scaring the hoes tour

JPEGMAFIA and Danny Brown announce 2023 ‘Scaring The Hoes’ tour

The North American dates are in support of their collaborative album of the same name

JPEGMAFIA and Danny Brown have announced they will be going on a North American tour this summer in support of their joint album ‘Scaring The Hoes’ .

• READ MORE: JPEGMAFIA: “I’m not trying to be different. I am naturally different”

The run of dates is due to begin in Nashville, Tennessee on July 25. From there, the two rappers will embark on a 20-city stint throughout the US. Stops include Cleveland, New Haven, Philadelphia, Boston, Atlanta, Orlando, and Houston.

The final show of the tour is scheduled to take place in Dallas, Texas on August 26.

Tickets are on sale now – you can purchase yours here . Check out the announcement post and the full list of dates below.

https://t.co/daCSl3HYLY pic.twitter.com/ruaVpft8cB — Danny Brown (@xdannyxbrownx) April 24, 2023

‘Scaring The Hoes’ 2023 North American Tour:

JULY 25 – Nashville, TN, Marathon Music Works 26 – Louisville, KY, Paristown Hall 28 – Indianapolis, IN, Old National 29 – Cleveland, OH, Agora Ballroom 30 – Pittsburgh, PA,  Roxian Theatre AUGUST 1 – Buffalo, NY, Town Ballroom 3 – Portland, ME, State Theatre 6 – New Haven, CT, College Street Music 8 – Philadelphia, PA, Franklin Music Hall 9 – New York, NY, Pier 17 12 – Boston, MA, Roadrunner 13 – Baltimore, MD, Ram Head Live! 15 – Charlotte, NC, The Underground 17 – Atlanta, GA, The Eastern 19 – Fort Lauderdale, FL, Revolution 20 – Orlando, FL, The Vanguard 24 – Houston, TX, White Oak 25 – Austin, TX, Stubb’s Waller Creek 26 – Dallas, TX, Factory Deep Ellum

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JPEGMAFIA and Danny Brown’s collaborative LP came out last month and features the songs ‘Lean Beef Patty’ and ‘Scaring The Hoes’ .

Along with the release of the album, JPEGMAFIA shared a behind-the-scenes documentary of the artists at work on the project.

Uploaded to the rapper’s official YouTube account , the short film included footage of Brown laying down vocals alongside JPEG in a makeshift studio at one of the rapper’s homes. They also discussed influences and the musical direction for the album.

In other news, Brown recently updated his fans on the whereabouts of his sixth studio album, ‘Quaranta’ – accusing his management and label of delaying the release.

“Y’all gotta understand, me working with Warp – I don’t know with Warp and my management, man. I turned my album in two years ago,” he shared on his podcast The Danny Brown Show . “We’re still working on the album,” he continued, “and shit’s getting doper but at this point, man, it’s like where’s the urgency?”

In 2021 he made  his debut as a stand-up comedian , opening for Hannibal Buress at a show in Texas.

Meanwhile, JPEGMAFIA has said that ‘Scaring The Hoes’ is the first of three albums he will release in 2023 .

The rapper’s next album will follow 2021’s ‘LP!’, which  NME  described in a four-star review  as a “a wacky free-for-all fourth album” in which the “idiosyncratic Brooklynite shows the world how unique he is once again”.

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Jpegmafia and Danny Brown Announce Summer 2023 Tour

By Nina Corcoran

Jpegmafia and Danny Brown have announced a joint tour in support of their new collaborative album, Scaring the Hoes . After kicking things off on July 25 in Nashville, the rappers will embark on a lengthy trip across the United States, with stops planned in cities like Cleveland, Buffalo, New Haven, Philadelphia, Boston, Atlanta, Orlando, and Houston. The run concludes on August 26 in Dallas. Find a complete list of the musicians’ tour dates below.

Scaring the Hoes came out last month and includes the singles “ Lean Beef Patty ” and “ Scaring the Hoes ,” both of which came with music videos. As far as their solo careers go, Jpegmafia’s most recent release was LP! , which came out in 2021, while Danny Brown dropped his full-length Uknowhatimsayin¿ , which was executive produced by Q-Tip , back in 2019.

Read about Danny Brown’s 2011 release, XXX , and Jpegmafia’s 2018 record, Veteran , in Pitchfork’s list “ The 200 Best Albums of the 2010s .”

