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Voyage Brown 94" Trestle Dining Table By Nate Berkus + Jeremiah Brent

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The Voyage of Life: Old Age from Right

The voyage of life: old age   west building, main floor—gallery 60   •date: 1842 •medium: oil on canvas •dimensions: ooverall: 133.4 × 196.2 cm (52½ × 77¼ in.) oframed: 162.9 × 225.7 × 17.8 cm (64⅛ × 88⅞ × 7 in.) •credit line: ailsa mellon bruce fund •accession number: 1971.16.4 •artists/makers: oartist: thomas cole, american, 1801-1848   overview   cole’s renowned four-part series traces the journey of an archetypal hero along the “river of life.” confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of “youth” and its aspirations for glory and fame. as the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence. only prayer, cole suggests, can save the voyager from a dark and tragic fate.   from the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero’s triumphant salvation, the voyage of life seems intrinsically linked to the christian doctrine of death and resurrection. cole’s intrepid voyager also may be read as a personification of america, itself at an adolescent stage of development. the artist may have been issuing a dire warning to those caught up in the feverish quest for manifest destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.   inscription   •bottom edge, left of center: t. cole / 1842 •bottom edge, right of center: rome   provenance   sold by the artist to george k. shoenberger [1809-1892], cincinnati, perhaps as early as 1845 and no later than may 1846;[1] shoenberger heirs, after 20 january 1892;[2] purchased 1908 by ernst h. huenefeld, cincinnati;[3] gift 1908 to bethesda hospital and deaconess association of methodist church of cincinnati;[4] sold 17 may 1971 through (hirschl & adler galleries, new york) to nga.   [2]for a discussion of a possible 1845 date, see thomas cole, exh. cat. memorial art gallery of the university of rochester, 1969: 35. other sources place the acquisition a bit later than 1845; see paul d. schweizer, “the voyage of life: a chronology,” in the voyage of life by thomas cole, paintings, drawings, and prints, exh. cat. museum of art, munson-williams-proctor institute, utica, new york, 1985: 45 (“december 1846”), and ellwood c. parry iii, the art of thomas cole: ambition and imagination, newark, delaware, 1988: 332 (“sometime late in 1846 or, more likely, early in 1847”); however in a boston transcript article entitled “the voyage of life,” which appeared 21 may 1846, the pictures are mentioned as then belonging to “a wealthy gentleman of cincinnati.” [3]a letter of april 1979 from mrs. robert heuck (in nga curatorial files) specifies: “mr. shoenberger died in 1892, at which time many of the belongings of the home were given to heirs.” shoenberger died 20 january 1892; for additional information, see the biographical cyclopaedia and portrait gallery with an historical sketch of the state of ohio, 6 vols., cincinnati, 1895: 6:1457-1458. [4]mrs. robert heuck, letter of april 1979 (in nga curatorial files) states: “in 1908 mr. and mrs. ernest w. [sic] huenefeld purchased the land [and the house and contents].” [5]edward h. dwight and richard j. boyle, “rediscovery: thomas cole’s ‘voyage of life’,” art in america 55 (may 1967): 62.   associated names   •bethesda hospital and deaconess association •hirschl & adler galleries •huenefeld, ernst h. •shoenberger, george k.   exhibition history   •1842—annual exhibition of modern artists, piazza del popolo, rome, 1842, no cat. •1842—private exhibition, luther terry’s studio, orto di napoli, rome, 1842. •1843—pictures by thomas cole n.a. … the voyage of life a series of allegorical pictures, national academy of design, new york, 1843-1844, no. 4. •1843—second exhibition, boston artists’ association, 1843, no. 4. •1844—paintings exhibited…, pennsylvania academy of fine arts, philadelphia, 1844, no. 4. •1848—western art union, cincinnati, 1848, no cat. •1854—pictures at the ladies’ gallery, cincinnati, 