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• Clear LP, CD + Space Heavy Pin Badge
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Clear LP, CD + Space Heavy Pin Badge:

Space heavy vinyl, 1×lp, limited edition clear vinyl, space heavy cd, space heavy mp3, space heavy pin badge pin.

Available: June 9, 2023

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Pre-order a Space Heavy LP to be in with a chance of winning 1 of 5 mystery King Krule flexi discs.*

Written from 2020 to 2022, between London and Liverpool, Space Heavy took shape over the course of commutes between the two cities where Archy Marshall was splitting his time. Befitting an album quite literally written on the commute between the two places he called home, Archy found himself fascinated by the notion of “the space between” - the space haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe.

The result is a 15-track full-length by the musical polymath that inhabits the deepest reaches of the subterranean sonic world that Archy has constructed over the course of his career as King Krule. In it you hear a generational artist stepping into the height of their artistic powers – the auteurism apparent on his debut 6 Feet Beneath The Moon, the shapeshifting sonic palette of The OOZ, the primality of Man Alive! and the raw vulnerability expressed on You Heat Me Up, You Cool Me Down all coalesce into a wizened, dynamic body of work that reveals new elements with each listen. In line with Archy’s interest in the space between, it is an album wherein the negative space demands the same attention as the positive space. If one is willing to wade into the mire the reward is rich.

*No purchase necessary. Sign up to the XL Recordings mailing list to enter.

Digital Tracklist

That is my life, that is yours, tortoise of independency, empty stomach space cadet, hamburgerphobia, from the swamp, space heavy, when vanishing, if only it was warmth, wednesday overcast.

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Space Heavy

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King Krule Announces 2023 Tour

By Madison Bloom

King Krule has announced a string of tour dates that will follow the release of his next album, Space Heavy , which arrives June 9 via Matador . Archy Marshall and his band will get started in Minneapolis on Friday, July 21, stopping over at the Pitchfork Music Festival in Chicago the following day. Then, King Krule will wind through Detroit, Montreal, Philadelphia, Brooklyn, Nashville, Denver, Seattle, and more, before playing his final U.S. gig in Los Angeles on September 25. King Krule will also play venues in the United Kingdom and Europe in October and November. Find the full itinerary below.

Space Heavy is King Krule’s follow-up to 2020’s Man Alive! Marshall wrote the album during periods in London and Liverpool between 2020 to 2022. He was largely inspired by the notion of “the space between” while conceptualizing his new batch of songs, which he recorded with producer Dilip Harris, saxophonist Ignacio Salvadores, drummer George Bass, bassist James Wilson, and guitarist Jack Towell.

Upon announcing Space Heavy last month, Marshall shared lead single “Seaforth,” along with with a music video directed by Jocelyn Anquetil . A couple of happy dogs co-starred with the musician in the clip.

Revisit “ How Supermarkets, Electricity Towers, and a Satanic President Inspired King Krule’s Man Alive! ”

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King Krule:

07-21 Minneapolis, MN - First Ave 07-22 Chicago, IL - Pitchfork Music Festival 07-23 Detroit, MI - Masonic Temple Theatre 07-25 Toronto, Ontario - History 07-26 Montreal, Quebec - Corona Theatre 07-28 Boston, MA - House of Blues 07-29 Washington, D.C. - 9:30 Club 07-30 Philadelphia, PA - Union Transfer 08-01 Brooklyn, NY - Kings Theatre 09-08 Atlanta, GA - Variety Playhouse 09-09 Nashville, TN - Brooklyn Bowl 09-11 Houston, TX - White Oak Music Hall 09-12 Austin, TX - Stubbs Waller Creek Amphitheater 09-13 Dallas, TX - House of Blues 09-15 Denver, CO - Ogden Theatre 09-16 Salt Lake City, UT - The Depot 09-18 Portland, OR - Roseland Theatre 09-19 Vancouver British Columbia - Vogue Theatre 09-20 Seattle, WA - Paramount Theater 09-23 Oakland, CA - Fox Theater 09-25 Los Angeles, CA - Hollywood Palladium 10-04 Dublin, Ireland - 3 Olympia 10-06 Glasgow, Scotland - Barrowland 10-07 Manchester, England - Academy 10-09 London, England - Eventim Apollo 10-16 Amsterdam, Netherlands - Paradiso 10-18 Antwerp, Belgium - De Roma 10-19 Brussels, Belgium - AB 10-21 Cologne, Germany - Carlswerk Victoria 10-23 Copenhagen, Denmark - Vega 10-26 Berlin, Germany - Columbiahalle 10-27 Prague, Czech Republic - Forum Karlin 10-28 Vienna, Austria - Simm City 10-30 Budapest, Hungary - Akvarium Klub 10-31 Ljubljana, Slovenia - Kino Siska 11-01 Zagreb, Croatia - Tvornica Kultur 11-03 Lausanne, Switzerland - Les Docks 11-04 Turin, Italy - Club to Club Festival 11-06 Paris, France - Trianon