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Jpegmafia & Danny Brown:

07-25 Nashville, TN - Marathon Music Works 07-26 Louisville, KY - Paristown Hall 07-28 Indianapolis, IN - Old National 07-29 Cleveland, OH - Agora Ballroom 07-30 Pittsburgh, PA - Roxian Theatre 08-01 Buffalo, NY - Town Ballroom 08-03 Portland, ME - State Theatre 08-06 New Haven, CT - College Street Music 08-08 Philadelphia, PA - Franklin Music Hall 08-09 New York, NY - Pier 17 08-12 Boston, MA - Roadrunner 08-13 Baltimore, MD - Ram Head Live! 08-15 Charlotte, NC - The Underground 08-17 Atlanta, GA - The Eastern 08-19 Fort Lauderdale, FL - Revolution 08-20 Orlando, FL - The Vanguard 08-24 Houston, TX - White Oak 08-25 Austin, TX - Stubb’s Waller Creek 08-26 Dallas, TX - Factory Deep Ellum

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Scaring The Hoes Tour: JPEGMAFIA & Danny Brown

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Jpegmafia And Danny Brown Will Be ‘Scaring The Hoes’ Nationwide On A 2023 US Summer Tour

In January, Jpegmafia promised his fans three new albums this year . He delivered the first alongside Danny Brown with the eccentric record Scaring The Hoes , which arrived last month. Now, they’ve announced that they’ll be bringing those new songs to the road on an exciting summer tour.

Kicking off in Nashville in July, the run will go through the end of summer, finishing off in Dallas at the end of August. Their live collaboration was previewed with a performance at Smoker’s Club Fest in San Bernardino, California in May of last year. Even before that, Jpegmafia was featured on Brown’s 2019 album Uknowhatimsayin .

Check out the full tour dates below and find ticket information here .

07/25 — Nashville, TN @ Marathon Music Works 07/26 — Louisville, KY @ Paristown Hall 07/28 — Indianapolis, IN @ Old National 07/29 — Cleveland, OH @ Agora Ballroom 07/30 — Pittsburgh, PA @ Roxian Theatre 08/01 — Buffalo, NY @ Town Ballroom 08/03 — Portland, ME @ State Theatre 08/06 — New Haven, CT @ College St. Music Hall 08/08 — Philadelphia, PA @ Franklin Music Hall 08/09 — New York, NY @ Pier 17 08/12 — Boston, MA @ Roadrunner 08/13 — Baltimore, MD @ Ram Head Live! 08/16 — Richmond, VA @ The National 08/17 — Atlanta, GA @ Tabernacle 08/19 — Ft. Lauderdale, FL @ Revolution Live 08/20 — Orlando, FL @ The Vanguard 08/22 — New Orleans @ Joy Theatre 08/24 — Houston, TX @Warehouse Live 08/25 — Austin, TX @ Stubb’s Waller Creek 08/26 — Dallas, TX @ Factory Deep Ellum

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Danny Brown and JPEGMAFIA confirm 2023 North America tour dates

The scaring the hoes tour begins in july..

Danny Brown and JPEGMAFIA are going on tour together. The joint tour is in support of the duo's recently-released collaborative album, Scaring The Hoes. The Scaring The Hoes tour begins in Nashville on July 25 and includes a New York date at Pier 17. The run concludes on August 26 in Dallas. Tickets go on sale at 10 a.m. local time on April 25. Get them here , and see the full run of dates below.

Scaring the Hoes was released in March and features the single "Lean Beef Patty."

Read Next: The 100 best songs of 2023

Danny brown and jpegmafia 2023 north american tour dates.

July 25 Nashville, TN - Marathon Music Works July 26 Louisville, KY - Paristown Hall July 28 Indianapolis, IN - Old National July 29 Cleveland, OH - Agora Ballroom July 30 Pittsburgh, PA - Roxian Theatre August 1 Buffalo, NY - Town Ballroom August 3 Portland, ME - State Theatre August 6 New Haven, CT - College Street Music August 8 Philadelphia, PA - Franklin Music Hall August 9 New York, NY - Pier 17 August 12 Boston, MA - Roadrunner August 13 Baltimore, MD - Ram Head Live! August 15 Charlotte, NC - The Underground August 17 Atlanta, GA - The Eastern August 19 Fort Lauderdale, FL - Revolution August 20 Orlando, FL - The Vanguard August 24 Houston, TX - White Oak August 25 Austin, TX - Stubb’s Waller Creek August 26 Dallas, TX - Factory Deep Ellum

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Danny Brown reveals 2024 tour dates

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JPEGMAFIA and Danny Brown Announce Summer 2023 Tour

• Oops! Something went wrong. Please try again later. More content below

The post JPEGMAFIA and Danny Brown Announce Summer 2023 Tour appeared first on Consequence .

