paula wagner tom cruise

Paula Wagner: Tom Cruise’s Former Producing Partner Explains What A Producer Actually Does

Paula Wagner is an unfamiliar name for many film-goers, but if you watch the first three Mission:Impossible  films, you’ll notice they’re made by Cruise/Wagner Productions. Wagner formed the production company with Tom Cruise in 1993. The joint venture marked Wagner’s transition from casting agent at CAA to producer. And Cruise/Wagner Productions gave Cruise more control over projects he acted in, and more of the profits.

Under an exclusive deal with Paramount Pictures, Cruise/Wagner Productions produced every one of Cruise’s films from  Mission: Impossible (1996) to Valkyrie  (2008). Other features made by the production company included The Others, Without Limits, Narc, Shattered Glass, Elizabethtown,  and  Death Race. While Cruise/Wagner closed it’s doors in 2008, after Paramount boss, Sumner Redstone, pulled the plug on his relationship with the production company, both Cruise and Wagner were established as powerful producers, with the lucrative partnership grossing more than $2.9 billion at the box office.

Since then, Wagner has produced two other Cruise projects– Jack Reacher  and  Jack Reacher: Never Go Back– and moved into independent projects, including Chadwick Bosman’s Marshall (2017),  a well-received true story about the first black Supreme Court Justice, Thurgood Marshall.

Wagner, as a result, knows how to co-ordinate the full gamut of film projects from big budget to smaller character-focused productions. In the following video by CookeOpticsTV below, she explains what the role of the film producer is.

Tags: mission: impossible , producer , tom cruise

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Tom Cruise and The Failed United Artists Experiment

In late 2006, with much fanfare, Tom Cruise was announced as headlined a revived United Artists. But what went wrong?

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This article originally appeared on Den of Geek UK .

Lurking in the corners of Netflix UK is a not-very-widely-seen Tom Cruise movie, that a decade ago was all set to herald a new filmmaking dawn. Directed by Robert Redford, and with a cast that includes Redford, Cruise, Meryl Streep and a then-relatively-unknown Andrew Garfield, Lions For Lambs looked on paper to be a heavyweight political drama. Its focus is on three stories: an ambitious politician giving an interview to tough reporter, an army platoon being ordered to go on a top secret mission by said politician, and a professor trying to talk a promising student into turning his life around.

It looked like Oscar-bait. It turned out to be a footnote in the failure to resurrect United Artists.

United Artists was originally founded in 1919 by Charlie Chaplin, Mary Pickford, D W Griffith and Douglas Fairbanks, with the ambition of allowing acting and creative talent to have control over their work, as opposed to being studio-dictated. In the decades that followed, the company had a bumpy life, but not without successes. In the 1950s and 1960s in particular, United Artists scored many successes, winning bags of Oscars too. It also, presciently, picked up the rights to the James Bond novels. Not a bad business move.

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But the dramatic fall really came at the end of the 1970s, with new owners Transamerica, and the decision to back Michael Cimino’s notoriously expensive bomb, Heaven’s Gate . Heaven’s Gate bled money out of the company, and a merger with MGM followed. MGM, too, would soon face its own financing struggles.

Fast forward to 2006, though, and a promising future looked on the horizon. Tom Cruise and his producing partner, Paula Wagner, had been under an exclusive production deal with Paramount Pictures since the early 1990s – leading to the Mission: Impossible movie franchise, among other projects – but when that deal came to an end, they looked for other opportunities. This was around the time when Paramount’s then-boss, Sumner Redstone, had made less than complimentary remarks about Cruise’s declining box office draw costing Mission: Impossible III box office green.

A break was inevitable, and an opportunity developed. MGM was looking for what to do with its United Artists label, and negotiations began about an unusual deal. As such, in November 2006, a deal was announced. Paula Wagner and Tom Cruise would take on a minority share in the latest iteration of United Artists. The plan was that Wagner would act as CEO, whilst Cruise would be expected to appear in its films, but wouldn’t be exclusively locked to UA productions (it would have somewhat gone against the originally founding principles of United Artists had he been). Cruise and Wagner would then have autonomy over a slate of up to four movies a year, provided the budgets were on the modest size.

At the time, MGM spokesman Jeff Pryor wouldn’t be drawn on whether Cruise and Wagner had paid for the equity stake, or whether it was in return for having the star power of Cruise involved in UA productions. “I wish Tom and his associates the greatest good fortune on their new venture”, Sumner Redstone said in a statement, whilst hardly battling to keep him on the Paramount lot.

Even from the off, though, response to the new United Artists was mixed. Some questioned whether Cruise had the box office power to make it work still. Others wondered if it was a play by Cruise to show he still had clout in Hollywood. Some, less cynically, suggested he just wanted to make more of the films he wanted to see.

Whichever theory was subscribed to, though, all eyes would inevitably be on the first picture from the new UA.

As it happened, a film was already deep into development. Based on a screenplay by Matthew Michael Carnahan, Lions For Lambs already had Robert Redford interested in the movie as his next directorial venture. He hadn’t directed a picture since 2000’s The Legend Of Bagger Vance at that stage, and was interested in a project that went against the Hollywood trend for purely entertainment projects. He signed on the dotted line, and filming began at the end of January 2007 – less than three months after the new UA deal had been announced. It would be the first picture under the umbrella of it.

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Redford noted subsequently that it was the tightest schedule he’d ever worked to, with less than a year between the film’s announcement and release. But the bigger problem became how to sell it. MGM in the end was insistent that this was a Robert Redford project, rather than a Tom Cruise film, but one look at the poster showed it was also hardly downplaying Cruise’s relatively modest on-screen involvement.

Beyond that, though, the film’s three stories – while independently interesting – didn’t really convincingly gel into one coherent feature film. As such, critics didn’t warm to the movie, and attempts by MGM to half-sell it as a blockbuster film didn’t work either. Costing roughly $35 million for the negative, the film grossed $63.2 million worldwide. It would only crawl towards profit on its home release, and even though, it’s not a curio that too many seek out.

Still, Cruise had a bigger project for United Artists, and this time he would take a starring role. Back in 2002, screenwriter and director Christopher McQuarrie started putting together a film based on a plot to assassinate Adolf Hitler in 1944 by German soldiers. He’d subsequently shape that into a screenplay for what would become the film Valkyrie .

McQuarrie interested director Bryan Singer, who had brushed against the subject matter with his movie Apt Pupil . He agreed to direct, and McQuarrie suggested that the film would be a project the new United Artists would be interested in. He was right.

Paula Wagner liked the pitch immediately, and in March 2007, a deal was struck to finance the film. Cruise was asked to star, and agreed to do so. Filming duly began in July 2007. But in the aftermath of Lions For Lambs ’ disappointing box office, the stakes became a lot higher for Valkyrie . At $75 million, it was a more expensive film for a start. But this would also be a more telling audit of where Tom Cruise’s box office power actually was at this stage.

The film, though, was soon in the crosshairs of the movie press, with a volley of disparaging stories emerging while the film was being made. Not that the constant shifting of release dates helped. Valkyrie was originally set for release in August 2008. Then it moved to June 2008. Then it moved to October 2008. Then it moved to February 2009. Then it moved back to December 2008. At least one of the date changes was to accommodate the filming of an extra sequence, but the others betrayed the leaking confidence MGM had in the film. Once a movie it wanted to target as an Oscar contender, it eventually figured awards wouldn’t be forthcoming, and went to maximise box office instead. Furthermore, it reconfigured its marketing to downplay Tom Cruise’s involvement, and the constant dismissal of the film as Cruise’s “eye-patch movie.”

