marillion tour 2022 support act

At The Barrier

Live music, reviews and opinion / est. 2018, marillion – king george’s hall, blackburn: live review.

Marillion – King George’s Hall, Blackburn – 18th September 2022

A first time for a show in Blackburn for Marillion and as FOH sound man extraordinaire Phil Brown said in his pre-show ‘polite reminder’ about mobile phones, a rare chance (“ not since 1981 “) to say “ Hello Blackburn! ” Not Marillion’s first time here though as earlier this year saw them in the vicinity signing several thousand pre-ordered copies of their An Hour Before It’s Dark album.

It’s been a busy year with the release of said album, last week’s Holidays In Eden deluxe reissue; plus there have been several live outings at the world-famous Marillion weekends and while it seems ages, it’s less than a year ago they were celebrating their return to concert stages with the Light At The End Of The Tunnel tour.

But first, remember the ATB mantra – always see the support act. Luke Jackson has some history with Marillion having supported on the 2014 tour. Some history with ATB too over the years, most recently celebrating the tenth anniversary of his debut album More Than Boys (Revisited) . Straight from touring Scotland and a stint in Nashville, he’s not at all phased by facing a big room with a big crowd awaiting their heroes. he’s even bold enough to take on an unaccompanied Trouble Now and outsing anyone who might dare to risk a conversation.

Switching between two acoustic guitars played with some vengeance (his new one emblazoned with the ‘one race one family’ slogan) and the thump of a bass drum, there’s the uptempo swing of Nothing But Time and tales of impressing your girlfriend with your cherry picker; the latter displaying his folk singer side. Ending with a brooding and moody Eliza Holt, the school report reads: confidently played, respectfully appreciated, a match winning combo and a few more fans on the mailing list.

We may have been in the confines of King George’s Hall, but paid a moment of respect for the new King and the late Queen as the lights dimmed, not for the start of the show, but an unannounced moment of reflection. Pretty immaculately observed, but you wouldn’t expect anything less from a Marillion crowd.

There’s the unusual sight too, of a range of percussion set up between the drum and keyboard risers for latest recruit Luis Jardim that lessens the instrumental part played by Steve Hogarth who’s missing his regular keyboard for the first time in a long while. He’s able to add a touch or two of percussion-y sprinkles to the familiar tunes crafted by the four instrumentalists and the occasional extra chords from the famous paisley pink Telecaster.

The first part of the set sees the band playing the whole of the new album. In order. Apparent at the end of the opening be Hard On Yourself with Steve Hogrth announcing the fact while remarking anyone unfamiliar might well have been a bit f**ked, not that it might apply to anyone in attendance. And so the run from Reprogam The Gene to the end of album climax of the latest Marillion landmarks, Care, begins. Much of the new monitors the events of the last couple of years, bar the “ light hearted toe tapper – most unlike us ” of Sierra Leone and in concert marks a noble presence, perhaps with many reflecting back to the times when we thought we may never be witnessing this coming together for live music again. Indeed, parts of Sierra Leone (“walking free, in Freetown”) and in particular, The Crow And The Nightingale (“I can’t fly…”) reach parts which are reserved for rarified moments of Marillion genius.

The recurring themes of the wrapping of arms and the use of the album title are reinforced in playing the album as a whole and not filtered down in to individual songs. The strength and the emotion reaching a peak with Care, from the ominously dark funk/thunk of Prescription Drugs to the outpouring of emotion in Angels On Earth, there needs a moment to take a breath before a second half of songs from the archives that dips into the arcives for deep and classic cuts.

Wisely, they choose a slow burner in Somewhere Else, a rare outing but with a couple of major songs in the selection that sees a visit to Brave via the wild abandon and bass pedal rumbles of Wave/Mad that segued into the piano intro to Afraid Of Sunlight. That Marillion are able to omit the likes of The Leavers, Easter and Neverland (maybe some juggling on the later dates?) they can recall songs like Estonia to strengthen the poignant moments which not only musically, but lyrically, add to the the spiritual and higher themes that roll in waves as we take in Care, the wrapping round of arms and the stab of “ why did you hurt the very one that you should have protected? ” of the Brave era. The other side of the coming sees a moment to let some politics breathe ahead of the stirring set closing crescendo that comes with The New Kings.