1854, 2 and 5, no. 23, as old age. •1983—a new world: masterpieces of american painting 1760-1910, museum of fine arts, boston; corcoran gallery of art, washington, d.c.; grand palais, paris, 1983-1984, no. 28, repro. •1985—the voyage of life by thomas cole, paintings, drawings, and prints, museum of art, munson-williams-proctor institute, utica, new york, 1985, 4, 5, 28, 30-32, 34-36, 38-40, 42, 44, 45, 48, 53, 66-69, no. 46. •1994—thomas cole: landscape into history, national museum of american art, washington, d.c.; wadsworth atheneum, hartford; the brooklyn museum, 1994-1995, fig. 118. •1995—loan for display with permanent collection, the detroit institute of arts, 1995-1996. •2000—explorar el edén: paisaje americano del siglo xix, fundación colección thyssen-bornemisza, madrid, 2000-2001, no. 5, repro.   technical summary   secondary ground layers include yellow under the man, the boat, and the angel; red under the dark sky at the top right. infrared reflectography reveals underdrawing in the central rock formation, with a change of contour near the horizon line; and a possible slight change in the man’s left hand. there is a pentimento of two angels at the bottom of the line of angels in the center of the sky. there are scattered small losses and craquelure throughout.   all four paintings in the voyage of life series were executed on herringbone twill fabric with moderately fine threads and a moderately rough surface. the paintings were lined (apparently for the first time) and the original panel-back stretchers were replaced during treatment in 1970-1971. the presence of unused tack holes and the pattern of wear on the canvas edges suggest that the paintings were originally stretched and painted on slightly larger stretchers, and then restretched by the artist on the panel-backed stretchers. all four paintings have white ground layers; in specific areas of each painting (see individual comments, below) secondary ground layers of different colors were applied. infrared reflectography reveals only minimal underdrawing. paint was applied moderately thinly and with low and broad brushstrokes in some areas such as the skies, and more thickly and with some high impasto in details such as the figures and foliage. in general, the paintings are in excellent condition, with only scattered small losses, some craquelure, and minor abrasion. in 1970-1971, discolored varnish was removed and the paintings were restored.   bibliography   •1843—“cole’s pictures at the national academy of design.” anglo american (30 december 1843): 239. •1843—“dottings on art and artists. no. ii.” new world 6 (25 february 1843): 246. •1843—“mr. cole’s paintings.” new-york daily tribune (26 december 1843): 2. •1843—new-york daily tribune (18 february 1843): 3. •1844—“a few words about mr. cole’s paintings.” new world 8 (17 february 1844): 217. •1844—“cole’s paintings.” new-york daily tribune (9 january 1844): 2. •1844—“editor’s table.” the knickerbocker 23 (january/february 1844): 97, 196. •1844—p., s.h.j. “to thomas cole.” new mirror 2 (27 january 1844): 269. •1847—transactions of the western art union for the year 1847. cincinnati, 1847: 25. •1848—bryant, william cullen. a funeral oration, occasioned by the death of thomas cole delivered before the national academy of design, new york, may 4, 1848. philadelphia and new york, 1848: 30. •1848—whitley, thomas w. reflections on the government of the western art union and a review of the works of art on its walls. [originally published in the herald of truth] cincinnati, 1848: 17-18. •1849—lanman, charles. “the epic paintings of thomas cole.” southern library messenger 15 (june 1849): 353. •1849—transactions of the western art union for the year 1848. cincinnati, 1849: 10. •1853—noble, louis legrand. the course of empire, voyage of life, and other pictures of thomas cole, n.a.. new york, 1853: 295-298, 301, 309, 312-314, 317, 320-322, 353, 359. •1854—“thomas cole.” national magazine 4 (april 1854): 318-321. •1855—“sketchings.” the crayon 1 (7 february 1855): 92. •1858—“notes and