Contrary to some popular opinion, Valkyrie was a decent commercial success, too. The film has problems, certainly, but reviews were okay, and the global box office of $200.3 million wasn’t a bad return, given the troubles the production had been through.

However, even before the film his cinemas, the new United Artists was crumbling. On August 14th, 2008, months before the film was released, it was announced that Paula Wagner had left United Artists, and instead would be developing films as an independent producer. She kept her ownership stake in the movie, but according to a Variety report at the time, she “frequently butted heads with MGM” when actually trying to get films greenlit. MGM itself had undergone a change of studio head in the interim, and its new boss was more interested in developing a slate of pictures himself, rather than pushing resources to United Artists. For MGM’s part, it argued that Wagner “wasn’t developing aggressively enough.”

Wagner had been hampered by the Writers’ Guild of America strike at around the same time, that led to the collapse of what would have been a further UA production, Pinkville . Bruce Willis had signed to star in the movie, that Oliver Stone would have directed. But when script problems sprung up, UA couldn’t hire writers to fix it. The talent moved on. It also had a dance movie by the name of Move , from Camp Rock director Matthew Diamond, near the starting blocks. That, too, fell apart.

The plan at the point of Wagner’s departure was said to be for Cruise to take a greater involvement in the running of the studio. But there’s no sign that ever came to pass. Valkyrie was Cruise’s last project to date with a United Artists logo on it, and he would instead focus on acting projects again, such as Knight & Day , Mission: Impossible – Ghost Protocol (that revived that franchise back at Paramount) and Rock Of Ages .

The UA name would potter on. Its logo appeared on two further MGM films:  Hot Tub Time Machine and the remake of Fame . By 2011, MGM had bought back full control of the United Artists banner, but an annual report statement declaring it “may resume using the United Artists banner to develop and produce new films” never came to pass.

Instead, United Artists is now a name without the original company and its ethos behind it. Today, the United Artists webpage is a competition to win a trip to the set of the new Stargate TV show, and that’s it. MGM has used the United Artists name on a new television production deal it struck with One Three Media and Lightworkers Media back in 2014. It’s a subsidiary label, and nothing more, for MGM.

Ironically, since his last United Artists picture, Cruise has been involved in six Paramount productions, including the two lined up for release in the next two years. Lions For Lambs , meanwhile, a film once set to be the bold opening of a revived artistic ethos, loiters around the corridors of Netflix…

Simon Brew | @SimonBrew

Editor, author, writer, broadcaster, Costner fanatic. Now runs Film Stories Magazine.

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International Edition

Tom Cruise's company lands investor after split with Paramount

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Tom Cruise's production company has signed a two-year financing deal with an investment partnership after breaking ties last week with Paramount Pictures.

The deal announced Monday between Cruise/Wagner productions and First & Goal LLC — headed by Washington Redskins owner Daniel Snyder — will cover overhead and development, allowing Cruise and producing partner Paula Wagner to run their company and make deals to produce films.

Financial terms have not been revealed, but they do not include funding for film production and distribution.

Cruise's production deal with Paramount had given the star as much as $10 million US per year for salaries, expenses and discretionary spending in exchange for first right to finance or distribute the films.

But tense negotiations broke off when Paramount offered a much lower deal closer to $2 million annually.

The dispute became public last week when Sumner Redstone, chairman of Paramount parent Viacom Inc.,criticized Cruise's public behaviour.

Cruise blamed for losses

In an interview with the Wall Street Journal , Redstone claimed Cruise's jumping up and down on Oprah Winfrey's couch and aggressive defence of Scientology in the past year lost Paramount $100 million US and $150 million US in ticket sales for the actor's latest film, Mission: Impossible III .

Wagner slammed Redstone last week, calling his comments "surprising" and unbusinesslike. She said it was their decision to walk away from a 14-year partnership with Paramount.

Last week, Wagner said her company had secured funding from two hedge funds, a separate arrangement from the deal with First & Goal. On Monday, she declined to comment on those deals.

First & Goal was specifically set up to invest in Cruise/Wagner, as Snyder moves from sports to entertainment along with partners Dwight Schar, chairman of homebuilder NVR Inc., and Mark Shapiro, president and CEO of Six Flags Inc., the amusement park chain where Snyder serves as chairman of the board.

Shapiro, a former ESPN entertainment executive, will oversee the Cruise/Wagner deal.

"We believe that Cruise and Wagner are a terrific investment," Shapiro said. "The track record speaks for itself."

Cruise will continue to be able to star in films produced elsewhere, just as he did under Paramount.

The spat between the star of Top Gun , War of the Worlds and the Mission Impossible movies, and Paramount is the latest example of tension between actors and executives after what Hollywood analysts are calling a down summer for film revenues.

Earlier this summer, a studio head chided Lindsay Lohan for her behaviour on a movie set in a letter leaked to the press, and an ABC deal with Mel Gibson's production company to produce a four-part series on the Holocaust was cancelled after his alleged anti-Semetic remarks during a drunk-driving arrest.

With files from the Associated Press

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Tom Cruise and Paula Wagner Make United Artists Strikeproof

Wga continues chipping away at amptp's resolve..

His big-screen alter egos have saved the world on numerous occasions, and now it seems as though Tom Cruise — and his partner Paula Wagner — may have helped bring an end to the writers’ strike.

No one is setting down their picket signs just yet, but Variety reports that Cruise and Wagner, who run United Artists, have followed in the footsteps of David Letterman ‘s Worldwide Pants production company, brokering an interim deal with the Writers Guild of America. The terms of the deal, though not immediately available, will follow the precedent set by the Worldwide Pants agreement. From the article:

For UA toppers Tom Cruise and Paula Wagner, it’s a major declaration of independence from MGM and underlines that the duo — who have a 35% stake in UA — have the final say in operations. The deal affords the revived studio an opportunity to move forward on projects after initially stumbling out of the gate with “ Lions for Lambs .”

Though MGM had no comment about the deal, sources said over the weekend that MGM topper Harry Sloan has opposed the UA interim deal and added that it was highly unlikely that MGM would break ranks from the congloms and sign its agreement before the strike ends.

The deal comes too late to save Oliver Stone ‘s Pinkville , which ceased production after the strike started and has already lost star Bruce Willis to another project, and it won’t bring an end to the strike all by itself; United Artists, under the terms of its current financing arrangement, is only set to release “15-18 films over the next five years.” It does open the door, however, for the WGA to continue its “divide and conquer” strategy, proving the Guild’s terms are reasonable enough to function at the indie level — and making UA highly attractive to investors who may not want to wait for the strike to end before making their next film.

According to Variety , Lionsgate and The Weinstein Company “are viewed as the most likely to sign interim deals with the guild”; the Weinsteins have been vetting a WGA proposal for the last couple of weeks, and Lionsgate has a deal on the table as well. From the article:

Such a deal would not be surprising for the Weinsteins, who have been strong supporters of screenwriters. The brothers formed the indie operation two years ago after a dozen years of working for Disney.

For Lionsgate, a pact with the WGA could be more complicated than for UA or TWC since the company also has TV operations. Lionsgate’s been in an expansion mode, taking stakes in Mandate Pictures, Break.com and Roadside Attractions and setting a $400 million, 23-picture theatrical slate financing agreement.

Source: Variety

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Hollywood Player Joins the Club on Broadway

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By Patrick Healy

• Nov. 1, 2012

“Who’s she? Orange dress?”