Having remained fully buttoned up (he won’t feel the benefit as they’ll tell round round these parts) Hogarth lets a bit of air in briefly while bemoaning the chance to run through some of his planned costume changes. The absence of Neveland at least spares us the fashion statement that is the white fringed jacket, but with Steve Rothery experiencing some in-ear/wireless monitoring issues which make his jacket stand out like a Victorian bustle during the encores, we’ll take substance over style. Rothers in particular makes the encores memorable in an encore that sees the Lancastrain choir in full voice for Sugar Mice, and ‘ that ‘ solo to die for before Hogarth had us “ heading…heading…heading…heading for the great escape ” and ‘ that other ‘ solo that reminds us that while Ashley Hutchings and Paul Ince both respond to the title of The Guv’nor, we all know who the real boss is.

Dahhhhling – it’s a triumph. Marillion continue to create a prolonged Indian Summer to remember.

Marillion online:  Website  /  Facebook  /  Twitter  /  Instagram  /  Youtube

Luke Jackson online:   Website  /  Facebook  /  Twitter  /  Youtube

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Categories: Live Reviews

Tagged as: an hour before its dark , blackburn , Featured , Ian Moseley , king georges hall , Live Review , Luke Jackson , Marillion , Mark Kelly , Pete Trewavas , progressive , Steve Hogarth , Steve Rothery

Published by Mike Ainscoe

Mike has been photographing and writing about bands going back many years. A former writer and Reviews Editor on Louder Than War as well as several online music blogs, he also contributes to Fireworks and to Powerplay Rock & Metal magazines. View all posts by Mike Ainscoe

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See below to view what's recently available or click here for our dedicated tour downloads section.

For our archives of Marillion shows and setlists please click here .

LIVE DOWNLOADS JAPAN 2018

LIVE DOWNLOADS NETHERLANDS 2018

4 Shows available from the All One In The Netherlands 2018 tour. Please note due to technical issues the Groningen show will not be made available for download.

LIVE DOWNLOADS UK 2018

8 Shows available from the All One In The UK 2018 tour. Please note due to technical issues the Liverpool and York shows will not be made available for download.

LIVE DOWNLOADS USA 2018

8 Shows available from the 2018 USA Tour. Please note due to technical issues the Grand Rapids show will not be made available for download.

MARILLION TOUR INFORMATION

As with any ticketed event, please ensure to successfully book tickets before making any travel plans. We regret that we are not able to provide travel advice or directions to any venues. Venue website are provided when available to assist with additional information.

Tour dates are only considered confirmed when they appear on this website - we cannot verify claims or announcements stated on other websites. While we are always working on more shows, we will not announce potential dates until we have confirmed them directly. Any available details will be posted here only when available.

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AN HOUR BEFORE IT'S DARK LIVE IN PORT ZELANDE 2023 VINYL NOW AVAILABLE FOR PRE-ORDER CLICK HERE FOR VINYL CLICK HERE FOR BLU-RAY CLICK HERE FOR DVD CLICK HERE FOR CD

MARILLION WEEKENDS 2023 REMAINING MERCHANDISE NOW ON SALE CLICK HERE FOR ALL ITEMS CLICK HERE FOR CLOTHING CLICK HERE FOR OTHER MERCHANDISE

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WHY DON'T YOU PLAY HERE ?

CLICK HERE for more information on why we play where we play..

Downloads of Marillion live shows are available from the Racket Store. Brought to you direct from the live mixing desk, we usually offer the entire show from start to finish as it happened!

See below to view what's recently available or click here for our dedicated tour downloads section.

For our archives of Marillion shows and setlists please click here .

LIVE DOWNLOADS JAPAN 2018

LIVE DOWNLOADS NETHERLANDS 2018

4 Shows available from the All One In The Netherlands 2018 tour. Please note due to technical issues the Groningen show will not be made available for download.

LIVE DOWNLOADS UK 2018

8 Shows available from the All One In The UK 2018 tour. Please note due to technical issues the Liverpool and York shows will not be made available for download.

LIVE DOWNLOADS USA 2018

8 Shows available from the 2018 USA Tour. Please note due to technical issues the Grand Rapids show will not be made available for download.

MARILLION TOUR INFORMATION

As with any ticketed event, please ensure to successfully book tickets before making any travel plans. We regret that we are not able to provide travel advice or directions to any venues. Venue website are provided when available to assist with additional information.

