star trek tng preemptive strike

Preemptive Strike (episode)

Lieutenant Ro is sent undercover to root out a Maquis cell.

1.2 Act One
1.3 Act Two
1.4 Act Three
1.5 Act Four
1.6 Act Five
1.7 Log entries
2 Memorable quotes
3.1 Production history
3.2 Story and production
3.3 Continuity
3.4 Sets and props
3.5 Cast and characters
3.6 Video and DVD releases
4.1 Starring
4.2 Also starring
4.3 Guest stars
4.4 Uncredited co-stars
4.5 Photo double
4.6 Stand-ins
4.7.1 Starship references
4.8 External links

Summary [ ]

Lieutenant Ro Laren is back on board the USS Enterprise -D . She walks into Ten Forward and is congratulated by Deanna Troi , Beverly Crusher , and Geordi La Forge for completing Advanced Tactical Training at Starfleet Tactical . During their conversation, Captain Picard calls her to the bridge , but surprises her when she finds him standing outside Ten Forward. Ro thanks Picard for recommending her for the training and for having faith in her as an officer. She notes that if it was not for him, her life would be very different right now.

Commander Riker , who reports that a Cardassian ship is being attacked and needs help, calls Picard to the bridge. Assuming her old post at the helm , Ro determines there are several small ships attacking, but aren't immediately identifiable as they are not transmitting identification codes. Scanning their warp signatures , Data is able to determine that the ships, surprisingly, are Federation.

Act One [ ]

Isolating one of the ships and magnifying it on the viewscreen , Picard identifies the vessels as being from the Maquis and orders them to withdraw, but there's no response. Picard tells them they are Federation citizens and that their actions are in violation of the Federation-Cardassian Treaty . Picard demands again that they call off their attack, but the Maquis will still not comply. A surgical photon torpedo spread from Worf between the attacking ships and the Cardassian ship prompts the Maquis to withdraw. The Enterprise beams Cardassian survivors aboard and Dr. Crusher treats their wounded. Gul Evek and Picard exchange words in sickbay , each accusing the other of not doing enough to suppress the skirmishes in the Demilitarized Zone. Evek tells Picard that the situation between the Cardassians and the Maquis will only escalate, until the Cardassian military will have no choice but to take matters into their own hands.

Admiral Alynna Nechayev comes aboard the Enterprise and shares tea with Picard in his ready room . They discuss the mounting tension in the Zone between the Cardassians and Maquis. Picard tells her that she missed Gul Evek by a matter of hours. He thought that an admiral's assurance would convince him that Starfleet is doing everything it can to deal with the Maquis situation. Nechayev admits that the situation has her worried and that Starfleet cannot track down the various Maquis cells. Nechayev tells Picard that she is sending in a Starfleet operative undercover to infiltrate the Maquis and gather intelligence to expose the cells. Nechayev recommends Lieutenant Ro for the assignment given her recent tactical training, her previous problems with Starfleet and the fact that she is Bajoran .

Ro and Picard discuss the mission in her quarters and Ro agrees to accept the assignment. Although she is uncomfortable accepting a mission that will require her to help the Cardassians, she agrees if only to prove the trust that Picard has shown for her.

Act Two [ ]

Ro, disguised as a civilian, walks into a bar on the Ronara Prime colony followed closely by Lieutenant Commander Data and Lieutenant Worf. They announce that they are seeking a Bajoran woman with dark hair who killed a Cardassian soldier. Worf tells the bar patrons that if the Bajoran woman has been in here, the establishment will be closed down. Ro grabs an unsuspecting man and starts kissing him, hiding her face from Data and Worf. Another bar patron, Santos , tells them that she was in the bar but had just left.

Ro approaches the bar and thanks Santos. She mentions that she would like to meet other people who oppose the Cardassians. Santos stuns her with a phaser and she is rendered unconscious. She awakens in the presence of an older man ( Macias ), a woman ( Kalita ), and Santos. They question her and when she attempts to leave, Kalita aims a phaser at her. She tells them some of the truth and a few lies; she also admits to killing a Cardassian soldier. She then goes for a walk with Macias while the other two check out her story.

Macias expresses his outrage with the Cardassians and admits to Ro that many of the settlers living in the compound they are touring are Maquis. He orders hasperat from the food dispenser. Ro is surprised that he likes it and tells him that she knows a recipe for a very spicy hasperat that her father used to make on Bajor . It is clear that Ro regards Macias as a father figure, having lost her own father during the Cardassian occupation of Bajor when she was just a child. Santos walks up to Ro and Macias, along with Kalita. He informs Macias that he has spoken with his sources in Starfleet and Ro's story checks out. Macias knew it would and tells Kalita that Ro will stay with her until they can find her a room.

Ro is brought to a meeting with several Maquis. They have received word that the Cardassians are planning to use biogenic weapons against them. They decide that a preemptive strike is needed to keep the Cardassians from poisoning them. Macias says they cannot strike because they are so low on medical supplies. Ro volunteers to steal medical kits from the Enterprise , she tells them that she used to serve on the ship. Kalita is incredulous, noting that the Enterprise is a fortress. Ro assures her that she knows the ship's security systems and that she can steal the medical supplies. Kalita says that she will go along with her. Ro welcomes her both as a helper and a witness.

Act Three [ ]

Ro's Maquis fighter

The Enterprise receives a distress signal from a Starfleet science ship in the Topin system . The Topin star renders communication and sensors nearly useless, and the Enterprise does not detect Ro and Kalita's ship, which is hidden near a planet. Ro piggybacks a message on the distress signal to alert Picard to her presence on the ship. Worf decodes the message just as Ro and Kalita are about to penetrate the Enterprise 's aft deflectors . Picard has the ship be let through and Ro beams the stockpile of medical kits onto the ship. As they leave, Picard orders Worf to fire phasers on their previous position to make it look like they are trying to stop them. Riker tells Picard that now they know what Starfleet means by Advanced Tactical Training.

After Ro and Kalita return to the Maquis compound, Kalita praises Ro for her bravery and Macias remarks that he could tell, despite the Maquis being suspicious of outsiders, he knew from the start that in her heart, Ro was one of them.

Act Four [ ]

Having gained the trust of the Maquis cell, Ro is given a ship and is allowed to leave the colony alone. She reports to Picard everything she has learned, including the Cardassian plan to use biogenic weapons against them. While they talk in the observation lounge , Picard tells her they have come up with a plan to severely weaken the Maquis; they intend to present a target so threatening that they would commit a large number of ships to stop it. The prospect of biogenic weapons would be a perfect bait and tells Ro to make the Maquis believe that the Cardassians have already finished a biogenic weapon and are supplying it to the colonists via a third party. He intends to send a convoy through the demilitarized zone, and when the Maquis attack the convoy, Starfleet would be waiting in the nearby Hugora Nebula to strike and arrest everyone involved. Ro seems to be uncomfortable betraying her new friends, but she tells Picard that she will do her duty. Picard tells Ro that he knew he could count on her.

She then returns to the colony planet and tells the Maquis that she intercepted a Federation transmission about a Yridian convoy of freighters coming from Deep Space 9 . This convoy supposedly carries the last components the Cardassians need to complete their biogenic weapon having already taken possession of others from Ferengi and Pakled transports. Macias decides to tell the other cell leaders and get their help to attack the convoy.

Later, Macias and Ro are sitting in the courtyard of the compound. Macias talks to Ro about the grand feast he is planning when the Maquis finally make the Cardassians leave their homes. Ro tells him it will be a long time before they do any kind of celebrating. Macias tells her she must not give up hope. He remarks that they will make blueberry pie along with hasperat and he will play the belaklavion . Ro remembers her father had played the musical instrument when she was younger and afraid to go to sleep. As she tearfully recalls this, Macias suggests they celebrate tonight, anyway. As Ro and Macias go to the colony's market to pick up food, three hooded figures climb the central steps and open fire on the settlers with phasers. Macias, while trying to help an injured colonist, is shot by a Cardassian. Ro kills the Cardassian and goes over to help the dying old man. Macias tells Ro, just before he dies, that when an old fighter dies, another always steps up to take his place. Ro looks up at the sky with a tear rolling down her face.

Act Five [ ]

Picard is sitting in the settlement bar on Ronara having a drink. Ro walks in and suggests that they take a table in the back and begin acting like she is a prostitute, and he is negotiating her fee. Ro tells him he needs to cancel the convoy trap as the Maquis haven't fallen for the bait, but Picard knows from intelligence reports that this isn't true. Ro attempts to explain away this discrepancy, but Picard immediately realizes she's lying and demands an explanation. Ro admits that although she was willing to complete the mission despite her hatred of the Cardassians at first, she is now starting to question what she's doing and the people she's supposed to betray despite her desire to not let Picard down. Picard tells Ro that it's too late for her to back out as Starfleet is committed to the operation and she has risked being put before a board of inquiry by lying to him in order to have it called off. He also tells her that he would not hesitate to have her court martialed if she does anything to sabotage the mission. Ro promises to follow her orders but Picard, now very wary of Ro's motives, tells her that Commander Riker will be joining her posing as her relative just to be certain that the plan goes through.

" So long, Ro. Take care of yourself. " " Goodbye, Will. Energize. "

The strike on the convoy is imminent and Riker and Ro are aboard a Maquis ship preparing to attack the convoy. Hidden in the Hugora Nebula, out of sight of the incoming ships, is the Enterprise and other Federation starships. Just as the Maquis are about to cross into Federation space, Ro fires a low intensity particle beam toward the nebula allowing the Maquis ships to see the trap, Riker confronts Ro, who pulls a phaser on him and announces that she can't go through with the plan. Once Starfleet is exposed, they break formation stopping just short of Federation space and Federation jurisdiction. Worf reports this to Picard and that Ro's fighter is heading toward the Enterprise . Picard coldly orders Worf to have Ro placed under arrest the moment she is aboard. Ro transports to Kalita's ship and leaves Riker to take the Maquis ship back to the Enterprise . Before she leaves, with tears in her eyes, she asks Riker to tell Picard she is sorry. He understands and sincerely wishes her the best before she is beamed away.

Picard, betrayed by Ro

Later, in Picard's ready room, Riker says that Ro felt she was doing the right thing and that she seemed more concerned that she was letting down Picard more than anything else. Picard remains silent and unmoving, not even taking Riker's report, so the commander places it on his desk and leaves. After Riker exits, Picard continues to sit silently, his face filled with anger because despite everything he did for her and how much he came to trust Ro, she still chose to betray him.

Log entries [ ]

Captain's log, USS Enterprise (NCC-1701-D), 2370

Memorable quotes [ ]

" Those are Federation ships. " " Isolate one and magnify. The Maquis . "

" You are Federation citizens. Your actions are in violation of our treaty with the Cardassians. Call off your attack! "

" I never thought we'd be firing on our own people to protect a Cardassian ship. "

" We are doing everything in our power to control them. " " The fact that my ship was attacked suggests your efforts have met with limited success. "

" I've spent the better part of my life fighting the Cardassians. I never thought I'd be helping them out. "

" The way I see it, there's one good reason to take this mission and that's to validate your faith in me. "

" It was really nice meeting you. "

" We've learned to be cautious of strangers. " " I understand. " " But I've known since I first met you, that in your heart, you're one of us. "

" You have to hang on. " " When an old fighter like me dies… someone always steps forward to take his place. "

" When she comes aboard, take her into custody. "

" You can take this ship back to the Enterprise . " " You're going with them?! " " It's been a long time since I really felt like I belonged somewhere. Could you tell Captain Picard something for me? " " Of course. What is it? " " Tell him I'm sorry. " " So long, Ro. Take care of yourself. " " Goodbye, Will. Energize. "

" She seemed very sure that she was doing the right thing. I think her only regret was that she let you down. Here's my report. "

Background information [ ]

Production history [ ].

Final draft script: 1 March 1994 [1]
Filmed: 2 March 1994 – 10 March 1994 (7 days)
Premiere airdate: 16 May 1994
First UK airdate: 17 June 1996

Story and production [ ]

Photo double Richard Sarstedt filming on second unit

The original title of this episode was "The Good Fight" but it was felt that this title was too similar to " All Good Things... ". ( Star Trek: The Next Generation Companion , ? ed., p. ? )
"Preemptive Strike" was filmed between Wednesday 2 March 1994 and Thursday 10 March 1994 .
According to Jeri Taylor , this episode did not come from a desire to bring Ro Laren back one last time. In fact, after actress Michelle Forbes turned down the chance to take her character to Star Trek: Deep Space Nine (in the role that became Kira Nerys ), her relationship with the show wasn't the best. Yet, the series found itself rushing toward a deadline with no other workable story idea but this one, which depended on getting the actress back. Taylor was able to get on the phone directly with Michelle Forbes and pitch the story personally, convincing Forbes to commit to the series' penultimate episode. ( Star Trek: The Next Generation 365 )

Continuity [ ]

This is the only episode directed by Patrick Stewart not to feature Data in a prominent role.
Like Patrick Stewart here, Avery Brooks also directed the penultimate episode of his series, Star Trek: Deep Space Nine ; he directed " The Dogs of War ".
The appearance of Nechayev and Evek was intended to add continuity to the developing Maquis arc. Likewise, the use of Klingons, Vulcans, and Native Americans as village extras was a subtle setup for the cast of Star Trek: Voyager . ( Star Trek: The Next Generation Companion , ? ed., p. ? )
The lieutenant commander who Ro Laren refers to as her instructor at Advanced Tactical Training in 2369/2370, and who joined the Maquis , was intended by the producers as a reference to Chakotay . As was the Native American connection made in that episode, and previously in " Journey's End ". ( Star Trek: The Next Generation Companion , 2nd ed., p. 298) In fact, this information is included in Ro Laren's biography at StarTrek.com . While not canon in the truest sense, that intention was ultimately contradicted in the Voyager episode " In the Flesh ", in which Chakotay stated that he resigned his commission on March 3 , 2368 .
As part of the plan to lure the Maquis in with fears of a biogenic weapon, Ro mentions that one of the items being transported into the disputed area is bio-mimetic gel . She says that it is perfectly legal and does not seem concerned about it, stating that it is harmless on its own. However, when talking about this substance in DS9 : " In the Pale Moonlight ", Captain Sisko states that it is "strictly controlled by the Federation, and not available at any price," implying that the substance is much more dangerous than stated here.
This episode marks the fifth and last time Riker participates in an undercover assignment in the series and – like in " Who Watches The Watchers ", " First Contact ", and " Frame of Mind " – the mission does not end well for him. Riker is also seen going undercover on the planet Barkon IV , when he and Dr. Crusher are searching for Data in the episode " Thine Own Self ".
This episode includes the only time Ro is ever addressed by her given name (which is said when Picard meets with her undercover at the bar).

Sets and props [ ]

The reliable Varon-T disruptor prop makes an appearance as the weapon Kalita levels at Ro Laren during her interrogation.
Picard's Kurlan naiskos makes another appearance following his previous ones in " The Chase ", " Genesis ", and " Bloodlines ". It will later appear in Star Trek Generations and PIC : " Remembrance ".
The bird sculptures seen in the conference room of the Maquis previously appeared in Marla Aster 's quarters in the third season episode " The Bonding " and in the reception area at Arkaria Base in the sixth season episode " Starship Mine ".
The wall-mounted lights in the conference room are also seen in the Volan III council chamber in the episodes DS9 : " The Maquis, Part I " and DS9 : " The Maquis, Part II ".

Cast and characters [ ]

Shannon Cochran later reprised her role as Kalita in the Star Trek: Deep Space Nine third season episode " Defiant ". Jonathan Frakes also reprised his role as Thomas Riker from " Second Chances " in that episode.
This is the last appearance of Michelle Forbes as Ro Laren in Star Trek: The Next Generation . She reprised her role, after a nearly thirty-year absence, in the Star Trek: Picard episode " Imposters ".
This is Natalija Nogulich 's last appearance as Alynna Nechayev in Star Trek: The Next Generation ; although she had also appeared in the DS9 episode " The Maquis, Part II ", and went on to star in the DS9 episode " The Search, Part II " (although her appearance in that episode is actually part of a virtual reality simulation and is not the real Nechayev).

Video and DVD releases [ ]

UK VHS release (two-episode tapes, CIC Video ): Volume 88, 26 September 1994
As part of the TNG Season 7 DVD collection

Links and references [ ]

Starring [ ].

Patrick Stewart as Capt. Jean-Luc Picard
Jonathan Frakes as Cmdr. William T. Riker

Also starring [ ]

LeVar Burton as Lt. Cmdr. Geordi La Forge
Michael Dorn as Lieutenant Worf
Gates McFadden as Dr. Beverly Crusher
Marina Sirtis as Counselor Deanna Troi
Brent Spiner as Lt. Commander Data

Guest stars [ ]

Michelle Forbes as Ro Laren
John Franklyn-Robbins as Macias
Natalija Nogulich as Alynna Nechayev
William Thomas, Jr. as Santos
Shannon Cochran as Kalita
Richard Poe as Evek

Photo double [ ]

Richard Sarstedt – photo double for John Franklyn-Robbins

Stand-ins [ ]

David Keith Anderson – stand-in for LeVar Burton
Debbie David – stand-in for Brent Spiner
Michael Echols – stand-in for Michael Dorn
Nora Leonhardt – stand-in for Marina Sirtis
Lorine Mendell – stand-in for Gates McFadden
Richard Sarstedt – stand-in for Jonathan Frakes
Dennis Tracy – stand-in for Patrick Stewart

References [ ]

2368 ; Advanced Tactical Training ; Bajor ; Bajoran ; belaklavion ; berry ; biogenic weapon (aka biogenic device ); bio-mimetic gel ; bird ; blueberry ; blueberry pie ; board of inquiry ; brine ; Bularian canapé ; " by comparison "; Cardassia ; Cardassian ; Cardassian border ; Cardassian government ; Cardassian military ; Cardassian territory ; court martial ; Deep Space 9 ; Demilitarized Zone ; desertion ; eye ; Federation ; firing range ; foraiga ; Galaxy class decks ; hasperat ; heart ; Hugora Nebula ; isomiotic hypospray ; Juhraya ; Juhryan freighter ; Klingon ; Kurlan naiskos ; leader ; magnetascopic interference ; Maquis ; medkit ; monk ; Occupation of Bajor ; Ornara ; outlaw ; painting ; palm beacon ; paramilitary ; particle beam ; Pendi II ; piggyback ; plasma flare ; preemptive strike ; protostar ; quarantine pod ; red alert ; refugee ; refugee camp ; relief mission ; retroviral vaccine ; Ro Gale ; Ronara Prime ; rumor ; science ship ; sculpture ; sensor buoy ; sensor range ; sickbay ; spy ; squad leader ; Tactical Training instructor ; tongue ; Topin system ; type 8 phaser ; Vulcan ; Yridian

Starship references [ ]

Alpha Nine ; Alpha Seven ; Bajoran interceptor ( unnamed ); Bajoran raider ( unnamed ); Deep Space 9 ; Enterprise -D, USS ; Excelsior -class ; Federation attack fighter ( unnamed 1 and 2 ); Federation starships in Hugora Nebula ; Ferengi transport ; Galaxy -class ; Galor -class ; Gorkon , USS ; Maquis fighter ( unnamed ); Pakled transport ; Santos' ship ; Vetar ; Yridian ship

External links [ ]

" Preemptive Strike " at Memory Beta , the wiki for licensed Star Trek works
" Preemptive Strike " at Wikipedia
" Preemptive Strike " at MissionLogPodcast.com
"Preemptive Strike" script at Star Trek Minutiae
" Preemptive Strike " at the Internet Movie Database
2 Daniels (Crewman)
3 USS Enterprise (NCC-1701-G)

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Star Trek: The Next Generation

“Preemptive Strike”

Air date: 5/16/1994 Teleplay by Rene Echevarria Story by Naren Shankar Directed by Patrick Stewart

Review by Jamahl Epsicokhan

Review Text

The last regular episode before the finale follows the template of the other episodes in the season's home stretch by providing a character story that plays like an epilogue. "Preemptive Strike" is by far the most successful of these episodes, providing the swan song for Ro Laren, a character who never fit the mold of the traditional TNG Starfleet type and who here chooses a path, like Wesley Crusher in " Journey's End ," that does not include Starfleet.

