slayer divine intervention tour

Slayer's 'Divine Intervention': 8 Things You Didn't Know

By 1994, Slayer had already been in the upper echelons of metal for over a decade. 1990's Seasons in the Abyss capped off a groundbreaking first-five-album run to their career, and while tiding over eager fans with the following year's  Decade of Aggression live double-LP, the thrash pioneers took a much-needed breather to focus on how the band could persist and evolve. When tensions between drummer Dave Lombardo and the rest of the group reached a breaking point, Slayer took on Paul Bostaph (formerly of Forbidden) and began the long process of piecing together 1994's Divine Intervention .

While opinions on the album remain divided, and the band members themselves have spoken openly about their disappointment with the mix, Divine Intervention  holds a special place in the hearts of many fans, particularly those who came to the group in the Nineties. The record also has an interesting story to tell in the broader scope of Slayer history. It came at a moment when the band was navigating a new world, one where metal wasn't on top — the music scene was still a couple years away from the emergence of nu-metal, but grunge had taken over the airwaves, and Slayer's lightning-speed thrash bangers had to swim against the tide of depressive heroin rock (the influence of which can be heard on Divine Intervention' s "Serenity in Murder").

Maybe more than its sonic incongruity to the times, however, what stands out about Divine Intervention is its visual and thematic extremity. Containing lyrics about serial killers and inner booklet art full of Satanic messaging (the album sleeve displays the acronym for Slayer: "Satan Laughs As You Eternally Rot") and pics of carved-up fans (read on), the gore-spotted, controversy-courting album still reached No. 8 on the Billboard 200 and has since been certified gold. Below check out eight things you might not have known about the thrashers' quietly important and often overlooked (re)statement of purpose.

1. Divine Intervention was the first album for which band members wrote songs individually, instead of collaboratively "That's the album where everything changed in terms of songwriting," Slayer frontman Tom Araya told Decibel in 2006. "It became more of an individual thing — songs were coming in all worked out. I didn't write any of the music on that album, I just wrote words, and if [ guitarists Kerry King and Jeff Hanneman ] didn't' like what I wrote, they'd just rewrite them. I liked 'Serenity in Murder,' though — and '213' and 'Sex. Murder. Art.'"

The band's "new guy," Bostaph, also remembered feeling as if he was on a creative island. "I was almost left to my own devices, which was kinda strange," he recalled. "After a take, I'd ask Kerry and Jeff, 'What do yo guys think?' And they'd just shrug their shoulders," he added. "I learned I was on my own, you know."

2. The song "213" refers to the number of serial killer Jeffrey Dahmer​​​​​​'s apartment Araya's lyrics to "213," sung from the skin-crawling first-person perspective of prolific serial killer Dahmer, outline sickening fantasies and procedural steps in dismembering and cannibalizing human flesh, but something extra chilling comes from assigning the exact digits marking the site of the twisted crimes to the song's title. The singer/bassist's words might churn the stomach, but his interest in mass murderers ran deeper than shock value. When asked once about his morbid fascination, he answered , "I'm trying to see where these guys are coming from so maybe I'll understand. It's always kind of intrigued me ... Why?" Speaking more tongue in cheek, Araya has described "213" as Slayer's first "love song."

3. Jeff Hanneman's drinking got in the way of him learning the song "Sex. Murder. Art.," so the group performed it as a trio on the Divine Intervention tour As Kerry King explained an interview with Guitar World , "When we were on the Divine Intervention tour, when Paul was with us, we wanted to play 'Sex. Murder. Art.' live. But on that album I pretty much played everything in the studio, so I don't think Jeff had ever played that song. And he was just too messed up all the time to learn it, so Paul, Tom and I just did it as a three-piece because Jeff would not come onstage and play it. After that, we said, 'Listen, dude, like it or not, you're a part of this band, and if we decide to play a song, you gotta play that fucking song.'"

