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Given the name Journey after a competition on local radio in San Francisco, the former Golden Gate Rhythm Section quintet of Neal Schon, Ross Valory, George Tickner, Prairie Prince and Greg Rolie were initially an instrumental prog. rock outfit. As the band was signed to Columbia in 1974, personnel changes were already beginning to happen. The band's first three albums - Journey, Look Into The Future and Next - performed consecutively better, but it wasn't until a lead vocalist was hired in 1977 in the form of Steve Perry that the Journey we know and love was brought into being. The results were instant, with Perry's first album with the group, Infinity (1978), going platinum and selling three million copies; follow-up album Evolution (1979), also sold over a million copies. The band were prolific, motoring along as they quickly scooped their first Top 30 singles hit Lovin', Touchin', Squeezin' and later their first Top 10 album with Departure (1980). Jonathan Cain joined the group and added his songwriting abilities to the mix on 1981 album Escape, which became the group's first Number 1 album, went platinum eight times and was responsible for their three most famous singles: Don't Stop Believin', Who's Crying Now and Open Arms. Despite another album and success throughout the Eighties, the group disbanded in 1989, reuniting briefly in 1996 to record Trial By Fury. Journey still continues, even after the loss of Perry, with Generations released in 2005 featuring new vocalist Arnel Pineda.

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All 173 Journey Songs Ranked Worst to Best

Journey 's discography will always have a clear line of demarcation: before Steve Perry and after Steve Perry. That makes sense on a couple of levels. The albums they made together remain Journey's best-selling and best-loved. But, as the following list of All 173 Journey Songs Ranked Worst to Best shows, the band did important work before he arrived and it's had some perhaps overlooked successes afterward. ( Revelation , their first with current singer Arnel Pineda , was a platinum-selling No. 5 hit, for instance.)

So, we decided to take a complete accounting. Whether you're a fan of original contributions by Gregg Rolie or Jonathan Cain , George Tickner or Steve Augeri, they're all here. The only thing we left out were live takes and cover songs including Perry's version of Sam Cooke's "Good Times" from the Time3 box and Pineda's return to earlier Journey songs on Revelation . Which one will end up on top? Keep scrolling as we count them all down on the following list of All 173 Journey Songs Ranked Worst to Best.

No. 173. "Back Talk" from 'Frontiers' (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn it this spot.

No. 172. "Gone Crazy" from 'Generations' (2005)

For a singer, co-founding member Ross Valory is a terrific bassist.

No. 171. "Can Do" from 'Infinity' (1978)

Actually, can't.

No. 170. "Butterfly (She Flies Alone)" from 'Generations' (2005)

Steve Augeri, Perry's first replacement, drew a bad hand. He had to follow a legend, to lead a difficult transition after Journey was dropped by Columbia Records, to endure gimmicky moves like sharing the mic with everyone in the band, then to step aside after faltering out on the road. But this misfire was all his.

No. 169. "Baby I'm a Leavin' You" from 'Trial By Fire' (1996)

If you were wondering what Journey would sound like as a reggae band.

No. 168. "Venus" from 'Eclipse' (2011)

As Journey co-founder Neal Schon consolidated his latter-day power, a long-dreamt-of goal of a guitar-focused Journey album – on hold since 1977's Next – finally came to fruition. This freed Pineda, a former cover-band singer Schon found on YouTube, from the trap of sounding exactly like Steve Perry. But it also opened the door for plenty of indulgent Schon-related moments. Eclipse inevitably ended with yet another three-and-a-half minutes of Schon.

No. 167. "Pride of the Family" from 'Generations' (2005)

Augeri had to have been dismayed as some of the best material on his second album went elsewhere – including "A Better Life," found later on our list of Journey Songs Ranked Worst to Best. But Jonathan Cain's thin, objectively lazy bonus track (he swipes a line from .38 Special ) isn't one of those times.

No. 166. "The Journey (Revelation)" from 'Revelation' (2008)

If you're wondering what Journey would sound like as a boring fusion-jazz band.

No. 165. "Human Feel" from 'Eclipse' (2011)

Eclipse at its worst took Eclipse at its best to a mind-numbing zenith. What's missing on this pummeling, endlessly propulsive track is, ironically enough, human feel. It's is all head, no heart.

No. 164. "After All These Years" from 'Revelation' (2008)

Another of Journey's undeniably well-crafted, but often un-involving later-period ballads.

No. 163. "Departure" from 'Departure' (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.

No. 162. "I'm Cryin'" from 'Departure' (1980)

Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.

No. 161. "Every Generation" from 'Generations' (2005)

This is the first time Cain had been at the mic since singing lead on "All That Really Matters," a Frontiers -era leftover found elsewhere on our list of Journey Songs Ranked Worst to Best. Admittedly, he's a better singer than Ross Valory, but not Deen Castronovo – and certainly not Augeri. A missed opportunity.

No. 160. "Positive Touch" from 'Raised on Radio' (1986)

The demos for Raised on Radio were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Part way through the sessions, it became the latter. "They felt that the drum machine itself was part of the compositions," Smith later complained in Don't Stop Believin': The Untold Story of Journey . "I started feeling that it wasn't a band, and it certainly didn't have the same band approach as when we wrote collectively."

No. 159. "La Do Da" from 'Infinity' (1978)

Steve Perry's initial collaborations with Schon were a revelation. So many of the group's foundational songs emerged from those initial writing sessions. And then there was this.

No. 158. "Liberty" from 'Time3' (1992)

If you were wondering what Journey would sound like as a country band.

No. 157. "Troubled Child" from 'Frontiers' (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 156. "Wildest Dream" from 'Revelation' (2008)

Schon wants to rock, and he's always talking about rocking, so every once in a while they let him rock. The results are sometimes better than those undeniably well-crafted, but often uninvolving later-period ballads. And sometimes, as with "Wildest Dream," they are not.

No. 155. "Into Your Arms" from 'Time3' (1992)

One of a pair of unfinished jams from the Raised on Radio sessions that were later completed for release as part of the Journey's Time3 box set, and the less interesting of the two.

No. 154. "Tantra" from 'Eclipse' (2011)

Pineda spends most of the album inhabiting a fresh, almost feral persona, which makes this downshift into required balladry even more jarring. He sings like it's required too, recalling every Perry tick he can manage without giving any of himself to the lyric.

No. 153. "Lady Luck" from 'Evolution' (1979)

Journey join a number of artists who have sung tracks called "Lady Luck," including Deep Purple , Rod Stewart and David Lee Roth . Come to think of it, none of those are really any good either.

No. 152. "Karma" from 'Next' (1977)

The last pre-Steve Perry album ends with a grinding, unfocused rocker featuring Schon at the mic. Changes were coming.

No. 151. "Resonate" from 'Eclipse' (2011)

There might have been a hook buried in this song somewhere. Schon's army of guitars marched right over it, though.

No. 150. "Happy to Give" from 'Raised on Radio' (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.

No. 149. "Ritual" from 'Eclipse' (2011)

Imagine one of those classic-era mid-tempo Journey tracks, but in a wild-eyed 'roid rage. Settle down, boys.

No. 148. "What I Needed" from 'Revelation' (2008)

There's slightly more drama here than on the weirdly slack "After All These Years," but Journey seemed to be struggling to update their tried-and-true ballad style in Augeri's absence. Pineda co-wrote this song, but he's utterly subsumed in the trademark Journey sound. He ends up sounding like the nondescript tribute singer he once was.

No. 147. "Topaz" from 'Journey' (1975)

There's no denying the level of musicianship here. It's just not very interesting music.

No. 146. "Believe" from 'Generations' (2005)

Any good coach will tell you players have to be positioned to their strengths. So if you have Jonathan Cain available to play, you let Jonathan Cain play, right? Instead, we find Augeri at the keyboard on a repetitive song that becomes pure drudgery. "Well, I have a love and a desire to play the piano, and I love the way Jon plays and I get a chance to listen to him every night," Augeri told Melodic Rock in 2005. "So, he has influenced my writing and my arranging." Seriously, though, coach: Put Cain in.

No. 145. "Chain of Love" from 'Eclipse' (2011)

Journey spend roughly a minute and a half lulling you into thinking that they've put the sledgehammer away. Then: nah.

No. 144. "In the Morning Day" from 'Journey' (1975)

This serviceable mid-tempo song abruptly turns into mostly shapeless jam.

No. 143. "Change for the Better" from 'Revelation' (2008)

A Journey-by-the-numbers tune, kicked into another gear by Pineda's undeniable energy.

No. 142. "La Raza Del Sol," B-side of "Still They Ride" (1981)

The song's heart in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.

No. 141. "Let It Take You Back" from 'Revelation' (2008)

This was the first bonus track on Pineda's initial studio album with Journey, and a much better conclusion that Schon's amorphous instrumental "The Journey (Revelation)."

No. 140. "All the Things" from 'Arrival' (2001)

The last thing Augeri – a largely unknown Brooklyn-born singer trying to separate himself from the obvious Steve Perry comparisons – needed to be saddled with was an anonymous rocker. But that's what he was given.

No. 139. "Knowing That You Love Me" from 'Generations' (2005)

Jonathan Cain has been trying to write the next "Faithfully" since the day after he brought it into a Journey recording session. He still hasn't found it.

No. 138. "Mother, Father" from 'Escape' (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.

No. 137. "I Got a Reason" from 'Arrival' (2001)

This isn't as a faceless as "All the Things," but it's close.

No. 136. "The Time" from 'Red 13' (2002)

After a promising opening track that tapped the band's Journey's early fusion-loving roots, "The Time" falls back into more comfortable, and far less intriguing, blues rock.

No. 135. "Better Together" from 'Generations' (2005)

Augeri boasts a rare co-composing credit on a Glenn Hughes -ish song that tries very hard to be heavy, to be anthemic, to be defiant. Too hard, actually.

No. 134. "Majestic" from 'Evolution' (1979)

An abbreviated multi-tracked instrumental that was used as this album's opening theme, their last with producer Roy Thomas Baker. It's probably best remembered as the taped intro music for Journey concerts during this era.

