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DREAM THEATER Announces North American 40th Anniversary Tour Dates

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Dream Theater Announce 2025 North American 40th Anniversary Tour

The prog metal legends will embark on an extensive North American outing in February

Dream Theater have announced 2025 North American dates for their 40th anniversary tour.

The North American leg kicks off February 7th in Philadelphia and runs through March 22nd with a concert at Radio City Music Hall in New York City. It will mark the band’s first stateside run with drummer Mike Portnoy in 14 years.

Get Dream Theater Tickets Here

A Live Nation ticket pre-sale  for select dates begins Wednesday (September 11th) at 10 a.m. local time using the code SETLIST . General ticket sales start Friday (September 13th) at 10 a.m. local time via Ticketmaster . Fans can also look for deals or get tickets to sold-out dates via StubHub , where your purchase is 100% guaranteed through StubHub’s Fan Protect program.

Stated the band in a press release: “The excitement we have felt from the fans since the first tour was announced has been overwhelming! Now we get to bring the show to our home country and play a bunch of cities that we haven’t been together in for more than a decade. We can’t wait to continue this historic celebration of 40 years together with everyone in North America next year. We still have plenty of more exciting Dream Theater news to share in the coming weeks.”

As previously reported, Dream Theater announced their 40th anniversary tour — billed as “An Evening with Dream Theater” — with an initial leg of Fall 2024 UK/European dates that kick off in October. Those shows will be followed by a short run of South American gigs in December.

Below you can see the complete list of Dream Theater’s 40th anniversary tour dates.

Dream Theater’s 2024/2025 40th Anniversary Tour Dates: 10/20 – London, UK @ The O2 10/22 – Berlin, DE @ Uber Eats Music Hall 10/23 – Koln, DE @ Palladium 10/25 – Milan, IT @ Forum 10/26 – Rome, IT @ Palazzo dello Sport 10/28 – Munich, DE @ Zenith 10/29 – Zagreb, HR @ Arena Zagreb 11/01 – Budapest, HU @ Budapest Arena 11/02 – Prague @ CZ @ Fortuna Arena 11/03 – Lodz, PL @ Atlas Arena 11/06 – Helsinki, FI @ Metro Areena 11/08 – Stockholm, SE @ Waterfront 11/09 – Oslo, NO @ Spektrum 11/10 – Copenhagen, DK @ Poolen 11/12 – Luxembourg, LU @ Rockhal 11/13 – Zurich, CH @ The Hall 11/14 – Lyon, FR @ Halle Tony Garnier 11/16 – Lisbon, PT @ MEO Arena 11/17 – Madrid, ES @ La Cubierta de Leganés 11/20 – Stuttgart, DE @ Beethovensaal 11/21 – Frankfurt, DE @ Jahrhundderthalle 11/23 – Paris, FR @ Adidas Arena 11/24 – Amsterdam, NL @ AFAS Live 12/07 – Mexico City, MX @ Explanada Estadio Azteca 12/10 – Belo Horizonte, BR @ Befly Hall 12/13 – Rio de Janeiro, BR @ Vivo Rio 12/15 – Sao Paulo, BR @ Vibra 12/16 – Curitiba, BR @ Live Curitiba 12/17 – Porto Alegre, BR @ Araújo Vianna 12/19 – Buenos Aires, AR @ Movistar Arena 12/21 – Santiago, CL @ Movistar Arena 12/22 – Santiago, CL @ Movistar Arena 02/07 – Philadelphia, PA @ The Met 02/08 – Raleigh, NC @ Martin Marietta Center 02/10 – Nashville, TN @ Opry House 02/11 – Atlanta, GA @ Coca-Cola Roxy 02/12 – Biloxi, MS @ Hard Rock Café 02/14 – Houston, TX @ 713 Music Hall 02/15 – Dallas, TX @ Texas Trust CU 02/16 – San Antonio, TX @ Majestic 02/18 – Phoenix, AZ @ Arizona Financial Center 02/19 – Highland, CA @ Yaamava Theater 02/21 – Las Vegas, NV @ The Chelsea 02/22 – Los Angeles, CA @ YouTube Theater 02/24 – San Jose, CA @ San Jose Civic 02/25 – Sacramento, CA @ Safe Credit Union Performing 02/27 – Seattle, WA @ Moore Theater 02/28 – Portland, OR @ Keller Auditorium 03/02 – Reno, NV @ Grand Sierra 03/04 – Salt Lake City, UT @ Maverik Center 03/06 – Denver, CO @ Mission Ballroom 03/08 – Chicago, IL @ Chicago Theatre 03/09 – Cleveland, OH @ MGM Northfield Park 03/11 – Toronto, ON @ Coca-Cola Coliseum 03/12 – Montreal, QC @ Place des Arts 03/14 – Wallingford, CT @ Oakdale Theater 03/15 – Boston. MA @ Boch Center 03/17 – Rochester, NY @ Kodak 03/18 – Wheeling, WV @ Capitol Theater 03/19 – Cincinnati, OH @ Brady Music Center 03/21 – Washington, DC @ The Anthem 03/22 – New York, NY @ Radio City Music Hall

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THEPRP News

Dream Theater Announce 40th Anniversary North American Tour

Dream Theater have announced the dates for their 40th anniversary tour. The multi-platinum, GRAMMY Award -winning progressive metal band will be embarking on that North American trek in early 2025. Tickets will be available this Friday, September 13th at 10:00am local.

News of the trek emerges as the outfit are preparing release plans for their sixteenth studio album. That outing finds the group reunited with acclaimed drummer Mike Portnoy , who previously exited the band back in 2010.