Unlike "Journey's End," however, this is a story that grows organically from the character's backstory and benefits from a much better narrative engine (although, notably, the plot involving the Maquis grows directly from what was set up in "Journey's End" as well as DS9 's " The Maquis "). Indeed, one of the selling points here is the straightforwardness, even familiarity, of the premise: Ro returns to the Enterprise and is immediately assigned to an undercover mission to infiltrate the Maquis. The story's complexity comes through the choices Ro must make when thrust into a difficult situation where her loyalties become torn. She accepts the mission, uncomfortably, out of loyalty to Picard.

This is a TNG episode that plays on what already at the time had become primarily DS9 's turf — with moral ambiguity and political situations involving the Federation/Bajoran/Cardassian demilitarized zone and the Maquis' acts of terrorism. Ro infiltrates a Maquis cell with the perfect cover story, one that speaks to both the appropriateness of Starfleet selecting her for the mission and also the aptness of the script. The truth here is in the details: Ro is infiltrating an organization that includes a good number of Bajorans, and the leader of the cell, a man named Macias (John Franklyn-Robbins), takes Ro under his wing and forms a close paternal bond with her.

The mechanics of the plot are well-oiled and credible without drawing undue attention to themselves: Ro's cleverly covert raid on the Enterprise for the medical supplies allows her to prove her loyalty and usefulness to the Maquis while showing us that Picard understands her tactics in trying to gain the Maquis' trust. But along the way, there's a gradual yet unmistakable shift; Ro becomes so sympathetic to the people she's infiltrating that she realizes her mission, in her own heart, will require her to betray them. (Perhaps the point here is that it would feel like less of a betrayal if she believed in what she's doing.) Michelle Forbes draws us into Ro's plight with a performance that conveys below-the-surface agony in every scene where she has to deceive someone.

Meanwhile, Picard sees an opportunity to cripple the entire Maquis movement when Ro discloses that the Maquis are particularly afraid of the Cardassians developing biogenic weapons. He uses this information to set a trap with the perfect bait, and he uses Ro to plant the false intelligence. But for Ro the situation becomes untenable after Macias is killed in a Cardassian assault. Picard (and by extension, the script) is smart; he realizes that Ro has been emotionally compromised and sends Riker in with her to make sure she carries out her mission, along with a stern warning not to betray her uniform. (He can't pull Ro out of the field now because he needs her relationship with the Maquis to make the plan work.)

Ultimately, "Preemptive Strike" is about Ro's decision at the end, where she torpedoes the undercover mission, betrays Starfleet and Picard, and joins the Maquis. For TNG , it's a fairly radical development (such things would become more commonplace on DS9 ). It's enough to make you re-examine the episode's gray areas and see that with the Maquis situation the Federation has a complicated quagmire on its hands rather than an easily solvable problem where everyone can be appeased or an enemy can be confronted head-on.

The episode's final shot, after Riker briefs Picard on Ro's betrayal, is one of the most memorable shots in the series. Patrick Stewart's grim-faced silence is more effective than any dialogue possibly could be.

Previous episode: Emergence Next episode: All Good Things...

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Comment Section

112 comments on this post.

With this one single episode TNG did more dramatically with the Maquis than Star Trek: Voyager did in its whole 7 year run. (Also: Ro mentions a lieutenant commander from tactical training who left Starfleet to join the Maquis. That's Chakotay she's talking about. That's from the TNG Companion book by Larry Nemecek) Also also: there's got to be fan fiction somewhere of Ro Laren and a rescued Tom Riker hooking up in a Maquis cell while escaping the Jem'hadar extermination of the Maquis. There has to be...

Well, I haven't seen the fanfic you talk about, but Ro is a major character in the DS9 relaunch books - Odo's replacement, actually. There is a beautiful scene in one of the books that serves as an extension to the final scene in this episode between Ro and Picard, even though they don't actually interact in that scene. I liked it.

Shawn Davis

I agree with what Patrick said about this episode doing more dramatically with the Maquis than ST: Voyager did in it's entire 7 year run. The episode was awesome indeed. The only big letdown is that Michelle Forbes chose not to reprise her role as Ensign Ro for Star Trek DS9 because the actor didn't want to commit to being an actor on the T.V. series that long. Of course Nana Visitor's character "Major/Coronal (sp?) Kira Nerys replaced here. I think that Kira is a much better character for DS9, but Ms. Forbes still could of at least starred as "Ensign Ro" in a least 1 episode of DS9 so make some stories about Bajor, the Maquis, and the Cardassion occupation interesting.

Latex Zebra

Great episode. I knew the minute Ro went on the mission that she would join the Maquis but the story of her getting there and the betrayal that Picard feels at the end is well worth it.

Curiously, Michelle chose not to get bogged down on TV, hoping to break into movies instead. End result, she never broke into movies but remained a TV regular (24, Homicide, Lost, The Killing), without ever returning to Trek. Preemptive Strike is definitely one of Trek's better hours. Patrick nailed this episode, both wearing the uniform and sitting on the director's chair.

Great episode - it's only too bad we had to be subjected to "Firstborn", "Bloodlines", and "Emergence" to get here. It's really too bad that Ro never returned as a character on DS9. On the other hand, she did play a major role in one of the best BSG episodes.

@Jammer -- one nitpick, Macias wasn't a Bajoran. He appeared to be a human. Speaking of Tom Riker ... I kind of find it dubious that the Maquis would accept Tom into a cell after a guy (Will) who looked just like him turned out to be a Starfleet spy in this episode. And it's pretty clear that it is the same cell, because Kaleeta is in both episodes.

@Patrick: I'm sure that was the intent when they wrote the line, unfortunately it was contradicted later in Voyager where Chakotay says he resigned his commission in March 2368 (i.e. around TNG's fifth season). Not much to add. Great episode, great review, perfect rating.

I agree this was a very good episode, my critique is more that I never liked how the Maquis-bajoran stuff slid us further and further away from Genes' vision of Starfleet. The central rule for gene was that Starfleet will always be the good guys, EVEN IF you have to make the plot convuluted. Maybe this is a better episode than Gene ever could have made, but this crappy, stuck in the mud bureaucratic wishy-washy federation that gets worse in DS9 is NOT what I wish the future to be like. I really do miss Genes optimistic Star Trek where the Federation is not just better, but more righteous than other groups/civilizations. It is interesting how we make fun of Genes utopianism, but it sure is obvious when it is gone. He would have HATED this episode. I hate the respect for Bajoran religion, I hate the maquis plots, I hate the stupid federation now. Again, I do enjoy this episode, but where was the positive future to look forward too Roddenberry was such a fan of.

Excellent point, Paul. Most likely, Tom Riker had the Maquis watch "Second Chances," much as Odo did during his briefing in "Defiant."

I'm with Paul, I don't think Macias is a Bajoran. He's wrinkly sure, including his face, but he talks about his "Bajoran friend". I don't think Bajorans use that kind of qualifier when talking about each other. It's also weird that this episode doesn't briefly mention what the Maquis are in a captain's log and just assumes the TNG audience was aware of the events of the DS9 two-parter. This is before the internet as we know it and also gliding on the assumption that people watching this show had access to DS9 in whatever area they were living as well. It's a minor nitpick. Also @ Nick P--I miss Gene's utopian vision in Trek too. Whether it was a realistic or dramatically viable, or not, it was so amazing for a tv series to have a far reaching ideal. You don't have that anymore...

Great episode. Ro was such a strong character. I believe her choice here, but I wish we had seen more of her, before and after. She puts the other women in the show to shame, sorry to say. My idealism takes issue with the depiction of the Federation, but I'm torn by the needs of the writers to construct compelling scenarios. The Maquis storyline is a good attempt to have an issue with no easy answers, but the problem I run into with it is that it always seems like one side or the other is going a little bit too far. I understand the general notion of having an investment in the life you build, but personally I'd rather move to a safer planet than live under a totalitarian regime or join a guerrilla army, no matter how much I like my backyard. Maybe I'm just lazy that way.

Not to get into an argument, but to everyone that seems to think you need to make starfleet be stupid in order to be dramatic. I think the obvious counterexample is Star Trek itself. Star Trek went 24 years doing it Genes way, and it was pretty successful. I think it is more interesting that somewhere around mid-season 5 is when people seem to agree TNG starting sliding even if just a bit, is the SAME PERIOD we starting getting the Ro Laren plots, and federation-Maquis non-sense. I won't go as far as saying it killed trek, but I do think the correlation is interesting.

grumpy_otter

When Ro Laren says she has never felt like she belonged anywhere until she met the Maquis--I believed her. Her character has been so consistent throughout, with no crazy inexplicable behaviors (as every other main character has experienced), that it made me realize what Star Trek could have been. Yeah, it's been great--it has also been abysmal at times. This episode is, for me--even more than the finale, the culmination of the entire series. The scene where she covertly meets Picard while pretending to be a hooker is the hottest moment in the whole series. It is commander-subordinate, proud father-adoring daughter, potential lovers, and stern parent-recalcitrant teen all wrapped up into one tense and passionate scene--without being creepy. Almost to the end, and I imagine everyone is going to praise the final outing. I'll be throwing a few bombs. :-)

Picard really went on to make himself a hypocrite of the highest order later...in the film "Insurrection" he was essentially precisely what Ensign Ro is here. Every time I rewatch this episode, particularly the last scene with his indignant glare, I recall that film and can think of nothing other than what a fraud his self-righteousness is here.

I'd sooner forget that Insurrection exists...

I'm with Josh on this one. Outside of "First Contact," I wasn't much thrilled with the TNG movies for the way they often flew in the face of earlier character development. (Even "FC" was a bit iffy.) This episode was a nice way to wrap up Ro's story, and a strong lead-in to the finale. A rare bright spot this season.

I agree fully with Jammer's reviews of Journey's End, Firstborn, Bloodlines, Emergence and Preemptive Strike. Just one comment. In Preemptive Strike, one gets the impression that the reason Picard is putting so much pressure on Ro to betray her Bajoran compatriots in the Maquis and fulfill her mission is because Admiral Nechayev made him promise her to make Ro do it. So, having made this promise, Picard can't back off and let Ro to quit the mission. The Federation's Admirals are just as stubborn and scheming as its Captains sometimes.

@Paul, yes, that appears to be my mistake. I've removed the reference to Macias being a Bajoran.

Good episode with strong characterization and development. @ Nick: As for Star Trek and Optimism, the world has moved on. The future is today, we have achieved things that Star Trek had predicted back in the 70's-80's-90's. However, we are no closer to a Utopia than we were during Gene's heyday as showrunner in the 60's-70's. Sure the cold war is over, but terrorism has now taken center stage. Can anyone argue that uninhibited optimism is even remotely possible in a world, where a bomber could kill innocent civilians for no reason other than an act of vengeance. The Maquis and the later years of Star Trek TNG-DS9 gave us that warning about the nature of mankind and our delusion that technology will allow us to be evolved and civilized. It warned us about the war on terror and its excesses with DS9 "Paradise lost", the ambiguity of sides with TNG "Preemptive Strike", and the tragedy of terrorist vengeance/counter in DS9 "Darkness and Light". Our world reflected Star Trek and still is, but we are now reflecting the reality that the later years revealed. Gene's vision was a dream that the world of fact and fiction awoke from nearly 12 years ago. Gene's dream was and is commendable, but it was a dream not a reality.

@Wl123 So what if Gene's dream is not wholly grounded in reality? Just because 9/11 happened 12 years ago, should Superman no longer fight for truth, justice, and the American Way? Should Luke Skywalker turn his back on the Force because terrorism exists in the real world? Should the residents of Hogwarts be hole up in a bunker because of the various calamities that exist in the global sphere? Star Trek is escapism to be sure. But, it has an intrinsic goodness that has been known to carry into the real world. It inspires. I'm reminded of a scene in "The Offspring" where Data tells his daughter, Lal, that even if never he truly becomes human--the important part was his working towards his dream. We can't toss away a hopeful vision, just because so many want to wallow in a sewer. Oscar Wilde said: "We're all in the gutter, but some of us are looking at the stars."

Call me naive if you will, but I believe in Gene's vision. I think the biggest problem is that too many people get bitter and cynical and end up saying "welp, humanity sucks, no point in trying". We didn't put people on the moon by saying that we're never going to be capable of it - it was a dream until, eventually, we achieved it. I think humanity deserves a little credit - yes we still have considerable problems and plenty of conflicts we shouldn't be having.. but I think we have made good progress. Not so long ago our own countries were lopping people's heads off every 5 minutes and burning people at the stake. Just a generation ago we were treating females as lesser beings, criminalising homosexuals and inflicting brutal physical punishments in schools that caused our children to scream and bleed. I know some countries and even some states of America are still lagging behind and still do some of these things, but I really think we're getting somewhere. It won't happen overnight, but the visions showed to us by Gene (and some other positive shows and communities I follow) can inspire us to do our best as individuals. And ultimately, "humanity" is a sum of its parts. I'd love to see more shows like TNG.

One thing I wanted to add, I don't think it has to be an either/or situation. I believe humanity could reach Gene's vision, but we don't all improve at the same speed, there are always outliers. I don't think the Maquis or Section 31 or any of those themes necessarily have to trash humanity as a whole. Also I think the worst thing you could do is portray the paradise of the Federation as being easy, or even the inherent goodness of humans in the future as being easy. It's hard work, it's important to put those ideals under pressure. Your characters need to be able to make mistakes.

The warning is from Trek itself that we took as mere storytelling rather than mankind's own issues. Exploration is not merely about exploring new star and nebulas, it's about exploring the uncharted possibilities of existence as Q had pointed out at the end of TNG's All Good Things.... Who among us that lived in the 90's could deny that we were overly hopeful. That we held too much heart with our technological progress creating a world that may resemble Star Trek. Yet, the dream ended, futurist like Fukyama and others forgot one important truth, mankind is not merely just a species, a nation, or a group, we are individual people making choices that affected everyone around us. We need a new way to create the vision, because unless we have a bloody World War based on ideologies as Gene predicted, we would not have peace. Don't forget that Gene's vision of mankind's future also included a decmiation of half the world population.

Television not only reflects reality but it legitimizes behavior. As television has become coarser and coarser, society, people, have become less civil. Television (not movies) is/was always trying to, "push the envelope" ie. 1950: Married couple enters home (a real nice one, worth coming home to), toss off hats, he picks her up and carries her upstairs. Fade to black. 1970: Married couple make it to bedroom door (inside a posh apartment.) Fade to black. 1990: Married couple fall back on the bed (In a shabby suburban home.) Fade to black. 1995: Unmarried couple fall back on the bed (In a neatly decorated apartment.) Fade to black. 2000: Unmarried couple rustle under the sheets (In a frat house.) No Fading. A reality show a few years back had cameras in the bedrooms to watch the actors "get it on." More violence on TV. More cursing on TV. Less hope or people trying to better themselves. A little push here a nudge there. Imagine falling asleep in 1955 in front of the TV and waking up today with it still on. Your mind would be blown. You would be shocked. Imagine if Two and a Half Men is on, talking about Charlie's ex-lover having a sex change and now having sex with his mom. You're done, your cerebellum is fused. As TV legitimizes behavior, behavior that YES already does exist, that behavior becomes slightly more acceptable, then more and more, the more often it is portrayed. Star Trek, especially the original series, always had a grand vision for the future and Humanity's conduct in it. Star Trek's characters took a fierce pride in the Federation's ideals and - prime directive issues aside - always tried to live up to them. We need more shows with happy families, with fathers who take care of their children, where people don't treat eat other like garbage, don't swear like sailors, work to better themselves, harbor no hate in their hearts, don't steal, don't do drugs, don't cheat on their wives etc etc Let television legitimize THAT behavior. Shows with hope for the future, with people who don't fight over their petty personal conflicts and work together to achieve something for all and sundry! But no, we get inter-personal relationship troubles and love triangles and back stabbing even in the face of annihilation. ranting. So... yeah we need more shows like Star Trek :)

@Rosario "The children now love luxury. They have bad manners, contempt for authority; they show disrespect for elders and love chatter in place of exercise." For some reason your comment brought this quote to mind.

@Rosario The only fear I have is that fiction ends up becoming this sort of global delusion that we all tell each other to convince ourselves everything is going to turn out all right in the end. That, more than anything, scares the hell out of me, the idea of us turning our backs and pretending to erase unpleasant truths from existence rather than using fiction as a medium to examine and reflect. I'm not saying we have to wallow, just that there's room for a balance. You can't have every story reward goodness, it's condescending and a bit insulting. Insulting for everyone who's lost someone who, for example, died randomly despite being a loving, caring person. Insulting maybe even for anyone who has robbed a bank and gone on to live a long, fulfilling life, because sometimes crime does pay and you can't lie about that *all the time* without your audience getting a pretty good vibe of untruth about the whole thing (or worse, they don't get a vibe of untruth about it, only to get slapped in the face by reality when they leave their lounge room). Also the problem with creating characters that are happy, caring, don't swear, everything on your list, is that they become so superhuman as to be completely unrelatable. To err is human and all that, it's the flaws that make characters who they are. Now, that said, it's possible none of that relates to Star Trek at all as it's speculative fiction about the future rather than the present...but I stand by it as a general rule, hehe, false sense of security = bad (although I could probably be talked into the idea that the pendulum has swung too far in one direction. Like I said, balance).

@DavidK More or less agreed, I wouldn't want a uniformity of "wholesome" entertainment. I certainly wouldn't want to go after Hollywood or HBO/Encore/Starz etc. As to superhuman, I'll have to disagree. Watch more movies from the 30s and 40s. There are a great deal of "dark" heroes though they usually end up turning to good to protect the innocent and eventually they will die but a heroic death against what they previously stood for. As lame as it sounds, I'll cast out Mr. Belvedere as an example of a good role-model on television. He was calm, polite, well-mannered, he was always reading a book and he always had the answers to whatever the moral of the episode was. He was cast as a mere servant but a kindly and benevolent one that was a font of good common sense. He could also make excellent PB&Js. I wouldn't say the show was entertaining but he was a good role model. You can also have a good man have bad people be inflicted on him and he honestly gets himself out of situations. To take your bank example there are numerous old films that start with a horrible crime and over the course of the movie is the hunt for the wrong-doers by the good guys - and no, they didn't always get their man. I'm not sure there is a false sense of security when a film/show shows that bad things happen to good people but that good people can overcome without succumbing to the bad. That just seems like a positive overall message to me. Crimes in most old movies are brutal, the movie wants you to be appalled, it makes you root for the good guys and maybe, want to be one. I would also posit that the pendulum *has* swung too far and we *are* wallowing.

going off on a tangent... I can also envision a Battlestar Galactica without interpersonal conflicts. Written by someone with actual knowledge of warfare, strategy and tactics who doesn't use... "idiot" methods to get his characters into trouble. You know, "idiot" plot, like two characters are fighting with each other so they don't hear cylons sneaking up, or a guard isn't set on a camp for no other reason than that the writers want it to be attacked and can't be bothered to make their characters intelligent enough to set a guard in which case the cylons would have to actually be clever to launch a sneak attack. Instead of characters fighting all.the.time. you could have them working together to achieve the goal of throwing off their pursuers and finding a new home. Adama could have given rousing speeches on why we fight and tear-jerking eulogys at the funerals of characters because people do die. Instead of scene after scene of Starbuck oozing teenage-angst we could have scene after scene of her out-stripping cylon fighters because she's supposed to be a great fighter pilot, right? I saw more of her "acclimating" to being a CAG than I ever did of her actually fighting Cylons. It could have been a sci-fi military classic, with strong commanding roles and gripping, intelligent battles that don't depend on one side being incompetent. Sure it would have been a little more talkie but hey, I'm only filling in scenes that consist of characters just posturing at each other, exchanging glares, not dialogue. Something has to fill that void. It would also have had better and longer battles - that always helps especially with dialogue running throughout with the ship-to-ship communications. Instead we got a dysfunctional group that is at each others throats almost every minute of every day unless a cylon raid shows up in which they throw aside all conflict and team up together to fend off the threat. Then they go right back at each others throats. That is a bleak, hopeless vision for mankind, whether they win through in the end or not. Whether they have moments of friendship or not. The over-arcing theme of BSG is that humans do not like each other and even being pushed to the brink of utter annihilation won't change that. That we are petty, self-serving cretins. That is bleak and hopeless, dark, bitter view of the world and its people. Diseased minds wrote that show, week after week. All over it is praised, this site included. How folks who love Star Trek with its intrinsically positive view for the future can love BSG as much - if not more - absolutely astounds my mind. Even DS9, lauded and beloved for its darker view of the Trekkian universe still portrayed more often than not, folks coming together and working together towards common goals. A brighter future. I'm NOT saying that people like this don't exist but why is every one of them on the crew of Galactica? Behavior like this is aberrant and should be considered aberrant. No real military would tolerate Starbuck's constant "bucking." It's inconceivable that a soldier who shows that sort of rogue behavior is promoted and put in charge over young people's lives. She's a great pilot with a good tactical instinct. Great, let her fly and ask for her advice and listen when she offers it. Don't put her in charge of people's lives. I could rant at BSG forever so I'll just stop here. Tangent ceased!

