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Star Trek: The Next Generation - Full Cast & Crew

• 51   Metascore
• Drama, Fantasy, Action & Adventure, Science Fiction
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A new crew boards a revamped USS Enterprise in the first spin-off from the '60s cult classic.

Screenwriter

Sound effects, special effects, executive producer, co-producer, line producer, cinematographer, production company.

WHERE ARE THEY NOW: The cast of 'Star Trek: The Next Generation,' 36 years later

• "Star Trek: The Next Generation" ("TNG") aired from 1987 to 1994.
• It was the first live-action "Star Trek" show since the original series ended in 1969.
• The cast will reunite for the final season of "Star Trek: Picard," which premieres February 16.

The captain of the Enterprise, Jean-Luc Picard, was played by Sir Patrick Stewart for all seven seasons.

Stewart got his start as a theater actor and was a part of the Royal Shakespeare Company from 1966 to 1982. He then had various roles on British TV series until he was cast as the newest captain of the USS Enterprise in 1987 for "Star Trek: The Next Generation," kicking off decades of debates on who the superior captain is .

Arguably, "TNG" would never have been as successful as it was without the grounding presence of Stewart and his Shakespearean sensibilities. Some of the best episodes and arcs in "Trek" history come down to Stewart's performance, such as the iconic Locutus storyline and its aftermath in "Family," or classic episodes like "The Measure of a Man" and "The Inner Light."

He was nominated for a Screen Actors Guild Award for his performance in 1995. He won a Grammy in 1996 for best spoken word album for children for his reading of "Prokofiev: Peter and the Wolf."

Stewart, 82, will conclude Picard's story in 2023 after three seasons of "Star Trek: Picard" on Paramount+.

By the time "TNG" wrapped up in 1994, Stewart had already  solidified his place in the hearts of nerds everywhere. He'd go on to star in four more "Trek" movies — "Generations" in 1994, "First Contact" in 1996, "Insurrection" in 1998, and "Nemesis" in 2002 — but that wasn't his last iconic role.

In 2000, he starred as the iconic Professor Charles Xavier, aka Professor X, in "X-Men." He reprised the role in 2003's "X2," 2006's "X-Men: The Last Stand," 2009's "X-Men Origins: Wolverine," 2013's "The Wolverine," 2014's "X-Men: Days of Future Past," and 2017's "Logan" — the latter of which got him some Oscar buzz . He reprised the role in 2022's "Doctor Strange in the Multiverse of Madness."

Stewart was knighted by Queen Elizabeth II in 2010 for services to drama.

He's played various other roles throughout his decades-long career, returned to the stage many times, and secured a Tony nomination in 2008 for his performance in "Macbeth." But Picard wasn't done with him yet.

In 2018, it was announced that Stewart would be returning to the role of Jean-Luc Picard for a series on CBS All Access (now Paramount+) following the former captain 30 years after the events of "Nemesis." "Star Trek: Picard" premiered in 2020. The third and final season will premiere on February 16.

Commander William T. Riker, Picard's right-hand man and first officer, was played by Jonathan Frakes.

Riker was more of the classic "Trek" rogue, similar in some ways to William Shatner's Captain James T. Kirk, namely, his penchant for getting into trouble and getting women across the galaxy to fall in love with him. But he was also a trusted colleague and friend to Picard across seven seasons and four movies. Picking up Riker from Farpoint Station is actually one of the crew's first missions in the pilot.

Before "TNG," Frakes had appeared in various episodes of '70s and '80s shows like "Charlie's Angels," "The Twilight Zone," "Hill Street Blues," and more. But he quickly became best known for "Trek."

Like Shatner and Leonard Nimoy before him, Frakes also became interested in directing, and he was behind the camera for eight episodes of "TNG," as well as episodes of spin-offs "Deep Space Nine," and "Voyager." He also directed films "First Contact" and "Insurrection."

Frakes, 70, has appeared in "Picard" and "Lower Decks." He's also a successful director.

Soon after "TNG" wrapped up, Frakes began hosting the series "Beyond Belief: Fact or Fiction?" from 1998 to 2002. A compilation clip of him saying things are false/fiction has since become a meme .

Frakes reprised his role as Riker in episodes of "Deep Space Nine" and "Voyager" in the '90s, the series finale of "Star Trek: Enterprise" in 2005, two episodes of "Star Trek: Picard" in 2020, and three episodes of "Star Trek: Lower Decks" in 2020 and 2021.

Over the last two decades, he's directed over 70 episodes of television, including shows like "Roswell," "Castle," "NCIS: Los Angeles," "The Librarians," "Agents of S.H.I.E.L.D.," Seth MacFarlane's loving "Trek" homage "The Orville," and, of course, the new "Trek" shows like "Star Trek: Discovery" and "Picard."

Like the rest of the original "TNG" crew, Frakes has joined the cast of "Picard" for season three.

Marina Sirtis played Deanna Troi, the ship's counselor and an empath.

In some ways, Troi was like the exact opposite of Spock, a character from the original "Trek" who operated solely from a place of logic. Instead, Troi was a half-human, half-betazoid, which made her an empath (able to telepathically sense people's feelings and emotions). Her place on the ship was to counsel the captain and other members of the crew.

Notably, Troi and Riker were in a relationship before the events of the show, and they eventually get married during the movie "Nemesis," before moving to the USS Titan, where Riker would finally become captain.

Her mother, Lwaxana Troi, was a beloved "Trek" side character played by Majel Barrett, "Trek" creator Gene Rodenberry's wife and "Original Series" cast member. Barrett also played Christine Chapel.

Before "TNG," Sirtis had appeared in bit parts in films and was mainly doing theater in her native UK.

Sirtis, 67, reprised the role for one episode of "Picard" with her on-screen husband, Riker.

Sirtis appeared in all four "TNG" films," and she also reprised her role as Troi in "Voyager," "Enterprise," "Picard," and "Lower Decks." She also appeared in an episode of "The Orville."

She's steadily worked in TV over the last two decades, appearing in shows like "Without a Trace," "Make It or Break It," "Grey's Anatomy," "NCIS," and "Scandal."

Sirtis has also had a steady voice-acting career, lending her voice to "Gargoyles," "Adventure Time," and perhaps most famously, as Queen Bee in "Young Justice."

Sirtis will don her Starfleet uniform yet again in 2023 for the final season of "Picard."

LeVar Burton played the engineering genius Geordi La Forge.

Besides Stewart, Burton was easily the most well-known member of the cast. Ten years prior, he had played Kunta Kinte in the 1977 ABC miniseries "Roots," which was nominated for 37 Emmy Awards, winning nine, including a nomination for Burton . The series finale is still the second most-watched series finale of all time, garnering at least 110 million viewers. He reprised the role in the 1988 TV film "Roots: The Gift."

When he was cast as La Forge, the chief engineering officer who happened to be blind — a big step forward in disability representation at the time — Burton had already been hosting "Reading Rainbow" on PBS since 1983. "Reading Rainbow," which Burton produced, won a Peabody Award and 12 Daytime Emmys.

From 1990 to 1996, Burton also voiced Kwame on "Captain Planet and the Planeteers" for over 100 episodes. In 1999, he directed the Disney Channel Original Movie classic "Smart House."

Burton, 66, was recently at the center of a campaign to take over as the new host of "Jeopardy!"

Like the rest of the main cast, Burton appeared in "TNG's" four feature films . He also appeared as La Forge in an episode of "Voyager."

He will reprise his role for the first time on TV since 1998 during the third and final season of "Picard" — and he'll be joined by his daughter, Mica Burton, who will play La Forge's daughter Alandra, an ensign in Starfleet.

Burton has had a successful career in Hollywood since, appearing as Martin Luther King Jr. in 2001's "Ali," playing himself in iconic appearances on both "Community" and "The Big Bang Theory," and hosting "Reading Rainbow" until its end in 2006.

Like Frakes, Burton is also a successful TV director. He's directed numerous episodes of "Star Trek" and its spin-offs, as well as episodes of "Charmed," "JAG," and "NCIS: New Orleans." He made his movie directorial debut in 2008 with "Reach for Me," starring Seymour Cassel.

After the death of Alex Trebek in 2020 , fans began campaigning for Burton to take over as the new host of "Jeopardy!" Almost 300,000 fans have signed a petition to that effect. However, after a brief stint as guest host, Burton said he wouldn't be interested in taking over as the permanent host.

In October 2021, he was named next year's grand marshal of the Rose Bowl Parade.

Gates McFadden played the chief medical officer Dr. Beverly Crusher for six seasons — she was replaced briefly in season two.

Dr. Crusher was introduced as the chief medical officer of the Enterprise with a long relationship with Picard — her late husband, Jack, and Picard were close friends, and Picard even brought back Jack's body after death.

However, as the show progressed, Dr. Crusher and Picard's relationship evolved into love and they even got married (and divorced) in an alternate timeline. We want to see Beverly in "Picard," please — and it seems like we're finally getting our wish.

After the first season, McFadden was written out of the show due to issues with head writer Maurice Hurley and replaced with Diana Muldaur, who played Dr. Katherine Pulaski. Muldaur's character did not gel with the rest of the cast, and McFadden was subsequently brought back for season three (and Hurley was ultimately replaced with Michael Piller).

Before "TNG," McFadden was a choreographer and a puppeteer involved with the Jim Henson Company, in addition to her career as an actress . She appeared in and choreographed 1984's "The Muppets Take Manhattan" and choreographed "Labyrinth" in 1986 . McFadden directed an episode of "TNG" in 1994.

McFadden, 73, has appeared in episodes of shows like "Franklin & Bash," "NCIS," and "The Practice."

McFadden appeared in all four "TNG" films , though she didn't have a huge role in them, considering how her relationship with Picard was left in the series finale. She even joked during a screening of the season three premiere of "Picard" that she didn't remember being in the films.

Hopefully, their bond will be addressed in season three of "Picard," which McFadden will return for, especially since season two of "Picard" seems very concerned with the lack of love in his life.

Since the end of the films in 2002, McFadden has mainly appeared on TV. She was in four episodes of "Franklin & Bash," an episode of "NCIS," and a TV movie called "A Neighbor's Deception." She was also in a 2009 holiday rom-com called "Make the Yuletide Gay."

Michael Dorn played Worf, the first Klingon in "Trek" history to be a main character.

Worf was the first Klingon to be a main character in "Star Trek" — in three of the original films, Klingons were, if not the main antagonists, one of the secondary foes.

By the events of "TNG," Dorn's character Worf had enlisted in Star Fleet and slowly became one of the series' best and most beloved characters, as well as the chief security officer. He went on to star on "Deep Space Nine" for four seasons, from 1995 to 1999.

Before the show, Dorn had appeared in shows such as "CHiPS," "Knots Landing," and "Days of Our Lives."

Dorn, 70, has been in more episodes of "Star Trek" than any other actor. He'll add to his lead by appearing in "Picard."

Overall, Dorn played Worf for 277 episodes and four films, making more appearances than any other actor in "Trek" history. The character was so popular that there were even talks to continue his story in his own show, called "Star Trek: Captain Worf" in 2012, though they never came to fruition.

He'll continue his reign, as Dorn was announced with the rest of the cast of "TNG" to be returning to "Trek" in season three of "Picard."

Besides acting in "Star Trek," Dorn also directed three episodes of "Deep Space Nine," as well as an episode of "Enterprise."

Like many of his co-stars, Dorn has had a successful voice-acting career . He used his voice in "Dinosaurs," "Superman: The Animated Series," "I Am Weasel," "Kim Possible: A Stitch in Time," "Regular Show," and "Arrow," among others. Most recently, he voiced Battle Beast in "Invincible."

Dorn appeared in two of the "Santa Clause" movies as the Sandman, and he was also in "Ted 2." In real life, he's also an accomplished pilot.

Wil Wheaton played Wesley Crusher, Dr. Crusher's son and a controversial character.

Poor Wesley. It couldn't have been easy losing your dad at such an early age, only to be dragged onto a spaceship with the man who survived instead ... a man who pointedly hated kids to boot. But that was Wesley's plight, and it didn't make for a very enjoyable character. He was written off as a regular after season four, at which point he went to Starfleet Academy. Wesley reappeared in the final season for a send-off.

The year before Wheaton began appearing in "TNG," he starred in the classic '80s film "Stand by Me" alongside River Phoenix, Corey Feldman, Jerry O'Connell, Kiefer Sutherland, and John Cusack, all future stars in the making.

Wheaton, 50, made a surprise cameo at the end of season two of "Picard."

As Wesley wasn't a  hugely  beloved character, he only appeared in one scene of one film , "Nemesis." He didn't even speak.

But Wheaton hasn't let the haters stop him from having a successful career. He's appeared in dozens of TV shows and movies, and he hilariously played himself across 17 episodes of "The Big Bang Theory." He also had a recurring role on "Eureka," another recurring role on "Leverage," and a talk show on SyFy called "The Wil Wheaton Project."

Wheaton has also acted in many web series, including "Welcome to Night Vale." He's also had great success in voice acting, most recently voicing the Flash in "Teen Titans Go to the Movies."

He also hosted the web series "TableTop," in which he and guests play a game (like Settlers of Catan or Pandemic) each episode, which aired from 2012 to 2017.

Currently, he hosts "The Ready Room," the official "Star Trek" aftershow that features interviews with the cast and crew. He also made a brief, surprise appearance at the end of season two of "Picard."