02/07 Philadelphia, PA – The Met 02/08 Raleigh, NC – Martin Marietta Center 02/10 Nashville, TN – Opry House 02/11 Atlanta, GA – Coca-Cola Roxy 02/12 Biloxi, MS – Hard Rock Cafe 02/14 Houston, TX – 713 Music Hall 02/15 Dallas, TX – Texas Trust CU 02/16 San Antonio, TX – Majestic 02/18 Phoenix, AZ – Arizona Financial Center 02/19 Highland, CA – Yaamava’ Center 02/21 Las Vegas, NV – Cosmo 02/22 Los Angeles, CA – YouTube Theater 02/24 San Jose, CA – San Jose Civic 02/25 Sacramento, CA – Safe Credit Union Performing 02/27 Seattle, WA – Moore Theater 02/28 Portland, OR – Keller Auditorium 03/02 Reno, NV – Grand Sierra 03/04 Salt Lake City, UT – Maverik Center 03/06 Denver, CO – Mission Ballroom 03/08 Chicago, IL – Chicago Theatre 03/09 Cleveland, OH – MGM Northfield Park 03/11 Toronto, ON – Coca-Cola Coliseum 03/12 Montreal, QC – Place des Arts 03/14 Wallingford, CT – Oakdale Theater 03/15 Boston, MA – Boch Center 03/17 Rochester, NY – Kodak 03/18 Wheeling, WV – Capitol Theater 03/19 Cincinnati, OH – Brady Music Center 03/21 Washington, DC – The Anthem 03/22 New York, NY – Radio City Music Hall

Related Stories

By 98 KUPD | September 10, 2024

Dream theater announces 2025 us tour.

Dream Theater has announced a U.S. tour for 2025.

The headlining outing launches Feb. 7 in Philadelphia and wraps up March 22 in New York City. It celebrates Dream Theater’s 40th anniversary and also marks the prog metal outfit’s first U.S. tour since founding drummer Mike Portnoy rejoined the band in 2023.

Tickets go on sale Friday at 10 a.m. local time. For the full list of dates and all ticket info, visit DreamTheater.net .

“We can’t wait to continue this historic celebration of 40 years together with everyone in North America next year,” Dream Theater says. “We still have plenty of more exciting Dream Theater news to share in the coming weeks.”

Perhaps said news will be related to the next Dream Theater album, their first with Portnoy since 2009.

Copyright © 2024, ABC Audio. All rights reserved.

Broadway Glossary

Recommended For You

What does a Theatre Tour Manager do?

When a production goes on tour to different locations it requires a Tour Manager. A Tour Manager books venues, travel and accommodation for cast members and ensures the tour runs smoothly. In some instances, a Producer can also take on the role of Tour Manager. 

Search training, experience and funding opportunities to help you get into theatre 

What are the main responsibilities of a Tour Manager?

• Organise the details of the tour, often called the ‘get-in’ and ‘get out’ (moving the equipment)
• Work out the best route for the tour
• Liaising with venues, Promoters, Artists and their Managers/Agents
• Booking travel, accommodation and transfers for cast and crew members
• Dealing with any problems that may arise before or during the tour of a production, such as travel disruptions (if there is traffic or delays on public transport) or cast and crew illness
• Making sure that the sound and any audio-visual systems are appropriate for each venue
• Analysing the budget of the tour - ensuring you have enough money for each area e.g. travel, equipment, salary of team members etc.
• Travelling with the cast and crew of the production whilst on tour
• Managing the transportation of instruments and PA systems to and from venues and overseeing the installation on-site
• Ensure set is able to fit and be set up in each space

What qualifications do I need to be a Tour Manager?

It is not essential to have a qualification to become a Tour Manager. However, a formal qualification in any of the following subjects could be beneficial:

• Travel, Tourism, Leisure Studies
• Foreign Languages

Apprenticeships within the industry would be helpful and provide a useful background for moving into tour management later. 

Search for apprenticeships from across the theatre industry here

What skills do I need to be a Tour Manager?

• Organisation
• Strong communication skills 
• Strong listening skills
• Excellent planning and organisational skills
• Quick thinking - make decisions quickly and change arrangements when required
• Ability to work well under pressure and cope with emergencies
• Strong problem solving skills 
• A keen interest in the culture, geography and history of the locations covered by the tour
• Time management
• People skills

What does a career as a Tour Manager look like?

Any experience working in theatre production is beneficial. You can help with school and college productions or get experience at your local theatre. It’s possible to start your career as an Administrator or Tour Assistant and work your way toward becoming a Tour Manager. Focus on your organisational and problem solving skills as these are essential for this line of work. 

How much does a Tour Manager earn?

Salary is based on development within a role and experience. This role can be salaried or as a freelance fee. On average, a Tour Manager can earn on anywhere between £25K and £35K.

The above is a guide. Pay, salary or fee can vary depending on the theatre or company, as well as your personal experience. National institutions or commercial productions can pay in excess of the above, with profit-share or community theatre paying less. 