If the actors Paul Rudd and Ed Asner were the obvious gets for the paparazzi at the Copacabana on Oct. 4, during the opening night party for the new Broadway play “Grace,” the brunette in orange was the stealth celebrity. She was Paula Wagner, a film agent turned producer best known for promoting and protecting Tom Cruise for 27 years, a partnership that spanned “Risky Business” and the first “Mission Impossible” films. And the Copa bash doubled as her coming out as a producer in New York theater — the latest arrival in Hollywood’s extraordinary colonization of Broadway, now awash in screen-to-stage adaptations and star vehicles. Ms. Wagner herself has jumped in with two shows this fall: “Grace,” for which her connections helped secure Mr. Rudd, and the new revival of “The Heiress,” which she developed for the Oscar nominee Jessica Chastain ( “The Help” ) and which opened on Thursday.

Ms. Wagner tread a bit warily through the “Grace” party at first, relying on her publicist from “The Heiress” to introduce her to theater reporters she didn’t know, including an influential one from Variety. Ms. Wagner can still be clenched in the limelight, after so many years of safeguarding Mr. Cruise, one of the most controlling stars in Hollywood. But now and then her game face fell away at the Copa. When the veteran talent agent Harry Abrams came up and asked her to lunch, for instance, Ms. Wagner was awe-struck.

“Harry!” she finally said. “You won’t believe me, but many years ago I was a client of yours, when I acted in theater and commercials.”

Mr. Abrams exclaimed, “My goodness!” She nodded and said, “It feels like another life.”

Broadway is the fifth act in the career of Ms. Wagner, 65, and it is also a homecoming of sorts. She played several ensemble parts in the 1971 production of “Lenny,” and her first marriage, to the set designer Robin Wagner, brought her into the industry’s A-list circles; she was at Mr. Wagner’s side when the director Michael Bennett shared ideas for “A Chorus Line.” Eventually she headed to Hollywood in search of steadier work and went on to become an agent at the powerful Creative Artists Agency, then a film producer and later the chief executive of the studio United Artists. Those middle acts ended when the United Artists run imploded, with Ms. Wagner resigning after two years.

Still, she is nothing if not a pro at spinning victory from defeat: now she could return to her first love, theater. Like Tennessee Williams’s Maggie the Cat, a character she once played in a Cleveland Play House production of “Cat on a Hot Tin Roof,” Ms. Wagner is a shrewd survivor in worlds dominated by alpha males, determined to land on her feet even as the ground shifts under her.

“I’d always wondered what it would be like to produce plays, and this next chapter of my life just feels like serendipity to me,” Ms. Wagner said over lunch at one of her favorite spots, the Who’s Who sanctum Michael’s. “I think we’re in a new golden age of crossing over between Hollywood and theater. And I feel naturally suited to be a part of that.”

The crossovers, for the record, have been largely one-sided: Film stars call a lot of shots on Broadway these days because of their box-office leverage, and movie studios and producers — envisioning profits in brand-name material — are racing to make musicals out of famous pictures like “King Kong” and “Rocky” and recent fan favorites like “Little Miss Sunshine” and “Slumdog Millionaire.” The goal: to have the next “Lion King,” the blockbuster movie-to-musical adaptation that has grossed nearly $5 billion worldwide for Disney over the last 15 years. Independent film producers have been moving more into Broadway in recent years as well, foremost among them Scott Rudin, an Oscar winner for “No Country for Old Men” who now has a huge hit with the musical “Book of Mormon.”

Ms. Wagner may lack the stature of a Scott Rudin or a Harvey Weinstein (who is aiming his own new musical, “Finding Neverland,” for Broadway), but she describes her strengths in terms that bring both men to mind: an eye for storytelling, and entrée with the talent agents and managers who help broker deals to bring celebrities to Broadway. (This fall alone: Mr. Rudd, Ms. Chastain, Al Pacino in “Glengarry Glen Ross” and Scarlett Johansson in “Cat On A Hot Tin Roof.”)

One of those managers is her husband, Rick Nicita, a former partner at Creative Artists who now represents a select group of clients that includes Mr. Pacino. Ms. Wagner said Mr. Nicita has formed a new company, RPMedia (“RP is Rick and Paula”), for his management work and eventually her theater producing. Mr. Nicita is not involved with “Grace” or “The Heiress” but is a producer on “Glengarry” through RPMedia, and Ms. Wagner did not foreclose producing with him in the future. (The couple now split time between a TriBeCa apartment and Los Angeles home.)

While Ms. Wagner said she still plans to make movies “when I find projects I care about,” the film business has left its bruises. Over the last decade she and Mr. Cruise lost their longtime producing deal at Paramount — they said in 2006 that they were moving on, but the chairman of Viacom, Sumner Redstone, said he dropped them because of Mr. Cruise’s erratic public behavior at the time — and her brief tenure at United Artists yielded very few films. The producing company Cruise/Wagner came to an end in 2008 after about 15 years of movies that included “The Others,” “Vanilla Sky,” and “War of the Worlds” as well as duds like Robert Redford’s “Lions for Lambs,” which Ms. Wagner oversaw at United Artists.

Mr. Cruise was unavailable for an interview by phone or e-mail because of his film shooting schedule, his spokeswoman said. Ms. Wagner said the two remain good friends. But she bristled at questions about him. After three hours of warmly recalling anecdotes about her life and theater background, she darkened considerably when asked if Mr. Cruise had walked away from her.

“No — is this what the article is about?” Ms. Wagner said. She rejected the notion that the end of their partnership was anything less than amicable but then refused to talk about it. After a long pause she said: “Look, it was a natural evolution on both of our parts. There were things I wanted to do, and things he wanted to do. Broadway was the logical, creative decision for me.”

Friends of Ms. Wagner said that she remained in good standing in Hollywood but had decamped to New York to make the best out of a challenging time in her life.

“Paula was around 60 when she left United Artists and she and Tom went their own ways, and I think she knew the time was right for a big change,” said Sherry Lansing, who was chairwoman of Paramount during the heyday there for Ms. Wagner and Mr. Cruise. “For a woman 60 is young enough to enjoy the next chapter of your life, but not young enough to wait to begin it.”

With United Artists and Mr. Cruise behind her, Ms. Wagner began piling up new plays to read three years ago, as well as classics by favorite writers like Williams. She also called old Hollywood friends who had become theater producers, like the former Creative Artists partner Bill Haber, who introduced her to the Broadway general manager Wendy Orshan. Over tea Ms. Wagner told Ms. Orshan that she wanted to produce a play with “a tour de force role for an actress,” Ms. Wagner later said. Ms. Orshan offered a list of plays, and Ms. Wagner said she instantly chose a favorite of hers, “The Heiress,” a 1947 drama about an awkward young woman, Catherine Sloper, grappling with pressures from her father and a new suitor.

Unlike in Hollywood, where studios usually put up money for her film projects, Ms. Wagner began a hunt for producing partners to help raise a budget of $3 million or so for “The Heiress.” She found a fellow fan of the play in Roy Furman, a prominent Broadway producer, who recalled being struck by Ms. Wagner’s foresight about casting. (The last revival was in 1995, though it is fresh in some memories for the Tony-winning performance of Cherry Jones as Catherine.)

“I told Paula that there’s no great ‘Heiress’ unless you have a great star as the heiress, and she said, ‘Exactly, and I have someone in mind,’ ” Mr. Furman said. “I asked her who, and Paula said, ‘You’ve never heard of her — but you will.’ And it was Jessica Chastain. And this was a year before Jessica Chastain became a big star.”

Ms. Wagner said she first saw Ms. Chastain opposite Mr. Pacino in a live performance of Oscar Wilde’s “Salome” and had since kept an eye on her. After hiring Moisés Kaufman to direct “The Heiress” — having been impressed with his staging of “Bengal Tiger at the Baghdad Zoo” in Los Angeles and New York — she brought up Ms. Chastain. Mr. Kaufman said he liked the idea but was curious if she would do it, given her flourishing film career.

