have been listening to this song for a long time now. I grew up listening to it and I admit, its my all time favorite. It is so cool now to see a new generation fall in love with it thanks to Family Guy, Scrubs and Sopranos. I dont think it matters if South Detroit is correct or not cause whenever they performed it live with Steve Perry he always replaced Detroit with the city they were in at the moment. I always thought that was a nice touch and he always got a cheap pop for it. I know I will always love this song and just dont get sick or hearing it. Journey was a fantastic band with some great musicians.
• Mary from Canyon, Tx This song was my junior class song way back when in ancient times, not too long after it was first released. EVen I know Windsor, ON is south of Detroit! (Southeast to be exact.)
• Mark from Glassboro, Nj This song was used in the very end of The Soprano's Final Episode. The song is cut short and the screen goes to blank.
• Missy from Ann Arbor, Mi You may not belive this but 'Don't stop Belivin' was my senior class song...I love it and so did my class...we were a pretty small class and we were all ubsessed with soft and classic rock...the good stuff...Whenever I hear those first few piano keys play, I will alway go back to my high school gym, on a hot june day, walking to the stage to graduate...Good Times, Great Memories and GREAT SONG!!!
• Mike from Hueytown , Al I love the 80's on VH1 ripped this song apart.
• Mark from Des Moines, Ia I can't help but think of the CHICAGO WHITE SOX and their magical run to the World Series title in 2005. What a great season!!! What a great song!!!
• Maria from Houston , Tx I agree with most, his voice is awesome!!!!
• Kara from Cadillac, Mi Artists magic is what happens when you take a group of extraordinarily talented people and put them together, allowing them each to do what they do best. Journey is what happens when it all fits together and creates something wonderful. They're not just a band- they're an era. Neal Schon is with out a doubt one of the most gifted guitarists ever. His knowledge and presentation of his craft are nothing short of brilliant. Steve Perry's vocals are masterful. They, along with Schon's guitar work, gave Journey a distintive sound. Jonathan Cain - a perfect fit, though I admit I've always liked Greg Rolle too. I have a Journey album that was made prior to Steve Perry's joining and listening to that makes me know that Journey would have been great no matter what because they had the talent to be great. I know there were changes in the lineup, but Ross Valory's bass playing was also part of what made Journey what it is to me. I loved Steve Smith on the drums, but as with Rolle, I was sad to see Aynsley Dunbar go. Journey was a concept, a feeling, a part of life, an important accent to memories in my life and continues to contribute to important events in the lives of my kids. Two of my sons play guitar and are greatly influenced by Neal Schon. One of them is currently overseas serving in the millitary- he will marry his high school sweetheart when he returns and their wedding song will be "Open Arms". The two sons that I have at home have recently been getting into Journey - "Generations" and I have found that I love their music now as much as I ever did. It never mattered to me that Steve Perry said "South Detroit" - I lived in Ann Arbor/Ypsilanti for many years and I never could keep the suburbs or other offspring areas of Detroit straight anyway. I lived in San Francisco too and always knew that "Lights" was about that city - even if it was written in (or partially in) L.A. - Who cares? Does anybody ever question why "Still They Ride" has traffic lights in it? No. Why? Because it's a truly amazing song about times changing before people are ready for them to with an outstanding guitar lead and excellent vocals. Get over the details. This is legendary music by exceptional musicians. Just enjoy it.
• J from Boston, Ma and I mean (in the last comment) in the chorus part at the end.
• J from Boston, Ma About the streetlight line, I think the first time the line is done, it sort of sounds like streetlight with a little extra sound on it. However, the second time the line is sung, he definetly says streetlights. As the song fades out, I think he says streetlight.
• Jack from London, England Coming from England I had never heard this song on the radio before I heard it on Family Guy. I then heard the song during an episode of Scrubs Season 3 called "My Journey" and decided I had to download it. JOURNEY KICK ASS
• Nathan from From The Country Of, Canada I always heard this song on the radio, but it wasn't until its appearance on Family Guy's kareokee episode that i realized how good the song actually is.
• Peter from Detroit, Mi No matter what, at least once a month I hear this song at the bar. My friends and I are from Dearborn Heights, MI and I like to replace south detroit with "dearborn heights" while belting the lyrics to the annoyance of my girlfriend...she thinks I'm cute so it's cool. Rock on Journey!
• Tom from Vashon, Wa This is an amazing song. It is so sweet. I love it. I think that it has a great message that we can all relate to. Wether we are living on the streets or we are just having problems with our closest friend. You can never stop believing.
• Dave from Beamsville, Canada If you listen closely, you will hear a rendition of this song during the first wedding ceremony on 'The Wedding Singer' when Adam Sandler gets stood up at the alter.
• Allan from Calgary, Canada At The Den (the on-campus bar at the University of Calgary) this song has been the last song every weekend night for the last 10 years. All the regulars drop their pants and do the "no pants dance" Quite a good time and a great way to end the night at a great bar.
• Zeke from Washington, Dc All the lyrics say that the line is "Streetlight, people..." but if you listen to the song it DEFINITELY sings "Streetlights, people." Which do you think it is?
• Kevin from Grosse Pointe, Mi Yeah, but who calls Windsor "South Detroit"? Nobody. I love this song, but that line always bugs me. Why not say "Just a city boy, born and raised in East Detroit" East Detroit is the former name of Easpointe, Michigan. Also, East Detroit is just considered the East side of Metro Detriot, so he could be from the eastern part of the city of Detroit or from any one of the suburbs that is considered East Detroit (Harper Woods, Roseville, Clinton Township, St. Clair Shores)
• Emma from Palm Beach, Australia This song was performed in episode 403 of "The Family Guy" entitled "Don't Make Me Over" (original air date 06/05/05) by Peter, Cleveland, Quagmire and Joe. It's an enjoyable rendition, with pall bearers even dropping a coffin in order to hit "The Drunken Clam" to check out the performance.
• Matt from Haddon Hieghts, Nj This song is great and i got my whole family to love this song its Steve Perrys voice thats just awesome and its one of my fav
• Cindi from Vancouver, Canada OMG WHO care weather it is North, South. East or West it is a great song.....I can think about better things to debate than which way is up, down or left or right....I agree with who ever said there is N,S, E or West every where just get a compass and stand outside this isn't rocket science it's a Rock song.
• Zeke from Washington, Dc Actually, Canada IS south of Detroit. The southern part of Ontario is actually south of Detroit. Check your map Jon from Regina.
• Justin from Monson, Ma I think Journey's song "Don't stop Believin" is the greatest song in the world. I love it so much. Each time it comes on the radio, I turn it up loud. By the way, why does anyone care about how the city of Detroit is used in the song. The song's great!!!!!!!! -Justin Dubois,Monson,MA
• Matthew from East Brunswick, Nj Great song, Journey is a godsend of the 80's!
• Anwiya from Sterling Heights, Mi Hey John from Canada, you know nothing. A portion of Canada (city name: WINDSOR) is south of Detroit.
• Sara Mackenzie from Middle Of Nowhere, Fl white sox have used it for their theme song, omg!! at least it kept them going on to believe that they could win, and they did, so this song is like, an inspiration.
• Christa from Aurora, Il This was the song the white sox used for inspiration to win the world series 2005!
• Jeff from Sothington, Ct this is an inspirational song that has a good guitar part in it...the family guy episode was funny and the fact that i knew this girl that would sing this song and now everytime i hear it i see her singing it..but i still see myslef playing guitar...nice solo though
• David from Yosemite, Ca I heard this song sung a few weeks ago in San Francisco's North Beach--I was trying to sleep in the GreenTortoise hostel in the room above the lounge--and a chorus of girls was singing it. It must have been Kerioki night, but it was lovely. I couldn't recall the group (Journey), but heard a bit on the radio, and googled the lyrics. I've been googling lyrics all weekend--Napster's having free downloads, which brought me here--nice site.. I wish I could have recorded the girls singing. David Yosemite Sept. 4, 2005
• Chase from Pasadena, Ca Most of the memories posted on this website are by a girl named "Stephanie."
• Stephanie from Ellicott City, Md this song brings back some great memories .... reminds me of being just over the edge of 17, vacationing in Florida with my family. we were staying at this resort, and i was hanging out in the game room. i had been pretty bored, and i met this guy about 2 years younger than me. he was from a small town in Maine, while i was from the big city in Maryland. i was grateful to find someone close to my age, and we played airhockey, with us deciding to make a friendly bet, the terms to be determined after the game. he let me win, and the term of the bet was decided to be a kiss. we ended up making out for awhile, and when we parted for the night, we shared no pretense that we'd ever meet again. the next night, i heard this song, and it made me think of him - although it was reversed, he was the small town boy and i was the city girl, for a smile we shared the night, and the memories go on and on. i had been feeling pretty low about myself at this time, and feeling undesirable, and he made me feel like, hey, maybe there is something desirable about me after all. so, Matt from Maine, thank you.
• Ryan from Windsor, Canada Amazing song, one of the best from the 80's. oh and Jon from Regina, check your map bro. I'm from Windsor, Ontario Canada and to go to Detroit I'd have to travel North, not South (one of those "tricky" geography catches).
• Jev from Marietta, Ga Well does anyone know where I can get a good ringtone of this song period.
• Patrick from Charlotte, Nc no.
• Jev from Marietta, Ga Does anybody know where I can get a Don't Stop Believin ringtone that is reliable?
• Jon from Regina, Canada This is a great song. By the way, who really cares if they say South Detroit? It's not the end of the world. And John from Scottsdale, I thought most people knew this, but Canada is NORTH of Detroit, not south.
• Matthew from Marquette, Mi Ok... I don't know how many of you really know Geography, but there is a North, South, East and West of EVERYTHING! There is South America, Southern US, Southern California, South Detroit, my dorm room even has a southern part. While you may not find South Detroit on a map, there is in fact a South Detroit. The guy probably grew up near Michigan Avenue. As for the song... GREAT EFFIN' SONG!
• Tatem from San Diego, Ca No matter the radio station I'm listening to, you can always tell that distinctive Journey-Steve Perry sound and instantly know a Journey song regardless of your knowledge of their song list. Steve Perry gave Journey their uniqueness. I had heard about the Monster movie thing, never saw the movie though. It's hard to believe how old these guys are now. Steve Perry was a hottie. Aging happens to the best of us!!
• Perviz from Cochin, India Words can't describe the kind of feeling you get on hearing this song. Truly a masterpiece!!
• Perviz from Cochin, India This is truly a super duper song. Thanx a million Journey.
• Kevin from Grosse Pointe, Mi Yeah the whole South Detroit thing always bugged me too. Detroit is an East Side/West Side city, not a North Side/South Side city like Chicago. If the lyrics had said "East Detroit" it would have made more sense.
• Ryan from Lansing, Mi There is no East Detroit however as everyone should know, they changed there name to Eastpointe. But yeah he should really have said southren Detroit.
• John from Scottsdale, Az When I ever hear this song, I have to say "you've got it wrong, Steve, and sing "There ain't no such place as South Detroit." I grew up in Detroit. There's an east side and a west side. The dividing line is Woodward Avenue. South Detroit is..uh... Canada. Stand on the plaza in downtown Detroit, and look south. Oh, Canada. Otherwise, I like the song, but Steve and his buddies should hvae stuck to San Francisco or looked at a map
• Tom from Alma, Ga Ack! Another cookie-cutter corporate rock band. Being a child of the 80's, however, they did have some good stuff.
• Dawn from Highlands Ranch, Co Well, Neal Schon, Steve Perry and Jon Cain I think all take credit for the genesis of this song, which probably explains part of why they're not together anymore. But actress Charlize Theron really wanted this song for a scene in her movie Monster, so she and director/writer Patty Jenkins wrote a letter to Steve Perry begging him to allow them to use the song. He saw the scene they wanted it for, said it was perfect, through Sony contacts asked Jon and Neal if they were ok with it, they said yes, and Steve became musical consultant for the film, as well as the song being in the film. Steve is still traveling around the US and Canada with Patty helping her promote the movie and accepting awards for it.
• Mooler from Detroit, Mi Nora hit the nail right on the head. South Detroit is just referring to the southern part of the city just as south west detroit or west side or east side or northeast detroit...etc etc. I should know...im from north east detroit. 7 and gratiot.
• Paul from Greenwood, Sc Just a couple tidbits...in live shows, Journey frontman Steve Perry would insert the name of whatever city that would be hosting them, evidenced by the NFL films documentary of them from the late 80's where they are playing in Philly..."Born and raised in Phil-a-del-phia!"...also the guitar break between the first and second verse spotlights Schon at what he did best. Neil Schon was discovered by Carlos Santana and was playing on stage at the age of 15. He is incredibly fast and it shows on this classic.
• Larry from Artesia, Ca Streetlight people, living just to find emotion Hiding, somewhere in the night
• Angela from Santa Fe, Tx Does anyone know the lyrics to this song? I know most of them, however, there is one line in there where I can't seem to catch all the words. It is right after the line in the chorus "Streetlife people". Can anyone help me? Thanks.
• Nora from Richfield, Mn The lyrics didn't say 'south OF Detroit', it said South Detroit. Big difference