Brent Spiner played Data, an android who was on a quest to become more human.

While most of the characters on "TNG" were almost entirely original, Data was clearly conceived as this show's version of Spock , another character who struggled with the concept of humanity.

However, as the show went on, Data solidified himself as his own character with his own fascinating backstory (Lore and Dr. Noonien Soong, anyone?) and a heartwarming desire to become human.

Before the series, Spiner enjoyed a successful career in theater , originating the role of Franz/Dennis in "Sunday in the Park with George" and starring as Aramis in "The Three Musketeers." He also appeared in six episodes of "Night Court."

In 1996, he appeared in the huge sci-fi blockbuster "Independence Day."

They keep finding ways for Spiner, 74, to stay in the "Trek" universe, even 21 years after Data's death in "Star Trek: Nemesis."

Spiner appeared in all four "TNG" movies . In fact, his character might have had the most complete arc, when you take in his sacrifice at the end of "Nemesis." He also played an ancestor of his character's creator, Dr. Arik Soong, in four episodes of "Enterprise's" fourth season.

In 2016, Spiner reprised his role as Dr. Brackish Okun in the sequel "Independence Day: Resurgence." Over the years he's appeared in dozens of TV shows, including "Friends," "Star Wars Rebels," "Ray Donovan," "The Goldbergs," and "Warehouse 13."

Spiner has also voiced two iconic Batman villains. He played the Joker in an episode of "Young Justice," and he voiced the Riddler in "Justice League Action."

In 2020, Spiner reprised his role as Data in "Picard," appearing as the character in dream sequences and as a virtual consciousness throughout the first season.

He also appeared as a descendant of his creator, Dr. Altan Inigo Soong, and as a similar android named B-4 who was originally introduced in "Nemesis." In season two, he played another one of Noonien Soong's ancestors, Adam Soong.

Spiner was announced, like the rest of the cast , to be part of "Picard's" third season, this time playing Data's evil "brother," Lore.

Denise Crosby only starred in one season of "TNG" as Natasha Yar.

Yar's death was one of the biggest shocks of "TNG" and proved this wasn't going to be like the original show — deaths weren't just reserved for "red shirts" here. No one was safe.

In actuality, Crosby asked to be written off the show , as she "was miserable. I couldn't wait to get off that show. I was dying." And so, her character was killed in the season one episode "Skin of Evil" by a malevolent tar-like creature. Yar would reappear two more times, in a season three episode called "Yesterday's Enterprise" (an all-timer), and the series finale.

Crosby also appeared in three episodes as a character called Sela, a future half-Romulan daughter of Yar's from an alternate timeline.

Before the show, Crosby, the granddaughter of Bing Crosby, had appeared in films like "48 Hrs.," "Pet Sematary," two "Pink Panther" films, and multiple episodes of "Days of Our Lives."

Crosby, 65, recently appeared in a few episodes of "General Hospital."

Crosby didn't appear as Yar in any of the "TNG" films, but that doesn't mean she's totally stayed away from "Trek." She produced and presented a 1997 documentary about "Trek" fandom called "Trekkies," and its 2004 sequel "Trekkies 2." As of 2017, there were plans for a third installment.

She's also appeared in multiple direct-to-video movies , in addition to her roles in "Southland," "Ray Donovan," "The Walking Dead," "Suits," "Creepshow," and most recently "NCIS" and "General Hospital."

Colm Meaney had a recurring role as the transporter chief Miles O'Brien.

Meaney appeared in over 50 episodes of "TNG" as O'Brien before he switched over to "Deep Space Nine," which he starred on from 1993 to 1999. His character got much more to do on the spin-off, though he did get married in a season four episode called "Data's Day," and he eventually had a child in the season five episode "Disaster."

During his run on "TNG," Meaney also appeared in a 1993 film called "The Snapper." He was nominated for a Golden Globe for his performance. 

Meaney, 69, continued to play O'Brien in "Deep Space Nine" through 1999.

After wrapping up his role in "Deep Space Nine," Meaney went on to be nominated for a Gemini Award in 2002 for his role in Canadian series "Random Passage." He also appeared in three episodes of "Stargate Atlantis," the miniseries "Alice," two episodes of "Men in Trees," and more.

Meaney was also nominated for a Saturn Award in 2013 for his role in "Hell on Wheels," appeared in 10 episodes of "Will" and in British series "Gangs of London" and "The Singapore Grip."

In 2021, he appeared in the 15th season of "It's Always Sunny in Philadelphia" as the father of Charlie Day's character.

He's had success on the big screen, as well. He was nominated for the Irish Film and Television Award for best actor in 2007 for "Kings," and he has been in other films like "Law Abiding Citizen," "Get Him to the Greek," "Tolkien," "Seberg," and "Pixie."

He recently starred in "The Serpent Queen" as King Francis I on Starz.

Whoopi Goldberg won an Oscar for "Ghost" as she was recurring on "TNG" as Guinan, an alien bartender who was hundreds of years old.

Goldberg had already been nominated for an Oscar (for "The Color Purple" in 1985) and had won a Grammy for Best Comedy Album in 1985 (Whoopi Goldberg: Original Broadway Show Recording), and had been nominated for an Emmy  for her performance on "Moonlighting" in 1986, when she was asked if she wanted to appear in "TNG" as Guinan, an alien bartender in the ship's lounge who acted as a sounding board for many characters.

She actually asked to be on the show due to her "Trek" fandom, which stemmed from seeing Uhura, a Black woman, in a position of power in the first "Star Trek" series. Goldberg appeared in 28 episodes across seven seasons.

At the same time, Goldberg was becoming a true A-lister. In 1990, she starred in "Ghost," which eventually won her an Oscar. In 1992, she starred in the classic "Sister Act" and its sequel the following year.

Goldberg, 67, accepted a personal invitation from Stewart during "The View" to return as Guinan in season two of "Picard."

Goldberg appeared in two of the "Next Generation" films, "Generations" and "Nemesis." During that time, she also appeared in films like "The Lion King," "Girl, Interrupted," "Rodgers and Hammerstein's Cinderella," and "How Stella Got Her Groove Back."

In 2002, Goldberg secured her Tony Award win for producing "Thoroughly Modern Millie." That same year, she completed her EGOT by winning an Emmy for outstanding special class series. She's also hosted multiple award shows, including the Tonys and the Oscars. 

Goldberg has consistently acted in both TV and movies in the 2000s, appearing in "Glee," "The Middle," "Toy Story 3," "Nobody's Fool," and more.

Since 2007, Goldberg has hosted "The View," which won her her second Emmy — she won outstanding entertainment talk show host at the 2009 Daytime Emmys.

During an appearance on "The View," none other than Patrick Stewart extended an invitation to Goldberg to reprise her role as Guinan during season two of "Picard," which she emotionally accepted.

Both Goldberg's version  and  a younger version played by Ito Aghayere of Guinan appeared during the show.

John de Lancie played Q, a mischievous, omnipotent being throughout all seven seasons of "TNG."

In many ways, it would've been impossible to bring back Picard without bringing back Q. The Enterprise's captain meets Q in the very first episode of "TNG," and for almost every season after he pops back in to check in on the crew (and usually antagonize them a little bit). "TNG's" highly lauded series finale is also a Q episode, with Q attempting to conclude the trial of humanity he began in the first episode.

John de Lancie played Q in eight episodes of "TNG," along with one episode of "Deep Space Nine" and three episodes of "Voyager."

Throughout the '80s and '90s, de Lancie also appeared in "Days of Our Lives," "Trial and Error," and had small roles in films like "The Fisher King" and "Multiplicity."

De Lancie, 74, returned for season two of "Picard."

De Lancie has continued to work frequently on TV, with arcs in shows like "Breaking Bad," "Charmed," "The Librarians," "The Secret Circle," and more.

The actor returned to the "Trek" universe to play Q once again on the first season of the animated series "Lower Decks" in 2020. Two years later, it was revealed that Q would play a major part in season two of "Picard" since, as Q would later say in the season, " even gods have favorites ."

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Star Trek: The Next Generation Cast and Character Guide: Who Plays Who on the Enterprise-D (and What They're Doing Now)

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When Star Trek: The Next Generation debuted in 1987, it felt like a long shot to succeed. The beloved original Star Trek crew was still wildly popular in reruns and a thriving film series, but would fans accept a sequel series set a century after the initial show and featuring an entirely new cast? The answer turned out to be a resounding yes, and TNG , as it is affectionally known by fans, went on to birth an entire extended Trek universe that continues to thrive today.

Set in the 24th century, Star Trek: The Next Generation chronicles the adventures of the crew of the Enterprise-D starship as they -- like their predecessors before them -- explore strange new worlds, seek out new life and new civilizations, and boldly go where no man has gone before. Here is your guide to the cast of the series, taking a look back at the characters they played on the sci-fi classic (and, in some cases, are still playing!) and offering a glimpse at what they've been up to recently.

RELATED: Star Trek Timeline Explained, Including Two Kirks, Two Different Prequels, and the Return of Picard

Jean-Luc Picard (Patrick Stewart)

Every ship needs a captain, and the Enterprise-D’s is Jean-Luc Picard. Finding someone to follow in the footsteps of William Shatner ’s James T. Kirk was never going to be an easy task, and Gene Roddenberry , the creator of both the original series and TNG , was wise to land on an actor with a completely different energy about him. Stewart, a well-regarded British stage actor with a smattering of film and TV credits, made Picard the anti-Kirk – a stern tactician who is more interested in victory through diplomacy than throwing a punch. Thanks to Stewart’s commanding presence, Picard became a pop-culture icon, with the character anchoring seven seasons of TNG , four feature-film spinoffs, and a recent revival/spinoff series -- fittingly titled Star Trek: Picard -- that is currently streaming on Paramount+. (Season 2 debuts early next year.) In between playing Picard, Stewart headlined another franchise when he portrayed Charles Xavier -- Marvel’s Professor X -- across five X-Men films. Most recently, he played Merlin in 2019’s kid-based Excalibur tale The Kid Who Would Be King and stepped into the role of Bosley in the Charlie's Angels reboot released that same year.

Will Riker (Jonathan Frakes)

Whereas Picard is usually calm and collected, Commander William T. Riker, the ship's first officer, can be more of a hot-head. As played by the at first unbearded, but later very bearded Frakes, Riker is a crucial member of the Enterprise crew who can lead the away team or stay behind to captain the bridge in the event that Picard gets assimilated by the Borg or something. While on the show, Frakes began pivoting to a career behind the camera. He directed eight episodes of the series as well as two of the Next Generation cast's big-screen adventures – Star Trek: First Contact and Star Trek: Insurrection . Elsewhere within the Trek universe, Frakes has helmed multiple episodes of Deep Space Nine , Voyager , Discovery , and Picard , and he has been an in-demand TV director for years, having called the shots for shows such as The Librarians , Burn Notice , and Leverage . He returned to the role of Riker for two episodes of Picard in 2020 and has also voiced the character in Star Trek: Lower Decks .

Data (Brent Spiner)

Designed to sort of be the “Spock character” on TNG , Lt. Commander Data is a highly advanced android who serves as the Enterprise’s second officer and spends most of the series trying to understand what it means to feel emotions and be human. The friendship that develops between him and Picard proves to be one of the series defining relationships, and Spiner briefly returned to the role for season one of Picard . Spiner continues to work regularly as a TV and voice actor. He recently appeared in six episodes of Penny Dreadful: City of Angels and, in 2016, reprised his Independence Day role of Dr. Brackish Okun in that film’s sequel, Independence Day: Resurgence .

Geordi La Forge (LeVar Burton)

When The Next Generation launched, La Forge worked as the Enterprise’s helmsman, but in season two he shifted to the role of chief engineer, where he served for the remainder of the show’s run. Geordi is blind but is able to “see” using a distinct metallic visor that covers his eyes and feeds electromagnetic scans into his optic nerves. Geordi struggles with his disability at times but rarely lets it interfere with the job at hand. Outside of TNG , Burton is probably most known for hosting the PBS education series Reading Rainbow for 21 seasons. He's an accomplished TV director and also hosts Levar Burton Reads , a podcast where he narrates a different piece of short fiction in every episode. If it were up to Twitter, Burton would currently be the new host of Jeopardy! , but, sadly, his considerable fanbase will have to be content with the five episodes of the game show he guest hosted in 2021.

Worf (Michael Dorn)

Maybe no one stands out on the Enterprise-D bridge more than Lt. Commander Worf, a Klingon officer whose distinct forehead ridges defined the Klingon look from TNG forward. Worf is a character who often feels trapped between two worlds -- the Klingon culture he left behind and the Starfleet crew that became his family. He is named the ship’s chief security officer after the death of Tasha Yar and eventually became the first main character to jump to a spinoff show when Dorn joined the cast of Star Trek: Deep Space Nine following TNG ’s finale. More recently, Dorn has contributed voice work to shows such as Invincible , The Lion Guard , and Teenage Mutant Ninja Turtles .

Deanna Troi (Marina Sirtis)

Along with Worf, Troi is the other prominent alien in the show’s crew. Though she’s half human, her Betazoid half allows her the gift of empathic telepathy, which she often puts to good use as the ship’s counselor. Prior to being reunited as part of the Enterprise crew, Troi and Riker were a couple, and though the show often teases that the two may one day rekindle their relationship, they don’t formally get back together until the TNG cast had moved onto the big screen. Sirtis reprised the role of Deanna in Picard , where Troi and Riker continue to be happily married. She continues to act regularly in movies and on TV, having recently appeared in episodes of genre shows The Orville and Titans .