gleanings—cole’s pictures of life.” national magazine 13 (september 1858): 284-285. •1860—green, george w. biographical sketches. new york, 1860: 101, 105, 110-112. •1860—“the artists of america—taken from new american cyclopaedia.” the crayon 7 (february 1860): 46. •1865—cummings, thomas s. historic annals of the national academy of design (1825-1863). philadelphia, 1865. reprint, new york, 1965: 170, 176, 201. •1932—mayer, frank blackwell. with pen and pencil on the frontier in 1851: the diary and sketches of frank blackwell mayer. edited by bertha l. heilbron. reprint, saint paul, 1932: 41. •1954—la budde, kenneth james. “the mind of thomas cole.” ph.d. dissertation, university of minnesota, minneapolis, 1954: 171, 212. •1962—devane, james. “sightseers have visited scarlet oaks for 95 years.” cincinnati enquirer (20 may 1962): 6a. •1964—noble, louis legrand. the life and works of thomas cole (1853). edited by elliot s. vesell. cambridge, massachusetts, 1964: 220-224, 231, 233-235, 237, 239-240, 264. •1967—dwight, edward h., and richard j. boyle. “rediscovery: thomas cole’s ‘voyage of life’.” l’art et les artistes 55 (may 1967): 60-63. •1967—merritt, howard s. “thomas cole’s list, ‘subjects for pictures.’” in baltimore museum of art, annual ii: studies on thomas cole, an american romanticist. baltimore, 1967: 84, 90. •1970—riordan, john. “thomas cole: a case study of the painter-poet theory ofart in american painting from 1825-1850.” 2 vols. ph.d. dissertation, syracuse university, 1970: 1:99-100; 2:345, 455-497. •1973—wallach, alan peter. “the ideal american artist and the dissenting tradition: a study of thomas cole’s popular reputation.” ph.d. dissertation, columbia university, new york, 1973: 70-72, 106. •1976—kurland, sydney. “the aesthetic quest of thomas cole and edgar allan poe: correspondence in their thought and practice in relation to their time.” ph.d. dissertation, ohio university, athens, 1976: 105-109, 172. •1977—wallach, alan. “the voyage of life as popular art.” the art bulletin 59 (1957): 234. •1980—american paintings: an illustrated catalogue. national gallery of art, washington, 1980: 134, repro. •1980—coen, rena n. “cole, coleridge and kubla khan.” art history 3 (june 1980): 218, 227. •1980—wilmerding, john. american masterpieces from the national gallery of art. national gallery of art, washington, d.c., 1980: 11, 14, 88, repro. •1981—virdis, caterina limentani. “paesaggio e racconto in edgar allan poe.” artibus et historiae 4 (1981): 90, 94. •1981—williams, william james. a heritage of american paintings from the national gallery of art. new york, 1981: color repro. 97, 112-13. •1983—schweizer, paul d. “another possible literary source for thomas cole’s voyage of life.” in “new discoveries in american art.” edited by jayne a. kuchina. the american art journal 15 (1983): 74-75. •1985—the voyage of life by thomas cole, paintings, drawings, and prints. exh. cat. museum of art, munson-williams-proctor institute, utica, 1985: 66-69. •1987—sarnoff, charles a. “the voyage of life had a life of its own.” paper presented to the nga, january 1987. •1987—wilmerding, john. american marine painting. rev. ed. of a history of american marine painting, 1968. new york, 1987: 44, 46, 47, color repro. 42. •1988—parry, ellwood c., iii. the art of thomas cole: ambition and imagination. newark, london, and toronto, 1988: 218, 228, 265-268, 270-272, 275, 277, 280, 284-285, 291-298, 301-303, 332, 338, 378. •1988—wilmerding, john. american masterpieces from the national gallery of art. rev. ed. national gallery of art, washington, d.c., 1988: 11, 17, 102, 103, repro. •1990—powell, earl a., iii. thomas cole. new york, 1990: 103. •1991—kopper, philip. america’s national gallery of art: a gift to the nation. new york, 1991: 263. •1991—wilmerding, john. american views: essays on american art. princeton, 1991: 56, 67, repro. 