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A thrilling 'journey' with Steve Augeri

Whenever former Journey lead singer Steve Augeri sings "Don't Stop Believin'" and snippets of Bob Dylan, Rod Stewart, Led Zeppelin and The Who, it's an in-the-moment oasis for the ears and eyes.

Augeri and his edgy, air-tight solo group, The Steve Augeri Band, recently gave 110 percent for a multi-generational audience inside the Alma Performing Arts Center in Alma, and the two-hour gig immediately kicked off on a magical high note via the muscular, one-two punch of Journey's driving songs, "Separate Ways (Worlds Apart") and the underrated, should-have-been-a-chart-topper "Stone in Love."

The quintet's musical attack was both gritty and melodic, recreating the original sounds and vibes of the best-known songs from Journey's sprawling catalog while still leaving room to shift a vocal phrasing and instrumental passage here and there.  

Working alongside the Staten Island, N.Y.-based Augeri on the large Alma stage were his son, Adam Augeri, on drums, as well as Gerard Zappa (bass), Adam Holland (guitar) and Craig Pullman (keyboards). Already sounding inspired from the start, Augeri's band reached a higher level of greatness when they dished out their version of Journey's "Wheel in the Sky." "Anyway You Want It," "Who's Crying Now" and the under-appreciated "Be Good to Yourself" also had plenty of pizzazz and punch.

"We are going to play a long time for you tonight, if that is OK," Augeri announced into the microphone near the beginning of the show. "There's a lot of great music from Journey. We're here to celebrate the music."

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Between 1998 and 2006, Augeri served as the one to occupy Journey's lead-microphone spot, following his predecessors, Greg Rollie and Steve Perry. Augeri's voice, which is similar to Perry's vocals yet retains a unique tonal quality, made its Journey debut on the song, "Remember Me," which was featured on the seven-times platinum soundtrack of the 1998 movie, "Armageddon." Augeri's musical pipes also can be heard on the "Journey 2001" concert DVD and three of Journey's albums, 2001's "Arrival," 2002's "Red 13" and 2005's "Generations."

Augeri's genuine charm and affection for the audience radiated throughout the venue, especially when he spoke of the need for having respect and love for one another. When Holland launched into a guitar solo that seemingly included some bursts of improvisation, Augeri jogged down the stage-left staircase to mingle with fans. The smiling singer even plopped down on the third row's aisle seat, as if he himself were a paying fan. When Augeri started to jog back onto the stage, a woman and her husband waved in an effort to snap a selfie with Augeri. Realizing their wish and standing halfway to his microphone stand, Augeri trotted back down the stairs to greet them and pose for the cellphone photo. 

After performing tasty bits of Led Zeppelin's "Whole Lotta Love," The Who's "Won't Get Fooled Again," Free's "All Right Now" and the Bob Dylan/Rod Stewart gem, "Forever Young," for the Alma audience, Augeri also proved he's a skilled lead guitarist. He engaged in a playful, call-and-response guitar duel with Holland, with the guitar solos from both men sounding distinct and stellar. 

"It's not fair," I joked to my wife, Dixie. "Steve Augeri still has a fantastic voice, has great stage presence, is 61 and still in great shape, gets to tour in a professional band with his kid and can wail on a gold-colored Les Paul."

Actually, Augeri deserves it. He and his solo musicians were class acts. Teresa Schlabach, the executive director for the Alma Performing Arts Center, can attest to that sentence.

"Steve and the guys are so great," she said following the concert. "They thanked my cooks — no one else has thanked the people who cook for them here — and they thanked the kids we hired to serve as roadies for the band. Steve and the guys were fantastic to have here."

Even the young concert-goers couldn't get enough of The Steve Augeri Band's music in Alma. Many of the school-aged girls and boys cautiously made their way to the front of the stage to watch and listen in wonder before being showered in the band's high-fives and guitar picks. Very few things in life are greater than the sight of children beginning their first steps of a journey steeped in music. 

Thanks, Mr. Augeri and your band. Your concert was a much-needed blast of oxygen following what has been two of the most turbulent months of my entire life. Dixie and I dragged our way into the show exhausted and stressed by life's unpredictability. We left wearing the broadest grins we've worn in months. Yes, Mr. Augeri, we definitely aren't going to stop believin' anytime soon.

