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Muse is an English rock band from Teignmouth in Devon that formed in 1994

It includes frontman, vocalist, and multi-instrumentalist Matt Bellamy, bassist and backing vocalist Christopher Wolstenholme, and drummer Dominic Howard. Muse is known for a unique style of alt-rock, with electronic music leanings and a blend of classical music, which lends to an ethereal, melancholic sound.

Starting in the early ’90s under the original name Gothic Plague, the band toured relentlessly with bands such as Skunk Anansie. The band released its first EPs to a loyal fan base and was met with relative success in the UK indie charts. This earned the group crucial backing from the likes of Steve Lamacq and NME, and its debut studio album Showbiz was released in 1999, scoring relative chart success. The album has since gone on to become a certified platinum album in the UK.

Muse’s second album, released in 2001, revealed a growth in sound and ambition that is still evident in its records today. Origin of Symmetry saw the band shift into progressive rock territory, producing momentous singles like “New Born” and “Bliss.” The album acted as a catalyst that moved Muse into commercial and critical success for years to come. Its next four albums all topped the UK album charts, and the band has sold over 15 million albums worldwide.

In 2003, Muse released its third album, Absolution. This album debuted at number one in the UK, and with time, became certified gold in the US. This album is widely considered the band’s breakthrough album, with key hits such as “Time Is Running Out” and “Hysteria” topping the charts. In support of this album, Muse headed out on a year-long international tour.

In 2006, Muse released its fourth studio album, Black Holes and Revelations. This album debuted at number one on the charts in five countries. From this album, two singles, "Supermassive Black Hole" and "Knights of Cydonia," became chart-toppers, reaching the top 10 hits in the UK.

Muse’s live shows also followed the same ambitious, gargantuan elevation of music. Famed for its tours, the band has won two Brit Awards for Best Live Act, and it sells out arenas and stadiums around the globe with ease. Muse has become a legendary force on the festival circuit, and has headlined Reading and Leeds, T in the Park, and Glastonbury over the years. At Glastonbury Festival 2010, a gigantic crowd to its pyramid stage set up at the latter event in 2010.

Around the same time, Muse’s latest album The Resistance was conquering all corners of the UK. The band then scooped three Grammy nominations and a win for Best Rock Album, which helped it officially break into the US. Its explosion in popularity led to its performance at the opening ceremony of the 2012 Olympic Games in London – and to its single “Survival” becoming the official anthem of the event.

Since its acclaimed Olympic performance, Muse has gone on to produce three more albums. Released in 2015, Drones was an album that aimed to return to the original rock sound for which Muse was originally known, but weaved in a powerful statement on the dehumanization of modern warfare. with the release of Drones, Muse began another tour focused on small venues throughout the UK and theAlong US. Drones an immediate hit, topping charts globally.

After touring the globe, including headlining at major festivals, Muse continued its path forward with another album release in 2018 — Simulation Theory. This kicked off the Simulation Theory World Tour, which took the band all the way from Houston, Texas, to a final stop in Lima, Peru.

At the end of 2019, Muse released a special compilation box titled Origin of Muse. This included remastered versions of its albums and previously unreleased music. This special edition is a dream come true for Muse fans. The box contains a 48-page book, nine CDs, four vinyl records. One of the highlights of the set is a fully-remastered version of the band’s debut album Showbiz.

Most recently, in 2022, Muse released the Will of the People. This album showcases the darker, heavier side of Muse’s music, with singles “Won’t Stand Down” and “Compliance” quickly becoming fan favorites.

Known for its flawless performances, Muse continues to capture the depth of its musical history in every show. Fans, who are often referred to as Musers, flock to see the band perform at large arenas around the world. Most shows sell out, and in order to find a position near the front of the stage, Musers arrive hours ahead of showtime.

Not only does Muse deliver an incredibly dynamic and energetic live show, but its sound production is renowned for being top-quality. Bellamy’s vocals can be heard clearly, along with every accompanying instrument. Recently, touring member Morgan Nicholls was replaced by Dan Lancaster. Lancaster now plays additional keys, percussion, and guitar, as well as providing backup vocals.

To snag tickets to a Muse tour date, make sure to pay attention to recently released tour schedules. Muse’s 2022-2023 “The Will of the People World” Tour reaches far and wide.

Live reviews

Enjoyed the band but not the show. The organizers failed in everything they could fail. Believe me, I've been to a lot of international shows here in Argentina and Chile, and this was the first time ever that I couldn't hear the music some times.

The "Complejo al Río" is in a great zone of Vicente López, really near to buses, subway, and two of the most important avenues (Av. Santa Fe/Cabildo/Maipú and Av. Libertador); so I got there without any troubles and even had some food because there were a lot of places to eat or drink near it.

It all went down when the showtime was getting near: I got in without getting checked, as most people, really dangerous; then, the entrance was full of construction debris (dangerous x2). Once I was in, I realized that the venue was pretty much a cement parking lot with a couple of bleachers, wouldn't be much of a problem if it weren't that: a) there were holes in the floor, so somebody could have get hurt while jumping and; b) it was on downhill, so that meant that in certain areas of the "campo trasero" you couldn't see anything.

When it started, everyone was excited, jumping, but two songs in we realised that we couldn't hear sometimes: the sound came and then go away. You could literally heard people talking over the music! And this wasn't an acoustic show! The low-volume stayed the whole gig, and it ruined songs like Madness that I could literally not hear. Bonus track: Matt confused Argentina with Uruguay and used their flag here. Everyone shouting "NOOO" which meant hearing even less.

Going strictly to the show: the band pulled out a pretty good one, they didn't interacted with the public a lot but considering videos I've seen, that's just how they are. The setlist was the very same of two days ago in Chile, so there's nothing to complain about though we Argentinians are used to the fact that the bands always play more songs here, or change the setlist a bit. Muse was not the case.

I still had a great time and would totally go to see this band again, specially because I feel like I didn't got the full experience. It's too much to know that they never come with the full stages and theatrics to add the fact that they came without speakers.

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This was the 3rd concert I have seen Muse at. I have to say as far as concerts go, you won't find one with any more to it than a Muse concert. I have been to many concerts and I love them all. Music made in a studio is never going to capture the real live sound. Music is made to be played live!

The Simulation tour was simply amazing. Visually, audibly and just being there. Having trombones being played, actually played not recorded and being a part of the opening was simply astonishing. It as a great sound and visually it was amazing. The same with Pressure, having the trombones out there added to the song and made it unbelievable.

They also played Dig Down the acoustic gospel version live. With Dom, Matt and Chris playing center of the stadium. Chris on the acoustic guitar, Matt on the piano and Dom obviously on the drums. What a neat set to see them playing so close together and the gospel signers on stage lit up by their costumes. Very well done!

Our son didn't(teenager) didn't understand the Close Encounters of the 3rd kind part. Where Matt was playing the guitar and the mother ship was responding. He is too young. :-) My wife and I got it.