4. "Dittohead" was inspired by conservative political commentator Rush Limbaugh Though the Slayer guys might be a little less apt to spill their exact political affiliations these days (see: the Instagram Trump Debacle), they used to be very vocal about their opinions in interviews. King, for instance, expounded on his appreciation of Rush Limbaugh, who served as the inspiration behind "Dittohead." In a 1995 interview with World Magazine , the guitarist explained, "I had the song completely written, but I had no idea what I was going to call it. Then I thought, 'Well, it sounds like a radicalized version of what Rush Limbaugh does on TV everyday, so I'll just use that name.'" He continued, "Rush said it best: 'Penalizing the achievers.' Why should I get penalized for learning how to make money? I didn't have all the opportunities. I didn't have scholarships. But you don't hear me bitching about fucking having to sit in the gutter. I got off my ass and did something with my life. That's what being an American is about, not sitting on your ass and letting the rich people pay for you."

5. The punk extras in the "Dittohead" video won their spots in a radio contest In an interview with Dutch outlet Toazted, King revealed how the "Dittohead" clip's "club" scene was actually filmed in a Los Angeles basement, and the extras weren't hired actors — they were kids who'd called into a local radio station and won the chance to hang out with their thrash idols, star in one of two videos directed by Jon Reiss for Divine Intervention  and be immortalized in metal history.

6. Divine Intervention was visual artist Wes Benscoter's first Slayer cover and his big breakthrough moment Up until 1994, Wes Benscoter had only one published album cover under his belt: the 1993 Sinister album Diabolical Summoning . He rose the ranks of metal cover artists quickly following the unveiling of Divine Intervention' s striking swords-and-skeleton "Slayergram" painting featuring a subtly beautiful nightscape visible through the top of a fanged skull. Benscoter went on to do the next two Slayer covers, Undisputed Attitude and Live Intrusion , and has since worked with notable bands such as Black Sabbath, Dio and Kreator, among many others.

7. The fan who got the Slayer logo carved in his arm for Divine Intervention' s liner notes thought he would get laid as a result In a 2016 interview with Clrvynt , the fan pictured in Divine Intervention' s booklet, amazingly named Michael Myer, revealed how he got the infamous gig. "I was in a band called Wash. And instead of spending our time practicing, we spent our time making costumes and figuring out how to destroy the venues we were playing at," he explained. "And the one thing we really liked to do when we went to shows was yell, 'Slayer!' really loud, and then we'd try to cause mayhem. Greg Abrams, who got me the gig, knew me because one of the first gigs my band played was in a house across the street from where he lived. He had seen what we did, so when they had the meeting about the Slayer arms, he told them, 'Don't worry, I know the guy who'll do that.'" 

In the end, Myer not only got the band's logo sliced into his arm, but also had the newly etched limb set on fire. (Video of the disturbing ritual was later included on Slayer's Live Intrusion video.) Photographer Stephen Sticker, who shot the pics and did the cutting, revealed to  Revolver  that Myers endured it all for a mere $250, but that the fan had other potential rewards in mind, as well. "By the time I was doing the second arm, [ Myer ] was totally quaking with adrenaline, like when you get a tattoo," Stickler told us in 2006. "He was like, 'I'm gonna get laid with this, man!' And we all looked at each other, like, 'By whom?'"

8. Divine Intervention was Slayer's first album to reach the top 10 in America Peaking at No. 8 on the Billboard  album sales chart  in October 1994, Divine Intervention was Slayer's first LP to break the top 10 and stood in stark contrast to other top sellers that week, which included Eric Clapton's From the Cradle , The Lion King Soundtrack  and, at No. 1, Boyz II Men's II . Notably, none of the other albums featured photos of fans with the groups' logos carved into their arms.

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Slayer: All The Info On Divine Intervention

On October 3, 1994, Slayer released Divine Intervention. Reason enough to live you these 10 facts about the album

* This was the first Slayer album to feature drummer Paul Bostaph, who had replaced Dave Lombardo.

* Tom Araya claimed that many of the songs on the album were inspired by watching TV. And was also inspired by hating life.

• This was the longest gap the band had ever had between studio albums. Divine Intervention came out fours tears after Seasons In The Abyss .