“Paula was able to pick up the phone, talk to Jessica’s people and really get talks going in a serious way,” Mr. Kaufman said.

As for “Grace” Ms. Wagner said she was first intrigued by its risky drama — few commercial Broadway productions feature deaths of major characters as this one does — and its exploration of faith. (Ms. Wagner was raised Presbyterian in Ohio and said she is now more spiritual than part of an organized religion.) A lead producer of the show, Debbie Bisno, had been eager to sign Mr. Rudd, and credited Ms. Wagner for helping open channels to him as well as helping think through the story arc of Mr. Rudd’s character, whose death was originally rendered at the beginning and the end of the play.

“Paula and I were on the same page about asking: Are we O.K. with main characters dying in the end? And will that hurt us commercially?” Ms. Bisno said. “She had ideas about how to broach a rewrite with our playwright, Craig Wright. Craig was totally open to the ideas, but it helped having Paula there because she had worked with so many writers in film and knew how to talk to them directly but gently.”

Mr. Wright said he supported changing the very end of the play “to leave that moment open for the audience to reflect upon,” and he credited Ms. Wagner as “wise and respectful” about storytelling. Ms. Wagner declined to discuss the change to the ending of “Grace,” or any of her artistic suggestions or notes on either of her Broadway shows.

“I’m a creative producer,” she said, but added, to explain her preference for privacy, “I also believe a lady doesn’t discuss her age or her budget.”

Questions about the financing and marketing challenges of Broadway shows — only about one in four turns a profit — were also largely batted aside, with Ms. Wagner saying she was not an arriviste “with all the solutions about how to make money on Broadway shows.”

Still, in time, she hopes to leave her mark. At the Copacabana, with the red carpet finished and her publicist gone, Ms. Wagner sauntered over to a group of friends as one of them, the celebrity spokeswoman Peggy Siegal, was trying to come up with a way to describe her.

“O.K., here’s my quote: Hopefully she’ll be as smart as Scott Rudin in a skirt,” Ms. Siegal said.

Others laughed, but Ms. Wagner tensed up .

“ ‘Hopefully she’ll be as smart’?” Ms. Wagner said to Ms. Siegal. “You’re too much.”

“O.K., cut ‘hopefully,’ ” Ms. Siegal told a reporter. “Maybe have me say, ‘I think she’s as smart as Scott Rudin in a skirt.’ ”

“No, not Scott Rudin,” Ms. Wagner said. “Judge me as me, please.”

Tom Cruise's agent, Paula Wagner, makes their gamble pay off

Paula Wagner is the other woman in Tom Cruise's life.

Wagner, an executive producer, is Cruise's business partner in his production company, and the two have conspired successfully to create several movies, including last year's mega-hit "Mission Impossible," Lisa Simmons wrote in the September issue of .

Wagner first met the actor in 1981 when she was an agent at the Creative Artists Agency, and Cruise was her client.

"When I met him, I said to myself, this man has something, something compelling and energetic," Wagner said of the actor. "There are few things in life you just know, but his impending stardom was one of them."

Cruise wasn't Wagner's only talent find. In her 15 years as an agent, she jump-started the careers of such stars as Demi Moore, Val Kilmer and Oliver Stone.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

But nobody recognized Wagner's never-say-die determination more than her "Top Gun" client Tom Cruise. For years, he had batted around the idea of producing his own movies.

"And somehow the idea of starting a production company evolved between us," said Wagner, who was then at the top of her game as an agent. "It was a risk, but I'd always wanted to be at the heart of moviemaking."

The gamble paid off.

"One day about three years ago, Tom called me and said, 'I've got a great idea for a movie -- Mission Impossible,' " Wagner said.

It took 18 months to develop a script, hammer out a budget, and hand-pick Brian DePalma to direct. And then Wagner and Cruise raced around Europe, shooting what would turn out to be one of last year's highest-grossing films.

"Making a movie is like being in a war zone," Wagner said. "You're constantly problem-solving. Equipment can break down, the weather will go bad -- but you have to stay on schedule because that's how you stay on budget."

Though Wagner manages the day-to-day operations of the company, "Tom has creative input on everything," she said. "He's a natural producer -- I couldn't do it without him."

Their next project is the film "Without Limits," which will star Billy Crudup, and is about the life of 1972 Olympic runner Steve Prefontaine, who died in an auto accident.

How does Wagner deal with the pressures of being a heavy-hitter?

"You have to look at your career as a game," she said. "You want to win, but you need lightheartedness to keep things from seeming too important. And if you lose, you can always move on to the next round."

Her big break came in her early 30s, after modest success as an actress, when she switched sides and became an agent herself. After two years of agenting, she was wooed over to the powerful Creative Artists Agency, where she met the then unknown Cruise.

Now, on an average morning, Wagner is up by 6 and working out at home with a personal trainer. Afterward, she walks her 10-year-old, Zachary, to the bus and runs errands before heading to a 9-o'clock meeting with movie-studio executives. After a quick business lunch, she's back at her desk, continuing to field the 75 calls she'll get that day. Meanwhile, she's motivating her staff to drum up creative ideas or wade through the dozens of film scripts Cruise-Wagner receives each week.

The one thing she takes seriously is her family, which also includes her husband, Rick, and stepson Jesse.

"I'll never be the kind of mom who bakes bread," she says, "but I'll always be there to shoot hoops or talk about art."

Take That, Sumner! Tom Cruise Gets His Own Studio

Tom Cruise and his producing partner Paula Wagner at the Japanese premiere of Mission Impossible III

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Tom Cruise Taking Over United Artists

Kim Masters

Tom Cruise is planning to take over the United Artists studio with his producing partner, Paula Wagner. The news comes just two months after Cruise's bitter break with Paramount Pictures. While no one questions Cruise's track record as a star, many wonder if he can successfully produce movies in which he doesn't appear.