You can find theatre jobs via The Stage Jobs here 

References :

https://jobs.nationaltheatre.org.uk/job/touring-coordinator?source=jobs.theguardian.com

https://www.prospects.ac.uk/job-profiles/tour-manager

https://www.glassdoor.co.uk/Salaries/tour-manager-salary-SRCH_KO0,12.htm

https://nationalcareers.service.gov.uk/job-profiles/tour-manager

Photo: Shutterstock

Updated: 7th June 2024

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Larry David making tour stop at Fox Theatre next month

PaleyFest LA 2024 - "Curb Your Enthusiasm" HOLLYWOOD, CALIFORNIA - APRIL 18: Larry David arrives at Paley Fest LA 2024 - "Curb Your Enthusiasm" at the Dolby Theatre on April 18, 2024 in Hollywood, California. (Photo by Kevin Winter/Getty Images) (Kevin Winter/Getty Images)

ATLANTA — Comedian and actor Larry David is coming to the iconic Fox Theatre next month.

The “Curb Your Enthusiasm” and “Seinfeld” creator, David will be joined will discuss the two shows and more with the help of a moderator.

The 12th and final season of Curb featured several episodes that took place in Atlanta, with David getting into some legal trouble.

The event called “A Conversation with Larry David” will be held on Oct. 24.

View this post on Instagram A post shared by Curb Your Enthusiasm (@curbyourenthusiasm)

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Presale tickets go on sale on Thursday with general tickets going on sale on Friday.

For more information about buying the show and buying tickets, click here .

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Glossary of Stage and Theater Terms

Acoustical reflector panel (cloud).

A reflective panel hung in the auditorium, generally above the audience, that is used to direct sound into desired zones. Often decorative in nature.

Act Curtain

A curtain (sometimes designed for a specific show) that is opened to signal the beginning of a performance. The Front Curtain is often used for this purpose.

Acting Area

The stage area used by actors for performances.

The Americans with Disabilities Act. It requires access to public spaces by people with disabilities.

American Institute of Architects.

American National Standards Institute

The portion of stage that extends beyond the proscenium opening.

Apron (Forestage)

The area of the stage located just in front of the proscenium.

A carriage or rack that contains weights, usually flame cut steel or cast iron, in sufficient quantity to balance a load.

An area located below an opening in the stage floor that permits greater travel for counterweight arbors and pipe battens.

A performance space with seating all round the performers. Examples include theaters, basketball courts, and indoor rodeos.

Acoustical Society of America

As Built Drawings (Final Drawings)

Equipment or layout drawings that show equipment as it was actually built and intended to be installed. They may not reflect actual, as installed, conditions.

American Society of Mechanical Engineers

American Society of Theater Consultants

American Society for Testing of Materials

The area of the theater where visitors sit to view a stage performance.

A hall or seating area within the hall where the audience views a performance.

Austrian Curtain

A curtain that is raised (opened) with brailed lifting lines and is sewn with both vertical and horizontal fullness.

The stage area that is located beyond the sight of the audience. Usually behind curtains and other masking devices.

A raised platform extending out from a wall, often used for additional rows of seats in an auditorium.

A beam fabricated using lightweight rolled or fabricated sections that is used for long spans under light loading conditions.

A bar, usually made from steel pipe, from which scenery, lights and curtains are hung.

Batten Clamp

See “Pipe Clamp.”

A structural member (usually horizontal in a building structure) that resists bending.

A device from which a load is hung, attached to the flange of a steel beam without altering the beam in any way.

A device that supports a shaft or other machine part while minimizing friction.

Belaying Pin

A wood or steel rod, inserted into a hole in a pin rail, that secures ropes attached to a load. They are typically removable.

Bi-Parting Drape

A curtain that opens from the center to either side.

A room (often painted black) that is intended for performance and lacks a permanent configuration, seating, or fixed performance area. Provision for performance lighting and props or curtains is often made.

An assembly that consists of one or more sheaves and axles in a housing.

A vertically mounted pipe used for stage lights.

Border Curtain

A curtain used to define the top limit of the stage and to mask or hide lights and unused scenery and curtains.

Originally a vertical pipe in a seating box used for stage lights, but now used to indicate any side lighting position.

Brail Curtain

A curtain that is raised (opened) with brail type lift lines and is sewn flat or has horizontal fullness.

Brail Lines

Lifting lines that pass through a row of rings sewn to the back of the curtain and attach at the curtain bottom. The curtain folds up when the lines are pulled.

Brail Winch

A winch designed to work as part of a rigging system to raise and lower a curtain from its bottom support using cables run through rows of rings on the back of the curtain.  Can be manual or motorized.

Breaking Strength

The load at which a failure occurs.

An assembly that splits a lift line into two separated attachment points. Used to support trusses or to provide extra support along a pipe batten to limit deflection.

Building Code

A set of municipal, state, or federal guidelines for the design and construction of buildings.

A device to mechanically fasten cables, consisting of bolts, nuts, and pads that bear against the cable to prevent crushing and slippage.

Cable Cradle

A device that supports an electrical cable loop and prevents sharp bends. It often has a hole for attachment of a lifting line.

A drum for holding hose or various types of electrical cable that winds using springs or a motor. The hose or cable is connected at the hub of the drum so the connection to other systems is maintained as the drum rotates.

Cable Roller

A roller assembly designed to prevent moving cables from contacting any part of a building or adjacent rigging. Not intended to change cable direction or carry loads.

Capstan Winch

A winch, usually portable, with an un-grooved drum designed to assist in moving heavy loads. An operator wraps a rope around the drum and pulls to tighten the rope on the drum. Friction causes the rope to travel with the rotating drum.

See “Arbor.”

A walkway for access to a distant point (usually overhead).

Certificate of Occupancy

Certificate issued by a building inspector with local jurisdiction that certifies that a building meets codes and is safe to use.

Certified Rigger

A rigger who has passed the “Entertainment Technician Certification Program” (etcp) exam and is recognized as competent to do rigging for a period of time. This certification is based on both experience and a written test. Regular re-certification is required.