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King Krule Carves Out a Space for Himself

Ten years into his career, the musician still sounds fresh and experimental.

A tiny Brooklyn concert venue might be the last place you’d expect to see an act like King Krule, especially since he’d headlined the Primavera Sound festival in Barcelona the year prior. But there he was, facing a crowd of no more than 150 people at Sultan Room in Bushwick, bathed in blue and hot pink lights; his hollowed-out cheekbones and ginger flat top looking eerily impressive amid the shadows. The small crowd vibrated with palpable excitement, waiting to hear the latest King Krule project: a new album titled Space Heavy, out June 9. Lucky fans with quick trigger fingers who were able to snag tickets to the “Shh Tour” were treated to a preview this spring.

If you were at Sultan Room that night in April, you’d know the “shh” part was on point: between songs, you could hear a pin drop. King Krule didn’t seem to want to fill the space with salutations or commentary for the crowd. The scuzzy, lullaby-like melodies set against his signature baritone voice and lyrics reminiscent of Edgar Allen Poe’s prose said everything.

King Krule’s fan base is widespread and rabid—there are Reddit threads discussing such minutiae as which guitar pedals he uses and countless supporters who look for clues on when he’ll drop his next song. They love and consume every part of his career, his history, and how his music has evolved since Archy Marshall (his given name) stepped into the limelight at 16 years old under the moniker Zoo Kid. The crowd at Sultan Room roared with approval when Marshall returned to the stage for an encore of “Out Getting Ribs,” from King Krule’s first album, 2013’s 6 Feet Beneath the Moon . What makes Marshall even more enticing to fans is his enigmatic nature; he’s known to disappear for years between projects, eschewing a social media presence or public outings for complete and total privacy. He’s also notably averse to the press.

Willy Chavarria shirt and pants; Adidas sneakers.

That much was evident on the day we met for our planned interview. He’d just played two shows, partied the night before with childhood friends, and had another concert scheduled in upstate New York the next night. Inside a Brooklyn hotel room filled with racks of clothing, he asked to chat another day. “I’d like to get this show on the road so I can go to sleep,” he tells me.

When we meet again, it’s over Zoom weeks later, where Marshall is seated on the couch of his new home in London, his hometown. That house is one of the many places where the artist created Space Heavy , his first full-length album since 2020’s Man Alive! which he released just weeks before the coronavirus pandemic hit. “When we was performing Man Alive before it got shut off, I thought we, as a band, was in the best moment we will ever be in, in a lot of ways,” he says. “We were playing better than we’d ever played. I had so much clarity and so much force behind myself, and I felt really good physically and mentally. I used that energy to write a lot of music and to play and to have fun.”

Supreme vest; Bode shirt; Calvin Klein t-shirt.

Marshall began working on Space Heavy during the summer of 2020. “I would spend the day outside, and then when it cooled down, I would go to my studio and have long nights there,” he says. During the next two years, Marshall traveled from his former home in Liverpool to his mother’s house in Southeast London, while booking studio time all over Britain to record.

