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The Cure Announce 2023 North American Tour Dates

The outing marks the goth rock icons' first extensive U.S. dates since 2019.

By Gil Kaufman

Gil Kaufman

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The Cure announced their first run of North American dates in more than four years on Thursday (March 9). The Robert Smith-led band’s Shows of a Lost World Tour is slated to kick off on May 10 at the Smoothie Center in New Orleans and take the goth rock icons through Houston, Dallas, Phoenix, San Diego, San Francisco, Seattle, Vancouver, Chicago, Detroit, Toronto, Montreal and Atlanta before wrapping up at Miami-Dade Arena in Miami, FL on July 1.

The Cure’s ‘Wish’ Set for 30th-Anniversary Set Featuring 24 Unreleased Tracks

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Tickets for all 30 dates will go on sale via Ticketmaster’s Verified Fan program beginning March 15; pre-registration is required and registration will close on March 13 at 10 a.m. PT. In the wake of ticket sale snafus affecting Taylor Swift and Bad Bunny onsales, in a message to fans, the Cure wrote, “we have priced tickets to benefit fans and our efforts to block scalpers and limited inflated resale prices are being supported by our ticketing partners.”

At press time there was no information about new music from the band, though Smith has been promising a follow-up to 2008’s 4:13 Dream for several years .

Check out the dates for The Cure’s Shows of a Lost World 2023 North American Tour below.

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The Cure  

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The Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.

When a band gets to be as truly worshipped as The Cure, it can be an interesting and slightly bizarre thing to look at their early days. A little bit like seeing your favourite actor wondering whether they’re going to go with white or brown bread in a local Tesco. Or an important politician spotted zoning out on public transport, it brings them back down to earth and reminds you that they’re not all-conquering, all-powerful cosmically divine extra-dimension visitors who know the secrets of the universe, but a guy from the Sussex suburbs who formed a band to play at a school concert.

They probably looked ridiculous at their first shows, and not in the awesome way. They probably wrote some godawful songs. Some punters probably watched an early incarnation of The Cure and thought, for good reason, that they were a bunch of no-hopers. Every band has those days and if they haven’t one should be very, very suspicious of them. What makes The Cure so special is that they absolutely had those days, but knowing about them doesn’t take the sheen off them at all. They’re still a vitally important band, influential to thousands of bands the world over and that’s enough to make them legends, before the image and before the imitators.

And it all began with a school concert. In April 1973, five students from Notre Dame Middle School in Crawley formed Obelisk, the first tentative musical project of one Mr Robert Smith, who was the bands pianist. Future Cure cohorts Mick Dempsey and Lol Tolhurst backed him up on guitar and percussion, respectively, but it wasn’t until 1976 that the trio began to take making music more seriously. The band was reshuffled to feature Smith on the guitar, Dempsey on bass and Tolhurst left the now renamed Malice, but it was only to last a year until their lead guitarist left as well.

The remaining members got Tolhurst back as their drummer and renamed themselves again.This time, they would be called Easy Cure. By September 1977, Smith took over lead vocals after several unsuccessful auditions and by the start of 1978, they had dropped the Easy from their name and had recorded their first demo tape. This tape found its way to Polydor Records scout Chris Parry, who was so taken with the band that he signed them to his own label Fiction in September of that very year. In a move that nobody would get away with now, their track “Killing An Arab” was released soon after as their very first single.

It was a move that gained as much acclaim as controversy, to the extent that a re-release of the single had to be packaged with a sticker on the cover denying its supposedly racist connotations. Thankfully, the bands energetic post-punk got more attention, and their hype was considerably heightened with a session on John Peel’s legendary Radio One show. By the following year, their debut album “Three Imaginary Boys”, was released, and as part of its promotion, the band embarked on their first major support tour opening for Siouxsie And The Banshees.

This was to be a major step forward for the band, as Smith was coaxed into playing guitar for The Banshees after their original axe-man left shortly before the tour. The experience of being a Banshee profoundly changed Smith’s attitude towards the music that his band played, and when before he was most influenced by The Buzzcocks and Elvis Costello, afterwards he wanted to match the power that he felt while playing Siouxsie’s music. The result was 1980’s “Seventeen Seconds” and arguably, that was when they became The Cure that we know today.

Since then, they’ve been most known for essentially creating Goth music with the aforementioned record, its follow up “Faith”, and 1982’s bleak masterpiece “Pornography”. However, after those records they released some of the most romantic, beautiful and downright succesful pop of the 1980’s and early 90’s, with albums like “Kiss Me, Kiss Me, Kiss Me”, “Wish” and “The Top” showing just what Smith could do with a lovelorn lyric and a truly gorgeous melody. It’s their mastery of these two extremes that really show why The Cure are as loved as they are. They exemplify the human condition, and reflect when one is ecstatic and when one is at their lowest with equal skill and sensitivity.

There’s no-one else like them, and it’ll be a while before we see their likes again. See this band as soon as possible.

Live reviews

Reviewing a show of one of your favorite Bands who have the distinction of being in your Top 5 (if not #1) live experiences of all time can be a bit daunting.

It can go a number of ways.

1. Another Great show as hoped.

2. Sub par and a let down.

3. The Band just "mails it in" (which is the worst).

The Cure, who have been around since 1976 (Easy Cure) and haven't toured the States anyway with a new album since 2008 are currently embarking on a substantial North American tour and with no new album I was really only expecting a "Greatest Hits" type show honestly? And given their Longevity and slew of "Hits" from the heyday of MTV I guess I couldn't blame them and I would have been satisfied more than likely?

Ah, but that was not the case in Boston (6-16-16) at Agganis Arena!

The Cure came out full throttle with a high energy level for what would turn out to be a marathon show of 3 hours which included.

Not 1. Not 2. Not even 3. But 4. Yes. 4 Encore Sets!!!

Were the standards there? Of course how can they not be.

"Inbetween Days", "Just Like Heaven", "Lovesong" "Let's Go To Bed", "Boys Don't Cry" etc etc etc

And all played with a kicked up, but not hurried, sense of urgency and excitement!