Scott Smith has been a feature writer for the Times Record newspaper since April 1996 and started covering entertainment in 1999. He is a graduate of Oklahoma State University and plays bass in the Fort Smith-based blues/rock/soul band, Goodluck Slim.

Song Meanings and Facts

Journey’s “Don’t Stop Believin’” Lyrics Meaning

by SMF · Published August 4, 2019 · Updated September 21, 2022

As the title implies (“Don’t Stop Believin’”), this song is based on the concepts of positivity thinking and remaining optimistic in the face of uncertainty. Its origins can famously be traced back to one of its co-writers, Jonathan Cain, calling his dad one day from Hollywood. He went there to pursue his dream of becoming a famous musician, but things weren’t working out for him. 

So he asked his dad if he should quit and come home, upon which his father replied, in summation,  “don’t stop believing” . 

Cain, Steve Perry and the rest of Journey were able to take that piece of inspiration and work with it. At the end of the day, they turned it into one of the greatest rock classics in the history of American music.

The Lyrics of “Don’t Stop Believin'”

Now let’s get back to the song’s lyrics meaning. In this song, the band depicts people from different walks of life who are facing challenges somewhat similar to what Steve went through. For instance, in the first verse we are introduced to two individuals who “ took the midnight train ”, as in ventured away from home, “going anywhere”. That is to say that they have set off into the unknown, more or less in search of their destiny.

Then in the second verse we have “a singer in a smoky room” . In all it reads as if he is an itinerant entertainer. He appears to be a hustler who is just enjoying his gig for the night with no telling what fortune will come his way tomorrow.

Indeed in the third verse we are made privy to the uncertainty the characters who make up this song (including the singer himself) face, as Perry states that “ some will win; some will lose .”

 But the one thing they all have for common is that they are looking for something. Or as Steve sings in the pre-chorus in reference to the “ streetlight people ” (who are basically synonymous with  city dwellers in general ), they are “ living just to find emotion ”.

But amidst it all, the chorus (which unconventionally comes at the end of the song) brings home the main point of this track. And that is even amidst this uncertainty and wandering if you will, these people should “ hold on to that feeling ” – as in a sense of optimism and destiny – and ‘ not stop believing’ . 

In other words, whatever they set forth looking for in the first place, as in “that feeling”, they should continue to strive for.

This is intrinsically even in the face of obstacles, specifically within the context of this song perhaps those which evolve internally. And this general theme of this song is of course a piece of timeless, faith-based inspiration. Thus it is likely that “Don’t Stop Believin'” will continue to be a staple of American pop culture, as its overall sentiment is applicable to a variety of situations.

Release Date of “Don’t Stop Believin’”

Journey released this motivational song through Columbia Records on 6 October 1981. It was the lead song and second single from the band’s most-successful album titled Escape .

Chart Performance

It fared well upon its original release, peaking at number 9 on the Billboard Hot 100 and number 62 on the UK Singles Chart. It also managed to chart in Australia, Canada and the Netherlands.

However, “Don’t Stop Believin’” has proven to be a timeless hit, charting annually in the UK from 2008-2012.

Furthermore, till date, it frequently makes appearances on the music charts in many countries around the world. This is largely due to the song being utilized in a number of different venues in pop culture in more-recent years.

Movie Appearances

When the above phenomena began is a matter of debate.  Some say it started  when the track was featured in the iconic 1998 film The Wedding Singer starring Adam Sandler.  Others would argue  it is due to the song playing a prominent role in the 2003 hit movie Monster , starring Charlize Theron. And still others may assert that this classic’s modern popularity is attributable to it being featured on the final episode of the hit television show The Sopranos in 2007.

Other Popular Usages

Indeed “Don’t Stop Believin’” has been featured in a quite a few movies and sports venues (i.e. Major League Baseball games, being the theme song of the 2005 World Series’ champions Chicago White Sox). It has also appeared on many a television show, including popular sitcoms like The Simpsons and Glee . It is also commonly used in reality-based musical contests like X-Factor . In fact this song is also known to be a karaoke favorite.

Talking about this song’s appearance in Glee , it should be noted that it has been performed, in varying capacities, on at least six different episodes of the show. And the rendition the cast released in 2010 was actually nominated for a Grammy Award, making it the only song from the show to ever accomplish this feat.

Moreover a 2009 rendition of the song by X-Factor champion Joe McElderry charted higher on the UK Singles Chart than the original version of the track.

Commercial Success in America

Indeed in terms of digital sells, “Don’t Stop Believin’” set the record for being the top-selling song from the 20 th  century (i.e. the pre-digital era), specifically in the United States. As of 2019, in the United States alone, it has sold in excess of 7 million copies. Many believe it was able to achieve this great feat due to it being featured The Sopranos .

Covers of “Don’t Stop Believin’”

And logically “Don’t Stop Believin’” has been covered by a number of musicians. Prominent names on this list include the likes of Bruce Springsteen, Elton John, Sting and Lady Gaga.

Who wrote “Don’t Stop Believin’”?

Steve Perry wrote “Don’t Stop Believin'” along with fellow Journey band members Jonathan Cain and Neal Schon.

The city of Detroit plays a prominent role in the composition of this song. Indeed Perry  was inspired  to write part of it by watching people in the Motor City. It’s no wonder, he gives a shoutout to “South Detroit” in the track’s lyrics. However, it has been pointed out that there is not actually a “South Detroit” as he references in the song. This is something Perry did not become aware of until more recently. And he has stated that he chose to say “South Detroit” (as opposed to ‘East’, ‘West’ or ‘North’) because it sounded better.

On the production side, record producers Mike Stone as well as Kevin Elson handled the production of “Don’t Stop Believin’”). It’s important to mention that for several years both Stone and Elson were among  the band’s regular collaborators.

Related posts:

“keep on runnin'” by journey, “send her my love” by journey.

• “Separate Ways (Worlds Apart)” by Journey 
• “Who’s Crying Now” by Journey
• “Never Walk Away” by Journey
• “Foolish Heart” by Steve Perry
• “Escape (The Piña Colada Song)” by Rupert Holmes
• “Friends” by Whodini
• “Five Minutes of Funk” by Whodini

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Great Song!!!!! That’s one of the best mottos ever… DON’T STOP BELIEVING!!!!!!!

Great song with only one major faux pas. There’s no such thing as South Detroit. South from downtown is Windsor Canada

False. There of course IS a south Detroit as this is simply a reference to the south SIDE of Detroit. Windsor is NOT Detroit. As Perry said a word (south) was only added because the lyric/line sounded better.

Popular Usage needs to include the use of this song in the last scene of the HBO drama series ‘The Sopranos’

Those who hilariously say “There is no south Detroit” insult the intelligence of Steve Perry and the writers. There of course IS a south Detroit, the south of Detroit. No one in the rock world cared about any Windsor. Not in the 70s nor today, and Windsor is in no way a part of the city of Detroit. As Steve said, an as any intelligent person gets, a word (south) was added because the line sounded better. Or flowed better if you will, sing the song with no word before Detroit and the timing is off. Everyone over in “Windsor” finally got it? Good. Lol

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Tags: Escape Jonathan Cain Journey Kevin Elson Mike Stone Neal Schon Steve Perry

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Song Meanings & Facts

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Steve Perry of Journey: “Things happened to me as a child. There was nowhere to talk it out, so I sang it out instead”

Journey wrote “Don’t Stop Believin’”, the most downloaded song from the 20th century. When their lead singer quit, the band spent years trying to replace him. Finally out of hibernation, he tells his strange story.

By Kate Mossman

In the small hours of 14 June 2007, the Queen guitarist Brian May sat worrying at his computer. The American rock band Journey had fired another lead singer: 41-year-old Jeff Scott Soto had been erased from the group’s website – shed, Brian observed in his blog, like a used pair of boots.

It wasn’t that Brian didn’t sympathise with the pressures on a middle-aged rock band burdened with touring millions of dollars’ worth of hits when their original frontman was indisposed. He laid out Journey’s options. 1. Throw in the towel. 2. Find a look- and sound-alike. 3. Go out under a different name (“unrewarding”). 4. Find a new frontman who steals a bit of the limelight for himself.

Journey are responsible for “Don’t Stop Believin’”, the most-downloaded song written in the 20th century. They have had five lead singers to date. The single component they’ve spent three decades cyclically seeking to replace is the voice of their frontman, Steve Perry, who came and went, and came and went – then disappeared. Any Journey singer needs to sound exactly like Steve Perry, and that is not easy. He must have a high “tenor altino”, reaching F#2 to A5, with a tone somewhere between Sam Cooke and Aretha Franklin. The first time Perry quit the band was at the height of their fame, in 1987. He’d been nursing his dying mother, and considered retraining as a neurologist.