Beverly Crusher (Gates McFadden)

Dr. Crusher is the Enterprise’s chief medical officer in Season 1 of TNG , vanishes in Season 2 when she is suddenly transferred to Starfleet Medical, but then returns for good in Season 3 when she’s reinstated aboard the starship. The back-and-forth was the result of behind-the-scenes drama which resulted in McFadden being fired from -- and then rehired for -- the series. Crusher is responsible for patching up the crew, and she also serves as a potential love interest for Captain Picard. McFadden’s last on-screen credit was an episode of NCIS in 2017, although she’s also had a long career as a choreographer. (Fun fact: She was the director of choreography and puppet movement for Jim Henson ’s Labyrinth !)

Wesley Crusher (Wil Wheaton)

Almost certainly the most divisive member of the cast, Wesley is the son of Dr. Crusher and joins her on the Enterprise. At first, he is a nuisance to Picard (and sometimes the audience), but as time goes on Wesley becomes a valuable member of the Enterprise community and is eventually named a ship ensign. Wheaton left the series following Season 4, although he would continue to make guest appearances as Wesley down the road. He has gone on to have a diverse career as an actor, writer, and Internet personality. He notoriously played a fictionalized version of himself on The Big Bang Theory , where he recurred as Sheldon’s arch nemesis across 17 episodes. Wheaton is currently back in the Star Trek fold, hosting the Trek -based aftershow The Ready Room .

Katherine Pulaski (Diana Muldaur)

Dr. Pulaski becomes chief medical officer during Dr. Crusher’s one-season absence, but the character departs the series when Crusher returns for Season 3. Muldaur recently appeared in Sidney Furie ’s docudrama Finding Hannah , her first on-screen acting appearance in nearly two decades.

Tasha Yar (Denise Crosby)

Yar is the Enterprise’s chief security officer during season one, but Crosby was unhappy working on the show, which led to Yar being killed near the end of that season. The character does reappear a few times thanks to some time-rift shenanigans, and Crosby eventually tackles a second role on the show when she guests in heavy makeup as Sela, Yar’s half-Romulan daughter. Crosby continues to act and recently had multi-episode runs on The Walking Dead , Ray Donovan , and Suits .

Guinan (Whoopi Goldberg)

Guinan is a warm and wizened bartender who’d serve you a drink in the Enterprise’s Ten-Forward lounge and maybe throw in some sage advice at no cost. A fan favorite, she’d appear in 28 episodes of the series, and Goldberg is slated to the role during season two of Picard . (Although we’ll see how they handle Whoopi’s aging as Guinan is an El-Aurian, an alien species that ages slowly and can live for multiple centuries.) Here on planet Earth, Goldberg has been a host on the daytime TV talk-show staple The View since 2007.

Star Trek: The Next Generation

• View history

Star Trek: The Next Generation , often abbreviated to TNG , is the second live-action Star Trek television series, and the first set in the 24th century . Like its predecessors, it was created by Gene Roddenberry . Produced at Paramount Pictures , it aired in first-run syndication , by Paramount Television in the US, from September 1987 to May 1994 . The series was set in the 24th century and featured the voyages of the starship USS Enterprise -D under Captain Jean-Luc Picard .

The series led to four spin-offs set in the same time period: Star Trek: Deep Space Nine , which it ran alongside during its final two seasons, Star Trek: Voyager , Star Trek: Lower Decks and Star Trek: Picard . It is also the beginning of a contiguous period of time during which there was always at least one Star Trek series in production, ending with Star Trek: Enterprise in 2005 .

• Main Title Theme  file info (arranged by Dennis McCarthy , composed by Jerry Goldsmith and Alexander Courage )
• 2.1 Starring
• 2.2 Also starring
• 3.1 Season 1
• 3.2 Season 2
• 3.3 Season 3
• 3.4 Season 4
• 3.5 Season 5
• 3.6 Season 6
• 3.7 Season 7
• 4.1 Remastering
• 5.1 Performers
• 5.2 Stunt performers
• 5.3 Production staff
• 5.4 Companies
• 6 Related topics
• 8 External links

Summary [ ]

Star Trek: The Next Generation moved the universe forward roughly a century past the days of James T. Kirk and Spock . The series depicted a new age in which the Klingons were allies of the Federation , though the Romulans remained adversaries. New threats included the Ferengi (although they were later used more for comic relief), the Cardassians , and the Borg . While Star Trek: The Original Series was clearly made in the 1960s, the first two seasons of The Next Generation show all the markings of a 1980s product, complete with Spandex uniforms .

As with the original Star Trek , TNG was still very much about exploration, "boldly going where no one has gone before". Similarly, the plots captured the adventures of the crew of a starship, namely the USS Enterprise -D . Despite the apparent similarities with the original series, the creators of TNG were adamant about creating a bold, independent vision of the future. The public did not widely accept the show on its own terms until the airing of " The Best of Both Worlds ", which marked a shift towards higher drama, serious plot lines, and a less episodic nature. This helped pave the way for Star Trek: Deep Space Nine and its two-year-long Dominion War arc and preceding build-up, as well as the third and fourth seasons of Star Trek: Enterprise . Star Trek: Voyager capitalized on the heightened crew relationships and familial bonds first seen on The Next Generation. DS9, on the other hand, balanced political intrigue, character development, and series-long plot threads with a rerun-friendly format.

As with the original Star Trek , TNG's special effects utilized miniatures, but due to great advancements in computerized effects and opticals, the show leaped ahead of its predecessor in terms of quality effects. This series marked the greatest surge in Star Trek 's mainstream popularity, and paved the way for the later televised Trek shows.

Four of the Star Trek motion pictures continued the adventures of the TNG cast after the end of the series in 1994. Star Trek Generations served to "pass the torch" from The Original Series cast, who had been the subject of the first six motion pictures, by including crossover appearances from William Shatner , James Doohan , and Walter Koenig ; it also featured the destruction of the USS Enterprise -D. Star Trek: First Contact , released two years later , was the first of the motion pictures to solely feature the TNG cast, transferred aboard the new USS Enterprise -E and engaging with one of their deadliest enemies from the television series, the Borg. Star Trek: Insurrection followed in 1998 , continuing certain character arcs from the series. In 2002 , Star Trek Nemesis brought some of these character arcs and plot threads to a seemingly definite conclusion, although some cast members expressed hope that future movies would yet pick up the story. Regardless, a new generation of actors appeared in 2009 's Star Trek , which created an alternate reality and returned the films' focus to Kirk and Spock .

On television, characters from TNG appeared in subsequent series. Recurring TNG character Miles O'Brien became a series regular on Star Trek: Deep Space Nine , as did Worf in DS9's fourth season . Jean-Luc Picard appeared in Deep Space Nine 's pilot episode , and supporting characters from TNG appeared occasionally on DS9 (specifically, Keiko O'Brien , Lursa , B'Etor , Molly O'Brien , Vash , Q , Lwaxana Troi , Alynna Nechayev , Gowron , Thomas Riker , Toral , and Alexander Rozhenko ). Reginald Barclay and Deanna Troi appeared several times each on Star Trek: Voyager , and Troi and William T. Riker appeared in the series finale of Star Trek: Enterprise , which was primarily a holographic simulation set during the TNG episode " The Pegasus ". However, Star Trek Nemesis was the final chronological appearance of the Next Generation characters for over 18 years, until Star Trek: Picard , which focused on the later life of Jean-Luc Picard. Riker, Troi, Data , and Hugh also appeared in Picard .

In 1994 , Star Trek: The Next Generation was nominated for an Emmy Award for Outstanding Drama Series. During its seven-year run, it was nominated for 58 Emmy Awards, mostly in "technical" categories such as visual effects and makeup; it won 18.

Main cast [ ]

Starring [ ].

• Patrick Stewart as Captain Jean-Luc Picard
• Jonathan Frakes as Commander William T. Riker

Also starring [ ]

• LeVar Burton as Lt. j.g. / Lt. / Lt. Cmdr. Geordi La Forge
• Denise Crosby as Lt. Tasha Yar ( 1987 - 1988 )
• Michael Dorn as Lt. j.g. / Lt. Worf
• Gates McFadden as Doctor Beverly Crusher ( 1987 - 1988 ; 1989 - 1994 )
• Marina Sirtis as Counselor Deanna Troi
• Brent Spiner as Lt. Commander Data
• Wil Wheaton as Ensign Wesley Crusher ( 1987 - 1990 )

Episode list [ ]

Season 1 [ ].

TNG Season 1 , 25 episodes:

Season 2 [ ]

TNG Season 2 , 22 episodes:

Season 3 [ ]

TNG Season 3 , 26 episodes:

Season 4 [ ]

TNG Season 4 , 26 episodes:

Season 5 [ ]

TNG Season 5 , 26 episodes:

Season 6 [ ]

TNG Season 6 , 26 episodes:

Season 7 [ ]

TNG Season 7 , 25 episodes:

Behind the scenes [ ]

Star Trek: The Next Generation was originally pitched to the then-fledgling Fox Network . However, they couldn't guarantee an initial order greater than thirteen episodes, not enough to make the enormous start-up costs of the series worth the expense. It was then decided to sell the series to the first-run syndication market. The show's syndicated launch was overseen by Paramount Television president Mel Harris , a pioneer in the syndicated television market. Many of the stations that carried The Next Generation had also run The Original Series for a long time.

According to issues of Star Trek: The Official Fan Club Magazine from early 1987, TNG was originally planned to be set in the 25th century, 150 years after the original series, and the Enterprise would have been the Enterprise NCC-1701-G. Gene Roddenberry ultimately changed the timeline to mid-24th century, set on board the Enterprise NCC-1701-D, as an Enterprise -G would have been the eighth starship to bear the name and that was too many for the relatively short time period that was to have passed.

Star Trek: The Next Generation was billed initially as being set 78 years after the days of the original USS Enterprise . [1] (p. 16) However, after the series' first season was established as being set in the year 2364 , this reference became obsolete as dates were then able to be set for the original series and the four previous films. When this happened, it was established that the events of the original series were about a hundred years before the events of TNG. With TNG's first season being set in 2364, 78 years prior would have been 2286 . Star Trek IV: The Voyage Home partly takes place during this year along with the shakedown cruise of the USS Enterprise -A .

On the special The Star Trek Saga: From One Generation To The Next , Gene Roddenberry commented, " On the original Star Trek , I practically lost my family from working so many twelve-hour days, fourteen-hour days, seven days a week, and I told them, 'You can't pay me enough to do that.' But then they said, 'Hey, but suppose we do it in a way in which' they call syndication, 'in which we don't have a network and we don't have all those people up there?' And Paramount was saying to me, 'And we guarantee that you will be in charge of the show.' "

Andrew Probert was first hired by Roddenberry in 1978 . However, not until 1986 , when Roddenberry was preparing to launch a new show, entitled Star Trek: The Next Generation , did he call upon Probert to take a lead design role. Everything had to be rethought, imagined, planned and redesigned. As the vision evolved in the designers' minds, the evolution was charted in successive sketches and paintings.

Among Probert's creations, in addition to the new Enterprise starship and many of its interiors including the main bridge , are many other featured spacecraft. The Ferengi cruiser , and even the Ferengi species, are Probert designs.

Roddenberry originally insisted on doing a one-hour pilot and assigned D.C. Fontana to write the episode, first titled Meeting at Farpoint . However, the studio was keen on having a two-hour pilot, mainly because they wanted something big and spectacular to launch the series, especially considering first-run syndication. Roddenberry himself volunteered to extend Fontana's script to two hours, eventually adding the Q storyline to it.

Ronald D. Moore commented, " Gene did not want conflict between the regular characters on TNG. This began to hamstring the series and led to many, many problems. To put it bluntly, this wasn't a very good idea. But rather than jettison it completely, we tried to remain true to the spirit of a better future where the conflicts between our characters did not show them to be petty or selfish or simply an extension of 20th century mores. " ( AOL chat , 1997 ) Rick Berman explained, " The problem with Star Trek: The Next Generation is Gene created a group of characters that he purposely chose not to allow conflict between. Starfleet officers cannot be in conflict, thus its murderous to write these shows because there is no good drama without conflict, and the conflict has to come from outside the group. " ( Captains' Logs Supplemental - The Unauthorized Guide to the New Trek Voyages , p. 8)

Roddenberry tried to recruit many production staff members from The Original Series to work on the new series. These included producers Robert H. Justman and Edward K. Milkis , writers D.C. Fontana and David Gerrold (who served as the main creative force behind the formation of the series), costume designer William Ware Theiss , assistant director Charles Washburn , composer Fred Steiner , set decorator John M. Dwyer , and writer John D.F. Black . Roddenberry also tried to bring back cinematographer Jerry Finnerman , but he declined the offer, being busy working on Moonlighting at the time. However, all of the above people finished working on the series after or during the first season.

Unit Production Manager David Livingston was responsible for hiring Michael Westmore for the pilot episode. ( ENT Season 3 Blu-ray , " Impulse " audio commentary )

Remastering [ ]

After several months of speculation and partial confirmation, StarTrek.com announced on 28 September 2011 (the 24th anniversary of the series premiere) that The Next Generation would be remastered in 1080p high-definition for release on Blu-ray Disc and eventual syndication, starting in 2012 . The seventh and final season was released on Blu-ray in December 2014 .