Class Act Performer

A Stagecraft stage curtain layout design that addresses the needs of a multi-purpose space by providing an easy way to store curtains when they are not in use

Device that connects several ropes or cables to one, usually stronger, rope or cable.

Clutches are couplings that permit selective engagement and disengagement of shafts, such as a gearbox shaft from a drum.

Company Switch

A high voltage electronic outlet located on or near the performance area allowing users (usually touring groups) to plug into to power any equipment that is touring with the show.

Compensating Line

A system of light and heavy chains or cables that balances lift line weight as it transfers from the batten to the arbor side of a moving counterweight set.

Competent Person

The ESTA/ANSI Series E1 standards definition is a person who is capable of identifying existing and predictable hazards in the workplace, and who is authorized to take prompt corrective measures to eliminate them.

Continental Seating

A seating arrangement with access aisles only at the ends.

Contour Curtain

A brail or Austrian curtain rigged so that each lift line may be operated separately to form different shaped openings.

Counterweight

Weights, usually flame cut steel or cast iron, that are placed in counterweight arbors to balance the weight of loads hung on battens. (v) The act of adding or removing weight from a set in order to achieve a balanced system.

Counterweight Arbor

See “Arbor.”

Counterweight Assist Hoist

An electric hoist whose capacity is augmented by the addition of a counterweight arbor.

Counterweight Rigging

A rigging system where the load is balanced by a counterweight so that only a small force is required to overcome friction and move the load.

Counterweight Set

A member mounted to the T or J-Guides that limits the travel of arbors at their top and bottom trim. They are often provided with a wood or rubber bumper to reduce noise and shock due to sudden stops of the arbors.

Cross Aisle

A major aisle running parallel to the stage that is used as an entryway into the theater.

A hallway, outside of the stage house or behind the masking curtains, to allow performers and technicians to move from one side of the stage to the other without being seen.

Construction Specifications Institute

Any fabric panel that is hung as part of a scene or to mask unwanted views.

Curtain Track

A formed or extruded shape that contains moving carriers and supports drapery. They often have a cord or other means to open and close the drapes.

(1) Curtain at the rear of the performance area used to represent the sky or distant areas. (2) Set of borders, legs, and drops used to define the limits of a performance area.

It is the ratio between the tread diameter (D) of the drum or sheave and the cable diameter (d). Smaller ratios reduce the service life of cables.

An adjustable, hydraulic ram that smoothly slows and stops a moving object.

The end of a rope or part of a device that is not active or load carrying.

Pulling a load that is not counterbalanced.

Directly fixed to the structure or attached at a fixed elevation using chain, rods, or cable.

The permanent or non-removable part of a system load (i.e. the weight of a batten versus the load hung from it).

Design Life

The minimum expected life of the system expressed in hours or cycles of operation.

Design Load

The load that a system or equipment item is designed to carry. This load can be made up of dead loads, live loads, dynamic loads, and environmental forces.

Direct Struck Limit

A limit switch that is actuated directly by a moving device passing by the switch location.

Double Purchase

A rope or cable that passes from a lifting device (arbor, winch, or person) over a block, to a block attached to the load, and tied off at the previous block, is double purchased. The system allows twice as much load to be raised for a given effort, but the rope or cable must be pulled twice as far, so total work done remains the same.

The area of the stage that is closest to the audience.

Drive Shaft

A rotating component that conducts power from an engine or other power source to a drum, pulley, or gear.

Drop Curtain

A curtain that is painted or constructed in a manner that makes it a part of the scenic environment.

Drum (spooling) Hoist

A hoist with a drum for wrapping cable as it is taken up. One end of the drum is typically supported by a bearing while the other end is connected to the output shaft of the gear box.

Dynamic (Live) Load

The loads in a system that change in magnitude, direction or location over time.

A path or walkway leading to an exit.

A name given to a pipe batten used to support lighting equipment in a theater.

The height above or below an arbitrary point in a building (generally the stage floor).

Emergency  Stop Circuit

This should be a failsafe, separately wired circuit in rigging control that stops any and all controlled machinery in an emergency. The circuit can be triggered by depressing Emergency Stop pushbuttons and by various automatic sensors and limit switches. To re-start it is necessary to take one or more specific actions to begin motion.

Emergency Transfer Cabinet

A code driven electronic switching devise that can sense interruption in power flow, and switch to auxiliary power coming from another source.

Environmental Forces

Conditions in the environment which have an affect upon the strength, size, or effective life of equipment. Examples of forces include snow loads on roofs and wind against the side of a building.

Equal Pitch

All grooves in the sheave have the same pitch diameter so that the center of each line travels the same distance as the sheave rotates one revolution.

Entertainment, Service and Technology Association.

Electro Thermal Links are fusible links which react (melt) when the ambient temperature reaches 165º F or when subjected to an imposed electrical impulse.

Factor of Safety

The ratio between the rated working load of a component or system and its minimum ultimate breaking strength.

A device or design that fails to a safe state. It does not mean that it will not fail.

Fail Safe Brake

A brake that will fully engage and resist motion of the device if power or control signal is lost. For example: a spring applied, electrically released brake.

Fall Arrest System

A device that engages to halt a person or other load that has exceeded a predetermined speed, indicating a falling condition.

Field Check

A visit made to an installation project for the purpose of obtaining project measurements, checking its status, and finding potential conflicts.

Fire Curtain

A curtain that closes automatically in event of a fire to prevent heat, smoke and flames on the stage from reaching the audience. The curtain may be closed when the space is not occupied to prevent unauthorized access and to prevent falls from the edge of the stage.