No. 133. "Colors of the Spirit" from 'Trial By Fire' (1996)

This seemed like it was going to be more intriguing. They begin (and end) with a vague world-music feel, but return to expected post '80s-era Journey-isms in between.

No. 132. "All That Really Matters" from 'Time3' (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.

No. 131. "With Your Love" from 'Arrival' (2001)

Unfortunately, "With Your Love" doesn't live up to the thoughtful reinvention surrounding "Loved by You," found later in our list of Journey Songs Ranked Worst to Best.

No. 130. "Homemade Love" from 'Departure' (1980)

Despite discovering a newfound chart prowess, Journey were still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.

No. 129. "One More" from 'Trial by Fire' (1996)

The first in a number of Trial by Fire songs that made overt faith references. That became an underlying theme on the album, sparked when Perry arrived at the sessions carrying a Bible.

No. 128. "Never Too Late" from 'Generations' (2005)

Augeri was probably relieved to learn that Castronovo didn't get all the good songs.

No. 127. "To Be Alive Again" from 'Arrival' (2001)

There's nothing too offensive about this one, but nothing all that interesting either.

No. 126. "I Can Breathe" from 'Red 13' (2002)

This often-forgotten EP was initially self-released as a thank-you note to fans after Journey lost their longtime label support from Columbia. It's formatted as a kind of four-song travelogue through their history, with a proggish track, a blues rocker, the expected ballad and a more uptempo melodic rocker. The latter is the least interesting of the bunch. Augeri is in fine voice, but he's saddled with poor material.

No. 125. "Nothin' Comes Close" from 'Arrival' (2001)

This deep into Side Two of the ballad-heavy Arrival , basically any rocker was a relief. Even one this generally unimaginative.

No. 124. "To Whom It May Concern" from 'Eclipse' (2011)

Pineda's crying vocal gives this otherwise rather mechanical slow song a notable emotional underpinning.

No. 123. "Live and Breathe" from 'Arrival' (2001)

Yes, another ballad. At this point, even Neal Schon was, like, "Dude, really?" And he was listed as co-composer on almost all of them. "Yeah, I did write a lot of music on this album with Jon and everybody else this time – a lot of ballads and a lot of rock too," Schon told Melodic Rock in 2001. "But I had no idea that, you know, they'd pick every ballad that all of us wrote, you know what I'm saying?"

No. 122. "Dixie Highway" from 'Captured' (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 121. "Livin' to Do" from 'Arrival' (2001)

This song doesn't live up to thoughtful reinvention surrounding "Loved by You," either. It nevertheless holds an important place in the band's catalog because of a strong connection with Neal Schon's father Matt, who had earlier co-writes on "Winds of March" and "Mother, Father." "It was a couple of years before he passed away, and it was one of the last things that him and I sat down on a piano and we were playing together," Schon told Melodic Rock in 2001. He presented the rough idea to Cain and lyricist Kim Tribble, "and before the day was out, that song was sitting there. We really didn't change much at all in the studio on that one from the demo."

No. 120. "It's Just the Rain" from 'Trial By Fire' (1996)

Perry achieves a sweet sense of reverie, his most favored place, but the surroundings owe too much to rather boring solo forays into smooth jazz by Cain and Schon.

No. 119. "Lifetime of Dreams" from 'Arrival' (2001)

Journey's inventive call-and-response, first vocally and then with Schon's growling guitar, lifts an otherwise somewhat rote ballad to the next level.

No. 118. "The Place in Your Heart" from 'Generations' (2005)

Augeri sings his guts out, but this kind of undistinguished Cain/Schon-composed melodic rock is why Generations sunk to a paltry No. 170.

No. 117. "Keep On Runnin'" from 'Escape' (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.

No. 116. "Trial by Fire" from 'Trial by Fire' (1996)

This track made direct reference to verses in 2 Corinthians, underscoring once again how Cain's long-dormant songwriting partnership with Perry was reborn through a shared interest in scripture. "It was refreshing," Cain later told the Christian Post . "We wrote about 'treasures in jars of clay, let the light shine in the darkness.' I thought, 'This was fresh.' That was my first encounter with scripture and music, and I have been a believer all my life." Cain later returned to the theme on 2016's What God Wants to Hear , which consisted exclusively of faith-based songs.

No. 115. "Next" from 'Next' (1977)

Journey remind you of their canny knack for achieving liftoff here, but this time it's only window dressing for a song that doesn't feel completed.

No. 114. "Remember Me" from 'Armageddon: The Album' (1998)

Steve Augeri's first song with Journey was actually a soundtrack contribution that arrived years before his official full-length debut on 2001's Arrival . "Remember Me," unfortunately, was more utilitarian than memorable. They'd incorporated a nifty soundalike, but still needed to figure out how to draw out something creative from what began as a blatantly commercial decision.

No. 113. "Still She Cries" from 'Trial by Fire' (1996)

See "It's Just the Rain."

No. 112. "Dead or Alive" from 'Escape' (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.

No. 111. "City of the Angels" from 'Evolution' (1979)

"Lights," found later on our list of Journey Songs Ranked Worst to Best, was originally about Los Angeles , before Perry shifted its locale to his new home base in San Francisco. He later returned to the idea of paying tribute to L.A., with much poorer results.

No. 110. "I Can See It in Your Eyes" from 'Trial by Fire' (1996)

The obvious goal of getting the early-'80s lineup back together was to recreate the sound of that era – and they did that here. Unfortunately, it was the sound of their throwaway stuff on Side Two of Frontiers .

No. 109. "With a Tear" from 'Time3' (1992)

A leftover instrumental track from the Raised on Radio -era that Schon and Cain returned to finish in 1992. After "Be Good to Yourself," this would have been the edgiest thing on the album, had it come to fruition earlier.

No. 108. "Can't Tame the Lion" from 'Trial by Fire' (1996)

See "I Can See It in Your Eyes."

No. 107. "Kiss Me Softly" from 'Arrival' (2001)

One of four Jack Blades co-writes on Arrival , "Kiss Me Softly" started out as a much heavier vehicle for a Schon riff before the Night Ranger singer-bassist suggested they move in a different direction. It worked.

No. 106. "Escape" from 'Escape' (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs.

No. 105. "Winds of March" from 'Infinity' (1978)

Credited to a crowd including Matt and Neal Schon, Fleischman, Rolie and Perry, "Winds of March" actually sounds like a meeting of two minds: Perry, who deftly croons his way through the first two minutes, and his new bandmates – who absolutely tear through the remaining three.

No. 104. "Someone" from 'Eclipse' (2011)

The penultimate moment on Journey's heaviest album since the pre-Perry days was – wait, what? – a pop song. And a pretty good one, to boot. It's like a fever that just broke.

No. 103. "Line of Fire" from 'Departure' (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."

No. 102. "Signs of Life" from 'Arrival' (2001)

This appropriately titled song emerged from a period of deep uncertainty, when Schon and Cain were still waiting for Perry to make up his mind about rejoining Journey. "I said, Why don't we start writing?" Schon told Melodic Rock in 2001. "I mean, you know, maybe Steve will decide that he wants to come back, maybe he won't. But at least when we decide what we're going to do, and we figure out what's going on, we won't be starting right at the beginning again." Steve Augeri eventually stepped in, and they had a ready-made song to help introduce him to fans.

No. 101. "Precious Time" from 'Departure' (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 100. "Lay It Down" from 'Escape' (1981)

Smith approximates co-founding drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.

No. 99. "Turn Down the World Tonight" from 'Revelation' (2008)

Pineda breaks the mold here, following Augeri's example of doing more with less emoting. There's another twist: "Turn Down the World Tonight" appears headed toward an almost operatic conclusion before they switch gears again, ending on a nicely placed grace note.

No. 98. "Midnight Dreamer" from 'Look Into the Future' (1976)

The book on Journey was always that Steve Perry arrived and they suddenly shook themselves awake to commercial considerations. One listen to "Midnight Dreamer," and a good portion of the album it originated from, makes a powerful counter-argument. They still stretch out – dig that crazy keyboard solo! – but "Midnight Dreamer" wasn't that far from what album-oriented radio was playing at the time.

No. 97. "Chain Reaction" from 'Frontiers' (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.

No. 96. "Once You Love Somebody" from 'Raised on Radio' (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.

No. 95. "What It Takes to Win" from 'Revelation' (2008)

Pineda lets a roughness slip into his vocal, and a little bit more of himself. "What It Takes to Win" is better for it. He was 40 when he joined Journey, a fully formed singer in his own right. He deserves a lot more of these moments.

No. 94. "For You" From 'Time3' (1992)

An important, if not entirely successful, Robert Fleischman-sung track from the demo phase for 1978's Infinity . Journey were already headed toward a more compact, radio-ready direction, even before Perry arrived.

No. 93. "World Gone Wild" from 'Arrival' (2001)

The Augeri-era Journey lineup credibly recreates a "Separate Ways"-type groove, switching things up with a spacious, inspirational bridge.

No. 92. "Never Walk Away" from 'Revelation' (2008)

Arnel Pineda came bursting out of the gates with the opening track on his first Journey studio effort, singing with power to spare. Kevin Shirley, back for his third Journey album after 1996's Trial by Fire and 2001's Arrival , turns everything up around Pineda – in particular Schon.

No. 91. "In My Lonely Feeling / Conversations" from 'Journey' (1975)

The cool interplay between Schon and quickly departed co-founding rhythm guitarist George Tickner is perhaps best showcased on this composition by Rolie and Valory. Tickner was given two subsequent songwriting credits for 1976's Look Into the Future , but was already gone by the time it was released.

No. 90. "I'm That Way" from 'Arrival' (2001)

Augeri's ability to handle this kind of lithe, very Steve Perry-esque ballad is precisely why they brought him in. Unfortunately, you'll have to search way too hard to find it: For some reason, Journey originally tucked "I'm That Way" away as a bonus track on the Japanese version of Augeri's debut.