Mixed in though were surprising live Gems like:

"Burn" (1st The Crow soundtrack), "M", "Kyoto Song" and the surprising "Snakepit"!!

"Fascination Street" which has one the most perfect Bass lines ever IMO was a whirlwind of insanity as Simon Gallup just pushed the Band forward.

And the songs just kept coming one after the other while the crowd basked in Robert Smith's wonderfully childlike sense of wonder and emotion in his lyrics and vocals and understated guitar work.

Most Cure fans (me included) knew every single song played which is typical of The Cure fanbase.

But when they launched into the new "It Can Never Be the Same" with it's rumbling Bass line and heart felt lyrics to Robert Smith's Mother(?) I was amazed at how well it slid into this already fantastic set and really really really hope it gets a proper release soon, if it hasn't already and I have somehow missed it?

Robert Smith is an enigma of a front man. He demands your attention but. I don't believe, has never come to grips with his fans adulations and is still obviously shy individual. And I really don't think it's an act?

Simon Gallup is without doubt the energy of this Band still! He stalks the stage and never stops moving. All the while laying down a very unique Bass foundation that compliments Roberts Jangly sparse guitar style perfectly.

Simon does not get the recognition he deserves as a force on the Bass (along with John Taylor of Duran Duran) and if you play Bass you really should take a close listen to his work with The Cure.

Jason Cooper I think has finally come out from the shadow that was Boris Williams and seems comfortable in pushing his style now more in the drumming Dept. which I believe is another reason for the energy level of the Band live.

Roger O'Donnell is sublime on the keyboards and brings that soaring majestic sound needed for anything done from DISINTEGRATION while jumping right over to the nursery rhyme key tinkling of The Cure's early 80's Synth Pop era easily.

Reeves Gabrels who is the current 2nd guitarist in the ever rotating slot is a masterful musician in his own right (David Bowie folks) and honestly I was surprised at how long He has stayed with the Band? But He steps out very tastefully when required and ads his unique flair to the sound. I will admit to missing Porl Thompson who I just think was/ is the elusive component to the Band. But if you have to have Mr. Gabrels who am I to complain?.

Honestly this review could have been round up with one word: "EPIC"

But that, would be "mailing it in".

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I first saw the Cure in 1982 in this very same venue, the effectionatelg named by U.S. Muso's as the Hammy Odeon.

Tonight some 30 years later I'm back. I feel at home especially as I'm stranding and I'm where I should be.... Down the Front

Our evening starts with And Also The Trees a reformed eighties outfit who previously supported the Cure on their 1984 tour.

The thing about Robert smith is that he is a prolific song writer and the bands back catalogue is immense which results in us experiencing a three hour plus spectacular.

And what a treat. Hits rained down and more randomly than normal. Tracks from The Top album seemed dominate. Just like Heaven, Charlotte sometimes, Hundred Years, The End and of course the gems Primary, play for today and the classic A Forest.

Of course I'd liked more from Seventeen Seconds and Faith but that would have been greedy. There were plenty of folk here tonight who weren't born when these albums were released

With so much to play we were presented with four encores and finally at 11.15 it all ended with Boys Don't Cry.

It meant so much for me to have returned to this awesome venue to see my favourite band.... The place and the band that started me on my gig going journey

Cheers Robert.... Fantastic

The Cure are a special band and should be heard in a special environment, that is why I saw them at Red Rocks in Colorado. It was a cool night and the sun was sitting low in the sky. That famous colorful Colorado sky fell down across the stage.

The fans were are pretty relaxed and were mostly 25 plus in age. Everyone seemed to be poised for a night of great music. You could hear conversations coming from every direction, everyone hoping their favorite songs will be played.

Just as it was getting dark the band took the stage. Everyone stood and applauded Robert Smith as he paced across the stage and made his way to the microphone stand. As the band members struck a few random chords then the band jumped into “Just Like Heaven”. The frenzy only grew as the bad started without pause to play “Friday I’m In Love”. Everyone was having so much fun. The music sounded better then I have ever heard it before.

Robert Smith played an amazing set list of all the hits over the years. The band played all the old songs like “Boys Don’t Cry” and “Pictures of you” with a fresh take and with a new energy. This band has been around a while and still worth seeing live!

The Cure are legends and any band that will give you a 2 1/2 hour show deserves your respect. That being said this "greatest hits" + a few back-catalogue approach is what you'd expect from the Rolling Stones not from what is still an underground act. That in and by itself wouldn't even be that bad but aside from a few songs 39, A Night Like This, 100 Years sounded bland, uninspired and as though they were just going through the motions... Great light show, technical perfection but no soul! I've seen them twice in the 90's and came out of those shows thrilled, energized and inspired. Those were magical shows where the band managed to transform reality and all (the band included, to judge by their faces) came out of it exhausted and amazed, carried off as by some shamanistic ritual to dark and dangerous lands where we learned to overcome our fears and face the world around us with new hope. This wasn't one of those shows. This was Robert Smith giving his audience 30 of his best songs and not once making a spiritual connection with either the music or the crowd...

Obviously being way too young to remember The Cure the first time around (sort of, ish, ahem, etc), this was the first time seeing this bunch of post-punk proto-goths and inevitably they didn't disappoint.

Despite most of the band heading pretty swiftly towards free-bus-pass age, the gig show kicked along at a pace, with young Mr. Smith barely pausing for breath as they band kicked on through a back catalogue spanning 30+ years.

Having spent the past few weeks attempting to brush up on my Cure knowledge (via Spotify) I can gladly add this band to an ever-growing list of "if you thought the studio version was good...", as tracks like Lullaby, Lovecats and Friday all sounded immense performed live.

Main issue of the night was technical; the lack of big screens at Wembley Arena means if you're right at the back, the band are mere specks on the stage up front. The lighting design was beautifully done though, and went some way to compensate for the lack of being able to see Robert Smith gurning earnestly into the microphone.