* If you look at the sleeve it has the words Satan Laughs As You Eternally Rot. The band previously used this phrase on Show No Mercy .

* This was the first Slayer album to make it into the US Top Ten, peaking at number eight.

• The song 213 was the first love song the band had ever done. But the title comes from the number of serial killer Jeffery Dahmer’s old apartment.

* The cover artwork was done by Wes Benscoter, who has also done sleeves for Black Sabbath, Cattle Decapitation, Kreator and Nile.

• The album was banned in Germany for its explicit lyrics.

* The band’s Divine Intervention tour started on November 6, 1994 in Dublin and ended on April 11, 1995 in Honolulu.

• One for Hawkwind fans. The assistant engineer on the album was Dave Brock. Could this have been the famed Hawkman? What do you think?!

Read what Slayer have to say about Reign In Blood

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Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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Average setlist for tour: Divine Intourvention

Note: only considered 54 of 61 setlists (ignored empty and strikingly short setlists)

• Raining Blood
• Killing Fields
• War Ensemble
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• Divine Intervention
• Captor of Sin
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• Sex. Murder. Art.
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Wedged firmly between Slayer ’s classic late 80s/early 90s and the wayward wanderings of the Thrash legends’ late 90/early 00s, Divine Intervention is a controversial album. Is it the last gasp of the band’s best period, or the beginning of the end? As with most similar questions that assume two opposite absolutes, the truth lies somewhere between – Divine Intervention is not a classic equal to Reign In Blood , South Of Heaven or Seasons In The Abyss , but neither does it deserve to be lumped in at the bottom of the Slayer career with Undisputed Attitude or Diabolus In Musica . In fact, it’s best when compared to the post- God Hates Us All comeback that Christ Illusion was – all in all Divine Intervention is better in my books, but equally fits in that ‘very good but not classic’ bracket.

Without a doubt, it’s Bostaph’s best outing with the band – hard to believe that the technical display here isn’t from Lombardo’s limber limbs, but there you go, the hatred that some fans showed the Testament / Exodus sticksman was clearly misplaced – and there are plenty of killer riffs from Hanneman and King. Araya’s voice is beginning to show its strains, but he sounds genuinely pissed-off and is impossible to mistake for anyone else, as ever (plus, audible bass alert!). It’s the killer riffs that we must come back to, however, Divine Intervention packed full of excellent work from everyone’s favourite duo. If you don’t rock the fuck out to opening blast Killing Fields then you’re not my friend, it’s as simple as that – from the percussive build up, blasting drums setting an ominous pace that is soon enhanced by the hard-riffing guitars, this is Slayer at their best, and when it kicks off from the already awesome mid-paced blast and gets faster and faster until that amazing solo from King kicks the doors in and forces all to bow as the band head for warp speed... a classic, classic song. It cuts off far too soon, but the just-under-two minutes killer Thrash of Sex. Murder. Art transcends its stupid name and heads for the throat, and from then on the album is hard to criticise, the riffs headed for your throat like Reign In Blood all over again.

Really, this is an underrated piece of the Slayer puzzle. Blimey, is that a progressive influence in the instrumental section of Fictional Reality ? Wow, was Dittohead the fastest Slayer song since Necrophobic ? Why, why isn’t Circle Of Beliefs better remembered as one of the best Slayer tracks ever? Even the mid-paced likes of the title track are chock full of riffs, recalling the 80s when slow Slayer songs weren’t necessarily a cause for vomiting rather than celebration. The great songs just keep coming at you, SS-3 and Serenity In Murder bringing the noise most satisfactorily (Araya’s droning vocals on the latter enjoyably creepy) and the album finishes wonderfully with Mind Control . Alright, admittedly 213 is quite a step-down from the high quality of the rest of the album, the acoustic intro alone marking it out as strange amidst the general high-riffing landscape and the attempt at Dead Skin Mask -esque epicness failing badly as soon as Araya starts whining about how he needs a friend – serial killers are such bitches, aren’t they? Thankfully, even though it’s the worst song here, it’s nowhere near the depths that Diabolus In Musica would hit, and as such is tolerable.