No. 89. "Natural Thing," B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.

No. 88. "People" from 'Next' (1977)

Journey get proggy, and it would've worked – a few years earlier.

No. 87. "Easy to Fall" from 'Trial by Fire' (1996)

Presented in their classic arena-ballad style, but without much to differentiate it from other, better, more popular iterations, "Easy to Fall" is the sound of Journey trying to sound like Journey. This would go on for a while.

No. 86. "Walkin' Away from the Edge" from 'Red 13' (2002)

Before being felled by vocal issues, Augeri was able to convey a depth, a relative darkness, that no other Journey singer since Gregg Rolie could touch.

No. 85. "On a Saturday Nite" from 'Look Into the Future' (1976)

Rolie opens their second album with an approachable, yet still tough-minded song that confidently moves Journey more toward traditional classic rock, if not all the way over to the pop-leaning sound that later sent them to the top of the charts.

No. 84. "Rubicon" from 'Frontiers' (1983)

This song drove a seemingly permanent wedge in the band. Schon was playing "Rubicon," he told The New York Times in 2003, when Perry came over and turned down his amplifiers. "They want to hear the voice," Schon remembered Perry saying. "That was the start of it for me." They put out only two more albums together, and it took them 13 years to do it.

No. 83. "Look Into the Future" from 'Look Into the Future' (1976)

Everybody was into Led Zeppelin at this point, including Journey.

No. 82. "When I Think of You" from 'Trial by Fire' (1996)

"When I Think of You" appeared on Journey's Perry-curated Greatest Hits 2 not because of its chart history, but because of what it meant to him. Perry wrote this little-known deep cut after his late mother appeared, happy and healthy, in a particularly vivid dream. "She had been sick for so long that this was what I needed to know – even if it was a dream," Perry said in a 2011 fan Q&A . "I later went to Jon Cain's and told him I wanted to write a song about this experience and started singing a melody, and we finished it together."

No. 81. "She Makes Me (Feel Alright)" from 'Look Into the Future' (1976)

"She Makes Me (Feel Alright)" builds on Rolie's album-opening foray into more digestible song structures, though Schon's metallic asides nearly push it into hard rock.

No. 80. "Loved by You" from 'Arrival' (2001)

Augeri updates the patented Journey ballad model by staying modulated, singing with a steadier, quieter certitude. That showed no small amount of guts. Problem: This was not what Journey fans wanted. Arrival stalled at No. 56, the group's worst finish since Next in 1977.

No. 79. "Mystery Mountain" from 'Journey' (1975)

"The way I look at the early Journey stuff is, if we played that now, we'd be out with Phish, or the [Dave] Matthews Band ," Rolie remembered in 2011 . "We were a great jam band." Exhibit A: their trippy debut album-closing "Magic Mountain," written by Rolie and Tickner with help from Ross Valory's wife.

No. 78. "Frontiers" from 'Frontiers' (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for warmongers: "War is for fools; crisis is cool."

No. 77. "In Self-Defense" from 'Generations' (2005)

A track that had been bouncing around since Schon's 1982 Here to Stay collaboration with Jan Hammer. That version showcased Journey's early-'80s lineup (minus Cain) at the peak of their increasingly rare heavy-rocking form. Same here, with Castronovo in place of Steve Smith. They miss Perry's elevating vocals during the solo, though.

No. 76. "It Could Have Been You" from 'Raised on Radio' (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.

No. 75. "She's a Mystery" from 'Eclipse' (2011)

A lovely, Pineda co-written acoustic aside, "She's a Mystery" is that rare moment on Eclipse where Journey take their foot off the gas without swerving into power-ballad cliche.

No. 74. "Sweet and Simple" from 'Evolution' (1979)

Perry brought this dream-like song with him, having written it years before while looking out over Lake Tahoe. Journey completed it with a quickly ascending final segment that matched now-patented multi-tracked vocals with a Schon's typical pyro.

No. 73. "All the Way" from 'Arrival' (2001)

In their first album without Perry, Journey clearly had an eye on recapturing the successes they found when Jonathan Cain joined the band in the '80s. Cain was game, co-writing this instantly familiar love song with Schon, Michael Rhodes and the recently installed Steve Augeri. "All the Way" may not have been a big hit, but it showed Journey could still be Journey even without their famous former frontman.

No. 72. "Cookie Duster" from 'Time3' (1992)

Journey's label asked that they replace this underrated Ross Valory instrumental with something more commercial for 1977's Next . The album stalled at No. 85 anyway.

No. 71. "Anything Is Possible" from 'Eclipse' (2011)

On an project that boldly reanimated the wide-open heavy fusion of Journey's original '70s-era records – a period when Schon fiercely pulled and stretched his muse – "Anything is Possible" gave Arnel Pineda an opportunity to showcase his pop-star sensibilities. There's a feeling of soaring expectancy here that balances the tough, guitar-focused tracks found elsewhere on Eclipse .

No. 70. "Where Were You" from 'Departure' (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. They were just coming off an opening gig with AC/DC at this point, and clearly the headliner's knack for outsized, riffy rockers rubbed off.

No. 69. "Spaceman" from 'Next' (1977)

Co-written by Aynsley Dunbar and Gregg Rolie, "Spaceman" offers Journey fans some of the most obvious initial flowerings of a pop sensibility. They placed it first on the album, and released it as a single – to no avail. "Spaceman" failed to chart as a single, and Journey were ordered to rework their lineup. They briefly added Robert Fleischman — who arrived shortly after the album’s release, toured with the band and even received co-writing credit on three songs for Journey’s following album — but eventually settled on Perry.

No. 68. "Castles Burning" from 'Trial by Fire' (1996)

A badly needed rocker on an album that too often played down to their ballad- and mid-tempo-loving fan base.

No. 67. "Beyond the Clouds" from 'Generations' (2005)

A slow burner co-written by Steve Augeri in his final outing with the band, "Beyond the Clouds" illustrates why he was such a good initial fit. Augeri's ability to elevate, as this track zooms into the stratosphere, and then to wind down into a whispery vulnerability recalls a Certain Other Steve. This wouldn't prove to be his principal strength, but it mattered at the time.

No. 66. "Like a Sunshower" from 'Revelation' (2008)

Schon couldn't have done a better job of smoothing the way for the just-arrived Pineda than he did on "Sunshower," which begins with a lick straight out of "Stay Awhile" from Departure . Fans reacted positively, making Revelation Journey's first platinum-selling project since Trial by Fire , their last with Perry.

No. 65. "Little Girl," B-side of "Open Arms" (1981)

"Little Girl" was the most Journey-sounding thing on 1980's Dream After Dream , which isn't really part of the band's catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey were already on a pop-chart roll after the Top 25 hits "Lovin,' Touchin,' Squeezin'" and "Anyway You Want It." Unsurprisingly, Dream After Dream disappeared without a trace once Journey issued their multi-multi-platinum smash Escape a year later. This too-often-overlooked song has since became known — if it was known at all — simply as a B-side to the "Open Arms" single.

No. 64. "Out of Harms Way" from 'Generations' (2005)

A hard-nosed war song, "Out of Harms Way" was handled with an eye-opening aggression unique to Journey, thanks to the gone-too-soon Augeri.

No. 63. "It's All Too Much" from 'Look into the Future' (1976)

Journey drill down to the marrow on this throwaway piece of psychedelia, finding a seriously nasty groove beneath the Beatles ' old atmospherics.

No. 62. "Raised on Radio" from 'Raised on Radio' (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. It's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, he also could see himself as a DJ, rather than a huge pop star. "I love radio," Perry said in that 2011 fan Q&A. "I think the idea of playing whatever music comes to your mind and talking about it is exciting to me."

No. 61. "City of Hope" from 'Eclipse' (2011)

You could say Schon is an unstoppable force on this song, except that Pineda – in one of his most impressive vocal performances – is every bit the equal of his molten riffs. At least at first. Eventually, Schon and company step forward for a floorboard-rattling, song-closing jam that edges all the way into fusion. Journey, who saw Eclipse become the second consecutive Pineda-sung Top 20 album, haven't sounded this wide open since the Jimmy Carter administration.

No. 60. "Nickel and Dime" from 'Next' (1977)

This very Mahavishnu Orchestra-influenced instrumental was originally constructed in three parts. The final section was ultimately cut off, however, leaving a pair of segments with unusual Aynsley Dunbar signatures – thus the name, "Nickel and Dime."

No. 59. "Higher Place" from 'Arrival' (2001)

Journey again move beyond Augeri's similarities with Perry on this composition by Schon and Jack Blades, which at one point has an almost a proggy feel. In that way, "Higher Place" references the group’s previous successes, but ultimately uses them as a foundation for something new.

No. 58. "Message of Love" from 'Trial by Fire' (1996)

A continuation of the untroubled sleekness of Raised on Radio -era Journey, this could have easily passed as a Steve Perry solo track.

No. 57. "Red 13 / State of Grace" from 'Red 13' (2002)

Journey return after the soft rock-dominated Arrival with a scorching, fusion-kissed EP-opening song. They spend two minutes easing into things before launching into a wrecking-ball groove – and Augeri is with them, step for breathless step.

No. 56. "I'm Gonna Leave You" from 'Look Into the Future' (1976)

Early rhythm guitarist George Tickner – he joined after a stint in the San Francisco psych-rock band Frumious Bandersnatch with Ross Valory – wasn't around long. He left behind this intriguingly offbeat 5/4 shuffle for fans to ponder what might have been.

No. 55. "A Better Life" from 'Generations' (2005)

Poor Steve Augeri. One of the best moments on his final album with Journey is this delicately conveyed track, featuring one of Schon's more restrained turns. And Deen Castronovo on vocals.