Watching Matt play his guitar by his tong! What? I had never seen anything like it. He is amazing. Chris is just amazing on bass and Dom on drums. These guys can do it all!

What a fun show. I really appreciate what Muse has done to give back to their fan's. Too many bands don't care as long as they sell their tickets. Muse doesn't appear to be like that. Even purchasing tickets, they allow the true fans to purchase first getting the best seats.

I look forward to seeing them again! Great show, great music, and a great time. Playing for almost 2 hours. Great job Muse!

Over the course of two decades, Muse’s live show has evolved into one of the most sensational spectacles in the world - an experience worthy of four (!) live DVDs churned out since the release of Hullabaloo in 2001.

From humble beginnings touring the UK dive bar circuit, the band’s intellectual prog-rock quickly earned them the heavy burden of ‘the next Radiohead’: a stigma brushed aside, and a prophecy fulfilled.

The band’s trajectory to international stardom was driven in the early noughties by huge success around ‘Origin Of Symmetry’ and ‘Absolution’; a pair of records that delivered sold out arena shows across the globe.

From that point on, Muse poured everything into their live show. From huge satellite dishes beaming light into the sky to monumental, rotating pillars, each tour delivers something totally unexpected, and utterly jawdropping. And that’s prior to any mention of the crazy, crazy talent exhibited on stage. Matt Bellamy, one of the few true rockstars of the modern age, thrashes and strokes at his guitar in equal measure, and delivers stunning falsetto vocals. Though the band have recruited extra, ‘behind-the-scenes’ members over recent years, the amount of noise produced by the three piece remains astounding.

With Glastonbury and Coachella headline slots - and just about everything other accolade - under their belts, where now for Muse? Somehow, the only way, still, is up. And it’s guaranteed to be totally bombastic.

Since their incarnation in 1994, the Devon trio has evolved from a garage rock band into a momentous live act that has conquered the largest stages and festivals all around the planet with their space-themed apoco-pop rock. The band has six albums in its discography, which was not seem like very much for an artist that has reached a reputation as saintly as Muse, yet it is what Matt Bellamy and co transform their music into onstage which continues to wow audiences.

As the bass rumbles and begins 'Supremacy', the band appear all at once surrounded by fire and pyrotechnics as they wage some solar war all within their own minds. As they run through their hits such as 'Supermassive Black Hole' and 'Starlight' at blistering speeds, the audience have no choice to watch on in blind amazement. Matt Bellamy is a frontman often likened to the late, great Freddie Mercury and after seeing him perform you realise there is serious weight behind these lofty claims.

No matter how big his crowd, Matt throws himself into every blistering guitar solo and whips crowds into frenzies like no other. When the finale of 'Knights Of Cydonia' kicks in, the audience has completely surrendered itself to the supernatural, surreal world of Muse and simply hope they will never return.

Santiago de Chile - October 13th

The first good surprise was with the opening band, Kaiser Chiefs. The show was short but a very good one! The singer, Ricky Wilson, is very charismatic and an excellent dancer!

About Muse - Tour Simulation Theory:

the sound was very good, the instruments were heard in good frequency and also the voices.

The band has a strong connection on stage and a great dynamic between them.

The setlist was very well chosen, mixing successful songs from previous albums, like Hysteria, Supermassive and Starlight; and new album hits like: Algorithm, Propaganda and Thought Contagion.

The songs were similar to other shows that they played on this tour in all Latin America, but they surprised Santiago with the song Bliss (not in other setlists).

Lead singer Matt sings very well live can make different tones of voice, is incredible, just like the albums!

In addition, the lighting games and dancers who were on the stage during the show further contributed to the whole presentation.

The show finished with Knights of Cydonia and made everyone very happy!

A great night! Thank you Muse!

I had seen Muse a few times at various festivals over the years (Reading twice, V Festival, Download) and wanted to see them in their own show and I thought what better place than to do that than at Londons O2 Arena.

Muse played for 2 hours with a faultless performance. Belting out classics such as Plug In Baby, Stockholm Syndrome and completing the evening with the infectious Knights Of Cydonia as well as promoting songs from the current Drones album.

My only regret of the evening was having to be upstairs on Level 4 for this concert. People standing in the Floor areas and Level 1 seem to be able to let loose and enjoy themselves but upstairs really didn't know how to behave at a rock concert with he majority remaining seated and I was even asked to sit down by the person behind me. Unfortunately the big arenas can bring out the punters who aren't used to what a rock concert can be about but i'll balance this comment by saying that I should have been downstairs if I really wanted to rock out.

Great performance by band, disappointed with the crowd as a whole.

We came in from Houston to see Muse in Austin. I've had to miss their TX shows in the past because I didnt have the money or time, but this year I said fuck it, I'm going to this show and I wont miss them again. It was so worth it. They sounded amazing, the whole band are great performers. They posted the whole concert on facebook so I thought that was cool. I can watch it again if I want. So, so worth it. The stage was really cool with these stacks of video monitors in the back and they were staggered. It's hard to describe, but it looked really good. The only complaint I had was that I bought an actual seat but everyone stood the whole time, so it was kind of pointless, but I'm glad I had something to lean on if I got too tired. It was kind of hard to see the band on stage because people were in the way, but I'm sort of short so...oh well. It was a very minor complaint and nothing against Muse. If (I should say WHEN) I see them again, I'll try to get a seat on the rail with no one in front of me, but you know how it goes.

An impressive start with "Psycho" brought all the energy to the Olympia-halle without any warming up. The setlist was loaded with the tracks of their latest Best-Rock-Album-Grammy winner, "Drones", but also included some classics as "Plug In Baby", "Stockholm Syndrome", and an amazing performance of "Citizen Erased", a song from "Origin of Symmetry" rarely played in the latest years shows.

The stage in itself deserves recognition as it was meant to rotate, while holding a structure from where around ten drones came into the show flashing and wandering around some meters over the crowd. In addition, a series of interactive projections were prepared in accordance to every song lyrics.

Bellamy asked people to help on singing the already classic "Time Is Running Out", as well as "Starlight" and the whole chorus for "Uprising".

A great show that clarifies why they are one of the best live bands at the moment.

There is a reason these guys play in big arenas. It’s not just a few guys on a stage playing their music, it’s a production. Even up in the nosebleeds it was a great show.

Spoiler alert! Don’t read any further if you don’t want to know.

Had it all! Glowing glasses, lit up suits, giant robots, a piano that shoots lasers, dancers with flashlights, smoke machines and glowing batons, and a special appearance by Eddie! People hanging from wires, surprises coming up from trap doors, lasers, lasers and more lasers! The set was a blistering 26 songs lasting a little over two hours!

I will definitely see them again the next time they come to town. Though not from the balcony. They say “Don’t look down if you have a thing about heights.” That’s where the stage is!

Great show.