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Paula Wagner

• Born December 12 , 1946 · Youngstown, Ohio, USA
• Birth name Paula Sue Kauffman
• Paula Wagner has worked in the top ranks of the entertainment industry as a talent agent, film producer, and studio executive. She develops and produces film, theatre, and television projects through her production company Chestnut Ridge Productions (CRP). Wagner began her career as an agent at Creative Artists Agency where she spent 15 years representing some of some of Hollywood's top actors, directors, and writers. In 1993 she began a new phase of her career as a producer when she launched Cruise/Wagner Productions with Tom Cruise, her former CAA client. For more than a decade, C/W produced critically acclaimed films with international appeal, including the Mission: Impossible franchise films I, II, and III, Without Limits, The Others, The Last Samurai, Vanilla Sky and Steven Spielberg's War Of The Worlds, which Wagner executive produced. Wagner was co-owner and CEO of United Artists Entertainment from 2006 to 2008. During her tenure, UA released the Robert Redford political thriller Lions for Lambs and the World War II thriller Valkyrie. Wagner's current film projects include Marshall (2016), starring Chadwick Boseman and Josh Gad and directed by Reggie Hudlin, based on a crucial case in the early career of U.S Supreme Court Justice Thurgood Marshall. Also in development under the CRP banner is Sylvia Robinson: The Story of the Mother of Hip-Hop, which is being set up at Warner Bros., as well as the China/US co-production Moon Flower of the Flying Tigers, an epic WWII romantic drama based on a true story. Wagner's producing credits for Broadway include TONY Award-nominated The Heiress starring Jessica Chastain & David Strathairn, Grace starring Paul Rudd & Michael Shannon and Terrence McNally's TONY Award-nominated play Mothers and Sons. Wagner is a member of the PGA, the AMPAS, and the Broadway League. She serves on the boards for Film Forum in NY, the American Cinematheque, and the National Film Preservation Foundation. She travels the world as a visiting guest artist, and has lectured at Universities around the country, including the Harvard Business School and UCLA's School of Theatre, Film and Television. She is an adjunct faculty member and Lifetime Trustee of Carnegie Mellon University, her alma mater. Wagner is married to Rick Nicita, CEO of management and production company RP Media. They have two sons, Zachary and Jesse. - IMDb Mini Biography By: Matt Polk & Talia Shea Levin
• Spouses Rick Nicita (October 27, 1984 - present) Robin Wagner (divorced)
• Children Jesse Nicita Zachary Nicita
• Parents Edmund Jamison Kauffman Sue Kauffman
• Relatives Sally Hale (Sibling) Susan Brooks (Sibling)
• Tom Cruise 's producing partner at Cruise/Wagner Productions.
• While an agent at CAA, she represented such top talent as Tom Cruise, Sean Penn, Oliver Stone, Val Kilmer, Demi Moore, Liam Neeson, Robert Towne, and Kathryn Bigelow, among others.
• New chief executive of United Artists.
• Announced that she will leave United Artists.
• Was a member of the Yale Repertory Company.
• Studios will make a movie out of Tide (laundry soap) if they think it'll work. -- on the major studios' focus on franchises and branded properties
• Let's make movies, not deals. Let's write movies, not scripts. -- on the need to streamline the development of movies
• I had a really strong goal, and one day I changed it completely, but the change is what made me what I am today. It's as important to be flexible as it is to be goal oriented.
• Hollywood is an artistic medium, it should be leading the way, but we're not. We're not reflecting culture strongly enough, we're lagging behind. Women aren't going away. I just think we have to understand that it's not female culture and male culture, it's culture - women bring something specific, men bring something specific, and films can incorporate and encompass all of it.

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Tom Cruise's production partner sounds off

The news that Paramount had decided to cut ties with Tom Cruise sent shockwaves through Hollywood on Tuesday.

The end of the 14-year relationship with Cruise was reportedly due to the actor’s “...controversial and sometimes odd public behavior...,” according to the Wall Street Journal.

Cruise, the star of Paramount hits like “Mission: Impossible,” “Top Gun” and “Days of Thunder” has based his Cruise/Wagner production company on the Paramount lot since 1992.

Now, his production partner Paula Wagner is sounding off to Access Hollywood’s Billy Bush about the split.

“For some reason they felt it was okay to do that to Tom Cruise now. In other words, his stock has gone down they felt to the point that this could be acceptable now, whereas, I was saying two years ago [they] wouldn’t even dream of it and you and I know that,” Billy said to Paula. “But do you feel that Tom has hurt himself by promoting Scientology, by sharing his relationship with Katie so much, by talking about Brooke Shields, that maybe he has hurt himself to the point that they can make this kind of estimation and do that?”

“Let me just say this and this is my final statement—what Paramount Pictures has said and done is patently insane and irresponsible to shareholders,” Paula insisted. “And when you consider that Tom Cruise earned Paramount Pictures $1 billion in the last year and the $400 million made by ‘M:I:III’ makes it Paramount’s number one film of the year… something is wrong.”

“You have a personal feeling underneath it all… You know this town very well and you have dealt with these people for many, many years in what was mostly a very happy 14-year relationship. What do you think?” Billy asked.

“I think that what we’re doing right now is that we are on the threshold of the future of what this business is because when a film studio such as Paramount Pictures decides to attack and make personal what, in fact, are business issues it’s disgraceful that somebody who says they want to end a business deal makes it personal,” Paula said. “That’s the height of unprofessionalism and it’s one of the reasons why we feel that people and artists in the industry will think hard about working with Paramount Pictures in the future.”

And Paula also went on to say that the rest of Hollywood has taken notice of the way Paramount handled the situation.

“The creative community, frankly is up in arms about the fact that this is what a studio would do to a serious actor who has made as many movies and done as well as he has,” she added. “The creative community in Hollywood is outraged about this and I don’t think this is going to stop here… A bigger issue that’s coming out is what is going wrong with Paramount’s studios? Are we watching the destruction of Paramount?”

But does Tom or Paula have plans to sue Paramount?

“Is that an option?” Billy asked.

“I can’t answer that question,” Paula replied.

“Is it definitely on the table?” Billy followed up.

“I can’t, I wouldn’t venture forth there,” she answered. “I think that their behavior today is indecent, disrespectful and offensive.”

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Paula Wagner

Studio chief gets UA up, running with high-profile pictures

By Anne Thompson

Anne Thompson

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After 15 years as a talent agent and 14 years producing movies with partner Tom Cruise at Paramount Pictures, Paula Wagner is “buoyed” by her latest guise: studio chief.

As CEO of the latest incarnation of storied label United Artists, Wagner and Cruise plan to deliver four midsize pictures a year over the next five years for MGM to distribute. They can greenlight anything under $60 million.

“As a filmmaker putting movies together or as a studio person overseeing a whole company,” she says, “we all have the same goal: making the best movie we can. You can’t be afraid to fail, to step out and speak up and take a chance.”

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Wagner has wasted no time getting UA up and running with a slate of high-profile pictures. Robert Redford’s topical Mideast war drama “Lions for Lambs,” starring Redford, Cruise and Meryl Streep, is already in the can for November release. Cruise’s second UA picture, the WWII drama “Valkyrie,” reunites the writer-director team of Christopher McQuarrie and Bryan Singer. Walter Salles and Jose Rivera’s adaptation of Jack Kerouac’s “On the Road” is also in development.

Popular on Variety

A Yale Rep graduate, Wagner was a struggling actress when Susan Smith recruited her as a talent agent. After years at CAA, Wagner preferred putting projects together with Cruise and Oliver Stone to servicing the agency’s demanding client list. In 1992, producing partners Wagner and Cruise set up shop at Paramount, where they produced 13 movies, including the “Mission: Impossible” trilogy, with a total worldwide gross of more than $3 billion.

Reveling in the freedom of running her own tight-knit UA group, Wagner is having a blast, she says: “At Paramount, we were working within the system. This lacks bureaucracy.”

Vocation: “As CEO of United Artists, to make great films in a responsible way.”

Recent breakthrough: As UA co-toppers, Wagner and Tom Cruise have been charged with “rejuvenating a legacy,” she says, “and breathing life back into something that has meant so much to this industry since 1919.”

Role models: “My mother, Sue Kauffman, a homemaker. She was creative, strong, focused and supportive. Her advice: ‘If you put your mind to something, you can do it.’ She empowered me to be me.”

Career mantra: “If you put forth respect, you will get it back. Take the higher ground in life; do things with dignity and class.”

What’s next: Shepherding the release of “Lions for Lambs,” filming “Valkyrie” and pushing through UA’s 2008 slate.

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He Had His Own Production Company - Fascinating Facts About Tom Cruise

Cruise and his agent, Paula Wagner, Co-founded a production company together in 1992. They called it “Cruise/Wagner Productions.” The company produced 1996’s “Mission: Impossible.” In 2008, they ended up closing the company because Paramount decided to stop working with them. It came after having grossed $3 billion at the box office, so we don’t think Cruise and Wagner had any hard feelings.

Their collaboration not only yielded substantial financial success but also provided a platform for the realization of their creative aspirations. The legacy of Cruise/Wagner Productions remains an important chapter in the career of Tom Cruise and Paula Wagner, showcasing their dedication to bringing captivating stories to the silver screen.