Two review, first for The Cure. It was a wonderful show! They were willing to perform hits along with other unknown songs and sounded great at doing it. They had a half and half crowd, some diehard fans and some who thought they were bigger fans than they actually were. With it being May in Pac NW the temperature dropped quickly freezing alot of people enough to say they had seen enough. This wasnt The band's fault for lack of inspired fans. They were everything I expected from a goth rock band from the late 70s and 80s. About the venue: I love the venue as well! We have been living in Portland for 5 years but have never made a point to catch a show in the Washington Amphitheater. Wow! We felt like we were home in the south. Nice concert under the stars and the price was a great as well, considering the crappy prices shows in Portland go for. We will be going back to Sunlight Supply in August.

Buon concerto del gruppo, rovinato dalla pessima acustica del Mediolanum Forum.

L'esecuzione è stata quasi impeccabile, l'interazione col pubblico buona (Robert Smith ha persino azzardato un "Grazie mille", unica ed acclamatissima frase che il pubblico ha capito), alcune canzoni elegantemente riarrangiate.

La qualità sonora, inizialmente pessima (purtroppo tale è rimasta per tutta l'esibizione dei Twilight Sad che aprivano il concerto), è migliorata durante l'esibizione grazie al lavoro ingrato dei fonici e al fatto che gradualmente le chitarre elettriche distorte sono state sostituite con le acustiche o con suoni più docili.

Penso che sia l'ultimo concerto che andrò a vedere al Mediolanum Forum, che è vergognosamente inadatto ad ospitare concerti rock dal punto di vista acustico (peccato, perché dal punto di vista logistico non è male). Ridateci l'arena!

What a concert!

We managed to get front row side view, only a few meters from the stage.

I'd seen them in 1985 in Madrid, 2008 in Melbourne and now in Milan. Awesome songs, still as good as always. A massive repertoire to choose from, but they performed most of their hits, plus a new one, It Can Never Be The Same. Robert as grand as always, he really enjoyed the show.

Simon at his best, he inspired me when I was 17 to play bass guitar, his usual moving around the stage with his bass at knee level!

I missed Porl, though, he has always been the colourful note at the right end of the stage!

Roger as sculptural as always in front of the keyboards and Jason performing at his best.

A magnificent show, what can I say.

I hope to see them again in a couple of years!

The Cure - Barcelona, Palau Sant Jordi. November 26th 2016

My 5th Cure concert, and probably the best I've seen. No doubt it was far better than the last one, also in Barcelona in 2008 (without Roger O'Donnell on keys)

The band is great with Reeves Gabrels and Roger. Jason Cooper sounds better than ever on drums and Simon's bass is terrific.

Missed some gems such as Plainsong, Jupiter Crash, Want, Letter to Elise, but setlist was OK, 32 songs, focusing on The Head on the Door (1985) + Disintegration (89) + Kiss Me (87).

1 great unreleased song: It Can Never Be The Same on 1st encore.

Robert's voice was fine, powerful and clean. Athmosphere was good, proactive and the pop songs encouraged fans to sing along.

Looking fw to a new tour and maybe new album?

3 (three) hours of pure pleasure. 31 songs.

They sang as if they were recording the original albuns. Perfect!

Great quality and performance.

Great respect for the fans, as I never saw.

Best was not possible, im glad I went to this concert. Thank you CURE!

In Between Days

Pictures of You

The Hungry Ghost

A Night Like This

Shake Dog Shake

The Caterpillar

From the Edge of the Deep Green Sea

One Hundred Years

Step Into the Light

Play for Today

Fascination Street

Friday I'm in Love

Just Like Heaven

Boys Don't Cry

Hot Hot Hot!!!

Let's Go to Bed

Close to Me

Why Can't I Be You?

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The Cure Set First North American Tour in Seven Years

By Daniel Kreps

Daniel Kreps

If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission.

The Cure will embark on their first North American tour in seven years this summer as the Rock Hall-inducted band ’s Songs of a Lost World trek have added four additional dates to their previously scheduled slate of 30 shows.

Following their 2022 European jaunt, Robert Smith and company will kick off their 2023 North American dates on May 10 in New Orleans. After circling the U.S. and parts of Canada — including three-night stands at Los Angeles’ Hollywood Bowl and New York’s Madison Square Garden — the leg concludes July 1 in Miami.

The new dates include a stop in Portland as well as additional nights in Montreal, Atlanta, and San Diego. “Please please please don’t buy tickets if you don’t intend [on] going to the show,” the band pleaded on Twitter, hoping their tickets make it into the right hands and don’t end up on secondary markets.

FOUR EXTRA SHOWS ADDED TO OUR ’SHOWS OF A LOST WORLD’ NORTH AMERICAN TOUR – THREE OF THEM ARE ‘EXTRA NIGHTS’ – 21ST MAY SAN DIEGO / 17TH JUNE MONTREAL / 28TH JUNE ATLANTA #ShowsOfALostWorld2023 1/5 pic.twitter.com/BDVMGBnNXB — The Cure (@thecure) April 5, 2023

Fans can sign up for Ticketmaster’s Verified Fan now ahead of the on-sale dates. New dates will be available beginning Friday, April 7 at 10 a.m. local time. The fourth extra show, the Portland stop, will be “an experiment to see whether non-transferable tickets are enough protection,” thus Ticketmaster’s Verified Fan will not be required for those purchases.

Other than the Cure’s 2019 performances at their Rock and Roll Hall of Fame induction, the Austin City Limits Festival , and their own Pasadena Daydream fest , the band last staged a North American tour in 2016.

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This post was updated on April 5 to include four additional tour dates.

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The Cure Announce 2023 North American Tour

By Evan Minsker and Jazz Monroe

The Cure have announced a 2023 tour of North America. Find their Shows of a Lost World dates below. The schedule comes with three dates apiece at Los Angeles’ Hollywood Bowl and New York’s Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad .

In recent years, Robert Smith has been teasing a Cure album, giving regular progress reports. In 2019, after being inducted into the Rock & Roll Hall of Fame ( by Trent Reznor ), Smith said , “If I’m optimistic it will be finished before the start of this summer.” The album still hasn’t materialized.