The second time he left, ten years later, was because the band were pressing him to have a hip operation, and he refused. The girlfriend of keyboard player Jonathan Cain dimly recalled a guy from another group she thought could hit notes as high as Perry could – so founder member Neal Schon tracked him down, and found him working as a maintenance manager for Gap, enjoying the security of his first pension plan.

The new singer, Steve Augeri, became known as “Steve Perry with a perm”. He took Journey’s hits to the arenas of middle America. As he did so, the real Steve Perry – who’d co-written those hits – rode a Harley Davidson through the San Joaquin Valley in California, back to where he was born.

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Perry has been a virtual recluse for 20 years. He sits before me in a Whitehall hotel, dissecting a chocolate muffin and carefully dabbing crumbs from his lap. He speaks in metaphorical language: he once said that leaving his band was like “re-entering the earth’s atmosphere with no heat tiles on my face”. The San Joaquin valley reached 110°F in the summer, with fields of almond trees, cotton and alfalfa. The alfalfa became a symbol of his escape. “It holds so much moisture that when you come to an area where there’s an alfalfa field on the left and right, the temperature drops 15 degrees. So I’m out on my motorcycle, and those were the days before ‘helmets’ [he makes quote marks in the air] and the wind is in my hair and all of a sudden, well, I cooled off.”

No one knew what Perry did next. There was a rumour he’d invested in a small bovine insemination business in California’s Central Valley, but it turned out to be a rogue edit on Wikipedia. In what some might call a terrible irony, the band he left behind enjoyed an unexpected, international renaissance without him, attracting a new generation of fans. In the 21st century, “Don’t Stop Believin’” was used on the soundtracks of the Oscar-winning 2003 film Monster , Scrubs, Family Guy, Glee and perhaps most memorably, in the final eerie moments of The Sopranos . It inspired long-read journalism on the magic of song craft, and it even formed the plot of the Broadway hair metal musical Rock of Ages .

Perry banked the cheques – but he missed the shows, because there was a new lead singer in the band who sounded just like him, and this time everyone was talking about it. Arnel Pineda was a Filipino fan who’d spent two years living homeless on the streets of Manila as a child – Neal Schon had found videos of him singing Journey songs on YouTube. Pineda has enjoyed the most successful stint in the job since the man he is imitating. Find a frontman who steals a bit of the limelight for himself, said Brian May, and “the sky’s the limit”.

When not riding his motorbike through the San Joaquin Valley, Perry attended the local fair, which came to his home town in June as it had done in his childhood. “I was drawn to the circus life, because they’d come into town – it was lights, Ferris wheels, it was moving, it was fantasy – and the next thing you know they’re gone,” he says. The circus was, he admits, not unlike a rock band.

“I saw Pinocchio as a child, and there was something evil about this special place where all the children could go. They’d go on the rides, but their ears would grow – and they turned into asses, actually, I guess.”

Rock bands are a ruthless business, but in Journey it’s hard to say who holds the power – the mutable frontman who forced the band in and out of hibernation for a decade, or the founder member who turned the frontman’s voice into a million-dollar franchise. Perry once claimed that he’d never felt part of the group. Schon replied: “How can you ‘not feel part’ of something you’re almost completely controlling?”

They only communicate through their lawyers now. But their songs play in every sports bar and mall in America, instantly and innocently evoking the pain and passion of ordinary human life.

“It’s like your boyfriend saying to you: drop a few pounds, get your nose fixed at the same time. Fuck off!”

Perry has watched his replacements come and go, but once, he was the replacement himself: in 1977, aged 28, having failed in several bands, he’d returned home to work mending coops on his uncle’s turkey ranch when he got the call from Neal Schon, asking him to join a jazz fusion band who couldn’t get a hit. Perry asked his mother, and she advised him to go for it. Schon tried him out by bringing him on the road and telling everyone he was the roadie’s Portuguese cousin. He sang a song at soundcheck when the official singer was away from the stage.

The clichés – “married to music”, “a band is like a family” – are well worn, but for the generation of men who became millionaire rock stars in the seventies and eighties (for it is men, and it is one generation) they are the only way to understand their motivations, not least because it is a language they invented themselves. Solo albums were referred to by Journey’s manager Herbie Herbert as cheating on your wife (both Schon and Perry cheated). Of the hip operation stand-off, Perry says: “When they told me they checked out some new singers, it’s like your boyfriend saying ‘Look, I really love you, but I need to know if we’re getting married or not because I’ve checked out some other chicks.’”

But it was more than that, wasn’t it? They were telling him they’d only take him back if he underwent major surgery.

“OK,” says Perry. “It’s like saying, ‘By the way, drop a few pounds, too. Get your nose fixed at the same time.’ FUCK OFF.” He then asks if we can talk about his new record, Traces , his first in 25 years.

When Perry was 16 years old, he heard “I Need You ” by the Beatles, released on the Help! album, and he felt they could have done better. Why had they done a kind of bossa nova he wondered, when it clearly cried out for R&B? He has reworked the song on his new album, which he wrote and produced on his own – “No one had their foot on my neck saying, ‘Are you done? Are you done?’ FUCK OFF.” he says.

When he was very young, Perry would “mumble hook lines” for potential songs, and it was in Journey that he was able to “apply everything I had ever dreamed of”. Their audience – suddenly full of girls – had a new and emotional relationship to the band via their commercial power ballads.

“You can’t solo for 18 bars,” he recalls telling Neal Schon – who was such a good guitarist that he’d been recruited by Carlos Santana aged 15, in the summer of 1969. “You can have about eight bars. And if it’s going to be eight bars, it has to be something beautiful.”

The first time the pair were put together to write, they finished Perry’s love letter to San Francisco, “Lights ” , in about ten minutes. He describes a song idea as a “sketch” – a framework of chord changes, a couple of melody ideas and a loop for rhythm. “But my problem is, I hear it completed already.”

Songs, he says, should be “like pancakes – stacked high with layers of feeling”. Modern writing is an “industrial assembly line because everyone’s on the grid. There’s 20 people writing these songs – they’re trying to maximise the individual assignments, like when they’re making a film, to increase the opportunity for a hit. But a song should be all about selling a feeling .”

Selling a feeling – is that the essence of power ballads?

“It’s the essence of music,” he says.

“Songs should be like pancakes, stacked high with layers of feeling”

“Don’t Stop Believin’” has had a lot of analysis in recent years, as interest has grown in the industry’s backroom magic. It is a power ballad with a strange minimalism, full of barely-there figures – “strangers waiting” and “streetlight people”. Unable to sleep in a Detroit hotel room, Perry had looked down to the street and noticed the way in which walkers would pop up suddenly in circles of light. The lyric’s “midnight train” was a musical madeleine, designed to take you back to Gladys Knight. The song was self-consciously cinematic, but states that life is a movie that never ends. Its thin but powerful sense of hope was so abstract, it applied to everyone – from the gambler in the lyric, rolling the dice “one last time”, to the real John Doe hearing “Don’t Stop Believin’” in a bar on a Friday night. It started with a refrain written by Jonathan Cain: what Cain heard as a chorus, Perry heard as a “pre-chorus” – suggesting that a “chorus of choruses” should be held off till the very end. It does not appear until three minutes and 20 seconds, delaying the climax. Perry gets a bit antsy discussing it.

“I don’t want to talk about the music because then you won’t listen, and it won’t be yours,” he says. “Your definition – what the song does to you, and the next person – are totally different. You hear music differently based on your life, your experience, what you are. When something resonates with a massive number of people, that is exactly what is happening.”

In 2007, he was approached by HBO for permission to use the track in the final seconds of The Sopranos . He refused to give it over without knowing what scene it would accompany, concerned that the entire Soprano family were going to “get whacked” to the song. For a few weeks, he was one of the only people in the world who knew how the series ended.

Another, equally effective modern-day licensing of the track was in Patty Jenkins’s Monster , when the serial killer Aileen Wuornos, played by Charlize Theron, meets her lover at a roller rink. A jukebox and a skating rink were just the kind of places you heard Journey every day, growing up, reinforcing the sense of their music as part of the wallpaper of American life. Perry, now 69, loved high school, “a magical time, when innocence is running your life.” Its memories are his songwriting metaphors: a concert venue, he says, rather strangely, is “the backseat of a car”.

“Everything I write comes back to high school. I know it sounds funny, but everything. It all comes from the emotions I grew into during my adolescence. Those moments are not to be tossed away.” He becomes emphatic. “If something means something to you, go back and get it and make it part of your life. And anyone who doesn’t understand how important that is, you tell them to FUCK OFF,” he advises, before breaking off to reveal he is desperate for the bathroom.