No. 54. "Where Did I Lose Your Love" from 'Revelation' (2008)

Here's Pineda's version of the familiar arena-ballad Journey sound, which is, on one level, very much in the style of their Escape / Frontiers era. Castronovo and Cain, who co-wrote this track with Schon, even close things out with a fierce entanglement that also must have brought older fans right back to "Separate Ways." But Pineda adds a few new wrinkles along the way to ultimately move past the same old Perry comparisons.

No. 53. "Ask the Lonely" from 'Two of a Kind' (1983)

"The guy can write love songs in his sleep," Jonathan Cain said of Perry in the liner notes for Journey's Time3 box set. Unfortunately, this only-okay leftover is an example of that assembly line-type approach. That said, "Ask the Lonely" is still better than most of the stuff on the back end of Frontiers .

No. 52. "Faith in the Heartland" from 'Generations' (2005)

The urge to return to an everyday working-stiff theme has been almost unavoidable for a group that, in no small way, is best remembered for "Don't Stop Believin.'" And yet "Heartland" never slips into tribute – or, worse still, parody. Credit goes most of all to Augeri, who strikes a visceral pose on upbeat tracks like this one, singing every line as if his whole heart is in it. Unfortunately, Generations went nowhere, and Augeri – citing throat problems – was gone after just two albums with Journey.

No. 51. "Lovin' You Is Easy" from 'Evolution' (1979)

Starts out as another cookie-cutter '70s-era Journey song, then Perry gets to the ear-worm title lyric and everything changes.

No. 50. "Anyway" from 'Look Into the Future' (1976)

A dark then searching rocker from Journey's second album, featuring one of Rolie's most desirous vocals.

No. 49. "When You Love a Woman" from 'Trial by Fire' (1996)

Featuring a saccharine sentiment with a too-sweet string section to match, this is Journey balladry at its limpest. Still, "When You Love a Woman" became a gold-selling No. 12 smash. Because, Steve Perry.

No. 48. "We Will Meet Again" from 'Arrival' (2001)

Deen Castronovo's inventively layered rhythm gives "We Will Meet Again" a distinct character among Journey's more anthemic-leaning tunes, setting the stage for a moment of controlled fury from Augeri. It all builds toward a sweeping vista reminiscent of Journey's Roy Thomas Baker-helmed sides like "Winds of March" and "Opened the Door," a welcome development indeed. And as with those two 1978 tracks, "We Will Meet Again" serves as an emotionally resonant side-closing moment.

No. 47. "Don't Be Down on Me Baby" from 'Trial by Fire' (1996)

Nobody aches like Steve Perry.

No. 46. "Hustler" from 'Next' (1977)

An explosion of heavy-rocking sexuality, "Hustler" found Journey considerably toughening up its by-then-established fusion-based formula — something the group would eventually return to, but only decades later, with 2011's impressively muscular Eclipse .

No. 45. "Why Can't This Night Go on Forever" from 'Raised on Radio' (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 44. "Edge of the Moment" from 'Eclipse' (2011)

Castronovo and Valory create a foundation-rattling rhythm, while the big-voiced Pineda ably conveys a fiery sense of sensuality required by the song's narrative. But "Edge of the Moment" will always belong to Neal Schon, who is by turns melodic, out there, gurgling, eruptive – and nothing like we've heard from him since the days of the spaceman 'fro. Long after their hit single-making days, and a couple of albums into Arnel Pineda's tenure, Journey finally found their rock-music mojo again on this track, emerging with a sense of furious third-act abandon.

No. 43. "To Play Some Music" from 'Journey' (1975)

The most accessible song on Journey's self-titled debut, "To Play Some Music" provides a down-to-earth vocal vehicle for Rolie on an album dominated by epic, often spacey instrumentals.

No. 42. "Patiently" from 'Infinity' (1978)

Schon memorably gave Perry a ride home after sitting in with Azteca in San Francisco, but had no idea his passenger was a singer. Five years later, Perry finally got the chance to make an impression. He stopped by Schon's hotel the day after a Journey show in Denver, and they wrote this song. "It was really about the determination of me wanting to get next to those players," Perry said in the Time3 liner notes.

No. 41. "I Would Find You" from 'Next' (1977)

Schon takes a rare vocal turn with Journey, and it's his most successful.

No. 40. "Kohoutek" from 'Journey' (1975)

Named after a comet then approaching Earth's orbit, "Kohoutek" bridges the sounds that Rolie and Schon made earlier as part of Santana with those to come from their new band. Makes sense: This track dates back to Journey's earliest rehearsals.

No. 39. "You're on Your Own" from 'Look Into the Future' (1976)

Their slow-fast approach gives "You're on Your Own" a noticeably modern feel; Rolie's heartfelt singing centers it all.

No. 38. "The Eyes of a Woman" from 'Raised on Radio' (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds a palpable tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers sound.

No. 37. "Here We Are" from 'Next' (1977)

Perhaps Journey's heaviest-ever pop song. Rolie had a knack for Beatlesque touches (see their earlier cover of George Harrison 's "It's All Too Much"), even if it was buried in a cacophony of sound from Schon and Dunbar (see their earlier cover, etc. etc.).

No. 36. "Suzanne" from 'Raised on Radio' (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush. "It was a fantasy encounter with a film star, who also had a vocal artist career," Perry said in a 2011 fan Q&A. "Just a secret person that's in the song to live forever in that song. Real or not, she's real in the track."

No. 35. "Somethin' to Hide" from 'Infinity' (1978)

Journey's first attempt at a power ballad was devastatingly effective, though it arrived years before "Open Arms." Perry's final cry is just astonishing.

No. 34. "Edge of the Blade" from 'Frontiers' (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 33. "If He Should Break Your Heart" from 'Trial by Fire' (1996)

One of the best-ever meldings of Solo Steve (verses) and Journey Steve (the rest).

No. 32. "Be Good to Yourself" from 'Raised on Radio' (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert prevailed. "[Perry] phoned me at my house, and just went nuts about 'Be Good to Yourself' having been the first choice of a single," Herbert told Melodic Rock in 2008. "And I said, 'It's a great song, it's a great production, it's great sound – it's Journey.' That was the problem: It sounds too much like Journey. Well, too many of the other songs sound too much like a glorified Steve Perry solo record."

No. 31. "Of a Lifetime" from 'Journey' (1975)

Journey's recorded output begins here, with a seven-minute jazz fusion-influenced, at times Pink Floyd -ish excursion that boldly stepped away from Rolie and Schon's previous work in Santana. "Talking about Santana screws up the whole concept of everyone in this band," Rolie lamented in Don't Stop Believin' . "A lot of people would come to see us and expect conga drums. The last thing I was to see for the rest of my life is conga drums!"

No. 30. "I'll Be Alright Without You" from 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 29. "Only Solutions" from 'Tron' (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 28. "People and Places" from 'Departure' (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 27. "Opened the Door" from 'Infinity' (1978)

The last song on the first album to feature Perry, "Open the Door" begins like every gorgeous, ear-wormy love song they ever hit with a few years later — but after Perry's initial three minutes, Rolie joins in a huge vocal bridge ( "Yeah, you opened ..." ), and from there Schon and company are loosened from those binding conventions. Drummer Aynsley Dunbar, on his final recording date with Journey, sets a thunderous cadence, and Schon powers the song — and this career-turning album — to its quickly elevating conclusion.

No. 26. "Faithfully" from 'Frontiers' (1983)

Cain has said this No. 14 power-ballad smash, written in tribute to a happily married musician's life on the road, came from nowhere – literally. "He told me he got the melody out of a dream," Schon later mused in the Time3 liner notes. "I wish something like that would happen to me." Cain wrote it in his own key, and that allowed Perry to explore a different vocal timbre. They finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 25. "When You're Alone (It Ain't Easy)" from 'Evolution' (1979)

Perry chirps and coos his way through this winking tease of a song – that is, until about a third of the way through, when Schon provides a moment of release.

No. 24. "Forever in Blue" from 'Trial by Fire' (1996)

As with "Girl Can't Help It," found later on our list of Journey Songs Ranked Worst to Best, "Forever in Blue" represents that rare moment when the latter-day edition puts it all together again.

No. 23. "Wheel in the Sky" from 'Infinity' (1978)

He never got much credit, but Robert Fleischman played an important role in Journey. "Wheel in the Sky," the band's initial Billboard chart entry, was originally a poem written by Ross Valory's wife – until Fleischman rounded it into song form. Schon added a guitar melody, and they handed it to Steve Perry after Fleischman's ouster. The rest is, as they say, history.

No. 22. "Walks Like a Lady" from 'Departure' (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, reportedly one of his favorites.

No. 21. "Too Late" from 'Evolution' (1979)

A delicate, beautifully conveyed song of encouragement, "Too Late" was aimed at a friend of Perry's who had fallen into drug abuse.

No. 20. "Girl Can't Help It" from 'Raised on Radio' (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was the exception. This was classic Journey, spit-shined up for a new era.

No. 19. "After the Fall" from 'Frontiers' (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 18. "Good Morning Girl" / "Stay Awhile" from 'Departure' (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 17. "Who's Crying Now" from 'Escape' (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Jonathan Cain's new presence changed Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in the Time3 notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 16. "Do You Recall" from 'Evolution' (1979) Maybe the perfect blending of Journey's tough early sound and Perry's sun-flected sense of reminiscence. Roy Thomas Baker's familiar stacked vocals propel the bridge to untold heights.

No. 15. "Someday Soon" from 'Departure' (1980)

The final major vocal collaboration featuring Perry and the soon-to-depart Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared on Journey's next-to-last album with Rolie. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured .

No. 14. "Open Arms" from 'Escape' (1981)

If you dislike power ballads, blame Jonathan Cain. He brought this seminal example of the genre to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms," either. But Perry intervened, and they turned it into a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 13. "Lovin', Touchin', Squeezin'" from 'Evolution' (1979)

A song with a real-life storyline, "Lovin', Touchin', Squeezin'" came to life in another Journey jam session, then went on to become their very first Top 20 hit. Rolie's Nicky Hopkins-esque honky tonk piano rides atop a stuttering, 12/8 rhythm, building inexorably toward a cloud-bursting nah-nah-nah conclusion. Steve Smith has compared that blues shuffle to "Nothing Can Change This Love" by key Perry influence Sam Cooke. The heartbroken Perry, who's described the writing of this song as "love justice," again played the bass on the initial sessions. The results opened the pop-chart floodgates.