JPEGMAFIA and  Danny Brown are headed out on a Summer 2023 tour in support of their collaborative album,  SCARING THE HOES .

The “SCARING THE HOES Tour” kicks off on July 25th in Nashville and includes stops in Philadelphia, New York City, Boston, Atlanta, and Austin before wrapping in Dallas on August 26th.

See the full itinerary below. Tickets go on sale Tuesday, April 25th at 10:00 a.m. local time via Ticketmaster .

Once tickets are on sale, you can also find them at StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

SCARING THE HOES dropped on April 6th, and was preceded by “Lean Beef Patty” and the title track . It came after JPEGMAFIA featured on “Negro Spiritual” and produced “3 Tearz” off Brown’s last album, 2019’s  uknowwhatimsayin¿

JPEGMAFIA and Danny Brown 2023 Tour Dates: 07/25 – Nashville, TN @ Marathon Music Works 07/26 – Louisville, KY @ Paristown Hall 07/28 – Indianapolis, IN @ Old National 07/29 – Cleveland, OH @ Agora Ballroom 07/30 – Pittsburgh, PA @ Roxian Theatre 08/01 – Buffalo, NY @ Town Ballroom 08/03 – Portland, ME @ State Theatre 08/06 – New Haven, CT @ College St. Music Hall 08/08 – Philadelphia, PA @  Franklin Music Hall 08/09 – New York, NY @ Pier 17 08/12 – Boston, MA @ Roadrunner 08/13 – Baltimore, MD @ Ram Head Live! 08/16 – Richmond, VA @ The National 08/17 – Atlanta, GA @ Tabernacle 08/19 – Ft. Lauderdale, FL @ Revolution Live 08/20 – Orlando, FL @   The Vanguard 08/22 – New Orleans @ Joy Theatre 08/24 – Houston, TX @Warehouse Live 08/25 – Austin, TX @ Stubb’s Waller Creek 08/26 – Dallas, TX @ Factory Deep Ellum

JPEGMAFIA 2023 Tour Dates: 05/27 – London, UK @ NTS Presents One Day Festival 05/28 – Brussels, BE @ CORE Festival 05/31 – Warsaw, PL @ Progresja 06/02 – Aarhus, DK @ NorthSide Festival 06/03 – Barcelona, ES @ Primavera Sound 06/06 – Segrate, IT @ Circolo Magnolia 06/10 – Madrid, ES @ Primavera Sound 06/11 – Manchester, UK @ Parklife Festival 07/21 – Chicago, IL @ Pitchfork Music Festival

JPEGMAFIA and Danny Brown Announce Summer 2023 Tour Eddie Fu

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JPEGMAFIA and Danny Brown Announce Summer 2023 Tour

In support of their collaborative album, SCARING THE HOES

JPEGMAFIA and  Danny Brown are headed out on a Summer 2023 tour in support of their collaborative album,  SCARING THE HOES .

The “SCARING THE HOES Tour” kicks off on July 25th in Nashville and includes stops in Philadelphia, New York City, Boston, Atlanta, and Austin before wrapping in Dallas on August 26th.

Tickets are on sale via StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

SCARING THE HOES dropped on April 6th, and was preceded by “Lean Beef Patty” and the title track . It came after JPEGMAFIA featured on “Negro Spiritual” and produced “3 Tearz” off Brown’s last album, 2019’s  uknowwhatimsayin¿

JPEGMAFIA and Danny Brown 2023 Tour Dates: 07/25 – Nashville, TN @ Marathon Music Works 07/26 – Louisville, KY @ Paristown Hall 07/28 – Indianapolis, IN @ Old National 07/29 – Cleveland, OH @ Agora Ballroom 07/30 – Pittsburgh, PA @ Roxian Theatre 08/01 – Buffalo, NY @ Town Ballroom 08/03 – Portland, ME @ State Theatre 08/06 – New Haven, CT @ College St. Music Hall 08/08 – Philadelphia, PA @  Franklin Music Hall 08/09 – New York, NY @ Pier 17 08/12 – Boston, MA @ Roadrunner 08/13 – Baltimore, MD @ Ram Head Live! 08/16 – Richmond, VA @ The National 08/17 – Atlanta, GA @ Tabernacle 08/19 – Ft. Lauderdale, FL @ Revolution Live 08/20 – Orlando, FL @   The Vanguard 08/22 – New Orleans @ Joy Theatre 08/24 – Houston, TX @Warehouse Live 08/25 – Austin, TX @ Stubb’s Waller Creek 08/26 – Dallas, TX @ Factory Deep Ellum