A Mixed Bag

Tom Cruise's ancestral background is a blend of Irish, German, and English heritage. His family's Irish roots stretch back an impressive 840 years, boasting a lineage of knights, barons, and rebels within the Cruise family tree. However, when Cruise attempted an Irish accent in the film "Far and Away," his connection to his Irish roots didn't translate seamlessly on screen.

His portrayal garnered criticism and landed on numerous Worst Accents in Films lists. Despite this misstep, Cruise's overall career has been defined by his remarkable talent and versatility, cementing his status as one of Hollywood's most recognizable and enduring actors.

From Priest to Performer

Before embarking on his journey in the limelight, Tom Cruise had a religious upbringing in a devout Catholic household. As a teenager, he even attended a Franciscan Seminary, where he contemplated a life dedicated to the priesthood. However, Cruise's path took an unexpected turn when he decided to pursue acting instead.

This marked a significant shift in his life's trajectory as he veered away from his religious aspirations to follow his passion for the performing arts. This decision ultimately led him to become one of the most successful and influential actors in the history of Hollywood, carving out a remarkable career that has captivated audiences worldwide.

A Rough Start

Cruise's childhood was marked by significant hardships, far from the idyllic image associated with fame. Raised in a family that struggled with poverty, he experienced the constant upheaval caused by his abusive father's actions. Additionally, Cruise faced another hurdle as he was smaller in stature compared to his peers, making him a target for bullying.

Despite these challenges, Cruise managed to overcome adversity and emerged stronger. Today, he draws strength and inspiration from his tumultuous past, using it as a driving force in his career and personal life. Cruise maintains a close and loving relationship with his mother, finding solace and support in their bond.

An International Star

Tom Cruise's dedication to his craft is unquestionable, evident in his commitment to portraying his characters with authenticity. A notable example is his role in the film "The Last Samurai," where Cruise took the initiative to study Japanese for three months. This dedicated effort allowed him to deliver certain lines in the film in Japanese, adding an extra layer of realism to his performance.

Cruise's passion for his work has taken him to various corners of the world, including Japan. His frequent visits to the country have fostered a strong connection with its people and culture. In recognition of his contributions, Japan bestowed him with his very own "Tom Cruise Day," a special occasion celebrated annually on October 10th, which further solidifies his bond with the country and its people.

Risky Business

Tom Cruise's dedication to his roles goes beyond studying languages and immersing himself in different cultures. He has gained a reputation for his unwavering commitment to performing his own stunts. Reports suggest that Cruise insists on this stipulation before signing onto a movie project. In "Mission Impossible: Rogue Nation," he astonished audiences by hanging off the side of a plane during takeoff and holding his breath underwater for an astonishing duration of nearly six minutes.

While such stunts carry inherent risks for actors compared to specialized stunt performers, Cruise continues to push boundaries and put himself in harm's way for authenticity and to deliver thrilling on-screen moments. This commitment to performing his own stunts remains steadfast, as evidenced by his upcoming film "Mission Impossible 7."

An Unexpected Turn

The journey from seminary student to actor for Tom Cruise took an unexpected turn when a knee injury altered the course of his life. As fate would have it, Cruise was compelled to leave his school's wrestling team due to the injury, which opened up a new realm of possibilities. With his newfound free time, he stumbled upon the world of acting and found himself captivated by it.

During this period, Cruise discovered his passion for performing and honed his skills. This newfound love for acting led him to audition for and ultimately land his breakthrough role as Billy in "Endless Love," catapulting him into the spotlight and marking the beginning of a remarkable career that has shaped the history of cinema.

A Thousand Watt Smile

Tom Cruise's journey toward achieving his trademark smile has been an interesting one. Even before his acting career, he encountered an obstacle when he damaged his front teeth while playing hockey as a child. This left him self-conscious and hesitant to participate in photo shoots. However, in 2002, Cruise decided to address this issue by opting for adult braces to correct his smile.

He wore the braces for several months, diligently removing them only during filming. In addition to braces, he has reportedly undergone various cosmetic dentistry procedures to further enhance his smile. Today, Cruise's radiant thousand-watt smile has become iconic, complementing his intense and charismatic on-screen presence.

Almost Iron Man

It may come as a surprise, but Tom Cruise was involved with the Marvel film "Iron Man" as both an actor and producer. However, in 2004, he made the decision to walk away from the project. Cruise later explained that he had a gut feeling that it wouldn't work out as he envisioned. Although he followed his instincts at the time, it's undeniable that the "Iron Man" films went on to achieve tremendous success and became a cornerstone of the Marvel Cinematic Universe.

Reflecting on this now, Cruise might occasionally ponder what his involvement in the franchise could have meant for his career and the impact he could have had on the superhero genre.

A Daredevil

Known for his relentless pursuit of thrilling roles, Tom Cruise brought his signature action-star charisma to the popular show "Top Gear" in 2010. In a display of his daredevil spirit, Cruise not only secured the fastest lap on the celebrity leaderboard but also flirted with danger as he came perilously close to flipping his car during the exhilarating race.

His electrifying performance left an indelible mark, earning him praise from renowned racecar driver Ben Collins, who declared Cruise as his favorite contestant and considered the actor's appearance on the show as the pinnacle of his own career. It is evident that action, intensity, and excitement naturally gravitate towards Cruise, both in his on-screen endeavors and in his real-life pursuits.

Longtime Friends

In an industry known for its fleeting relationships, genuine friendships in Hollywood can be rare. However, Tom Cruise and fellow actor Emilio Estevez managed to form a lasting bond long before they starred in "The Outsiders" together. The two actors were both buddies and auditioned for the film side by side. Their connection predates their Hollywood careers, as they attended the same high school in Santa Monica.

Their friendship even extended to personal milestones, with Estevez serving as Cruise's best man in his first wedding to Mimi Rogers. Through shared experiences and a deep-rooted connection, Cruise and Estevez have defied the odds and forged a genuine friendship in the often transitory world of show business.

What’s Wrong with 33?

Tom Cruise has had three marriages, and interestingly, each of them ended when his wives—Mimi Rogers, Nicole Kidman, and Katie Holmes—reached the age of 33. It's a curious coincidence, and while the reasons behind these splits remain unclear, we can't help but hope that Cruise's next love will go the distance!

Perhaps he'll find a partner to build a lasting and joyful relationship with, defying any numerical patterns. Love has its own mysterious ways, and we eagerly await Cruise's next chapter, filled with warmth, laughter, and a love that knows no bounds.

Born to Ride

From a young age, Tom Cruise showed a penchant for adventure and a budding desire to become an action star. When he was just 10 years old, he used his savings to purchase a Yamaha motorcycle, eager to embrace the thrill of the open road. However, his enthusiasm was met with a mishap as he ended up crashing the bike between two cars. Yet, this early setback didn't dampen Cruise's spirit or deter him from his love for motorcycles.

In fact, he went on to showcase his riding skills in numerous films throughout his illustrious career, fearlessly embodying the thrill-seeking characters he portrayed on screen. Cruise's unwavering determination and passion for living life to the fullest have truly shaped him into the iconic action star he is today.

A Face in History

In the gripping World War II drama "Valkyrie," Tom Cruise portrayed Colonel Claus von Stauffenberg, a historical figure known for his audacious attempt to assassinate Adolf Hitler. Interestingly, one of the primary reasons Cruise accepted the role was a photograph he came across depicting the real-life Colonel. Struck by the uncanny resemblance, Cruise saw it as an opportunity to make a compelling career move.

Drawn to the idea of immersing himself in a character with whom he shared physical similarities, Cruise took on the role with a determination to bring von Stauffenberg's story to life on the big screen. His commitment to his craft and attention to detail shine through in his portrayal, adding depth and authenticity to the character.