He was one of the only people in America who knew how The Sopranos ended

Perry was born to Portuguese parents in 1949. His father, Ray, was a singer – a baritone – who had tried to break into the business, and performed in the local theatres of his hometown. What kind of music did he sing?

“‘Pennies from Heaven,’” Perry replies.

His parents eloped because his mother’s father didn’t approve of a singing career. He tells their story as though music were some kind of hereditary condition or family curse, which in the case of Perry, you kind of feel it might be. His parents split when he was eight years old, and he, an only child, moved with his mother to his grandparents’ dairy farm – which might explain the rumours about his subsequent career. As with many rock stars, from Roger Waters to Lennon, the absent father was significant. I ask him why he became a singer.

“People don’t become performers because they don’t have needs,” he says. “Singing, though it can be very lovely, is essentially a primal scream. And I was screaming pretty loudly – and quite big.”

He was an invisible child, he says, but also a silenced one.

“There was a lot going on but nowhere to take it. Things happened to me as a child that I still can’t talk about – nothing to do with my parents, but things did happen. It happened to a lot of kids, as I find out.”

How old was he?

“About nine. But there was nowhere to take that stuff back then. One of my needs to perform was the need to get myself heard. Now, please, do understand, I’m not complaining – but there was nowhere to talk it out, so I got to sing it out instead.”

He spoke to a professional at the age of 63 about what had happened to him at nine. He was advised to do so by the woman he calls the love of his life, Kellie Nash, a psychology PhD candidate. But like everything else that has happened to Perry, theirs was not a conventional story.

During his mysterious, fallow years, Steve Perry seems to have investigated an alternative career in filmmaking. He was “shadowing” Monster director Patty Jenkins: “I love editing, I love directing. So with Patty I watched and learned a lot.” Jenkins was working on a TV film called Five for the Lifetime Network, exploring the impact of breast cancer. Being a methodical director, she surrounded her cast with real patients in remission. One of them – Nash – caught Perry’s eye. Jenkins then told him that Nash’s cancer had returned, was in her bones and lungs, and that she was fighting for her life. He went ahead anyway.

“I’d lost my mother,” he says. “I’d not reconnected with my father – which was another clean-up waiting to happen. I’d lost the grandparents who raised me. And I’d lost this career that I’d wanted so much, because I’d walked away from it.”

Was he so accustomed to losing things that a date with Nash didn’t scare him?

“I don’t know,” he says. “I justified it by telling myself, well, she’s a PhD psychologist, maybe I need another shrink?”

They had a year and a half together before Nash died in 2012. One night she said, “Promise me you won’t go back into isolation, for I feel that would make this all for naught.” He repeats the strange words, wide-eyed: all for naught . It was then that he decided to return to music.

“Life gets undone,” he says. “You try to come up with a plan, but it’s good for ten minutes a day. Some people have an ability to make belief systems work for a lifetime, but I think they’re hard to keep up.”

In 2014, he made world news when he turned up unannounced at a gig by the indie band Eels and performed their song “It’s a Motherfucker ” along with two of his own. He’d not sung live for 19 years but, explained the band’s Mark Everett, “For some reason only known to him, he feels like tonight in St Paul, Minnesota, it feels right.”

Perry, the once-invisible only child, still talks about Journey as a “nucleus”  he could never break into. It is fair to say that the band didn’t want him at first – it was only under the orders of their manager that he was hired at all. They came to epitomise corporate rock. “There are still things I don’t like about it,” Neal Schon once said, “but this is the way I make my living.”

You suspect that, creatively, both men might have been better off without the band – the jazz rock boy-wonder, and the hit-writing soul mogul who really wanted to be on his own. But you take whatever route to fame is presented to you – and you follow the money: “I’d rather fail at being what I wanted to be,” Perry says, “than be successful being someone I didn’t.” 

“Traces” by Steve Perry is released on 5 October through Hear Music

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Journey Recount Singer’s Wild Ride in ‘Don’t Stop Believin” Doc

By Steve Appleford

Steve Appleford

It’s never been easy to replace the singer of a hugely popular rock band. After Steve Perry left Journey in 1998, the platinum-selling Bay Area act moved on with a series of vocalists to varying degrees of success, but it wasn’t until guitarist Neal Schon landed at an obscure video on YouTube late one night that he knew he’d found his man — in Manila.

See Journey and 14 Other Bands That Hired New Lead Singers

The voice singing Journey hits in the lo-fi video belonged to Arnel Pineda, a Filipino singer who grew up in poverty and sang in local cover bands with no expectations of rock stardom. All Schon knew was that the guy sounded just like Perry, and he soon had Pineda on a plane to San Francisco to audition for the gig in late 2007. Months later, Pineda made his debut as the band’s new singer in front of 20,000 fans at the Viña del Mar International Song Festival in Chile. “He’s a clutch hitter, this kid,” guitarist Jonathan Cain tells Rolling Stone . “He comes through.”

The story of Pineda’s dramatic first year in the band is told in the documentary Don’t Stop Believin’: Everyman’s Journey , which is set to air September 30th on the PBS series Independent Lens . Directed by Ramona Diaz, the film won raves at festival screenings last year and will be released August 20th on DVD and Blu-ray.

Pineda’s first year was a grueling trial for the singer, whose dream gig came with the physical challenge of international touring and the expectations of Journey fans as he ran through an FM radio hit parade of “Faithfully,” “Any Way You Want It” and “Who’s Crying Now.” He faced moments of loneliness, stage-fright and genuine racism, but still remains with the band after six years, and will be back on the road when Journey tours next year with the Steve Miller Band and Tower of Power.

He has yet to meet Perry, but knows what he’d say if that encounter ever happened, and without a hint of sarcasm: “Can I have your autograph?”

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In Los Angeles, Pineda, Schon, Cain and bassist Ross Valory spoke with Rolling Stone about the documentary and Journey’s new era as a truly international rock act.

The lead singer position is historically a very hard spot to fill. Neal Schon: There were guys being pitched to us — people in L.A. and New York that have been doing the classic rock thing for a long time — and I really was not moved by it. I was looking for some serious talent, somebody that we could move forward with — and have serious pipes and go in new directions with us as well as cover our old stuff very well. When I found Arnel, I went, “That’s the guy.” I’d never heard any singer cover that broad of a spectrum. He’ll do Nat King Cole for you right now, and you’ll go no way. Sing for him, Arnel. . .

Arnel Pineda: [ Singing ] Unforgettable, that’s what you are . . .

It seems like a crazy idea to find your singer that way from across the world. Schon: I didn’t think it was that crazy. Everybody was concerned that he was in Manila and does he speak English? I’d go, “I just watched 40 videos and he’s singing all songs that are in English. If he doesn’t speak good English, he can always learn.”

Jonathan Cain: Ironically, the Internet proved to be a friend. When Arrival first came out [in 2001], Napster stole the album. We spent a ton of money flying to New York making this record only to have it up there for fans to get it for free, so I hated the Internet. Then it comes around to serve us well in the future. It’s quite a tool and for us it was a blessing.

What was it like for you to suddenly be immersed in Journey’s world? Pineda: It was my world being turned upside down — but in a good way, a fantastic way. I’m still in disbelief. I’m in front of thousands of people singing all these songs that I listened to when I was 18 years old. Now I’m with the big boys and it’s such a blessing. It’s one in a million.

Schon: He brings it. He sings his heart out every night, and it’s not an easy menu. Our songs are so difficult to sing. It’s going on six years now and we’ve toured a lot.

What was it like as a new performer to be faced with all the pressure that comes with playing to large audiences? Pineda: I had to give up a lot of foods that I’m accustomed to eating: dairy products, beer, wine, spicy food. And no talking. I like talking. It’s become a luxury to last even through a 10-minute talk with you. I have to go back to my room and my silence — until the next gig happens.

Steve Perry Signs to New Label, Contemplates Solo Tour: 'I Miss It Terribly'

Hear the journey tune steve perry rerecorded with steve lukather's son, journey's bassist ross valory opens up about the band's saga — and his adventurous solo album.

Was there another downside to having this all happen at once? Pineda: I get really homesick inside. I would miss my life with my wife.

Schon: In the very beginning, we threw him in the fire, no doubt about it. I remember we’re getting ready to go on in Viña del Mar and it’s sold out and it’s live to 25 million people all over South America. Arnel is like, two seconds before we go on: “Can I go home? I don’t want to go out.” It was fear and loathing to the max, but then he went out and he went for it and the audience went nuts.

How nervous were you? Pineda: I was terrified to death. It took years, but I survived it. I’m still here.