Tour dates are only considered confirmed when they appear on this website - we cannot verify claims or announcements stated on other websites. While we are always working on more shows, we will not announce potential dates until we have confirmed them directly. Any available details will be posted here only when available.

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Marillion are a progressive rock band hailing from Aylesbury, Buckinghamshire, UK, who rose to prominence along with several other bands as part of the 80s neo-prog revival.

Taking their name from a J.R.R. Tolkien novel, the band came together in 1979, but it took them until 1984 to form their core lineup, featuring Steve Rothery (lead guitar), Pete Trewavas (bass), Mark Kelly (Keyboards) and Ian Mosley (drums), having had their frontman, Fish (Derek Dick) leave the band in 1988, being replaced with Steve Hogarth.

Their debut album, "Script for a Jester's Tear" was released in 1983, gaining a loyal fan base through their album and commitment to touring. In 1984, their second, "Fugazi" was unleashed, featuring a more straight-up hard rock approach, with singles "Assassin" and "Punch and Judy" becoming hits in the UK. But it was with their third record, the more progressive concept album Misplaced Childhood" (1985) that Marillion had their biggest success, with the single "Kayleigh" reaching number two in the UK charts and doing well in the US.

After vocalist Fish left the band, Marillion took a stylistic change, moving to a more accessible, mainstream rock sound, although still incorporating progressive elements, such as in "Brave," (1992) which whilst being straightforward rock, it incorporated a dark and complex symphonic sound reminiscent of classic prog acts.

The band moved to a softer sound in 1998, incorporating influences from The Beatles, U2 and Radiohead, especially the kraut-rock prog of Radiohead's "OK Computer." "Radiation" (1998), "Anoraknophobia" (2001) and "Marbles" (2004) all followed in this same vein, continuing the band's popularity into the new millennium. Marillion continued to be progressive and ambitious in their sound, culminating in their 2012 record, "Sounds That Can't Be Made," a politically motivated album that featured a 17-minute epic titled "Gaza."

Marillion were one of the first bands to use crowd-funding in order to support their activities, setting up a fund in order to raise money to support them upon a US tour in 1997, following their record label's refusal to offer adequate money for the tour. They have had a hugely successful career, selling over 15 million albums worldwide.

Live reviews

Awesome. As a long time fan of the Fish Era of the band (in fact, the last time I saw Marillion was at the Glenn Miller Ballroom in Boulder, Colorado in 1987, and my hero Fish was still the vocalist), finally after nearly 30 years I am able to give Steve Hogarth his due props. What sealed the deal for me was finally getting the chance to see him fronting the band last night, a first for me. He sounded better live than on their studio recordings, and he had a great stage presence and aura about him. I was very impressed. As any sensible fan knows, Marillion has been a very different band for a very long time since Fish left and H joined. Their work as a band should be appreciated for what they were then and are now. If you are a fan you probably lean towardd one era over the other, as I definitely do, but sides dont have to be taken and you can love both eras. I have alot of catching up to do with their back catalog since H joined now that I haveca new appreciation for his talent amd place in the Marillion world. I will love and respect Fish forever and will never forget that show back in '87. That was definitely a different time for all. By the way, 'Sugar Mice' sounded great last night. Thanks to the band for being able to still play those old tracks without any ill feelings.

So anyway, great show, the whole band was great, the venue and staff were great, and I have to add that even the process of buying a tour shirt was great, thanks to the friend of the band manning the merch booth. She was so awesome and so nice and she really helped me out by being accomodating when what I wanted was not available in my size anymore. Just wanted to say that as I'm sure she does not get the thanks and appreciation that she should get as a very important part of the touring entourage.

P.S. When Marillion played in Boulder in 1987, the campus radio station (I think it was them) simulcast the entire show live. My friend who did not go to the show recorded it for me since obviously i was not at home to work my cassette recorder. I re-lived the show through this recording for many years, but when I thought about it about a year ago I searched my cluttered house for it but could not find it anywhere. I do have my personal cassette collection all stored in three dresser drawers, and it was not there. So I wanted to take this opportunity of reaching out to Colorado Marillion fans since they just played in Colorado again to ask if anyone might have a recording of the 1987 Boulder CO show simulcast. If so I would love to hear from you and somehow get a copy as long as the band is okay with it. I guess the best way is to email me at the addrress i provided below if im allowed to list it here. If not, i guess just comment here like I did and if so I will contact people running the website and see what the best course of action would be. Its a very long shot but hey, it was an amazing recording and i can't think of any other way to replace it. Thanks! [email protected]

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A lot of people still regard Marillion as a band that had a few hits in the 80s with a singer called Fish. Well, since those commercially successful days, Marillion have ploughed a very different field with a very different singer. Steve Hogarth has been with the band since 1989 and has steadily led the band away from their Genesis inspired roots into a more diverse and sustainable path.