The band’s last studio album was 2008’s 4:13 Dream . In recent years, Smith has collaborated with Gorillaz and remixed Chvrches , Deftones , and, just this week, Noel Gallagher’s High Flying Birds . Last year, the band reissued 1992’s Wish . See where the Cure landed on Pitchfork’s list of “ The 250 Best Songs of the 1990s .”

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler’s Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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The Cure Announce 2023 North American Tour Dates

• Last updated: 9 Mar 2023, 18:18:01
• Published: 9 Mar 2023, 18:18:01
• Written by: Erica Lauren
• Photography by: Shlomi Pinto
• Categories: Tour Dates Tagged: The Cure

The Cure have revealed their first full North American tour in seven years. The legendary group last performed in the states at a few festivals in 2019, and their last tour here was in 2016. See the band's last documented setlist from their European Lost World Tour on 2022 here .

The upcoming tour will kick off 5/10 in New Orleans and run through July 1 in Miami. Fans can register for tickets now at TheCure.com

05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler’s Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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• A Forest ( 1189 )
• Boys Don't Cry ( 1045 )
• In Between Days ( 946 )
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• Play for Today ( 846 )

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The Cure announce 2023 North American tour

The 30-date tour includes three consecutive nights at both LA's Hollywood Bowl and Madison Square Garden in New York

The Cure have announced a 2023 tour across North America – find all the details below and purchase tickets here .

• READ MORE: The Cure live in London: an unusual, but thrilling festive party

The band will kick off the 30-date tour at Smoothie King Center in New Orleans on May 10, with stops in Austin, Phoenix, San Diego, Seattle, Vancouver, Chicago, Boston, Philadelphia, Tampa and many more, before closing out at the Miami-Dade Arena in Florida on July 1.

The run also includes three consecutive dates at both LA’s Hollywood Bowl (May 23, 24, 25) and New York’s Madison Square Garden (June 20, 21, 22) with support across all dates from The Twilight Sad .

THE CURE RETURN TO NORTH AMERICA IN MAY FOR A 30 DATE TOUR #ShowsOfALostWorld23 – REGISTER FOR TICKETS NOW AT https://t.co/PkDGUv9w7c pic.twitter.com/SU2wNqRG0f — The Cure (@thecure) March 9, 2023

“The Cure return to North America in May for a 30 date tour #ShowsOfALostWorld23,” the band wrote on social media, the hashtag being the name of their much anticipated first new album since 2008’s ‘ 4:13 Dream ’.

Verified fan registration is open now until Monday, March 13 at 10am EST and can be accessed here . Verified fan sale will then go live on Wednesday, March 15 at 10am CDT until Thursday, March 16, 10am CDT from here .

Find the full list of tour dates below.

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The Cure North American tour 2023:

MAY 10 – New Orleans, Louisiana, Smoothie King Center 12 – Houston, Texas, Toyota Center 13 – Dallas, Texas, Dos Equis Pavilion 14 – Austin, Texas, Moody Center 16 – Albuquerque, New Mexico, Isleta Amphitheater 18 – Phoenix, Arizona, Desert Diamond Arena 20 – San Diego, California, NICU Amphitheatre 23 – Los Angeles, California, Hollywood Bowl 24 – Los Angeles, California, Hollywood Bowl 25 – Los Angeles, California, Hollywood Bowl 27 – San Francisco, California, Shoreline Amphitheatre

JUNE 01 – Seattle, Washington, Climate Pledge Arena 02 – Vancouver, British Columbia, Rogers Arena 04 – Salt Lake City, Utah, Vivint Smart Home Arena 06 – Denver, Colorado, Fiddler’s Green Amphitheatre 08 – Minneapolis St. Paul, Minnesota, Xcel Energy Center 10 – Chicago, Illinois, United Center 11 – Cleveland, Ohio, Blossom Music Center 13 – Detroit, Michigan, Pine Knob Music Theatre 14 – Toronto, Ontario, Budweiser Stage 16 – Montreal, Québec, Bell Centre 18 – Boston, Massachusetts, Xfinity Center 20 – New York, New York, Madison Square Garden 21 – New York, New York, Madison Square Garden 22 – New York, New York, Madison Square Garden 24 – Philadelphia, Pennsylvania, Wells Fargo Center 25 – Columbia, Maryland, Merriweather Post Pavilion 27 – Atlanta, Georgia, State Farm Arena 29 – Tampa, Florida – Amalie Arena

JULY 01 – Miami, Florida, Miami-Dade Arena

In an email to fans, Robert Smith vowed to keep ticket prices reasonable, writing: “THE CURE HAVE AGREED ALL TICKET PRICES, AND APART FROM A FEW HOLLYWOOD BOWL CHARITY SEATS, THERE WILL BE NO ‘PLATINUM’ OR ‘DYNAMICALLY PRICED’ TICKETS ON THIS TOUR.”

Their website also says that tickets have been priced by the band to “benefit fans and our efforts to block scalpers and limit inflated resale prices”, supported by ticketing partners.

The Cure have not toured the US since 2016, but performed at Pasadena Daydream Festival and Austin City Limits in 2019.

Smith has repeatedly teased The Cure’s new record to NME  as a  dark, “merciless, relentless ” piece, inspired by  a period of great loss and in a similar spirit to their 1989 gothic art-rock album ‘Disintegration’.

Reviewing The Cure in London this December , NME described the show as “an unusual, but thrilling festive party”.

Elsewhere, Noel Gallagher released Robert Smith‘s remix of  High Flying Birds ‘ track ‘Pretty Boy’ this week, with The Cure frontman sharing that he was “surprised and delighted” when when the former Oasis singer-songwriter asked him to “remix this gorgeous song”.

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THE CURE announce 2023 North American tour

The Cure have finally announced a long-awaited North American leg of their A Lost World tour — which includes three nights at L.A.'s Hollywood Bowl and three nights at NYC's Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad. Check out the full itinerary below.

Additionally, the headliners announced: "The Cure have agreed all ticket prices, and apart from a few Hollywood Bowl charity seats, there will be no 'platinum' or 'dynamically priced' tickets on this tour."