No. 12. "Still They Ride" from 'Escape' (1981)

A touchingly emotional trip back to Perry's San Joaquin Valley youth, "Still They Ride" showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 11. "The Party's Over (Hopelessly in Love)" from 'Captured' (1981)

"After I left," Rolie later mused , "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner.

No. 10. "Stone in Love" from 'Escape' (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest.

No. 9. "Daydream" from 'Evolution' (1979)

An episodic triumph, "Daydream" is defined by dreamy, Jon Anderson -esque verses, rangy guitar riffs and forward-thinking keyboard asides – very much in keeping with the prog-rock pretensions of the '70s, though that sound had already become decidedly passe.

No. 8. "Separate Ways (Worlds Apart)" from 'Frontiers' (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words.

No. 7. "Just the Same Way" from 'Evolution' (1979)

Built off a Rolie piano riff, "Just the Same Way" once again leveraged Journey's layered harmony vocals, already a trademark of producer Roy Thomas Baker from his previous work with Queen . Baker achieved this effect by having Perry and Rolie double and triple their parts, an incredibly time-consuming new approach that almost derailed "Anytime." (Rolie and Schon still considered themselves jam guys at this point.) But that's what ultimately gave this song – and Journey themselves – such a striking propulsion.

No. 6. "Send Her My Love" from 'Frontiers' (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Live" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith said in 2011 , "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 5. "Only the Young" from 'Vision Quest' (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . "Only the Young," which opened every concert on Journey's subsequent tour, will be forever associated with his brave fight.

No. 4. "Lights" from 'Infinity' (1978)

Perry had an early version of this song in his back pocket when he joined Journey, and it's a good thing. Rolie has said that the rest of the band wasn't sold on Perry until they harmonized on "Lights" while backstage at the Swing Auditorium in San Bernardino. "It dawned on me right then," Rolie later admitted in the Time3 notes, "that this could really be great."

No. 3. "Any Way You Want It" from 'Departure' (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. "I loved his ability and phrasing," Perry revealed in Open Arms: The Steve Perry Anthology . "This guy is one of the more under-recognized geniuses of that era." Perry and Rolie brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit.

No. 2. "Don't Stop Believin'" from 'Escape' (1981)

It difficult to believe, considering how rightfully ubiquitous this anthem has become, but "Don't Stop Believin'" originally only barely cracked the Top 10. What's up with that, 1981?

No. 1. "Feeling That Way" / "Anytime" from 'Infinity' (1978)

These paired songs took a convoluted path to the top of this list, as everyone worked and reworked both halves into a legacy-defining moment for Journey and their new singer. "Feeling That Way" began as a Rolie track called "Velvet Curtain" then evolved into "Let Me Stay," which was considered for Next . When Perry arrived, he added a gliding new chorus, and they were halfway there. Meanwhile, the Fleischman co-written "Anytime" – released as a separate, No. 83-charting single but forever linked on the album and rock radio – was going nowhere. At one point, Journey almost dropped it altogether. Then Schon decided to tap the music of his childhood by adding a Beatlesque lyric, " Anytime that you want me ." The then-new mixture of Perry and Rolie's voices did the rest. "As soon as the vocals were put in, the song came alive," Rolie remembered in 2014 , laughing. "I'm glad we didn't can it!" The results meld every great thing about the band's earthy first era with the pop-facing second era to come. In that way, it's the perfect Journey moment.

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Complete List Of Journey Albums And Songs

Feature Photo: Bruce Alan Bennett / Shutterstock.com

This Complete List Of Journey Albums And Songs presents the full discography of Journey studio albums. The band Journey was first formed in 1973.  The group Journey hails from the area of San Francisco, California. This complete Journey discography also includes every single Journey live album. All these spectacular Journey albums have been presented below in chronological order. We have also included all original release dates with each Journey album as well as all original Journey album covers. Every Journey album listed below showcases the entire album tracklisting.

JOURNEY STUDIO ALBUMS

Released: April 1, 1975

Journey’s self-titled debut album was released in April 1975 and was the band’s first outing into the musical world. At the time, Journey was yet to adopt the arena rock sound that they would later become famous for. Instead, the album exhibited strong influences of jazz fusion and progressive rock, with extensive instrumental solos and complex musical arrangements.

Notable tracks include “Of a Lifetime” and “Mystery Mountain,” which offered a glimpse into the technical proficiency and artistic aspirations of the band. Though the album didn’t achieve significant commercial success, it laid the groundwork for what the band could accomplish. The album featured Neal Schon on guitars, Ross Valory on bass, Gregg Rolie on keyboards and vocals, Aynsley Dunbar on drums, and George Tickner on rhythm guitar. It was produced by Roy Halee and recorded at CBS Studios in San Francisco in late 1974. .

CD Track Listings:

• “Of a Lifetime” – 6:48
• “In the Morning Day” – 4:23
• “Kohoutek” – 6:40
• “To Play Some Music” – 3:16
• “Topaz” – 6:09
• “In My Lonely Feeling / Conversations” – 4:56
• “Mystery Mountain” – 4:25

Look into the Future

Released: January 1976

Released just a year after their debut, “Look into the Future” was Journey’s second studio album. The band continued in a similar vein, leaning heavily towards progressive rock with intricate instrumental arrangements. The title track and “On a Saturday Nite” are often cited as highlights. However, the album failed to bring substantial commercial success, although it was a step forward in terms of songwriting and complexity. Neal Schon on guitars, Ross Valory on bass, and Gregg Rolie on keyboards and vocals returned for this album, with Aynsley Dunbar continuing to provide the drum work. The album was produced by Glen Kolotkin and was recorded at CBS Studios in San Francisco during late 1975.

• “Look into the Future” – 8:08
• “On a Saturday Nite” – 4:02
• “It’s All Too Much” – 4:03
• “Anyway” – 4:12
• “She Makes Me (Feel Alright)” – 2:43
• “You’re on Your Own” – 5:54
• “Look into the Future” – 8:13

Released: February 1977

“Next,” Journey’s third studio album, represents the end of an era for the band in terms of their experimentation with progressive rock and jazz fusion. Songs like “Spaceman” and “Hustler” continue to echo their earlier styles but also hint at the more commercial sound the band would later adopt. While not commercially successful upon its release, it gained some retrospective recognition for marking a transitional phase for the band. As with the previous albums, the lineup featured Neal Schon on guitars, Gregg Rolie on keyboards and vocals, Ross Valory on bass, and Aynsley Dunbar on drums. Produced by Glen Kolotkin and recorded at His Master’s Wheels Studio in San Francisco in late 1976, “Next” was the last Journey album to feature solely Gregg Rolie on lead vocals.

• “Spaceman” – 4:01
• “People” – 5:19
• “I Would Find You” – 5:20
• “Here We Are” – 4:16
• “Hustler” – 3:14
• “Next” – 5:26
• “Nickel & Dime” – 4:13
• “Karma” – 5:12

Released: January 20, 1978

“Infinity” marked a major turning point in Journey’s career, introducing vocalist Steve Perry and adopting a more mainstream, radio-friendly sound. Produced by Roy Thomas Baker and recorded at His Master’s Wheels Studio and Cherokee Studios in Los Angeles in late 1977, the album was a commercial success. It featured hits like “Lights” and “Wheel in the Sky,” which have since become staples of classic rock radio. The album peaked at No. 21 on the Billboard 200 chart and was certified 3x Platinum in the United States. “Infinity” was the last album to feature Aynsley Dunbar before he was replaced by Steve Smith. Alongside Dunbar, the album featured Neal Schon on guitars, Ross Valory on bass, Gregg Rolie on keyboards and vocals, and the newly added Steve Perry on vocals.

• “Lights” – 3:09
• “Feeling That Way” – 3:26
• “Anytime” – 3:28
• “Lă Do Dā” – 2:55
• “Patiently” – 3:09
• “Wheel in the Sky” – 4:12
• “Somethin’ to Hide” – 3:26
• “Winds of March” – 5:04
• “Can Do” – 2:39
• “Opened the Door” – 4:34

Released: April 5, 1979

“Evolution” was Journey’s fifth studio album, and it marked the band’s continued move toward a mainstream rock sound. It was produced by Roy Thomas Baker and recorded at Cherokee Studios in Los Angeles. Featuring singles like “Lovin’, Touchin’, Squeezin'” and “Just the Same Way,” the album helped to further cement the band’s commercial viability. “Evolution” peaked at No. 20 on the Billboard 200 chart and was certified 3x Platinum in the United States. The lineup for this album remained the same as “Infinity,” with Neal Schon on guitars, Ross Valory on bass, Gregg Rolie on keyboards and vocals, Steve Smith on drums, and Steve Perry on vocals.

• “Majestic” – 1:16
• “Too Late” – 2:58
• “Lovin’, Touchin’, Squeezin'” – 3:54
• “City of the Angels” – 3:12
• “When You’re Alone (It Ain’t Easy)” – 3:10
• “Sweet and Simple” – 4:12
• “Lovin’ You Is Easy” – 3:38
• “Just the Same Way” – 3:18
• “Do You Recall” – 3:13
• “Daydream” – 4:41
• “Lady Luck” – 3:35

Released: March 23, 1980

“Departure,” Journey’s sixth studio album, featured a harder rock sound compared to its predecessors. Recorded at The Automatt Studios in San Francisco and produced by Geoff Workman and Kevin Elson, “Departure” spawned hits like “Any Way You Want It” and “Walks Like a Lady.” The album reached No. 8 on the Billboard 200 chart and was certified 3x Platinum. This was the last studio album to feature Gregg Rolie, who was replaced by Jonathan Cain.