Cast and crew [ ]

The following people worked on The Next Generation ; it is unknown during which season or on which episodes.

Performers [ ]

• Antonio – background actor
• Charles Bazaldua – voice actor
• Terrence Beasor – voice actor (17 episodes, including the voice of the Borg )
• Libby Bideau – featured actress
• Brian Ciari – background actor: Cardassian ( TNG Season 6 or 7 )
• Amber Connally – background actress: child
• Phil Crowley – voice actor
• Vincent DeMaio – background actor: Enterprise -D operations division officer
• David Dewitt – background actor
• Gregory Fletcher – background actor Borg
• Dan Horton – background actor
• Carlyle King – voice actress
• Mark Laing – featured actor
• Daryl F. Mallett – background actor
• Tina Morlock – background actress
• Jean Marie Novak – background actress: Enterprise -D operations division officer
• Rick H. Olavarria – background actor (1988)
• Jennifer Ott – background actress: Enterprise -D command division officer
• Richard Penn – voice actor
• Judie Pimitera – background actress: Ten Forward waitress
• Paige Pollack – voice actress
• Jeff Rector – background actor: Enterprise -D command division officer
• Gary Schwartz – voice actor/ADR voice
• Beth Scott – background actress
• Steve Sekely – background actor
• Andrea Silver – background actress: Enterprise -D sciences division officer
• Oliver Theess – recurring background actor (around 1990)
• Richard Walker – background actor
• Harry Williams, Jr. – background actor
• Bruce Winant – supporting actor
• Stephen Woodworth – background actor

Stunt performers [ ]

• Laura Albert – stunts
• John Lendale Bennett – stunts
• Richard L. Blackwell – stunts
• John Cade – stunts
• Chuck Courtney – Assistant Stunt Coordinator
• Terry James – stunts
• Gary Jensen – Assistant Stunt Coordinator
• Lane Leavitt – stunts
• Pat Romano – stunts

Production staff [ ]

• Joseph Andolino – Additional Composer
• David Atherton – Makeup Artist
• Gregory Benford – Scientific Consultant
• Steven R. Bernstein – Additional Music Composer/Orchestrator
• Les Bernstien – Motion Control Operator
• R. Christopher Biggs – Special Makeup Effects Artist
• Howard Block – Second Unit Director of Photography
• Stephen Buchsbaum – Colorist: Unitel Video (Four Seasons)
• Alan Chudnow – Assistant Editor
• Marty Church – Foley Mixer
• Scott Cochran – Scoring Mixer: Advertising Music
• Robert Cole – Special Effects Artist
• Sharon Davis – Graphics Assistant
• David Dittmar – Prosthetic Makeup Artist
• Dragon Dronet – Prop Maker: Weapons, Specialty Props and Miniatures
• Jim Dultz – Assistant Art Director
• Shannon Dunn – Extras Casting: Cenex Casting
• Chris W. Fallin – Motion Control Operator
• Edward J. Franklin – Special Effects Artist
• Lisa Gizara – Assistant to Gates McFadden
• John Goodwin – Makeup Artist
• Simon Holden – Digital Compositor (between 1989 and 1994)
• Kent Allen Jones – Sculptor: Bob Jean Productions
• Michael R. Jones – Makeup Artist (early 1990s)
• Jason Kaufman – Prop and Model Maker: Greg Jein, Inc.
• Nina Kent – Makeup Artist
• David Kervinen – Visual Effects Illustrator: Composite Image Systems (4 Seasons)
• Andy Krieger – Extras Casting: Central Casting
• Tim Landry – Visual Effects Artist
• Lisa Logan – Cutter/Fitter
• Jon Macht – Post Production Vendor
• Gray Marshall – Motion Control Camera Operator: Image "G"
• Karl J. Martin – Digital Compositor
• Belinda Merritt – VFX Accountant: The Post Group
• John Palmer – Special Effects Coordinator: WonderWorks Inc.
• Frank Popovich – Mold and Prop Assistant
• Molly Rennie
• Chris Schnitzer – Motion Control Technician/Rigger: Image "G"
• Steven J. Scott – Digital Compositor
• Bruce Sears – DGA Trainee
• Casey Simpson – Gaffer
• Ken Stranahan – Visual Effects Artist
• Rick Stratton – Makeup Artist
• Greg Stuhl – Miniatures: Greg Jein, Inc.
• Tim Tommasino – Assistant Editor
• Peter Webb – Digital Compositor
• Gregory A. Weimerskirch – Assistant Art Director
• Bill Witthans – Dolly Grip

Companies [ ]

• Bob Jean Productions
• Movie Movers
• Newkirk Special Effects
• WonderWorks Inc.

Related topics [ ]

• TNG directors
• TNG performers
• TNG recurring characters
• TNG studio models
• TNG writers
• Character crossover appearances
• Undeveloped TNG episodes
• Star Trek: The Next Generation novels
• Star Trek: The Next Generation comics, volume 1 (DC)
• Star Trek: The Next Generation comics, volume 2 (DC)
• Star Trek: The Next Generation comics (IDW)
• Star Trek: The Next Generation soundtracks
• Star Trek: The Next Generation on VHS
• Star Trek: The Next Generation on Betamax
• Star Trek: The Next Generation on LaserDisc
• Star Trek: The Next Generation on DVD
• Star Trek: The Next Generation on Blu-ray
• Star Trek: The Next Generation pinball machine

External links [ ]

• Star Trek: The Next Generation at Wikipedia
• Star Trek: The Next Generation at Memory Beta , the wiki for licensed Star Trek works
• Star Trek: The Next Generation at the Internet Movie Database
• Star Trek: The Next Generation at StarTrek.com
• 1 Daniels (Crewman)
• 3 Jamaharon

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'Star Trek: Discovery' ends as an underappreciated TV pioneer

Eric Deggans

Sonequa Martin-Green as Michael Burnham. Michael Gibson/Paramount+ hide caption

First, an admission: Though this column will offer a lot of discussion and defense of Star Trek: Discovery as a pivotal show, it won’t spend much time talking up the series’ current, final season or its finale episode, “Life, Itself,” dropping Thursday on Paramount+.

That’s because, for this critic, the last few seasons of Discovery have been a bit bogged down by the stuff that has always made it a tough sell as a Trek series: overly ambitious, serialized storylines that aren’t compelling; new characters and environments that don’t impress; plot twists which can be maddening in their lack of logic; big storytelling swings which can be confusing and predictable at once.

'Star Trek: Picard' soars by embracing the legacy of 'The Next Generation'

The show’s finale features the culmination of a sprawling scavenger hunt which found the crew of the starship Discovery bounding all over the place, searching for clues leading to a powerful technology pioneered by an alien race which created humanoid life throughout the galaxy. Their goal was to grab the technology before another race, ruthless and aggressive, could beat them to it, laying waste to everything.

It's no spoiler to reveal that Discovery ’s heroes avoid that nightmarish scenario, wrapping its fifth and final season with a conclusion centered on Sonequa Martin-Green’s ever-resourceful Capt. Michael Burnham and fond resolutions for a multitude of supporting characters (there’s even a space wedding!)

Still, this good-enough ending belies Discovery ’s status as a pioneering show which helped Paramount+ build a new vision for Star Trek in modern television – breaking ground that more creatively successful series like Star Trek: Picard and Star Trek: Strange New Worlds would follow years later.

And it all began with a singular character: Michael Burnham.

A take on Star Trek for modern TV

Discovery debuted in 2017 on CBS All Access — the streaming service which would become Paramount+ — facing a serious challenge.

As the first new Trek series in a dozen years, it had to chart a path which offered a new vision of the franchise without going too far — carving out a new corner in the universe of Capt. Kirk and Mr. Spock not long after the release of Star Trek Beyond , the third feature film produced by J. J. Abrams featuring rebooted versions of those classic characters.

Producers set Discovery ’s story 10 years before the days of Kirk and Spock (originally depicted on NBC for three seasons starting way back in 1966). The new series wouldn’t be centered on a starship captain, but its second in command: Burnham, a Black woman who also happened to be the hitherto unknown adopted daughter of Vulcan ambassador Sarek, Spock’s father (she would get promoted to captain of Discovery much later).

A Black human woman who was raised among the emotionally controlling, super-intellectual Vulcans? Who Trek fans had never heard of over nearly 60 years? Before I actually saw any episodes, my own feelings ranged from cautiously intrigued to cynically pessimistic.

But then I saw the first episode, which had an amazing early scene: Martin-Green as Burnham and Michelle Yeoh as Discovery Capt. Philippa Georgiou walking across an alien planet – two women of color marking the first step forward for Star Trek on a new platform.

People once sidelined in typical science fiction stories were now centerstage — a thrilling, historic moment.

Michelle Yeoh as Captain Philippa Georgiou and Sonequa Martin-Green as First Officer Michael Burnham in the very first episode of Star Trek: Discovery. Jan Thijs/CBS hide caption

And it got better from there. Back in the day, Trek writers often felt hamstrung by creator Gene Roddenberry’s insistence that, in the future depicted by the show, humans were beyond social ills like greed, prejudice, sexism, war, money and personal friction. The writers chafed, wondering: How in the world do you build compelling stories on a starship where interpersonal human conflict doesn’t exist?

But Discovery found a workaround, putting Burnham in a position where logic led her to mutiny against her captain, attempting a strategy which ultimately failed — leaving humans in open combat with the legendarily warlike Klingons. Discovery also featured a long storyline which played out over an entire season, unlike many earlier Trek shows which tried to offer a new adventure every week.

'First, Last And Always, I Am A Fan': Michael Chabon Steers Latest 'Star Trek'

The show’s first season had plenty of action, with Harry Potter alum Jason Isaacs emerging as a compelling and unique starship captain (saying more would be a spoiler; log onto Paramount+ and check out the first season). Fans saw a new vision for Trek technology, leveraging sleek, visceral special effects and action sequences worthy of a big budget movie, with design elements cribbed from several of the franchise’s films.

Later in its run, Discovery would debut Ethan Peck as Spock and Anson Mount as Christopher Pike, classic Trek characters who eventually got their own acclaimed series in Strange New Worlds . So far, five other Trek series have emerged on Paramount+ from ideas initially incubated on Discovery – including a critically acclaimed season of Picard which reunited the cast of Star Trek: The Next Generation .

Not bad for a series one TV critic eventually called among “the worst in the [ Trek ] franchise’s history.”

Discovery’s unappreciated legacy

Unfortunately, Discovery has taken some turns which didn’t work out quite so well. At the end of Discovery ’s second season, the starship jumped ahead in time nine centuries – perhaps to remove it from Strange New World ’s timeline? – placing it in an environment only distantly connected to classic Trek .

And while Discovery initially seemed cautious about referencing classic Trek in its stories, later series like Strange New Worlds and Picard learned the value of diving into the near-60-year-old franchise’s legacy – regularly tapping the show’s longtime appeal, rather than twisting into knots to avoid it.

There are likely fans of Discovery who would disagree with this analysis. But I think it helps explain why the series has never quite gotten its due in the world of Star Trek , initially shaded by skeptical fans and later overshadowed by more beloved products.

Now is the perfect time to pay tribute to a show which actually accomplished quite a lot – helping prove that Roddenberry’s brainchild still has a lot of narrative juice left in the 21st Century.

How Long It Would Take To Watch All of Star Trek (Yes, ALL of It)

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Over the five decades since its inception, the Star Trek universe continues to inspire new generations of Trekkies. The original series that began in the mid-1960s has spawned countless spinoffs in television shows, as well as animation and feature films, some of which are still under production.

Someone new to this massive franchise may be wondering just how long it will take to watch all of Star Trek. With so many series and films in the catalog, catching up on everything may seem like a daunting task. Even some diehard fans have no idea just how many episodes of Star Trek there are. This list will divide the franchise into different categories to show just how long it takes to watch them. This way, consuming the entire Star Trek saga won't seem so intimidating after all.

Updated by Robert Vaux on June 8, 2024: Star Trek stands at something of a crossroads with Discovery finishing its five-season run and Lower Decks preparing for its fifth and final season. Despite that, the franchise has a very bright future, with Star Trek: Strange New Worlds carrying the banner forward and projects like Star Trek: Section 31 in active production. The article has been updated to include information on ongoing Star Trek series, as well as new details on all of the entries in the franchise.

13 The Original Series Introduces Viewers to the Cast and Universe of Star Trek

Every star trek role played by clint howard, from tos to discovery.

Although Clint Howard has played four different roles across four eras of Star Trek, he's also the only actor to be on both TOS and Discovery to date.

For a series with so much significance in television and pop culture history, it's surprising to find out that Star Trek: The Original Series lasted for just 79 episodes over three seasons. Ironically, that's shorter than the "five-year mission" it touts in its opening credits. That was enough for it to enter syndication, however, which is where the bulk of its fans first discovered it.

Each TOS episode lasts around 50 minutes for a total of 3,950 minutes, meaning it will take just under 66 hours to watch them all uninterrupted. In other words, The Original Series can be finished in less than a week with constant binging. Even those who don't have that much time can finish watching the show in under a month by screening 2–3 episodes an evening. Unlike most subsequent Star Trek series, TOS episodes are designed to be interchangeable, so switching the viewing order won't disrupt any larger plot threads.