Other bands have tried to replace a popular singer with an unknown and failed. Cain: It is rare that the audience goes with you like that.

Schon: The good news is that when he came in, it was a breath of fresh air for all of us and every scenario that went with it. All of a sudden, instead of us being a band from the U.S.A., we became a worldwide band. We’re accepted worldwide everywhere we went with him in markets we were never accepted before. There’s always going to be the naysayers who cant live with anything but exactly what it was from the beginning. You can’t please everyone.

In the film, it shows that some of the early reactions were very negative, even racist. How did you deal with that? Pineda: I just didn’t bother to get intimidated with those words. I’m not trying to compete with Mr. Perry. I’m trying to help out here. I am so blessed to be in this position, to be the one to carry the legacy.

Cain: Back in ’98, when we started with Steve Augeri [as singer 1998-2006], I was worried about him getting shot. We took a lot of flack. We used to get hate mail. Somebody got my number and would call me: “You son of a bitch!” They were reading us the riot act because how dare us be Journey without Steve Perry?

Schon: It was vicious, man.

Pineda: This is the first time I’ve said this — my wife was so freaked out with all these racist comments that she told me to bring a bulletproof vest: “You might get shot there!”

Because of your history together, you must still have business with Steve Perry. Ross Valory: Steve has been really, really cooperative. He helped produce the greatest hits video. It’s unfortunate we don’t have a physical relationship with him.

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Schon: Working on it though. I have ultimate respect and love for the guy this many years later. I’m getting older, man, and you don’t want to hang onto all the stupid things that you do in your life. You start looking back and I’m cherishing all the good times that we had — and the first time I sat in a room with him and wrote “Patiently” in 10 minutes. The door’s always been open. Arnel’s even open. If he ever wanted to come onstage with us and do a song, we’d be like, “Come on!”

What was your reaction to the documentary? Pineda: I’m so happy that it’s out there. I think it’s going to give a tremendous amount of inspiration for all of these hopeless musicians out there — especially those we will never learn about how fantastic they are. Second, it’s like I’m not supposed to be there — I look at it and it’s an ill fit. But it’s how I look and how I was born, so I’m going to live with it. It’s my journey. I’m so grateful for what’s happened, and it’s still going strong.

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Journey Documentary Film Debuts First Trailer

Arnel Pinada isn't the first cover band singer who's been hired to replace the guy he sounds like -- in fact, as former Judas Priest frontman Ripper Owens would be quick to point out, his story isn't even the first to inspire a movie. However, as the first trailer for the upcoming Journey documentary takes pains to argue, Pineda's tale might be the most inspiring.

After setting the stage for original vocalist Steve Perry 's departure (without ever mentioning him by name), the trailer details the band's search for a replacement -- conveniently skipping over the tenures of Pineda's predecessors, Steve Augeri and Jeff Scott Soto, who kept the band touring and recording between 1998-2007. Those quibbles aside, the trailer for 'Don't Stop Believin': Everyman's Journey' does make an undeniably compelling case for the journey of a Filipino vocalist who, in his own words, "was singing just to survive" until guitarist Neal Schon happened to see a YouTube video of his cover band in action.

"I looked and looked and looked, and I was ready to give up," Schon recalls in the trailer. "I just looked at one last link, and I pushed it, Arnel popped up, singing with his band ... This is too good to be true."

Of course, Pineda's background presented obstacles -- and not just because, as he quips at one point in the trailer, "I'm short...I'm so Asian," but because he was completely unfamiliar with an operation of Journey's size and scope.

"His voice is huge. But can he speak English?" keyboard player Jonathan Cain remembers asking. "How do you take someone from a third world country and throw them into this circus?"

Drummer Deen Castronovo had his own concerns -- as he put it, "What's he gonna look like on stage? He's never played big places." But if you've ever seen an episode of 'Behind the Music,' you know there's an inspirational final act in store, and the trailer hints at it with another quote from an enthusiastic Castronovo, who insists, "Arnel is like David Lee Roth and Bruce Lee put together" before letting out a mock scream.

"I'm speaking to those people who believe in me," Pineda explains at one point, and with a U.S. theatrical run reportedly around the corner, it looks like a safe bet he'll be speaking to more of them soon.

Watch the Trailer for 'Don't Stop Believin': Everyman's Journey'

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Journey’s Jonathan Cain shares the real-life story behind ‘Don’t Stop Believin’ ‘ as band prepares for Spokane show

One of the architects of the massive hit “Don’t Stop Believin’ ” almost stopped believing in Journey when vocalist Steve Perry quit the band in 1998. Keyboardist Jonathan Cain was uncertain that the band could continue after Perry left the group. It was understandable, since Journey said goodbye to a singer with such a big set of identifiable pipes that his nickname is “The Voice.”

“Steve was the best bandleader you can have,” Cain said. “He was magical.”

If Journey failed to replace Perry, the group would have called it a day during its 25th anniversary. However, guitarist Neal Schon refused to give up, and Steve Augeri filled Perry’s role. Jeff Scott Soto followed Augeri. Neither replacement singer approximated the impact of the iconic Perry. And the band was searching for yet another vocalist in 2007. Cain once again wondered if Journey could continue.

Then Schon witnessed Journey cover band singer Arnel Pineda in 2007 belting out “Don’t Stop Believin’ ” in his native Manila via YouTube. An invitation to audition was offered.

“I was skeptical,” Cain said. “I’m a realist. I thought, this kid has never been to America. There will be blowback because of his skin color and his race. I worried about how much of this country would accept him.”

But Pineda was embraced with open arms by Journey fans. A quarter century after Perry bid farewell to Journey, the band is nearly as popular as it was during its heyday.

“We could have never have guessed this would happen,” Cain, 73, said while calling from Los Angeles. “There is life for us at this point. When I look back at all that we accomplished, it’s just amazing to take it all in.”

So Cain and the rest of Journey, which includes drummer Deen Castronovo and bassist Todd Jensen, believe. “Don’t Stop Believin’ ” isn’t just the name of Journey’s biggest hit. It’s also the advice Cain received from his father when he struggled as a musician during the ‘70s.

“ ‘Don’t stop believin’ Jon,’ is what my dad told me,” Cain said. “I wrote it down in one of my notebooks.” “Don’t Stop Believin’ ” is also the name of Cain’s memoir, which was published in 2018.

Journey, which will perform Friday at the Spokane Arena, was massive during its early ‘80s peak with Perry, who is an underappreciated arranger of the band’s many hits. When Journey was putting together songs for its breakthrough album, “Escape,” in 1981, Perry asked Cain for ideas.

“The clock was ticking on us and Steve wanted to know if there was anything in my magic notebook,” Cain recalled. “I shared with him the phrase, ‘Don’t stop believin’.”

Cain proceeds to sing the couplet, Don’t stop believin’/hold on to that feeling. It’s an enduring anthem. The chorus doesn’t arrive until the conclusion of the tune, which is rare.

“Steve came up with that idea,” Cain said. “He said, ‘Make them wait to hear it. That way they’ll always want to hear it.’ I can still hear Steve yodeling the words to ‘Don’t Stop Believin’. ”

Journey has sold 48 million albums and was inducted into the Rock and Roll Hall of Fame in 2017. “I don’t know how to top that,” Cain said.

There’s often drama and unpredictability over the Rock and Roll Hall of Fame. Mark Knopfler blew off Dire Straits’ induction in 2018. After years of complaining that they were dismissed by the hallowed Rock Hall, Kiss accepted the hardware but surprisingly refused to perform at their ceremony in 2014. According to Cain, nobody knew what Perry would do during the night of Journey’s induction.

“I was hoping he would perform,” Cain said. “I was waiting for him to do so. He didn’t perform, but I was ready if he was up to it. On the plus side, Perry was full of grace and humility. He had a one-on-one for 15 minutes with Arnel, who came out and said, ‘My God, I met him!’ It was an amazing experience.”

Journey played “Lights,” “Separate Ways” and “Don’t Stop Believin’.” Speaking once more of the latter, Journey was ecstatic that Sopranos visionary David Chase selected the hit to cap his iconic show.

“That blew us away,” Cain said. “David Chase notified us a year before it aired. ‘I’ve chosen your song’ is what he told us.”

The members of Journey were sworn to secrecy. “We didn’t say a thing,” Cain said. “It was a feel-good song for Tony Soprano’s character. I loved the show and James Gandolfini (who played Tony Soprano).”

While on vacation in Italy in 2013, Cain was checking out of a hotel in Rome shortly before Gandolfini checked in. Just a few hours later, Gandolfini passed away in his room. “I was freaking out when I heard about it,” Cain said. “That was just too weird.”