@WL123 & Cloudane WL123 point about living in a world with terrorism is absurd in the greatest degree, and in some ways illuminates the point I (and Rosario to some degree) am trying to make. In the late 60's we lived under the REAL existential threat of nuclear devastation from the Russians. Right now, terrorism, I guess, but even the twin towers is a pin-prick compared to what the russians could have done to us. My dad had nuclear "alarms" at his school. We factually live in a much better, safer world than the 60's. And I frankly think Roddenberry was wrong in lot of ways, you can have a young russian pilot and visions of peace until the cows come home, but all Kruchshev had to do was push a button and bye bye NY or DC or both....Seriously, we could have lost millions of people. But that is exactly WHY we need people like Gene and show like ST, to show us there "might" be a better future for us. Not DS9 or BSG that shows the worst of us, we need SF that shows the best of us. People always say they would have loved to live on the the original or TNG Enterprise, and that is exactly the crux, NO ONE wants to live on DS9, even the people on the show don't want to live there! I personally do not believe we will ever live in a star trek Utopia, but that is EXACTLY WHY we need to dream of the Star Trek utopia.

@Rosario, I love BSG, but you do illuminate the biggest problem, and that is Moores need to have conflict, just for the sake of itself. The greatest weakness of the show was how trained military officers would pull guns on each other at the drop of a hat every other episode.

Ro seems to have skipped the JG Lt. rank and jumped right to two full pips. It was harder to see to be sure, but the same thing seemed to happen for Lavelle in "Lower Decks".

@Jack: Lavelle went to JG. You can tell when he puts the pip on the table. Also, it's possible that Ro was promoted twice since we last saw her. Riker received that kind of fast track after the incident that created Tom Riker. Riker went on to be lieutenant commander and first officer on the Hood and then full commander and first officer on the Enterprise in less than two years. Heck, Riker could have been a captain by then, if he'd accepted command of the Drake.

Great episode. Poor Picard felt stung by the 'betrayal' but he sort of sent a kid into a candy shop with orders not to eat anything. At her core, Ro has always been a rebel without a cause. Picard gave her a cause and nature took over from there. Picard knew that the Cardassians were instigating some of these skirmishes. Given Laren history he also knew he was taking a huge risk. No matter his true intentions, he set Ro Laren up to fail. 4 stars

As a casual viewer of TNG, i must admit i fell in love with Ro watching this remarkable character episode. There's something so raw about her. To me, her beauty, her wits, her talent as an actor, all of that combined... she's up there with Seven of Nine, period.

Am I the only one that doesn't like the ending of this episode? I REALLY think that most of the episode was really well done, but I'm just not sold with Ro going off to the Maquis. I'm not convinced she belonged there (although truth be told I was never that convinced that Chakotay or Torres would have joined either). Is it possible for an undercover officer to sympathize with the people under their watch? Of course. I could even see that happening to Ro. I wasn't shocked when she made the choice to reveal the trap (at that point the buildup to it just wouldn't have made sense otherwise). But leaving with them smacks of a cowardice that I could never have imagined in Ro. I really liked the ending of "For The Cause" when Kasidy (another person who sympathized with and helped the maquis but wasn't one) came back to face the music because she owed it to her relationship with Ben. Ro "belonged" with the maquis because one old man who liked Bajoran food died in front of her? Really? And then we're a terrorist just like that? Because I didn't totally buy her defecting the ending scene seemed like running away. "Now that I've ruined my Starfleet career because I couldn't go through with this trap I might as well hang out with these guys because where else can I go?" Ro Laren wasn't that much of a coward. She should have gone back to face Picard and own up to her choice. And the fact that she didn't was a plot contrivance to make sure she was in the Maquis in case the fan favorite agreed to do Voyager. After Wesley's crappy ending and now this I sort of wish they had not bothered to try to give their side characters a second off.

That should read "send off". Must not post before coffee.

Andy's Friend

Robert, I agree with you on Ro not really being a Maquis. But I believe that's not the point: the point is that Ro is a deeply insecure individual, who just doesn't know where she belongs. Sometime in the future, she'll most likely abandon the Maquis in order to try to "belong" somewhere else. I believe that Ro is basically that poor kid who wants badly to belong with somebody, but has authority issues, has identity issues, has self-esteem issues, has all kinds of issues and all sorts of questions, and eventually drifts from one social grouping to another, until he or she finally, normally at a much more mature age than Ro is here, finds him or herself and finally settles down. Sometimes this never happens. I hope it does for Ro :)

She isn't insecure at all at the end of the episode. She realizes her people need help and that the Federation is not doing anything about the real issue unfolding on the ground. The whole point of the episode was to show how she had to turn her back on the Federation for the greater good. It's that simple.

Interesting thoughts, but I'm going to disagree Robert and agree with Andy's Friend. I think this is a logical step in Ro's character growth. If you'll bear with me, I'm going to play armchair psychologist for a moment. I think there are two important aspects to Ro's character: 1) She has problems with authority. This is pretty obvious from the first episode; it's obvious from her first appearance. As soon as she appears, Riker dresses her down and demands she remove her earring, and she reacts with disgust. Yet another authority figure she hates. To her, all authority figures are at best useless and at worst tyrants. Presumably, this stems from Daddy issues. After all, her father should have been the proper and positive authority figure. And by her account he was... until he was killed by the other authority: the Cardassian government. Given that, why wouldn't she distrust all authorities? They either did the deed personally, or just stood by and let it happen. Where was Starfleet when this was happening? Where was the Bajoran resistance? Where was anyone to protect her and stand up for what was right? Where was anyone she could trust? This is why she bonded so much with Picard. He was the FIRST authority figure since her father that she could trust. He was the first one that stood up for what was right, not just went along with the crowd or manipulated events for his own agenda. He was the first one that actually listened to what she had to say and valued her as a person. At best, she was just a tool for anyone else. Despite his distance from her, Picard became her surrogate father. Because he was the only positive authority figure she knew since her father. 2) She is emotionally immature and uncomfortable with herself. This one is not quite as obvious, but I think it's there anyway. Basically, what I mean is that she presents herself as a detached, tough gal loner, but she is actually someone who wants to be involved and wants to care. Or, y'know, what Andy's Friend said. She simply has lost faith in humanity (Bajoranity?) and is trying to run away by retreating inside herself, but there is still a part of her that wants to belong to a community. People like to compare Ro and Kira and say they are clones, but the difference is that Kira responded to oppression by forming her own moral code of justice and fighting for it, while Ro responded by rejecting the world and retreating from it. Kira always seemed comfortable in her role, but Ro didn't. My evidence: - When she lost her memory (Conundrum), she became outgoing, friendly, and personable. That is who she wants to be. After all, that's what Troi said to Riker is that he acted in a way that he wanted to deep down (and knowing Riker, hitting on the hot girl makes perfect sense for him). But the same holds true for Ro: she wanted to be that type of person, smiling, friendly, a lover. She wants to belong. - My impression is that she has a love-hate relationship with the Bajoran religion. On the one hand, it's just another authority figure that failed her (where were the prophets during the occupation?). She roles her eyes at the Bajoran death chant and originally didn't believe in an afterlife. On the other hand, she still wears the earring, and she was very quick to accept the possibility of being dead in The Next Phase. Consciously, she shunned her religion, even if accepting some of the trappings, but unconsciously she still clings to it to some extent. - Her relationship with Guinan also seems to indicate this. Guinan is a great listener, and has picked up quite a strong understanding of humanity in her centuries of living. She can probably psychoanalyze anyone in about 2 seconds. And what does she pick up from Ro? That she needs a friend. That deep down, having a friend is what she wants, despite all evidence to the contrary. This is reinforced (however poorly) in Rascals. Guinan spends the entire time convincing Ro that she can drop her tough girl attitude and just be herself. And being herself is having fun with a friend. Drawing pictures of people she cares about. Belonging. And yet she refuses to acknowledge this until it is forced out of her. She is uncomfortable with these desires she has. OK, so that's the idea. Ro has authority issues, but is also emotionally immature and uncomfortable with herself. Thanks to Picard giving her a positive role model, she is able to start growing and moving past these issues. But they aren't going to go away overnight. She is still not grown up, emotionally. Despite taking advanced tactical training and moving her career along, she still seems to be doing it for Picard, to please him. She is still uncomfortable with the idea that SHE should want this, that SHE is becoming part of a community for herself. She's better, but still not quite right in the head. So she goes on this undercover mission, and she meets another possible positive authority figure. It's not just that he likes Bajoran food; it's her father! Not literally, but remember, her authority issues stem from the loss of her father. And this person reminds her soo much of her father. Given that, it's not surprising that she falls so hard for him. And since her tough gal act is just that (an act), she starts to get the feeling of community that she secretly craves. And since this guy is not just the distant authority figure (like Picard is) but a close one, she lets her guard down. And when she does, she falls hard for this community. If she was comfortable with herself, if she accepted her role in the world, maybe she could have squared the circle she was facing. She now had two positive authority figures in her life, but they are on opposite sides. Now that she is close to Macias, Picard is starting to look like those other authority figures: people who don't listen to her, who only want to use her, who manipulate others for their own ends. The bar scene really reinforces this idea. Again, if she was more emotionally mature, she could have seen both sides. She might have understood why Picard was doing what he did, and that Macias' position as a Maquis is possible while still being a warm and charming person. But she isn't. She might have been able to deal with it, but then Macias was killed. By a Cardassian. Once again, her father was taken from her. You can see that that is the moment she loses her Starfleet persona. She was purposefully missing the Cardassians before then, but afterwards had perfect aim. Again, she fell hard for these people because she isn't used to relationships, and so now she doesn't know what to think. Once again, authority people are hurting her, and while she may intellectually understand the Maquis issue, emotionally she is still a child. Emotionally, she is acting in the same way that she does as a child. She follows in Macias' footsteps because, as usual, she's retreating from a world that only exists to hurt her. In this case, it's the world of Starfleet. It brought her a new daddy and then took him away from her. So she retreats. But this episode isn't entirely depressing. Yes, Ro is making the same mistakes, but she's still growing. For one, she's recognizing her desire for belonging and community. Before, she retreated by being a loner. Now, she's retreating by rebelling against her former trusted authority figure and former life. But also, she hasn't fully rejected her past authority figure. She still cares very much for Picard's blessing and craves deeply for Picard's approval. She hasn't consciously rejected him. There is still a conflict within her about this event. That's better than before, when she would just reject authority out of hand. She rejected Picard's idea, but didn't reject the man. That's an improvement for her. So I agree with Andy's Friend, I don't think this is the end of Ro's story, but rather just a continuation. It's too bad DS9 didn't continue her story, it'd be interesting to see how she would have reacted to Eddington's WMD philosophy. Would she reject that as well? Or better yet, it's too bad that Michelle Forbes wasn't up for pulling a Colm Meaney and joining the Voyager cast (I believe part of the reason for this episode was to set up the possibility). Sure, Tom Paris has the "redemption" arc in that series, but I think she could have had one too.

@DLPB - I will take minor issue with "She realizes her people..." they are not her people. She may, as Skeptical said, fall for them very fast... but HER people needed her to stay in Starfleet and take the job on DS9 to help rebuild from the occupation! @Andy's Friend & Skeptical - What's interesting about your analyses is that it lets me be "right" and "wrong". You both think she doesn't belong with the maquis but she "falls in". I can see that... I just.... To be honest I always had issues with most people who are not from the DMZ joining the maquis. I may not have been totally sold on Chakotay being a maquis, but it's more his personality than his story. His father died so he goes off to free his people in his father's name. It makes enough sense. Kasidy was good enough for me too. A sympathizer delivering medical supplies is about as lightweight as it gets. There's no meat there, so there's very little to take issue with... But Eddington, Ro and Torres always struck me as off. It's interesting you say that people say Ro and Kira are clones, I actually see Ro in Torres instead. The authority bucking rebel with daddy issues and a want to belong somewhere.... I guess we do have people randomly going off to Israel or whatever to join the army because they feel like a part of that, but when a Bajoran joins the Maquis I just feel like it's because they still need to kill more Cardassians. The guy from the end of Duet would be a good candidate. Ro wasn't like that. The maquis may have a sympathetic cause, but I can't see her finding any peace there (or Torres in the long run either). To end my little tangent there, I think my problem with the episode is wrapped up in "So I agree with Andy's Friend, I don't think this is the end of Ro's story, but rather just a continuation." This WAS the end to Ro's story, and it was a lousy one :) It might have been a good episode, but it's an unsatisfying ending to a character arc I was enjoying. And I do agree with you that it was done to set her up to be on Voyager (just as I know she was invited to be on DS9). I really like Torres and Kira, so I guess in retrospect I'm glad she didn't go.... but I still think I'd have liked to see what happened to her in a DS9 coda (and I really hope it wasn't "she died fighting the Dominion in a few years".

She is a Bajoran, and the Bajorans needed her given the silly Starfleet treaty with Cardsassia.

*Cardassia. She had finally found a people that she could truly identify with, and she makes that point herself. She's fighting for something that she believes in.

What Bajorans? Santos, Macia and Kalita are all humans that live in the DMZ. When the treaty was signed Starfleet didn't own any Bajoran colonies, so they couldn't have given away Bajoran land. These people might need her, and she may have found a people she identifies with and feels is worth fighting for. But they are NOT Bajorans. For the most part, Bajoran maquis are people who are sad the occupation ended and they can't kill spoonheads anymore....

The first time I saw Preemptive Strike, I had the same impression of that last shot on Picard's face as I did today, seeing it again just now... anger, yes, at the mission's failure and Ro's betrayal; but anger at himself for losing her. For throwing her away, really. She wasn't capable of doing what Starfleet asked, and he should have known that. Riker in makeup and earring was readily accepted by the Maquis. Surely, Starfleet could have used a similar decoy for this mission?

This is one of TNG's best, it really stands up and Michelle Forbes's performance is great - there's a maturity, depth and roundedness to it that perhaps was less visible back in "Ensign Ro". Great script by Rene Echevarria. As much as I love it, it's not without its niggles and problems though - firstly, not only does the way Ro is so easily accepted by the Maquis cell strain credulity, their later off-camera acceptance of Riker(!) as a Bajoran relative of hers is downright ridiculous. And the cell members don't really seem like credible terrorists/resistance fighters; Macias (as written) seems to exists only as a father figure for Ro and isn't otherwise fleshed out as a character. Finally, how does Ro explain herself to her Maquis colleagues at the end? How does she explain how she knew about the Starfleet armada in the nebula? How does she explain the disappearance of her "Bajoran relative" and the loss of her ship? Non-credible details like this do harm an overall excellent episode...

But also I want to comment on how sensual and heartfelt this episode is, and how the line between father and lover is blurred in the form of Picard. It's an episode of goodbyes for Ro - goodbye to her father figure Macias, goodbye to her one-time lover Riker (their relationship only being possible under the circumstances of the episode Conundrum, but a tenderness and connection nevertheless remaining between them), and goodbye to Picard, the person who meant most to Ro in the world and who in turn cared tremendously about her and was truly proud of and invested in her. The scene where Ro and Picard have their final conversation while posing as sex worker and client, as they touch each other tenderly and whisper in each other's ear, is phenomenally directed and acted - there a breathtaking sensuality and deep sadness to it. Zack Handlen was right when he wrote that it came over like a break-up; they're both solitary people who forged an unexpected but deeply meaningful connection with each other in the face of barriers and who mean a tremendous amount to each other, more than is verbalized by either, but are both bound by their moral code and sense of duty, with the result that their paths are destined to diverge. That scene and a couple of others in this episode (like the final shot, and "Goodbye Will") feel kind of iconic and it's a shame that moments this truly deep and sensual are so rare on Trek; the intimate personal aspects and subtext of Pre-emptive Strike do remind me of Echevarria's Chimera in the final season of DS9, and the actors make just as much out of them.

I didn't remember this episode at all from seeing it back in 1994, so it was a pleasant surprise especially in the doldroms of season 7. I'd give it 3-1/4 stars. I especially like when an episode pulls the audience in for the same ride as the protagonist and this one does it very well. I even wanted to go online and find a recipee for Hasperat (of course they are out there!) It is well acted and well written. I'm not sure Ro would have been able to infiltrate the cell as easily as she did, I suppose a nod to the absurdity of this was her lack of invitation to the tactical meeting. While this episode was just a launching point for the maquis conflict to make deep space 9 more interesting and give it a premise, it still is a very good episode. Creating an enemy for the sake of fodder for writers was a poor choice as it doesn't reflect the passions or interests of the writers, it is merely a device to create more Trek episodes. As for the debate in this thread of comments about Roddenberry's utopian future. I think Roddenberry's vision (or the best of his vision anyway) was that the crew should be like a family, and family do have squabbles. As for Rosario's original comment. I personally think televsion is (and always has been) 1too santitized. Case in point, viewers of the HBO show Game of Thrones have zero immunity to shocking deaths and rapes because of television having been traditionally written that the good guy always keeps his head. That's why GOT is so refreashing. Even after you've seen a few tragic deaths your little voice in your head keeps cheering for the good guy and you don't see it coming.

Such a deep episode. As an audience, we KNOW this "traitor". We've seen her jump on the bed as a child! Many (myself included) agree with her choice to join the Maquis. While many (myself included) also respect the hell out of the Federation and what it stands for. It's a tough call for Ro. But what is not a tough call is rating this episode four out of four stars. I am currently binge watching "Next Generation" in chronological order and as a first time viewer. This one hit me like a tidal wave in comparison to other great episodes of this amazing series.

Just finished watching this episode, and have to commend (as Jammer does) that final shot of Picard. So much emotion, so much conveyed without a single word being spoken. Compelling.