Saw them in Milan 20/5. I've been attending concerts for more than 10 years now and this gig goes into my top 5!! The show, the energy, the sound (!!) was amazing! I was blown away by Matt's voice, so clear and beautiful, Chris's dexterity with the bass (for me the second best bass player ever) and Dominic's drum solos. I loved the round stage in the center of the arena, you can really see them well from wherever you are standing/seating. I really wish more bands could afford this kind of technology, oh well... And the video projections, especially the puppeteering part during The Handler... genious and scary! The setlist included almost all the songs I wanted to hear live (I only missed Stockholm Syndrome and Bliss). All in all, kudos to the guys, really, I hope too see them again very soon.

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20 Best Muse Songs – As Voted By You

As Muse prepare to unleash new album ‘The 2nd Law’, we present the band’s 20 finest music moments – as voted for by NME.COM users over the past couple of weeks

• 20 .   Starlight

A spangly glam moment from 2006’s ‘Black Holes And Revelations’, ‘Starlight’ was one of the first signs of Muse’s modern gloss edge.

19 .   Sing For Absolution

Muse’s biggest ballad, ‘Sing For Absolution’ is a hymn to a dying humankind, even though Muse’s own attempts to save the human race amounted to a really expensive video where they blasted off to populate another planet only to crash-land on a desert Earth. Typical.

18 .   Feeling Good

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We’d heard Big Band versions before, but never this big. Muse took Nina Simone’s tender soul serenade to a brave new day – a kind of 60s ‘One Day Like This’ – and pumped it so full of preening pomp rock it ended up feeling really quite brilliant.

17 .   Hyper Music

An early chunk of Muse funk metal, Chris channels the maniac spirit of Flea, Matt comes over all Hendrix and, somewhere in the flurry of furious fret-mangling, some poor bugger gets dumped: “ I don’t want you and I never did… ”

16 .   Supermassive Black Hole

Having shifted the recording of ‘Black Holes And Revelations’ from Chateau Miraval in rural France to clubland Manhattan, Muse caught the disco bug in time to make ‘Supermassive Black Hole’ sound like Prince joining Crystal Castles.

15 .   Dead Star

A between-album single recorded live on 2002’s ‘Hullabaloo Souundtrack’ album, ‘Dead Star’ is Muse in full-on metal mode, Chris and Dom pounding out a virtual Download while Matt does his best impression of a pitchfork-wielding devil imp auditioning for Joseph…

14 .   Space Dementia

The point on ‘Origin Of Symmetry’ where it became clear Muse were morphing into a newer and classier breed of rock band, ‘Space Dementia’ is a shifting, multi-sectioned prog piece complete with drifting interludes, perfume-ad pianos and a coda of marching mecha-mammoths.

13 .   Sunburn

The debut album’s opener was virtually proto-Muse, all haunted piano, Chris’ masterful bass meanders and a guitar solo like a Death Star recharging.

12 .   Muscle Museum

The first breakthrough track, rarely played live today, was a mischievous and mysterious shimmy of snake-charming guitars, Egyptian synths, Metallic Matt wailing and proof that, even by then, they’d paid their dues: “I have played in every toilet…” Unless, come to think of it, they were coming out as rampant cottagers.

11 .   Showbiz

Akin to ‘Vegetable’ popping up in a list of the Top Twenty Radiohead songs perhaps, but the debut album’s title track – a brooding mood piece in which Muse found their noise-some feet – is equally as worthy of its place.

10 .   Butterflies And Hurricanes

The ‘Absolution’ masterpiece which showcased Matt’s inner concert pianist, breaking from one of rock’s most elegant modern classics for a bout of virtuoso ivory-bashing that’d make Rachmaninov soil his breeches.

9 .   Map Of The Problematique

Come 2006’s ‘Black Holes And Revelations’, Muse were venturing into electro-goth-pop territory, not least on the Depeche Mode-esque ‘Map Of The Problematique’, a tune about how – as a result of population growth, energy depletion and shrinking resources – you will probably one day have to eat your mother’s corpse to survive. Sorry.

8 .   Time Is Running Out

The cream of Muse’s all-out pop numbers, this ‘Absolution’ highlight was a banger from the android nightclub at the end of the universe.

7 .   Knights Of Cydonia

Hands up anyone who, post-puberty, thought they’d ever find themselves head-banging like an angry stallion to a prog metal song about ancient Martian warrior kings full of galloping horses, mariachi trumpets, 60s ‘Telstar’ wibbles and a riff like Led Zeppelin arm-wrestling Beelzebub? Liars.

6 .   Citizen Erased

Completing a trio of Top ten ‘Origin…’ tracks, ‘Citizen Erased’ was the album’s seven-minute centrepiece and one of Muse’s finest early opera-rock gems.

5 .   Bliss

Traditionally the moment at Muse gigs where everyone goes “ooh! Balloons!”, 2001’s ‘Bliss’ is perhaps the catchiest song ever written about wanting to electronically download someone else’s happiness into your own brain.

4 .   New Born

A vision of a Matrix future from the ‘Origin…’ album and a prime example of Muse’s occasional ruse of lulling you into a sense of tinkly piano serenity then stomping on the Vocanic Feedback pedal, holding you down and beating you in the face with a riff mace until you look like Anne Widdecombe’s arse.

3 .   Plug In Baby

Not number one? Really ? ‘Plug In Baby’, to these ears the best rock song of the 00s, was where the ‘Origin Of Symmetry’ era Muse hit hyperspeed on the back of a riff beamed direct from Olympus and a hook that made crucifying enemies and de-wiring yourself from “unbroken virgin realities” (i.e. getting laid?) sound spectacular.

2 .   Stockholm Syndrome

Amongst Muse’s most intense and hardcore tracks, ‘Stockholm Syndrome’ – using the real-life syndrome of hostages falling in love with their captors as a metaphor for a dysfunctional relationship – builds from verses of heads-down shredding into a chorus that bursts from the band like the chest-beam at the end of The Fifth Element.

1 .   Hysteria

“I want it now! I want it NOOOOW!!” howls Matt Bellamy from the far end of a pop metal wormhole as Muse’s biggest fan favourite, from 2003’s ‘Absolution’, crunches and careers by in a barrage of Titanic bass and riff as energised as a barrel of Helium-3. And what exactly does he want? A female orgasm. FACT.

