blocc cruise lyrics

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Lyno Nine8 - Blocc Cruise

Song description:, soundcloud:, more lyno nine8 lyrics.

Lyno Nine8 - Cotton Candy Sky {Songtext zu „Cotton Candy Sky“} {Intro} Meine Gegend glänzt und die Sonne macht uns braun War'n nicht mehr als kleine Kinder, aber Kinder mit ein'

Lyno Nine8 - Spring Break {Songtext zu „Spring Break“} {Intro} Yeah, yeah {Hook} Ist Spring-Break in meiner Stadt Erste Sonne auf der Haut und paar Autos ohne

Lyno Nine8 - Ice Spice {Songtext zu „Ice Spice“} {Hook} Gang, Gang, Berlin, wo ich häng', häng' Ja, ich komm' in Nikes, Gürtel hat ein Emblem Baby, ich bin

Lyno Nine8 - Dreamchaser {Songtext zu „Dreamchaser“} {Intro} Yeah, ey Yeah, ey, ey {Part 1} Viele Brands auf mir, ja, ich fühl' mich fabulous

Lyno Nine8 - Limoncello {Songtext zu „Limoncello“} {Intro} Yeah {Part 1} Und ich häng' in meiner Stadt, häng' in mein' Kiez In mein' DMs nur

Lyno Nine8 - Freitags im Juli {Songtext zu „Freitags im Juli“} {Hook} Berlin, Calabasas, freitags im Juli Sie fragt, wo was geht heute Nacht wie ein Touri Italienschiche Gucci, mein

Lyno Nine8 - Soundcloud {Songtext zu „Soundcloud“} {Intro} Yeah (Play that shit back to Bird) Ey Ey Yeah, ey {Hook} Lauf’ auf Soundcloud

Lyno Nine8 - Jugendlich {Songtext zu „jugendlich“} {Intro} Yeah, yeah Ey, ey, ey ({?} on Birdie} {Hook} Bleu de Chanel an mein'n Kragen

Lyno Nine8 - Tom Ford {Songtext zu „Tom Ford“} {Intro} (Whoo-uh, ooh) (Whoo-uh, ooh) {Hook} Und ich slide zu dir, mach‘ {?} Moonwalk (Hmm-hm)

Lyno Nine8 - Blocc Cruise {Intro} Yeah, ey {Part} Droptop Blau wie die Côte d'Azur, ja Fenster auf, puste Rauch durch die Autotür Box laut, kranker Vibe, Playboi

Blocc Cruise - Single

3 June 2022 1 Song, 1 minute ℗ 2022 Lyno Nine8

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Cruise by Florida Georgia Line

• Baby, you a song You make me wanna roll my windows down and cruise Hey, baby Yeah, when I first saw that bikini top on her She's poppin' right out of the South Georgia water Thought, oh, good Lord, she had them long tanned legs Couldn't help myself so I walked up and said Well, baby, you a song You make me wanna roll my windows down and cruise Down a back road blowin' stop signs Through the middle every little farm town with you In this brand new Chevy with a lift kit Would look a hell of a lot better with you up in it Huh, so baby, you a song You make me wanna roll my windows down and cruise Yeah, she was sippin' on Southern and singin' Marshall Tucker We were fallin' in love in the sweet heart of summer She hopped right up into the cab of my truck and said "Fire it up, let's go get this thing stuck" Baby, you a song You make me wanna roll my windows down and cruise Down a back road blowin' stop signs Through the middle every little farm town with you In this brand new Chevy with a lift kit Would look a hell of a lot better with you up in it Huh, so baby, you a song You make me wanna roll my windows down and cruise When that summer sun fell to its knees I looked at her and she looked at me Then I turned on those KC lights An' drove all night 'cause it felt so right Her and I, man, we feel so right I put it in park and grabbed my guitar An' strummed a couple chords and sang from the heart Girl, you sure got the beat in my chest bumpin' Hell, I can't get you out of my head Baby, you a song You make me wanna roll my windows down and cruise Down a back road blowin' stop signs Through the middle every little farm town with you Well, baby, you a song You make me wanna roll my windows down and cruise Down a back road blowin' stop signs Through the middle every little farm town with you In this brand new Chevy with a lift kit Would look a hell of a lot better with you up in it Come on Baby, you a song You make me wanna roll my windows down and cruise Come on, girl Get those windows down and cruise Aw, yeah Writer/s: Bryan Kelley, Chase Rice, Jesse Kenneth Robert Rice, Joseph Kelly Moi, Tyler Reed Hubbard Publisher: Anthem Entertainment, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc. Lyrics licensed and provided by LyricFind
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Comments: 1

• Camille from Toronto, Oh Every once in awhile, song lyrics come along that make you wonder why they hadn't already been written before. This is one of those songs. They just make perfect sense. Nelly's video of this is hot; I've never listened to his music before but love the mix of the Florida Georgia Line boys with Nelly. This one will always remind you of 2013/summer.