Firelines are installed around the perimeter of a stage-proscenium arch to hold the fire safety curtain open. Firelines connect the curtain to all manual electrical and heat activated devices that release the safety curtain.

Fixed Speed

A winch that operates at a single speed with no ability to modify the speed. Fixed speed winches are typically used for low speed setup or heavy load applications.

Fleet Angle

The angle formed between the centerline of a sheave or drum and another sheave or fixed point.

Floor Block

Pulley mounted at the floor to hold a rope or cable in position and to reverse its direction. Floor blocks meant for rope often incorporate a means of adjustment to accommodate changes in length due to loads or environmental conditions.

Suspended in a manner that permits the equipment to be raised and lowered.

The act of lifting scenery, lights, and curtains.

Fly Gallery

A gallery or catwalk above the stage floor from which counterweight and hemp (rope) rigging is operated.

The space between the roof and the performance area that is not visible to the audience.

The portion of the stage located in front of the proscenium or main curtain line.

Free End Ball

A heavy ball that is attached to the end of a fire line and wrapped around the fire safety curtain operating line to prevent closure of the curtain. When tension is release in the fire line the weight of the ball causes it to fall free, releasing the curtain.

Front Curtain (House Curtain)

A curtain used to define the stage location to the arriving audience. It is often the curtain closest to the audience and may also perform the function of an “Act Curtain.”

Front of House (FOH)

A generic term for areas of the theater other than the stage, usually referring to the audience and lobby areas.

Additional fabric that is added to a curtain to be sewn into pleats. 100 percent fullness means that the curtain would be double its finished width before the pleats are made.

Fusible Link

A device consisting of two metal parts that are soldered together. The solder melts at a predetermined temperature allowing the two halves to separate.

Any platform above and to the side of the stage floor.

The combination of a gearbox and motor in a single unit. The motor may also incorporate a brake.

Grade 5 Bolt

A medium carbon steel bolt that has been quenched and tempered for increased hardness and tensile strength in accordance with SAE Specification J429. The heads of bolts rated as Grade 5 have three lines at 120º intervals on their heads.

A lounge for performers and/or technicians.

Gridiron (Grid)

An open floor, usually made from light steel channels or grating, that is located near the roof steel. It provides mounting locations for rigging equipment and access to that equipment for inspection and maintenance.

To control the movement of rigging devices by means of slides or rollers moving in tracks or on stretched cables.

A rolling or sliding device that connects a counterweight arbor or sliding tension block to guide rails in order to guide its travel.

Guide Rails

Components that confine and control the movement of counterweight arbors and tension floor blocks. See “J-Guide, Lattice Track, T-Guide, T-Track and Wire Guide.”

A curtain that raises and lowers in its entirety (does not change its size to raise or lower)

A line, usually rope, that is pulled by hand to lift or control the movement of a load, purchase line.

A device that consists of a hand crank that rotates a drum or pulley through a torque multiplying / speed reducing mechanism.

A pulley mounted to support steel that changes the direction of lift and operating lines between the loft blocks and an arbor or winch.

Head Block Beams

Structural framing designed to support the head blocks and all related loads. Usually consisting of one or two beams and associated bracing members.

Theatre term called out (OK, yelled) when something is amiss, usually something falling from the grid.

Heat Resisting Border

A curtain that is placed between stage masking curtains and a heat source, such as a stage light, to prevent a fire. The heat resisting curtain employs a fabric which is fire proof, rated for high temperatures and spreads the heat from hot spots.

Hemp (Rope or  Spotline) Rigging

A rigging system that employs ropes and sandbags instead of counterweight arbors or other devices. Usually used for temporary rigging.

A geared mechanism, either hand operated or motorized, for use in raising (vertical movement only) equipment. The gearing produces a mechanical advantage in speed and load capacity.

See “Auditorium.”

House Curtain

See “Act Curtain”

House Left/Right

The sides of an auditorium as seen by an audience member while facing the stage.

Air handling equipment in a building which consisting of Heating, Ventilation, and Air Conditioning.

Hydraulic Descent Control

A device used to control the speed of a closing fire curtain. These devices include hydraulic dampers, speed regulators, and dashpots.

The International Building Code. A model national building code that was created to replace regional building codes such as BOCA and UBC.

A pulley designed to support one or more cables but not to make direction changes.

Incremental Block  (change of direction block)

A multi-grooved pulley that supports and changes the direction of cables between the load and the head block and that supports other, more distant, lines in the set.

Index Light

A series of lamps in a special housing designed to illuminate the locking or pinrail area.

Index Strip

A device located at the front of a locking rail to hold line set identification labels.

J-Guide (J-Bar)

J-shaped aluminum members fixed in parallel rows for the purpose of guiding arbors or clews.

Lattice Track

A parallel pair of angles or other structural members that guide an arbor or clew. Low friction slides or roller guides are placed on both sides of the device to be guided.

Leg Curtain

A curtain used to define the side limit of the stage and to mask or hide actors, lights, and unused scenery in the off stage area (wings).

Leno Filled Scrim

Leno Filled Scrim is similar to Sharkestooth Scrim, but with the openings in the weave filled in. This can diffuse and soften reflected light, making it a favorite of lighting designers. These are seamless, and come in a variety of colors.

Any rope or cable located between a load and a winch or counterweight arbor.

Lighting Bridge

A walkway across the stage (fixed or flown) where lights are hung and where they may be adjusted and maintained.

A system consisting of one or more lift lines and related components operating together to lift, lower, or suspend a load.