57-60. •1992—american paintings: an illustrated catalogue. national gallery of art, washington, 1992: 146, repro. •1994—truettner, william h., and alan wallach. thomas cole: landscape into history. exh. cat. natl. mus. of am. art, wadsworth atheneum, hartford; brooklyn museum. washington,1994: 42,46-47,79,82,84,98-101,113,130-133,138,144,149-150,152,154,182, no. 118. •1995—apostolos-cappadona, diane. the spirit and the vision: the influence of christian romanticism on the development of 19th-century american art. atlanta, 1995: 137-148, fig. 29. •1996—kelly, franklin, with nicolai cikovsky, jr., deborah chotner, and john davis. american paintings of the nineteenth century, part i. the collections of the national gallery of art systematic catalogue. washington, d.c., 1996: 95-108, color repro. •1998—boeckl, christine m. “path/road/crossroads.” in encyclopedia of comparative iconography: themes depicted in works of art. edited by helene e. roberts. 2 vols. chicago, 1998: 2:692. •2004—hand, john oliver. national gallery of art: master paintings from the collection. washington and new york, 2004: 308, 311, no. 250, color repro.     from american paintings of the nineteenth century, part i:   1971.16.4 (2553)   the voyage of life: old age   •1842 •oil on canvas, 133.4 × 196.2 (52½ × 77¼) •ailsa mellon bruce fund •inscriptions: oat bottom edge, left of center: t. cole / 1842 oat bottom edge, right of center: rome   technical notes   all four paintings were executed on herringbone twill fabric with moderately fine threads and a moderately rough surface. the paintings were lined (apparently for the first time) and the original panel-back stretchers were replaced during treatment in 1970—1971. the presence of unused tack holes and the pattern of wear on the canvas edges suggest that the paintings were originally stretched and painted on slightly larger stretchers, and then restretched by the artist on the panel-backed stretchers. all four paintings have white ground layers; in specific areas of each painting (see individual comments, below) secondary ground layers of different colors were applied. infrared reflectography reveals only minimal underdrawing. paint was applied moderately thinly and with low and broad brushstrokes in some areas such as the skies, and more thickly and with some high impasto in details such as the figures and foliage. in general, the paintings are in excellent condition, with only scattered small losses, some craquelure, and minor abrasion. in 1970-1971, discolored varnish was removed and the paintings were restored.   1971.16.4 (old age): secondary ground layers include yellow under the man, the boat, and the angel; red under the dark sky at the top right. infrared reflectography reveals underdrawing in the central rock formation, with a change of contour near the horizon line; and a possible slight change in the man’s left hand. there is a pentimento of two angels at the bottom of the line of angels in the center of the sky. there are scattered small losses and craquelure throughout.     description by the artist:   fourth picture: old age   portentous clouds are brooding over a vast and midnight ocean. a few barren rocks are seen through the gloom—the last shores of the world. these form the mouth of the river, and the boat, shattered by storms, its figures of the hours broken and drooping, is seen gliding over deep waters. directed by the guardian spirit, who thus far has accompanied him unseen, the voyager, now an old man, looks upward to an opening in the clouds, from whence a glorious light bursts forth, and angels are seen descending the cloudy steps, as if to welcome him to the haven of immortal life.   the stream has now reached the ocean, to which all life is tending. the world, to old age, is destitute of interest. there is no longer any green thing upon it. the broken and drooping figures of the boat show that time is nearly ended. the chains of corporeal existence are falling away; and already the mind has glimpses of immortal life. the angelic being, of whose presence until now the voyager has been unconscious, is revealed to him, and with a countenance beaming with joy, shows to his wondering gaze scenes such as the eye of mortal man has never yet seen..