JPEGMAFIA 2023 Tour Dates: 05/27 – London, UK @ NTS Presents One Day Festival 05/28 – Brussels, BE @ CORE Festival 05/31 – Warsaw, PL @ Progresja 06/02 – Aarhus, DK @ NorthSide Festival 06/03 – Barcelona, ES @ Primavera Sound 06/06 – Segrate, IT @ Circolo Magnolia 06/10 – Madrid, ES @ Primavera Sound 06/11 – Manchester, UK @ Parklife Festival 07/21 – Chicago, IL @ Pitchfork Music Festival

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SCARING THE HOES

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Danny Brown & JPEGMAFIA Are ‘Scaring the Hoes’ During Summer Tour

In july, danny brown and jpegmafia will embark on a summer tour to support their debut collaborative album, scaring the hoes ..

Danny Brown and JPEGMAFIA are Scaring the Hoes during their tour this summer. The two have announced the multi-city tour, which kicks off on July 25th, followed by stops in Cleveland, New Haven, Philadelphia, NYC, Boston, Atlanta, Orlando, and more before concluding on August 26 in Dallas.

\u201cSCARING THE HOES TOUR \ud83c\udfab\ncoming to a city near you\n\nhttps://t.co/XSKzH5MYZa\u201d — JPEGMAFIA (@JPEGMAFIA) 1682364488

Scaring the Hoes released in March , helmed by lead singles “Lean Beef Patty” and “Scaring the Hoes.” The album follows Brown’s latest solo release, the Q-Tip executive-produced Uknowhatimsayin¿ in 2019 and JPEGMAFIA’s 2021 effort LP!. The two rappers banded together for Scaring the Hoes after JPEGMAFIA featured on Brown’s “Negro Spiritual” and produced “3 Tearz” from Uknowhatimsayin¿.

Also last month, Brown revealed during his SXSW showcase that he’s checking into rehab, citing alcohol abuse.

“At the end of the day, I’m 42 years old. Sitting around smoking blunts all day, and getting drunk is getting old,” he said on stage, according to VIBE . “Y’all have y’all fun but shit could get dark. I’m going to get help."

The Detroit emcee also apologized to fans for unintentionally influencing them to take drugs after listening to his music.

“I’ma go do my lil time, but I will say this,” he added. “I made so many songs about doing drugs… sometimes I feel bad about that shit… if I fucked your life up, I’m sorry.”

While it seems like Brown is trying to clean up his act, the Scaring the Hoes Tour is promised to be a trip to the wild side. Tickets for the tour go on sale Tuesday, April 25th at 10 a.m. local time via Ticketmaster.

• JPEGMAFIA Sends Nepotism Shade Towards Baby Keem on ‘Scaring the Hoes: DLC Pack’ - Okayplayer ›

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JPEGMAFIA & Danny Brown

JPEGMAFIA & Danny Brown are bringing their “SCARING THE HOES” tour to The Rooftop at Pier 17 on August 9, 2023 with special guest DJ_Dave.

Tickets are on sale on Ticketmaster.com and in person at the Pier 17 Box Office.

Doors: 6:30PM Show Starts: 7:30PM Concludes no later than 10:00PM

All tickets for this show are standing room only. Show is rain or shine. All ages welcome.

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Guests will not be required to show proof of vaccination or proof of negative test to enter this event. Please note guidelines are subject to change if later mandated by local governments. Check back in the days leading up to your show for any updates and latest guidelines specific to this concert. __________________ By purchasing tickets to this event, unless prohibited by law, you agree that you and all individuals in your attending party will abide by the health and safety measures in effect at the time of the event date. __________________ Tickets are non-refundable.