The worst thing I can say about this album overall is that the songs are over too quickly – the whole thing’s only just over thirty-five minutes long, after all, yet there’s so much quality here that repeated listens are mandatory. No, it’s not up to the classic Slayer pantheon, but for a Thrash album released as late as 1994 Divine Intervention rips, and all Slayer fans should own it. Altogether now:

"A CHOICE IS MADE IN FREE WILL – JUST LIKE THE CHOICE TO KILL IN THE SPEED OF A MOMENT LIFE STANDS STILL – NOW YOU’RE STANDING IN MY KILLING FIELDS!"

There are 11 replies to this review. Last one on Wed Oct 07, 2009 8:13 pm View and Post comments

Slayer - Official Website

1 . Killing Fields 2 . Sex. Murder. Art. 3 . Fictional Reality 4 . Dittohead 5 . Divine Intervention 6 . Circle Of Beliefs 7 . Ss-3 8 . Serenity In Murder 9 . 213 10 . Mind Control

Review by Felix on November 25, 2021.

Divine Intervention was the sixth full-length of Slayer and at the same time the last album that could be easily associated with their fantastic early works. The band had not moved into modern times yet. Quite the contrary, it almost appeared as a return to the roots. The musical approach was closer to Reign In Blood than to the successors of this unique masterpiece. For example, the short outburst 'Sex. Murder. Art.' was an indication for this thesis, not only because of its brevity. The riffing and the songwriting pattern were well comparable with their classics such as 'Piece By Piece' or 'Necrophobic' . Kerry King had been the main songwriter on the here presented album and he had not forgotten the success formula of Reign In Blood . To mention an other example, the rapid 'Dittohead' also referred to their legendary third album. In contrast, the title track went into the somewhat more leisurely direction of 'Seasons In The Abyss' , at least the guitar licks at the beginning.

However, Slayer offered one more time a musical assault that took no prisoners, although the magic of their early outputs remained unrivaled. Maybe this was just because of this special moment of surprise that was missing. As written above, you could more or less easily define the predecessors of most of the here presented tracks. The same went for the lyrics. For example, 'SS-3' dealt once again with a historical person (Reinhard Heydrich) of the Nazi regime. These repetitions had not occurred during their first three albums. This made a small but fine difference. I do not want to be malicious, but Reign In Blood was the original and Divine Intervention marked its afterburner. One could therefore confidently notice that the latter fought a losing battle. This applied even in view of the circumstance, that the production team, consisting of Slayer , Rick Rubin and Toby Wright, had done a good job. But they had not worked flawlessly. The guitars should have been a tiny bit more powerful. The solos do not lack of intensity, but the guitar lines do not sound voluminous. Some might say that they have to be described as inoffensive, but I would not take it quite that far. From my point of view, the guitar sound was good, but not outstanding.

It was quite certain that all band members were fully engaged. The vocal performance of Tom Araya was well without achieving the brilliance of the early records, in particular that of Hell Awaits . Paul Bostaph was a suitable substitute for Dave Lombardo, but it goes without saying that we would have preferred the incredible drumming of Dave. Once again, it was the question of original and (good) copy. However, the band was still capable of performing stirring thrash metal. My personal favourite was the furious 'Circle Of Beliefs' because of its unbridled power. Due to its forceful beginning, it drew me under its spell from the first moment onwards. The second crusher was called 'Mind Control' . While being straightforward as a torpedo, it finished the album ruthlessly.

It would be an exaggeration to say that a stale aftertaste remained after listening to this record. Due to their previous outputs, the bar was just set too high. I am convinced that the band had used its best endeavours in order to fulfill the request of their fans. But it was just impossible for the group to achieve a better result. From this perspective, Divine Intervention made my day.

Rating: 7.9 out of 10

Review by Luka on May 6, 2001.