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Nautica Voyage Eau De Toilette for Men - Fresh, Romantic, Fruity Scent Woody, Aquatic Notes of Apple, Water Lotus, Cedarwood, and Musk Ideal Day Wear 3.3 Fl Oz

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• Is Discontinued By Manufacturer ‏ : ‎ No
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• Product Dimensions ‏ : ‎ 2 x 3.5 x 4.5 inches; 3.52 ounces
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• Item model number ‏ : ‎ BOX-M-NAUTICAVOYAGE3.4EDT
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Green Leaf, Apple, Drenched Mimosa, Sailcloth Accord, Water Lotus, Cedar Wood, Musk, Moss, Amber

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Cruises to St. Petersburg, Russia

Tabs view st. petersburg cruises, st. petersburg port guide.

St. Petersburg Shore Excursions

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There’s no destination on a Scandinavian cruise that’s more mysterious and enduring than St. Petersburg, Russia. An enigma of historic and religious sites and the birthplace of of some of literature’s greatest works, here you’ll explore museums housing some of the biggest and best art collections in the entire world. St. Petersburg is an intellectual city, a cultural capital where arts, music, and creativity thrive despite the bitter winters. May to July brings about the White Nights, a short time in St. Petersburg where the sky is completely lit up throughout the entire day, making late spring and early summer a prime time to visit St. Petersburg.

Make a day of museum hopping from the Hermitage Museum onto the Dostoevsky Museum, finishing the afternoon off at the Russian Museum. If church tours are more your thing, check out the ornate domes of the Church of Our Savior on Spilled Blood, or take photos of the beautiful Nikolsky Cathedral. Vodka tastings? You bet Russia’s most famous export is alive and well in St. Petersburg, too. Whatever you fancy, Russia’s cultural capital will captivate you on your St. Petersburg cruise.

With the safety of our guests and crew always our top priority, we are removing St. Petersburg, Russia from upcoming itineraries in 2024, due to the current situation in Ukraine. Our thoughts are with all who are impacted by this conflict.

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Top sights & attractions for cruises to st. petersburg, hermitage museum.

There are over 350 rooms in the world-renowned Hermitage Museum, so you’ll find it impossible to see everything in the short time you have there. When you cruise to St. Petersburg, Russia, come here with a plan on how to see your favorite artists and time periods on display here.

Church of Our Savior on Spilled Blood

Elaborate and breathtaking, this Russian Orthodox cathedral is one of the most recognizable sights in all of St. Petersburg. The mosaics and colorful domes are what the cathedral is famous for, along with it being the site of an assassination attempt of Tsar Alexander II. Beauty and Russian history collide as you explore the church.

Russian Museum

Even if you were previously uninformed about Russian art, the Russian Museum is the perfect primer for the local art scene. Spend the day perusing the museum at your leisure, then bring all sorts of art history tidbits back to the ship with you.

Peterhof Palace

This set of palaces and gardens is yet another example of St. Petersburg’s opulence. Meant to invoke a similar reaction as the Palace of Versaille, Peterhof stands up to the hype. It’s open from 9am to 7pm Sunday through Friday, and closed Mondays.

Learn More About St. Petersburg Shore Excursions

Top things to do in st. petersburg, tour the palace of rasputin’s famous murder.

The elaborate Yusupov Palace along the Moyka River was built for Russian aristocracy in the late 1700s, and it encapsulates the art and culture of Russia at the time. Don’t miss a tour through the very castle where Rasputin was assassinated. It’s a harrowing place where you’ll quickly get a taste of the wealth and status of the day.

See the Winter Palace

The Winter Palace also comprises part of the Hermitage Museum, but you could easily spend your entire time there simply walking the colorful grounds, where the palace glitters in gold and teal blue. Russian emperors lived in the Winter Palace from the 1700s until the 1900s.

Explore the Dostoevsky Museum

Famous Russian writer Fyodor Dostoevsky lived in St. Petersburg for much of his life, and the Dostoevsky Museum was erected in the apartment where he lived from 1878 to 1881. Today, you can walk in his footsteps and experience his apartment for yourself. It’s a must-see for literary types and fans of Russian literature.

Top Food and Drink Spots Near the St. Petersburg Cruise Port

Address: Nevsky Prospekt 47, St Petersburg

Classic Russian cuisine comes with a side of history at Palkin, which was also the site where famous Russians like Dostoevsky, Tchaikovsky, and others once sat and broke bread together. Try the fried foie gras, the salmon caviar, or the boar and venison dumplings. Adventurous, filling dishes are the name of the game here. 

Address: Petropavlovskaya St., 4, St Petersburg

You might not have tried truly authentic Russian food before, but Chekov is the place to change that. Inside, you’ll feel transported back to the 19th century, though the menu is decidedly modern. Try the marinated brandy trout fillet or the chicken liver pate. Delicious dumplings, called pelmeni , are stuffed with meat and made in-house daily.