• “Any Way You Want It” – 3:22
• “Walks Like a Lady” – 3:16
• “Someday Soon” – 3:32
• “People and Places” – 5:04
• “Precious Time” – 4:48
• “Where Were You” – 3:01
• “I’m Cryin'” – 2:53
• “Line of Fire” – 3:18
• “Departure” – 0:38
• “Good Morning Girl” – 1:44
• “Stay Awhile” – 2:48
• “Homemade Love” – 2:56

Dream, After Dream

Released: December 10, 1980

“Dream, After Dream,” an often-overlooked album in the Journey discography, served as a soundtrack for the Japanese film of the same name. The music showcased a more orchestrated and experimental side of the band. It was the last Journey album to involve Gregg Rolie and was not as commercially successful as their previous works. It was recorded in Osaka, Japan and was produced by Kevin Elson.

• “Destiny” – 5:32
• “Snow Theme” – 5:15
• “Sand Castles” – 4:50
• “A Few Coins” – 0:54
• “Moon Theme” – 1:41
• “When the Love Has Gone” – 5:03
• “Festival Dance” – 0:59
• “The Rape” – 1:23
• “Little Girl” – 5:51

Released: July 31, 1981

“Escape” was a landmark album for Journey, featuring some of the band’s most iconic songs like “Don’t Stop Believin’,” “Who’s Crying Now,” and “Open Arms.” Produced by Mike Stone and Kevin Elson, and recorded at Fantasy Studios in Berkeley, California, “Escape” was a massive commercial success. It was the first Journey album to feature Jonathan Cain, who replaced Gregg Rolie on keyboards. The album peaked at No. 1 on the Billboard 200 chart and was certified 9x Platinum in the United States.

• “Don’t Stop Believin'” – 4:11
• “Stone in Love” – 4:25
• “ Who’s Crying Now” – 5:00
• “Keep On Runnin'” – 3:39
• “Still They Ride” – 3:49
• “Escape” – 5:16
• “Lay It Down” – 4:13
• “Dead or Alive” – 3:20
• “Mother, Father” – 5:28
• “Open Arms” – 3:18

Released: February 22, 1983

“Frontiers,” Journey’s eighth studio album, continued the band’s commercial success from “Escape.” This is the most underrated Journey album. The sound of this record is incredible. Produced by Mike Stone and Kevin Elson, this album was recorded at Fantasy Studios in Berkeley, California. It featured hits like “Separate Ways (Worlds Apart),” “Faithfully,” and “Send Her My Love.” “Frontiers” reached No. 2 on the Billboard 200 chart and was certified 6x Platinum in the United States.

• “Separate Ways (Worlds Apart)” – 5:26
• “Send Her My Love” – 3:55
• “Chain Reaction” – 4:20
• “After the Fall” – 5:01
• “Faithfully” – 4:24
• “Edge of the Blade” – 4:30
• “Troubled Child” – 4:29
• “Back Talk” – 3:18
• “Frontiers” – 4:04
• “Rubicon” – 4:19

Raised on Radio

Released: May 27, 1986

Breaking a three-year silence, Journey returned with “Raised on Radio,” an album that reflected the changing musical landscape of the late ’80s. Produced by Steve Perry and recorded at Fantasy Studios, it had a more streamlined, pop-oriented sound. Despite significant line-up changes, the album was commercially successful, peaking at No. 4 on the Billboard 200 chart and going 2x Platinum.

• “Girl Can’t Help It” – 3:50
• “Positive Touch” – 4:17
• “Suzanne” – 3:38
• “Be Good to Yourself” – 3:51
• “Once You Love Somebody” – 4:40
• “Happy to Give” – 3:50
• “Raised on Radio” – 3:49
• “I’ll Be Alright Without You” – 4:50
• “It Could Have Been You” – 3:36
• “The Eyes of a Woman” – 4:33
• “Why Can’t This Night Go on Forever” – 3:41

Trial by Fire

Released: October 22, 1996

Journey’s “Trial by Fire” was a reunion album featuring the band’s classic lineup. Produced by Kevin Shirley and recorded at Wildhorse Studios in Novato, California, the album was well-received by fans. Although it couldn’t replicate the massive success of the band’s ’80s heyday, it still peaked at No. 3 on the Billboard 200 chart and went Platinum.

• “Message of Love” – 5:34
• “One More” – 5:28
• “When You Love a Woman” – 4:07
• “If He Should Break Your Heart” – 4:23
• “Forever in Blue” – 4:34
• “Castles Burning” – 6:00
• “Don’t Be Down on Me Baby” – 4:01
• “Still She Cries” – 5:04
• “Colors of the Spirit” – 5:35
• “When I Think of You” – 4:20
• “Easy to Fall” – 5:16
• “Can’t Tame the Lion” – 4:32
• “It’s Just the Rain” – 5:03
• “Trial by Fire” – 4:27
• “Baby I’m a Leavin’ You” – 2:48

Released: April 3, 2001

Marking a new era for the band, “Arrival” was the first Journey album to feature Steve Augeri on lead vocals, replacing Steve Perry. Produced by Kevin Shirley and recorded at Avatar Studios in New York City, it failed to achieve the commercial success of previous albums but was appreciated by the band’s dedicated fan base. Of course, there were many who were not happy that Steve Perry was no longer a part of the band, and the low album sales was further proof of the fans who were upset over the loss of Perry

• “Higher Place” – 5:11
• “All the Way” – 3:35
• “Signs of Life” – 4:54
• “All the Things” – 4:21
• “Loved by You” – 4:02
• “Livin’ to Do” – 6:19
• “World Gone Wild” – 6:00
• “I Got a Reason” – 4:00
• “With Your Love” – 4:25
• “Lifetime of Dreams” – 5:28
• “Live and Breathe” – 5:17
• “Nothin’ Comes Close” – 5:41
• “To Be Alive Again” – 4:20
• “Kiss Me Softly” – 4:46
• “I Was Made of You” – 4:29

Generations

Released: August 29, 2005

Journey returned in 2005 with “Generations,” which was the first album to feature drummer Deen Castronovo on lead vocals for several tracks, alternating with Steve Augeri. Produced by Kevin Shirley, the album was recorded at The Plant Studios, Sausalito, California. The album includes a variety of styles, blending traditional Journey elements with more modern influences. Musicians featured on “Generations” included Steve Augeri on lead vocals, Neal Schon on guitars and vocals, Jonathan Cain on keyboards and vocals, Ross Valory on bass and vocals, and Deen Castronovo on drums, percussion, and vocals.

• “Faith in the Heartland” – 6:02
• “The Place in Your Heart” – 4:24
• “A Better Life” – 5:45
• “Every Generation” – 5:52
• “Butterfly (She Flies Alone)” – 5:55
• “Believe” – 5:45
• “Knowing That You Love Me” – 4:12
• “Out of Harms Way” – 5:16
• “In Self-Defense” – 5:32
• “Better Together” – 5:14
• “Gone Crazy” – 4:25
• “Beyond the Clouds” – 7:52

Released: June 3, 2008

Journey’s “Revelation” marked a pivotal point in the band’s long and storied career, primarily because it was their second album with Arnel Pineda on lead vocals. Produced by Kevin Shirley, “Revelation” was recorded at The Plant Studios in Sausalito, California, and Avatar Studios in New York.

The album is a triple-disc set. The first disc features 11 new songs, while the second contains 11 re-recorded classics featuring Pineda’s vocals, allowing both old and new fans to experience Journey’s classics in a new light. The third disc is a DVD of a live concert.

The album captures Journey’s classic rock sound, while also infusing new energy. Hits like “Never Walk Away” and “After All These Years” became fan favorites and enjoyed radio airplay. The album went on to receive platinum certification and peaked at #5 on the Billboard 200 chart.

Musicians on “Revelation” include Arnel Pineda on lead vocals, Neal Schon on guitars and vocals, Jonathan Cain on keyboards and vocals, Ross Valory on bass and vocals, and Deen Castronovo on drums, percussion, and vocals.

CD 1 Track Listings:

• “Never Walk Away” – 4:19
• “Like a Sunshower” – 4:29
• “Change for the Better” – 5:52
• “Wildest Dream” – 5:02
• “Faith in the Heartland” – 6:18
• “After All These Years” – 4:10
• “Where Did I Lose Your Love” – 5:02
• “What I Needed” – 5:28
• “What It Takes to Win” – 5:23
• “Turn Down the World Tonight” – 4:56
• “The Journey (Revelation)” – 3:17

CD 2 Track Listings (Re-recorded classics):

• “Only the Young” – 4:14
• “Don’t Stop Believin'” – 4:55
• “Wheel in the Sky” – 5:01
• “Faithfully” – 4:47
• “Any Way You Want It” – 3:25
• “Who’s Crying Now” – 5:44
• “Separate Ways (Worlds Apart)” – 5:27
• “Lights” – 3:16
• “Open Arms” – 3:22
• “Be Good to Yourself” – 4:29
• “Stone in Love” – 4:26

DVD Track Listing (Live in Concert):

• “Intro Medley: The Journey (Revelation)/Majestic”
• “Never Walk Away”
• “Only the Young”
• “Ask the Lonely”
• “Stone in Love”
• “Keep On Runnin'”
• “After All These Years”
• “Change for the Better”
• “Wheel in the Sky”
• “Lights”
• “Still They Ride”
• “Open Arms”
• “Mother, Father”
• “Wildest Dream”
• “When You Love a Woman”
• “Separate Ways (Worlds Apart)”
• “What I Needed”
• “Edge of the Blade”
• “Where Did I Lose Your Love”
• “Escape”
• “Faithfully”
• “Don’t Stop Believin’”

Released: May 24, 2011

“Eclipse” is the 14th studio album by Journey. Also featuring Arnel Pineda on vocals, the album aimed for a heavier sound than its predecessor. Produced by Kevin Shirley, it was recorded at Fantasy Studios in Berkeley, California. Despite receiving positive reviews for its musical direction, it did not achieve high commercial success.

