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The screen set up to block tourist snapshots of Mount Fuji has several holes in it

The black screen installed just last week to block tourist snapshots of Mount Fuji now has several holes in it

TOKYO — A Japanese town that erected a huge black screen last week in an attempt to stop tourists from snapping photos of Mount Fuji and overcrowding the area has discovered holes in the screen and is working to repair them, officials said Tuesday.

Fujikawaguchiko, a popular spot to view and photograph the iconic mountain, put up the screen last Tuesday , but the next day officials discovered a hole in it. By Tuesday morning, officials had found around 10 similar holes, all at eye level, and all apparently just the right size to fit a camera lens through.

One especially popular viewing location is outside a Lawson convenience store, from where photos taken at a certain angle would make it look as if Mount Fuji was sitting atop the store roof.

Local residents have complained about visitors blocking the narrow sidewalk and walking into the busy road or onto neighboring properties to get their shots, officials said.

The town spent 1.3 million yen ($8,285) to install the 2.5-meter (8.2-feet) -high black mesh net that stretches 20 meters (66 feet), and additional fences along the sidewalk.

The screen has helped ease congestion in the area, officials said.

Over-tourism has also become a growing issue at other popular tourist destinations such as Kyoto and Kamakura.

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Wine writing lessons from some of history’s great travel writers.

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The sun sets over the Parthenon (Photo by Scott Barbour/Getty Images)

Never before have so many wanted to spend their days visiting vineyards and writing about the magical subject of wine. Yet somehow, the profession (or should I say vocation?) is in a state of crisis. Arguably, it always has been. Nevertheless, as wine publications struggle for revenue, and the large tech platforms further choke visibility and traffic, the fragmentation of quality voices continues. Dispersing in their wake is a critical mass of engaged readers. With A.I. lurking menacingly on the horizon, raising the bar on quality is crucial for survival.

Given the stakes, we might consider an extended delve into early 20th century English travel writing as a little indulgent. Lingering on the pretty phrases of well-schooled gentlemen, endlessly keen to express their comfort with the great works of the ancient world, would usually sit at odds with the incessant buzz of notifications, emails and the need to keep content and invoices flowing.

Yet, the predicament is providing splendid opportunity for meandering exploration through some of the more literary and erudite texts of the genre. In many cases, they are harmless, hapless adventures, and ooze the kind of personality that makes such writing timeless. So, filing my inquiry under research, and temporary escapism, I embarked on Robert Bryon’s iconic Road to Oxiana .

Published in 1937, it charts his journey through the Levant and across the Middle East. Byron’s self deprecating tone will inevitably strike a more pertinent chord with the British reader, but it is universally acknowledged a masterpiece for its balance of witty memoir and poignant observation. Sensual prose bring exotic scenes to life, capturing the essence of people and place.

The author’s primary interest lies in the great monuments of Islam, but his deep knowledge is administered carefully, diluted with engaging journal entries that document the trials and tribulations of a colourful and unpredictable journey. Clearly, he is well versed in his field and able to braid scholarly comment, but it remains a backdrop, and a device for maintaining order lest his more comedic characters infringe on the intended atmosphere. For Byron, architecture (we may read wine) is a reason for travel, but it is certainly not the story .

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Henry Vollam Morton is another outstanding travel writer of a bygone era, despite suggestions of appalling character. Over the last few days I’ve found it difficult to put down A Traveller in Southern Italy (1969). Although less poetic, the format is similar. Enthralment with the lives of the Saints provides motivation for his expedition, but his writing draws from the well of knowledge modestly - skilfully aware of the importance of peeling back the curtain and standing clear.

Inevitably, the subject of wine provides rich material for the writer and there are many enclaves in which to develop a specialism. For me, the most alluring wine writing, and the most age-worthy, provokes and evokes in a way that the best travel writing does. It connects on an emotional level and make one long for experience. Put simply, the best books about wine are often not really about wine - at least, not entirely.

Paul Theroux, the great American writer noted that, “travel writing begins in journalism, slides into fiction, and ends in autobiography”. When I think back to those bright and elegant columns by Hugh Johnson or Michael Broadbent, I am reminded of a note by Hemingway. “If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.”

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PHOTOS: Pearl Jam delivers first Seattle concert in six years

With their savory  new “Dark Matter” album  in tow, the Seattle rock heroes wrap a quick spring North American run with a hometown two-nighter, playing Climate Pledge Arena for the first time. The current tour offers a bit of a fresh look for the band, which in keeping with Seattle’s grunge spirit, has long favored a more austere stage production. This time around, Pearl Jam’s embracing some bigger visuals inspired by the “Dark Matter” motif created by Tacoma artist Rob Sheridan , who last worked on stage visuals for Nine Inch Nails’ 2014 tour.

Pearl Jam’s first Seattle shows in six years kick off a series of anticipated homecomings this spring including Seattle expats La Luz (May 30, Crocodile), the final shows of the brilliant/brutal reunion tour from Tacoma mathcore destroyers Botch (June 14-15, Showbox), jazz guitar great Bill Frisell (June 13-16, Jazz Alley) and indie rock vets Car Seat Headrest (June 20, ZooTunes).

Read our full reviews of Night 1 and Night 2 .

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PGA Tour player Grayson Murray died by suicide, says family

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Former PGA Tour caddie John Wood has been named team manager of the U.S. Ryder Cup squad, a new role that will provide guidance with player selection, the PGA Ryder Cup Committee said on Wednesday.

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Third seed Carlos Alcaraz sparkled and showed steely resolve in his most convincing match at the French Open this year for a 6-4 7-6(5) 6-3 victory over American Sebastian Korda to reach the fourth round of Roland Garros on Friday.