Tickets go on sale via Ticketmaster Verified Fan on March 15th at 10 a.m. local time.

The Cure 2023 North American tour dates: 05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler's Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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The Cure Announce First North American Tour Since 2016 + Are Trying to Block Scalpers From Buying Tickets

It's official — goth rock/new wave legends The Cure will embark on a North American tour this year, their first continental run since 2016.

Dubbed the "Shows of a Lost World" tour, the 30-date jaunt will kick off on May 10 in New Orleans, trekking through several major markets in the U.S. and Canada with things wrapping up on June 1 in Miami.

Opening each night are The Twilight Sad, a post-punk/indie rock group from Scotland who have been on the road with The Cure on previous tours. It also happens to be the 20th anniversary since their formation, so perhaps a special set is in order as they also continue to promote their most recent album, 2019's  It Won/t Be Like This All the Time .

The Cure, meanwhile, are expected to release a new album this year, which will be their first studio effort since 2008's  4:13 Dream . Last year, fans were even treated to a couple of new songs live , which are presumably on the forthcoming  Songs of a Lost World album, the title which frontman Robert Smith confirmed earlier in 2022. He also forecasted a fall 2022 release, so fans have really been on edge waiting for this new record.

READ MORE: The Cure Debut Two New Songs at 2022 Tour Kickoff, Their First New Music Since 2008

See the complete list of dates below.

Per The Cure's website, tickets will be available on March 15 via Ticketmaster Verified Fan Sale, which requires registration to access . "We have priced tickets to benefit fans and our efforts to block scalpers and limited inflated resale prices are being supported by our ticketing partners," the band also confirmed.

The Cure 2023 North American Tour Dates With The Twilight Sad

May 10 — New Orleans, La. @ Smoothie King Center May 12 — Houston, Texas @ Toyota Center May 13 — Dallas, Texas @ Dos Equis Pavilion May 14 — Austin, Texas @ Moody Center May 16 — Albuquerque, N.M. @ Isleta Amphitheater May 18 — Phoenix, Ariz. @ Desert Diamond Arena May 20 — San Diego, Calif. @ NICU Amphitheatre May 23 — Los Angeles, Calif. @ Hollywood Bowl May 24 — Los Angeles, Calif. @ Hollywood Bowl May 25 — Los Angeles, Calif. @ Hollywood Bowl May 27 — San Francisco, Calif. @ Shoreline Amphitheatre June 01 — Seattle, Wash. @ Climate Pledge Arena June 02 — Vancouver, British Columbia @ Rogers Arena June 04 — Salt Lake City, Utah @ Vivint Smart Home Arena June 06 — Denver, Colo. @ Fiddler’s Green Amphitheatre June 08 — Minneapolis/St. Paul, Minn. @ Xcel Energy Center June 10 — Chicago, Ill. @ United Center June 11 — Cleveland, Ohio @ Blossom Music Center June 13 — Detroit, Mich. @ Pine Knob Music Theatre June 14 — Toronto, Ontario @ Budweiser Stage June 16 — Montreal, Quebec @ Bell Centre June 18 — Boston, Mass. @ Xfinity Center June 20 — New York, N.Y. @ Madison Square Garden June 21 — New York, N.Y. @ Madison Square Garden June 22 — New York, N.Y. @ Madison Square Garden June 24 — Philadelphia, Pa. @ Wells Fargo Center June 25 — Columbia, Md. @ Merriweather Post Pavilion June 27 — Atlanta, Ga. @ State Farm Arena June 29 — Tampa, Fla. @ Amalie Arena June 01 — Miami, Fla. @ Miami-Dade Arena

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The news shows are in San Diego, Montreal, Atlanta, and Portland, with the promise of a visit to Mexico and Latin America on the cards.

Published on

The Cure have expanded their 2023 “Songs Of A Lost World” North American tour by announcing additional dates in San Diego, Montreal, and Atlanta, as well as a new show in Portland, Oregon. Frontman Robert Smith has also teased that concerts in Mexico and South America will be revealed later this month.

The newly announced dates are The Cure’s latest efforts to get tickets in the hands of fans following a frustrating initial on-sale process. Fans who were previously issued verified fan codes but who were unable to buy tickets to shows in San Diego, Montreal, and Atlanta will have first crack at tickets for the new dates.

“Songs Of A Lost World” marks The Cure’s first North American tour in seven. The band originally attempted to make their shows as affordable as possible by offering zero “platinum” or “dynamically priced” tickets, and also only limited their sales to those registered as Ticketmaster Verified Fans in an attempt to prevent scalping.  A Verified Fan pre-sale for new shows in San Diego, Montreal, and Atlanta go on sale beginning Friday, April 7. Any remaining tickets will be made available to the general public on Saturday, April 8. Tickets to the Portland show go on sale on April 7.

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The Cure play the following North American shows:

05/10 – New Orleans, LA @ Smoothie King Center 05/12 – Houston, TX @ Toyota Center 05/13 – Dallas, TX @ Dos Equis Pavilion 05/14 – Austin, TX @ Moody Center 05/16 – Albuquerque, NM @ Isleta Amphitheater 05/18 – Phoenix, AZ @ Desert Diamond Arena 05/20 – San Diego, CA @ NICU Amphitheatre 05/21 – San Diego, CA @ NICU Amphitheatre 05/23 – Los Angeles, CA @ Hollywood Bowl 05/24 – Los Angeles, CA @ Hollywood Bowl 05/25 – Los Angeles, CA @ Hollywood Bowl 05/27 – San Francisco, CA @ Shoreline Amphitheatre 05/31 – Portland, OR @ Moda Center 06/01 – Seattle, WA @ Climate Pledge Arena 06/02 – Vancouver, BC @ Rogers Arena 06/04 – Salt Lake City, UT @ Vivint Smart Home Arena 06/06 – Denver, CO @ Fiddler’s Green Amphitheatre 06/08 – Minneapolis St. Paul, MN @ Xcel Energy Center 06/10 – Chicago, IL @ United Center 06/11 – Cleveland, OH @ Blossom Music Center 06/13 – Detroit, MI @ Pine Knob Music Theatre 06/14 – Toronto, ON @ Budweiser Stage 06/16 – Montreal, QC @ Bell Centre 06/17 – Montreal, QC @ Bell Centre 06/18 – Boston, MA @ Xfinity Center 06/20 – New York, NY @ Madison Square Garden 06/21 – New York, NY @ Madison Square Garden 06/22 – New York, NY @ Madison Square Garden 06/24 – Philadelphia, PA @ Wells Fargo Center 06/25 – Columbia, MD @ Merriweather Post Pavilion 06/27 – Atlanta, GA @ State Farm Arena 06/28 – Atlanta, GA @ State Farm Arena 06/29 – Tampa, FL @ Amalie Arena 07/01 – Miami, FL @ Miami-Dade Arena

Listen to the best of The Cure on Apple Music and Spotify .

