robbie williams tour daten 2023

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Robbie Williams at A Day on the Green Swan Valley 2023

• Do What You Like
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Robbie Williams at VAILO Adelaide 500 2023

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Robbie Williams at AAMI Park, Melbourne, Australia

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Robbie Williams taking ‘XXV’ tour across Europe in 2023

Robert Williams | Farrell Music Ltd

Robbie Williams will take his ‘XXV’ 25th anniversary tour across Europe in early 2023. 

The former Take That star is celebrating his latest milestone with a string of UK and Ireland dates across the autumn, and will take the concert across the continent starting January 20 in Bologna, Italy.

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“Europe 2023 – let’s do this,” he said in an announcement of the 22-date run, which wraps June 24 in Oslo, Norway.

Europe 2023 – let's do this x Presale – Wednesday 28th September 09:00 BST / 10:00 CEST General on-sale – Friday 30th September 09:00 BST / 10:00 CEST pic.twitter.com/PxVqpLw89n — Robbie Williams (@robbiewilliams) September 26, 2022

Tickets for the dates go on general sale September 30 at 9 am BST. 

The full list of European tour dates is as follows: 

JANUARY 2023

20 – Unipol Arena, Bologna 23 – Hallenstadion, Zurich 26 – Sportpaleis, Antwerp 28 – Ziggo Dome, Amsterdam 29 – Ziggo Dome, Amsterdam

FEBRUARY 2023

1 – Barclays Arena, Hamburg 5 – Lanxess Arena, Cologne 15 – Festhalle, Frankfurt 20 – Mercedes-Benz Arena, Berlin 26 – Jyske Bank Boxen, Herning 27 – Royal Arena, Copenhagen

1 – Avicii Arena, Stockholm 5 – Nokia Arena, Tampere 9 – Arena Riga 10 – Zalgirio Arena, Kaunas 12 – Tauron Arena, Krakow 14 – Budapest Arena 17 – Stadthalle, Vienna 20 – Accor Arena, Paris 24 – Palau Sant Jordi, Barcelona 27 – Altice Arena, Lisbon

24 – Telenor Arena, Oslo

The shows come ahead of a run of shows Down Under in autumn 2023, which will see Robbie perform a series headline dates across Australia alongside a one-off New Zealand appearance at Hawke’s Bay’s stunning Mission Estate.

“Australasia is one of my favourite places in the world to tour; I feel so at home there and hugely appreciate the warm, loving welcome I always receive,” he says.

Australasia 2023 – I can’t wait to see you all x Pre-sale from Tuesday 27th September, general on sale Friday 30th September pic.twitter.com/xuKx1x71O3 — Robbie Williams (@robbiewilliams) September 21, 2022

“I can’t wait to do these shows in 2023 and spend some time with my fans.”

The full list of Australasian tour dates is as follows:

NOVEMBER 2023

11 – ​Mission Estate, Hawke’s Bay, NZ 16 ​- Allianz Stadium, Sydney, NSW 18 ​- Sirromet Wines, Mount Cotton, QLD – A Day On The Green 23 ​- AAMI Park, Melbourne, VIC 25 ​- Mt Duneed Estate, Geelong, VIC – A Day On The Green

1 ​- Nikola Estate, Swan Valley, WA – A Day On The Green

Robbie celebrated his latest milestone with the release of ‘XXV’, featuring re-recorded orchestral versions of his biggest hits and personal favourite tracks.

The track debuted at No. 1, giving the hitmaker a record 14th solo chart-topper , which saw Robbie surpasses Elvis Presley as the solo artist with the most UK No. 1 albums. 

“Thank you to everyone who’s supported the album: everyone who’s bought it, streamed it, downloaded it and reviewed it,” he said in celebration of the milestone.

“I’m so pleased that it’s gone to No. 1, and whilst it feels strange to be receiving an award during these sombre times, I wanted to thank you all for your support and dedicate this to the fans, who I never take for granted. I really appreciate it, thank you so much.”

In a  review of the album , Retro Pop said ‘XXV’ “marries Robbie’s classic sound with nuances found in his swing repertoire, celebrating the past 25 years and opening the door to the next era in his career.”