L’Europe Restaurant

Address: Mikhaylovskaya Ulitsa, д. 1/7, Saint Petersburg

Located within the Grand Hotel Europe is a fine dining experience like no other in St. Petersburg. It’s one of Russia’s oldest restaurants, which only adds to the charm of getting to spend an evening here. Sunday brunch is a favorite. Every Wednesday, dancers and performers move to the classical sounds of Tchaikovsky during the dinner service. There is a wine-pairing menu as well as an elaborate seven-course menu including dishes like duck confit, salmon tartar, red caviar, and a four-cheese tortellini.

Culture & History of the St. Petersburg Cruise Port

Tsar Peter the Great founded the capital city of St. Petersburg in 1703. Ever since, St. Petersburg has become a cosmopolitan hub for arts, culture, and style. Famous authors like Nikolai Gogol and Dostoevsky were inspired and influenced by their times living in the city, which is immortalized in their literature. Though the climate was harsh and the winters almost unbearable, St. Petersburg remained a place where immigrants and visitors flocked to for hundreds of years. Today, it’s the second-largest city in Russia behind Moscow, home to a population of over 5 million people.

St. Petersburg Port Facilities & Location

When your cruise to St. Petersburg, Russia docks in port, you’ll have to quickly go through immigration before continuing on to explore everything the city has to offer. The port, called the Marine Facade, is a passenger port equipped to handle wide berths and plenty of cruise traffic.

Transportation in St. Petersburg

The metro system in St. Petersburg is comprehensive and runs daily until midnight. Otherwise, biking and taking a taxi or shuttle bus from the port into the center of town are great bets for getting around during your St. Petersburg cruise stop. It’s about a 30-minute drive from the cruise port to the city center, or around 45 minutes to get to the Hermitage Museum.

Shopping Near the St. Petersburg Cruise Port

You won’t be hard-pressed to find some of Russia’s enduring souvenirs, from famous nesting dolls to Russian vodka, chocolate, and other goods that tourists love to take back home with them. These souvenir shacks and stands are scattered throughout the city, making it easy to shop when you feel like it. But St. Petersburg isn’t all kitschy wares. There’s also a growing boutique shopping scene here, like the impressively large Galeria or a smattering of vintage shops selling clothes dating back to the days of the Soviet Union.

Local Currency & Tipping Customs

The local currency in Russia is the rouble (stylized as R), and you’ll find credit and debit cards are used all over the place here. Still, it’s handy to have a little bit of cash in case you need it. ATMs are widely available, too. Tipping your taxi driver isn’t expected, but you can round up or leave behind a few R if you’re particularly happy with the service you received. At restaurants, leaving 10% is customary.

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Russia Cruises and Saint Petersburg

Matryoshkas, vibrant cities and caviar. silversea’s northern europe cruises take you back to the ussr..

A huge country with a past shared between empire and revolution. Two eras that changed and marked the world with the style of their cities. Magical landscapes, cathedrals topped by onion domes, pavement cafes bordering the Neva River… that’s our vision of Russia.

Silversea’s Russian Far East cruises are well known to our guests, but our Northern European cruise to St. Petersburg are well worth discovery too. As the largest country in the world, there is a myriad of opportunities to explore in the ex-Soviet states. Enjoy everything from Imperial grandeur to the country's historic Soviet legacy aboard our Northern Europe itineraries. Explore the splendour of St Petersburg with its colourful palaces French-style gardens reminiscent of Versailles and sumptuous plazas. This superb tsars is home of many wonders.

Imbibe in the extravagant tsarist legacy of the Winter and Peterhof Palaces. Just as the rich is the Hermitage museum and its impressive square. If you are a history lover then this city full of museums is for you. Shopaholics will definitely want to visit Nevsky Prospekt, with its majestic arches this is surely the perfect place to go splash the cash.

Isn’t it time that you fell in love with one of the most beautiful and mysterious countries in Europe?

DESTINATION HIGHLIGHTS

ST. PETERSBURG

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Intimate Ships

Silversea’s fleet is composed of some of the smallest ships you can find on the market. Their small size allows us to visit even ports that are difficult to access with style. Our brand new ships, Silver Dawn and Silver Moon, offer you a cosy home with a view on the Baltic Sea.