It's amazing, it feels like it was just yesterday when I reviewed Ro's first appearance in the episode named after her and yet that was three months ago. It was almost six months ago that I first started. Writing these reviews and coming to the end of TNG makes me feel kind of like what it felt like when TNG actually came to an end back in the day - bittersweet. I almost don't want it to end. :-( "Ensign Ro" was an amazing introduction for the character of Ro Laren and "Preemptive Strike" is an even more amazing exit. It has wonderful world-building (the very first comment here says - "With this one single episode TNG did more dramatically with the Maquis than Star Trek: Voyager did in its whole 7 year run" - I'm having trouble arguing with that), amazing character work, a smoothly flowing script/action and (yes) that stunningly evocative final shot of Picard ("one of the most memorable shots in the series"? - absolutely!). While I really don't care for how Picard, and by extension, the Federation are portrayed vis-à-vis the Maquis, Ro's character arc more than makes up for that. Seriously, the Federation's response to the Maquis makes next to no sense. Why are they so determined to end the Maquis uprising? Just to maintain the peace with Cardassia? That really smacks of "peace at any price" - something I just can't get behind. The Maquis have legitimate concerns and it's clear that Starfleet and the Federation simply aren't doing, and aren't going to do, anything about them. In fact, Starfleet seems to be actively siding with the Cardassians, even when they know the Cardassians are not adhering to their end of the treaty. Is peace really so paramount that they're willing to sell out their own people? Good grief, even the first Jem'Hadar character we meet points out that the treaty seems like a clear-cut tactical mistake on the Federation's part. Sometimes, sadly, war is necessary. The Maquis firmly have my sympathy! It's really a shame that VOY never really continued to expand on all this wonderful groundwork. However, Ro's story more than heals any harm that may cause the episode. To have her betray Starfleet and Picard and join the Maquis is almost unprecedented by TNG standards. To have one of the good guys, and a fan favorite no less, defect to, what can only be called, the enemy is stunning for a show that for so long didn't like to rock the boat. TNG has definitely matured in its old age. And, it all feels so natural for this character. She's never really fit in in Starfleet, always had massive problems with authority, and always rankled under the rather strict guidelines imposed on her by a Starfleet lifestyle. Add to that the fact that she never fought in the Bajoran Underground but instead run as far away from the Occupation as she could (something she no doubt feels incredibly remorseful about) and it only makes sense for her to join another group of rebels, especially ones fighting Cardassians. Again add to that the fact that she watched Cardassians kill someone she had come to care about yet again (her father being the obvious other one) and it all makes perfect narrative sense. While it would have been nicer for her to not use her position as a Starfleet officer to aid the Maquis (I would have rather she resigned and then joined them, a la Chakotay and not like Eddington), not everything can be perfect. I also loved both Riker and Picard's reactions to Ro's defection. Riker, even with Ro holding a phaser on him, clearly respects her and sees that this is the right move for her. Does that possibly mean that Riker, in some way, secretly sympathizes with the Maquis? Wonderfully played by Jonathan Frakes. And Picard's reaction is just superbly acted by Patrick Stewart - he's angry because the mission was a failure, angry at Ro for her betrayal, and also angry at himself for failing Ro. Masterfully done. And without any dialogue! Wrapping up loose ends while simultaneously laying groundwork for two other series, "Preemptive Strike" is one of TNG's best hours. As the penultimate episode of a television science-fiction giant, it's about as good as you can get. 9/10

Diamond Dave

A strong penultimate episode, and a ballsy move concentrating on a lesser member of the cast. Fortunately Ro's character is strong enough to be the backbone of the episode, and it sets in play a number of fairly un-TNG like issues that will eventually play out in DS9 and Voyager. On the downside, the script telegraphs Ro's defection pretty much from the get go. From her natural sympathies and allegiances, to finding a father figure in Macias, to losing him in a suspiciously well-timed Cardassian raid, it all adds up to only one real conclusion. The last shot, though, is a classic. 3 stars.

I loved that shot at the end, too. It really brought home the idea that the Maquis were not the type of opponent Picard had dealt with, and that his typical tactics and speeches wouldn't work on them. This is a great bridge to DS9, and perhaps some questionable tactics Sisko uses later on.

Damn good episode, be missing the show....

I really liked the dialog between Captain Picard and Admiral Nechayev.

Welchie!!!!!

This is episode is why I love Michelle Forbes. Strong writing and acting. Creepiest Picard dialogue ever at the seedy bar with Ro. More Ensign Ro please. Even if it's a crossover episode where she takes command of the Battlestar Pegasus and tortures Wesley Crusher to death.

One thing that blows me away about this episode is how Ro is essentially Picard's greatest love in all of TNG. That one episode where Picard has a relationship with the science lady doesn't even remotely stack up to the level of emotion presented in "Preemptive Strike." That scene in 10 Forward in the beginning of the episode where Picard makes for the door and then hails her to the Bridge, only to surprise her in the hallway, is really intense. You would think it was a fluke, if it were not for the last scene of the two of them together, nudging foreheads in the bar, pretending to be romantically involved while Picard whispers that he will have her court-martialled for betraying the mission. An incredible double-entendre. Riker has to put the report on the table for the final shot. The only other time I remember a camera swinging around a character like that was the cliffhanger in "Best of Both Worlds." In a way, it's really the end of the series. And it ends in tactical failure and heartbreak. Just stunning. 2017 and I'm still watching.

Well, I don't think it's romantic love, but yes, Picard obviously cares a lot about Ro and obviously took this betrayal pretty hard. It was mentioned a couple times that Picard cared a lot about the Bajorans in general (Ensign Ro and Emissary IIRC). Presumably, he wasn't very happy with the diplomatic situation that left them under control of the Cardassians and he wished he could do more to ease their suffering. Whether that played a part in his attachment to Ro is unclear, although I think it is a part of it. Likewise, the fact that Guinan cared about Ro may also have tipped the scales a bit, given how much respect Picard has for Guinan. But going back to Picard's feelings about the Bajorans in general. I get the feeling that mentoring Ro was his way of doing something for the Bajorans as a whole. If he felt sympathy for the Bajorans, he felt some sort of guilt that he couldn't do more, even though intellectually he knew there was nothing he could do. So there may have been a subconscious transfer of his longing to help to trying to "fix" this emotionally broken refugee. It may have been why he cared so much about her. He did everything he could to help her, and then she went and joined a criminal organization. And it was *his* fault. The guilt he felt for not helping the Bajoran refugees now crystallized into a specific action and loss. He tried to save one refugee, and instead he failed. Keep in mind that a month or so ago he ordered Sito Jaxa to her death. So that's two Bajorans he not only failed to save, but instead did the opposite. No wonder he was so grim at the end. When I watched this episode before, I was focusing mostly on Ro's character. But now that you mention it phaedon, I can see how this is, at least to some extent, a Picard story as well.

I personally found Picard's dialogue in the seedy bar to be pretty ridiculous. I think it's out of character too. He should've been smart enough to see how problematic this mission would be for Ro and now if he's suspecting her resolve he should either offer her an out or otherwise have a better backup plan at the end, pre-empting her betrayal. I also don't see what was so compelling about Michelle Forbes' performance. She mostly spent the episode looking bored, as though she was only there because she was contracted to be. Kinda like Wil Wheaton a few episodes earlier. Not a terrible episode but not the masterpiece everyone seems to be raving about.

I too was fascinated by the Picard/Ro relationship in this episode... somewhere between master and protege and something else burbling under the surface, from the moment he paged her out of Ten Forward, to the intimate bar scene and all the way to the end shot of the captain staring, grim-faced, jaw set. Clearly the writers intended to convey that under-current of an unspoken love or at least attraction, perhaps one that blinded Picard to the obvious, that Ro was too raw, too vulnerable to send on mission like this one, given where she came from. As noted above, her "good bye, Will" moment with Riker acknowledges their history and an intimacy and informality they'd never otherwise have permitted one another. Something qualitatively changed about Michelle Forbes since her previous appearance (maybe it was Rascals, not sure). She seems more confident in her role, more sensuous, more tragically beautiful. Too bad it had to end that way.

IRo had divided loyalties. The situation required her to betray either the Maquis or Starfleet. She had been portrayed previously as a person who tried hard to do the right thing: for example, at her court martial she didn't defend herself, and when sprung from prison in her intro episode, she didn't blindly do the admiral's bidding in exchange for her get-out-of-jail-free card. She had sworn loyalty to Starfleet; and she is the kind of person who would take that seriously - more so I think than Tom Riker and Eddington. Even more than that, she took her promises to Picard seriously. How could she betray this man, of all men? But the Maquis's hardscrabble struggle was similar to the Bajoran's struggle. She watched her father get tortured to death; then she was in a refugee camp like the one seen in "Ensign Ro" - but she didn't stay and fight for her people or her father's memory. She made her way to Starfleet academy where everything was shiny and the replicators gave you any food you dreamed of and you never had to be cold or hungry. She rejected her fellow Bajorans and their miserable lot, but she always felt guilty about it. That's why she was ethically torn in "Ensign Ro" and that's why she is torn here. (The Maguis are not the Bajorans, but their cause and their enemy are the same, and they live the same lifestyle that the Bajoran resistance did.) In "Ensign Ro", all ended well because the anti-Bajoran mission that Admiral Kennelly sent her on, was illegal; the Bajorans had NOT attacked the Feseration outpost, and with Picard's help she was able to be both a good Starfleet officer and a good Bajoran. In "Preemptive Strike," she has to pick a side. Someone above commented that her choice seemed like cowardice. I think to her, returning to Starfleet would have been cowardice. A cushy life on a fancy starship, obeying rules, "passing" as a member of the dominant mainstream class with its powerful uniform and all its easy privileges, concerning herself with her next performance review or what drink to order in Ten Forward? That's what she chose when she fled the refugee camp for Starfleet Academy. She abandoned her people once. She's justified it painfully but never forgiven herself for it. She won't do it again, to the Maquis - because that would prove all the worst things she suspects about herself: that at heart she's a weak and treacherous person who sells out her own kind. ("Ensign Ro" explains her reasons for leaving the refugee camp. She was ashamed of the degraded poverty and misery of her fellow Bakorans, just like she was ashamed of her father's weakness under torture. Picard says "I can't believe these people have to live like this" and Ro snaps "I couldn't. And I wouldn't! That's why I got out." But secretly she was really also ashamed of herself, because she'd achieved the good life by rejecting her people. So she flaunted her Bajoran earring and her last-name-first tradition, playing the 'proud indigenous Bajoran who rejects your Starfleet ways'....all ito cover up her secret sense that she's actually a pretty craven traitor of a Bajoran. Basically, Worf's conflict but with more angst and higher stakes.) The Picard/Ro bar scene was amazing. The "Goodbye, Will" moment was amazing - credit to Frakes for the regret and respect he projects (showing the depth of their relationship, both personal and professional.). And the final Picard moment was amazing.

Great write-up, Tara. I would add as well that because of her heritage Ro had a rebellious streak in her, flouting authority and not wanting to go with the flow like most other Bajorans. Ironically this would mean rejecting the Bajoran struggle, going instead to Starfleet as a sort of teenage 'acting out'. Once there, as you say, she probably recognized that continuing her headstrong ways would just get her in trouble. By the time of this episode I think she realized that not only is being rebellious not a cowardly vice, but among the Maquis - who seem to be very individualistic - it's a valued trait. So her 'weakness' is actually a strength among the Maquis, and her vice a virtue. It would be very alluring even putting aside the parallels with the Bajorans and finding a father-figure there.

I’ve always felt Picard totally misjudged this situation. I think he should have known he was putting Ro in an impossible situation where she might question loyalties and ultimately join the Maquis. Not only does he do an injustice to Ro by helping to recruit her for this role, he also puts Starfleet’s efforts to get the Maquis in jeopardy. Then again, he was only following orders. When Picard proposes to Ro the Federation plan to trap the Marquis, he threatens her with a court-martial if she doesn’t carry out her assigned orders. He should have known from his previous interactions with Ro that this threat would be useless on her. Insulting even. Ro had shown that she had her own values and personal codes that she honored above all else. On the prior occasion, Ro’s stance happened to coincide with Picard’s. It was because of that common ground that Picard decided to help Ro in her Starfleet career. And because of that developed relationship that Ro felt a debt to Picard. It may seem not worth mentioning, but: That scene where Picard is telling Ro the plan to trap the Maquis: Picard and Ro, to camouflage their true conversation, playact that Picard is a john negotiating for Ro’s services. When their Starfleet business is done, Picard ends the playact by loudly rebuffing Ro, essentially publically humiliating her. Yes it was only play acting. But to someone like Ro, I think it would have hit too close to home. Might have shaken the connection she felt to Picard a bit. Then again the writers were heavy handed. They showed ample valid reasons why the Marquis were going after the Cardassians. Rather than investigate the Marquis claims, Starfleet felt the best course of action was eliminate the Marquis. The writers stacked the deck for Ro to join the Maquis.

"The writers stacked the deck for Ro to join the Maquis." I can't agree with that, because typically characters to do come to see that Picard is right on a TNG show. The audience's expectation is that Ro too would come to see the light, that no matter how much she sympathized with the Maquis, the Maquis leaders were putting their people in a situation that Bajor had just fought so hard to get out of. It's really not black and white that joining the Maquis was the right thing for Ro to do. If Kira, for example, had been in Ro's position, Kira would've followed Picard's orders because she doesn't want to relive her years as a struggling freedom fighter. It's really just a measure of which character had "faith" in Starfleet as the moral authority here.

By saying I think the writers stack the deck, I don’t mean that as an insult. IMO, all writers stack the deck. Good writing is when the viewer or reader doesn’t see it as stacked. IMO, good writing is not cut and dried. It often leaves room for interpretation and discussion. I’ve come to realize that I am of that subset of Star Trek viewers who doesn’t necessarily buy into “Gene Roddenberry’s vision.” And though I often agree with Picard, I don’t necessarily anticipate that he is going to be always right. Indeed, often in an episode, he seems to be learning about the topic, just as the viewer is. Back in January of 2015 Niall asked: how does Ro explain herself to her Maquis colleagues at the end? How does she explain how she knew about the Starfleet armada in the nebula? How does she explain the disappearance of her "Bajoran relative" and the loss of her ship? I wonder that too, especially the first time I saw this episode. I wonder if Ro can be honest with them and I hope she can because I think her own code of conduct requires it.

@Linda That's fine if you personally disagree with Picard, but he's obviously the protagonist of this show, just as Kirk or Janeway are of their shows. The audience does not expect the protagonist to be dead wrong. It's a slap in the face because we've invested so much in this character's fortunes. That's why everyone compliments that final scene with Picard trying to come to terms with his mistake.

Of course, if this were season one or two I could get behind the audience not quite believing in Picard, but this is nothing less than the final regular episode of the series.

Chrome, you said: "That's fine if you personally disagree with Picard, but he's obviously the protagonist of this show, just as Kirk or Janeway are of their shows. The audience does not expect the protagonist to be dead wrong. " I don’t know. A lot of people disagree with Janeway, wholeheartedly, all the time. And I have realized that a lot of people hold Picard in such high esteem, maybe more than I do. And yes this may seem like a slap in the face. It was a jarring moment, but Picard is human, and that’s not a crime. For me, the way the writers had written it, (stacked the deck, I called it) Ro being torn, I wasn’t surprised at the end. I thought the episode was done well. On 6/29/17 you said: "because typically characters do come to see that Picard is right on a TNG show. The audience's expectation is that Ro too would come to see the light …" And the very next TNG show I saw was Ethics, and it was exactly as you described, Picard was right and directed Crusher and Riker to his views. For me, comparing your view of Preemptive Strike and mine, I see it mirrored in the comments all the time. An episode is what an episode is. But every viewer brings along their own unique perspective, so much that sometimes we can have very different opinions of the same episode. I understand your point and I respect it.

@Linda Basically, I'm not seeing how "stacking the deck", is bad as you describe it. Perhaps "foreshadowing defeat" is a more appropriate description. You say viewers shouldn't be able to see it what I'm getting at is that it doesn't hurt the story if it does. Let's use Shakespeare's "Julius Caesar" as an example. Now, you may watch that play tell me how painfully obvious how bad the cards are stacked against Caesar. The Senate loathe Caesar, and Brutus is driven further and further to seeing that Caesar must be taken out. It's all painfully clear Caesar is not going to end well because various story elements foreshadow his defeat. So why is Julius Caesar a great tragedy? Because, despite knowing the play will end in Caesar's demise, we also know Caesar was respected historically as a powerful and wise general. His heavily choreographed fall *is* what's compelling. Picard's the same here, we know from seven years of great deeds that Picard is legendary as a captain. Yet we see him fall into the same trappings of the everyman. It's painful to watch it unfold because we know how badly it will end. "Preemptive Strike" is a tragedy. Obvious as it is, the stacking of the deck, the foreshadowing of defeat, is what makes the episode interesting.

When I first saw the episode, I understood Ro so well - could put myself in her place - and to me it was very clear that the Ro I knew would have to betray Starfleet because she could not bring herself to betray the Maquis. But I was anxious,, because I was afraid the writers wouldn't be true to the character as I understood her: that they would twist her around and make her be a good loyal Starfleet officer who agrees with Picard in the end. So I was delighted by the ending because it seemed so right, so totally Ro...and I hadn't really expected the show to let the character go there.

Startrekwatcher

This was a really good episode It’s unusual in that it being penultimate episode of series focuses on a recurring character with hardly of the main cast featured on the hour It also had an epic scope demonstrating some very good inter-series synergy with DS9 and setting up more of Voyager. The raid on the Enterprise was very exciting and fresh action. And the earlier maquis assault on the Cardassians warship was awfully beautifully rendered too I really enjoyed the atmosphere of the Maquis colony and Bar Glad Ro didn’t make it look to easy getting through the border series. Nice touch. I could definitely understand Ro feeling torn between Oicard and her newfound Maquis friends. Ultimately I thought what she did was very true to her character.

The only things wrong with this episode is that Picard would never have asked Ro to do it! Also this one action scenes are really pathetic - like most TNG. Otherwise, great character development. Certainly one of the best season 7, for sure.

Great episode watching Ro's character go through an obstacle course and ending with Picard's grim and silent stare after Riker submits his report. It does pack a punch but one issue for me is it is quite predictable. Ro never fit in with the Federation and she is the spitting image of Major Kira on DS9. I think Ro might have carried out Picard's plan had she not teared up when Macias talked about playing that instrument that her father used to play -- and then the emotional bond is fortified after she witnesses the old man's death at the hand of the Cardassians. But I liked how the conclusion came about with her joining the Maquis (totally makes sense) and letting Riker go in the Maquis ship. I thought Riker should have been pissed at Ro for not following orders -- he can be more of a hard-ass than Picard, though that's not the case here. Ro's character is a good one -- too bad she wasn't part of more TNG episodes. Liked her relationship with Picard, although I thought Picard was forced to push her between a rock and a hard place. But there's no way Ro could be allowed out of the mission at that point and remain in the Federation -- she'd want to join the Maquis and would then be a threat to the peace treaty. So Picard threatens Ro with a court martial etc. Really tough spot for Ro. Interesting that "Preemptive Strike" aired the same date as DS9's "Crossover" (late in Season 2) -- a great day for Star Trek premiering 2 decent episodes (this one's better). But more importantly the Maquis/Cardassian/Bajoran story had been really fleshed out on DS9 (obviously the latter 2). 3 stars for "Preemptive Strike" -- the Ro character who I wish TNG had featured more has its arc (if you could call it that) resolved. The Maquis are alive and well and tensions between the Federation and Cardassia will continue -- all up to DS9 now. The 2nd last episode of TNG -- a great episode that did a good job wrapping up / setting up a few things.

Others may have made the same observation (TL;DR), but I wasn't convinced of Picard's inaction at the defection of Ro. Starfleet invested a lot of time and money in her special tactical training and to just let her walk into the arms of the Marquis without so much as a threat of arrest and court-martial doesn't seem plausible.

@Glenn Inaction? He didn’t find out until the final scene and he looked pretty ticked off. It was the last regular episode of the series so it was up to DS9 to finish off the Maquis story.

Yeah, there was literally nothing he could have done without simply calling attention to himself and probably getting in trouble.

@Peter G. Well, if Picard suspected Ro more sooner, he might’ve gone “For the Uniform” on her and had her beamed off the assignment and into the brig. Part of the real tragedy here is that he not only trusted Ro to do the right thing™, but he was confident that he could make anyone under his command believe in Starfleet.

@ Chrome, "Well, if Picard suspected Ro more sooner, he might’ve gone “For the Uniform” on her and had her beamed off the assignment and into the brig. Part of the real tragedy here is that he not only trusted Ro to do the right thing™, but he was confident that he could make anyone under his command believe in Starfleet." The crisis moment wasn't foreseeable as far as I can tell, and it's 'his own fault' that she defected (as he was the one to give her the orders). Asking someone to go undercover in an organization that you *already know* they'll sympathize with is asking for trouble, but of course her Bajoran background is exactly why she was suited to seem like a good candidate to them. So her job qualification here also made her a high-risk person to put in contact with the Maquis, and Starfleet (i.e. Picard) put her knowingly in that situation. The result is completely on them; they took a gamble and lost. And they had to know it was a gamble. Perhaps you're right that Picard had such a presumption of loyalty that he didn't imagine this could happen, especially after taking Ro under his wing'to an extent. But I'd prefer to think of his as having been fully aware this could happen, but disappointed all the same. This was really just a delayed test going back to Ensign Ro to see whether Starfleet was really for her. She didn't have a real choice back then because it was like a Tom Paris situation: jail or Starfleet. When presented with two real options she was able to make her choice on her own terms, and this seems to me to have really been her answer all along. Starfleet probably was never for her.