‘XXV’ is  available now .

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Robbie Williams tour dates 2024

Robbie Williams is currently touring across 2 countries and has 2 upcoming concerts.

Their next tour date is at Estadio de Gran Canaria in Las Palmas de Gran Canaria, after that they'll be at Hyde Park in London.

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Recent tour reviews

I went to the Take That re-union concert in Düsseldorf some years. One of the best concerts I have ever been. The pre-group were the pet shop boys. They were so good. We all thought they will be hard to beat. How wrong we were! Take That started for approx an hour without RW and were absolutely fantastic. Then a very strange thing was brought on stage, with RW on top. What an entrance... then everything changed. He started straight away with one his best. I think it was Rock DJ. In a Nutshell, Take That was brilliant but unbeatable with RW together. If ever you have the chance to see him, do go. You will of regret it.

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I have to say that I have mixed feelings about this concert. He came on late at 9pm finished 10:15pm. He only did a few classic songs. He should have come on at 7 or 8:30pm and we had no open act. He made it up by performing Angels, Strong, No Regrets but he should have performed Rock DJ and Millennium. Why he did Feel and Let me entertain you. he did perform love my life.

could have been better if he came on time. 3/5

In full transparency, this is a copy of a review on the Radio Creme Brulee blog.

It is not too far in the distant past that Las Vegas concert residencies were associated with fading pop stars that were way past their commercial prime. More often than not, the artists that gravitated to Las Vegas concert residencies had enjoyed their fair share of the limelight in America’s musical mainstream. Many attribute the dramatic shift in perception for these shows to Celine Dion (with specific regard to her “A New Day” tour). The tour featured theatrical performances and imbibed the spirit of glitz and excess that Las Vegas is often characterized by. Since then, artists such as Elton John, Britney Spears, and Jennifer Lopez have carried on this tradition with immense success. The newest twist to the history of Las Vegas residencies is one that British pop superstar Robbie Williams just might be the catalyst for.

Robbie Williams is one of the more noteworthy symptoms of the US musical mainstream’s stubborn insularity from the global pop music landscape. Despite being the recipient of the second largest recording contract (valued at 80 million pounds) of all time, Robbie Williams (like many artists from the UK) has been overlooked by US terrestrial radio’s gatekeepers. These gatekeepers enjoy immense power to shape public opinion even today despite the rapid proliferation of alternate venues for music discovery besides terrestrial radio in the last two decades. As a result, Robbie Williams’ chart success in the US has been rather lackluster. None of his singles have entered the Billboard Top 40 singles chart. This is in stark contrast to his larger-than-life popularity overseas (literally everywhere besides the US). Furthermore, it has been almost two decades since he last performed live in the US.

Given this reality, it is rather interesting that Robbie Williams chose a Las Vegas concert residency route as opposed to a mini-tour covering the US’ key media hubs. The second element of surprise stems from the conscious choice of venue. Williams’ team has opted for the intimacy of the Encore Theater at Wynn Resorts. This is quite a shift for someone that in Europe is considered a stadium act. The final element of surprise is the overwhelming demand for tickets for these shows. The six shows scheduled for March 2019 have sold out. It would be interesting to see data highlighting the split between domestic and international demand for these tickets. Six more dates have been added between the months of June and July in Las Vegas.

On the evening of March 9, as concert attendees began to fill in the Encore theatre and indulge in friendly banter with each other, it became clear that one common theme linked many of the Americans in the audience. Most of these people either had foreign ties (by virtue of having lived or studied in Europe at some point in their lives) or had discovered Robbie Williams in the couple of years in the late 90s during which his promotion team tried to actively promote him on American television (to compensate for the lack of acceptance from American terrestrial radio gatekeepers).