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• June 4, 2022 Setlist

Muse Setlist at Nürburgring, Nürburg, Germany

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Tour: Will of the People Festivals Tour Tour statistics Add setlist

• Song played from tape Intro: Chant Play Video
• Will of the People ( Live debut ) Play Video
• Interlude Play Video
• Hysteria ( Rage Against the Machine's "Know Your Enemy" riff outro ) Play Video
• Song played from tape [Drill Sergeant] Play Video
• Psycho Play Video
• Pressure Play Video
• Won't Stand Down Play Video
• Map of the Problematique ( Unknown riff + Slipknot's "Duality" riff outro ) Play Video
• The Gallery Play Video
• Compliance ( Guitar version ) Play Video
• Song played from tape Interstitial 'Parkour' Play Video
• Time Is Running Out Play Video
• Nishe ( Shortened; first time live since 2011; first time on guitar since 2008 ) Play Video
• Madness Play Video
• Citizen Erased Play Video
• Supermassive Black Hole ( The Jimi Hendrix Experience's "Foxy Lady" riff outro ) Play Video
• Thought Contagion Play Video
• Song played from tape Interstitial 'Driving' Play Video
• Plug In Baby ( Extended ) Play Video
• Behold, the Glove ( Matt Bellamy  song) ( Live debut ) Play Video
• Uprising ( Intro synths played by Matt on Power Glove; Extended outro ) Play Video
• Prelude Play Video
• Starlight Play Video
• Kill or Be Killed ( World premiere ) Play Video
• Knights of Cydonia ( Ennio Morricone's "Man With a Harmonica" intro ) Play Video

Edits and Comments

75 activities (last edit by allenz , 30 Sep 2023, 15:07 Etc/UTC )

Songs on Albums

• Knights of Cydonia
• Map of the Problematique
• Supermassive Black Hole
• Kill or Be Killed
• Will of the People
• Won't Stand Down
• Time Is Running Out
• Citizen Erased
• Plug In Baby
• Thought Contagion
• The Gallery
• Behold, the Glove by Matt Bellamy

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Muse Wraps Will of the People World Tour Smashingly in London

Setlist History: Muse Kicks off Black Holes & Revelations Tour

Muse gig timeline.

• May 09 2022 Eventim Apollo London, England Start time: 8:45 PM 8:45 PM
• May 10 2022 Eventim Apollo London, England Start time: 8:50 PM 8:50 PM
• Jun 04 2022 Rock am Ring 2022 This Setlist Nürburg, Germany Start time: 10:30 PM 10:30 PM
• Jun 05 2022 Rock im Park 2022 Nuremberg, Germany Start time: 9:25 PM 9:25 PM
• Jun 09 2022 Nova Rock 2022 Nickelsdorf, Austria Start time: 11:10 PM 11:10 PM

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Muse Announce 2023 North American Tour With Evanescence

Muse  bring their "Will of the People Tour" to stateside fans when the English rock band visits venues in the U.S. and Canada for a North American tour in early 2023. Evanescence  provide support on the bill.

Are you ready to rock?  Get Muse tickets here.

Will of the People is Muse's latest album. The futuristically anthemic rockers' ninth studio effort, it emerged last month. It contains the singles "Won't Stand Down," "Compliance," "Kill or Be Killed," "You Make Me Feel Like It's Halloween" and the title track.

Muse singer  Matt Bellamy said that  Slipknot influenced the album, thanks to his son's love of the metal band .

General on-sale for Muse tickets starts Oct. 7 at 10AM. Pre-sale begins Oct. 4. Go to  willofthepeopletour.com  and get info here . See the dates below.

Muse + Evanescence 2023 North American Tour Dates

Feb. 25 – Chicago, Ill. @ United Ctr Feb. 26 – Minneapolis, Minn. @ Target Ctr Feb. 28 – Austin, Texas @ Moody Ctr March 2 – Houston, Texas @ Toyota Ctr March 3 – Fort Worth, Texas @ Dickies Arena March 7 – Columbus, Ohio @ Nationwide Arena March 9 – Toronto, Canada @ Scotiabank Arena March 11 – Quebec City, Canada @ Videotron Ctr March 14 – Montreal, Canada @ Bell Ctr March 17 – New York, N.Y. @ MSG March 19 – Philadelphia, Pa. @ Wells Fargo Ctre April 2 – Glendale, Ariz @ Desert Diamond Arena April 4 – Denver, Colo. @ Ball Arena April 6 – Los Angeles, Calif. @ Crypto.com Arena April 8 – Las Vegas, Nev. @ T-Mobile Arena April 10 – San Diego, Calif. @ Pechanga Arena April 12 – Anaheim, Calif. @ Honda Ctr April 16 – Portland, Ore. @ Moda Ctr April 18 – Seattle, Wash. @ Climate Pledge Arena April 20 – Salt Lake City, Utah @ Vivint Arena

Rock + Metal Bands That Have Played Over 2,000 Shows

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Muse Tour 2025 Song List: Unlock the Ultimate Setlist Experience

The Muse Tour 2025 song list features a captivating mix of their classic hits and new releases. The band’s setlist promises to deliver an electrifying and unforgettable experience for fans worldwide.

Muse, the iconic British rock band, has been captivating audiences with their dynamic performances and thought-provoking lyrics for over two decades. The highly anticipated Muse Tour 2025 promises to showcase the band’s musical prowess and stage presence as they perform a carefully curated selection of songs.

From timeless favorites such as “Uprising” and “Knights of Cydonia” to their latest chart-toppers, fans can expect an exhilarating musical journey. With their blend of rock, electronic, and symphonic elements, Muse’s live concerts are renowned for their immersive and energetic atmosphere. As the band takes the stage, fans can look forward to an electrifying experience that transcends traditional concert expectations.

1. The Evolution Of Muse’s Setlists

In the music industry, Muse has earned a reputation for delivering electrifying performances that resonate deeply with their fanbase. Part of their appeal lies in their ever-evolving setlists, which have undergone substantial changes over the years. Let’s take a closer look at the evolution of Muse’s setlists and the impact of technology on their song selection process.

1.1 From Origin To Simulation Theory:

From the early days of their career to the era of Simulation Theory, Muse has continuously redefined their setlists, adapting to the changing musical landscape and the preferences of their audience. Each album release has brought a shift in the band’s live performances, with a carefully curated selection of songs that reflect their artistic growth and creative vision.

1.2 Impact Of Technology On Setlist Design:

Technology has played a pivotal role in shaping Muse’s setlist design. Advancements in audiovisual production, stage effects, and digital instrumentation have allowed the band to tailor their performances to create an immersive experience for concert-goers. The integration of innovative lighting and sound technologies has expanded the possibilities for crafting dynamic and captivating setlists that resonate with fans on a deeper level.

2. Creating The Ultimate Setlist Experience

The 2025 Muse Tour is set to be an unforgettable experience for fans around the world. One of the key elements that make a concert truly remarkable is the setlist. Muse understands the importance of creating the ultimate setlist experience to engage and excite their audience. In this section, we will delve into the meticulous process of crafting the ideal song list for the upcoming tour, focusing on fan preferences, balancing classics and new tracks, and incorporating special guest appearances.

2.1 Analyzing Fan Preferences

Understanding the preferences of their devoted fanbase is crucial for Muse in curating a setlist that resonates with the audience. Through in-depth analysis of fan feedback, social media interactions, and survey data, Muse can pinpoint the most beloved songs and integrate them into the concert lineup. This fan-centric approach ensures that the setlist reflects the desires of the audience, resulting in an electrifying concert experience.