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The Cure's tour has been the surprise hit of the year. This is why it captivates.

COLUMBIA, Md. – It's the sleeper hit of the year , packing venues from Los Angeles to New York, allowing fans to channel the inner goth of their youth and dazzling with a career-spanning set list of nearly 30 songs.

Before the kickoff of their tour in May in New Orleans, The Cure hadn't rounded the U.S. since 2016. But last year’s excursion through Europe allowed idiosyncratic frontman Robert Smith, 64, and the band the opportunity to burnish their live production.

Both sleek and melancholy, the two-hour 45-minute show is ticking down to its final concerts, with a July 1 finale in Miami followed by festival spot dates this fall.

At an overflowing Merriweather Post Pavilion on Sunday, the band demonstrated why their following remains fanatical.

The Cure's new music is as solid as its classics

Fans have awaited a new album – "Songs of a Lost World," which pairs with the tour's name, Shows of a Lost World – since Smith unveiled the title in March 2022.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

Despite no definitive arrival for The Cure’s first release since 2008’s “4:13 Dream,” the band has included several new tracks in all of its shows.

The main set was bookended with newbies – the Pink Floyd-like opener "Alone" and the devastating "Endsong," a bleak musing on aging ("No hopes, no dreams, no world … I don't belong here anymore") filled with guitar squiggles and crashing cymbals.

But sandwiched between the aching longing of "Lovesong" and the starry backdrop, cerulean lighting and serrated guitar riffs of "At Night" sat a definitive new Cure creation.

Smith turned his back to the adoring audience, swaying while conducting indefatigable drummer Jason Cooper, before unleashing a voice wracked with pain on "And Nothing is Forever."

Smith’s voice enveloped lyrics such as "My world has grown old, but it really doesn't matter if you say we'll be together," suggesting his heart still swells with sadness, if not darkness.

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The Cure's set list taps into deep cuts as well as hits

An early highlight came when Smith faced off with bassist Simon Gallup – the second-longest tenured member in the band – for the chugging intro to "Pictures of You."

The ballad, from The Cure's landmark 1989 album, "Disintegration," showcases all of the hallmarks of their sound – watery guitars, evocative synths and a slow burn into an explosive soundscape that unfolded beautifully on stage.

It was also one of their few hits played before the encores, which were packed with casual-fan favorites including the jubilant "Friday I'm in Love" and equally buoyant "Just Like Heaven" (both always seem at odds with The Cure's frequently gloomy thrust).

Instead, the nucleus of the show spotlighted lesser-heard gems such as "Burn," from the 1994 soundtrack to "The Crow," complemented by crimson lights ricocheting around the stage as Cooper pounded the layered beat; the metronomic groove of "At Night" and hand-clapping of "A Forest," both from the band's second album, 1980's "Seventeen Seconds"; and "From the Edge of the Deep Green Sea," from 1992's "Wish," which was anchored by relentless keyboard plinks from Roger O'Donnell until the song erupted into a thrilling rumble.

Let's also tip the hat to Reeves Gabrels and Perry Bamonte for their dancing surf-guitar licks on "Push," an album track from 1985's "The Head on the Door."

Robert Smith hasn't changed

Smith remains the focal point of The Cure – and how could he not be with his trademark heap of black hair, blur of scarlet lipstick and lacquered eye makeup? His voice, a blend of sad wail and smooth croon, endures as a distinctive, undiminished sound.

But Smith also makes his appreciation for the band's audiences known. On Sunday, as he has throughout the tour, he spent the first several minutes of the show meandering to each section of the stage, quietly greeting fans with his eyes and accepting gifts tossed at him.

His gaze was one of gratitude mixed with disbelief that after all this time, the people still show.

Apparently, the sad prince of goth pop is still the king four decades on.

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Jane’s Addiction Announce First Tour With Original Lineup Since 2010

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Less than a week after playing the first show with their original lineup in 14 years, Jane’s Addiction have announced a 23-date North American tour with fellow reunited rockers Love and Rockets. The trek begins Aug. 9 in Las Vegas and will hit theaters and outdoor amphitheaters through Sept. 29 in St. Louis.

During a May 23 gig at the 400-capacity Bush Hall in London, Jane’s played with guitarist Dave Navarro for the first time since 2021, thus completing the original lineup of frontman Perry Farrell, bassist Eric Avery and drummer Stephen Perkins . Navarro had been out of the group due to symptoms from long COVID and was replaced on the road in recent years by former Red Hot Chili Peppers guitarist/Pearl Jam multi-instrumentalist Josh Klinghoffer and Queens of the Stone Age’s Troy Van Leeuwen.

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Jane’s took advantage of the occasion to debut the new song “Imminent Redemption,” their first original track with the classic lineup since 1990’s Ritual De Lo Habitual . They also played another new tune, “True Love,” which was debuted in March 2023 in Bakersfield, Ca.

Presale tickets for the tour are underway now, with the general onsale set for Friday (May 31) at 10 a.m. local. Click here for more information.