Luxury Oceanview Suites

Imagine a spacious, comfortable and sophisticated suite with a private veranda with a view on the Baltic Sea. What a perfect way to enjoy your cruise to Russia. Marble bathroom, comfy sitting room, everything has been thought for you to feel home. Also note that almost all of our suites have a balcony, an occasion to admire the white nights during summer.

Personalised Service

After experiencing our luxurious personalised services, you’ll miss them once you’ll get back home. Every single suite, regardless the category, has a butler at your disposal to answer all your requests and to make your holiday a unique experience. Just picture all your needs being taken care for you by our very caring white-gloved staff. You’ll wonder how you ever managed before!

All-Inclusive Cruises

Think that contrary to others, all our cruises are all-inclusive. But when we say all-inclusive, it’s really all inclusive. Excursions, butler service, haute cuisine, gratuities, gym classes, flights transfers… Note that some suite categories even have business class flights and transfers as well. All-inclusive cruises where all is actually included and everything has been thought for you.

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Saint Petersburg Travel Packages

Sightseeing in Saint Petersburg is one of the ultimate travel experiences for Russia. Something incredible is around every corner of this magnificent cultural capital of the country. Only on our tours to Saint Petersburg, you can feel like true royalty. Imagine traveling with a private driver everywhere, staying at the premium 5-star and 4-star hotels right in the heart of the city, eating caviar with traditional blini (Russian crepes) for breakfast, while listening to a live piano performance from 7 a.m. And that's just the morning! After an unforgettable guided program in the center, you can relax at your hotel's spa center or make your way to an inspiring ballet at the charming authentic Mariinksy Theater. That's a sneak peek for one day in Russia. Let's have a whole tour together.

St. Petersburg Tour Highlights

Discover the beautiful Venice of North - St. Petersburg and its trending sights.

Learn which sights are the most significant in St. Petersburg and which activities are the best. Create your dream itinerary to St. Petersburg together with our destination specialist.

• The Catherine's Palace
• Ballet performance at Mariinsky
• Faberge Museum
• State Hermitage Museum
• Isaac Cathedral
• Saviour on Spilled Blood Church
• Kazan Cathedral
• Cathedral of Christ the Savior
• Peterhof exploration
• Peter and Paul Fortress

Tips for St. Petersburg Travel

Get ready for your journey to St. Petersburg with expert tips and have the best experience.

What to pack

If your tour is during the colder months of the year, pack sweaters, hats, winter boots, and a few gloves.

Most Saint Petersburg citizens do not speak English, learning a few phrases is advisable.

We suggest to always have some cash with you. You will need Rubles (RUB) for Russia.

How much to tip

Tipping is not required in Russia, but it's considered good etiquette, tip 10%-15% of your bill.

The average summer temperature is approx 18°C (64°F), and winter is around -6°C (22°F).

Some of the most popular souvenirs from St. Petersburg are Krupskaya chocolate, faberge eggs.

Best St. Petersburg Sights

The Peter and Paul Fortress and its bell-tower symbolize the might and power of Russia.

The world-famous Hermitage Museum is the home to the largest collection of paintings in the world.

The most iconic golden dome of Russia and a landmark of over 150 years of St. Petersburg history.

Often called "the Russian Versailles", Peterhof Palace and park complex is a luxurious beauty of Imperial Russia.

The mysterious and stunning Yusupov Palace stands on River Moyka's bank in the heart of St. Petersburg.

Catherine's Palace aka Tsarskoye Selo is the luxury summer residence of tsars built by Catherine I. 

The Savior on Spilled Blood stands out in the St. Petersburg skyline with its 5 unique colorful onion-domes.

I am very satisfied.

I have been using the Firebirds (Travel All Russia) services for a while. I am very satisfied.

WOW. From the choice of hotels to...

WOW. From the choice of hotels, an itinerary that ran to plan, the amazing Guides and drivers, and of course the stunning cities of Moscow and St Petersburg. No long queues for entry to museums, churches, and palaces.  I would gladly recommend using Firebird Tours (Travel All Russia) to anyone.

THANK YOU for making this happen for me !!!