One room in Marshall’s mother’s house that served as an integral space for making songs on Space Heavy . The musician refers to it as “my studio room.” It used to be a bathroom, he explains, with a tub right in the middle of the hardwood-floored space, but he has since converted it into a place where he can record in peace. “It’s a bit like a map of my brain,” he says. “It’s quite all over the place with different equipment. Nothing works. But I understand it.” There’s a big window on one of the walls, a couple of tables made out of old doors, his MPC, six speakers, and “kind of shitty, high-fi stag speakers.” There’s an enormous boiler in the room, which Marshall turns off when he’s recording. He insists the wires and old machinery all over the place may not have jived in someone else’s hands, but it works for him. “Only my brain could make it work. If someone else walked in there, it wouldn’t.”

While making Space Heavy , he was listening to all kinds of stuff: Transa by Caetano Veloso, Jonny Greenwood’s movie soundtracks, rock steady reggae. Although he says he has a hard time pinpointing any direct references that influenced the album, it’s one that feels like all of the experiences, lessons, and best parts of his previous projects, cherry-picked and consolidated into one piece of work.

In 2019, he had a daughter, Marina, with the photographer Charlotte Patmore. Becoming a father, he says, changed his whole world. “As I get older, more mature, more comfortable with how I approach recording music, I wanted to have a lot more precision and basically record exactly what was needed,” he tells me. “As soon as the album was done, [I wanted] to finish it, to just leave it like that. I didn’t want to create a surplus of recordings because it starts to create a bit of a fog in my brain.” (He tells me that Marina, now four years old, is currently obsessed with any track from Solange’s When I Get Home album, all versions of “Baby Shark,” and mimicking the deep growl of her father’s voice.)

Space Heavy travels between the darkest, most brutal guitar and sax sounds for which King Krule is known to songs that sound like lullabies for his toddler. The first single, “Seaforth,” begins with a description of a mysterious woman on a beach in Marshall’s dreams. There is a hopeful, loving tone to the track: “Despite the brick walls and the ceiling up here, I’m freer than the birds,” he sings.

“The song starts with talking about being emotionally attached to a memory, and it coming to haunt you,” Marshall explains. “But the song is also about my relationship with my daughter and the world around us.

“When I say ‘up here,’ I mean, ‘up here,’” he adds, pointing to his head. “So no matter what the surrounding or place you are in, at least here, you can escape.”

Etro suit; Charvet dress shirt; Yony t-shirt; Stylist's own tie.

Marshall grew up between a house in East Dulwich belonging to his mother (who was also formerly his manager) and his father’s flat in Peckham. He comes from a long line of artists: His grandparents and his parents were musicians, art directors, designers, and costumers. In 2013 he told The Guardian that experienced “a lot of fucking weird shit” as a child, of which his strict father was mostly unaware. At 13, Marshall refused to attend school; he recalls that his dad had to physically carry him to class, otherwise he would skip and hide in his room. He was assigned a tutor, then shuttled to two different education facilities for “permanently excluded” children.

Through all of the movement and discomfort, Marshall sought refuge in music. He was posting songs on Bandcamp as Zoo Kid when an executive from the label True Panther stumbled upon “Out Getting Ribs” in 2011 and signed him as King Krule.

Etro suit; Charvet shirt; Yony t-shirt; Bode shoes; Stylist's own tie.

He was quickly hailed as the answer to the return of indie rock, the most exciting new act of the year. In early interviews, he spoke about how, inspired by his parents, he wanted to create music that is art, but not art for sale. “When you’re young, you get asked all these questions and you want to be perceived as intelligent, even though you’re not really intelligent,” Marshall tells me on Zoom. “But I always knew that I was going to be an artist, and someone who was going to be appreciated.”

These days, he’s changed his tune: “I’ve been trying to sell out for years. I can’t believe you don't think this record’s more poppy—that’s offended me,” he says with a chuckle. (Then he mentions another ambition: to write “a really shitty, really bad, romantic, period kind of novel. I’ll get it made on TV as well.”)

Even if he harbors secret pop star ambitions, part of what makes Marshall unique is how he’s held fast to a scrappy, experimental approach to making and performing music. The “Shh Tour” was inspired by an idle night out in Portugal between performances, with his bandmates Ignacio Salvadores and George Bass. “After Man Alive! got cut, we played a festival in England the next year, the first time we’d played in maybe a year,” he recalls. “And I felt kind of soulless. I couldn’t get into it, and that alarmed me.