Limit Switch

An electro-mechanical switch that trips (changes state) when contacted by a moving device. They are used to halt the motion of a winch or other electro-mechanical device.

Line Shaft Winch

Winch with a series of cable drums connected to a gearbox by a common shaft.

The end of a rope or part of a device that is active or load carrying.

That part of a system load that may be added or deleted (i.e. lights hung from a pipe batten).

Load Side Brake (Load Brake)

A brake in the power train of the winch that is attached to the same shaft as the load, at the output side of the gearbox.

Loading Gallery (Loading Bridge)

A gallery above the stage floor where technicians add and remove counterweights from the arbors. Usually located so technicians have access to arbors when battens are at their lowest positions.

Load Sensing

A mechanical or electrical device that senses the load in a cable or block and produce a signal that can be read by a controlling device.

Locking Collar

A fastening device located on the counterweight arbor rods above the upper spreader plate and counterweights and intended to help keep the weights in the arbor during a hard impact.

Locking Rail

A structural railing designed to support rope locks in a way that allows them to be easily operated. It holds the out of balance loads from the rigging system held by rope locks. It also serves as a safety railing for operators and other personnel.

A pulley mounted to the gridiron or support steel that supports and changes the direction of a lift line cable between the load and the head block.

1) An opening in the gridiron designed for the attachment of loft blocks so that lift lines can pass through it. 2) An opening in the gridiron designed so cables can pass through from blocks mounted above without rubbing against the opening.

The part of a theater mezzanine closest to the stage.

Main Curtain

See “Front Curtain.”

A set of curtains or scenic elements used to define the visual limits of a performance area.

Mechanical Systems

Equipment needed to make a building structure functional, including plumbing, fire protection, and HVAC.

1. The lowest balcony in a theater. 2. A low-ceilinged story located between two main stories in a building.

Motor (Primary) Brake

A brake that is mounted at the motor. It has a low torque capacity and fast response. Used for normal stopping and holding duty on a motorized hoist.

Motorized Rigging

A theatrical rigging system using powered winches and other devices to move equipment rather than muscle power.

To wrap the end of a rope, cable or turnbuckle to prevent it from unwinding – usually with bailing wire.

A pulley that supports and changes the direction of one or more cables traveling between loft blocks and head block.

See “Capstan Winch.”

Multi-Cable

Electrical cable (borderlight cable) with multiple conductors that conducts electrical power to multiple circuit wire ways and boxes on the stage. At least one conductor must be used as a grounding wire.

Multi-Line Block

Any block that can support more than one line.

Multi-Sheave Block

A block with more than one sheave, each of which can support and change the direction of a rope or cable. Sheaves can be held by a common shaft or by multiple shafts within a common housing.

This is a solid (not transparent) fabric that can be used as a Backdrop and can be painted, and/or lit with colored lights to create special effects on stage. This can be seamed or seamless depending on the applications.

The National Electrical Code (USA)

National Electrical Manufacturers Association.

The Life Safety Code.

A registered trademark of the National Telephone Supply Company, used to describe compression type sleeves placed at the end of a wire rope to interconnect two ropes or to form an eye at the end.

The stage floor area that is not a part of the acting area and is not visible to the audience.

Olio Curtain

1) A curtain located between the “Front” or “Act” curtains and the “Rear” curtain that closes off a portion of the acting area for more intimate presentations. It is often colored or decorative. 2) a curtain that rolls up from the bottom using a large diameter tube.

The portion of the stage area visible to the audience, usually defined by masking curtains, scenery, an orchestra shell, or by lighting.

(1) A group of musicians who play instrumental selections (2) The portion of the auditorium on the main floor that is closest to the musicians and the acting area.

Orchestra Lift

A moving platform that is used to adjust the elevation of the musicians in relation to the stage and auditorium. Usually operates within the confines of an orchestra pit.

Orchestra Pit

A depressed area between the stage and audience seating area where musicians sit, so the audience can hear the music and see the performance over the heads of the musicians.

Orchestra Pit Filler

Removable platforms that are used to close off the orchestra pit, adjustable legs allowing planks to be at the level of the stage or other heights as determined by number of adjustments available.

Orchestra Pit Lift

A section of the orchestra pit floor that may be raised and lowered by some mechanical (typically motorized) means.

Orchestra Pit Net

A detachable net placed over the orchestra pit to catch anyone or anything falling into pit.

Orchestra enclosure

An enclosure on stage, consisting of walls and a ceiling that reflects sound into the auditorium. Usually decorative in nature.

Over Balance Bar System

In this system the curtain and counterweight are balanced so that the curtain can be raised and lowered manually with a minimum of effort. A weighted bar is held above the upper batten of the fire safety curtain by a hinged mechanism. The hinged mechanism opens when the fire line is released, so that the weighted bar slides down the center lift lines to rest on the upper batten. This makes the curtain heavier than the counterweight and causes it to close.

Over Speed Brake

Any brake that is controlled to recognize when the speed exceeds a preset threshold and then acts to stop the controlled load.

Out-of-Balance

A condition that exists when the weight of a batten, fittings, and attached loads do not equal that of counterbalancing equipment such as counterweight and an arbor. For safe and efficient use, manually operated sets should be balanced to within 50 pounds of neutral.

A barrier device that protects counterweight arbors from scenery, etc. that may be leaned against them. Often also supports index lights.

Paint Frame

A rigid frame, usually made of wood, to which drops and flats may be attached vertically for painting. They are normally rigged to be raised and lowered so painters can reach all areas of the frame.