Jane’s Addiction/Love and Rockets 2024 tour dates:

Aug 09 — Las Vegas, NV — Fontainebleau Las Vegas Aug 11 — San Diego, CA — Gallagher Square at Petco Park Aug 13 — Los Angeles, CA — YouTube Theater Aug 15 — Phoenix, AZ — Arizona Financial Theatre Aug 18 — Irving, TX — The Pavilion at Toyota Music Factory Aug 19 — Houston, TX — 713 Music Hall Aug 21 — Rogers, AR — Walmart AMP Aug 23 — Durant, OK — Choctaw Grand Theater Aug 25 — New Orleans, LA — The Fillmore Aug 27 — Jacksonville, FL — Daily’s Place Aug 29 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre Aug 31 — Hollywood, FL — Hard Rock Live Sept 03 — Raleigh, NC — Red Hat Amphitheater Sept 05 — Portsmouth, VA — Atlantic Union Bank Pavilion Sept 07 — Atlantic City, NJ — Hard Rock Live at Etess Arena Sept 10 — New York, NY — The Rooftop at Pier 17 Sept 13 — Boston, MA — Leader Bank Pavilion Sept 15 — Bridgeport, CT — Hartford HealthCare Amphitheater Sept 18 — Toronto, ON — Budweiser Stage Sept 20 — Rochester Hills, MI — Meadow Brook Amphitheater Sept 22 — Milwaukee, WI — BMO Pavilion Sept 24 — Chicago, IL — Byline Bank Aragon Ballroom Sept 26 — Indianapolis, IN — Everwise Amphitheater at White River State Park Sept 28 – Huntsville, AL – South Star Music Festival Sept 29 – St. Louis, MO – Evolution Festival

To see our running list of the top 100 greatest rock stars of all time, click here .

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Jane's Addiction tour will reunite band's classic lineup: Here are all the dates

S AN DIEGO — The best-known lineup of Jane's Addiction is reuniting for its first tour together since 2010. The Los Angeles-bred band will perform in 25 North American cities in August and September on a double bill with the English band Love and Rockets.

The tour opens with an Aug. 9 show in Nevada at the Fontainebleau Las Vegas, followed by an Aug. 11 San Diego performance at Petco Park's Gallagher Square. It concludes Sept. 29 at the Evolution Festival in St. Louis.

This will be the first tour since 2010 to feature the best-known lineup of Jane's Addiction, which teams lead singer Perry Farrell, guitarist Dave Navarro, bassist Eric Avery and drummer Stephen Perkins. Avery returned to the band in 2022, but Navarro has been absent the past several years while recovering from the effects of long-term COVID. His place was filled by Roy Van Leeuwen and Red Hot Chili Peppers' alum Josh Klinghoffer.

Jane's Addiction's 2024 summer reunion trek was announced Monday morning by Live Nation, the tour's promoter. It comes on the heels of last week's one-off London performance by Farrell, Navarro, Avery and Perkins.

Of course, even the best of bands can be a fragile democracy, as Farrell acknowledged during a 2013 San Diego Union-Tribune interview conducted at that year's Coachella festival in Indio.

Likening the members of Jane's Addiction to farm animals, Farrell said: "Somebody is a bull, somebody is a lamb, somebody is a puppy and somebody is a pig. There are all kinds of different animals on the farm, but you need all of them.

"After 20-plus odd years of working with these guys, we kind of like each other a little more than we ever have," Farrell continued. "But we're all very different and have four different opinions on any subject. I do my best to keep the group together at any cost. When we hit the stage, we blast, we're all alive and it's a great thing to have the original lineup.

"It's rare. So, we'll see how long we can do it before somebody becomes ill — or a monk."

Tickets for all dates on the 2024 Jane's Addiction tour go on sale to the general public at 10 a.m. Friday.

A presale for Citi card members started at 10 a.m. Tuesday, May 28, as did a presale for VIP packages. A presale for fan club members began Tuesday at noon, followed by a Ticketmaster presale at 10 a.m. Wednesday and a venue presale at 10 a.m. Thursday.

Because Gallagher Square at Petco Park is an entirely general admission venue, all tickets for the San Diego concert are priced at $75 each, plus service charges.

Jane's Addiction/Love and Rockets 2024 tour itinerary

Aug. 9 — Las Vegas — Fontainebleau Las Vegas

Aug. 11 — San Diego — Park at the Park, Petco Park

Aug. 13 — Los Angeles — YouTube Theater

Aug. 15 — Phoenix — Arizona Financial Theatre

Aug. 18 — Irving, Texas — The Pavilion at Toyota Music Factory

Aug. 19 — Houston — 713 Music Hall

Aug. 21 — Rogers, Arkansas — Walmart AMP

Aug. 23 — Durant, Oklahoma — Choctaw Grand Theater

Aug. 25 — New Orleans — The Fillmore

Aug. 27 — Jacksonville, Florida — Daily's Place

Aug. 29 — Tampa, Florida — MIDFLORIDA Credit Union Amphitheatre

Aug. 31 — Hollywood, Florida — Hard Rock Live

Sept. 3 — Raleigh, North Carolina — Red Hat Amphitheater

Sept. 5 — Portsmouth, Virginia — Atlantic Union Bank Pavilion

Sept. 7 — Atlantic City, New Jersey — Hard Rock Live at Etess Arena

Sept. 10 — New York — The Rooftop at Pier 17

Sept. 13 — Boston — Leader Bank Pavilion

Sept. 15 — Bridgeport, Connecticut — Hartford Healthcare Amphitheater

Sept. 18 — Toronto — Budweiser Stage

Sept. 20 — Rochester Hills, Michigan — Meadow Brook Amphitheater

Sept. 22 — Milwaukee — BMO Pavilion

Sept. 24 — Chicago — Byline Bank Aragon Ballroom

Sept. 26 — Indianapolis — Everwise Amphitheater at White River State Park

Sept. 28 – Huntsville, Alabama – South Star Music Festival

Sept. 29 – St. Louis – Evolution Festival

©2024 The San Diego Union-Tribune. Visit sandiegouniontribune.com. Distributed by Tribune Content Agency, LLC.

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Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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Observe Memorial Day with these events in southern Maine

Tons of towns have parades and ceremonies happening Monday.