2.2 Balancing Classics And New Tracks

Achieving the perfect balance between timeless classics and new tracks is essential for keeping the audience enthralled throughout the performance. Muse meticulously selects a blend of signature hits and fresh releases to cater to the diverse musical tastes of their fans. This strategic mix ensures that longtime supporters can revel in nostalgia while being captivated by the band’s latest creations.

2.3 Incorporating Special Guest Appearances

Adding an element of surprise and excitement to the concert, special guest appearances elevate the overall experience for attendees. Whether collaborating with renowned artists or welcoming surprise guests on stage, these appearances inject an additional layer of thrill into the show. Muse strategically integrates these memorable moments into their setlist, leaving the audience with unforgettable memories to cherish long after the concert concludes.

3. Unveiling The Muse 2025 Tour Setlist

Discover the electric anticipation of Muse’s upcoming 2025 tour as they unveil their exhilarating new setlist. Immerse yourself in a mesmerizing lineup of their iconic songs, guaranteed to captivate audiences and leave them spellbound.

3.1 Overview Of Iconic Openers

3.2 showcasing crowd favorites, 3.3 surprising fans with deep cuts, 3.4 building towards the ultimate encore.

Credit: hilite.org

4. Interactive Setlist Selection: A Unique Fan Experience

Experience the unparalleled Muse Tour 2025 Song List with the interactive setlist selection, offering fans a unique opportunity to shape the concert experience. Engage with your favorite tracks and create a personalized show, immersing yourself in an interactive and dynamic live performance.

When it comes to attending a concert, fans often long for the opportunity to hear their favorite songs live. Muse, the renowned rock band, understands this desire and has taken it to a whole new level with their interactive setlist selection, providing fans with a unique and unforgettable experience.

4.1 The Rise Of Fan-driven Setlists

With the rise of technology and social media, fans have gained increased power and influence over the music they love. Muse has recognized this and embraced the concept of fan-driven setlists, allowing their audience to have a say in what songs they want to hear during their concerts.

This revolutionary approach not only puts the fans in control but also creates an unparalleled sense of anticipation and excitement. Rather than following a fixed setlist, Muse listens to their dedicated fan base and tailors each performance accordingly.

4.2 Incorporating Fan Voting Systems

To facilitate this interactive setlist selection process, Muse has incorporated fan voting systems into their live shows. Before each concert, fans are given the opportunity to vote for their favorite songs from a pre-selected pool.

These votes are then collected and analyzed, resulting in a unique setlist specific to that particular performance. By giving their fans a voice in the selection process, Muse ensures that each concert is an individual and personalized experience based on the preferences of the attending audience.

4.3 The Challenges Of Real-time Setlist Changes

Although the concept of real-time setlist changes allows Muse to deliver an unforgettable experience, it also presents its own set of challenges. The band must be prepared to perform a wide range of songs, ready to seamlessly transition between them as per the fans’ choices.

This level of flexibility requires rigorous planning, rehearsal, and coordination among the band members. Muse’s commitment to providing their fans with a unique and memorable experience is evident in their ability to overcome these challenges and effortlessly adapt their setlist on the fly.

As a result, audiences are not only treated to their favorite hits but also have the chance to encounter rare gems or unexpected surprises during the concert.

5. Unforgettable Moments From Past Muse Tours

Over the years, Muse has captivated audiences around the world with their electrifying performances. From jaw-dropping collaborations to mind-blowing visual spectacles, their concerts have been filled with moments that fans will cherish forever. Join us as we take a trip down memory lane and explore some of the most unforgettable moments from past Muse tours.

5.1 Memorable Collaborations

During their tours, Muse has often surprised fans with unexpected collaborations, bringing together different musical talents for truly unforgettable performances. From legendary artists to rising stars, the band has shared the stage with a diverse range of musicians, ensuring that each show becomes a unique and extraordinary experience.

Some of the most memorable collaborations from past Muse tours include:

• The unforgettable duet with Adele, where their powerful voices intertwined, leaving the audience in awe.
• The epic guitar battle between Matt Bellamy and Slash, creating an adrenaline-fueled moment that rocked the crowd.
• The surprise appearance of Taylor Swift, as she joined the band for a breathtaking rendition of one of their hit songs.

5.2 Theatrical And Visual Spectacles

Muse is known for pushing the boundaries when it comes to their live performances, creating mesmerizing theatrical and visual spectacles that leave fans mesmerized. From stunning lighting effects to mind-bending stage setups, each show is a visual feast for the eyes, enhancing the impact of their powerful music.

Some of the most awe-inspiring theatrical and visual spectacles from past Muse tours include:

• The mesmerizing holographic projections that transported fans to another dimension, blurring the lines between reality and fantasy.
• The breathtaking aerial acrobatics performed by skilled performers, adding an element of wonder and amazement to the concert experience.
• The explosive pyrotechnics synchronized with the music, transforming the stage into a fiery spectacle that ignited the crowd’s excitement.

5.3 Unprecedented Setlist Surprises

Muse is known for keeping their fans on their toes with setlist surprises, ensuring that each concert is a unique journey through their discography. From rare B-sides to unexpected covers, the band always finds a way to thrill their audience by delivering songs that fans never thought they would have the chance to experience live.

Some of the most exciting setlist surprises from past Muse tours include:

Credit: issuu.com

Credit: www.tiktok.com

Frequently Asked Questions On Muse Tour 2025 Song List

What songs are on the muse tour 2025 setlist.

The Muse Tour 2025 setlist includes their greatest hits, such as “Starlight,” “Uprising,” “Knights of Cydonia,” and new tracks from their latest album. Fans can expect an electrifying mix of rock anthems and captivating melodies that will leave them wanting more.

How Can I Get Tickets For The Muse Tour 2025?

To get tickets for the Muse Tour 2025, visit the official Muse website or check reliable ticketing platforms. Keep an eye on pre-sale announcements, subscribe to their newsletter, or follow their social media pages for exclusive access to ticket pre-sales and VIP packages.

Will There Be Special Guests On The Muse Tour 2025?

Yes, the Muse Tour 2025 will feature special guests that complement their unique sound and energy. Stay tuned for announcements about the talented artists who will join Muse on stage to create unforgettable performances and enhance the concert experience.

To sum up, the Muse Tour 2025 Song List promises an exhilarating experience for fans of the iconic band. With a diverse selection of their greatest hits, the tour is set to captivate audiences around the world. From the energetic performances to the awe-inspiring visuals, Muse never fails to deliver an unforgettable show.

Get ready to be transported into a musical journey unlike any other as the band takes the stage. Don’t miss out on this extraordinary event!

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Jeffrey Lyman

Professor of Music University of Michigan

Jeffrey Lyman has established himself as one of the premier performers, teachers, and historians of the bassoon in the U.S. He has been professor of bassoon at the University of Michigan School of Music, Theatre & Dance (SMTD) since 2006, and, prior to that, held positions at Arizona State University and Bowling Green State University. He has been a member of numerous orchestras across the country and has performed with the Philadelphia Orchestra, the Los Angeles Philharmonic, the Metropolitan Opera Orchestra, the Opera Company of Philadelphia, the Savannah Symphony, the ProMusica Chamber Orchestra of Columbus, the Grand Rapids Symphony, and the Michigan Opera Theatre, to name a few.