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JPEGMAFIA & Danny Brown - Scaring the Hoes Tour

Later in 2023, Danny Brown will be joining forces with JPEGMAFIA for a lengthy co-headlining tour promoting their brand new collaboration album ‘Scaring the Hoes’. The 19-city campaign takes place in July/August hitting major markets like Nashville, Cleveland, Philadelphia, New York, Atlanta, Fort Lauderdale, Houston and Dallas. Following the tour, the artist will be joining Atmosphere for a single performance in Morrison along with Souls of Mischief, The Grouch & Eligh w/ DJ Fresh, Mr. Dibbs and Breakbeat Lou of Ultimate Breaks & Beats.

Tickets are on sale NOW – Use special code 327RK20 to get %20 off!

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Average setlist for tour: Scaring The Hoes 2023

• Lean Beef Patty Play Video
• Burfict! Play Video
• Steppa Pig Play Video
• Garbage Pale Kids Play Video
• Jesus Forgive Me, I Am a Thot ( JPEGMAFIA  cover) Play Video
• 1539 N. Calvert ( JPEGMAFIA  cover) Play Video
• BALD! ( JPEGMAFIA  cover) Play Video
• Call Me Maybe ( Carly Rae Jepsen  cover) Play Video
• Baby I'm Bleeding ( JPEGMAFIA  cover) Play Video
• VENGEANCE | VENGEANCE ( Denzel Curry  cover) Play Video
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• Kingdom Hearts Key Play Video
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Jpegmafia and danny brown are here to blow up your function, the two rappers delight in 'scaring the hoes' on a joyously chaotic collab.

Sheldon Pearce

Rappers Danny Brown (left) and JPEGMAFIA embrace their abrasive sides on Scaring the Hoes , a joyously chaotic collaboration glued together by JPEG's collage-like production. Carlo Cavaluzzi/Courtesy of the artist hide caption

Rappers Danny Brown (left) and JPEGMAFIA embrace their abrasive sides on Scaring the Hoes , a joyously chaotic collaboration glued together by JPEG's collage-like production.

On the rap internet, "scaring the hoes" has become code for a certain type of hip-hop: anything abrasive or weird or super-lyrical, designed for repeat close listening. More broadly, the phrase has evolved into a euphemism for any rap considered unfit for a party or similar social setting. To play Death Grips at the function is to scare the hoes. Born from a meme of existential non sequiturs, the distinction is less about what women might actually enjoy listening to casually and more about guys missing common cues, not understanding that there is a time and a place for a specific kind of artist, one that might disrupt the natural flow of a gathering, or worse: something so intrusive or annoying that the most important patrons might leave.

JPEGMAFIA and Danny Brown are easy first-round picks for this category — craft-first eccentrics with singular catalogs that demand some recalibration of the ear. But on their new collaboration, it's clear the two rappers see that innocuous plea to simply let the Rap Caviar playlist run as something more sinister: a capitulation to homogenous, mass-produced music, fodder for revelers who couldn't begin to care about the form. Their mission is laid out flat on Scaring the Hoes' title track, with Brown pantomiming the breathless exploitations of a money-grubbing music executive: "Said it ain't about the bars 'cause it's all about the brand / Say it ain't about the art, 'cause it's all about the fans / Give a f*** about a fan, put the money in my hand." In response, the pair of MCs agree to embrace the pejorative as a challenge, delivering a hyperactive album that is as gratifying as it is overloaded, a truly jarring and yet refreshingly in-your-face display of restorative rap that refuses to go unheard.

Blaxploitation is a familiar influence for both JPEG and Brown, and the album's cover art invokes those aesthetics with a direct tribute to the 1973 film Sweet Jesus, Preacherman . But the music is even truer to the hallmarks of those movies: independently produced, conspicuously low-budget and gleefully transgressive. In this case, the pulp indicators are digital: the Nextel chirp and the default iMessage notification tone, Nintendo and Sega video game sounds, clips from obscure YouTube tutorials. JPEG produced the album on the SP-404, a sampler that has become a favorite for producers at live shows, and it gives the music an almost collage-like texture. The samples sound distorted, out of focus. The vocal flips, sourced from across an eclectic soundboard — Diddy's "I Need A Girl (Pt. 2)," NSYNC's "Gone," Kelis' "Milkshake," the anime The Vision of Escaflowne, a tourism commercial for Hokkaido — often morph to reveal a secondary form like a shonen protagonist. Unlike JPEG's understated last album, LP! (which he also produced, mixed and mastered himself), Scaring the Hoes is defiantly garbled, turning a squawking Dirty Beaches outtake into a brutalist rap flamenco on the title track or giving lounge-room jazz a raver feel on "Jack Harlow Combo Meal." All the while, its co-stars negotiate these set pieces like action stunt doubles, crashing through everything in their path with aplomb.