A good start but Ro's little fake bar scene seemed so contrived. how would they trust her? shouldn't she have a very public fallout with Star Fleet? wow Picard shows poor judgement in threatening Ro. If she is already feeling conflicted but is in a good position in terms of gathering intelligence, do you threaten her and send her over to the other side? And who was the numb nuts attacking their cell? Why did Picard make a show of asking Ro if she was willing but then be total hardass and not in a good way later on? What a pisspoor way to end the series... 8/10 for Picard the assalope. Even Riker seemed to be more sympathetic. I wonder what Picard was thinking at the end? his part in pushing her over to the Maquis? His lack of finesse? His lack of judgement?

It is interesting that the Marquis episodes in the last season of TNG and the second season of DS9 were designed to set up Voyager, but are actually more interesting than any of the Voyager Maquis episodes, perhaps with the exception of Repression. I thought it would have been interesting if Ro had become part of Chakotay’s crew and wound up as a regular on Voyager, (like O’Brien moving from TNG to DS9) but that likely would have taken B’Elanna’s place and they probably didn’t want a major Bajoran character on two series airing at the same time...

Two more things: 1) Will Riker's disguise as a Bajoran is far-fetched. As the First Officer of the Federation Flagship he would be very recognizable, even with nose ridges. 2) It would be cool if Ro turns up in the PICARD series!

Walrus1701D

This is rare TNG episode that takes a page directly out of DS9's shades of gray handbook. It's shocking to see Starfleet take such a militaristic stance on the Maquis issue, planning to neutralize them with a fleet of starships. I'm also wondering if the Cardassians were actually developing biogenic weapons. They were painted as the clear villains throughout this extended plot line, so it wouldn't surprise me. So much conflict and intrigue are developed across two series in a short amount of time. It's a damn shame they fell by the wayside after the 1993-1994 season. The Maquis plot is all but forgotten on DS9 by the third season, and it's a conflict on Voyager for approximately two episodes.

If they hadn't dumped Ro Laren in the pointless Maquis she could've been in the TNG films, it's probably for the best though because the TNG films were a mess. Rick Berman and Brannon Braga have a lot to answer for.

Of all the characters I want to make an appearance in Picard season 2, Michelle Forbes as Ro Laren would be a real treat. She has fantastic chemistry with Patrick Stewart as evidenced by this episode. It would be nice to hear her story of how she survived the decimation of the Maquis by The Dominion and what she did afterwards. There’s a great story waiting to be told with Ro and her old Captain crossing paths in a mission they need each other to complete.

I agree with many of the comments made on both sides of the Ro Laren aisle. It was an episode with some great acting by Forbes, Stewart and Frakes. The slow pan around Picard at the end is a Mt. Rushmore of sadness.... I always liked Ro, so when she defects, it hurts. Still, Ro's turning coat was no surprise; a variant of the Stockholm Syndrome. Excruciating. I wanted to say to the character "Hey Ro, remember?, they're terrorists!" Good Ol' Macias (who you really don't know from Adam) would not have hesitated to post you back to the Federation in pieces if he had seen through you. Secondly, Stalin in a cardigan is still Stalin...and you really don't know that any of his stories ever happened. Don't be such a sap!" But, sadly, she was a sap.... :( Ro was from the get-go too damaged to have been a good candidate for the mission. (Davidw was right in Jan. 2018, when he opined: Picard would never have sent her in the first place). We have known all along that she hates authority and goes her own way constantly and at base doesn't love the Federation. We can add to her unsuitabilities that she has a soft spot for old musicians in cardigans. 1994 sweaters notwithstanding, I will admit that the Macias death scene was touching and well acted..... and further romanticized the Maquis. He got a glorious end for himself which he must have been hoping would happen since his actions pretty much courted a Cadassian counterstroke from the start. The die was then cast for Ro. But for me: a cardigan with disruptor burns is still a cardigan and I don't know Macias from Adam. A good episode though, one exploring the perils of moral relativism and completing the tragic arc that is Ro. 6/9 and Recommended.

Didn't think I was going to like this one a lot - although I like Ro, I wasn't really that interested in the story. But as it unfolds .. the moral ambiguity is very well done. Are the Maquis really the bad guys? And the bond between Ro and the old man develops really nicely. The attack by the Cardassians on the Maquis base, or settlement or whatever it is underlines this beautifully - it seems obvious that Ro should resist it the Cardassian attack with lethal force. Until you remember that they're supposed to be on the same side. Criticisms? Well, Ro infiltrates the Maquis extremely successfully and very quickly. It's all a bit too easy. But I guess you only have 45 minutes to play with. And the notion of penetrating a Galaxy Class Starship's shields with another craft seems preposterous. Still - slow to start but the drama intensifies quite substantially in the last 15 mins. A very good one. Seems a fitting conclusion for the Ro character. I liked Riker's response to her, as well. I would have expected him to snarl "you won't get away with this, lieutenant!" but he knows she's chosen her destiny, and bids her a resigned farewell. Picard's reaction too, at his desk, is priceless.

Probably my second favorite episode of season 7 after Lower Decks , if Michelle Forbes stayed on board she could of easily had a cameo or two on DS9 , or as someone suggesting even getting a role on VOY (I think there is room for her and Torres, the key is getting rid of Neelix) but I guess she feared getting type casted in a role , I digress. This episode felt like a space western , especially the bar scenes (reminiscent to some as the Mos Eisley bar scene) , the reasons for defecting are credible and of course the screw job on Picard hurts more then Eddington betraying Sisko, I guess it's because we all saw Ro grow as a characther...

Icarus32soar

Finally! Two episodes from the end of the series they get it right. So right in fact, this episode could stand alone as a piece of TV, even for anyone not familiar with Ro's backstory and the whole Bajoran/Cardassian/Maquis context. Brilliantly cohesive narratively and dramatically; great pace; Forbes is beyond stellar in the character; even Stewart manages a couple of genuinely emotional facial expressions, though Riker looks ludicrous in that earring. What a pity they pretty much abandoned the Ro Laren character and the Maquis after this. She is one of the most individual, complex and exciting characters in the whole of ST. Better than all the crusty old male admirals put together. Just like Nick Locarno, Starfleet's sanitised and arid militarism has no place for anyone who might rock the boat for the better. Ro would have suffocated under the likes of Picard despite his alleged fondness for and protectivess of her. Fantastic episode, pulsing drama, scintillating viewing. Outstanding work from Michelle Forbes. Pretty unforgettable stuff.

Ro exemplifies the danger of the deep cover operative... to have a convincing story, they have to have the right background. And what happened here (Ro joining them for real) is always a potential risk.

@Walrus1701D "I'm also wondering if the Cardassians were actually developing biogenic weapons. " Good quistion. The Cardassioans were mean but .. I think that is just the point. This rumor fits Starfleet or did the start spreading it. "The first casuallty of war is truth" The lies from Bagdad Bob during Iraq war was wery obvious. But what about the coalition? They also lied but we very much was believed becaus Saddam and Bob was so bad. I think its is similar here and that is what is very well described. This episode was made about 1993 . Gulf war (without Bob) was 1990. And I do share the opinion that Ro Laren could have had a place in some DS9 episodes. @Sigh2000 "Still, Ro's turning coat was no surprise; a variant of the Stockholm Syndrome. Excruciating." Definetly not. This was a conflict between the big socity and those who have to pay a the price of a compromise. I believe Ro was able to see both sides but she had to make a choise.

Preemptive Strike TNG episode 24 season 7 "I have returned from Germany with peace for our time.” - some Federation ambassador after signing the Cardassian peace treaty 4 stars (out of 4 stars) The decades-long dirty war between the Federation and the Cardassian Empire saw so much death, so much misery, and so many atrocities. We know about the massacre at Setlik III. We know about the brutal occupation of Bajor. It was a long and bloody chapter in Federation history. Many veterans, like Chief O’Brien, prefer not to talk about. Even Picard, he too has a story about his experience with the Cardassians. It is a funny story from the Stargazer, when he was forced to run for his life. It isn’t the harrowing story of torture and degradation. That one isn’t suited for polite tea-time conversation. What the Federation wants is peace. Peace. Peace, it seems, at any cost. They are sick of fighting. And after the losses at Wolf 359, they probably can’t afford to fight much more anyway. And so we have a messy ending to a dirty war. That messy ending is the so-called Demilitarized Zone (Gul Dukat, "Not so demilitarised, I'm afraid.”). One by one, career Starfleet officers realize the injustice of it all. First Wesley Crusher (“Journey’s End”). And why not, he is a boy-genius after all. Makes sense he would figure it out first, WESLEY: What you're doing down there is wrong. These people are not some random group of colonists. They're a unique culture with a history that predates the Federation and Starfleet. PICARD: That does not alter the fact that my orders are to - WESLEY: I know Admiral Necheyev gave you an order, and she was given an order from the Federation Council. But it's still wrong. There is a simple strength of moral clarity in those lines. No matter how many platitudes about the “good of the many outweighs the good of the few” you want to throw at us, it is hard not to see that the Federation citizens called upon to make the sacrifice for the “greater good” are the most underprivileged citizens of all. You don’t see the Scottish planet turned over to the bloody Cardassians. No, that particular privilege belongs to the Native Americans. NECHEYEV: An Indian representative was included in the deliberations of the Federation Council. His objections were noted, discussed, but ultimately rejected. How fucking convenient. Ro mentions her instructor at the tactical training course - a lieutenant commander - resigned to take up the cause of Federation citizens in the DMZ, RO: I've heard a lot about the Maquis. One of my instructors at Tactical Training, a Lieutenant Commander in Starfleet, a man I admired and respected, he was sympathetic to them. He resigned and left to join them. Commander Commander Cal Hudson leaves Starfleet to join the fight. Chakotay. Tom Riker. Michael Eddington. The cause attracts people of all races, including logical Vulcans like Sakonna. How Picard completely failed to understand his own officer is beyond me. How did he not understand that Ro was just as likely to join (h/t @John TY, @Linda, and others) the Maquis as to fight them? KIRA: I know what those colonists are going through. Most of all, I know that the Cardassians can't be trusted to keep their side of the bargain in this treaty. SISKO: So, you'd suggest the Federation not keep our side of the bargain either, perhaps by arming these colonists? KIRA: I can tell you one thing for certain. The Cardassians are the enemy, not your own colonists, and if Starfleet can't understand that, then the Federation is even more naive than I already think it is. Maybe it was Picard who was more naive than we already thought he was? After the Federation ended the war with the Romulans, the neutral zone kept the peace for decades. The Treat of Algeron was the compromise, and if the price of peace was that the Federation couldn’t have a cloak, than dog-gonnit Picard was going to stick with it, PICARD: In the Treaty of Algeron the Federation specifically agreed not to develop cloaking technology. PRESSMAN: And that treaty is the biggest mistake we ever made. It's kept us from exploiting a vital area of defence. PICARD: That treaty has kept us in peace for sixty years, and as a Starfleet officer, you're supposed to uphold it. [It is worth noting that Kirk and Spock, in "The Enterprise Incident”, would not have been such push-overs.] The Federation ended the war with the Klingons at Khitomer. The Klingons, like the Romulans, maintained a strategic cloaking advantage. Such are compromises we are willing to make for peace. So the logical next step in appeasement is to lure a bunch of your own citizens into a trap, and leave the remaining colonists in the DMZ defenseless against their Cardassians neighbors. If that’s what Queen Bitch Admiral Necheyev wants, then that’s what Picard is going to give her. Would you like canapés with that? PICARD: We don't have to like her, Will, but we have to follow her orders, and maintaining this atmosphere of confrontation serves no purpose. Which brings us back to Ro. Just as in “Ensign Ro”, here too, she is just one small pawn in a much larger canvas. Starfleet seems to have a deep bench of young Bajoran women like Sito (“Lower Decks”) and Ro, who they are all too willing to ask to make the ultimate sacrifice. Another Bajoran woman we see in Starfleet is Seska, and it turns out that she’s really a Cardassian. Cause you have to be a fucking idiot to be a Bajoran woman and put on that uniform. The moment Major - or should I say Commander - Kira puts on the uniform, they send her behind enemy lines to Cardassia Prime! You can’t make this stuff up. So yeah, back to Ro. While re-watching the episode, as soon as I came to this line, I really wanted to see what @Luke had to say, RO: It's been a long time since I really felt like I really belonged somewhere. And sure enough, @Luke’s review is worth reading. I would also recommend @Nick P.’s review, especially the fundamental question he asks and seems to answer, "I agree this was a very good episode, my critique is more that I never liked how the Maquis-bajoran stuff slid us further and further away from Genes' vision of Starfleet. The central rule for gene was that Starfleet will always be the good guys, EVEN IF you have to make the plot convuluted. Maybe this is a better episode than Gene ever could have made, but this crappy, stuck in the mud bureaucratic wishy-washy federation that gets worse in DS9 is NOT what I wish the future to be like. I really do miss Genes optimistic Star Trek where the Federation is not just better, but more righteous than other groups/civilizations. It is interesting how we make fun of Genes utopianism, but it sure is obvious when it is gone. He would have HATED this episode.” I’m not so sure, @Nick P. The last time we see a young woman betray her captain was Lieutenant Valeris (the gorgeous Kim Cattrall) in The Undiscovered Country. Like the other vulcan, Sakonna with the Maquis, vulcan Valeris cannot fathom making peace with the Klingons and betrays Kirk. But more than that, she betrays Captain Spock. Some might say the Gene died only days after seeing The Undiscovered Country, so maybe he hated it too - but that seems like a needlessly ghoulish argument. Besides, a young woman abandoned her captain even back during the original series, KIRK: Lieutenant Marla McGivers, given a choice of court martial or accompanying them there? KHAN: It will be difficult. A struggle at first even to stay alive, to find food. MARLA: I'll go with him, sir. KHAN: A superior woman. I will take her. So let’s not be so hasty to say Gene would hate this. He understood people better than you might imagine. “Preemptive Strike” might come across as a bookend for Ro, but what it really is, is a bookend for Picard’s relationship with Admiral Necheyev. She has him by the balls. The first time we meet Necheyev, she relieves Picard of his command and sends him off on a mission with a very high chance he will die (JELLICO, “the chances are you won't be coming back from this mission of yours.”). The second time we meet Necheyev, she gives Picard the dressing down of his life. This isn’t some sly investigator that brings up Picard’s record and tries to get him to admit he was wrong (as in “The Drumhead”). No, Necheyev just fucking orders him not to be such a whiny little bitch going forward, NECHAYEV: Your priority is to safeguard the lives of Federation citizens, not to wrestle with your conscience. Now I want to make it clear that if you have a similar opportunity in the future, an opportunity to destroy the Borg, you are under orders to take advantage of it. Is that understood? PICARD: Yes, sir. By the third time we meet Necheyev, Picard is so brow-beaten, he figures his best bet is to make her tea and canapés. At first Picard baulks at forcing the Indians to undertake a renewed Trail of Tears. But Queen Bitch Admiral Necheyev puts Picard in his place by reminding him that she’s taken away his command before, and she can do it again, NECHEYEV: Then your orders will be to remove them by whatever means are necessary. I understand your moral objections, Captain. If you wish, I can find someone else to command the Enterprise for this mission. PICARD: That will not be necessary, Admiral. And so we come to “Preemptive Strike,” in which Picard is finally her complete bitch. Nechayev comes on board to use Picard’s pet Bajoran for a dangerous mission ("We intend to infiltrate their organisation, and the person we want to do it is aboard your ship right now”). And Picard agrees. As so many have already mentioned, Picard should have known better. But this is no longer a Picard at his prime. This is not the Picard who stood up to Admiral after Admiral, whether it was pushing back when an Admiral wanted to take Lal away from Data, or pushing back when an Admiral wanted to break the treaty with the Romulans, or pushing back when an Admiral wanted to burn witches. That Picard is long gone. @Justin says that "Of all the characters I want to make an appearance in Picard season 2, Michelle Forbes as Ro Laren would be a real treat.” How can I not agree? The only thing I would add is that along with everything else, “Preemptive Strike” also has a substandard Picard far closer to the Picard of the new Picard spin-off, than I am altogether comfortable with admitting.

What makes this episode much more effective than it otherwise might have been, is how Stewart and Forbes subtly convey a personal relationship between their characters. And so the betrayal is personal. If Ro had been some rando who betrayed her oath/uniform/whatever, Picard might have found it upsetting, but nowhere near as upset as he is at the end of this episode. He's been gutted. He was personally invested in Ro, thought of her as a friend, perhaps a protege, and likely even harbored more complex, intimate - if platonic - feelings towards her. As she did for him. This makes her choice all the more difficult for her, and painful for both. That she turned from her duty was relatively a small thing compared to turning from a friend/mentor for a greater cause. It is, to her way of thinking, the right thing to do. How many episodes have we seen a TNG character turn on an old friend, because that old friend had lost their way? From Ro's perspective, this was the agonizing position she was forced into. As for Picard, I always got from this episode that he thought - even should her loyalty to her uniform waver - her loyalty to *him* would prevent her from betrayal. Ro certainly gives him every reason to think so. But in the end, her sense of obligation to him, her personal feelings toward him, the trust and support he showed, couldn't outweigh a just cause he was on the wrong side of. And so she did as she felt she must. And broke Picard's heart.

This story reminds me of both the real life case of Anna Erelle (as depicted in the movie Profile) and of O'Brien in the DS9 episode Honor Among Thieves. Entities should never send untrained operatives into situations where they can become either radicalized or sympathetic towards their targets. Ro was trained as a tactician, not as an operative. (Just as Erelle and O'Brien were not trained intelligence operatives.)

This excellent episode makes me wish deeply that they’d made more of Ro throughout the series. She really is a superbly written character and some of Series 6 and 7’s throwaway stories could have been replaced entirely with episodes that dealt more with the Bajor / Cardassia / Federation situation. But then, unlike DS9, TNG tended to shy away from the political stories so I guess it’s a vain wish. Anyway, I’m just glad that before the series closer, they decided to have a truly great episode - directed by Patrick Stewart no less! - which conveyed subtle politics, undercover ops (Picard as a ‘customer’ was a standout scene), and some realistic soul-searching. One criticism and one puzzlement… The scene where Worf and Data enter the bar announcing they were seeking out a renegade who had killed a Cardassian, was hamfisted - with Ro present in the bar, anyone would have realised the whole scene was ‘staged’ and that’s how it came across. As for the end - surely Ro asking to be beamed out of her ship, leaving it and Riker to return to the Enterprise, must have been suspicious to her fellow Maquis; what possible reason for her transport out would have allayed doubts about her motives? The other Maquis ships would have seen Riker returning to the Enterprise and would have questioned Ro about what was going on, especially after the mission was aborted. Anyway, the episode deserves its 3.5 stars.

@Mal (May 27, 2021) Excellent post. Really enjoyed your presentation and it is persuasive with regard to the meaning of the changes in Picard. His manipulation by Nechayev is upsetting...he's a shadow of himself by this point. Once the removal of Picard's strength is seen for what it is (or signifies about Starfleet), Ro's actions become more understandable. Defection from the Federation in favor of the Maquis is a reasonable decision, not a symptom of psychological weakness. h/t @Maq (May 24, 2021) -- I think that you have that right.

This was an outstanding episode, certainly one that stick out as memorable for all the right reasons. My one complaint, and it's a big 'un, is the Cardassian infiltration and raid on the colony. It made no sense from any tactical military perspective: It was a suicide mission that accomplished nothing. Attrition is not best generated through such means unless there is no other conceivable option. Besides, you're in the middle of a war of sorts and are being harangued, and hunted, by two powerful enemies. You have no sentries or network of lookouts in your grade-school-prop town? Give me a break and make it a whole day off. Most importantly though, having Macias killed (off) was a SUPREMELY LAZY launchpad for Ro's switch. I mean, come on now; did anyone doubt she was going to side with the Maquis after that!?! I would much have preferred to have seen the corollary without such a drastic watershed moment. Such laziness reduces my score to a three.