My expectations of the concert were moderate – not because I expected to be underwhelmed but because I assumed (incorrectly of course!) that the intimacy of the Encore Theatre automatically meant that the show would be a mellow affair with Robbie Williams sitting on a stool performing mostly swing covers. While covers comprised a significant portion of the setlist, the concert was as far from a mellow affair as it could be. The concert opened with a call to the audience to sing the cheeky and irreverent “National Anthem of Robbie” with the lyrics being projected on to the curtains. The audience obliged with an overabundance of enthusiasm as they sang along hilarious lyrics such as

“Yes he went to rehab

Drugs and drinks took him low

God bless our Robbie

He can swing both ways

He is totally global

Except in the US of A”

This was followed by a video of Robbie Williams being broadcast on the curtains with the crowd cheering on deliriously. The curtains opened to a jaw-dropping stage setup. This was the first indication that Robbie Williams had decided to emulate elements of a stadium concert setup within the smaller confines of a theatre. In fact, the stage set design is one of the smartest uses of spaces I have seen in a very long time. The stage featured three ramps two of which were joined like a horseshoe and a center ramp. There were circular spaces between the ramps which is where the band performed. Robbie Williams made a rather dramatic entry via a suspended platform from the ceiling of the theatre.

The concert was an invigorating cocktail of Robbie’s unapologetic and ego-driven lack of political correctness, quirky humor with not even a hint of inhibition, his penchant for excesses, and the glitz and theatrics laced with a touch of class that have come to characterize Las Vegas as a music concert destination. For an artist that has not been in the American limelight for over 15 years, Robbie Williams embodied the spirit of Vegas with relative ease. In addition to the magnificent stage, Robbie’s entourage featured a troupe of drop dead gorgeous female dancers that performed eye-popping dance routines on songs such as “Rock DJ”, “Let Me Entertain You”, and “Swings both ways”. The euphoria factor of this concert surged ten-fold whenever they were on stage.

There were some defining elements of the concert worth highlighting. The first was a reverence for Las Vegas as demonstrated by the high-adrenaline performances. The second was an ode to Robbie Williams’ beginnings as the dreamy-eyed boy from Stoke-on-Trent (UK) as showcased on performances of songs such as “Mr Bojangles” and “Sweet Caroline” (a Neil Diamond cover performed with his father Pete Conway). In fact, “Sweet Caroline” was one of two songs that featured Robbie’s father – a rather unusual and heartwarming twist to a typical concert format. The final element was Robbie Williams’ commitment to audience engagement. For his performance of “Something Stupid”, he invited an Australian fan from the audience and serenaded her on a couch on a stage. It is fair to say that she took full advantage of the situation and probably got the most bang for her buck as she squeezed his buttocks before leaving the stage. He was aware that people had traveled from different parts of the world for this concert. He asked people to yell out and identify themselves as he did a roll call for Europeans, Australians, Kiwis, and finally Americans. To the Americans, he yelled “why don’t you tell your f**kin friends about me???? I don’t want to be infamous for NOT being famous in America”.

Musically, the highlights of the night were “Feel”, “Rock DJ”, “Swings both ways”, “Let me entertain you” and the penultimate track of the evening – “Angels” (which he introduced by saying “OK fine, I’ll perform that one hit”). The night ended with a cover of “My Way” (made popular by Frank Sinatra). The performance was a subtle nod to the artist that had come to define the early history of Las Vegas concert residencies. It was minimalist at best with only Robbie Williams and his primary songwriting partner Guy Chambers on the piano. At the end of the song, Robbie Williams exited by sinking in to the stage while Guy Chambers continued to play the piano as the curtains descended slowly. There was something symbolic about that moment as it focused the spotlight on the songwriting partnership that sowed the seeds for Robbie Williams’ monumental rise to stardom. Prior to this musical alliance, the success of Robbie Williams was far from a foregone conclusion.

One cannot doubt the larger than life ambition of Robbie Williams in his creative vision for this show. He undoubtedly tried to incorporate a lot but in doing so, he may have inadvertently eschewed the primary aspect of his career – his own hits. With a musical legacy spanning over 11 albums as a solo artist (and fifteen albums including the ones with Take That), he was never going to be in a position to do justice to all of it. That being said, he may have gone too far the other way with a covers-heavy setlist. In my humble opinion, that might have been a miscalculation in the context of an artist trying to reacquaint himself with American audiences. His legacy has been largely built off his own hits as opposed to those of others. This might be my only criticism (albeit a rather significant one) of the concert.