Collaborations are often about compromise or competition. Here, JPEG approached Brown with the idea (as a longtime fan), and their arrangement doesn't force either artist to sacrifice much. Brown practices his zany pimp raps as deftly as ever, and his whiny, off-kilter flows flap through the bustling production like a tube man being pulled through a car wash. Meanwhile, JPEG is the foul-mouthed comedian onstage mocking hecklers through a megaphone, challenging any keyboard warriors smearing him to single combat. There isn't much interplay — these two aren't natural complements like Run the Jewels — but JPEG's initiative suits Brown's cavalierness well. Brown is laid back while JPEG is on guard; when Brown is alert, JPEG is on standby, and this style creates a natural pendulum-like rhythm. On "Steppa Pig," Brown pops out curtly then cedes the runway to his partner. On "Where Ya Get Ya Coke From?" it feels like JPEG is warming up for the closer. This isn't meant to be a niche, punk-rap Watch the Throne or What a Time to Be Alive . This is a pair of weirdo bachelors bum-rushing the show. This is Wedding Crashers .

Noise rap is always a confrontation, seeking to either push you to the brink or pull you in closer, and the tenor of the taunting here leans toward the latter. "You satire, camp fires to Al-Qaeda / I'm like the only lighter in Rikers," Brown raps on "Shut Yo Bitch Ass Up / Muddy Waters" in one of many verses full of numb-faced, narcotic oversharing. JPEG navigates similar signifiers from a more aggrieved perspective: "Back in this bitch with the dope, she backin' it up for a gram / Baby, I cannot do nothing with hope, I'ma try molly and xans / Been tryna get me to ghost, boy, you ain't Kai, one twitch and you banned / 90 degrees with a coat, ho, and I ain't showin' my hands," he raps on "Steppa Pig." He's always been the cynic speaking truth to power (or trolling it), so it's fitting that he raps so much about the more colorful figures of statecraft here: There are smirking references to Hunter Biden, Ghislaine Maxwell and Matt Gaetz, and at one point a quip that the political left and right are the same. In a way, the album comes across as one epic act of s***posting.

And that, in a nutshell, may be the most clever way to play into the perception of "scaring the hoes": Create something deliberately repellent and dare the audience to stick around. Scaring the Hoes is a speaker knocker masquerading as a party ender, a super-referential album of gags and antics and innuendos with raps about gags and antics and innuendos. Criticism of late has favored talk of music that "sounds like the internet," but few recent projects can rival this one in its feed-like reproduction of context collapse and its Web 2.0-like compression of information. It has the ADHD-addled split focus and surrealist bent of hyperpop, yet it also has a grip on the online world's influence over the real one. In the span of a few minutes on "Burfict!" the duo cites r/WallStreetBets and meme stocks, shock YouTube streamer IShowSpeed and edgelord podcaster Joe Rogan, text-to-speech donations and G4's Attack of the Show! The album recycles kitsch culture into social capital until you can't tell the difference.

• Danny Brown

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2. Church of St. George

Unveiling the Red Hot Chili Peppers’ 2024 Unlimited Love Tour Setlist | Latest Music, Red Hot Chili Peppers, Concert Details | Just Jared: Gossip & Celebrity News

The Red Hot Chili Peppers have embarked on the ultimate stretch of their Unlimited Love Tour .

Their most recent show set the stage alight at the RV Inn Style Resorts Amphitheater on Tuesday (May 28) located in Ridgefield, Wash.

Throughout the electrifying concert, the Red Hot Chili Peppers dazzled fans with timeless hits such as “Californication,” “Scar Tissue,” and “Suck My Kiss,” as well as fan favorites like “Aquatic Mouth Dance,” “Eddie,” and “Black Summer” from their 2022 chart-topping albums Unlimited Love and Return of the Dream Canteen.

The tour is expected to rock on until the end of July.

Click through to see the setlist in full…

Check below for the complete setlist of the tour’s opening night…

**The following setlist is based on the opening concert and may vary from night to night.

1. Intro Jam

2. Dani California

3. Scar Tissue

4. Aquatic Mouth Dance

5. Snow ((Hey Oh))

7. Soul to Squeeze

8. Throw Away Your Television

9. Right on Time

10. Whatchu Thinkin’

11. Tell Me Baby

13. Suck My kiss

14. Californication

15. What Is Soul?

16. Black Summer

17. By the Way

18. ENCORE: I Could Have Lied

19. ENCORE: Give It Away

Secure your live experience via Ticketmaster or check out resale options at Stubhub .