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"Cruise" lyrics

• Florida Georgia Line Lyrics

Big Time Rush - Cruise Control Lyrics

• Music Video

Charli XCX Launches an Exhilarating New Chapter of Pop With the Innovative ‘Brat’: Album Review

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Executive Editor, Music

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Charli XCX has been one of pop music’s leading innovators for more than a decade, and like so many innovators, she’s long since moved on by the time most of the world reaches the place she just was.

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But with “Brat,” she’s launched a bold new chapter, and again it’s a sound that combines what she’s done before with new elements — it has the effervescent hooks of her best work and the shimmer of hyperpop, and lots more. She said in the weeks leading up to its release that “Brat” is a club album — a deceptive description, because although there are a lot of fun and club-friendly tracks, but there’s a lot more besides.

The changes in moods can be head-spinning. On the third track, she’s singing about a woman who makes her feel insecure: “This one girl taps my insecurities
/ Don’t know if it’s real or if i’m spiraling … Don’t wanna see her backstage at my boyfriend’s show/ Fingers crossed behind my back/ I hope they break up quick/ Coz i couldn’t even be her if I tried” (Charli’s boyfriend is 1975 drummer George Daniel, who is of course bandmates with Matty Healy, sooo…?). But then two songs later she’s boasting boldly like a rapper on the dancefloor-wrecking “Von Dutch” (“It’s OK to just admit that you’re jealous of me, you’re obsessing just confess/ It’s obvious I’m your number 1”) and then two songs after that, she’s back to insecurity on “Rewind” (“Sometimes I just wanna rewind/  I’d go back in time/ To when I wasn’t insecure,
to when I didn’t overanalyze my face shape”).

Along with all that comes a lyrical maturity she hadn’t shown before, as a couple of the songs have character studies, like the one in “Mean Girls”: “Yeah it’s 2 a.m. and she’s out there
in a sheer white dress wearing last night’s makeup/ All coquettish in the pictures with the flash on, worships Lana Del Rey in her airpods.”

But “Brat” would be a masterful album even if all the lyrics were simply about clubbing — it’s melodically and musically sophisticated, with remarkably detailed production. As always, she’s a serial collaborator, and A-list coproducers here include Cirkut, George Daniel, El Guincho, Gesaffelstein, Hudson Mohawke, Finn Keane and others, and A.G. Cook is back in the copilot seat, bringing his shimmering arpeggios and countermelodies to a majority of the songs. Charli’s albums are always headphone-headfucks but, to single out just one WTF moment, on “B2B” there’s a segment where her voice is looping “back-back-back” over a blurping bass, trap beat and woozy, careening synthesizers. “Mean Girls” has a jazz-piano solo — over a wildly autotuned vocal track, of course — and there are even subtle flashes of her previous songs (“Vroom Vroom” on the new album’s jarring “Club Classics,” “Fembot” on “Rewind”).

But for all the musical and lyrical advancement, Charli’s greatest leap forward here may be as a vocalist: She’s never been afraid to shape-shift her voice into wild and bizarre new forms, but hers is an unusual style that’s equally informed by pop, hip-hop and experimentation — it’s a fusion of singing and rapping that can have a hip-hop-like pileup of syllables riding a complicated but natural melody, capped with a wordless “Ah- AH -ahhh.” On the ballad “I Might Say Something Stupid,” a subtle autotune gives her heartfelt vocal an automaton aspect that oddly adds to the insecurity of the vocal (reflecting that, the song just drops off after she sings, “Not sure I belong here”).

And it closes with a polar opposite, a reprise of the bouncy opening track, “360,” retitled “365,” with lyrics about doing drugs in a club: “Shall we do a little key?/ Shall we have a little line?/ Meet me in the bathroom if you’re bumping that/ French manicure, wipe away the residue.”

Innovation and self-examination aren’t supposed to be easy so it shouldn’t be surprising if the results are a little messy emotionally — but it’s rare for them to be this fully realized in every other way. “Brat” vaults Charli back to the front of the line as a pop innovator, not that she’d ever slipped.

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