A hand held controller that is attached to an electrical cable so the operator can move about to obtain better visibility of the devices being controlled.

Pileup Winch

Winch with a drum that has a narrow slot to contain the cable in a single vertical layer. The speed and load capacity varies with each layer of cable. Also called a Yo-Yo winch, or stacking drum.

A railing with holes to accept belaying pins. May also act as a safety railing at the edge of a gallery or walkway.

Clamping device that bolts around a pipe for attachment of chain or cable hangers, aka Batten clamp.

Horizontal structure hung over a stage or auditorium to support lights and scenery. Made from pipes crossing on right angles at set intervals.

Pipe Weight

The counterweight needed in an arbor to keep an empty batten evenly balanced.

Pitch Diameter

Diameter of a sheave or drum measured from the center line of the cable wrapped around it.

Pivot Block

A pulley designed to adjust to structures at odd angles.

Plan Drawing

A drawing that shows the layout or top view of a construction or object.

Point Hoist

A single line winch, used singularly or in groups, to hold a load at a specific point over the stage. They are the motorized equivalent of spot lines, providing the greatest flexibility possible in automated rigging (Similar to a dimmer per circuit in lighting).

A portal consists of a header (border) and tabs (legs) that can be moved to adjust the size and shape of the proscenium opening to fit various performance needs. It is usually located just up stage of the front curtain and may have provision for mounting lights, aka false proscenium, hard torms.

Purchase Line

See “Hand Line.”

The dividing wall or barrier between the audience and the stage.

Raked Stage

A sloped platform that is lower near the audience for better visibility and higher at the rear, providing the illusion of distance. This is the source for the terms “Down Stage” and “Upstage.”

All of the hardware used to lift, lower, and hold performance equipment on or above a stage.

(1) The vertical distance between one step and the next. (2) Platforms located one step apart so that standing or seated people can see or be seen.

A theater used for touring attractions that stay for a short period and bring some, or all, of their theatrical equipment with them.

A cam operated device that clamps the hand line that is attached to an arbor in order to prevent movement. Designed to hold no more than a few pounds of unbalanced load in a line set.

Rotary Limit Switch

A device containing a driven rotating shaft that contacts one or more switch contacts as it rotates.

Theater term which indicates an out of balance batten that is out of the operator’s control.

Safety Chain

1) A secondary support line, usually of chain, that supports a fire curtain or other device when the primary support cable becomes slack for any reason.

2) The extra weight of fire curtain safety chains helps the fire curtain accelerate at the start of its travel.

A support rail, usually of wood or plastic, that keeps cables from sagging over a horizontal span due to their own weight. Sag bars don’t carry any loads.

A fabric bag that can be filled with sand and attached to rope rigging as a counterbalance to the load hung from the set.

Scrim, or Sharkestooth Scrim, is a transparent mesh fabric used for special effects on stage. Depending on the position of the lights, images can “disappear” behind the scrim. These are seamless, and come in a variety of colors.

Section Drawing

A drawing that reveals an imaginary view obtained by making a cut through an object.

Self-Climbing

A pipe grid or batten that has an integral device for raising and lowering.

A U-shaped device with holes at each end to accommodate a pin or bolt; used to connect a rope, cable, or chain to another device or a hanging point.

A component with a groove around its circumference to support and contain a rope or cable and a bearing at its center to permit rotation about a shaft.  Loft block, head block etc.

Loads generated by the rapid application of a force or motion to an object or by the collision of moving bodies.

The edge or line of view, of what can be seen on stage from the location of the audience.

Single Purchase

A rope or cable passing from a lifting device (arbor, winch, or person) over a block, or series of blocks, to a load is single purchased. Force must be exerted equal to the load to be held or raised.  One to one.

A cable that droops or leaves the sheave or drum groove because it lacks tension in the line.

Smoke Pocket

A slot, usually of fabricated steel that supports a guide system at the edges of a fire safety curtain and that helps to prevent smoke passing around the edges of the curtain.

A fabric flap that mounts on the proscenium wall and contacts the fire curtain in order to form a barrier that reduces the passage of air and smoke between the stage and auditorium.

A short piece of rope used to tie down a hand line to prevent movement.

Any block that is designed for temporary, and easily movable connection to a gridiron or other theatre structure.

Spotline Rigging

A single line rigging system designed to be easily installed, relocated, and removed. They are often rigged with rope and are frequently motorized.

Spreader Plates

A thin plate located on counterweight arbor rods, spaced by the user at 2 foot intervals between counterweights, to prevent the rods from spreading apart under a sudden impact load and releasing the counterweights.

A platform on which performances are given.

Stage Left/Right

The left and right sides of a stage as seen by an actor standing on stage facing the audience.

A section of the stage floor that may be raised or lowered to different levels above and below the stage by some mechanical (typically motorized) means.

StageScope Stage Scope

A retractable stage system, consisting of platform, lights, curtains that can retract and store within a pocket

Staggered Seating

An arrangement whereby the seats in alternating rows are offset to permit sightlines.

An electrical device that consists of a contactor, overload protection, and other control devices to power a motor. Many starters have dual contactors that are mechanically and electrically interconnected to cause the motor to run in either direction.

Static (dead) Load

A load that does not change position or magnitude over time.

Straight LiftCurtain

A curtain that can be raised (opened) without folding in any way.

Structural Drawing

An engineering drawing that describes the size, location, and attachment details of the building structure.

Submittal Drawings

Drawings that are prepared by the equipment supplier or installer to describe the equipment and details of the installation to the client. Approval of the drawings by the client indicates his acceptance of the proposed equipment, locations, and conditions of the installation.