Explore setlists from other artists who are also on the road right now!

Note: This site may receive commissions from purchases made through affiliate links.

FAQ about Red Hot Chili Peppers 2024 Unlimited Love Tour

The tour’s last leg commenced on May 28th at the RV Inn Style Resorts Amphitheater in Ridgefield, Wash.

The setlist includes a mix of classics and new hits, such as “Dani California,” “Californication,” and “Black Summer.” See the full setlist above for all the songs.

No, the provided setlist is representative of the first show and may not be accurate for every performance.

Tickets can be bought through Ticketmaster or resale sites like Stubhub .

The 2024 Unlimited Love Tour is set to run through the end of July. Specific dates can be found on the official Red Hot Chili Peppers website or Ticketmaster.

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French Open: Jannik Sinner survives scare to set-up quarters with Grigor Dimitrov

Australian open champion jannik sinner survived a scare against frenchman corentin moutet to reach the quarter-finals. sinner will face grigor dimitrov, who has been on a resurgent run on the tour, in the last-eight match at roland garros 2024..

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• Jannik Sinner defeated Corentin Moutet in four sets in a Round of 16 match
• Sinner will take on Grigor Dimitrov, who has been on a resurgent run
• Sinner won the Australian Open earlier in the year

Wimbledon champion Jannik Sinner battled against the crowd at the Philippe-Chatrier and an inspired local favourite Corentin Moutet in a thrilling Round of 16 match on Sunday. Sinner was nearly bageled in the first set, but he fought back and sealed a 2-6, 6-3, 6-2, 6-1 victory to progress to the men's singles quarter-final. Sinner will take on Grigor Dimitrov, who continued his resurgent run on clay, beating 8th seed Hubert Hurkacz in a fourth-round match.

Jannik Sinner has equalled his best-ever performance in Roland Garros and the Italian will be looking to carry forward his good run after having begun the year with the Australian Open crown.

Sinner conceded that he found Corentin Moutet tough to handle, especially because of the left-handed artistry that the Frenchman displayed in the opening set. The crowd was rallying behind the local star when he threatened to blank the Australian Open champion in the first set.

"It was very tough for me. I think he played very, very well in the first set. I had some chances, but he played much better than me, so I had to adjust a little bit. He had an amazing run here at Roland Garros. The atmosphere as always was amazing," Sinner said.

"He plays differently to most of my opponents, so it was tough for me. He is also a lefty. You don't play so many times against left-handers, so I'm happy to be in the next round," he added.

Moutet was bidding to become the first Frenchman to reach the French Open quarter-final since Richard Gasquet in 2016 showcased his touch game in the opening set, making Sinner run around the court with his slices and drop shots. Moutet was riding on the wave of support from the Paris crowd, but he was soon brought down to earth by Sinner.

Sinner looked confident after he broke for a 4-2 lead in the second set and never looked back from there. The Italian found his range and steamrolled Moutet in the last three sets.

Sinner, who had been struggling with a hip injury in the lead up to the French Open, is bidding to become the World No. 1. He is keeping up the pressure on Novak Djokovic, who will lose his numero uno spot if he doesn't reach the final of the Roland Garros this year. Sinner will take the spot if he reaches the final. Published By: Akshay Ramesh Published On: Jun 3, 2024 Also Read | Carlos Alcaraz intends to get Stefanos Tsitsipas ‘in trouble’: Have the key against him

Eminem Takes Aim At Megan Thee Stallion In New Song ‘Houdini’ With Tory Lanez Shooting Reference

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Some fans think Eminem dissed Megan Thee Stallion in his new song “Houdini,” pointing to a lyric that appears to reference her 2020 shooting by Tory Lanez, while fans defended the name-drop as typical for the rapper’s intentionally provocative alter-ego, Slim Shady.

Eminem name-dropped Megan Thee Stallion in new song "Houdini." (Photo by Kevin Mazur/WireImage)

In new song “ Houdini ,” Eminem raps: “If I was to ask for Megan Thee Stallion if she would collab with me, would I really have a shot at a feat?”

The line is likely a reference to rapper Tory Lanez shooting Megan Thee Stallion in the foot in 2020, for which he was found guilty in 2022 and began a 10-year prison sentence in 2023.