The early 90’s officially marked the end of the tremendous commercial success of thrash metal. The explosions of the 1990 masterpieces: Painkiller, Rust In Peace, Seasons In Yhe Abyss, Arise etc. died out as fast as they grew. Each metal giant now faced a choice. Metallica, Megadeth and Iron Maiden were taking the lighter and more melodic path, Sepultura was getting accustomed to the commercial nu-metal style with "Roots", and others like Testament went for the more extreme paths of death metal. Slayer , on the other hand seemed to keep their style more or less exactly the same as on the previous album. Did the "tried & true" method work? Hell no. What were they thinking? Divine Intervention is one of the weakest Slayer releases ever. The album, while faster and more aggressive, seems like a second rate rehash of the Seasons In The Abyss material, with the faintest hint of punk. The guitar is really distorted and it’s hard to make out the riffs. The solos are the usual short and pointless King/Hanneman crap. I don’t think they’re ever the same twice, if you know what I mean. The lead guitar, however, has a nice sound and there is some really cool melody to be found here, most notably on the title track and "213" . All the songs seem lifeless and monotonous and it’s really hard to tell them apart. Tom Araya’s voice alters very little throughout the disc and he’s changed his style from the spoken-word form from "Seasons..." to a somewhat annoying deafening scream. There’s seemingly nothing different with King and Hanneman’s playing, but the new drummer, Paul Bostaph, is just amazing and breathes a bit of life into the otherwise boring album. Bottom Line: It’s not a CD you wanna listen to again and again. Rating: 6 out of 10

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SLAYER Divine Intervention Tour T-shirt

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• Clothing, Shoes & Jewelry
• Novelty & More
• Tops & Tees

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Slayer Men's Divine Intervention 2014 Dates (Ex-Tour with Back Print) Slim Fit T-Shirt Black

Product details, about this item.

• Licensed Mens Soft Music T-shirt
• Brand New Never Been Worn Merchandise
• High Quality Manufactured Apparel T-shirt

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PRODUCT CERTIFICATION (1)

OEKO-TEX STANDARD 100 requires textiles-based products to be tested against a list of 1,000+ chemicals, to limit those which may be harmful to human health. Certification focus: #ProductSafety and #ChemicalsUsed.

Product Description

Divine Intervention 2014 Dates (Ex-Tour with Back Print) (Import) These Adult Tees Have A More Form Fitting Cut Than A Regular T-Shirt And Are Made From A Much Softer Cotton.

Looking for specific info?

• Package Dimensions ‏ : ‎ 10.6 x 9.9 x 1.1 inches; 6.35 ounces
• Item model number ‏ : ‎ SLAY01001A239
• Department ‏ : ‎ mens
• Date First Available ‏ : ‎ September 23, 2018
• Manufacturer ‏ : ‎ ROCK OFF
• ASIN ‏ : ‎ B07HSRY4C2
• #461,268 in Men's Novelty T-Shirts
• #1,020,714 in Men's Fashion

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Group of NT-MDT Spectrum Instruments companies: Research, development and production of scanning probe microscopes (SPM) and systems combining AFM methods and optical spectroscopy (AFM-Raman, AFM-nanoIR) and development of the software for these systems. Sales, installation and technical and applications support of SPM, systems combining AFM methods and optical spectroscopy (AFM-Raman, AFM-nanoIR). Accessories for AFM systems, including cantilevers, test samples and others.

SPECTRUM INSTRUMENTS LTD.

Production of SPM systems and AFMs combined with optical spectroscopy (AFM-Raman, AFM-nanoIR). Sales, installations and technical and applications support.

Contact person:

• Vilma Kanopiene - CEO of SPECTRUM INSTRUMENTS LTD.

NT-MDT America

Production of SPM systems and AFMs combined with optical spectroscopy (AFM-Raman, AFM-nanoIR). Sales, installations and technical and applications support in the USA, Canada and Mexico region.

• Mr. Oleg Butyaev - CEO of NT-MDT America Inc.

NT-MDT China

Shanghai office, beijing office, “nt-mdt ” limited liability company (llc “nt-mdt ”).

• “NT-MDT” Limited Liability company (LLC “NT-MDT”) Research, development and production of the scanning probe microscopes (SPM) and systems combining the AFM methods and optical spectroscopy (AFM-RAMAN, AFM-nanoIR) and development of the software to them.

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