One of Marillion's attributes is the special relationship they have with their fans and consequently their live shows retain an intimate feel despite several thousand people being in attendance. As a result, you can generally see people singing every word as the audience lap up every song from their now huge back catalogue. Behind the theatrical Hogarth there's four splendid musicians quietly going about their business and brimming with the confidence that comes from having played together as a unit for 30 years. From Steve Rothery's distinctive and soaring guitar sound through to Mark Kelly's atmospheric keyboard flourishes, this is band still at the top of their game, despite essentially disappearing from the eyes of the general public over a quarter of a century ago.

Marilion's tenacity coupled with their huge ability makes for a passionate and inclusive live experience and I heartily recommend them to lovers of quality, well constructed music that touches the emotions both in a live and studio setting.

I've been waiting for this gig for 35 years and the anticipation amongst the fans was palpable; fans who had came from all corners of the world to see the best band in the world.

Looking down from up with the pigeons in the gallery I could see that almost every seat was taken and it was a wondrous sight to behold.

The moment the band hit the stage with the opening guitar lines from The Long Shadowed Sun I knew we were going to be just fine and the love from the audience to the band grew with every note they played. The whole of F E A R passed in what seemed an instant and then same the break.

The second half ushered the all girl orchestra, augmented by flute and French horn for a meander through classics from the back catalogue. The Space, Afraid of Sunlight and then in to Go! when the lights went off and 5,000 people waived their finger lights in the air. A truly magnificent sight and I for one shed a tear.

The band were fantastic and h's voice was in brilliant shape, especially on The Space which is so hard to sing.

Special mention to the extra musicians who added another dimension to the songs and the lighting guys who did a fantastic job too.

The fans were, as ever, utterly brilliant and I'm proud to be a member of the great 'Marillion family'.

The opening night gremlins were apparent, with Mark Kelly being hit hardest, but the gig flowed smoothly and the sound was excellent.

An unusual set list (H said as much) saw a few old favourite of the H era aired, the best of these a stunning Seasons End, alongside half of the latest album.

The light show and projection screen was entertaining but it was the band interaction that captivated. In contrast to many other groups, it's clear by the smiles, jokes and story telling, just how much these guys love performing. When, in the middle of 'This Strange Engine', the keyboards didn't arrive as planned, H kept ringing his forlorn little bell while Mark Kelly scuttled around trying to get things working and the rest of the band had bemused little grins. No tantrums, just good humour.

The 2 and a bit hours flew by and as the last guitar notes of set closer 'Neverland' faded I was left in awe once more at the emotional journey these 5 people take me on every time I see them live.

The crowd were respectful but lacking a little enthusiasm (often the way with seated concerts).

As always, a great evening. See them while you can.

Fantastic show as always. The passion that H and the whole band put into every song is truly enlightening....

The Vic Theater however needs improvements. Almost slipped going down the narrow winding staircase to the men's restroom. Steel stairs?? Oh, $5 for a coke???

I stood behind the crew that ran the lights and sound board and the video showing in that space was nothing like what was appearing on the "screen" behind the band. You basically couldn't even see what was behind the band most of the time which is a shame, because if would had made the show much better if that's even possible.

Also, even if many of the concert attendees aren't baseball fans, a TV or two showing the World Series would had been a nice perk. Ultimately, everyone would be watching the band, but c'mon, the Cubs are playing in the World Series and you don't have a single TV??? How about even showing the game on the "screen" before the concert and between John Wesley and Marillion?

Hopefully when Marillion returns to Chicsgo, they'll go back to the Park West.

Loved the concert, hated the venue.

It's been a while since I last saw Marillion and as they soared through the openong of El Dorado I realised what a big big mistake that was.

Cruising apparently effortlessly between complex arrangements and rhythms they deftly create a swirling sonic landscape in which the listener is lost, transcended to a place of beauty and light. Lyrics and themes witj passion and intensity fill out the canvas and the production adds to the atmosphere with artful and clever use of lighting and a moving kaleidoscope of imagery spread out behind the band.