Michael Harley

University of South Carolina

Michael Harley enjoys a varied career as a teacher, performer, and music advocate. He teaches bassoon and chamber music at the University of South Carolina, where he also serves as Artistic Director of the award-winning Southern Exposure New Music Series. Harley’s playing been called “spectacular” (Washington Post) and “exquisite” (Columbus Dispatch). As a founding member of the contemporary music chamber orchestra Alarm Will Sound, called “one of the most vital and original ensembles on the American musical scene” by the New York Times, Harley has worked with and premiered pieces by many of today’s most accomplished composers.

Rachael Elliott

Longy School of Music of Bard College

Rachael Elliott is a bassoonist and passionate chamber musician specializing in contemporary music. She is a founding member of Clogs, Dark in the Song, EK Duo, Heliand, and Tuple Bassoon Duo. With Clogs, she has toured the USA, Canada, England, Europe and Australia, with performances at the Adelaide and Sydney Festivals; the Barbican Centre, London Jazz Festival and Brighton Festival in England; Brooklyn Academy of Music, the Knitting Factory and Joe’s Pub in NYC; and festivals including MusicNOW, Big Ears, and Halifax Jazz Festival.

Lynn Hileman

Founder - Mental Musicianship

Bassoonist Lynn Hileman’s performances as a soloist and chamber musician have taken her around the world, with appearances in the United States, Europe, Latin America, and Asia at venues including the Festival Internacional de Sopros (Rio de Janeiro), November Music and GLOW Festivals (the Netherlands), the Surround Festival (Brugge, Belgium), and the Florida Electroacoustic Music Festival. A passionate advocate of contemporary and experimental music, she has given workshops on live looping techniques for bassoon and is a founding member of the contemporary bassoon collectives Tuple Bassoon Duo, Dark in the Song, and Rushes Ensemble.

Program Highlights

See below for a collection of program highlights from this summer’s NewBassoon Institute:

• Performance master classes and private lessons by NewBassoon Institute Faculty Rachael Elliott, Michael Harley, Lynn Hileman, and Jeffrey Lyman
• Performance of the work “Rushes,” by Michael Gordon
• Performances of chamber music for multiple bassoons, prepared during the week
• Institute showcase performance (all participants): Arboretum, by Brad Balliett
• Workshops on contemporary bassoon literature, commissioning new works, and the pedagogy of extended techniques, with strategies for circular breathing, multiphonics, flutter tonguing, and microtones
• “Get Out of Your Head and Into Flow” workshop
• Bassoon recitals of contemporary works for bassoon
• Faculty performance of solo and chamber works

Tuition & Housing Information

Tuition information for the 2024 NewBassoon Institute are listed below.

Program Tuition

WITH HOUSING + MEALS 

• $1000 – Participation + Housing & Meals

IMPORTANT NOTE:  Cost provides housing 3:00 P.M. Sunday, June 2, 2024, through 12:00 P.M. Saturday, June, 8, 2024. Meals provided will include breakfast, lunch, and dinner, beginning with dinner on Sunday, June 2, 2024, and ending with brunch on Saturday, June 8, 2024.

Housing / Meal Information

Participants will be housed in the following dormitory: Baits Housing

Participants will receive meals in the following dormitory: Bursley Dining Hall

Participant tuition will include all program activities for the duration of the week. Participants must pay for their own travel to and from Ann Arbor, MI,  and should plan to arrive by June 2, 2024, and depart on June 8, 2024.

Application Requirements

For program consideration, all application and audition materials must be received by the application deadline of  March 1, 2024 . Applications may be accepted after the deadline if openings remain. Review, admission, and notification for late applications will be on a rolling basis.  To apply to the 2024 NewBassoon Institute you must complete the online application and pay the $50 non-refundable application fee.   The following items will be required for your 2024 NewBassoon Institute Application to be considered complete once applications are available:

• Upload an updated resume or CV
• *Upload files for 2 contrasting contemporary pieces or movements for unaccompanied bassoon solo, with or without electronics, and/or bassoon and piano

*Specifics regarding the 2 contrasting pieces or movements are as follows:

• Excerpts from longer works are fine, providing all music submitted totals a minimum of 6 (six) minutes
• Included work(s) should have been written after 1970
• Uploads can include both works in a single file/video, or include two separate files/videos
• Preferred file format is MP4 or MOV

For general questions about the program, please contact Jeffrey Lyman via email at [email protected] .

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Office of Engagement & Outreach University of Michigan School of Music, Theatre & Dance Stearns Building │ 2005 Baits Drive │ Ann Arbor, MI 48109 Phone: (734) 936-2660 Email: [email protected]

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Concord originals partners with newfest for short film initiative; songs from concord’s music catalogs available for qtbipoc filmmakers.

• All the Surprise Songs Taylor Swift Has Played On The Eras Tour So Far

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Over a year into Taylor Swift’s Eras tour , she has found ways to keep the show fresh and new for those who have been waiting since she opened in Phoenix, Arizona in March 2023 to see her. Since the tour began in the United States last year, Swift has released two rerecorded albums —  Speak Now (Taylor’s Version)  and  1989 (Taylor’s Version)  in addition to a brand-new double album,  The Tortured Poets Department. 

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Taylor Swift’s U.S. Fans Flock To Europe To Bag Cheaper Eras Concert Tickets

Taylor Swift: Which Eras Tour Songs Didn’t Make Concert Film & Which Surprise Songs Got In

Every show on the Eras Tour involves an acoustic set where Swift performs at least two songs custom to that night’s show. At first, she wouldn’t allow herself repeats unless she messed up the lyrics to a song, but now, she has done away with that rule and gotten more creative by combining songs in mashups and playing up to four in a segment. The first song or three take place on guitar, and then she shifts to piano for the second half before diving beneath the stage to resume the setlist – which has since contracted and expanded to include a  Tortured Poets Department  era and set .

Below you’ll find Taylor Swift’s surprise songs that she has played most recently in Europe as well as a record of all those she has played on the entire tour so far.