Swaged Fitting

A fitting that is squeezed in a die so that the material in the fitting cold flows around the strands in the cable to form a tight connection. The excess material will flow out around the edges of the die.

Swivel Block

A pulley that allows the sheave to rotate and align itself in the plane of the cable.

(1) A masking leg that is mounted at right angles to the front of the stage. (2) See “Portal.”

A curtain that is drawn open by a line running through rings located diagonally across the rear of the curtain from the leading edge up to the top on the offstage edge.

A line attached to a load to assist in controlling its movement.

Tandem Block

A block with two or more sheaves on separate shafts within a common housing.

Another name for a border curtain. It often refers to the first masking curtain on stage and is paired with the “Tormentor” legs.

T-Bar (T-Guide) (T-Track)

“T” shaped members placed in parallel rows to guide arbors or clews. Guides may consist of low friction slides or rollers.

Tension Block

See “Floor Block.”

Theater Rigging

Equipment that is used to hold or move stage equipment in a theater space.

A grooved fitting around which a rope or cable is bent to form an eye. It supports the rope or cable and prevents kinking and wear.

Thrust Stage

A room with seats arranged on three sides around a performance space located against the fourth wall.

Another name for a leg curtain. These are the first masking legs located after the main curtain.

Traction Drive Hoist

Hoist with a V-grooved drum that uses friction between cables and the sides of the grooves to engage the pulling cables. Increasing the cable tension causes the cables to jam tighter in the v-grooves.

The path of moving stage equipment and the distance moved.

A curtain on a track that can be opened or closed to reveal or mask a portion of the stage.

Tread Diameter

The diameter of a sheave measured at the bottom of its groove.

(1) A load is “in trim” when the equipment load equals the counterbalancing weight. (2) A set or element is trimmed when it has been placed in the desired position within the performance area.

A length of chain placed between a lift line and a pipe batten or scenic element to connect them and to facilitate minor height adjustment of the load.

A curtain or scenic element is lifted by a second set of lines attached at the bottom or intermediate point on the piece. Pulling the lines will cause the piece to fold in half or thirds. Note: If the piece is counterbalanced, the weight balance will shift as the piece is tripped.

Truss Batten

Two or more pipes or other linear members fabricated together with cross bracing in a trussed configuration. Used in place of a pipe batten for heavy loads or extended distances between lift lines.

The Uniform Building Code (USA). Has been superseded by the IBC.

Hung from the bottom of a beam or structure.

The portion of the stage that is furthest from the audience.

Resting on top of a beam or structure.

See “Border Curtain.” Usually a special border associated with the “Front Curtain.” May be permanently fixed within the proscenium arch.

Variable Acoustic curtains

A system of curtains located in the auditorium that can be easily adjusted depending on how much absorption is required.

Variable Frequency Drive

An electronic device that can vary the speed of an AC motor by varying the frequency of the current supplied to the motor. Speeds can typically be varied over a limited range of speeds.

Variable Speed

A device that is capable of operating at various speeds. The time required to ramp up to the operating speed and back to zero may be adjustable.

Wall Batten

Horizontal structural members to which guide tracks are attached.

Bracket that attaches a wall batten to the building structure.

Gaps between gridiron members intended for the mounting and support of loft blocks on boundary channels and for allowing the free passage of cables.

A machine for pulling and holding equipment using a rope or cable.

The portion of the stage area located to either side of the acting area.

An open floor that supports lights or provides access to theatrical equipment. It is formed of woven cables attached to, and supported by, a structural frame. Aka, Tension grid.

Wires placed to control the location and travel of arbors, clews and curtains.

A wire rope consists of a number of strands laid helically about a metallic or non-metallic core. Each strand consists of a number wires also laid helically about a center.

Yo-Yo (Pile-up) Hoist

A hoist type used when space is tight and fleet angles are difficult. The drum contains a narrow slot(s) where the lift line piles up in a single layer. The hoist capacity, speed, and distance traveled vary with each cable wrap.  Aka Stacking drum

Theater | Larry David will headline Chicago’s 312 Comedy…

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Theater | larry david will headline chicago’s 312 comedy festival this fall.

Tickets go on sale at 10 a.m. Friday, Sept. 13 at www.ticketmaster.com .

According to an announcement Tuesday, the show, titled “Conversation with Larry David,” will be presented as part of the festival in its second year in town, produced by Outback Presents and Jam Productions.

The 2024 edition of the 312 Comedy Festival runs Nov. 6-10 at venues including the Chicago Theatre, Riviera Theatre, The Vic Theatre, Park West and the Zanies clubs downtown and in Rosemont. Other performers include Mark Normand (Chicago Theatre on Nov. 9), Hannah Berner and Paige DeSorbo of Giggly Squad (Chicago Theatre on Nov. 10), Nate Jackson (Riviera Theatre on Nov. 9), prankster Steve-O (Riviera Theatre on Nov. 10), Jessica Kirson (Riviera Theatre on Nov. 8), Ian Bagg (The Vic on Nov. 7), former Chicagoan Josh Johnson (Park West on Nov. 8), Josh Wolf (Park West on Nov. 10) and Kevin Herrera and Comedy Confidential (Zanies Rosemont Nov. 7-9). Plus Roast Battle Chicago, Ryan Long, Show and Tell With Liza Treyger and Skinbone, all at Zanies Chicago Nov 6-10.

A full schedule of shows and tickets (most now on sale) can be found at 312comedyfestival.com .

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