• “City of Hope” – 6:01
• “Edge of the Moment” – 5:27
• “Chain of Love” – 6:10
• “Tantra” – 6:27
• “Anything Is Possible” – 5:21
• “Resonate” – 5:10
• “She’s a Mystery” – 6:41
• “Human Feel” – 6:43
• “Ritual” – 4:57
• “To Whom It May Concern” – 5:15
• “Someone” – 4:34
• “Venus” – 3:30

Released: July 8, 2022

Freedom features the return of bassist Randy Jackson.

1. Together We Run 2. Don’t Give Up On Us 3. Still Believe In Love 4. You Got The Best Of Me 5. Live To Love Again 6. The Way We Used To Be 7. Come Away With Me 8. After Glow 9. Let It Rain 10. Holdin On 11. All Day And All Night 12. Don’t Go 13. United We Stand 14. Life Rolls On 15. Beautiful As You Are

JOURNEY LIVE ALBUMS

Released 1981

Captured is Journey’s first live album, released on January 30, 1981. This album marked the end of the band’s successful run in the late ’70s into the ’80s with Steve Perry. The album charted at No. 9 on the Billboard 200 chart and was certified platinum, which attests to its commercial success.

The album features Steve Perry on lead vocals, Neal Schon on guitar, Ross Valory on bass, Jonathan Cain on keyboards, and Steve Smith on drums. The record was produced by Kevin Elson and Steve Perry. Captured was released on the Columbia Records label. The album was recorded during various shows in 1980 but primarily on the “Departure” tour.

• “Where Were You” – 3:22
• “Just the Same Way” – 3:37
• “Line of Fire” – 3:26
• “Lights” – 3:30
• “Too Late” – 3:44
• “Dixie Highway” – 6:51
• “Feeling That Way” – 3:14
• “Anytime” – 4:27
• “Do You Recall” – 3:26
• “Walks Like a Lady” – 7:05
• “La Do Da” – 7:02
• “Lovin’, Touchin’, Squeezin'” – 5:16
• “Wheel in the Sky” – 5:03
• “Any Way You Want It” – 3:39
• “The Party’s Over (Hopelessly in Love)” – 3:42

Greatest Hits Live

Released 1998

Greatest Hits Live is not an official studio album by Journey, but a compilation of live performances released on October 13, 1998. It’s a compilation of recordings taken from various concerts, primarily during the period when Steve Perry was the lead vocalist.

This collection features Steve Perry on vocals, Neal Schon on guitar, Jonathan Cain on keyboards, Ross Valory on bass, and Steve Smith on drums. It was released on the Columbia Records label.

• “Don’t Stop Believin'” – 4:19
• “Lights” – 3:20
• “Open Arms” – 3:21
• “Mother, Father” – 5:27
• “La Do Da” – 7:03
• “Lovin’, Touchin’, Squeezin'” – 5:09
• “Who’s Crying Now” – 5:46
• “Ask the Lonely” – 3:23
• “Girl Can’t Help It” – 4:29

Live in Houston 1981: The Escape Tour

Released 2005

“Live in Houston 1981: The Escape Tour” is a live DVD/CD package by the American rock band Journey, released on November 15, 2005. The concert was recorded and filmed at The Summit in Houston, Texas on November 6, 1981, during the band’s tour for their then-newly released “Escape” album, which had been released in July of that year. The album peaked at No. 13 on the Billboard 200 chart for music videos and was certified Platinum by the RIAA.

The lineup for this live recording included Steve Perry on lead vocals, Neal Schon on lead guitar, Jonathan Cain on keyboards, Ross Valory on bass, and Steve Smith on drums. The album was produced by Steve Perry and Neal Schon.

• “Escape” – 5:17
• “Line of Fire” – 3:07
• “Lights” – 3:17
• “Stay Awhile” – 2:26
• “Open Arms” – 3:09
• “Mother, Father” – 5:22
• “Jonathan Cain Solo” – 1:53
• “Who’s Crying Now” – 5:41
• “Where Were You” – 3:18
• “Steve Smith Solo” – 3:54
• “Dead or Alive” – 3:30
• “Don’t Stop Believin'” – 4:09
• “Stone in Love” – 5:00
• “Keep On Runnin'” – 4:01
• “Neal Schon Solo” – 2:21
• “Wheel in the Sky” – 5:56
• “Lovin’, Touchin’, Squeezin'” – 5:14
• “Anyway You Want It” – 3:39

Escape & Frontiers Live in Japan

Released 2019

“Escape & Frontiers Live in Japan” was released on April 3, 2019, and captures Journey’s performance at the Budokan in Tokyo on February 7, 2017. This special live performance was a unique set where Journey played their “Escape” and “Frontiers” albums back-to-back in their entirety.

The lineup for this recording featured Arnel Pineda on lead vocals, Neal Schon on lead guitar, Ross Valory on bass, Jonathan Cain on keyboards, and Steve Smith on drums. The album was produced by Journey and was released through Eagle Vision.

• “Don’t Stop Believin'” – 4:15
• “Who’s Crying Now” – 5:01
• “Troubled Child” – 4:04
• “Frontiers” – 4:10

Complete List Of Journey Albums And Songs article published on Classic RockHistory.com© 2023

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• Of a Lifetime
• In the Morning Day
• To Play Some Music
• In My Lonely Feeling / Conversations
• Mystery Mountain

“Journey” was the first studio album by American rock band Journey, released by Columbia Records on April 1, 1975. Far from the sound of their later years, this first release was in a more jazzy progressive rock direction with strong instrumental aspirations; among other things, it also had rhythm guitarist George Tickner in an oddity distinction in their lineup. Before this release, Journey had recorded a demo album with the same songs but in a different order, and it had Prairie Prince as the drummer. Quite a number of unreleased tracks—including some instrumentals—and the original title track, “Charge of the Light Brigade,” had not been included in this very basic starting album.

2. Look into the Future (1976)

• On a Saturday Nite
• It’s All Too Much
• She Makes Me (Feel Alright)
• You’re on Your Own
• Look into the Future
• Midnight Dreamer
• I’m Gonna Leave You

“Look into the Future,” Journey’s second studio album, was released through Columbia Records in January 1976 and marked a change in musical direction for the band. Though it tempered a lot of the overt progressiveness of that debut self-titled album, this sophomore effort still maintained a lot of its experimental feel, particularly in songs like the title track and “I’m Gonna Leave You.” The record also included a cover of The Beatles’ “It’s All Too Much,” which was originally featured in the Yellow Submarine film. “Look into the Future” remains the longest recorded Journey song. Importantly, it was the last album to feature rhythm guitarist George Tickner; hence, his exit reduced the membership to the lineup of Gregg Rolie, Neal Schon, Ross Valory, and Aynsley Dunbar.

3. Next (1977)

• I Would Find You
• Here We Are
• Nickel and Dime

“Released in 1977, ‘Next’ was Journey’s third studio album and became a continuation of the band’s sound, merging elements from 1976’s ‘Look into the Future’ with traces of their earlier jazz-progressive rock style. Distinctly, ‘Next’ marked the end of an era: it was the last album to feature Gregg Rolie as the primary lead singer. The single release from this album was ‘Spaceman’/ ‘Nickel and Dime.’ Curiously, on early pressings, an instrumental track named ‘Cookie Duster’ was listed but not included. ‘Next’ peaked at No. 85 on the Billboard 200 Albums chart and saw the beginning of lead vocalist Robert Fleischman with the band, setting the stage for the evolution of the group’s musical direction.

4. Infinity (1978)

• Feeling That Way
• Wheel in the Sky
• Somethin’ to Hide
• Winds of March
• Opened the Door

“Infinity” is the fourth studio album by the famous American rock band Journey, which became a real landmark in the group’s history. This January 1978 release of Columbia Records became a real turning point for the band since it was the first to present the powerful vocals of Steve Perry and also their first album with him as the vocalist. It was also the last to include Aynsley Dunbar as a drummer. Such a landmark release pointed toward Journey’s new sound and set up the path for the band’s future successes, setting the stage for an iconic musical journey to come.

5. Evolution (1979)

• Lovin’, Touchin’, Squeezin’
• City of the Angels
• When You’re Alone (It Ain’t Easy)
• Sweet and Simple
• Lovin’ You Is Easy
• Just the Same Way
• Do You Recall

The fifth studio album by American rock band Journey, “Evolution,” was the breakthrough. It came out in March 1979 via Columbia Records and was the first to include Steve Smith on drums in the lineup. It was the highest-charting album the group had at that time, peaking at number 20 on the US Billboard 200, and has sold three million copies in the US. Produced by Roy Thomas Baker, famous for his work with the band Queen, the album included the hit “Lovin’, Touchin’, Squeezin’,” their first Top 20 single, and “Just the Same Way,” which duetted both the original lead vocalist Gregg Rolie and Steve Perry. Having tracks like “Too Late,” “Evolution” really pushed the limits of rock ballads with Neal Schon’s impressive guitar work.

6. Departure (1980)

• Any Way You Want It
• Walks Like a Lady
• Someday Soon
• People and Places
• Precious Time
• Where Were You
• I’m Cryin’
• Line of Fire
• Good Morning Girl
• Stay Awhile
• Homemade Love
• Natural Thing
• Little Girl

Their sixth studio album, “Departure,” was released on February 29, 1980, by the American rock band Journey through Columbia Records. This was a breakout album for Journey in that it would be their first top 10 Billboard 200 chart peaking at No. 8. With the Top 25 single “Any Way You Want It,” “Departure” had a bit harder edge to it because of its “live in studio” recording method.

The album had three singles, and these were supplemented in their effect on the charts by “Walks Like a Lady” and a medley of “Good Morning Girl” and “Stay Awhile”. Of special note is the fact that this album was the last to include founding member Gregg Rolie and the first to set the stage for the inclusion of Jonathan Cain into the band. In the years that followed, “Departure” would be remastered and reissued to feature bonus tracks for fans everywhere.