But fans might also file Journey adding a cover band singer from halfway around the world as weird. “Who would ever guess that would work,” Cain said, “But it has worked out well.”

Pineda’s tenure with the band has almost matched Perry’s period with Journey, which was 21 years.

“We’re still going strong,” Cain said. “We have more years ahead of us.”

Don’t stop believin’, indeed.

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Journey’s Jonathan Cain won’t stop believin’ Donald Trump is innocent

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‘Where are you?’ Journey keyboardist Jonathan Cain asks. ‘ London ,’ I reply. ‘That’s a sensible city,’ he responds. ‘Do you think?’ I ask sceptically, thinking about the sky-high rent prices, verging on £8 pints, and the generally miserable June we’re having.

‘But you’ve just got to work on your border a little bit like us,’ he adds.

It turns out Cain, 74, who is the keyboardist and rhythm guitarist for Journey , the band behind uplifting rock anthem Don’t Stop Believin’, is a staunch Trump supporter.

He explained: ‘I thought, “What happened to London, oh my god.” But you know, the culture absorbs it all. I see all the different cultures coming in and absorbing it all.

‘I think London is a big enough city to diffuse it all. But still, it’s noticeable, from the 80s.’

What he means by ‘it’ is unclear – but open to interpretation. ‘Who knows though. Maybe London needed shaking up. It’s still a great town,’ he adds diplomatically, before: ‘Go London!’

I was going to write about his 80s rockstar memories, Journey’s big UK tour this year, and their hit song (which is a banger) Don’t Stop Believin’, which has been named the Biggest Song of All Time by Forbes….

‘It’s been a long time for Europe,’ Cain said, explaining how they exploded in the UK in 1981 but didn’t get over here for concerts much, so their fanbase suffered as a result.

It wasn’t until just after Steve Augeri joined the band as Perry’s replacement in 1998 that Don’t Stop Believin’ suddenly exploded internationally with its inclusion in Broadway musical Rock of Ages, TV series Glee, and then The Sopranos.

Now, over 50 years after they first formed Journey are coming to the UK in October to play at Cardiff, Nottingham, Glasgow, Belfast, Mancester, Leeds, Liverpool, Birmingham, Newcastle and London.

Festival-wise, after Journey’s manager retired Cain admits he doesn’t know whether they will be in the running for a Glastonbury appearance in the coming years.

‘I think he had a connection with these promoters over and UK. So we kind of lost that,’ he said, adding that the UK fanbase is great because it grew ‘organically’ online in the 2000s.

So does rockstar Cain really think, like those red hat-wearing Americans, that Donald Trump is – as the tangerine man himself declared – ‘an innocent man’?

Surely not, after Trump became the  first former US president to be a convicted felon …

‘Put it this way, there might have been some misdemeanors. Crimes, as they’re calling it. But yes, I do,’ Cain said.

A deep irony in US law means that as a convicted felon, Trump won’t be able to vote in the upcoming November election – but he will be able to stand. (Whether or not he will do from inside a jail cell, remains to be seen.)

Rather than see this as a disturbing development in the history of the world, his supporters are martyring him. And Cain is one of them.

‘I think it was unfair what happened,’ he said. ‘It was a sad day for the United States but I think he’s a fighter. He has a chance. They can’t stop him legally. He can run for president from jail.’

Cain added: ‘It will make him a legend.’

In 2022, Cain got in hot water with Journey founder Neal Schon when he played Don’t Stop Believin’ for Trump at one of his political functions.

In an open letter, Schon’s lawyer said Cain’s appearances caused ‘irreparable harm to the Journey brand’ for associating it with a political viewpoint.

Journey is not a political band, Cain sustains, while explaining why they never initially broke the UK.

The keyboardist said former lead singer Steve Perry was always worried ‘something would happen’ at a concert if they toured Europe back in the 80s.

‘There was some unrest in Europe, and especially over in Ireland. And I think that was what kept Steve Perry away was all the bombing and, you know, the unrest,’ he said.

‘He was always worried about something happening in one of our shows. I didn’t get that because we’re not political. We just come and play our hits, you know.

‘Don’t Stop Believin’, the one song that made it in the UK, was an escape route. That’s all we needed to do.’

Cain added: ‘But in the end I think we missed an opportunity that we could have showed up. There would have been no trouble, I don’t think at all. But he had to approve it. And he just said it wasn’t safe.’

Discussing Perry’s departure from the group – first in 1987 and again in 1998 – Cain said the band worked the former lead singer too hard over the years, which also to their lack of UK shows.

Arnel Pineda, 56, is the group’s current lead singer, having joined Journey in 2007.

‘I was young enough to deal with it,’ Cain said. ‘But Steve had to sing all this stiff and in the end I think it took its toll and that’s why he’s not with us.

‘You just have to pace things. I don’t think we paced it right with him. His voice is very sensitive, and he needs time off.’

Cain also revealed that when Perry took time off, he wouldn’t hear from him ‘for a year’.

‘It was weird,’ he said, explaining how Perry would come back and say: ‘Time to make another album.’

Comparing Journey to The Beatles, Cain said they worked much like John Lennon and Sir Paul McCartney, when they would disappear then come back together and write a song.

‘When I watched the old Beatles movies, the way it was between those two guys was the same way in our band, you know, we had similar patterns. We had the magic chemistry. That was the coolest thing, it was undeniable.’

Reflecting on their various breaks, he added: ‘It was good to go away because Steve Perry used to say: “How can you miss me if I don’t go away?”‘

Perhaps Trump should take a leaf out of Perry’s book…

Journey’s 50th Anniversary Arena Headline Tour of the UK and Ireland starts on October 30th.

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'Melody, soul and some fire': Neal Schon of Journey talks about stadium tour headed here

PITTSBURGH ― Perhaps you've already seen Journey excite arena and amphitheater audiences, though the group's upcoming stadium show, July 27 at PNC Park, will be a fresh experience for many.

Journey guitarist Neal Schon promises Pittsburgh area fans will be delighted.

"I have high aspirations for this tour," Schon said. "I think it's going to be amazing, and our fans are going to walk away very, very happy."

Journey will follow a 6 p.m. opening set by Steve Miller Band, stationed as the middle band setting up the evening-ending performance by Def Leppard.

Tickets are $49.50 to $259 with VIP packages nearly $550 at mlb.com/pirates .

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"The chemistry is great. We know that," an enthusiastic-sounding Schon said in a mid-June phone interview. "We've already done two tours with Def Leppard, and they're great guys. It's going to be a lot of fun."

The last Journey-Def Leppard stadium co-headline, in 2018, sold 1 million tickets.

"It completely sold out and the audience had a blast," Schon said. "The whole place was lit up like a giant Christmas tree each time.

"Def Leppard decided this time they did not want to flip flop with us as we did back in '18, so we agreed to play in front of them; it is co-headline," Schon said. "But we've tested our music in the daylight as well as the night when you have all the frills, but it comes out just as good in the daylight."

Over the past three years, Journey has headlined arenas, supported by Toto, including a June 2022 stop at PPG Paints Arena .

More: Journey delivered what Pittsburgh fans wanted, and Toto did, too

On this summer's tour, concertgoers aren't likely to hear any new Journey songs, although the band's been working on a musical project.

"It's not quite done. And I'm not certain how do you get it out that quick anyway before a tour starts? So, we're not really concerned about it now," Schon said.

Fans can buckle up for Schon's fiery fretwork on favorite songs from Journey's Steve Perry days, like "Stone in Love," "Faithfully," "Separate Ways," "Wheel in The Sky," "Open Arms" and "Any Way You Want It." Schon keeps things fresh for himself by improvising solos and licks.

"I'm one of those guys who improvises quite a lot, night to night. I never play the same thing twice. You find ways of making new."

Journey's seasoned lineup, including '80s alum Jonathan Cain (keys), Deen Castronovo (drums since 1998) and Arnel Pineda (lead vocals since 2007) adapts to improvisation and any new surroundings.

"We have what we have, and it does work," Schon said. "We just got back from Scandinavia. where we played pretty much like a heavy metal festival in Sweden, and we headlined that. Everyone who was on before us was pretty heavy and we like killed the audience. You know what I mean? We do what we do. And don't try to reinvent the wheel. If we need to turn up the gas a bit, we do. And we have the material for it."

Schon's the lone original member, joining Journey in 1973, after two years in Santana.

"I'm here 51 years, and things are bound to change. They have changed," he said. "Fortunately, they've changed in a good way for us, so we're still kicking hard and having fun with it. But nothing ever stays the same. You see fans once in a while that are just glued onto the original band. I'm even talking prior to Steve Perry. And there's fans just not willing to move on from Steve to what we are now. And then there are fans who love what we're doing now. They are a lot younger fans, which is really great because they're really open to everything. They're not like, 'well-I-heard-this-back-in 1973 and you're not going to ever be the same.' Well, who the (heck) is the same. Nobody's the same. Nobody from that band is the same. Things change, and you've got to change with it."