The line divided listeners, with some interpreting it as a diss and a low blow against Megan Thee Stallion, while fans pointed out Eminem has long been intentionally provocative as his alter-ego, Slim Shady.

Though Megan Thee Stallion has not commented on Eminem’s song, she has previously slammed rappers for seeking “clout” by using the shooting as a diss.

Also in “ Houdini ,” the lead single to Eminem’s upcoming album, “The Death of Slim Shady (Coup de Grâce),” the rapper name-drops R. Kelly, Dr. Dre and RuPaul, even taking aim at his own children (“they're brats”).

Key Background

In 2022, Drake rapped in his song with 21 Savage, “ Circo Loco ,” that “this b— lie ‘bout getting shots, but she still a stallion”—which many interpreted to be a diss suggesting Megan Thee Stallion fabricated the shooting incident. She fired back on social media: “Since when tf is it cool to joke abt women getting shot!” She slammed Drake and other rappers for being ready to “dog pile on a black woman when she say one of y’all homeboys abused her.” In January, Megan Thee Stallion released “ HISS ,” perceived as a diss track against Drake, Nicki Minaj and more, slamming those who bring up her name for “twenty-four hours of attention.” After Minaj interpreted a line in “HISS” to be a diss at her husband, registered sex offender Kenneth Petty (“These hoes don’t be mad at Megan, these hoes mad at Megan’s Law”—a reference to the federal law requiring convicted sex offenders to be publicly disclosed), Minaj released a diss track titled “ Big Foot ,” with several lyrics suggesting the Lanez shooting was fabricated. In “Big Foot,” Minaj raps: “F— you get shot with no scar?” and “How you go on Gayle King and can't cry?” the latter referencing Megan Thee Stallion’s 2022 interview with journalist Gayle King about the shooting.

Chief Critics

Some social media users and reviewers slammed Eminem’s song, particularly the Megan Thee Stallion lyric. “What exactly did this girl do to deserve this type of harassment by male rappers constantly? I mean genuinely what did she do?” one post on X , liked more than 100,000 times, states. Music publication Stereogum called the song “terrible” and criticized the lyrics, including the Lanez shooting reference, as “cluttered and unpleasant.” The New York Times music critics called Eminem “desperate to offend at every turn” with “stiltedly rapped jokes.” Music journalist Sowmya Krishnamurthy tweeted : “Eminem’s career has largely been built on being shocking and provocative to certain audiences … Being 51 years old and taking shots at Megan Thee Stallion? Out of touch.”

Eminem’s fans on social media noted he rapped in character as Slim Shady—his more angry and aggressive alter-ego—and claimed Eminem himself was not dissing Megan Thee Stallion. “Anyone who listens to hip hop already knows this ain’t a diss from Eminem, he’s known for taking funny jabs in bars at anyone,” one user posted on X . USA Today admitted the lyric was “mean,” but called it “clever,” noting Eminem is “famous for cutting down peers in his songs.”

Several rappers have garnered significant attention and chart success with diss tracks this year, starting with “HISS” and “Big Foot” in January. Both songs went viral, and “HISS” debuted at No. 1 on the Billboard Hot 100 . In March, Kendrick Lamar kicked off what would become a weekslong and increasingly dramatic feud with Drake that saw the two drop a combined nine diss tracks between March and May. Lamar first threw jabs at Drake on “Like That,” slamming a prior lyric from J. Cole that said the three rappers made up the “big three” of rap, with Lamar instead stating it’s “just big me.” “Like That” topped the Hot 100 for three weeks. Over the next several weeks, Drake and Lamar traded wild accusations through diss tracks: Lamar accused Drake of being a “predator” attracted to minors and having a secret daughter (both of which he denied), while Drake accused Lamar of abusing his wife. At the peak of the feud, Drake and Lamar ranked No. 2 and No. 3, respectively, on the Spotify daily artists charts, and Lamar’s diss “Not Like Us” topped the Hot 100 .

Further Reading

Eminem Attempts to Make His Career Disappear With New Song ‘Houdini’ (Rolling Stone)

Drake-Kendrick Lamar Feud Timeline: Drake Raps Over Metro Boomin’s ‘BBL Drizzy’ Beat On Sexyy Red Song (Forbes)

Tory Lanez sentenced to 10 years in prison for shooting Megan Thee Stallion (The Guardian)

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Rusmania • Deep into Russia

Out of the Centre

Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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