Star Trek: The Original Series

In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.

12 The Next Generation Found an Audience Starved for Science Fiction

Star Trek: The Next Generation was so successful during its seven-season run that it's arguably more popular today than The Original Series . It successfully released the series from covering the exploits of just one crew, and cemented the formula that every Star Trek series since then has followed. The Next Generation 's episode count topped its predecessor by almost a hundred for a total of 178 episodes, each with an approximately 44-minute runtime.

That adds up to a series total of 7,832 minutes or 130.5 hours — just under five and half days . If the viewer is free from work for about two weeks, The Next Generation series can be completed with ease. While it adopts a more formal structure than TOS -- with the characters advancing in age and experience from season to season -- most of its episodes are either stand-alone, or one of a two-part arc, making them very easy to enjoy in small 1-2 episode doses.

Star Trek: The Next Generation

Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before.

11 Star Trek: Deep Space Nine Proved There Was Room for Multiple Star Trek Series

How star trek: discovery's trill story connects to dax on deep space nine.

Star Trek: Discovery returned to the Trill home world in Season 5 for a mission with a symbiont host that connects to Jadzia Dax on Deep Space Nine.

Near the end of Star Trek: The Next Generation 's run, Paramount created another series that could run alongside it. The new series broke from Star Trek tradition by being set on a space station, Deep Space 9, that connected the Federation to the Milky Way galaxy. It explored the darker side of the Final Frontier, culminating in the terrible threat of the Dominion War that forced the entire Alpha Quadrant to stand together.

Another breakout success, Star Trek: Deep Space Nine ran for another seven seasons from 1993 to 1999. Those seven seasons, comprise 176 episodes, each running an average 45 minutes. That's a grand total of 7920 minutes or exactly 132 hours. People willing to watch five episodes a night could likely finish it within a month's time. Deep Space Nine was the first Star Trek series to embrace longer and more complicated plot arcs. Viewers should be prepared for longer binges, or else break big story lines down into multiple viewing sessions.

Star Trek: Deep Space Nine

In the vicinity of the liberated planet of Bajor, the Federation space station Deep Space Nine guards the opening of a stable wormhole to the far side of the galaxy.

10 Star Trek Voyager Continued To Break From Traditions

Star Trek: Voyager took over after Star Trek: The Next Generation ended, ensuring there were still two Star Trek series on the air. The series went back to setting the series on the starship Voyager. T he Voyager is run by Captain Kathryn Janeway (Kate Mulgrew,) the franchise's first female lead , who aims to get her people home after being stranded. It took big risks on wild story lines, resulting in some of the saga's best episodes as well as its most bizarre.

Star Trek Voyager was another success for Paramount and their new network UPN, running for seven seasons. Like the prior show, each episode ran 45 minutes. At 172 episodes, that places the full series runtime at 7,740 minutes or 129 hours. This is another series that would require roughly a month of binging to get through. Its format is reasonably loose, however, and individual episodes can be readily watched without having to commit to anything more in a single viewing.

Star Trek Voyager

Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

9 Star Trek: Enterprise Is Star Trek's Last TV Series for Over a Decade

After running multiple Star Trek television series throughout the '90s, the franchise was gradually beginning to cool off. Finally, Paramount launched one more series, Star Trek: Enterprise . Unlike the others, Enterprise was intended as a prequel even to the original series. It followed Earth's first attempt at trying to make First Contact with other alien races. Led by Scott Bakula's Captain Archer, the first U.S.S. Enterprise paved the way for the founding of the United Federation of Planets.

Star Trek: Enterprise didn't quite have the same popularity that the other series did, and was hobbled by behind-the-scenes developments that had little to do with the show itself. Instead, it ran for four seasons and only 98 episodes. At 42 minutes an episode, that adds up to 4116 minutes, or 68.6 hours. That means it can be viewed in less time than the previous three Star Trek series, though it makes use of longer plot threads, and fans may need to plan for longer binges to get through them.

Star Trek: Enterprise

A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.

8 Short Treks Offers Mini Side Stories

Some stories within the Star Trek universe don't need a full forty or fifty minutes to reach a satisfying conclusion. With that in mind, Bryan Fuller and Alex Kurtzman launched Star Trek: Short Treks . Running alongside Star Trek: Discovery , Short Treks gives viewers a chance for smaller stories to check out.

The project began back in 2018 with a season of four episodes, while a second season launched a year later with six episodes. The shows run from 8 to 18 minutes, and with only ten episodes, there are only 150 minutes so far . Fans can check that out in a single weekend. They're designed for easy single viewing sessions as well, and can even be added as riders to episodes of Discovery .

7 Star Trek: Picard Revisits Many of the Ideas From TNG

After years of fans watching stories about new characters, the new era of Star Trek finally decided to revisit an older era. In 2020, Star Trek: Picard decided to tell the first new story with Admiral Jean-Luc Picard since the Star Trek: The Next Generation films. Initially, Picard worked with a new cast that wasn't connected to the original series, but across the show, more of the classic characters were gradually added back in.

Star Trek: Picard ran for three seasons from 2020 to 2023, with ten episodes in each season for a total of thirty episodes. Episode lengths varied wildly since the series was on CBS All Access and could go from 39 minutes to 62 minutes. The full minute count, though, is 1350 minutes, or 22.5 hours. That's basically one solid weekend of marathoning or a week of leisurely watching episodes. Like Star Trek: Discovery , each season of Picard is based around a single large story line: allowing for single-season binges of about 10 hours apiece.

Star Trek: Picard

Follow-up series to Star Trek: The Next Generation (1987) and Star Trek: Nemesis (2002) that centers on Jean-Luc Picard in the next chapter of his life.

6 Animated Star Trek Series Have Become an Important Part of Star Trek

'hopefully we find a new home': jack quaid reacts to star trek: lower decks ending at paramount+.

Star Trek: Lower Decks' Jack Quaid laments the show ending while deeming himself "unbelievably grateful" for the chance to star in this world.

Star Trek: The Animated Series only lasted for two seasons in the early 1970s, releasing 22 episodes that were each 24 minutes long. Franchise creator Gene Roddenberry initially disowned the series -- making it hard to find for many years -- though it has since rejoined canon and now serves as the de facto fourth and fifth years of the original Enterprise's five-year mission. The Animated Series is only 528 minutes long or just under 9 hours. The whole series can be watched in just a single day, and individual episodes can be viewed as riders alongside TOS episodes.

Star Trek: Lower Decks premiered its first season in 2020 with 10 episodes. Each episode is 25 minutes long, totaling 250 minutes, meaning that the entire first season can be watched in just over four hours. Seasons 2 through 4 of Lower Decks also have 10 episodes each, making the total runtime around 1000 minutes. A final fifth season is planned, which will likely bring the total runtime up to around 1250 minutes or so. In addition, Very Short Treks is the most recent animated Star Trek series with five episodes, each running about 10-15 minutes long. All three animated series combined would take just under 1600 minutes or just under 27 hours.

Star Trek: Lower Decks

The support crew serving on one of Starfleet's least important ships, the U.S.S. Cerritos, have to keep up with their duties, often while the ship is being rocked by a multitude of sci-fi anomalies.

5 Currently Active Star Trek Series Continue To Expand Star Trek's Universe

At present, there are only three Star Trek series that are still running: Star Trek: Discovery , Star Trek: Prodigy , and Star Trek: Strange New Worlds . The first season of Prodigy is already out: 20 episodes amounting to a total of 480 minutes or 8 hours. A second (and presumably final) season is due in the summer of 2024, with another 20 episodes and another 480 minutes assumed in totem. That will boost the screening time for the entire series to 16 hours, or a single long day of binging.

Star Trek: Discovery has just completed its fifth and final season, leaving 65 episodes in its count with a total running time of 3,138 minutes or 52.3 hours . Episode lengths vary widely, as is typical in the streaming era, but average about 45 minutes apiece. Discovery uses season-long plot arcs the same way Picard does (it was originally conceived as an anthology series), and viewers who wish can comfortably binge a single season in a single day's viewing without trouble.

Finally, Strange New Worlds has two seasons with ten episodes in each, running a total of 1,082 minutes or a touch over 18 hours . That's short enough for a single-day binge. (A third season is on the way, which will add about another 9 hours to the total running time once complete.) Strange New Worlds emphasizes stand-alone episodes, making it very good for short viewing sessions of one or two episodes apiece.

Star Trek: Discovery

4 star trek: tos films gave the original series cast a comeback.

Ten years following the end of The Original Series , the adventures of Captain Kirk continued on the big screen. The TOS movies proved to be vital parts of the franchise, including such key moments as the death (and resurrection) of Mr. Spock and the original cast's formal good-bye at the end of the six-movie run.

Running times reflect the theatrical release of each movie, and may extend slightly, depending on whether any extended or alternate cuts are being viewed. Star Trek: The Motion Picture has a run time of 132 minutes. Star Trek II: The Wrath of Khan , universally considered the best film in the franchise, is 113 minutes long. The Leonard Nimoy-directed Star Trek III: The Search for Spock is 105 minutes, and Star Trek IV: The Voyage Home is 122 minutes. William Shatner's Star Trek V: The Final Frontier is 106 minutes, and Nicholas Meyer's The Undiscovered Country has a 110-minute running time. Overall, the original film series clocks in at a total of 688 minutes, which equals 11 hours and 28 minutes.

3 Star Trek: TNG Movies Offer a Sense of Scale to the New Era

The Next Generation did not have the same big-screen success as the original series but made four films following the end of the show. The first film, Star Trek Generations , featured both Picard and Kirk and is 118 minutes long. The best-reviewed of the films, Star Trek: First Contact , clocks in at 111 minutes, Star Trek: Insurrection is shorter at 103 minutes, and the last film, Star Trek: Nemesis , is 116 minutes long.

The four Next Generation films combined run at a total of 448 minutes, equaling 7 hours and 28 minutes. Binging all four movies can be done within the span of a single day, though their varying quality may induce some viewers to break them down into shorter viewing periods.

2 The Kelvin Timeline Movie Series Press the Reset Button on the Series

Star trek is getting a kelvinverse origin, but why are fans skeptical.

Star Wars veteran Simon Kinberg has been added to an upcoming origin movie for Star Trek and the Kelvin Timeline universe, but fans aren't pleased.

The most recent movie series, known as The Kelvin Timeline films, takes place in an alternate reality featuring the crew from The Original Series. It was created when Spock attempted to stop the Romulan sun from going supernova and exists in a parallel-but-separate timeline from the rest of the series. It's credited with keeping the franchise going during the extended gap in TV series between the end of Star Trek: Enterprise and the beginning of Star Trek: Discovery .

The Kelvin movie franchise consists of three films, with each film varying in length. 2009's Star Trek runs 127 minutes, the 2013 sequel Star Trek Into Darkness is just five minutes longer at 132, and the latest film, Star Trek Beyond , is actually the shortest at 122 minutes. The film trilogy totals 381 minutes, or 6 hours and 21 minutes. New Trekkies can finish this trilogy very quickly.

1 How Many Hours of Star Trek Are There?

Did gene roddenberry try to have a gay character on the original star trek.

In the latest TV Legends Revealed, learn what Gene Roddenberry's plans were on having LGBTQ+ characters on the original Star Trek series

All 13 Star Trek films have a combined total of 25 hours and 28 minutes, or just over a full day. Every single television series, both currently airing and retired, totals up to around 48,700 minutes, which is approximately 812 hours or 33.8 days. Every series and movie combined totals 837.5 hours, meaning it will take 34.9 days to watch them all uninterrupted.

Obviously, watching them all consecutively is impossible, but realistically, watching everything in the Star Trek franchise could take less than half a year. This doesn't even include upcoming movies like Star Trek 4 and new seasons for existing series. For those who believe this beloved universe is worth investing over 50,200 minutes, it's time to boldly go where only die-hard Trekkies have gone before.

The Star Trek universe encompasses multiple series, each offering a unique lens through which to experience the wonders and perils of space travel. Join Captain Kirk and his crew on the Original Series' voyages of discovery, encounter the utopian vision of the Federation in The Next Generation, or delve into the darker corners of galactic politics in Deep Space Nine. No matter your preference, there's a Star Trek adventure waiting to ignite your imagination.

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Every starship enterprise & discovery saucer separation in star trek.

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Only 5 Star Trek Movies Didn’t Destroy The Starship Enterprise

Every starship enterprise chief engineer in star trek, star trek: how every uss enterprise was destroyed (& which weren't).

• Saucer separation was a tactical maneuver used in extreme circumstances to protect innocent lives on the USS Enterprise and USS Discovery.
• Only the USS Enterprise-D from Star Trek's prime timeline has conducted a saucer separation, despite early consideration in production.
• The Kelvin timeline's USS Enterprise conducted a saucer separation in Star Trek Beyond, but it was too late to make a difference.

In extreme circumstances, Star Trek 's starship Enterprise and USS Discovery can carry out a saucer separation for both tactical and emergency purposes. The Enterprise's first saucer separation maneuver was seen in the Star Trek: The Next Generation pilot, "Encounter at Farpoint", and though used sparingly, it wouldn't be the last time that Captain Jean-Luc Picard (Patrick Stewart) gave such a command. While the TNG version of the starship Enterprise was the first to use the saucer separation, Captain James T. Kirk (William Shatner) and Chief Engineer Montgomery Scott (James Doohan) theorized a similar "nacelle removal" maneuver was possible in the Star Trek: The Original Series episode "The Apple".