Released in October 1981, Journey's "Don't Stop Believin'" remains evergreen, regularly getting a boost from new fans, as in 2009, when the Fox comedy-drama "Glee" pushed it to the top of the download charts.

Early this year, the Recording Industry Association of America announced that “Don’t Stop Believin’” set a new worldwide mark by reaching 18 million sales.

"'Don't Stop Believin' has become the biggest song in history, in every genre of music ever," Schon said. "That's just incredible and I feel very privileged and honored to have written just one-third of that song with Steve (Perry) and John (Cain). "Obviously, we got some things right."

When released originally, "Don't Stop Believin'" only reached No. 9 on the Billboard charts.

"Our whole catalog is like that. It's not all about chart position," Schon said. "It's about how our audience now perceives those songs. A song like 'Lights' will light the whole place up. Everyone sings at the top of their lungs. And it wasn't a big chart stomper. Neither was 'Wheel in the Sky' or 'Any Way You Want It.' And they're all hits now. There's very little radio left. People are just liking what they're liking, and I'm not complaining."

One of Schon's legacies is being a master of blistering solos that electrify power ballads.

He explains, "My style evolved. I started much more in a blues-R&B fusion vein as a young guitarist before I joined Santana in 1971. Santana was very much on the fusion side and all types of African rhythms and Latin rhythms and world music that they turned me onto. When Journey first started, it was like a spinoff. We were a high-energy fusion jam band from San Francisco. When I met Steve Perry and we got together for the first time we wrote 'Patiently' in a half hour. It was something brand new for me, and I felt at that point I followed my gut instinct."

Perry brought beautiful melodies to work with "that I really never heard before," Schon said. "I felt if I'm going to play a solo after he sings a beautiful melody then I should convey and take off of where he left off, and set him up where he comes back in. So, I just thought more symphonic, more melody and try to put some blues in it with some fire, too. And that's how I came up with the sound I've attained all these years. Melody, soul and some fire. Everything thrown into one basket."

Schon said Journey's 1980 rock radio breakout "Any Way You Want It" was inspired by the band's love for Thin Lizzy, with whom they had toured.

"There's just three chords to the song. I started with the rhythm that is on the record and we just felt there was no need to write any other sections. We just have it plow through and get a little choppier in the verses," Schon said. "Steve did an amazing job orchestrating that really well to where he didn't need a bunch of different musical pieces to that song. It was just more of a power rocker with some chunky rhythm and then opening up in the chorus and just becoming huge. A very simple idea but very effective. Rock and roll doesn't need to be that brainy, it needs to feel good. And sound good. If you can manage to write something where somebody's going to walk away and hum the melody, you've got it."

Schon hadn't turned 18 yet when he co-wrote three songs on Santana's 1972 album, a year after joining the band and playing on its hit "No One to Depend On."

How does a 17-year-old kid get thrust onstage alongside Woodstock guitar hero Carlos Santana?

"I was kind of known as this machine gun kid guitar player who played electric-style blues," Schon said. "Back then, I didn't really have a style, there was just a lot of fire. I borrowed a lot of licks off records like everyone does. The saying goes, 'once it's on wax it's up for grabs.' That's what I was doing. I was a kid sitting in my bedroom with a little record player just dissecting albums like Cream's 'Wheels of Fire" and all Jimi's (Hendrix) records. I learned as much as I could by ear by just trying to play their parts exactly, and then Zep came into play and Jeff Beck and I wanted to do a Cajun soup of everyone I was listening to including fusion guys like John McLaughlin and Miles Davis."

By choosing to join Santana, Schon turned down an offer from Eric Clapton to join Derek & The Dominoes, though not until after jamming one night with Clapton.

"Clapton said, 'Who do you listen to?' and I said 'Man, I pretty much learned everything I'm playing from you.' And he didn't believe me and so he handed me an acoustic guitar and I picked it up and played "Crossroads" note-for-note from 'Wheels of Fire' that I basically stole off that record."

Schon tries to steer clear of Internet arguments, though admits he occasionally gets drawn into a debate where someone suggests his guitar style isn't so original.

"I say yeah, man, it's all been done before; I never claimed I'm the originator of it, but neither are the people they believe originated it. It all comes from somewhere. And it's all been done."

People also wonder if it bothers him when Rolling Stone or other publications don't rank him among the greatest guitarists.

"I don't really care. I have tons of fans and when we play live, they love it," Schon said. "So really, being in a poll means nothing to me. John McLaughlin's not in the Top-20 guitarists' poll and he's one of the greatest guitarists in the world. I'm in really good company where a lot of my favorite guitar players are not in there. I agree with my old friend Eddie Van Halen who used to say you can't compare one guitar player to another. It's either good or it's not. You either like them or you don't. It's so stupid that people compare people, because it's an emotion, and everyone has their own way of conveying their emotional side through the instrument. It's personal preference for whoever's listening on the other side. It's all there for people to enjoy."

What does he enjoy most about rocking a stadium filled with people?

"Connections. That's the high point of when you're on stage knowing that you're connecting with them and they're getting it. You know when you have them when they erupt," Schon said. "You can make them erupt with a guitar solo; you can make them erupt with a hit song. It comes from a lot of different energy points the band has at given points of our set. It can be a ballad; it can be a rocker. It's just connecting with them. That's what we're there to do."

America's Got Talent Richard Goodall: What Happened to the AGT Janitor?

America’s Got Talent Richard Goodall , the humble singing janitor, is the clear breakout star of AGT 2024. His audition in late May where he performed a cover of Journey’s “Don’t Stop Believin'” earned him a coveted Golden Buzzer from judge Heidi Klum, catapulting him straight to the live shows. The video of his AGT performance on YouTube has been viewed over 15 million times (and it’s climbing!), leading fans to wonder what happened to him, where he is today, whether he can sing songs other than Journey covers, and when his next performance will be on the NBC talent show. Here’s everything we know so far about Richard Goodall on America’s Got Talent Season 19.

Where is America’s Got Talent Richard Goodall now?

The 55-year-old Richard Goodall from Terra Haute, Indiana continues to be a janitor at West Vigo Middle School and performs with his band ManOpause.

In an interview with news outlet WTWO WAWV on May 31, he explains that he isn’t letting the fame go to his head and is seen changing lights in the school. “I’m still me. I’m at West Vigo Middle School right now,” Goodall said. “How could I possibly become a diva, a type of person that I’m not? It’s never going to happen. I’m not a fancy person, never have been and never will be.”

This isn’t the first time Goodall has been an internet sensation. In May 2022, a Tiktok video of him performing “Don’t Stop Believin'” in front of a crowd of elementary students went viral. His performance earned the attention of Steve Perry, the lead singer of Journey, who commented on the video with “I love this” in a post on Twitter .

When is Richard Goodall’s next performance on AGT 2024?

Goodall is slated to perform next on AGT 2024 during the live shows in August.

For America’s Got Talent Season 19, the live shows will begin airing on August 13, though it’s unclear which episode Goodall is slated to appear in. This part of the competition will run from August 13 to September 18, so we will see him perform at least once in a semi-final and then see if he makes it through his bracket to the finals.

The janitor will need to earn enough votes to secure one of two places in the AGT 2024 Final, where he has the shot to win the $1 million grand prize and a shot at a residency spot in Las Vegas. If he does make it to the finale, there’s a chance we might see him perform with a legend, like Steve Perry, in a live results show.

America’s Got Talent will hopefully reveal the lineup of which acts will be performing in each live show soon. This will likely happen after the first phase of auditions finishes, so we’ll update this guide with any new information we come across about Goodall’s future appearances on the show.

What songs can Richard Goodall sing?

Goodall has a large repertoire of songs that he might sing on AGT that isn’t just Journey covers, though he is best known for them.

On Tiktok , where Goodall uploads videos as user “rg69rich” and calls himself the “Janitor with pipes!”, he is capable of singing a lot of different songs. This includes covers of “Old Time Rock & Roll” by Bob Seger, “Biggest Part of Me” by Ambrosia, “More Than Words” by Extreme. Goodall has also been seen singing more songs in various YouTube videos. He was on stage singing a cover of “Daylight” by Shinedown as well as another cover of “Anything Goes” by Randy Houser .

Considering Goodall’s impressive range of classic rock songs to country music, he has a lot of choices to pick from for his semi-final and final performances on AGT. Whatever song he chooses, it will hopefully showcase his powerful and soulful voice without pigeonholing him into a particular genre.

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