International Leg 2024

• February 6 — “Holy Ground” and “Dear Reader”
• February 7 — “Eyes Open” and “Electric Touch”
• February 8 — “Superman” and “The Outside”
• February 9 — “Come In With the Rain” and “You’re On Your Own Kid”
• February 16 in — “Red” and “You’re Losing Me”
• February 17 — Mashup of “Getaway Car”/”August”/”The Other Side of the Door” and “This Is Me Trying”
• February 18 — Mashup of “Come Back… Be Here”/”Daylight” and “Teardrops on My Guitar”February 23 in Sydney, Australia – “How You Get the Girl” and Mashup of “White Horse/Coney Island” with Sabrina Carpenter
• February 24 — “Should’ve Said No (Naur)” and Mashup of “New Year’s Day/Peace”
• February 25 — Mashup of “Is It Over Now/I Wish You Would” and Mashup of “Haunted/Exile”
• February 26 — Mashup of “Would’ve Could’ve Should’ve/Ivy” and Mashup of “Forever & Always/Maroon”
• March 2  — Mashup of “long story short/The Story of Us” and Mashup of “Clean/evermore”
• March 3 — Mashup of “Mine/Starlight” and Mashup of “I Don’t Wanna Live Forever/Dress”
• March 4 — Mashup of “Foolish One/Tell Me Why” and Mashup of “This Love/Call It What You Want”
• March 7 — Mashup of “Death by a Thousand Cuts/Babe” and Mashup of “Fifteen/You’re On Your Own Kid”
• March 8 — Mashup of “Sparks Fly/gold rush” and “False God/Slut!”
• March 9 — Mashup of “Tim McGraw/Cowboy Like Me” and “Mirrorball/Epiphany”

RELATED: ‘Taylor Swift Vs Scooter Braun: Bad Blood’ Doc Set At Discovery+ UK

April 19 –  The Tortured Poets Department  release day

*Resuming her European tour in 2024 involved an additional set for the record-breaking   The Tortured Poets Department  complete with 7 staple songs. Most — “Fortnight (feat. Post Malone),” “Down Bad,” “But Daddy I Love Him,” “Who’s Afraid of Little Old Me?” “I Can Do It With A Broken Heart,” “The Smallest Man Who Ever Lived” from the first half and “So High School” from the second half. 

• May 9 — “Paris” and “loml”
• May 10 — Mashup of “Is It Over Now/Out of the Woods” and “My Boy Only Breaks His Favorite Toys”
• May 11 — “Hey Stephen” and “Maroon”
• May 12 — Mashup of “The Alchemy/Treacherous” and “Begin Again/Paris”
• May 17 — Mashup of “I Think He Knows/Gorgeous” and “Peter”
• May 18 — “Guilty as Sin” and Mashup of “Say Don’t Go/Welcome to New York/Clean”
• May 19 — Mashup of “Message in a Bottle/How You Get the Girl/New Romantics” and “How Did It End?”
• May 24 — Mashup of “Come Back…Be Here/The Way I Loved You/The Other Side of the Door” and Mashup of “Fresh Out the Slammer/High Infidelity”
• May 25 — Mashup of “Now That We Don’t Talk/The Tortured Poets Department” and Mashup of “You’re On Your Own Kid/Long Live”
• May 29 — Mashup of “Sparks Fly/I Can Fix Him (No Really I Can)” and Mashup of “I Look in People’s Windows/Snow on the Beach”
• May 30 – Mashup of “Our Song/Jump Then Fall” and “King of My Heart”
• June 2 – Mashup of “The Prophecy/Long Story Short” and Mashup of “Fifteen/You’re On Your Own Kid”
• June 3 – Mashup of “Glitch/Everything Has Changed” and “Chloe or Sam or Sophia or Marcus”
• Mashup of “Would’ve Could’ve Should’ve/I Know Places” and Mashup of “‘Tis the Damn Season/Daylight”

RELATED: ‘Taylor Swift: The Eras Tour’ Writes Her Name As No. 7 In Deadline’s 2023 Most Valuable Blockbuster Tournament

• March 17 — Mirrorball” and “Tim McGraw”
• March 18— “State of Grace” and “This Is Me Trying”
• March 24 — “Our Song” and “Snow on the Beach” 
• March 25 — “Cowboy Like Me” with Marcus Mumford and “White Horse”
• March 31 — “Sad Beautiful Tragic” and “Ours”
• April 1 — “Death by a Thousand Cuts” and “Clean”
• April 2 — “Jump Then Fall” and “The Lucky One”
• April 13 — “Speak Now” and “Treacherous”
• April 14 — “The Great War” with Aaron Dessner and “You’re on Your Own, Kid”
• April 15— “Mad Woman” with Aaron Dessner and “Mean”
• April 21 — “Wonderland” and “You’re Not Sorry”
• April 22— “A Place in This World” and “Today Was a Fairytale” 
• April 23 — “Begin Again” and “Cold as You”
• April 28 — “The Other Side of the Door” and “Coney Island”
• April 29 — “High Infidelity” and “Gorgeous”
• April 30— “I Bet You Think About Me” and “How You Get the Girl”
• May 5 in — “Sparks Fly” +  Speak Now (Taylor’s Version) Album Announcement  and “Teardrops on My Guitar”
• May 6 — “Out of the Woods” and “Fifteen”
• May 7— “Would’ve, Could’ve, Should’ve” with Aaron Dessner and “Mine”
• May 12 — “Gold Rush” and “Come Back…Be Here”
• May 13 — “Forever & Always” and “This Love”
• May 14 — “Hey Stephen” and “The Best Day”
• May 19  — “Should’ve Said No” and “Better Man” 
• May 20 — “Question…?” and “Invisible” 
• May 21 — “I Think He Knows” and “Red”
• May 26 — “Getaway Car” with Jack Antonoff and “Maroon” 
• May 27 — “Holy Ground” and “False God”
• May 28 — “Welcome to New York” and “Clean”
• June 2 in “I Wish You Would” and “The Lakes”
• June 3 in — “You All Over Me” with Maren Morris and “I Don’t Wanna Live Forever”
• June 4 Chicago, Ill. — “Hits Different” and “The Moment I Knew”
• June 9 — “Haunted” and “I Almost Do”
• June 10 — “All You Had to Do Was Stay” and “Breathe”
• June 16 — “Mr. Perfectly Fine” and “The Last Time”
• June 17 — “Seven” with Aaron Dessner and “The Story of Us”
• June 23 — “Paper Rings” and “If This Was a Movie”
• June 24 — “Dear John” and “Daylight”
• June 30 — “I’m Only Me When I’m With You” and “Evermore”
• July 1— “Ivy” with Aaron Dessner, “I Miss You, I’m Sorry” with Gracie Abrams and “Call It What You Want”
• July 7 — “Never Grow Up” and “When Emma Falls in Love”
• July 8  — “Last Kiss” and “Dorothea”
• July 14 — “Picture to Burn” and “Timeless”
• July 15 — “Starlight” and “Back to December”
• July 22 in — “This Is Why We Can’t Have Nice Things” and “Everything Has Changed”
• July 23 — “Message in a Bottle” and “Tied Together With a Smile”
• July 28 — “Right Where You Left Me” and “Castles Crumbling”
• July 29 — “Stay Stay Stay” and “All of the Girls You Loved Before”
• August 3 – “I Can See You” and “Maroon”
• August 4 — “Our Song” and “You Are in Love”
• August 5 — “Death By a Thousand Cuts” and “You’re On Your Own Kid”
• August 7 —“Exile” and “Dress”
• August 8 —“I Know Places” and “King of My Heart”
• August 9 — “New Romantics”  + “1989 (Taylor’s Version)”Album Announcement  and “New Year’s Day”