This is a solid episode. I have to admit though, I just can't get into DS9. It has too much politics and none of the wonder and awe that made Star Trek great. The show spends all if its time in a dark, cold and dreary looking space station. The lack of visual colors and aesthetics is a turnoff and the characters aren't interesting enough to care about.

Gilligan’s Starship

Rewatching this after so many years lends even greater impact to the Picard Season 3 episode “Imposters” 👍

@Latex Zebra, Do you really think the episode is predictable or still mostly unpredictable and surprising? I don't see how you or anyone could predict that Ro would join the Maquis or exactly how it would play out.

@Matt The first two seasons are pretty dull. Season 3 on picks up quite a bit. It's still much more somber than TNG though.

I liked that Picard screwed up here. So much of the time he makes exactly the best argument for the situation. But threatening Ro with court-martial was the wrong way to go. He should have known that threats would only make her stubborn and that her loyalty to the uniform wasn't all that deep. He should have appealed to her personal loyalty to him. Trying to strong-arm her just pushed her away. Having rewatched this and then started a DS9 rewatch, I can't help imagining Kira's lines being delivered by Forbes. Visitor gets better in the role, but at the beginning she's just kind of shouty. I don't dislike Visitor/Kira, but Forbes/Ro could have been amazing in that spot right off the bat.

Yeah, I had mixed feelings about DS9 and haven't watched all, or even most of it to this day (something I hope to soon change!). But if they had managed to secure Forbes for that role, I would have totally watched it all when it first aired. Sorry but O'Brien just don't cut it and Wolf was too little too late.

While this episode does indeed lay the grounds for a stunning later payoff, I just don't think it's very good on its own. For one thing it's laden with exposition which makes it feel quite laborious. But the bigger problem is it's quite obvious where this is going once the kindly older Maquis man appears. From a motivational point of view... I'm sorry, but Picard should never have put Ro in this position. It's ridiculous to expect her not to be tempted to switch teams with her background. And he dropped this mission on her while she was literally unpacking her bags for her return to the Enterprise.

Preemptive Strike is interesting because it gives us a chance to say hi again to Michelle Forbes, after she turned down DS9 and after it had already been on the air awhile. And in a way her sendoff here almost plays on that. In some kind of meta-narrative Forbes passes on what seems like a no-brainer promotion in her career, just as Ro passes on moving up the Starfleet ranks, both choosing to go the independent route. Forbes' career didn't end, but it certainly stopped well short of any significant recognition, notwithstanding having some noteworthy work such as playing a supporting role in a season of 24. And Ro, well, you'd have to watch all the way through DS9 to understand what comes of her decision. But this episode does do something really nice, which is to give Ro a non-political reason for joining the Maquis. She isn't really choosing between affiliations in the DMZ conflict, but is put in the peculiar position of choosing between fathers. Picard, her mentor and role model, offers the British stiff upper lip, full of respect and professional recognition, but always at arms length. Macias, on the other hand, asks nothing of her. His interest in her is purely one of offering hospitality, and since no demands are placed on her she can't disappoint him. This is what Picard as a father offers her: PICARD: [...] If the Maquis force us into a war with Cardassia, it could mean hundreds of thousands of lives. Two years ago, Starfleet would never have tapped you for this mission. They must have a lot of confidence in you now. It's a passive form of praise. He would never say he's proud of her, but he does think it. And yet his praise comes with strings attached: RO: Basically, I would be leading them into a trap. PICARD: That's right. If you have a problem with any of this, I need to know it now. RO: Well, if I do, sir, it will not stop me from carrying out my duty. PICARD: I knew that I could count on you. He needs to know, not for her sake, but for Starfleet's. It's followed up by this: PICARD: Are you saying you want to back out of this mission? RO: Sir, I don't want to let you down, I swear that I don't. PICARD: This has nothing to do with me. This is about you. If you back out now, you'll throw away everything you've worked for. We're committed to this mission. My only question for you is, can you carry out your orders? I could put you before a board of inquiry for having lied to me about this operation. I would certainly have you court-martialled if you sabotage it. Now, it's your decision. But it's not really her decision, is it? And this is the problem with Picard representing a command structure: he *has to* give her orders, and *has to* see to it that insubordination is not tolerated. I don't get the impression he enjoys this, and it's quite interesting that he's being put in a bit of a position of looking like a bad guy here. After all, wouldn't the touchy-feely Federation be the first to say that a person's individual conscience should take supremacy over ideas like orders and loyalty? And yet there's room in the episode for this: RIKER: You're going with them? RO: It's been a long time since I really felt like I really belonged somewhere. Could you tell Captain Picard something for me? RIKER: Of course. What is it? RO: Tell him I'm sorry. RIKER: So long, Ro. Take care of yourself. RO: Goodbye, Will. It's a very touching little scene, as Riker truly means his farewell, and you can see he's not upset with her at all, not in the slightest. He wishes her well with fondest regard. I don't think Picard's attitude is as high-minded in regard to the mission Ro spoiled. But even despite Riker's genuine friendship toward here, contrast all of that with this: MACIAS: I've been thinking a long time about what our celebration will be like. We'll have a huge dinner. You'll make hasperat and I'll make blueberry pie. We'll drink wine and we'll dance. I'll even play the belaklavion. That'll give everyone a laugh. RO: You play the klavion? MACIAS: Yes, badly. It's a difficult instrument, but I enjoy the challenge. RO: My father played the klavion. When I was very young and afraid of monsters under my bed, he'd play for me. He said that the klavion had special powers. Monsters were afraid of it and when they heard it they would disappear. When I listened to that music he played for me I was never afraid to go to sleep. When he died I realised even he couldn't make all the monsters go away. MACIAS: Why wait? Let's go to the market. Let's get food for a feast, for a celebration. RO: A celebration of what? MACIAS: Of absolutely nothing. Just to celebrate. RO: I'd like that. Picard would never celebrate Ro's mere existence with song, dancing, revelry, and food. He isn't that guy, and as her Captain it's (in his view) not in line with his duties. And the question is, what does Ro really need? And which father can really be a father to her? Her choice answers that, and it's very nice because at no point does her decision-making ever come down to some political bone to pick with the Federation about DMZ policy (which we don't really care about anyhow). So as a character story I think this one very nicely avoids some of the pitfalls that DS9 occasionally falls into trying to justify the Maquis position.

I keep finding myself needing to rewatch this episode in the process of getting introduced to other series (DS9, Picard, Voyager) because it turns out to be a linchpin of so many other Trek-universe plots. And to @Peter G - having come back for yet another viewing in order to get something straight in my mind about the Maquis, I’ve now happened on your great “father” analysis, which refreshingly sets aside all the politics and policy, to focus just on character. Really nice perspective to add to the mix, thank you.

Thanks, bud :)

Great ep! I wish Michelle Forbes had taken the DS9 role, she would have been awesome! Fantastic final frame of pissed-off Picard!

I don't believe there's any moral clarity whatsoever in the position the Maquis adopt, nor do I believe the Federation is accepting grave injustices in this case. The Maquis are functionally the same as the settlers on the western fringes of the early United States, who repeatedly dragged the young country into wars against the native populations and instigated the Mexican-American war. They also remind me of the (dare I poke at this open wound) Israeli settlers in the occupied territories who are doing the same to that country. They're trying to commit the entire Federation to a war, the costs of which will be borne by all, and it's eminently reasonable for the majority not to want to fight that war. The Federation isn't surrendering a member planet to get peace. It's surrendering a handful of recently established colonies after offering to assist the people therein with resettlement. Frankly the whole plot line stinks and I concur with those who say Gene would have hated it. The humans of this time are supposed to have evolved beyond selfishness. The Maquis are selfish in the extreme. Many of you quote lines from the various Maquis POV characters (Ro, Chakotay, Hutchinson, Eddington, et. al) but don't quote obvious rebuttals from Federation POV characters: NECHEYEV: Captain, the Indians on Dorvan are a nomadic group that have settled there only twenty years ago, and at that time they were warned that the planet was hotly disputed by the Cardassians. The bottom line is they never should have gone there in the first place. ^^^ How is this anything but selfishness in the extreme? And how could whomever wrote that episode not see the very obvious parallel between the historical injustice committed against the Native Americans and their own actions in the episode? They're essentially calling "Finders Keepers" on an entire planet. A planet they were warned not to settle on. Sound familiar? Why should countless BILLIONS of Federation citizens go to war on behalf of however many (we never get a number) settlers in this instance? Remember "The Ensigns of Command" in Season 3? Should the Federation have gone to war for those 15,000 colonists? My favorite exchange: SISKO: They died because you filled their heads with false hopes. Sold them dreams of a military victory when what they needed was a negotiated peace. EDDINGTON: We had the Cardassians on the run! SISKO: And they ran right into the arms of the Dominion. End of story. ^^^ The Maquis helped set the stage needed for the Dominion to get the foothold to launch a war that presumably claimed BILLIONS of lives. All for the sake of a handful of new colonies that could easily have been evacuated and reestablished elsewhere. Selfish.

"^^^ The Maquis helped set the stage needed for the Dominion to get the foothold to launch a war that presumably claimed BILLIONS of lives" Not to question Sisko's statement but the far more obvious culprit here was Enabrim Tain's disastrous attack on the Founders's homeworld in The Die is Cast, which led to the destruction of the Obsidian Order, which in turn led to the coup toppling the Central Command, which invited the Klingon Invasion, which finally precipitated the Dominion takeover. The Maquis were barely a factor.

Hm. I get the distinct idea that by the time the Cardassians lost the war against the Federation pre-DS9 they were already on the decline. The Maquis were no doubt a factor in making them feel powerless, and I feel like this reality is what made people like Tain feel like they needed to do something bold to bring back the good old days of an ascendant Cardassia. The Dominion was attacking the Alpha Quadrant no matter what, but if not for the Cardassian follies it may have waited 50 or even 100 years.

Don't disagree with you Jason R, I tried to choose my words there carefully, i.e., The Maquis HELPED set the stage, not that they were solely responsible. Here's another good snippet of dialogue I had forgotten about: QUARK: Then I'll make it so simple that even a Vulcan can understand. The Central Command has been caught red-handed smuggling weapons to their settlers. So, every ship that approaches the Demilitarised zone will be searched. Without the support of the Central Command, the Cardassian settlers won't be so eager to fight. SAKONNA: You forget the weapons they already have. QUARK: They have weapons. You have weapons. Everyone has weapons. But right now, no one has a clear advantage. So the price of peace is at an all-time low. This is the perfect time to sit down and hammer out an agreement. Don't you get it? Attacking the Cardassians now will only escalate the conflict and make peace more expensive in the long run. Now, I ask you, is that logical?

I love how Quark is the only pragmatic diplomat on that show. Capitalism does have its advantages.

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Preemptive Strike Stardate: 47941.7 Original Airdate: 16 May, 1994

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Preemptive Strike

When Ro is assigned to infiltrate the Maquis, she finds herself sympathising with their plight, forcing her to choose between her divided loyalties.

Michelle Forbes

Natalija Nogulich

Richard Poe

Shannon Cochran

William Thomas, Jr.

John Franklyn-Robbins

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Patrick Stewart

Jonathan Frakes

LeVar Burton

Michael Dorn

Gates McFadden

Marina Sirtis

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Star Trek: The Next Generation

Pre-emptive Strike

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Michelle Forbes

Lt. Ro Laren

John Franklyn-Robbins

Natalia Nogulich

Adm. Alynna Nechayev

William Thomas Jr.

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Preemptive Strike (Star Trek: The Next Generation)

" Preemptive Strike " is the 176th episode of the syndicated American science fiction television series Star Trek: The Next Generation . It is the 24th episode of the seventh season , and penultimate episode of the series overall, directed by cast member Patrick Stewart ( Captain Jean-Luc Picard ).

Set in the 24th century, the series follows the adventures of the crew of the Federation starship USS Enterprise -D . In this episode, the recurring character Ro Laren ( Michelle Forbes ), a court-martialed Starfleet officer who first appeared in the episode " Ensign Ro ", finds her loyalties divided between Starfleet and a group of resistance fighters who oppose the Cardassian Union, as she and her fellow Bajorans once did. Ro Laren would later return in Star Trek: Picard 's season 3 episode "Imposters" which revealed what became of her after this episode.

In addition to wrapping the last season of Star Trek: The Next Generation' , it was meant to bolster Star Trek: Deep Space Nine and Star Trek: Voyager . It was a difficult time for the show's writers because some of them also had to work on the upcoming Star Trek film, Star Trek Generations .

Actress Michelle Forbes returned as Ro Laren for her sixth and final episode in this series; although there were plans to have the character on Star Trek: Deep Space Nine , Forbes turned down the offer, resulting in the creation of the character of Kira Nerys . She was later offered a lead on Star Trek: Voyager , but did not return to the franchise until 29 years later, in the 2023 episode " Imposters " of Star Trek: Picard .)

The Enterprise is en route to a briefing concerning a situation in Cardassian-Federation demilitarized zone . Meanwhile, newly promoted Lieutenant Ro Laren attends a welcome back party after graduating tactical training on Earth.

The Enterprise responds to a distress call from a Cardassian warship under Maquis attack and quickly forces the Maquis to withdraw. The Enterprise rendezvouses with Vice Admiral Nechayev's ship, and she informs Picard of a Starfleet plan to infiltrate the terrorist cell using Ro Laren.

Ro finds her way to a bar where she is contacted by members of a Maquis cell, and after verifying her cover story, they quickly accept her into their ranks. She forms a bond with Macias, whom Ro obviously sees as a father figure. The Maquis know of a Cardassian biogenic weapon project and plan a preemptive strike; however, Macias points out they are short of critical medical supplies. Ro offers to steal the needed supplies from the Enterprise , which she manages with some covert help from the crew.

After debriefing Ro on the Enterprise , Captain Picard plots to use a ruse to draw out the Maquis and then cripple them with a Federation fleet hidden in a nearby nebula. Although Ro is troubled by his plan, she returns to the planet and convinces the Maquis leadership to plan an attack on a Cardassian convoy supposedly carrying components for the biogenic weapon. Cardassian militia raid the compound in a surprise attack, killing Macias. As he dies, he tells Ro that other Maquis like her will step forward to carry on the fight in his place.

Shortly thereafter, a very unsettled Ro meets with Picard because she's having second thoughts. She states this Maquis cell isn't all that militant and may not even take the bait. Picard decides to send Commander William Riker with her to keep an eye on her and assure the mission proceeds as planned.

The day for the raid arrives, and as the Maquis fighters close in, Ro decides she can't go through with the mission. She exposes the Federation attack force, and the Maquis ships break off their attack. With great regret, Ro asks Riker to apologize to Picard on her behalf before beaming to a Maquis vessel. On the Enterprise, Riker tells Picard that Ro seemed very sure of her decision, her only regret was in letting Picard down. The episode ends on Picard's expressionless face as he contemplates Ro's betrayal.

In 2017, Business Insider listed "Preemptive Strike" as one of the most underrated episodes of the Star Trek franchise at that time.

Video releases

This was released in Japan on LaserDisc on October 9, 1998 as part of the half-season collection Log.14: Seventh Season Part.2 . This set included episodes from "Lower Decks" to Part II of "All Good Things", with English and Japanese audio tracks.

^ a b c Block, Paula M.; Erdmann, Terry J. (November 16, 2012). Star Trek: The Next Generation 365 . ABRAMS. ISBN 978-1-61312-400-0 .
^ Clark, Mark (June 1, 2013). Star Trek FAQ 2.0 (Unofficial and Unauthorized): Everything Left to Know About the Next Generation, the Movies, and Beyond . Hal Leonard Corporation. ISBN 978-1-4803-5500-2 .
^ Romano, Nick (March 16, 2023). "Star Trek: Picard's latest Next Generation cameo was all about 'doing a paranoia thriller'" . Entertainment Weekly . Retrieved March 21, 2023 .
^ a b c d e f "Preemptive Strike". Star Trek: The Next Generation . May 16, 1994. CBS .
^ Holodny, Elena. "The 31 most underrated 'Star Trek' episodes" . Business Insider . Retrieved June 11, 2019 .
^ a b "LaserDisc Database - Star Trek Next Generation: Log.14: Seventh Season Part.2 [PILF-2438]" . www.lddb.com . Retrieved February 26, 2021 .

External links

"Preemptive Strike" at Memory Alpha
Star Trek: The Next Generation season 7 episodes
1994 American television episodes
Television episodes directed by Patrick Stewart

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AV Undercover

Star Trek: The Next Generation : “Emergence”/“Preemptive Strike”

“Emergence” (season 7, episode 23; originally aired 5/7/1994)

Or The One Where The Enterprise Gets A Heart, Brain, and Courage

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After what seems like months of slogging through sub-par to awful TNG episodes, I finally catch a break just before the end, with a pair of decent to great episodes to ease me into the forthcoming Movie Extravaganza, and, ultimately, the series finale. Out of this week’s pairing,“Emergence” is easily the weakest; it feels more like an episode from the second season, an interesting idea that’s more than a little undercooked, with an ending that’s less a conclusion and more a shrug. But it’s consistent in its aims, which means there’s no sudden, poorly justified twist at the end, and it’s weird enough that it’s never incredibly boring. The cast isn’t forced to betray their characters for narrative purposes. Beverly isn’t sexually assaulted by an alien . It’s the little things that make me happy these days.

Speaking of little things, “Emergence” opens with what I’m assuming is a reference to the show approaching its conclusion, as Data plays Prospero from The Tempest for the benefit of a somewhat distracted Picard. The monologue Data recites comes from near the end of the play, as Prospero states his intentions to break his staff and burn his books and basically get on with his life, which isn’t a terrible sentiment to express when you’re getting ready to shut down a seven-year-old production. The scene is a nice callback to Data’s various efforts over the course of the show to develop his humanity, an arc that never really got the finale it deserved, but managed to generate many of the series’ most powerful, original moments. And maybe it’s appropriate that we never got a definitive version of Data-as-real-boy. Unless you’ve got a fairy godmother following you around, the journey to humanity isn’t one with a set or foreseeable conclusion. It would’ve been nice to spend more time with Data before the end, but given the general tenor of the seventh season (and the way that last Data-centric episode played out , with Lore and the Borg and, well, ugh, basically), maybe we’re better off this way. None of TNG ’s cast would be well-served by the film franchise, but poor Data got the brunt of the damage, so it’s a relief to see him here, much the same as he always was, without any unfortunate emotional tics or painfully forced attempts at comic relief.

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Picard and Data have their little talk about the context of Prospero’s speech, but before Data can give it another go, the two are interrupted by a passing train. Which is, to the say the least, a little odd, and it marks the return of one of TNG ’s most reliably goofy plot generators: the malfunctioning holodeck. See, something happened to the ship when the Enterprise passed through a magnetic storm (“magnetic storm” is basically just “a wizard did it,” isn’t it?), and now various systems are acting up. Specifically, the engine takes control of itself and hits warp drive without Picard’s express command; but what’s really startling is when Geordi discovers the Enterprise ’s quick jump actually saved the ship from being destroyed by a build up of theta flux distortion, a kind of disturbance the ship’s computers weren’t actually designed to detect. This has all sorts of implications as to what’s really happening—it’s not just a series of malfunctions, it’s actually a behavior pattern. But what really struck me is how weird it is that there’s a kind of distortion which can build up naturally in space, which the Enterprise isn’t normally able to detect, and which, if left unchecked, can destroy the ship. Awfully convenient the computer developed sentience at exactly the right moment to save the day.