The concert is a reminder that America’s insulation from the European musical mainstream since the mid-90s is America’s loss. It is also a reminder that pop music can be fun, classy, and entertaining without being sonically hollow. It is my sincere hope that Robbie Williams’ return to the American stage forces a re-evaluation of gatekeepers in the American musical mainstream that have largely failed in their endeavor to uphold one of the fundamental tenets of responsible media – diversity.

On the other hand, Robbie Williams may have found the city that embodies his spirit and both him and his concert audience are better off for it. I hope that this performance not only ushers in a new era for Robbie Williams’ relationship with America but also for the many talented popstars from across the Atlantic that have been relegated to relative obscurity in America.

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Robbie Williams European tour 2023

Robbie Williams celebrates 25 years on stage as a solo artist. Now he’s ready for a European tour in 2023.

Here are the dates: 20.01 – Unipol Arena, Bologna 23.01 – Hallenstadion, Zurich 26.01 – Sportpaleis, Antwerp 28.01 – Ziggo Dome, Amsterdam 29.01 – Ziggo Dome, Amsterdam 1.02 – Barclays Arena, Hamburg 5.02 – Lanxess Arena, Cologne 15.02 – Festhalle, Frankfurt 20.02 – Mercedes-Benz Arena, Berlin 26.02 – Jyske Bank Boxen, Herning 27.02 – Royal Arena, Copenhagen 1.03 – Avicii Arena, Stockholm 5.03 – Nokia Arena, Tampere 9.03 – Arena Riga 10.03 – Zalgirio Arena, Kaunas 12.03 – TAURON Arena Kraków 14.03 – Budapest Arena 17.03 – Stadthalle, Vienna 20.03 – Accor Arena, Paris 24.03 – Palau Sant Jordi, Barcelona 27.03 – Altice Arena, Lisbon 24.06 – Telenor Arena, Oslo

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Robbie Williams XXV Australian Tour 2023

Chugg Entertainment  and  Frontier Touring  are delighted to announce global pop phenomenon Robbie Williams will return to Australia in November 2023 to play headline dates across the country.

With his new album XXV released in 2022, Robbie celebrates twenty-five years as a solo artist. A journey through his career-defining catalogue, featuring multiple No.1 hit singles and fan favourites, the songs of XXV offer a fresh and illuminating perspective, having been newly orchestrated by Jules Buckley, Guy Chambers and Steve Sidwell, and re-recorded with the acclaimed Metropole Orkest in The Netherlands.

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Robbie Williams adds more dates to UK leg of 'The XXV Tour'

The tour is now underway

Following the announcement of his 'XXV' album, Robbie Williams revealed that he would be going on tour later this year! 'The XXV Tour' will see Robbie performing many of his biggest hits across the UK with dates in Manchester, Glasgow, Birmingham, and London, and tickets are on sale now.

After announcing seven initial UK dates, Robbie has now added three more dates to his tour. The shows kicked off on 9th October in London and he'll wrap up the tour in Glasgow later this month before heading to Dublin for three shows.

Robbie Williams 'The XXV Tour' tickets are on sale from Magic Radio Tickets.

Robbie has had 12 studio albums, 11 going to Number 1 and is best-known for many huge hits including 'Freedom', 'Angels', 'Rock DJ', 'Feel' and 'Radio', so it's no wonder fans were excited for his 'XXV' album which came out in 9th September.

When is Robbie Williams on tour?

Since his initial announcement, Robbie has added even more dates to his UK tour, with 10 dates total including dates in London, Birmingham, Manchester and Glasgow. You can see all the dates below.

October 2022

London, O2 - Sun 9th

London, O2 - Mon 10th

Birmingham, Resorts World Arena - Sat 15th

Birmingham, Resorts World Arena - Sun 16th - New date

Manchester, AO Arena - Wed 19th

Manchester, AO Arena - Fri 21st

Manchester, AO Arena - Sat 22nd - New date

Glasgow, OVO Hydro - Mon 24th

Glasgow, OVO Hydro - Tue 25th

Glasgow, OVO Hydro - Thur 27th - New date (Rescheduled from 26th)

Since Robbie added the new dates, one of his Glasgow OVO Hydro shows has been rescheduled from Wednesday 26th October to Thursday 27th October.