During a saucer separation, a full-evacuation of non-essential personnel would be conducted as the senior staff made their way to the battle bridge, located in the starship's drive section. Once preparations were complete, the docking clamps would retract, separating the saucer section from the ship's primary hull. The concept of a saucer separation in Star Trek had been under consideration since early production on the abandoned Star Trek: Planet of the Titans movie . However, to date, the USS Enterprise-D is the only ship from Star Trek 's prime timeline to conduct a saucer separation, but the Kelvin Timeline's USS Enterprise, and Star Trek: Discovery 's hero ship have similar abilities.

Destroying the Enterprise provides cinematic spectacle, but does it always have to be that way? These five Star Trek movies suggest otherwise.

6 The Enterprise-D Separated To Avoid Q's Forcefield

Star trek: the next generation, season 1, episode 1, "encounter at farpoint".

After a less than cordial first meeting with Q (John de Lancie), the crew of the USS Enterprise-D attempted to outrun the cosmic trickster by fleeing his forcefield. Q's forcefield gave chase, which forced Picard to order a saucer separation to protect the innocent lives of the many civilians aboard the Enterprise . Picard put Lt. Worf (Michael Dorn) in charge of the saucer section until the crisis was over. Despite trying to outrun Q from the Enterprise-D's stardrive section from the battle bridge, Picard and his senior staff soon found themselves in Q's courtroom.

After Q agrees to let Picard prove that human beings are not savages, the two halves of the starship Enterprise are reunited in orbit above the planet Deneb IV. The remainder of the Star Trek: The Next Generation cast are introduced at Farpoint Station, too. One of Picard's first orders to his number one, Commander William T. Riker (Jonathan Frakes) is to conduct a manual docking of the Enterprise's stardrive and saucer sections .

Saucer separation was planned to be a regular feature in Star Trek: The Next Generation , but was abandoned due to the costs involved, and the fact that the process of separating the Enterprise's saucer section slowed down the story.

5 Geordi Ordered A Saucer Separation Above Minos

Star trek: the next generation, season 1, episode 21, "the arsenal of freedom".

In Star Trek: The Next Generation season 1, episode 20, "Heart of Glory", two Klingon warriors plotted to hijack the Enterprise by conducting an illegal saucer section. They were foiled in their plans by Lt. Worf, who chose his Starfleet colleagues over his fellow Klingons. In the following episode, "The Arsenal of Freedom", the Enterprise did conduct a saucer separation, ordered by Lt. Geordi La Forge. Geordi was placed in temporary command of the Enterprise while Picard and Riker's away team were pinned down by an automated weapons system on the planet Minos .

The Enterprise's chief engineer, Lt. Commander Logan (Vyto Ruginis) objected to Geordi's plan to stay and rescue the away team, and tried to pull rank. Geordi stood his ground and reminded Logan that only Picard or Riker could relieve him of command. Later, when preparations for the saucer separation were underway, Geordi ordered Logan to take command of the saucer, and pilot it to Starbase 103. After Picard, Riker, and the away team were rescued, the Enterprise captain allowed Geordi to remain in command until he had reconnected the stardrive with the saucer section.

Geordi would later replace Logan as Chief Engineer of the starship Enterprise from Star Trek: The Next Generation season 2 onward.

A brief history of Star Trek's legendary Starfleet Chief Engineers who have kept the USS Enterprise running for over 200 years from 2155 to 2401.

4 Riker Used A Saucer Separation To Rescue Picard

Star trek: the next generation, season 4, episode 1, "the best of both worlds, part ii".

The USS Enterprise-D carried out a saucer separation during the epic Star Trek: The Next Generation two-parter, "The Best of Both Worlds" . Commander Elizabeth Shelby (Elizabeth Dennehy) suggested to Captain Picard and Commander Riker that a saucer separation could create a significant distraction in encounters with the Borg Collective. Riker opposed the strategy because he felt that it would take away valuable resources during a battle, namely the power used by the saucer's impulse engines. However, Riker and Shelby later had cause to revisit this strategy once Picard was captured by the Borg.

Riker knew that Locutus of Borg would retain the tactical information held in Picard's brain, so he used it to the Enterprise's advantage. Riker ordered the USS Enterprise-D to engage the Borg Cube, and initiated a saucer separation. Picard's knowledge of the saucer separation maneuver meant that the Borg directly engaged the stardrive section and ignored the saucer for long enough that it could launch a shuttle craft which contained a rescue team. The distraction enabled Lt. Commander Data (Brent Spiner) and Lt. Worf to beam aboard the cube and capture Locutus, giving Starfleet a huge tactical advantage.

3 Escaping A Catastrophic Warp Core Breach In The Enterprise-D's Saucer

Star trek generations.

There were a handful of attempted saucer separations between "The Best of Both Worlds" and the end of Star Trek: The Next Generation , but they were abandoned due to their dangerous implications. The Enterprise-D's next saucer separation was also its last, as it was necessitated by a catastrophic warp core breach in the stardrive section . In Star Trek Generations , the Enterprise was ambushed by the Duras sisters in the Veridian system, causing severe damage to the ship, resulting in a coolant leak in the warp containment system. With the drive section compromised, Commander Riker ordered a full evacuation of personnel to the Enterprise's saucer section.

The starship Enterprise's saucer section made it to relative safety before the stardrive section exploded. However, the shockwave of the explosion knocked the saucer out of orbit, sending what was left of the Enterprise-D hurtling toward the surface of Veridian III. The crew made a crash landing, but the damage to the Enterprise's saucer was so extensive that the Star Trek: The Next Generation crew needed a new starship by the end of Star Trek Generations .

Star Trek has a long history of great starships called the Enterprise — and an equally long history of blowing those ships to smithereens.

2 Saucer Separation During Krall's Attack On The Enterprise

Star trek beyond.

The idea of Kirk's Enterprise having the ability to separate the saucer was first mooted by legendary Star Wars designer Ralph McQuarrie for the abandoned movie, Star Trek: Planet of the Titans . However, it wouldn't become a reality until 2016's Star Trek Beyond , when Chris Pine's Captain Kirk ordered a saucer separation maneuver while under attack from Krall (Idris Elba) and his swarm ships. The Enterprise was devastated by the onslaught, losing the warp nacelles and the majority of its secondary hull. In a desperate attempt to restore power to the impulse engines, Kirk tried to initiate a saucer separation but was interrupted by Krall.

Lt. Nyota Uhura (Zoe Saldana) finished the sequence for Kirk, and separated the saucer from what was left of the Enterprise's hull. However, much like the USS Enterprise-D in Star Trek Generations , it was completed too late to make any difference. With the starship Enterprise's saucer caught in the gravitational pull of the planet Altamid, it crashed on to the surface, damaged beyond repair. The saucer separation and Enterprise crash landing was a thrilling start to the third and, to date, last Chris Pine Star Trek movie .

1 The USS Discovery Used A Saucer Separation To Beat The Breen

Star trek: discovery, season 5, episode 10, "life, itself".

The USS Discovery is the only other Star Trek hero ship to pull off a successful saucer separation , but it took five seasons before it happened. In the Star Trek: Discovery finale, "Life, Itself", Discovery's crew was desperately trying to protect the Progenitors' treasure from the Breen Imperium. With the Breen closing on Captain Michael Burnham (Sonequa Martin-Green) and the portal to the treasure, Commander Rayner (Callum Keith Rennie) had the idea to use Discovery's spore drive against the Breen.

Commander Paul Stamets (Anthony Rapp) and Ensign Adira Tal (Blu del Barrio) theorized that it would be possible to use the spore drive to jump the Breen away from the USS Discovery. To do this, they had to initiate a saucer separation that would create two poles. When Stamets activated the spore drive, whatever was between these two poles would "jump" to the location of Discovery's choosing . Positioning the Breen dreadnought between the two halves of Discovery, the spore drive sent the Breen to the Galactic Barrier, from which they'd have a long trip home.

The Galactic Barrier was first introduced in Star Trek: The Original Series ' second pilot "Where No Man Has Gone Before", and also played a major role in Star Trek: Discovery season 4.

The USS Discovery's saucer separation could change the game for Starfleet ships going forward. For decades, saucer separations were largely seen as solely a feature of the 24th century's Galaxy-class starships, but Star Trek: Discovery 's finale proves that isn't the case . With Star Trek: Lower Decks season 5 and Star Trek: Strange New Worlds season 3 on the way, it remains to be seen if other starships will find that they too can pull off a saucer separation when extreme measures are called for. After all, when used sparingly, a Star Trek saucer separation can be a thrilling maneuver.

Star Trek: The Next Generation

*Availability in US

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Star Trek: The Next Generation is the third installment in the sci-fi franchise and follows the adventures of Captain Jean-Luc Picard and the crew members of the USS Enterprise. Set around one hundred years after the original series, Picard and his crew travel through the galaxy in largely self-contained episodes exploring the crew dynamics and their own political discourse. The series also had several overarching plots that would develop over the course of the isolated episodes, with four films released in tandem with the series to further some of these story elements.

Star Trek: Discovery

Star Trek: Discovery is an entry in the legendary Sci-Fi franchise, set ten years before the original Star Trek series events. The show centers around Commander Michael Burnham, assigned to the USS Discovery, where the crew attempts to prevent a Klingon war while traveling through the vast reaches of space.

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55 Years Ago: Star Trek Final Episode Airs, Relationship with NASA Endures

Johnson space center.

The voyages of the Starship Enterprise came to a sudden and premature end on June 3, 1969, with the airing of the final episode of the Star Trek original television series. Ironically, the show’s cancellation came just six weeks before humanity embarked on its first voyage to land on another celestial body. Although the show ran for only three seasons, it generated a devoted fan base disappointed by the cancellation despite their write-in campaign to keep it on the air. But as things turned out, over the decades Star Trek evolved into a global phenomenon, first with the original episodes replayed in syndication, followed by a series of full-length motion pictures, and eventually a multitude of spin-off series. With its primary focus on space exploration, along with themes of diversity, inclusion, and innovation, the Star Trek fictional universe formed a natural association with NASA’s real life activities.

Star Trek creator Gene Roddenberry first had the idea for a science fiction television series in 1964. He presented his idea, a show set in the 23 rd century aboard a starship with a crew dedicated to exploring the galaxy, to Desilu Productions, an independent television production company headed by Lucille Ball. They produced a pilot titled “The Cage,” selling it to the National Broadcasting Corporation (NBC) network that then bought a second pilot titled “Where No Man Has Gone Before.” NBC introduced the show to its fall 1966 lineup, with the first episode “The Man Trap” airing on Sep. 8. To put that date in perspective, NASA launched Gemini XI four days later, one of the missions that helped the agency achieve the Moon landing nearly three years later. Meanwhile, Star Trek’s Starship Enterprise continued its fictional five-year mission through the galaxy to “seek out new life and new civilizations.” The makeup of the Enterprise’s crew made the show particularly attractive to late 1960s television audiences. The major characters included an African American woman communications officer, an Asian American helmsman, and a half-human half-Vulcan science officer, later joined by a Russian-born ensign. While the show enjoyed good ratings during its first two seasons, cuts to its production budget resulted in lower quality episodes during its third season leading to lower ratings and, despite a concerted letter-writing campaign from its dedicated fans, eventual cancellation.

Despite the show’s cancellation, Star Trek lived on and prospered in syndication and attracted an ever-growing fan base, turning into a worldwide sensation. Often dubbed “trekkies,” these fans held the first of many Star Trek conventions in 1972. When in 1976 NASA announced that it would name its first space shuttle orbiter Constitution, in honor of its unveiling on the anniversary of the U. S. Constitution’s ratification, trekkies engaged in a dedicated letter writing campaign to have the orbiter named Enterprise, after the starship in the television series. This time the fans’ letter writing campaign succeeded. President Gerald R. Ford agreed with the trekkies and directed NASA to rechristen the first space shuttle. When on Sept. 17, 1976 , it rolled out of its manufacturing plant in Palmdale, California, appropriately accompanied by a band playing the show’s theme song, it bore the name Enterprise. Many of the original cast members of the show as well as its creator Rodenberry participated in the rollout ceremony, hosted by NASA Administrator James C. Fletcher . Thus began a lengthy relationship between the space agency and the Star Trek brand.

During the development of the space shuttle in the 1970s, the need arose to recruit a new group of astronauts to fly the vehicle, deploy the satellites, and perform the science experiments. When NASA released the call for the new astronaut selection on July 8, 1976, it specifically encouraged women and minorities to apply. To encourage those applicants, NASA chose Nichelle Nichols, who played communications officer Lt. Uhura on the Starship Enterprise, to record a recruiting video and speak to audiences nationwide. She came to NASA’s Johnson Space Center (JSC) in Houston in March 1977, and accompanied by Apollo 12 and Skylab 3 astronaut Alan L. Bean , toured the center and filmed scenes for the video in Mission Control and other facilities. NASA hoped that her stature and popularity would encourage women and minorities to apply, and indeed they did. In January 1978, when NASA announced the selection of 35 new astronauts from more than 8,000 applicants, for the first time the astronaut class included women and minorities. All distinguished themselves as NASA astronauts and paved the way for others in subsequent astronaut selections. Nichols returned to JSC in September 2010 with the Traveling Space Museum, an organization that partners with schools to promote space studies. She toured Mission Control and the International Space Station trainer accompanied by NASA astronaut B. Alvin Drew . She also flew aboard NASA’s Stratospheric Observatory for Infrared Astronomy (SOFIA) airborne telescope aircraft managed by NASA’s Ames Research Center in Silicon Valley, California, in September 2015.