All of this is silly stuff, played as straight-forwardly as possible, and it gets sillier when Data and Geordi start finding curious nodes distributed through out the Enterprise ’s internal wiring, nodes that they’ve never seen before. Data theorizes that the ship’s computer has somehow developed an independent consciousness, demonstrating a survival instinct (i.e., that sudden burst of warp speed) and sort of random whimsy you could label as the efforts of a growing mind. There is something almost unbearably cute in having the Enterprise go all sentient, as though after seven years of being forced to carry around a gaggle of well-intentioned doofuses (and Picard), the ship suddenly decided it needed to have its own adventures. I’ve never been exactly sure what people mean when they say a location is a “character” in a movie or TV show—it always seems like one of those vague phrases critics use when they’re trying to indicate a concept that can’t be adequately pinned down in words—but if you can say it about anything, you can say that the Enterprise is a character on TNG . At the very least, we’ve spent a large chunk of the series worried about her well-being, and looking for cures to her various ailments, so it’s kind of adorable that here, right before the end, she gets to drive the action rather be a victim of it.

Also cute? The way the holodeck, as it has so many times before, becomes the capital of Crazyland. That train Picard and Data saw earlier wasn’t a singular phenomenon. Ripped off from Beverly’s Oriental Express program (sidebar: it irritates me that we learn this via a conversation between Picard and Beverly, in which he recites some facts about the Express, and she tells him he should just relax and embrace the romance of it. One of the more unfortunate assumptions of so much popular culture is that knowledge is somehow unromantic, and that true appreciation stems more from an emotional understanding than an intellectual one. Really, it’s been my experience that the latter generally leads to the former more often than not. To sum up: Beverly should have said, “Of course I know that, I designed the program, isn’t it fascinating?” and then we could’ve spent twenty minutes on train facts), the train now serves as a home to cast-offs from various other programs, each of which represents a different aspect of the ship’s burgeoning personality. When Riker, Worf, and Data enter the holodeck, they find a car full of disparate characters, from a knight in full armor, to a gunslinger villain, to an engineer, to a debutante, and so on. It’s weird and cheesy and not quite as creepy as it might have been, but close enough to be interesting.

Once the Enterprise starts flying itself again, and siphoning particles from a dwarf star in order to construct some sort of device or object in one of the cargo bays, Troi decides to communicate with the ship’s consciousness. So we get some more silly stuff with a gangster and a city set, and Data stops a 1930s era taxi-cab with one hand. This is the kind of episode I always have a hard time reviewing, because while I’m watching it, I’m fine with it; but when it comes time to write anything down, I can never think of what to say. “Emergence” isn’t terrible; I wasn’t cringing or actively embarrassed at any point, but I wasn’t engaged either, because apart from the goofy costumes and weird, quasi-eerie symbolism, there’s really nothing here to get that invested in. Troi gets hit in the head by some falling bricks, but apart from that, no one’s in any real danger; obviously it’s a problem that the Enterprise is controlling itself, but it’s not an immediate problem, because the ship isn’t screwing around with life support or playfully beaming various crew-members into open space. Apart from a general sense of strangeness, the only real tension in the episode doesn’t come up until the final 10 minutes or so, when the life form the ship is trying to create is in jeopardy. Even then, there’s no real sense that the thing might die.

And who cares if it does? “Emergence” spends so much time working on the symbolism on the holodeck that it never really does much with the various implications of its storyline, and that’s arguably the least interesting way to handle the central idea here. Picard pays lip service to the importance of treating any emergent life with respect and compassion, and that’s a fine idea, but there’s never any sacrifice necessary on the part of the crew to maintain these ideals. We’ve had episodes where our heroes have struggled with the difficulties raised by the Prime Directive, and the drama there emerged out of localized compassion conflicting against long-term philosophical necessity. Here, though, it’s simply, “We should get control back. Hm, I guess it may prove to be tricky. Oh look, we can actually get control and give the ship what it needs. We should probably do that!” And once this is accomplished, everything reverts back exactly to the way it was. The ship’s emerging intelligence vanishes, and the life form it put so much effort into generating (which looks like something that should be churning out sheets of candy dots in Willy Wonka’s factory) just flies out of the Enterprise , never to be heard from again. Data and Picard have a nice closing scene together, but it’s hard to shake the nagging sensation that nothing really happened here. Which is fine, not every episode needs to feature some titanic struggle and the collapse of the status quo, but it would’ve been nice if there’d been something approaching stakes in a storyline which ostensibly had thousands of people wake up one morning inside the belly of an unknown beast. Still, it was generally okay, and could’ve been considerably worse.

Stray observations:

Most adorable moment in the episode? Probably when everyone on the train started drinking champagne after the ship completed its mission.

“Preemptive Strike” (season 7, episode 24; originally aired 5/14/1994)

Or The One Where Picard Puts His Complete Trust In Someone, But Shouldn’t Have

Politically, TNG has never been a daring show. Sure, we’ve touched on hot-buttons issues dressed up in science-fiction tropes from time to time, and we’ve seen our fair share of hateful bureaucrats getting in the way of letting our heroes do their job, but if you were to leave the series with an almost uniformly positive impression of the Federation as “good guys,” I’d be hard pressed to argue. That’s one of the main reasons why Firefly is structured the way it is; having the Federation-like Alliance serve as a force of control and a source of potential danger for the heroes was Joss Whedon’s way of undercutting the rah-rah-hegemony vibe of the Trek franchise. (It was also a way to mimic the classic Westerns trope of a former Southern soldier trying to survive a post-Civil War world, without calling up any of Johnny Reb’s unpleasant connotations.) From what I’ve heard, Deep Space Nine does some undercutting of its own, and I look forward to seeing how that plays out, but for right now, everything I’ve seen has led me to believe that Starfleet is just peachy. I may have my suspicions (mostly due to the show’s tendency to portray any culture that outright opposes the Federation as villainous), but that’s all they are.

It’s odd, then, that the series’ penultimate episode goes to such lengths to inspire sympathy for those outside of Starfleet, to the point where the episode’s climax features a major recurring character betraying Picard’s trust. Odder still, it’s pretty clear that the episode wants us to believe she made the right choice. “Preemptive Strike” is a challenging piece of work, and often an unsettling one, forcing us to look at Captain Jean-Luc Picard—ostensibly the most trustworthy character on the entire ship (I think I’ve used this phrase before, possibly in reference to Data, so let’s just call it a tie)—as well-intentioned but misguided obstacle in the path of Ensign Ro becoming who she really wishes to be. The episode doesn’t insist we take this view, and Picard never becomes outright villainous or cruel, but we spend considerably more time with Ro, watching as she comes to realize she’s finally found the place where she belongs. In a way, “Preemptive Strike” plays like a much smarter, much more effective version of “Journey’s End,” where Wesley realized his true destiny was to hook up with Lurch and go planet-hopping. Like Wesley, Ro meets a wise old man who helps her feel like her life has meaning again, and like Wesley, Ro is forced into a position where in order to follow her beliefs, she needs to disobey orders from her superior officers. But where “Journey’s End” concluded with a lot of hugging and smiling, the last shot of “Strike” is Picard, stone-faced, staring off screen. It’s one of a handful of TNG final scenes which isn’t inherently optimistic or accepting, and there’s something shocking about that. “Preemptive Strike” isn’t just a better episode than “Journey’s End” because it’s not inherently ridiculous; it’s also honest enough to admit that sometimes, you have to go against the people you care about. And when you do, there’s no guarantee your relationship will ever be the same again.

How did we get to this point? Why, trouble with the Cardassians, of course. It’s all political and complicated and whatnot, but basically, everyone’s supposed to be at peace, but the Cardassians keeps pulling nasty tricks on Bajoran settlers to drive them out of disputed territory, and in response, a group of Bajoran fighters calling themselves the Maquis have banded together to defend their people. Lately, the Maquis have decided to switch from defense to offense, and have started attacking Cardassian freighters. This doesn’t sit well with the Federation, because however sympathetic they might be to the Bajorans, they’ve got a treaty with the Cardassians to protect, and the Maquis’ actions could upset that treat. (I suddenly realized, if I’m going to cover DS9 , I’m going to have to get a lot more comfortable summarizing complicated, somewhat metaphorical political issues.) So Starfleet decides they need to take action to shut down the Maquis, and they want Picard’s help to do it. Of course, they’ll also need someone on the inside, and for that, they’ll need Ro Laren.

Another curious element of the this episode, when considered in terms of its placement next to the series finale, is the way the hour is largely devoted to Ro, first re-introducing her to the Enterprise , then watching her as she integrates herself into the Maquis and is slowly won over by their cause. There is absolutely nothing wrong with this, and it’s a key part of the episode; if we’d spent our time with Picard and Riker as they fretted over their lack of regular reports, and the growing doubts about Ro’s reliability, this would’ve been a decent but probably less complicated and interesting story. And yet, as a fan of TNG who has come to have a lot of fondness for the entire ensemble, I can’t help feeling cheated at seeing the show’s next-to-last episode focus so little on the main characters. Equally as curious is how the shift in focus serves to make the series’ regular leads come off as a little less heroic than they normally do. There’s Picard’s obstinacy, for one, but the few moments we get with Beverly and Troi make both women seem somewhat foolish, pampered and naive women who don’t understand the challenges of the real universe. Even Riker, for the five minutes we see him, comes off as something of… well, not a buffoon, not exactly. (I appreciate the episode’s subtle indication that Riker respects what Ro does, even if Picard doesn’t.) But his “loyal soldier” behavior makes him look a little naive. It’s not that I mind being made aware that these characters are more complex than we normally realize, but to get that knowledge so close to the end, without any chance for it to expand or affect other episodes, is a little disappointing.

That doesn’t take away from what this episode achieves, however, and while it doesn’t always feel like a TNG ep, it still holds up quite nicely, tricky morality and all. I especially appreciated the careful way “Preemptive Strike” re-establishes the relationship between Ro and Picard, her clear gratitude to him for all he’s done for her career, and his trust in her abilities and her loyalty. There’s nothing exactly romantic going on between them, and that’s for the best, but the chemistry between Patrick Stewart and Michelle Forbes is phenomenal. Late in the episode, Ro and Picard meet in a bar to exchange information. It’s a conversation that starts pleasantly enough; to hide what they’re talking about from prying ears, the two pretend to be a prostitute and prospective client, which means a lot of touching and lot of whispering in each other’s ears. Picard doesn’t realize it at first, but Ro’s doubts about her mission, after meeting all the kind, noble folks in the Maquis and watching a Cardassian shoot one of them down, have solidified, and she wants to call off a planned trap. The scene plays almost like a break-up, or a lover realizing his partner has had an affair. It’s not perfect; Picard’s refusal to listen to Ro’s doubts and his determination to have the mission go through as planned (even to the point of insisting on Riker being present to make sure she doesn’t try and back out) seems out of character for someone as resolutely humanist as Jean-Luc tends to be. But while it may not sit entirely comfortably within the context of the entire series, as a scene on its own, and working within this episode, it’s terrific.

Really, this whole episode is great, and if this is the sort of complexity I can look forward to in DS9 , I’ll have my work cut out for me. There are quibbles, because hey, I wouldn’t feel comfortable if I wasn’t able to poke a few holes here and there. Macias, the older Bajoran who helps convert Ro over to the side of the Maquis isn’t the subtlest of archetypes, and we’re never given much sign that his Andy Griffith routine is a ruse designed to earn people’s trust (I don’t mean it has to be a ruse, but he lays it on a bit thick either way). The fact that Macias dies is an overly convenient way to remind Ro that the Cardassians are evil, and I’m not sure how smoothly her plan to defect will work out in the long run. If the Federation wanted to be pissy about it, they could spread the word that she was a double agent, and given her record in Starfleet, some of the rumors would stick. But hey, that’s her worry, not mine.

Again, though, quibbles, as are my comments on the placement of the episode in the season’s overall order. It’s heartening to see TNG manage such an accomplished hour right before the end, one that builds on established relationships and moves in ways we don’t expect. That may be the biggest shock of all, really. Trek has trained us over the years to have faith in the system, to believe that every wayward soul can find his or her way back to society if they choose to—and, unless they’re actively evil, they always choose to. Only here, we have someone we have every reason to trust, someone who’s proven her basic decency and strength in every episode she’s been in, and she turns her back on what we thought were the good guys. Not because she’s evil or misled—at worse, you could say she’s misguided, but I have a hard time believing that. “Preemptive Strike” leads us to the inexorable conclusion that sometimes, there is no easy answer; sometimes, whichever way you chose means hurting someone you trust. It’s a difficult lesson to learn, but an important one, and it makes for a moving, uncompromising hour.

Well, this is the last appearance Ensign Ro Laren makes in the Trek universe. Too bad, really; the character would’ve been fun to revisit a few years down the line.
I have to tell you, the fact that this feature is ending keeps hitting me at odd moments. I’ve been writing these reviews for nearly two years now, and it’s hard to remember what my work schedule was like before I had to remember to make room for a double dose of Picard and his merry band each Thursday. I’m not sure how to feel about this. On the one hand, it’s not a huge deal. On the other hand, it sort of is. Ah well, maybe I should just stop thinking about it so much.

Next week: I suffer through Star Trek: Insurrection for your pleasure.

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http://tvtropes.org/pmwiki/pmwiki.php/Recap/StarTrekTheNextGenerationS7E23PreemptiveStrike

Star Trek The Next Generation S 7 E 23 Preemptive Strike » Recap

Original air date: May 17, 1994

Ro Laren returns to the Enterprise from advanced training, having just achieved the rank of Lieutenant. Just as she's being welcomed back by Picard, a crisis erupts on the bridge, and they both rush to handle it. A Cardassian ship is under attack by the Maquis, a paramilitary group of Federation citizens resisting the Cardassians. The Enterprise drives off the attackers and beams aboard wounded Cardassians. Picard and Gul Evek exchange warnings that neither side is doing enough to stem the violence in the DMZ. Admiral Nechayev visits the ship and tells Picard that the Federation is eying Ro Laren to act as an undercover operative and infiltrate the Maquis.

Ro agrees to the mission in spite of her hatred of Cardassians, wanting if nothing else to validate Picard's continuing trust in her. She arrives in a local bar on Ronara Prime in the DMZ and makes it look like she's on the run from Starfleet. A bar denizen, Santos, covers for her. She tells him that she's on the run for killing a Cardassian and is interested in killing more. Santos stuns her and brings her to the leaders of the local Maquis cell, Kalita and Macias. She tells the truth about her history in the work camps and in Starfleet, but claims that she went AWOL. While the others check her story, she bonds with Macias over the fact that he likes hasperat , a Bajoran dish her father used to make.

Ro's story checks out, and she's brought into a meeting about Cardassians smuggling biogenic weapons into the DMZ. The group decides on a preemptive strike , but first they'll need medical supplies to carry it out. Ro states that she can use her knowledge of the Enterprise 's security codes to steal them. Kalita goes with her on a shuttle. Ro surreptitiously sends a warning message to the Enterprise , and Picard realizes what Ro wants him to do. He allows her to beam the supplies she needs off the ship and then pretend to unsuccessfully fire at her before she escapes.

Ro is hailed as a hero by the Maquis. She slips away back the Enterprise to meet with Picard, who devises a trap for the Maquis, and Ro again agrees in an effort to prove herself to Picard. But back with the Maquis, Ro is growing increasingly conflicted about her traitorous role. When Macias wistfully looks forward to celebrating an end to the conflict with hasperat and belaklavion music, Ro tearfully recollects how her father used to "chase away the monsters" with his belaklavion when she got scared, but after his death, she's learned that the belaklavion isn't adequate to destroy all of life's monsters. Just then, a Cardassian strike team ambushes the colony, and Macias is mortally wounded. With his final words, he tells Ro that he can die happy knowing that someone else will take up his mantle.

Ro meets with Picard in the bar and tries to claim that the local chapter of the Maquis is no threat, but Picard sees through her. She admits that she's become conflicted, and Picard warns her that any deviation from the plan will have harsh repercussions for her. He demands that Riker accompany her disguised as a family member to keep her honest. Ro and Riker prepare to spring the trap on the Maquis during an ambush of a Cardassian convoy, but at the last moment, Ro pulls a phaser on Riker and warns the Maquis off.

Becoming the Mask : After infiltrating the Maquis as a spy, Ro joins them for real by betraying the Federation. Although considering her history, it isn't much of a shift - Macias says he knew all along that she was one of them.
Book Ends : Ro exits the series (and the franchise, at least until 30 years later in Star Trek: Picard ) the same way she entered it: As a disgraced Starfleet officer.
Break the Haughty : A cross-series one for Admiral Nechayev. In her preceding appearance over on Deep Space Nine , Nechayev blew off Sisko's concerns about the Maquis. She arrogantly dismissed them as irresponsible hotheads and a nuisance. In the wake of those events over on the spinoff show, Nechayev here is exhausted, worried, and forced to concede both that the Maquis have become a legitimate threat after all and that Cardassians are not to be trusted.
The Bus Came Back : Ensign Ro vanished without a trace after the season six episode "Rascals," but this episode reveals that she's been at Advanced Tactical Training. In reality, Michelle Forbes dropped out of the show after refusing to join the cast of Deep Space Nine and alienating herself from the showrunners. She was convinced to come back in a move of desperation by Jeri Taylor, who was dangerously low on script ideas to finish out the final season.
Call-Back : Picard has apparently continued to serve Bularian canapés to Admiral Nechayev after first doing so in " Journey's End ." They seem to have had the intended effect, as their relationship has finally become cordial.
Call-Forward : The "lieutenant commander from tactical training who left Starfleet to join the Maquis" Ro mentions was canonically intended to be Chakotay .
Ro was the first Bajoran in the franchise, and she was established to wear her earring on her left ear. Deep Space Nine later established that almost all Bajorans wear it on their right ear, making Ro a case of Early-Installment Weirdness . In this episode, Riker disguises himself as a Bajoran and wears an earring on his right ear, while Ro continues to wear hers on her left as a personal quirk.
When Gul Evek and his crew are being treated in sickbay for injuries they received during the Maquis attack, he asks (in a condescending sneer) if Crusher has experience treating Cardassians. Crusher patiently replies that yes, she does . (Although she doesn't go into the details, obviously.)
When briefing Picard on the current state of the Maquis Crisis, Nechayev updates him on how Starfleet caught the Cardassian Central Command smuggling weapons into the DMZ and thus violating the Treaty.
Death Glare : Picard's expression at the end of the episode is one of barely restrained fury at Ro's betrayal — or deep sorrow .
Downer Ending : Ro joins the Maquis and betrays the Federation, and right in front of Riker to boot. Picard, to say the least, is considerably upset upon receiving Riker's report.
Fake-Out Make-Out : Ro does this to some guy at the colony bar while hiding from Worf and Data. She also does it while meeting with Picard in the same bar, though that involves him seemingly buying a sexual favor from her rather than them actually making out.
Failed a Spot Check : Worf and Data basically look right at Ro during the bar scene but don't see her because of the above. Behind the scenes, Michael Dorn and Brent Spiner were so annoyed at their usually very observant characters missing her that they kept deliberately messing up and joking around during the shooting of this scene much to the director's (who was Patrick Stewart himself) ire.
Evek warns Picard that if Starfleet can't rein in the Maquis, then the Cardassian Central Command will take matters into its own hands. This threat will get picked up over on Deep Space Nine .
The mention of one of Ro's instructors at Advance Tactical defecting was meant to set up Chakotay .
Idiot Ball : The "perfect" choice to infiltrate the Maquis is a Bajoran officer with a history of being used and abused by Starfleet higher-ups, who admits to being friends with multiple Maquis sympathisers, and whose own father was killed by the Cardassians. Some of these are actually given as good reasons for why she would be ideal for this mission as nobody in the Maquis would suspect her, but nobody in Starfleet considers that this would make her sympathetic to them to begin with. Picard was lucky that Ro wasn't secretly a member of the Maquis already.
In the Hood : The three Cardassians who infiltrated the Maquis camp were in hoods. Of course, this is justified as they were behind enemy lines and had to be covert.
The Main Characters Do Everything : Picard sent his two most unusual crewmembers, a Klingon and an android, to play the role of Starfleet officers searching the local bars for Ro. You'd think he'd send more ordinary-looking security officers, but then Worf and Data would miss out on a scene.
Never My Fault : Evek and the Cardassian military blame Starfleet for the Maquis Crisis and for failing to rein them in...all while ignoring that it was their attempts to sabotage the DMZ and the Peace Treaty which set off this whole mess.
O.O.C. Is Serious Business : Usually, Picard says something to wrap up the episode. In this episode, he simply sits in silence, incensed with Ro's actions .
Parental Substitute : Ro spends the episode being torn between two surrogate father figures: Picard and Macias. When Macias is killed by Cardiassians, just like her real father, that seems to tip the balance.
Poorly Disguised Pilot : Slightly less subverted than DS9's "The Maquis", as this helps lay the groundwork for Star Trek: Voyager . Ro mentions that one of her teachers at Advanced Tactical Training was a lieutenant commander who was sympathetic to the plight of the colonists and recently resigned from Starfleet, all but outright saying that her teacher was Chakotay. There's also a Klingon, a dark-skinned Vulcan and a Native American in the bar where Ro is hiding from Riker and Worf, though they aren't actually Torres, Tuvok and Chakotay.
Rank Up : Welcome back, Lieutenant Ro.
Sequel Episode : To DS9's "The Maquis, Part II" . This episode continues the cross-series march towards Star Trek: Voyager . In the aftermath of events over on Deep Space Nine (i.e. Cal Hudson's failed strike), the Maquis have regrouped and changed tactics. Starfleet is thus left scrambling to respond and the Enterprise crew get dragged into the quagmire.
Stock Footage : The matte painting depicting Ronara is a reuse of the Yaderan village painting from the DS9 episode " Shadowplay ".
Take Up My Sword : After the Cardassians attack the Maquis settlement, a dying Macias tells Ro that "When an old fighter like me dies... someone always steps forward to take his place."
Tastes Like Friendship : Ro and Macias bond over their shared love of a Bajoran dish, hasperat , which looks like a veggie roll-up sandwich straight off the craft services table.
Tranquil Fury : At the end of the episode, Picard doesn't say a word in reaction to Riker's report on Ro's betrayal. The anger is plainly obvious on his face, though. He is furious.
The Xenophile : The human Macias loves Bajoran food and music, to the delight of Ro.
You Called Me "X"; It Must Be Serious : Picard's desperation to keep Ro on the side of the Federation comes through when he calls her "Laren" for the first time at the colony bar.
Your Terrorists Are Our Freedom Fighters : Discussed. The Maquis are not a homogeneous group, with some cells being conservative and others being highly militant.
Star Trek The Next Generation S 7 E 22 Emergence
Recap/Star Trek: The Next Generation
Star Trek: The Next Generation S7 E24 "All Good Things..."