The news was shared by the venue on 10th October, who confirmed that tickets would remain valid for the rescheduled show.

How to buy tickets for Robbie Williams 'The XXV Tour'

Tickets are still available to buy from Magic Radio Tickets. .

When is Robbie Williams' album 'XXV' released?

Robbie's album 'XXV' was released on 9th September and features some of the singer's biggest hits re-recorded, with Metropole Orkest.

The 'Rock DJ' singer shared news of his brand new album on Instagram saying: 'My new album XXV is out on September 9th. The album consists of re-recorded and newly orchestrated versions of my greatest hits recorded with the Metropole Orchestra, alongside a few surprises. I can’t wait to share it with you. RW x'.

What songs are on Robbie Williams' album 'XXV'?

Before it was released, Robbie confirmed all of the songs on his new album as well as releasing 'Angels', and a new video on YouTube. The black and white video shows a full orchestra accompanying Robbie as he sings his 1997 Top 5 single.

Now take a look at Robbie Williams through the years:

1989: career beginnings with take that.

Starting with a line-up of five young men, Take That consisted of Gary Barlow, Howard Donald, Mark Owen, Jason Orange and Robbie Williams, with the original (short lived) name of Kick It.

1991: Early days in the band

Take That's original line-up of Gary Barlow, Howard Donald, Mark Owen, Jason Orange and Robbie Williams. Thankfully they changed their name and after a few unsuccessful songs in the early 90s Take That's breakthrough hit 'It Only Takes A Minute' was released. The song was a cover of a 1975 song by Taveres and reached Number 7 in the charts.

1992: Take That in their prime

In 1992 Take That had hits with 'A Million Love Songs' and 'Could It Be Magic'. The boys' follow-up single 'Could It Be Magic' quickly propelled them to super-stardom with a string of number 1s not far away. Take That's success continued in 1993 with 'Pray', 'Relight My Fire' (featuring Lulu) and 'Babe'.

1994: BRITs performance

The band's success continued in 1994 with 'Everything Changes' and 'Sure'. Here they are performing at The BRITs 1994.

1995: Robbie left Take That

However, in July 1995 after countless hits, fans heard the devastating news; Robbie Williams would be leaving the band following friction with other band members. Robbie later admitted in a TV documentary in 2005, that he did some "stupid stuff" after parting ways with the band over 20 years ago, but said he didn't regret it because he was young. In 1997, Robbie released his first album 'Life Thru a Lens'. The album included the single, 'Angels' which is still his best-selling single of all time.

2000: 'Rock DJ' and BRIT Award win

At the start of the millennium Robbie released his third solo album, 'Sing When You're Winning'. The album included the single 'Rock DJ' which had quite a controversial music video. The video involved Robbie trying to impress a group of women by stripping down but, when the clothes didn't work he starts removing his skin and muscle until he's just a dancing skeleton. Many TV networks edited the video because of this. However, the single was still a great success with it being the UK's fourth-best selling single of 2000. The song also went on to win best British single and best music video of the year at the BRIT Awards as well as best special effects at the VMAs.

2001: Swing album

Having grown up loving the music of Frank Sinatra, Robbie went in a new musical direction in 2001 when he released the album 'Swing When You're Winning'. With the title being a pun on his previous album, Robbie called 'Swing While You're Winning' "the big band album he had always dreamed of making". The album includes guest performances from Rupert Everett, Nicole Kidman, Jon Lovitz and Jane Horrocks as well as Frank Sinatra posthumously duetting with Robbie. Despite not being his usual style, the album was still a success and made it to Number 1 on the UK albums chart.

2002: EMI deal

In 2002 Robbie signed a whopping £80 million deal with EMI which was the biggest music deal for a British artist. The record was only broken in 2016 by Adele. The deal included a promise from EMI that they'd help him break into the United States. While his next album, 'Escapology', did perform better internationally than his previous albums, it still didn't perform as well as he'd hoped in the US.