Meanwhile, the Star Trek brand renewed itself in 1979 as a full-length motion picture with the original TV series cast members reprising their roles. Over the years, several sequels followed this first film. And on the small screen, a reboot of sorts occurred in 1987 with the premiere of Star Trek: The Next Generation, a new series set in the 24 th century aboard the Enterprise-D, a next generation starship with a new crew. That series lasted seven seasons, followed by a near-bewildering array of spin-off series, all built on the Star Trek brand, that continue to this day.

James Doohan, the actor who played Lt. Cmdr. Montgomery “Scotty” Scott, the Starship Enterprise’s chief engineer, had early associations with NASA. In April 1967, Doohan visited NASA’s Dryden (now Armstrong) Flight Research Center in California, spending time with NASA test pilot Bruce A. Peterson. A month later, Peterson barely survived a horrific crash of the experimental M2-F2 lifting body aircraft. He inspired the 1970s TV series The Six-Million Dollar Man, and the show’s opening credits include film of the crash. Doohan narrated a documentary film about the space shuttle released shortly before Columbia made its first flight in April 1981. In January 1991, Doohan visited JSC and with NASA astronaut Mario Runco (who sometimes went by the nickname “Spock”) toured the shuttle trainers, Mission Control, and tried his hand at operating the shuttle’s robotic arm in the Manipulator Development Facility. In a unique tribute, astronaut Neil A. Armstrong , the first person to step on the lunar surface , spoke at Doohan’s retirement in 2004, addressing him as “one old engineer to another.”

George Takei, who played Enterprise helmsman Lt. Hikaru Sulu, and his husband Brad, visited JSC in May 2012. Invited by both Asian American and LGBTQ+ Employee Resource Groups, Takei spoke of leadership and inclusiveness, including overcoming challenges while in Japanese American internment camps during World War II and as a member of the LGBTQ+ community. He noted that Star Trek remained ahead of its time in creating a future when all members of society could equally participate in great undertakings, at a time when the country struggled through the Civil Rights movement and the conflict in Southeast Asia. The inclusiveness that is part of NASA’s culture greatly inspired him. JSC Director Michael L. Coats presented Takei with a plaque including a U.S. flag flown aboard space shuttle Atlantis’ STS-135 mission. He also visited Mission Control and spent some time with Robonaut.

Leonard Nimoy played the science officer aboard the Starship Enterprise, the half-human, half-Vulcan Mr. Spock. The actor watched in September 2012 when space shuttle Enterprise arrived at John F. Kennedy International Airport in New York, on the last leg of its journey to the Intrepid Sea, Air and Space Museum, where it currently resides. “This is a reunion for me,” observed Nimoy. “Thirty-five years ago, I met the Enterprise for the first time.” As noted earlier, the Star Trek cast attended the first space shuttle’s rollout in 1976. Following his death in 2015, European Space Agency astronaut Samantha Cristoforetti paid tribute to Nimoy aboard the International Space Station by wearing a Star Trek science officer uniform, giving the Vulcan greeting, and proclaiming, “Of all the souls I have encountered … his was the most human.”

Captain James T. Kirk, played by actor William Shatner, a life-long advocate of science and space exploration, served at the helm of the Starship Enterprise. His relationship with NASA began during the original series, with references to the space agency incorporated into several story lines. In 2011, Shatner hosted and narrated a NASA documentary celebrating the 30 th anniversary of the Space Shuttle program , and gave his time and voice to other NASA documentaries. NASA recognized Shatner’s contributions in 2014 with a Distinguished Public Service Medal , the highest award NASA bestows on non-government individuals. NASA Deputy Associate Administrator for Communications Robert “Bob” N. Jacobs presented the medal to Shatner. The award’s citation read, “For outstanding generosity and dedication to inspiring new generations of explorers around the world, and for unwavering support for NASA and its missions of discovery.” In 2019, Shatner narrated the NASA video We Are Going , about NASA’s plans to return astronauts to the Moon. He has spoken at numerous NASA-themed events and moderated panels about NASA’s future plans. On Oct. 13, 2021, at the age of 90, Shatner reached the edge of space during the NS-18 suborbital flight of Blue Origin’s New Shepard vehicle, experiencing three minutes of weightlessness.

Elements of the Star Trek universe have made their way not only into popular culture but also into NASA culture. As noted above, Star Trek fans had a hand in naming the first space shuttle Enterprise. NASA’s Earth observation facility aboard the space station that makes use of its optical quality window bears the name the Window Observational Research Facility (WORF). The connection between that acronym and the name of a Klingon officer aboard the Enterprise in the Star Trek: The Next Generation TV series seemed like an opportunity not to be missed – the facility’s official patch bears its name in English and in Klingon. Several astronaut crews have embraced Star Trek themes for their unofficial photographs. The STS-54 crew dressed in the uniforms of Starship Enterprise officers from Star Trek II: The Wrath of Kahn, the second full-length feature motion picture of the series. Space shuttle and space station crews created Space Flight Awareness (SFA) posters for their missions, and more than one embraced Star Trek themes. The Expedition 21 crew dressed in uniforms from the original series, while the STS-134 crew chose as their motif the 2009 reboot motion picture Star Trek.

As much as Star Trek has influenced NASA, in turn the agency has left its mark on the franchise, from episodes referencing actual and future spaceflight events to NASA astronauts making cameo appearances on the show. The first-season episode “Court Martial” that aired in February 1967 featured a photograph of the December 1965 Gemini VI launch adorning a wall aboard a star base. In the second-season episode “Return to Tomorrow,” airing in February 1968, Captain Kirk in a dialogue about risk-taking remarks, “Do you wish that the first Apollo mission hadn’t reached the Moon?” a prescient reference to the first Apollo mission to reach the Moon more than 10 months after the episode aired. Astronaut Mae C. Jemison , who credits Nichelle Nichols as her inspiration to become an astronaut, appeared in the 1993 episode “Second Chances” of Star Trek: The Next Generation , eight months after her actual spaceflight aboard space shuttle Endeavour. In May 2005, two other NASA astronauts, Terry W. Virts and E. Michael Fincke , appeared in “These are the Voyages…,” the final episode of the series Star Trek: Enterprise.

In the 2016 documentary “ NASA on the Edge of Forever: Science in Space ,” host NASA astronaut Victor J. Glover states, “Science and Star Trek go hand-in-hand.” The film explores how for 50 years, Star Trek influenced scientists, engineers, and even astronauts to reach beyond their potential. While the space station doesn’t speed through the galaxy like the Starship Enterprise, much of the research conducted aboard the orbiting facility can make the fiction of Star Trek come a little closer to reality. Several of the cast members from the original TV series share their viewpoints in the documentary, along with those of NASA managers and scientists. Over the years, NASA has created several videos highlighting the relationship between the agency and the Star Trek franchise. In 2016, NASA Administrator Charles F. Bolden led a video tribute to celebrate the 50 th anniversary of the first Star Trek episode.

In 2021, on the 100 th anniversary of Gene Roddenberry’s birth, his son Rod hosted a virtual panel discussion , introduced by NASA Administrator C. William “Bill” Nelson , about diversity and inspiration, two ideals the Star Trek creator infused into the series. Panelists included Star Trek actor Takei, Tracy D. Drain, flight systems engineer for the Europa Clipper spacecraft at NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, California, NASA astronaut Jonny Kim , Swati Mohan, guidance and operations lead for the Mars 2020 rover at JPL, and Hortense B. Diggs, Director of the Office of Communication and Public Engagement at NASA’s Kennedy Space Center in Florida.

The mutual attraction between NASA and Star Trek stems from, to paraphrase the opening voiceover from the TV series, that both seek to explore and discover new worlds, and to boldly go where no one has gone before. The diversity, inclusion, and inspiration involved in these endeavors ensure that they will live long and prosper.

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Michael Dorn Had To Set Star Trek's Writers Straight On Worf For Deep Space Nine

I n the "Star Trek: Deep Space Nine" episode "The Way of the Warrior" (October 2, 1995), Captain Sisko (Avery Brooks) finds his station being overrun by Klingons. The Klingons claim to be there to defend DS9 from any potential Dominion threats, but it takes the form of harassing civilians and detaining passing ships against their will. Requiring some insight into the matter, Sisko sends for the only Klingon currently serving in Starfleet: Lieutenant Commander Worf (Michael Dorn) from "Star Trek: The Next Generation."

Worf was at a major crossroads in his life. He was, until recently, serving as the chief security officer on the Enterprise-D, but that ship crashed (during the 1994 film "Star Trek: Generations"), and he wasn't sure what his career might look like moving forward. The Klingons wanted Worf to leave Starfleet and join the Klingon Empire, but Worf didn't like the Empire's new war tactics. Ultimately, Worf decided to stay in Starfleet, but no longer as a security officer. He decided instead to become a command officer, switching from his gold uniform to a red one.

Worf would join the cast of "Deep Space Nine" from then on, appearing in 98 episodes and experiencing several dramatic story arcs. Outside of voice acting, Dorn has appeared in more "Star Trek" episodes than any other actor.

It's worth noting, though, that in 1995, "Star Trek" staff writing was split between "Deep Space Nine" and "Star Trek: Voyager," which had debuted the previous January. A lot of the "Deep Space Nine" writers hadn't written for Worf before and Dorn, who knew the character better than anybody, had to set the record straight on a few writerly matters. Dorn talked about this  in a 2023 interview with TrekMovie .

Read more: The Main Star Trek Captains Ranked Worst To Best

Worf Must Be An Outsider

Throughout "Star Trek: The Next Generation," Worf was always depicted as something of an outsider. He was beloved by his crew, but his stern, humorless demeanor often kept him at arm's length socially. He was a badass warrior who adhered to Klingon principles yet was often so hellbent on defending his honor that he came across as off-putting and isolated. Worf may have been ready to fight, but he was also a nerd, constantly preoccupied with the subtle mores of Klingon culture. This was coming from a man who was raised on Earth by human parents. He was constantly trying to understand his own diaspora.

Worf's humorless adherence to Klingon principles was, to Michael Dorn, the key ingredient to writing the character. Worf couldn't ever joke around or, indeed, understand the jokes of others and he rarely laughed. As Dorn put it:

"[T]hat's always been his charm. On 'Next Generation' they got it, and it was very understandable, and I didn't have to say too much about that. On 'Deep Space Nine,' I really had to corral them a lot, because if he's in on the joke, he becomes just another one of the characters. He doesn't stand out at all. And it was easy, because all they had to do was just write a line, and everybody else gets the joke, and [then] they make a joke, and they're funny. And Worf is just looking around going, 'Okay, I wasn't trying to be funny. I don't know why people are laughing.'"

Worf was previously described as "The big guy who never smiles" on "Next Generation." That might have been an apt character description for the "Deep Space Nine" writers.

Worf Remained Humorless, Even On Picard

Worf would also appear in "Star Trek: Nemesis," which opened after the end of "Deep Space Nine" in 2002, and would also return for the third season of "Star Trek: Picard," which didn't premiere until 2023. On "Picard," Worf was revealed to have become a Starfleet Block Ops agent of some kind, investigating espionage and regularly infiltrating the futuristic criminal underworld. Sporting grey-white hair, he would reunite with the cast of "Star Trek: The Next Generation." As usual, he refused to joke with them. As Dorn observed:

"[T]hat has always been his charm. And in 'Picard,' not so much. I've always kept him straight. Always very much [...] if they give me a line, I say the line, as serious as I can." 

When the interviewer asked Dorn about Worf's crack that beheadings are only on Wednesdays, Dorn replied that Worf most certainly meant it.

Worf was also the only character, quite mercifully, to not be sentimental about seeing the return of the destroyed Enterprise-D. On "Picard," it's explained that Geordi La Forge (LeVar Burton) rebuilt the ship as a hobby , and the rest of the crew become very wistful when they see it again. Worf, when walking on the bridge, announces that he preferred the Enterprise-E for its more powerful weapons, smaller size, mechanical efficiency, and superior speed. He cares deeply about his friends, but he's not about to start getting teary-eyed over an old ship he served on once.

"Deep Space Nine" might be more important to him.

Read the original article on SlashFilm

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Published May 31, 2024

Robin Curtis Looks Back at Star Trek III: The Search for Spock For Its 40th Anniversary

Curtis on portraying Saavik, being directed by Leonard Nimoy, and more!

StarTrek.com

Forty years ago this weekend, Star Trek III: The Search for Spock inherited the monumental task of picking up the tale of Admiral James T. Kirk (William Shatner) and the U.S.S. Enterprise crew following Spock's tragic death in Star Trek II: The Wrath of Khan . Written by Harve Bennett and directed by Leonard Nimoy himself, the film dealt with the aftermath of the battle with Khan Noonien Singh (Ricardo Montalban), the evolution of the newly-created Genesis Planet, and Kirk's unsanctioned jaunt to bring Spock's body and katra — a Vulcan’s living spirit — to be reunited on Mount Seleya.