The set was heavy on the new album (Fuck Everyone And Run) but that's no bad thing as it is a real tour de force and has plenty of scope for all members to flex their musical muscles yet at the same time deliver a harmonious almost symphonic whole. Interspersed between the three sides of FEAR that the band played were highlights from a catalogue stretching back over 35 years.

This is a band very much for today and with something to say. And they are absolutely killer live. Go see them. Now.

Marillion are known as pioneers of the British progressive rock scene and remain one of the most successful exports selling over 15 million albums globally. Progressive is a genre born from technical abilities and instrumental prowess so therefore the live show is a celebration of the musicianship of the five member onstage this evening.

Fans old and new gather as one to pay homage to one of the UK's most prolific rock acts. It really does not make any difference when you discovered them, it is all the enjoyment of the music and the celebration of the albums. They take music from across their back catalogue tonight as opposed to simply relying on the popularity of 'Misplaced Childhood'. The fans remain enthusiastic to everything played and cheer on intently during huge instrumentals which resonate around the venue. They say their thank yous and close on 'King' before returning for a well selected encore of 'The Release' and 'Cannibal Surf Babe'.

WOW WHAT A SPECTACULAR EXCPERIENCE. MARILLION LIVE..........KNOW I HAVE SEEN THEM PERFORM LIVE THERE IS NOT ENOUGH PAPER TO DESCRIBE HOW MESMERISING AND TOTALLY COMITTED THIS BAND IS TO TAKE THE AUDIENCE TO ANOTHER LEVEL.EVERY BAND MEMBER ENJOYED GIVING A TRULEY WONDERFUL ENTERTAINING NONE STOP PERFORMANCE.

FOR ME WATCHING 'H' EXCPRESS HIS MUSICAL TALENT WAS SIMPLEY MAGICAL,HIS ENERGY, HIS VOICE,HIS SPIRIT CHARGED OUT OF EVERY OUNCE OF THIS MAN.

'H' IS FOR HERO.

CAN NOT PRAISE THIS BAND ENOUGH,IF YOU LOVE THERE MUSIC..WAIT TILL YOU SEE AND HEAR THEM LIVE!!! XXXXXXX

Fantastic band ..perfect show ... unique atmosphere .Great music..Big thanks for Marillion...Thanks.Thanks..Thanks....Thanks...Thanks..Thanks Thanks thanks thanks..thanks..ThanksThanksThankshttps://youtu.be/WwH0zuBJJ6k. https://youtu.be/WwH0zuBJJ6k. Fantastic band ..perfect show ... unique atmosphere .Great music..Big thanks for Marillion...Thanks.Thanks..Thanks....Thanks...Thanks..Thanks Thanks thanks thanks..thanks..ThanksThanksThankshttps://youtu.be/WwH0zuBJJ6k. https://youtu.be/WwH0zuBJJ6k

It's been 35 years since i saw the band for the first time and one thing is certain time is on their side.

They're getting better and better. The show of yesterday night was even better than the one they gave one year ago in Paris.

Yeasterday night they invite on stage some classical musicians to sustain their music.

Lightshow and soundstage were awesome.

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Marillion / Nine-date September UK Tour announced

18 sep 7:00 pm 12:00 pm Marillion, Blackburn King George's Hall

Event Details

Marillion will undertake a nine-date UK tour in September 2022. The tour will go on sale at 10 am on Friday 11 March, and tickets are available from

Marillion will undertake a nine-date UK tour in September 2022. The tour will go on sale at 10 am on Friday 11 March, and tickets are available from www.myticket.co.uk and local venue box offices.