2005: Move to LA

From the mid noughties Robbie Williams started calling Los Angeles home, early on he started his own football club called Los Angeles Vale F.C. The club played in the LA premiere league in Santa Monica. The team is named after his hometown club, Stoke-on-Trent's Port Vale F.C.

2006: The 'Close Encounters' Tour

In 2006, Robbie embarked on his 'Close Encounters' Tour where he performed over 50 shows across the globe. The tour got him into the Guinness Book of World Records after he sold a whopping 1.6 million tickets in a single day!

2009: 'Reality Killed The Video Star'

In 2009 Robbie was back with his eighth studio album, 'Reality Killed the Video Star'. The album included the singles 'Bodies', 'You Know Me' and 'Morning Sun'. While the album still managed to sell over a million copies in Europe, it wasn't enough to land the top spot on the UK album charts, coming second place to JLS' debut album.

2010: Take That reunion

Robbie Williams made an unexpected return to the Take That in 2010, joining forces with Gary Barlow - the first time since 1995 - with the song 'Eight Letters' appearing on later albums by both Take That and Robbie - 'Progress' and 'Take the Crown'. Then, later that year, the news that all Take That fans had been waiting for was confirmed, the original line-up would be reforming for the wildly successful album, 'Progress' and its live tour. Their lead single 'The Flood' was released and peaked at Number 2 featuring both Gary and Robbie as lead vocals.

2012: Queen Elizabeth II's Diamond Jubilee

In 2012 Robbie took part in the celebration of Queen Elizabeth II's Diamond Jubilee, celebrating her 60 years on the throne. Robbie was the opening act of a concert held in the gardens of Buckingham Palace to commemorate the anniversary.

2013: 'Swings Both Ways'

Robbie returned to the world of swing with his second album in the genre, 'Swings Both Ways'. The album included some original songs written by Robbie, Guy Chambers, and Chris Heath, as well as some covers of some classics including The Jungle Book's 'I Wan'na Be Like You' and The Wizard of Oz's 'If I Only Had a Brain'. The album includes duets with Olly Murs, Michel Bublé, and Kelly Clarkson.

2018: FIFA opening ceremony performance

In the summer of 2018, Robbie performed at the opening ceremony of the FIFA World Cup that took place in Moscow, Russia. During the performance he sang some of his greatest hits that included 'Let Me Entertain You', and 'Angels'.

2018: The X Factor judging panel

Later on in 2018, it was announced that Robbie would be joining the judging panel of the 15th series of the X Factor on ITV. Robbie was one of three new judges on the panel joining Simon Cowell, the other two were his wife, Ayda Field, and former One Direction member Louis Tomlinson.

2019: The Boy In The Dress

In 2019 Robbie co-wrote the music for the musical adaption of David Walliams' The Boy in the Dress along with Guy Chambers. The musical was produced by the Royal Shakespeare Company and premiered in Stratford-Upon-Avon in late 2019. The show was due to transfer to the Savoy Theatre in London's West End in Autumn 2020, but the Coronavirus pandemic has put those plans on halt.

2019: 'The Christmas Present'

Robbie released his first ever Christmas album in November 2019 called 'The Christmas Present'. The album had some original songs along with some festive classics such as 'Winter Wonderland' and 'The Christmas Song (Chestnuts Roasting on an Open Fire)'. The album features guest performers including Helene Fischer, Rod Stewart, and Tyson Fury. The album made it to Number 1 in the UK charts during its second week and knocked Robbie up to joint-second place with Elvis Presley for number of number one albums in the UK.

2020: Lockdown Take That reunion

Robbie reunited with Take That for a very special performance in May 2020 during the lockdown amid the global pandemic of Coronavirus, performing a 40-minute set.

2021: Robbie Williams' biopic Better Man stars production

A film about Robbie Williams called Better Man, after this 2001 singer was announced in 2021. Better Man will be directed my Michael Gracey, who also directed The Greatest Showman. Michael will also be writing the film alongside screenwriters Oliver Cole and Simon Gleeson.