“And then we played at Primavera. I felt so comfortable on stage, just really chill and in control. I missed my flight back to London from Barcelona, so I went straight to Portugal. That was nice, ‘cuz I hadn’t had a holiday for about 10 years. We was just bored, so I was like, Why don’t we borrow some instruments this week and play a random club?”

The impromptu show was “nice” but “tense.” “I was really nervous,” he remembers. He pauses, lights a match and watches it burn. He rubs his eyes, then his cheeks, then his nose, his whole face obstructed by his hands. “I hadn’t felt nervous like that for a very long time, and I quite enjoyed the looseness of it, and also the idea that it was this close to completely falling apart. The compositions should be allowed to breathe in different ways. You know, you don’t wanna fall out of love with a project: you want it to stay exciting, you want it to interest you still. And that was the way of doing it, to approach the compositions in a different space with a different energy.”

Supreme vest; Bode shirt; Calvin Klein t-shirt; Willy Chavarria jeans; G.H. Bass shoes.

Grooming by Nigella Miller; Stylist assistant: India Reed; Set assistant: Nikola Janjušević. Special thanks to INSA Brooklyn.

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Hawkwind - Officially Licensed Merchandise

Hawkwind are an English rock band and one of the earliest space rock groups, formed in 1969. Members have included Dave Brock, Richard Chadwick, Mr Dibs, Magnus Martin, Haz Wheaton, Nik Turner, Dik Mik, Terry Ollis, John Harrison, Mick Slattery, .... Show More Huw Lloyd-Langton, Thomas Crimble, Del Dettmar, Dave Anderson, Simon King, Ian "Lemmy" Kilmister, Robert Calvert, Simon House, Alan Powell, Paul Rudolph, Michael Moorcock, Adrian Shaw, Harvey Bainbridge, Martin Griffin, Paul Hayles, Steve Swindells, Tim Blake, Ginger Baker, Keith Hale, Dead Fred, Andy Anderson, Robert Heaton, Rick Martinez, Clive Deamer, Alan Davey, Danny Thompson Jr., Bridget Wishart, Ron Tree, Jerry Richards, Captain Rizz, Jez Huggett, Arthur Brown, Jason Stuart, Jon Sevink and Niall Hone.Discography includes: Hawkwind (1970), In Search of Space (1971), Doremi Fasol Latido (1972), Hall of the Mountain Grill (1974), Warrior on the Edge of Time (1975), Astounding Sounds, Amazing Music (1976), Quark, Strangeness and Charm (1977), 25 Years On Released as Hawklords (1978), PXR5 (1979), Levitation (1980), Sonic Attack (1981), Church of Hawkwind (1982), Choose Your Masques (1982), The Chronicle of the Black Sword (1985), The Xenon Codex (1988), Space Bandits (1990), Electric Tepee (1992), It Is the Business of the Future to Be Dangerous (1993), White Zone � Released as Psychedelic Warriors (1995), Alien 4 (1995), Distant Horizons (1997), In Your Area (1999), Spacebrock (2000), Take Me to Your Leader (2005), Take Me to Your Future (2006), Blood of the Earth (2010), Onward (2012), Stellar Variations � Released as Hawkwind Light Orchestra (2012), The Machine Stops (2016) and Into The Woods (2017). Tours include: 12 Hour Technicolor Dream, 1991 Spring European Tour, 21st Anniversary Tour, 40th Aniversary Show, Alien worlds Tour, Amazing Sounds, Amazing Music, Blood Of The Earth, Choose Your Masques, Christmas Tour, Chronicle of the Black Sword, Electric Tepee, Hall Of The Mountain Grill, Ino-Rock Festival 2012, Levitation, Levitation Tour '80, Out And Intake, PXR5, Sonic Attack, Space Ritual, Spirit of the Age, Warrior On The Edge Of Time 2013 and Warrior Tour. Show Less

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Lucy (cooper b. handy).