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Preemptive Strike

"Preemptive Strike" is a TNG episode .

1.1 Characters
1.2 Starships
1.3 Locations
1.4 Races and cultures
1.5 States and organizations
1.6 Other references
2.1 Related media
2.2 Connections
2.3 External link

References [ ]

Characters [ ], starships [ ], locations [ ], races and cultures [ ], states and organizations [ ], other references [ ], appendices [ ], related media [ ].

Defections by Starfleet officers to the Maquis have also been depicted in the following adventures:

" The Maquis, Part I " and " The Maquis, Part II " ( DS9 episodes)
" For the Cause " ( DS9 episode)
Rogue Saucer ( TNG novel )

Connections [ ]

External link [ ].

Preemptive Strike article at Memory Alpha , the wiki for canon Star Trek .
1 Ferengi Rules of Acquisition
2 USS Enterprise-D personnel

Opinionated Next Gen Episode Guide concludes its look at Ro with the second to last TNG episode ever. Ro will have to sacrifice her career to help the plot of Voyager, or as it's known in Starfleet, 'Mission: Impossible.'

Star Trek (TNG): Preemptive Strike

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Star Trek: The Next Generation – Season 7, Episode 24

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Picard (Patrick Stewart) and Geordi La Forge (LeVar Burton) appear in an alternate future timeline in "All Good Things..."

Commander Riker (Jonathan Frakes), Picard (Stewart) and Dr. Crusher (Gates McFadden) in a scene from "All Good Things..."

A scene from TNG 's penultimate episode, "Preemptive Strike," directed by Patrick Stewart.

The cast of Star Trek: The Next Generation

Patrick stewart knows how important star trek is to you (exclusive), for the 30th anniversary of star trek: tng 's series finale, the legendary actor reflects on both it and captain picard's legacy..

It’s ironic (and somewhat fitting) that the last scene filmed for Star Trek: The Next Generation ’s series finale involved the beginning of life on our planet.

TNG ’s two-part finale, “All Good Things…,” centered on Captain Picard’s (Patrick Stewart) attempts — across three different time periods — to save the galaxy from a spacial anomaly made of anti-time. With a little help from Picard’s omnipotent nemesis, Q (John de Lancie), the past, present and future crews of the Enterprise-D struggled to restore temporal balance to the galaxy as Picard and Q paid a visit to primordial Earth. There, the anomaly — which gets larger the farther back in time we go — causes the building blocks of all life on Earth to never form, thus wiping out humanity before it ever had a chance to exist. The weight of this scene — and how the show’s pending conclusion would impact fans — was not lost on Stewart, who recently spoke to the Television Academy about his experience filming the finale. Shooting this pivotal sequence late at night — on TNG’s infamous “Planet Hell” set, which was often home to rock or cave-like planets — proved to be, well, we’ll let Captain Picard himself explain:

“We wrapped it at about 1:30, 2 in the morning, when everyone was absolutely beaten,” Stewart says. “Just the crew, exhausted, and the director [the late Winrich Kolbe] dragging John de Lancie and myself to the finish, practically. And that was the last scene we shot. We wrapped seven seasons of Next Generation with two actors, John and myself.”

While the series was done with Picard and his shipmates, Star Trek was not. Stewart, after having been in nearly every scene of the finale and having directed the series’ penultimate episode, “Preemptive Strike,” had less than two weeks off before he reported to film the first Trek movie featuring the Next Gen cast, 1994’s Star Trek: Generations . The transition from fans’ television screens to the silver screen was, occasionally, a bittersweet one for Stewart and his costars. “While we all realized that we would no longer be working together on a series, we did have the movies to look forward to,” Stewart explains.” “But it was still very emotional, ending the series.”

In honor of the recent 30th anniversary of “All Good Things…”, Stewart reveals what it was like shooting key sequences of the finale and how season seven came to be Next Gen ’s last.

Television Academy: Prior to shooting “All Good Things…,” you had directed the previous episode, “Preemptive Strike,” and I can't imagine how stressful it must have been for you at that time. Can you recall how difficult it was for you to go from directing that episode to being in nearly every scene of the finale?

Patrick Stewart: Well, the difficulty was not getting enough sleep. [ Laughs ]

Because you have to prep shows before you start shooting them. But while I was prepping one show, I was shooting another one as well as playing my own role. So it was a very intense and crazy time. It had never been planned that there would be seven seasons. And I think it was around season three when it was confirmed that there will be six seasons. And, of course, we were thrilled. It was a big compliment to the work that everyone had been doing — the writers, directors, crew, producers, studio. And I think when we were approaching, we were about halfway through season six that I was asked about doing a seventh season.

How did you react to that ask? What did you think?

Well, what I did was immediately go and talk to all of my fellow actors, because I had a marginally different status in the production, I think, as the leading character. But I only wanted to do what they wanted to do. So I talked to everybody: Jonathan [Frakes], Brent [Spiner], Michael [Dorn] LeVar [Burton], Gates [McFadden], Marina [Sirtis], as well as our directors and our producers. And everyone said, “Yes, let's give it a shot.” In fact, I think there were one or two of my beloved friends [on TNG ] who would have liked to have gone on and done seasons eight, nine and 10. [ Laughs ] The series had already taken up seven years of my life — and five more were going to be taken up with the movies that we made, that we were going to shoot. So it had been an intense period of my life, a period of my life I had never expected to experience at all. Doing a television series that would run for year after year after year, that was not on my list of ambitions. And it, of course, had such an impact on my life. I had never experienced anything like it. And critical to that was my relationship with the rest of the cast, whom I met first in 1987. And every day that I don't see them now in 2024, I miss every one of them. And I don't think I've ever had so much fun as I have shooting Next Generation .

Did you have fun shooting the finale’s scenes where Picard was in old age makeup, sporting a beard for the first time on the show?

I loved it. Let me say, first of all, that we had a brilliant makeup team with Michael Westmore. The Westmore family. At one time, I believe every one of the major studios in Hollywood had a Westmore. I’ve always enjoyed the fun of sometimes appearing as a character whom the audience would know was Captain Picard, but he would appear in a funny or different costume or in makeup.

How did you celebrate when they finally wrapped on season seven?

I can't remember what I did exactly, but I do think I slept for several days.

I was going to say, I hope they gave you some time off between wrapping and starting Generations . I heard it was something like two weeks —

Oh, it was much shorter than that. [ Laughs ] They had already started shooting some of the movie when we were shooting the final episode. There were lots of scenes with Bill Shatner in them that we were not in. And so they were already working, and it meant that we could sneak in, because they were filming on the Paramount lot where we shot, well, not all of our episodes. Of course, about every four episodes or so, we would go on location somewhere — which was always a little bit like having a holiday. At least we treated it as a holiday.

I am guessing the cast was fairly emotional when shooting the famous poker table scene that ends “All Good Things…,” which you and the cast recreated for the finale of Star Trek: Picard . I know it’s been 30 years, but how was it for you filming what would become such an iconic moment for the franchise?

Well, it was intense. But we still had a few more days of work ahead of us. It was not the last scene of the series that was shot. The scene that John de Lancie and I had on [primordial Earth], that was the last scene we shot. We wrapped it at about 1:30, 2 in the morning, when everyone was absolutely beaten. And throughout the day, we'd had visitors. It's one of the reasons we were so far behind. We had so many visitors — important, distinguished visitors. And as we got into the evening shooting, of course, the visitors thinned out. And the later it got, there were no visitors at all. Just the crew, exhausted, and the director, Kolbe, dragging John de Lancie and myself to the finish, practically. And that was the last scene we shot. We wrapped seven seasons of Next Generation with two actors, John and myself. And for the poker scene, of course emotions ran high. I believe, just off the set somewhere, behind the wall there to where they were playing poker, crew members and executives were on set to observe [filming], and it’s safe to say there were few dry eyes in the house. While we all realized that we would no longer be working together on a series, we did have the movies to look forward to. And we were aware that this would also have an impact on the fans, for without them, we wouldn’t be here still talking about the work we achieved. But it was still very emotional, ending the series.

Speaking of the late Winrich Kolbe, the writers of “All Good Things…” and Frakes, they’ve all said that he was one of their favorite directors, and that they were very happy that he got the assignment for the finale. Can you recall what your relationship was like working with him?

It was wonderful. He was wonderful; a mixture of stern and serious instructions as well as lightheartedness. And we enjoyed him [on set] very much. But everything that I've just said would have applied to several more directors as well. And, of course, when Jonathan began directing, that was wonderful. And Gates, too. LeVar did several as well. Both he and Jonathan have both got great directing careers.

How would you rate your experience directing episodes of Next Gen ?

I loved every moment of directing, because I never thought it was something I would do. I didn't have ambitions to do it. But when we saw what Jonathan was doing, and then I think when I saw what LeVar was doing, I went along and said, “Please, sir, can I have a go, too?”

The Western episode you directed, “A Fistful of Datas,” is a popular one among the fans.

I'll tell you a secret about that. We filmed the Wild West town village on the Warner Bros. lot. And they had an extraordinarily extensive outdoor set of a Western town. And so I was told, “Okay, we're going to shoot all the Western scenes, the exterior scenes at Warner Bros.” And I said, “Great, but there's an awful lot.” And they said, “Yes, there is. We're going to have to be very tight and work very hard to get everything in.” And we actually started filming the first shot in the dark. The sun hadn't come up. And I said, “Hang on a minute. It doesn't matter that there's no sunshine. We could film this in the dark, to help save us some time.”

And [the shot] was Brent, as his cowboy character, hiding around a corner. It just looked like a dark, shadowy corner, which was helpful for our intentions. And then we raced through the day. I mean, we just didn't have the time to spend, because if we didn't shoot it, it wasn't going to get shot. But we did. And that was very challenging to a new director shooting his first Western.

This interview has been edited for length and clarity.

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Star Trek: The Next Generation: Preemptive Strike
Watch Star Trek: The Next Generation Season 7 Episode 24: Star Trek
Star Trek: TNG Review
"Preemptive Strike" (S7:E24) Star Trek: The Next Generation Screencaps
"Preemptive Strike" (S7:E24) Star Trek: The Next Generation Screencaps
"Preemptive Strike" (S7:E24) Star Trek: The Next Generation Screencaps

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Lt. Ro Laren betrays Starfleet
The USS ENTERPRISE Encounters the Maquis
We Might Regret This
SO3 OST
STAR TREK TNG 7X24 Preemptive Strike REACTION
Trek Live 0240: Winter Break Rewatch Recap

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"Star Trek: The Next Generation" Preemptive Strike (TV Episode 1994
Preemptive Strike: Directed by Patrick Stewart. With Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn. Following her return from Advanced Tactical Training, Bajoran Ro Laren is sent to infiltrate the Maquis and finds herself torn between her loyalty to Picard and Starfleet, and her sympathy with the Maquis fighting "the good fight".
Preemptive Strike (Star Trek: The Next Generation)
" Preemptive Strike " is the 176th episode of the syndicated American science fiction television series Star Trek: The Next Generation. It is the 24th episode of the seventh season, and penultimate episode of the series overall, directed by cast member Patrick Stewart (Captain Jean-Luc Picard). Set in the 24th century, the series follows the adventures of the crew of the Federation starship ...
Preemptive Strike (episode)
The original title of this episode was "The Good Fight" but it was felt that this title was too similar to " All Good Things... ". (Star Trek: The Next Generation Companion,? ed., p. ?) "Preemptive Strike" was filmed between Wednesday 2 March 1994 and Thursday 10 March 1994.
"Star Trek: The Next Generation" Preemptive Strike (TV Episode 1994
"Star Trek: The Next Generation" Preemptive Strike (TV Episode 1994) cast and crew credits, including actors, actresses, directors, writers and more.
"Preemptive Strike"
The last regular episode before the finale follows the template of the other episodes in the season's home stretch by providing a character story that plays like an epilogue. "Preemptive Strike" is by far the most successful of these episodes, providing the swan song for Ro Laren, a character who never fit the mold of the traditional TNG Starfleet type and who here chooses a path, like Wesley ...
The Next Generation Transcripts
The Next Generation Transcripts - Preemptive Strike. Preemptive Strike Stardate: 47941.7 Original Airdate: 16 May, 1994. Captain's log, stardate 47941.7. The Enterprise is en route to a briefing on the situation in the Demilitarised Zone along the Cardassian border. Meanwhile, we're celebrating the return of an old friend.
Star Trek: The Next Generation: Preemptive Strike
Episode Guide for Star Trek: The Next Generation 7x24: Preemptive Strike. Episode summary, trailer and screencaps; guest stars and main cast list; and more.
S7 E24: Preemptive Strike
Featuring a bigger and better USS Enterprise, this series is set 78 years after the original series -- in the 24th century. Instead of Capt. James Kirk, a less volatile and more mature Capt. Jean-Luc Picard heads the crew of various humans and alien creatures in their adventures in space -- the final frontier.
Preemptive Strike
Ro Laren is forced to choose between her loyalty to Picard and her hatred toward Cardassia when she accepts an assignment to infiltrate the Maquis.
Pre-emptive Strike
Ro Laren's infiltration of the Maquis vigilantes backfires when her hatred of Cardassians makes her sympathetic to the group's agenda.
Star Trek: TNG Review
Star Trek: The Next Generation, created by Gene Roddenberry, Season 6, Episode 24, Paramount Television, CBS, 1993. Balcer, Rene, Herbert Wright, and Brannon Braga.
Preemptive Strike (Star Trek: The Next Generation)
"Preemptive Strike" is the 176th episode of the syndicated American science fiction television series Star Trek: The Next Generation. It is the 24th episode of the seventh season, and penultimate episode of the series overall, directed by cast member Patrick Stewart (Captain Jean-Luc Picard).. Set in the 24th century, the series follows the adventures of the crew of the Federation starship USS ...
Star Trek: The Next Generation : "Emergence"/"Preemptive Strike"
Probably when everyone on the train started drinking champagne after the ship completed its mission. "Preemptive Strike" (season 7, episode 24; originally aired 5/14/1994) Or The One Where ...
TNG Preemptive Strike : r/startrek
TNG Preemptive Strike. I hadn't watched this episode since it first aired, and I absolutely love both the writing and the acting. Ro's discomfort at the beginning of the episode presages her conflict with her mission as a Federation spy on the Maquis. And the parallel father figures between Picard and Macias representing duty and family ...
Star Trek The Next Generation S 7 E 23 Preemptive Strike
A page for describing Recap: Star Trek The Next Generation S 7 E 23 Preemptive Strike. Original air date: May 17, 1994 Ro Laren returns to the Enterprise …
"Star Trek: The Next Generation" Preemptive Strike (TV Episode ...
Although we can see these clearly in retrospect it must have seemed confusing at the time to have so many new elements appearing in The Next Generation during its penultimate episode. Personally, by this time I was already completely hooked on DS9 aka "Star Trek for Grown Ups" but how does Pre-Emptive Strike stand up as a Next Generation episode?
Star Trek: The Next Generation season 7 Preemptive Strike Reviews
Preemptive Strike. Following her return from Advanced Tactical Training, Bajoran Ro Laren is sent to infiltrate the Maquis and finds herself torn between her loyalty to Picard and Starfleet, and her sympathy with the Maquis fighting "the good fight". Episode 25 • May 23, 1994 • 1 h 45 m.
Preemptive Strike
External link Preemptive Strike article at Memory Alpha, the wiki for canon Star Trek.
Star Trek (TNG): Preemptive Strike
Star Trek (TNG): Preemptive Strike. Opinionated Next Gen Episode Guide concludes its look at Ro with the second to last TNG episode ever. Ro will have to sacrifice her career to help the plot of Voyager, or as it's known in Starfleet, 'Mission: Impossible.'. Star Trek (TNG): Preemptive Strike. Ro Laren Biography.
Star Trek: The Next Generation
Watch Star Trek: The Next Generation — Season 7, Episode 24 with a subscription on Paramount+, or buy it on Fandango at Home, Prime Video, Apple TV.
"Star Trek: The Next Generation" Preemptive Strike (TV Episode 1994
Preemptive Strike. This episode contains the only instance of Ro being (correctly and intentionally) referred to by her given name - when Captain Picard meets her at the bar and asks "Laren, what is going on?" The only time the Maquis appear in Star Trek: The Next Generation (1987).
STAR TREK: TNG
Kat's thrilled to see Ro arrive... But at what cost?(Please remember this was filmed before the strike happened. So some time has passed between then and rel...
Patrick Stewart Knows How Important Star Trek Is to You (Exclusive)
Stewart, after having been in nearly every scene of the finale and having directed the series' penultimate episode, "Preemptive Strike," had less than two weeks off before he reported to film the first Trek movie featuring the Next Gen cast, 1994's Star Trek: Generations.

Preemptive Strike (episode)

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Preemptive Strike

Michelle Forbes

Natalija Nogulich

Richard Poe

Shannon Cochran

William Thomas, Jr.

John Franklyn-Robbins

Patrick Stewart

Jonathan Frakes

LeVar Burton

Michael Dorn

Gates McFadden

Marina Sirtis

Brent Spiner

Pre-emptive Strike

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Preemptive Strike (Star Trek: The Next Generation)

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Star Trek: The Next Generation : “Emergence”/“Preemptive Strike”

Star Trek The Next Generation S 7 E 23 Preemptive Strike » Recap

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Preemptive Strike

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Star Trek: The Next Generation – Season 7, Episode 24

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Preemptive Strike

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Picard (Patrick Stewart) and Geordi La Forge (LeVar Burton) appear in an alternate future timeline in "All Good Things..."

Commander Riker (Jonathan Frakes), Picard (Stewart) and Dr. Crusher (Gates McFadden) in a scene from "All Good Things..."

A scene from TNG 's penultimate episode, "Preemptive Strike," directed by Patrick Stewart.

The cast of Star Trek: The Next Generation

9-1-1 's Jennifer Love Hewitt on Her Character's Future Outside the Call Center