Tom Cruise faced the challenges of dyslexia during his childhood and struggled with literacy, considering himself functionally illiterate until he discovered the Study Technology learning method developed by L. Ron Hubbard, the founder of Scientology. Cruise, a dedicated Scientologist, attributes his ability to read and overcome dyslexia to the study courses offered by the Church of Scientology.

This transformation holds significant significance for Cruise, as his career as a renowned movie star heavily relies on his ability to read and understand complex scripts. His journey from struggling with dyslexia to success in the entertainment industry is a testament to his determination and the positive impact that he claims Scientology has had on his life.

Lucky Number Five

In a remarkable feat that set him apart from his peers, Tom Cruise achieved a milestone no other actor had accomplished before. He became the first star to appear in five consecutive movies that grossed over $100 million each. These blockbuster hits included "A Few Good Men," "The Firm," "Interview with a Vampire," "Mission: Impossible," and "Jerry Maguire."

Each of these films not only captivated audiences worldwide but also played a pivotal role in solidifying Cruise's status as a Hollywood legend. His consistent success at the box office showcased his ability to choose projects that resonated with viewers and further propelled his career to extraordinary heights.

A Tale of Two Awards

In 1988, Tom Cruise found himself in a unique position. He became the first actor to have appeared in both the Best Picture-winning film and the Razzie Award-winning film for Worst Picture in the same year. "Rain Man," an iconic and critically acclaimed film, took home the coveted Best Picture Oscar, while Cruise's movie "Cocktail" received the dubious honor of being named the worst film of the year at the Razzie Awards.

This interesting juxtaposition demonstrates the unpredictable nature of the film industry, where even the biggest Hollywood stars experience a mix of triumphs and disappointments. It serves as a reminder that success and recognition in the industry can be a subjective and ever-changing landscape.

Where’s Tom?

While it's common for celebrities to have their characters turned into dolls or action figures, Tom Cruise has taken a different path. Surprisingly, he has never allowed his likeness to be used for toys, and he's also never made an appearance in a video game. It's an interesting choice that sets him apart from his peers.

In fact, in the "Minority Report" video game, they went so far as to give his character blond hair, making him look quite different from the real Tom Cruise. It seems he prefers to keep a certain level of privacy and uniqueness in his career, adding to his mystique as a Hollywood icon.

The Love Seat

Among the many films and moments in Tom Cruise's career, one incident stands out as a truly memorable and infamous moment: his couch-jumping on the Oprah Winfrey Show. At the time, Cruise was filled with joy and excitement about his relationship with Katie Holmes. In an exuberant display of affection, he decided to express his love by energetically leaping up and down on Oprah's couch during the interview. Oprah was stunned by his behavior and asked what was going on, to which he replied, "I'm in love."

This spontaneous and unabashed act captured the attention of viewers and quickly became a viral sensation. In fact, it was rated as the "#1 Most Surprising Moment of TV" in 2005 and continues to be a well-remembered and often discussed moment in pop culture.

Tom Cruise has not only established himself as a versatile actor but has also showcased his comedic chops. A prime example is his role as Les Grossman in the uproarious film "Tropic Thunder." Not only did Cruise bring the character to life with his impeccable timing and delivery, but he also had significant creative input in its development.

Going above and beyond, Cruise suggested incorporating specific physical trademarks that would amplify the humor and make the character truly memorable. This willingness to collaborate and contribute to the comedic vision of the film further solidifies Cruise's ability to excel in a wide range of genres and highlights his dedication to delivering exceptional performances.

Improv skills require a special kind of talent, and not every actor possesses the ability to add spontaneous brilliance to a scene. However, Tom Cruise demonstrated his exceptional aptitude for improvisation early on in his career. In the iconic film "Risky Business," where Cruise showcased his talents as a young actor, his famous dance moves were entirely impromptu.

With natural rhythm and charisma, he improvised his way through the scene, creating an unforgettable moment that has since become a symbol of his youthful exuberance and undeniable star power. This instance highlights Cruise's ability to think on his feet and inject his own unique flair into a performance, further solidifying his status as a remarkable and versatile actor.

Man of the Year?

Adding yet another feather to his cap, Tom Cruise was honored with the prestigious "Man of the Year" award by Harvard's Hasty Pudding Club in 1994. Known for its theatrical productions featuring Harvard men in drag, the club embodies a playful and unconventional spirit. Embracing the occasion with his trademark humor and flair, Cruise accepted the award in a memorable fashion, donning a bra and heels.

His willingness to go the extra mile and embrace the unexpected demonstrates his innate ability to captivate an audience and make a lasting impression. Indeed, Cruise's undeniable talent extends beyond the silver screen, encompassing his ability to entertain and engage people in various settings.

Working Hard

Like many aspiring actors, Tom Cruise had to navigate a winding path to success, taking on a variety of odd jobs while awaiting his breakthrough in Hollywood. From working as a busboy to taking on the role of a porter, Cruise was no stranger to hard work and perseverance. These behind-the-scenes endeavors allowed him to support himself while pursuing his dreams, demonstrating his unwavering dedication to his craft.

Today, the fruits of his labor are evident, as Cruise stands as one of the most accomplished and recognizable stars in the entertainment industry. His journey serves as an inspiring reminder that success often comes to those who are willing to put in the effort and never give up on their dreams.

While Tom Cruise has enjoyed a diverse range of roles throughout his career, he has found himself portraying a soldier on screen multiple times. In fact, he has taken on military characters a total of nine times, showcasing his versatility as an actor. From his early performance in "Taps" to his iconic role in "Top Gun" and his memorable portrayal in "The Last Samurai," Cruise has demonstrated his ability to embody the bravery and dedication of soldiers.

Even in more recent projects like "Jack Reacher: Never Go Back," he continues to bring a commanding presence to military-themed roles. This recurring motif in his filmography reflects both his appreciation for the military and his talent for immersing himself in diverse characters.

Waiting to Win

Throughout his illustrious career, Tom Cruise has worked alongside immensely talented actors who have earned their rightful place among the esteemed Oscar nominees. A remarkable nine of his co-stars have received nominations for their performances in films that also featured Cruise's captivating presence. Additionally, four of his movies have garnered Best Picture nominations, with one even taking home the coveted award.

However, while his colleagues and projects have received critical acclaim and recognition, Cruise himself has yet to claim an Oscar victory. Nevertheless, with his exceptional talent and enduring contributions to the industry, there remains hope that this esteemed Hollywood veteran will one day be honored with the golden statuette he so deserves.

Monkeying Around

With his years of experience and established reputation, Tom Cruise has earned a certain level of creative freedom in his roles. A prime example of this was seen in his portrayal of Stacee Jaxx in "Rock of Ages." During production, Cruise had a unique request for director Adam Shankman—a monkey sidekick. After witnessing the audition of a talented baboon, Cruise was inspired to name the character "Hey Man."

While this unconventional addition may have raised some eyebrows, it undeniably injected an extra dose of flamboyance and excitement into the already vibrant character, showcasing Cruise's willingness to take risks and push the boundaries of his performance.

A Special Date

Filmmakers often enjoy incorporating hidden details and Easter eggs into their movies, and "Rain Man" is no exception. In one particular scene, keen-eyed viewers may notice the number 3762 adorning the windshield of a car. Many might not realize that these numbers hold a special significance—they represent the date of Tom Cruise's birth: July 3, 1962.

This clever inclusion adds a touch of personalization to the film, creating a subtle nod to Cruise himself. It's these subtle and delightful details that keep audiences engaged and give them something to discover and discuss long after the credits roll.