RELATED: Taylor Swift Breaks Yet Another Record In The UK, After A Historical Week On Spotify

International Leg 2023

• August 24 — “I Forgot That You Existed” and “Sweet Nothing”
• August 25 — “Tell Me Why” and “Snow on the Beach”
• August 26 — “Cornelia Street” and “You’re on Your Own, Kid”
• August 27 —“Afterglow” and “Maroon”
• November 9 —“The Very First Night” and “Labyrinth”
• November 10 — Cancelled Due to Rain
• November 11 — “End Game” and Mash-Up of “Out of the Woods” & “Is It Over Now?”
• November 12 — “Better Than Revenge” and “Slut!”
• November 17 — “Stay Beautiful” and “Suburban Legends”
• November 19 — “Dancing. With Our Hands Tied” and “Bigger Than the Whole Sky”
• November 20 — “Me!” and “So It Goes”
• Nov. 24 — “Now That We Don’t Talk” and “Innocent”
• Nov. 25— “Safe and Sound” and “Untouchable” 
• Nov. 25 — “Say Don’t Go” and “It’s Time to Go”

RELATED: Matty Healy Reacts To Taylor Swift’s “Diss Track” From ‘The Tortured Poets Department’

Songs That Haven’t Been Played Yet:

From Taylor Swift (her debut album):

• “Mary’s Song (Oh My My My)”
• “A Perfectly Good Heart”

Fearless (Taylor’s Version)

• “Change”
• “Superstar”
• “We Were Happy”
• “That’s When (feat. Keith Urban)”
• “Don’t You”
• “Bye Bye Baby”

Speak Now (Taylor’s Version)

• “Foolish One”

Red (Taylor’s Version)

• “Girl at Home”
• “Forever Winter”
• “Run (feat. Ed Sheeran)”

1989 (Taylor’s Version)   –  All songs have been played at least once [except for “Sweeter Than Fiction (Taylor’s Version)]

Reputation  – One of two rerecorded albums awaiting release.

• “I Did Something Bad”
• “London Boy”
• “Soon You’ll Get Better (feat. The Chicks)”
• “It’s Nice to Have a Friend”
• “Epiphany”
• “Hoax”
• “Happiness”
• “Long Story Short”
• “Closure”

Midnights All songs have been played at least once.

The Tortured Poets Department

• “So Long London”
• “Florida!!!”
• “I Can Fix Him (No Really I Can)”
• “Clara Bow”
• “The Black Dog”
• “imgonnagetyouback”
• The Albatross
• “Chloe or Sam or Sophia or Marcus”
• “I Hate It Here”
• “thanK you aIMee”
• “I Look in People’s Windows”
• “The Prophecy”
• “Cassandra”
• “Peter”
• “The Bolter”
• “Robin”
• “The Manuscript”

Grab-bag (songs not attached to specific albums):

• “I Heart ?”
• “Ronan”
• “Only the Young”
• “Renegade”
• “The Alcott”
• “Gasoline”
• “Beautiful Eyes”
• “Beautiful Ghosts”
• “Sweeter Than Fiction”
• “Carolina”

RELATED: ‘Taylor Swift: The Eras Tour’ Movie Profits

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Tom Verlaine’s Brilliant Final Three Records Finally Come to Streaming Services: Album Reviews

By Jem Aswad

Executive Editor, Music

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Tom Verlaine — the guitar virtuoso, cofounder and “frontman” of the pioneering New York group Television, who died last year — might be the most low-key guitar hero in rock history.

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His three final albums — two instrumentals, 1992’s “Warm and Cool” and “Around,” and the vocal “Songs and Other Things,” both from 2006 — will receive an expanded and very welcome reissue via Real Gone Music, beginning today with the first above, following with the others on July 12 and August 9, respectively — returning to vinyl and being released for the first time on streaming services.

(Asked why the albums were never previously available on streaming, John Tefler, who managed Verlaine and Television from 1990-2017 and is now managing director of BMG Music Brazil, tells Variety: “The rights had reverted to Tom after the license to Thrill Jockey Records [which released or reissued the albums] terminated due to time. He did not listen to streaming – only vinyl.  I do not think he realized they were not on streaming, and also he would not have known how to get them on the streaming services. He was a ‘true artist’ interested only in his art.”)

Anyone seeking another “Marquee Moon” isn’t going to find it here, but will find his guitar mastery and soundscape-creating abilities even more evolved, while “Songs and Other Things” is as strong as any of his solo albums, with majestic songwriting and his spoken-sung vocals veering between an almost filmic murmur that suddenly vaults into shouting, and his familiar, quavering high notes. The instrumental albums, “Warm and Cool,” in particular, fit in beautifully with the dusty, spaghetti-western-influenced instrumental music from contemporary artists like Khruangbin and Hermanos Gutierrez, and with guitar playing of even more dazzling virtuosity and imagination.

For all his ability, Verlaine usually relied on subtlety and tone, his sharp, crystalline notes ringing clearly even when the music is muted and hushed — but songs like the apparently improvised “Ore” find him attacking the fretboard with a flurry of Coltrane-esque notes as the drummer does his best to keep up. The instrumental tracks are mostly soft and slow, with Verlaine accompanied only by gentle bass and drums played with brushstrokes, but occasionally a song will come marching in that’s cheery and downright jaunty, including one called “Wheel Broke” that’s oddly reminiscent of Norman Greenbaum’s psychedelic hit “Spirit in the Sky.” The “Around” album often evokes South Asian music — on the gorgeous “The Sun’s Gliding!” he plays with a slide but makes his guitar sound like an Indian instrument. It’s surprising that these albums haven’t been plumbed for film and television soundtracks or commercial work, although it’s possible that people tried and Verlaine just didn’t care.

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Absolution XX Anniversary

To celebrate the 20th anniversary of our third studio album, we're releasing MUSE Absolution XX Anniversary. Pre-order now !

Coming November 17th, the XX Anniversary edition features remastered audio, unreleased live versions, demos and photos as well as a new, in depth interview with the band where they discuss the ups and downs of the recording process as well as the social environment they found themselves in which influenced the albums themes. In addition, there is an interview and Q&A with the album’s producer Rich Costey.   The deluxe box set is housed in a silver foiled slipcase and includes a 40 page casebound book with debossed cover detailing. The remastered Absolution album is on one CD and two 12” silver vinyl. The bonus audio is featured on a second CD and a third clear 12” vinyl.

Coming November 17th, the XX Anniversary edition features remastered audio, unreleased live versions, demos and photos as well as a new, in depth interview with the band where they discuss the ups and downs of the recording process as well as the social environment they found themselves in which influenced the albums themes. In addition, there is an interview and Q&A with the album’s producer Rich Costey.   The deluxe box set is housed in a silver foiled slipcase and includes a 40 page casebound book with debossed cover detailing. The remastered Absolution album is on one CD and two 12” silver vinyl. The bonus audio is featured on a second CD and a third clear 12” vinyl.

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