September 18, 2022 7:00 pm - 12:00 pm (GMT+01:00)

King George's Hall, Blackburn

Northgate, Ewood, Blackburn BB2 1AA

Calendar GoogleCal

19 sep 7:00 pm 12:00 pm Marillion, Glasgow Royal Concert Hall

September 19, 2022 7:00 pm - 12:00 pm (GMT+01:00)

Glasgow Royal Concert Hall

2 Sauchiehall St, Glasgow G2 3NY

21 sep 7:00 pm 12:00 pm Marillion, York Barbican

September 21, 2022 7:00 pm - 12:00 pm (GMT+01:00)

York Barbican

Paragon St, York YO10 4AH

22 sep 7:00 pm 12:00 pm Marillion, Southampton Guildhall

September 22, 2022 7:00 pm - 12:00 pm (GMT+01:00)

O2 Guildhall, Southampton

W Marlands Rd, Southampton SO14 7LP

24 sep 7:00 pm 12:00 pm Marillion, Aylesbury Friars Waterside

September 24, 2022 7:00 pm - 12:00 pm (GMT+01:00)

Aylesbury Waterside Theatre

Exchange St, Aylesbury HP20 1UG

25 sep 7:00 pm 12:00 pm Marillion, Stoke Victoria Hall

September 25, 2022 7:00 pm - 12:00 pm (GMT+01:00)

Victoria Hall, Stoke

Bagnall St, Hanley, Stoke-on-Trent ST1 3AD

27 sep 7:00 pm 12:00 pm Marillion, Sheffield City Hall

September 27, 2022 7:00 pm - 12:00 pm (GMT+01:00)

City Hall, Sheffield

Barker's Pool, Sheffield City Centre, Sheffield S1 2JA

28 sep 7:00 pm 12:00 pm Marillion, Brighton Dome, Brighton

September 28, 2022 7:00 pm - 12:00 pm (GMT+01:00)

Brighton Dome

Church St, Brighton BN1 1UE

30 sep 7:00 pm 12:00 pm Marillion, London Eventim Apollo

September 30, 2022 7:00 pm - 12:00 pm (GMT+01:00)

Eventim Apollo

45 Queen Caroline St, Hammersmith, London W6 9QH

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0203 356 5441.

• EVENT INFORMATION
• Date : Wed 21 Sep 2022
• Time : 7:30pm

We are advising customers to allow extra time for their journey to this show as a result of traffic light repairs happening along the road. More information can be found here:  https://www.york.gov.uk/news/article/1061/traffic-signals-to-be-upgraded-on-barbican-road-junction

Marillion will undertake a nine-date UK tour in September 2022. The band said, “We are once again looking forward to our shows in September in conjunction with Kilimanjaro and we can't wait to get out there and play the new album to the fans”.

The tour follows the release of the brand new Marillion album, ‘An Hour Before It’s Dark’ which has received rave reviews. ‘An Hour Before It's Dark’ - Whether it's the last hour you were allowed to play outside as a child before you had to go home, a reference to the fight against time in relation to the climate crisis or the last minutes in a person's life, Marillion once again put their finger on the pulse of time.

Be it social, political, or personal issues, Marillion has never minced words and have always found a way to combine them with their own unique sound. The band are known for incredible songwriting, melodies and top-notch musicianship, while swimming against the tide, not bending to norms and limitations.  The first single ‘Be Hard On Yourself’ couldn't be a better example.   Like its predecessor, 2016's critically acclaimed and chart-topping album ‘F*** Everyone And Run (F E A R)’, ‘An Hour Before It's Dark’ was recorded at Peter Gabriel's Real World Studios, which also provided the perfect backdrop for the carefully chosen selection of behind-the-scenes footage in form of a documentary on the making of the album and a performance of ‘Murder Machines’ from Real World that has been released together with the album.    Founded in 1979, Marillion has, over the course of 20 studio albums, become one of the most commercially successful progressive rock bands. Marillion embraced the internet for both their commercial approach and to interact with their audience, long before most of their peers.

The band are welcoming Luke Jackson as the support.

• Date: Wed 21 Sep 2022
• Time: 7:30pm
• Sorry, this event has now passed and ticket sales are no longer available .
• HOSPITALITY OPTIONS
• Exclusive hospitality options available for this event with York Barbican. MORE INFORMATION
• EXTRA SHOW INFO

Venue Doors - 6:30pm

Show Starts - 7:30pm

PORT ZELANDE

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AN HOUR BEFORE IT'S DARK LIVE IN PORT ZELANDE 2023 VINYL NOW AVAILABLE FOR PRE-ORDER CLICK HERE FOR VINYL CLICK HERE FOR BLU-RAY CLICK HERE FOR DVD CLICK HERE FOR CD

MARILLION WEEKENDS 2023 REMAINING MERCHANDISE NOW ON SALE CLICK HERE FOR ALL ITEMS CLICK HERE FOR CLOTHING CLICK HERE FOR OTHER MERCHANDISE