I must say from the day I started to book my tip till the day I got home I had one GREAT trip and experience I always felt safe and cared for help was seconds away not that I needed any I will defiantly highly recommend your company to any traveler to Russia WELL DONE to the Whole team THANK YOU for making this happen for me !!!

We enjoyed the whole trip a lot

Overall we enjoyed the whole trip a lot. Moscow is beautiful and clean. Thank you very much for your patience and excellent organization of this tour. Everything ran very smoothly and according to schedule. The guides met us on time at hotels or at our train carriage on arrival. They all spoke good English, had a good local knowledge and were very kind and helpful.

The tour lived up to all expectations

I’m most pleased with Travel All Russia in arranging our ‘Volga Dream’ Russia tour, I would recommend using your services again as every aspect of our tour went off without a hitch. The communication between our tour representative was excellent as we required additional days on both ends of our tour. The visa process and the logistics were flawlessly implemented.

Best and worry-free travel to Russia! - Treasures of Two Capitals Tour

When my husband and I decided we wanted to travel Russia, I did my research and came across Travel All Russia which had very good reviews. It certainly did not disappoint. We chose the Treasures of Two Capitals tour. Booking and coordinating with them were seamless from start to finish. Questions were promptly answered, either through email or a phone call and changes if any, were quickly updated.

We are so happy to have gone on this trip! - June 2017

Thank you for all you did to make our trip spectacular! Both ballets were excellent and totally enjoyed by my son and I.

There is so much to see and do and I feel we did, with our wonderful guides a great job beginning to see all.

The St. Regis Hotel was so warm and friendly! Food was excellent and so convenient to the Kremlin, Bolshoi Theater, St. Basil's, etc. Thank you!

The Petro Palace was okay. Food was not the greatest but the staff were friendly. Location was great, however.

Everything went really smoothly - Private St. Petersburg Shore Excursion

A big thank you for our tour. We were looked after very well by our guide and the driver. They were both outstanding. The itinerary was the best. Everything went really smoothly

It was a great experience - Treasures of Two Capitals (5 star), June 2017

It was a great experience. The guides were knowledgeable and spot on time. Especially the guide in St. Petersburg seemed to get us to places with great timing. We beat the majority of crowds. Maybe that’s partly a result of being a small group, being that we didn’t have to wait for stragglers. The weather cooperated and we didn’t get caught in any rain storms.

Everybody in our group got along perfectly. We were all experienced travelers and shared information on places we’d been to. The ladies are now sharing pictures of our trip to Russia via email.

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• Oranienbaum (Lomonosov)

Visiting Oranienbaum and Lomonosov

Oranienbaum is perhaps the least visited of St. Petersburg's suburban palaces, despite the rich and unique treasures it has to offer. This can partly be attributed to the decades of neglect that have left most of the buildings in critical condition and allowed the park to be overrun by nature. Thankfully, the estate has now come under the auspices of Peterhof's management, and a massive renovation programme is already underway. For the next several years, however, it will be necessary to check which parts of the park and which buildings are currently open to the public.

Oranienbaum is only 12km along the coast from Peterhof, so it is possible for those with some stamina to combine the two in a single daytrip. A marshrutka minibus (K-348) connects the two estates. From St. Petersburg it is possible to take a minibus (K-300) from Avtovo Metro Station, or suburban trains from Baltiskiy Station. Either way, the journey takes a little under one hour.

Oranienbaum Park

Located on a slight incline, this pretty landscaped park is slowly being restored to its former glories, and contains a number of unusual architectural features.

Grand Menshikov Palace

This superbly elegant baroque palace was originally built for Peter the Great's closest adviser, and was the only suburban palace to survive World War 2 intact.

Chinese Palace

The favorite retreat of Catherine the Great, this small but exquisitely designed neoclassical villa has superbly restored interiors in "Oriental" style.

Palace of Peter III

This modest two-storey building was built for the future Peter III, and was the centre of Petershtadt, his peculiar model fortress of which he styled himself the Commandant.

Built as part of a Summer Palace for Peter III, this simple two-storey block by Antonio Rinaldi was later used as a Lutheran church, and is now an exhibition and concert hall.

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