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Kids and adults gather at a Memorial Day parade to honor and celebrate veterans in South Portland. Sofia Aldinio/ Staff Photographer

BATH 10 a.m. Monday. Parade begins at 200 Congress Ave. and concludes at Library Park and will be followed by a wreath-laying service at 11 a.m.

BERWICK 11 a.m. Monday. Parade begins at Berwick Town Hall/Sullivan Square and proceeds to Lord’s Cemetery by way of Wilson and Allen streets. After a ceremony there, the parade will continue down Saw Mill Hill Street with a pause at the Somersworth-Berwick Bridge for a brief memorial service for those lost at sea. The parade ends at Sullivan Square with a memorial service honoring area veterans.

BIDDEFORD-SACO Opening ceremony at 9:55 a.m. Monday at Saco City Hall. Parade starts at 10 a.m. from Saco City Hall and proceeds along Main Street and down York Hill into Biddeford, continues along Main Street, onto Alfred Street and finishes at Veteran’s Memorial Park with a closing ceremony at 10:45 a.m.

BRUNSWICK-TOPSHAM 9 a.m. Monday. Parade proceeds from Topsham Town Hall, pauses for observances while crossing the Brunswick-Topsham bridge, and concludes at the Brunswick Mall.

CAPE ELIZABETH 9 a.m. Monday. Parade begins at the middle school parking lot, turns right on Scott Dyer Road, right onto Route 77 and ends at the village green adjacent to the town hall. A brief ceremony and laying of the wreath will be held at the Village Green after the parade.

CUMBERLAND 8 a.m. Monday. Kids run at Greely High School followed by 5K Run and Remember race at 8:30 a.m. Parade starts at 10 a.m. at Mabel I. Wilson School and ends at the veterans’ monument in Moss Side Cemetery in Cumberland Center, where a ceremony will be held at 10:30 a.m. Advertisement

FALMOUTH 10 a.m. Monday. Parade proceeds from 65 Depot Road (Falmouth American Legion) to Pine Grove Park, where a ceremony will be held.

FREEPORT 9:30 a.m. Monday. Parade proceeds from Holbrook Street, heads north on Main and makes a right onto School Street, then right onto Park Street, ending in Memorial Park. There will be a small ceremony in Memorial Park starting at 10 a.m.

GORHAM 11 a.m. Monday. Parade starts at Village School (12 Robie St.) and ends at Eastern Cemetery on Johnson Road.

GRAY 11:30 a.m. Monday. Parade leaves the Russell School (8 Gray Park), proceeds to Shaker Road and continues to the Soldiers Monument at the intersection of Routes 26 and 3 for a wreath-laying ceremony. Parade continues north to the American Legion Post (15 Lewiston Road) for a closing ceremony.

LYMAN 1 p.m. Monday. Parade starts at Waterhouse Road/Mill Pond in Goodwins Mills and ends at the Lyman Town Hall on South Waterboro Road.

NEW GLOUCESTER 9 a.m. Monday. Parade leaves from Memorial Elementary School (86 Intervale Road) and heads down Intervale Road to Route 100/202 to Veterans Park for a memorial service. The parade will reconvene and go down Peacock Hill Road, then take a left on Gilmore Road. Advertisement

OLD ORCHARD BEACH 1 p.m. Monday. Parade starts at the corner of Ballpark Way and E. Emerson Cumming Boulevard and proceeds down Saco Avenue, Old Orchard Beach Street to First Street and ends at Veteran’s Memorial Park.

PORTLAND 2 p.m. Monday. The procession starts at Longfellow School (432 Stevens Ave.) and ends at Evergreen Cemetery for a commemoration ceremony.

SANFORD 10 a.m. Monday. The parade starts at the Sanford Armory (88 William Oscar Emery Drive), proceeds up Gowen Park Drive and ends at Central Park.

SCARBOROUGH 10 a.m. Monday. Parade starts at Scarborough High School, turns onto Route 114 and then Route 1, past town offices to the Maine Veterans Home and concludes with a ceremony there.

SOUTH PORTLAND 10:30 a.m. Monday. Parade starts at Southern Maine Community College parking lot, proceeds down Broadway to the Veterans Monument for a short Memorial Day recognition service.

WELLS 9 a.m. Monday. Parade starts at Wells High School (200 Sanford Road) and proceeds to Ocean View Cemetery for a ceremony and musical performances. Advertisement

WESTBROOK 10 a.m. Monday. Parade proceeds down Main Street and will be followed by a ceremony in Riverbank Park.

WINDHAM 9 a.m. Monday. Parade starts at Windham Town Hall and proceeds onto Route 202 toward Windham High School. At 10 a.m., there will be a ceremony in front of Windham’s Veterans Memorial Flagpole at Windham High School.

YARMOUTH 10 a.m. Monday. Parade leaves from Yarmouth High School (286 West Elm St.) and proceeds to the Memorial Green at Town Hall for a ceremony.

YORK 10 a.m. Monday. Parade starts near St. Christopher’s Church (4 Barrell Lane) and proceeds down York Street to York Town Hall.

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SOUTH AMERICAN 2023 SHOWS ANNOUNCED

THE CURE ARE RETURNING TO SOUTH AMERICA AT THE END OF 2023 TO HEADLINE FOUR PRIMAVERA SOUND FESTIVALS IN ARGENTINA, BRAZIL, COLOMBIA AND PARAGUAY.

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FULL LIST OF SOUTH AMERICAN DATES

25-26 NOV 2023 –  PRIMAVERA SOUND 2023 BUENOS AIRES , PARQUE SARMIENTO, ARGENTINA 02-03 DEC 2023 –  PRIMAVERA SOUND 2023SÃO PAULO , AUTÓDROMO DE INTERLAGOS, BRAZIL 07 DEC 2023 –  PRIMAVERA DAY SOUND ASUNCIÓN , PARQUE OLÍMPICO, PARAGUAY 10 DEC 2023 –  PRIMAVERA SOUND 2023 BOGOTÁ , PARQUE METROPOLITANO SIMÓN BOLÍVAR, COLOMBIA

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