7. Escape (1981)

• Don’t Stop Believin’
• Stone in Love
• Who’s Crying Now
• Keep On Runnin’
• Still They Ride
• Lay It Down
• Dead or Alive
• Mother, Father

In a word, Escape—stylized as E5C4P3 on the album cover—was the epitome of Journey’s musical career. This seventh studio album, released on 17 July 1981 via Columbia Records, reached number one on the American Billboard 200 chart. Here is the bona fide chart-topping sensation, equipped with an impressive quartet of Billboard Hot 100 singles: the classic anthem “Don’t Stop Believin'” (no. 9), “Who’s Crying Now” (no. 4), “Still They Ride” (no. 19), and the heart-rending ballad “Open Arms” reaching No. 2. This rock opus also bestowed the airwaves with another immortal classic, ‘Stone in Love.’ With the RIAA certifying it diamond in July 2021, it became Journey’s most successful studio album and the second most overall successful album, only behind their greatest hits package.

8. Frontiers (1983)

• Separate Ways (Worlds Apart)
• Send Her My Love
• Chain Reaction
• After the Fall
• Edge of the Blade
• Troubled Child

“Frontiers,” the eighth studio album by the American rock band Journey, was released on February 1, 1983, via Columbia Records. Noticeably, it was the last performance with bassist Ross Valory until the 1996 release of “Trial by Fire.” It became their biggest seller to date, peaking at No. 2 on the Billboard 200 and generating four top 40 singles: “After the Fall” (No. 23), “Send Her My Love” (No. 23), “Faithfully” (No. 12), and “Separate Ways (Worlds Apart)” (No. 8). “Frontiers” was later certified six times platinum by the RIAA. Interestingly, the tracklist for this album was changed at the last minute. Two songs were exchanged, one of which, “Only the Young,” gained some popularity in the movie “Vision Quest.”

9. Raised on Radio (1986)

• Girl Can’t Help It
• Positive Touch
• Be Good to Yourself
• Once You Love Somebody
• Happy to Give
• Raised on Radio
• I’ll Be Alright Without You
• It Could Have Been You
• The Eyes of a Woman
• Why Can’t This Night Go on Forever

“Raised on Radio,” the ninth studio album by the American rock band Journey, was released in April 1986 on the Columbia Records label. This was a radical lineup change, as it was their first album without founding bassist Ross Valory; he was substituted by session bassist Bob Glaub and later by Randy Jackson. Only a few cuts were performed by drummer Steve Smith before he was replaced, and then supplemented by the session drummer Larrie Londin, and Mike Baird for the following tour. The album was very successful and issued three US top 20 singles: “Girl Can’t Help It,” “I’ll Be Alright Without You,” and “Suzanne.” It peaked at No. 4 on the Billboard 200 and was certified Double Platinum in the USA.

10. Trial by Fire (1996)

• Message of Love
• When You Love a Woman
• If He Should Break Your Heart
• Forever in Blue
• Castles Burning
• Don’t Be Down on Me Baby
• Still She Cries
• Colors of the Spirit
• When I Think of You
• Easy to Fall
• Can’t Tame the Lion
• It’s Just the Rain
• Trial by Fire
• Baby I’m a Leavin’ You
• I Can See It in Your Eyes

“Trial by Fire,” the tenth studio album by the American rock group Journey, was released on October 22, 1996. It marked the return of the classic 1981–1985 lineup, which had not recorded together since the aforementioned “Frontiers.” Produced by Kevin Shirley, it also included the return of bassist Ross Valory and drummer Steve Smith from the aforementioned set. This was the last to feature vocalist Steve Perry. Standout songs on the album include Grammy-nominated hit, “When You Love a Woman”, and a set of spiritually-inspired songs. This album was, however, the only Journey release never to receive supporting on local tours, due to internal disagreements and the hip injury that Perry had. It reached No. 3 on the Billboard 200, and it was also done on platinum.

11. Arrival (2001)

• Higher Place
• All the Way
• Signs of Life
• All the Things
• Loved by You
• Livin’ to Do
• World Gone Wild
• I Got a Reason
• With Your Love
• Lifetime of Dreams
• Live and Breathe
• Nothin’ Comes Close
• To Be Alive Again
• Kiss Me Softly
• We Will Meet Again

“Arrival,” the eleventh studio album by the legendary American rock band Journey, was released on April 3, 2001, and in Japan during 2000, with one song substituted. The record became a real watershed event in the history of this band since it presented a new vocalist, Steve Augeri, after the unforgettable Steve Perry, and a new drummer, Deen Castronovo, succeeding Steve Smith. “Arrival” was a record that mixed the hard rock elements reminiscent of the ’70s and ’80s material of the band with their trademark ballads, which sounded more like Perry. Although it turned out to be a commercial success by hitting #12 on Billboard’s Top Internet Albums chart, the album received mixed reviews from critics; some praised Neal Schon’s guitar work but called it formulaic.

12. Generations (2005)

• Faith in the Heartland
• The Place in Your Heart
• A Better Life
• Every Generation
• Butterfly (She Flies Alone)
• Knowing That You Love Me
• Out of Harms Way
• In Self-Defense
• Better Together
• Beyond the Clouds
• Never Too Late
• Pride of the Family

“Generations,” Journey’s twelfth studio album, was the final performance by this iconic American rock band with lead singer Steve Augeri. It was the final act in a period of time, released in 2005 on Sanctuary Records, that had cemented the lineup which debuted on 2000’s “Arrival” and continued with 2002’s “Red 13 EP” with Deen Castronovo on drums. One of the distinctive things about the album was that all members of the band took turns singing lead vocals, a decision instigated by Augeri’s vocal fatigue. Critical reception was mixed—some liked Augeri’s performance and the various musical direction taken by the band but questioned the decision to share lead vocals. It peaked at No. 170 on the Billboard 200, and Augeri left the band in the middle of the 2006 tour with a throat infection, thus ending the era of Journey’s sound.

13. Revelation (2008)

• Never Walk Away
• Like a Sunshower
• Change for the Better
• Wildest Dream
• After All These Years
• Where Did I Lose Your Love
• What I Needed
• What It Takes to Win
• Turn Down the World Tonight
• The Journey (Revelation)
• Let It Take You Back

“Revelation” was the thirteenth studio album by the American rock band Journey, which was the first to feature their new lead singer, Arnel Pineda. It includes 11 new tracks and 11 re-recorded greatest hits, both proving the vocals of Pineda. Added to this in the North American version was a DVD of the band performing dynamically on March 8, 2008, in Las Vegas. Other notable singles included “Never Walk Away,” “Where Did I Lose Your Love,” and “After All These Years,” both written by Neal Schon and Jonathan Cain, did very well on the adult contemporary charts. The album earned very good reviews; many praised Pineda’s vocals and the band’s return to form. An extra track, “Let It Take You Back,” was included in the European release.

14. Eclipse (2011)

• City of Hope
• Edge of the Moment
• Chain of Love
• Anything Is Possible
• She’s a Mystery
• To Whom It May Concern

Eclipse is the fourteenth studio album by the powerhouse American rock band Journey and the second with lead singer Arnel Pineda. It was released worldwide on different dates in 2011, coming out first on May 24 in the United States and Canada, then on May 27 in Japan, May 30 in the United Kingdom, and finally on June 3 for the international release. With songwriting credits are Neal Schon and Jonathan Cain; Pineda provided his share of songwriting as well. It is the final appearance of bassist Ross Valory, who left the band in 2020. The ‘Eclipse’ adds another chapter to Journey’s long-lived musical history.

15. Freedom (2022)

• Together We Run
• Don’t Give Up on Us
• Still Believe in Love
• You Got the Best of Me
• Live to Love Again
• The Way We Used to Be
• Come Away with Me
• Let It Rain
• Holdin’ On
• All Day, All Night
• Don’t Go
• United We Stand
• Life Rolls On
• Beautiful as You Are

“Freedom” is the fifteenth studio album released by the American rock legends Journey on 8 July 2022 through BMG Rights Management and Frontiers Records. Marking a landmark change in this regard, it is the group’s second album without band co-founder bassist Ross Valory, who has been replaced by Randy Jackson, the last of whose work with Journey was in 1986’s “Raised on Radio”. Featuring fifteen tracks running a grand one hour, thirteen minutes, it becomes Journey’s longest album, excluding greatest hits compilations. While it was hailed for its performance and musicianship, this album got very mixed critical reviews, but most of the critics—or, more importantly, most reviews—were mentioning the poor production, poor mixing, and general overlongness of it.

Conclusion:

The fact that such a journey has endured is purely a testament to their ability to provide timeless rock anthems that go on and on, basically, forever—to connect with people from all corners of the globe. From the early days of just another progressive rock band to a pop-rock powerhouse, Journey’s albums show it all. With over 100 million records sold worldwide, and hit songs such as “Don’t Stop Believin’,” Journey still does not give any hint of slowing down to become one of the most popular rock bands ever. A look through Journey albums in order points to the fact that the group has hauled its long journey through several decades of music; surely it has cemented its place within the pages of rock history but, more importantly, within the hearts of their fans everywhere.

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Journey Song list

• After All These Years (2008)
• Any Way You Want It (1980)
• Anytime (1978)
• Be Good To Yourself (1986)
• City of Hope (2011)
• Dixie Highway (1981)
• Don't Stop Believin' (1981)
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• Feeling That Way (1978)
• Homemade Love (1980)
• I'll Be Alright Without You (1986)
• Lights (1978)
• Lovin', Touchin', Squeezin' (1979)
• Never Walk Away (2008)
• Only The Young (1985)
• Open Arms (1981)
• Send Her My Love (1983)
• Separate Ways (Worlds Apart) (1983)
• Still They Ride (1981)
• Suzanne (1986)
• Sweet and Simple (1979)
• The Journey (Revelation) (2008)
• Too Late (1979)
• Wheel In The Sky (1978)
• When I think Of You (1996)
• Where Were You (1980)
• Who's Crying Now (1981)

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