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Archy Marshall announces Space Heavy, the fourth studio album released under his King Krule alias, due June 9th via XL Recordings. Written from 2020 to 2022 in between London and Liverpool, the album took shape over the course of Archy’s commutes between the two cities where he was splitting his time. Befitting an album quite literally written on the commute between the two places he called home, Archy found himself fascinated by the notion of “the space between” - the space haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe. Space Heavy, indeed. Once written by Archy, the music was further developed by frequent collaborator Dilip Harris and long-time bandmates Ignacio Salvadores, George Bass, James Wilson, and Jack Towell. The result is an album that inhabits the deepest reaches of the subterranean sonic world that Archy has constructed over the course of his career as King Krule. In it you hear a generational artist stepping into the height of their artistic powers – the auteurism apparent on his debut 6 Feet Beneath The Moon, the shapeshifting sonic palette of The OOZ, and the primality of Man Alive! all coalesce into a wizened, dynamic body of work that reveals new elements with each listen. In line with Archy’s interest in the space between, it is an album wherein the negative space demands the same attention as the positive space. If one is willing to wade into the mire the reward is rich. FACTS Archy Marshall is a 28-year-old English singer, songwriter, and producer from Peckham, South London. Between the ages of 16 to 18, Archy released two singles under his artist moniker “Zoo Kid” and later a four-track debut EP titled U.F.O.W.A.V.E. In 2011, Marshall debuted as King Krule releasing the self-titled debut EP King Krule via New York City-based independent record label True Panther Sounds, in November of that year. Pitchfork described the record as “an important moment in time marked on a door frame-- it's an intriguing peek into the restless, youthful development of King Krule.” On 9 December 2012, the BBC announced that King Krule had been nominated for the Sound of 2013 poll, an annual poll of UK music critics and industry figures to find the most promising new music talent. King Krule released his debut studio album 6 Feet Beneath the Moon on 24 August 2013 via True Panther Sounds and XL Recordings on his 19th Birthday. The album was wellreceived by the likes of The FADER, New York Times, New Yorker, Pitchfork, Observer, NPR, NME, the Wall Street Journal, and more. His performances of “Easy Easy” and “A Lizard State” on the US chat shows Late Show with David Letterman and Conan, respectively, later that year went on to become viral sensations. Following the release of this album, Archy Marshall released A New Place 2 Drown under his own name on 10 December 2015. The album was accompanied by a book that features artwork and poetry by Archy and his older brother and long-time collaborator Jack Marshall. There was also a short film directed by Will Robson-Scott to accompany. On 13 October 2017, Marshall released his third studio album / second album as King Krule titled The Ooz. The album was released to great critical acclaim; it was named “Best New Music” by Pitchfork, third best album overall of 2017 and ranked 23/100 on Official Chart Ranking upon release. It went on to be nominated for The Mercury Prize and IMPALA's European Album of the Year Award. Following the release of the album, Archy performed his single “Dum Surfer” on BBC’s program Later...With Jools Holland. On 8 March 2018, King Krule live-streamed a performance of The Ooz to the Molten Jets YouTube channel, titled "King Krule - Live from the moon" watch it here. Archy Marshall wrote his third King Krule album Man Alive! as a direct reaction to the nonstop energy of touring The Ooz, and then partly recorded at Shrunken Heads in Marshall’s native stomping ground of Nunhead with co-producer Dilip Harris and saxophonist Ignacio Salvadores. Midway through those sessions, Archy found out he was going to become a dad for the first time and so, decided to move up to the North West of England where he completed recording the album at Eve Studios in Stockport. Man Alive! was released through True Panther Sounds, XL Recordings, and Matador Records on 21 February 2020 after being previewed with “(Don’t Let The Dragon) Draag On”, “Alone, Omen 3” and “Cellular”. It was positively received, in the 4* review, NME described it as “a compelling, expressive and at times uplifting work” that found “Marshall’s creativity is shining for all the world to see”. On 10 September 2021, King Krule released the 17-track live album You Heat Me Up, You Cool Me Down an album described by Pitchfork as “an intense, electric, and sometimes uncanny exhibition of Archy Marshall's ability to reimagine his songs on stage”.

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Totally Metal Oversize Hoodie

Pre-order window has ended. orders placed during the pre-order will begin shipping in in late july., now that's metal, metal men formed aglets. 100% unethically sourced materials. buy it or else. praise be to space king.

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Pre-order window has ended. Orders placed during the pre-order will begin shipping in late July 2024. All items in the order will be held to ship together.

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