2022: Robbie Williams announces 'XXV' album and tour

Robbie Williams announced a new album and tour called 'XXV'. The album came out on 9th September and includes all of Robbie's biggest hits, re-recorded with a full orchestra.

2022: Robbie Williams performs at Socceraid

Robbie Williams performed at the 2022 Socceraid half time show. The singer performed his hit 'Angels'.

2023: The voice of Felix

Robbie joined forces with cat food company Purina to release a brand new song 'It's Great To Be a Cat' in January 2023. He said: "The cat is out of the bag, I'm the new voice of Felix. I've been a long-time fan of cats, I've had many feline friends over the years and after studying their fascinating behaviour, I can confidently say, It's Great To Be a Cat."

2023: Netflix documentary released

A new documentary about Robbie Williams was released on Netflix in 2023. It follows the singer on his ups and downs in both his personal and professional life, and features 25 years' worth of never-before-seen footage.

10 of Robbie Williams' biggest songs of all time

Robbie Williams: From Take That to solo pop star and X Factor judge

Take That: Everything you need to know about the 90s heartthrobs

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Robbie Williams XXV Australian Tour 2023

We are delighted to announce global pop phenomenon ROBBIE WILLIAMS will return to Australia in November 2023 to play headline dates across the country, including five very exciting a day on the green events. Robbie will entertain a day on the green audiences playing Queensland’s Sirromet Wines, Mount Cotton; Geelong’s Mt Duneed Estate on Victoria’s Surf Coast; and will then make his Swan Valley debut at WA’s Nikola Estate. "Australasia is one of my favourite places in the world to tour; I feel so at home there and hugely appreciate the warm, loving welcome I always receive. I can't wait to do these shows in 2023 and spend some time with my fans" , says Robbie.

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How to get Robbie Williams BST tickets: Presale, cost and dates

Robbie Williams will headline British Summer Time (BST) festival in 2024 , it has been announced.

The former Take That star and solo artist will perform at Hyde Park in London on Saturday 6 July.

He joins Italian tenor Andrea Bocelli , who is set to top the bill the night before on Friday 5 July .

The BST performance will be a UK exclusive for the singer, with fans looking forward to hit songs such as “Angels”, “Millennium” and “Rock DJ” from his 20-year-plus solo career.

In a statement, the singer said: “It’s an honour to be back here to headline BST Hyde Park. I can’t wait to see you all there!”

When do Robbie BST tickets go on sale?

Robbie Williams BST tickets go on general sale at 10am on Friday 8 December on Ticketmaster .

Presale tickets for American Express cardholders went on sale at 10am on Tuesday 5 December, but if you missed this, you’re still in with a chance of securing a ticket.

Those who have signed up to the BST Hyde Park mailing list will also have access to the next tranche of presale tickets , which go on sale at 10am on Thursday 7 December.

Fans need to sign up to the list h ere by 9.59pm on Wednesday 6 December in order to be in with a chance of securing presale access, however.

You can also register with Live Nation h ere for access to presale tickets.

How much will tickets to Robbie Williams BST concert cost?

Tickets are expected to start from £90.45 for general admission, rising to £449.95 for VIP terrace access.

• General admission standing – £90.45
• General admission standing tier 2 – £101.15
• Primary entry launch – £111.85
• Gold Circle launch – £197.95
• Gold VIP HydeAway launch – £274.95
• The ALL.COM VIP Terrace standing launch – £324.95
• Ultimate VIP HydeAway launch – £449.95
• Ultimate Diamond VIP Experience launch – £449.95
• Ultimate ALL.COM VIP Terrace Standing launch – £449.95

‘A true British one-off’

News of the headline appearance comes just weeks after a new four-part self-titled Netflix documentary series which saw the star reflecting on his life and career in the spotlight.

Writing for i about Williams’ O2 Arena gig in 2022 as part of his UK tour, Shaun Curran describes him as a “natural-born entertainer”, adding that “his brand of witty, self-deprecating pop – where insecurity and ego collide – leaves him in a field of his own”.

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