Star Trek III: The Search for Spock

Complete with Christopher Lloyd's portrayal of a ruthless Klingon commander named Kruge, the original Star Trek series' cast's signature camaraderie, and an adventurous spirit, the third Star Trek film welcomed Robin Curtis to the role of Lieutenant Saavik, the Vulcan officer who accompanied Kirk's son Doctor David Marcus (Merritt Butrick) during his expedition to the Genesis Planet. Curtis was kind enough to speak to StarTrek.com and help us celebrate The Search for Spock 's 40th anniversary by reflecting on her time as Saavik and the rare experience of playing a Vulcan while being directed by Leonard Nimoy.

Four decades later, and Robin Curtis recollects that her respect for Nimoy as a director and collaborator was established the instant they met. "Right out of the gate, I could express nothing but praise for working with him, and it's only gotten better over time. Like good wine, my experience with him has aged well," remarks Curtis. "I look back with such fondness at his sensitivity, his respect for other actors, his ability to orchestrate the existing cast — his fellow coworkers for so many years — and newcomers like myself and Christopher Lloyd."

During her audition for the role of Saavik, Curtis had the unique distinction of hearing Nimoy's insight into what an actor can do to truly become a Vulcan. "Mr. Nimoy took such a lovely, intuitive approach to directing. He said, 'Vulcans have 1,000 years of wisdom behind the eyes,'" says Curtis of Nimoy's early advice regarding the Vulcan nature. "When I was given the role, he told me I should look in the mirror [and practice] talking without using my face to express what I was saying. Being so still and so contained near about did me in, and I thought I was failing so miserably at it that I was going to be fired. I didn't feel the innate knack or confidence that I was nailing it."

The challenge of assuming a Vulcan disposition weighed even more heavily on Curtis' shoulders when placed in context with her desire to deliver an excellent performance. "I was as serious as a heart attack on the set! I didn't speak until I was spoken to, which is totally unlike my normally sociable self. I was very earnest, wanting to show and demonstrate that I was grateful for this part. I wanted to do a good job and hit it out of the park," adds Curtis, who sensed that Nimoy appreciated her devotion to the film and her role as Saavik, as well as her overall work ethic and approach to acting.

In spite of her doubts, Curtis had her morale boosted by a pact she made with the director. "I shook his hand on my very first day of filming, and I said, 'Mr. Nimoy, you seem to think I know what I'm doing. And I need to tell you I do not.' And he said, 'Robin, I will take you every step of the way. I will never take you out on the end of a limb and leave you there.' I said, 'Deal.' And we shook hands on it, and he fulfilled that promise in each and every scene," declares Curtis.

Curtis also attests that there were certain scenes which were easier to approach and more straightforward than others. Those involving Saavik and weighty emotions demanded more scrutiny and attention. For example, while holding Saavik, Kirk's son David Marcus, and a reborn Spock hostage on the Genesis Planet, Kruge ordered one of his soldiers to kill a prisoner in order to demonstrate his conviction toward acquiring the Genesis Device. The sentence was inflicted upon David, and Saavik was forced to report the death to the man's father. "That [moment] filled me with anxiety and dread. How could I possibly say that with the Vulcan demeanor?"

Those complexities also rang true on the other end of the emotional spectrum. With a rapidly aging Spock overwhelmed by the urges of the pon farr , or the Vulcan time of mating, Saavik guided him through the intimate process. This scene, with its close contact and affectionate hand gesture, represented another significant Vulcan hurdle to overcome. "The reverence and enormity and profundity of pon farr , and going into this cave with Spock," begins Curtis. "We came to the set with no sense of what that would look like. [Young Spock actor] Stephen Manley and I were both a little trepidatious about what Lenoard was going to have us do. What would a Vulcan love scene or Vulcan foreplay look like? In fact, I've only just learned recently that the simple gesture that Leonard introduced us to that day, the notion of [the characters] joining their fingers, was originally introduced by Spock's mother and Sarek in the television series."

Behind-the-scenes of Star Trek III: The Search for Spock

Of course, having pioneered the Vulcan temperament for nearly 20 years by the time The Search for Spock entered production, Nimoy was singularly suited to answer questions about such delicate matters. Whether dealing with Saavik's reaction to David's death, the intimacy of pon farr , or any of Curtis' other scenes, Curtis recalls Nimoy's valuable input. "He would take me aside before every scene, and we'd sit down at the edge of the set on the platform, and I'd say the lines. He would moderate me no differently than we do with our cars with the radio volume. I was so grateful for that," shares Curtis.

Shifting her focus to her overall impression of their professional association, Curtis conveys her appreciation for Nimoy's leadership on the film before admitting she does have one slight regret. "I absolutely love the man. Loved him as a person, loved him as a director, and I'm sorry that I was too shy to even hint or suggest that we would have a friendship outside the realm of the shoots themselves."

While their friendship was largely limited to the production itself, the director did leave an indelible impact on Curtis' personal life. "Leonard Nimoy was aware that my father was battling cancer at the time, and it wasn't looking good," notes Curtis. "The best thing I remember about Star Trek is that it was a colossally beautiful distraction from the agony we were feeling as a family. Leonard Nimoy reminds me of my dad, and they were the same age. And [Nimoy] was so sensitive and kind about the idea that Star Trek was such a gift and a bright light for my family in a time of suffering. Ultimately, my dad lived long enough to see the movie. I went home to be at the Riverside Mall in Utica, New York, with my neighbors and family, and my dad made it to the movie theatre. I will always be grateful for that."

Curtis' thankfulness extends to the many fans who regularly compliment her for her tenure as Saavik in The Search for Spock and Star Trek IV: The Voyage Home . "I'm flabbergasted at the multitude of ways that [Star Trek] has enriched my life. My heart explodes over the tenacity of the fans and how the franchise only gets better and richer. People are very generous and sentimental about [ The Search for Spock ]. They understood it was part of a triumvirate [of films]," observes Curtis. Referring to her final on-screen moments in The Voyage Home , in which Saavik and Amanda Grayson remain behind on Vulcan, Curtis jokes, "What did she and [Amanda Grayson actor] Jane Wyatt get up to? [ laughs ] What happened with the pon farr ? Did she end up being pregnant? I think the fans were just as curious as I was."

Perceiving her connection with the fans as a gift, Curtis contemplates an unexpected phone call she received from a medical facility in Cleveland, Ohio. A young man who she had once met at a convention had been taken off of dialysis and given only two weeks to live. The staff member contacting Curtis informed her that the man's last wish was to share a meal with her. "I had shown him some kindness at a convention in Ohio in the '90s, and he remembered," reveals Curtis, who didn't hesitate to make the five-hour drive to Cleveland that very same day. Before leaving, Curtis advised the caller, "You tell him I'll be there for dinner, and I wouldn't miss it for the world." Arriving Friday evening, Curtis spent every waking hour of that weekend with the fan. After departing on Sunday, they talked each day until he passed the following week. "That was a gift to me, and I like to think maybe a small gift to him," explains Curtis, noting that their connection has endured via her ongoing friendship with the fan's aunt.

The Search for Spock clearly meant a lot to those who watched it repeatedly, but Curtis' own perception of the movie has evolved since its release. "I saw the film at the time and then never saw it again for so many years. My memory of it was that it was depressing [ laughs ]," confesses Curtis. "The fact of the matter is, everything dies. Genesis dies, the ship dies, Kirk's son dies. Spock comes back to life, but he starts out dead [ laughs ]." As was the case for many of us, the pandemic changed everything for Curtis. "We were all in our houses and seeking connection. I felt like I needed to go back, so I rewatched [ The Next Generation two-parter] 'Gambit,' and I rewatched the movie. And I thought, 'This is funny!' There's a lot of good parts in this film that aren't depressing. I don't know why I had that impression stuck in my brain, but maybe it's because my involvement was very serious. Everything I had to do dealt with great disappointment and loss and tragedy."

Looking back, Curtis cites Sarek's mind meld with Admiral Kirk as her favorite scene, describing the sentiment behind the characters' interaction, the cinematography, and the close up of the actors' faces as "gorgeous." Though she felt the mood on the set of The Voyage Home was more joyful and playful — after all, she still has Polaroids of herself making funny faces with Walter Koenig, George Takei, Kirk Thatcher, and other cast and crew, Curtis maintains fond memories of working on The Search for Spock . "The cast were so generous and classy with me, and they understood the weight upon my shoulders as the newcomer. They were reassuring. I remember Walter Koenig told me to keep a journal. And of course, like a jackass, I didn't listen. [ laughs ]," jests Curtis. "Now, I wish I had kept one."

The Search for Spock 's conclusion exuded hope and wonder, as Spock's body and katra were reunited in a ceremony on Mount Seleya. Following his resurrection, Spock passes by each crew member in attendance, eventually finding himself embraced by the group. Although a glance between Spock and Saavik was fleeting, much preparation went into that moment. "[Nimoy] approached me before the scene and asked, 'How would you feel if you were to suddenly come upon somebody that you loved or were intimate with on a New York City street? How would you imagine that?' In the matter of a split second, so many thoughts went through my mind," says Curtis. "First, what a personal question to ask. Then I felt tenderness, embarrassment, sentimentality, nostalgia, and vulnerability all at once. I looked up at him, then looked down. He said, 'That’s it!' And I thought, ' Oh, okay, I love you! ' It is so lovely and simple when a director does that. No arm wrestling had to happen, he just asked me a simple question and I got [the scene]."

As for The Search for Spock 's ending, when Spock's friends crowd around him on Vulcan, Curtis recollects that she and the other cast members were given a general direction to "be encouraged by that moment and confident that his katra had been restored. Sometimes we don't work those moments out, and it's all on the fly. It was very much off-the-cuff." Whether meticulously planned or inspired by the moment, these scenes combined to create a film that has stood the test of time and established itself as a crucial installment in the pantheon of Star Trek stories.

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Jay Stobie (he/him) is a freelance writer, author, and consultant who has contributed articles to StarTrek.com, Star Trek Explorer, and Star Trek Magazine, as well as to Star Wars Insider and StarWars.com. Learn more about Jay by visiting JayStobie.com or finding him on Twitter, Instagram, and other social media platforms at @StobiesGalaxy.

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‘Star Trek: Discovery’ Costume Designer Breaks Down Wedding Outfits, Progenitors Looks and New Starfleet Uniforms

By Scott Mantz

Scott Mantz

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After 65 episodes, “ Star Trek: Discovery ” boldly wrapped up its ambitious five-season run with “Life, Itself,” in which Captain Michael Burnham ( Sonequa Martin-Green) finally found the technology of the Progenitors that she and her crew had searched for, only to let it stay hidden after deeming that it too powerful to be in the hands of one civilization.

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After they were first introduced in a 1993 episode of “The Next Generation,” the Progenitors were finally revealed in “Life, Itself,” though with updated attire. As Tran explains, “I think costumes from the older shows look like they’re from the time from when the show originated, so our Progenitor had to feel a bit more ethereal. It became a lot about the materials we used, which had some metallic flax in it. That made it feel kind of amorphous, and the way it was cut was meant to be modern with a little cape, which also made it feel a little angelic. But the overall goal was just to make it feel as timeless as possible.”

As for the royal 32nd Century wedding between Saru and T’Rina, Tran found inspiration from another royal wedding, this one from the 20th Century. “My main reference point was Grace Kelly’s wedding to Prince Rainier. He was wearing his traditional thing, and then she came from Hollywood wearing her traditional thing.”

When it came to T’Rina’s wedding gown, which weighed 27 pounds, Tran went much further back into “Star Trek’s” past. “We looked at Vulcan weddings from ‘Star Trek’ canon. We looked at T’Pring times two. There’s T’Pring from ‘The Original Series’ [from the 1967 episode ‘Amok Time’] and there’s T’Pring from ‘Strange New Worlds’ [from the 2023 episode ‘Charades’]. In the ’60s show, there was a metallic trim that ran down her dress, and then a similar idea that was updated for “Strange New Worlds.”

Tran further explains, “We also looked at ‘Enterprise,’ where the character T’Pol also had a Vulcan wedding [in the 2004 episode ‘Home’]. She had a veil perched on her head, but our version is much more dramatic and sculptural, and we used tent wire to make it as big as possible. Otherwise, the dress was very much inspired by Grace Kelly’s wedding dress. It’s just the 32nd Century version of that mixed with Vulcan.”

Soon after filming wrapped on the fifth season in November of 2022, Tran got a call from “Discovery” showrunner Michelle Paradise. “She said that this is going to be our final season, but we’re coming back, and we’re shooting this coda that will flash forward to the future. I’m going to send you the script pages, and then you’ll get to work. I had a little over a month to prep for that.”

About a third of Tran’s 65-person wardrobe department returned for the coda, which was filmed over just three days in the spring of 2023. A new time frame meant new Starfleet uniforms for now-Admiral Michael Burnham and her son, Captain Leto. “You can’t alter the look of the uniforms too much, and you can’t really change the color,” says Tran. “You also can’t do much with the silhouette. The shape is what it is, so it became more about putting it together in a way that felt interesting.”

Tran did just that by drawing inspiration from the look of two classic “Star Trek” eras. “We really wanted to honor ‘Discovery,’ but we also wanted to pay tribute to the ‘Star Trek’ legacy as a whole, so I looked at other uniforms. One was from ‘Star Trek II: The Wrath of Khan,’ those red uniforms. That was definitely the reference for Burnham, and we wanted it to be as bold as possible. We did two shades in our version. One is a darker shade, and there’s a lighter shade, just to give it some contrast, especially with the way we were sewing it.”

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