Stepping Into the Spotlight

From his early life stages, it was evident that Tom Cruise possessed a natural talent for the performing arts. A turning point occurred during his youth when a high school teacher recognized his potential and encouraged him to take part in the school production of "Guys and Dolls." With enthusiasm and determination, Cruise auditioned for the lead role of Nathan Detroit and secured the part.

As he stepped into the spotlight and embraced the joy of performing on stage, it became abundantly clear to Cruise that this was his true calling. The experience ignited a passion within him, setting him on a path that would eventually lead to a remarkable career in the entertainment industry.

A Goal Setter and a Go-Getter

Embarking on a career in acting is often a leap of faith, but Tom Cruise approached it with a strategic mindset. When he initially ventured into the world of acting in New York, he faced the daunting reality of having only $500 to his name. Balancing the pursuit of his dreams with practicality, Cruise set himself a ten-year timeline to achieve success in the industry.

It was a bold move that reflected his determination and belief in his abilities. Through unwavering dedication, tireless effort, and a dash of good fortune, Cruise's well-thought-out plan ultimately proved fruitful, propelling him to the heights of stardom he enjoys today.

 A Familiar Face

It seems that even the magical world of Disney found inspiration in the captivating presence of Tom Cruise. When animators were creating the character of Aladdin for the beloved film, they revealed that they used Cruise's face as a model. With Aladdin being a charismatic and adventurous hero, it's no wonder they drew inspiration from Cruise, who exuded those qualities on the silver screen.

The result was a character who not only captured the essence of Aladdin's charm but also possessed a touch of the undeniable charisma that has made Cruise a beloved figure in the world of entertainment.

Inspiration in the Skies

Tom Cruise's adventurous spirit extends beyond the roles he plays on screen. Inspired by his time filming "Top Gun," Cruise decided to take to the skies in real life. In 1994, he obtained his pilot's license, showcasing his dedication and love for aviation.

What sets Cruise apart is that he holds both a commercial and private license, allowing him to not only fly commercially but also pilot his own private jets. It's a testament to his passion for adventure and his desire to explore new heights, both in his career and in his personal life. Cruise truly embodies the spirit of a true adventurer.

A Real Tough Guy

During the filming of "Mission: Impossible 6" in 2017, Tom Cruise pushed himself to the limit as always. He attempted to leap from a rigging onto a building in one daring stunt, displaying his trademark commitment to doing his own stunts. However, the jump didn't go as planned, and Cruise ended up breaking his ankle in the process.

The injury forced him to take a seven-week hiatus from filming to recover and heal properly. True to his resilient nature, Cruise returned to the set, determined to continue delivering the high-octane action that fans have come to expect from him.

Actors often dedicate significant time and effort to prepare for their roles, but Tom Cruise's commitment to his craft is truly exceptional. In the case of "Rock of Ages," Cruise took his preparation to new heights. To ensure he delivered an impressive performance in his first musical role, he rehearsed for a staggering five hours every day.

The film presented a unique challenge for Cruise, as it required him to act, sing, and dance. Despite finding the role intimidating, Cruise embraced it as a personal challenge and even lent his own vocals to the film, leaving fans in awe of his versatility.

Humble Beginnings

Tom Cruise's rise from humble beginnings to becoming one of the wealthiest actors in Hollywood is truly remarkable. From his childhood experiences with poverty, he forged a path of resilience, determination, and unwavering commitment to his craft. Through countless auditions, setbacks, and hard work, Cruise transformed himself into a megastar.

His relentless pursuit of excellence and his ability to captivate audiences with his performances have propelled him to immense success. Today, with an estimated net worth of $570 million, Cruise stands as a shining example of what can be achieved through talent, perseverance, and the pursuit of one's dreams.

A Heroic Heart

He may do all of his stunts on set, but did you know Tom Cruise has a big heart behind all that action? In 1996, he witnessed a woman get hit by a car and accompanied her to the hospital. He later discovered she had no insurance and decided to pay her $7,000 hospital bill in full. Now that’s a real-life action hero!

This act of kindness showcases Cruise's compassion and willingness to help others in need, solidifying his status as not only a talented actor but also a genuinely caring individual.

Edge of Disaster

During the filming of "The Last Samurai," Cruise narrowly escaped a severe injury (and possible death) when a sword was swung within one inch of his neck! The close call happened as a result of a safety machine malfunctioning, leading to a potentially disastrous situation. Thankfully, Cruise's quick-thinking co-star Hiroyuki Sanada intervened just in time, preventing the sword from making contact with the Hollywood star's neck.

This heart-stopping incident serves as a reminder of the risks and challenges that actors face while bringing their performances to life, showcasing Cruise's dedication and bravery in pursuing authentic and thrilling on-screen moments.

 Front and Center

In the film "Taps," Cruise's role initially started as a background character, but his dedication and talent caught the attention of director Harold Becker. During rehearsals, Cruise's portrayal of a military cadet impressed Becker so much that he made the decision to offer him the role of David Shawn.

This casting change proved pivotal in Cruise's career, showcasing his ability to shine even in smaller roles and leading to further opportunities in the industry. It's a testament to Cruise's undeniable presence and commitment, highlighting his knack for leaving a lasting impression on both directors and audiences alike.

Speed Demon

In the adrenaline-fueled film "Days of Thunder," Tom Cruise found himself captivated by the world of racing, igniting a passion that extended beyond the screen. However, according to his instructor, Roger French, Cruise's enthusiasm sometimes overshadowed proper technique and safety measures. Known for pushing the limits and driving at breakneck speeds, Cruise earned the somewhat tongue-in-cheek nickname "See Cruise Crash Again."

While his dedication to his craft is admirable, it's probably best that he sticks to thrilling audiences with his on-screen performances rather than pursuing a professional racing career. Safety first, even for a fearless and adventurous actor like Cruise.

Made in the Shades

In the classic film "Risky Business," Tom Cruise's character was known for sporting a particular style of Ray-Ban sunglasses. The impact of his on-screen eyewear choice went beyond just being a fashion statement. The popularity of Cruise's character and his association with those iconic shades turned out to be a significant success for the Ray-Ban brand.

Upon the release of the movie in 1983, the specific design of Ray-Ban sunglasses that Cruise wore experienced a staggering 40% increase in sales. It's a testament to the influence and trend-setting power of Cruise's character and the lasting impact of his style choices on popular culture.

A Big Apology

Tom Cruise was chosen to play the iconic vampire Lestat in the film adaptation of "Interview with a Vampire," based on the novel by Anne Rice. However, this decision sparked controversy as Rice voiced her disapproval of Cruise's casting. She publicly criticized the actor's selection, expressing her doubts about his ability to embody the character.

Nevertheless, when the film was released, Rice was pleasantly surprised and acknowledged Cruise's exceptional performance. She was impressed by his portrayal, she went on to buy a two-page advertisement in the renowned publication "Daily Variety" to offer a sincere apology to Cruise for her previous comments.

The Dark Side

In addition to his role in "Interview with a Vampire," Tom Cruise also joined Universal's ambitious project, "The Dark Universe," which aimed to create a shared cinematic universe featuring iconic monsters like Frankenstein's monster, the Wolf Man, Dracula, and The Invisible Man.

The franchise intended to follow in the footsteps of successful comic book adaptations by Marvel and DC. Cruise's involvement began with his starring role in the 2017 film "The Mummy." However, despite high expectations, the movie received mixed reviews and failed to kickstart the Dark Universe as planned. Cruise's participation showcased his willingness to explore diverse genres and embrace unique cinematic ventures.

He Has Moves

Prior to showing the world what he can do on the dance floor in the film "Rock of Ages," a young Tom Cruise had already developed a passion for dancing. Believing that being a skilled dancer would attract the attention of girls, Cruise took it upon himself to learn the art form. He honed his dance skills by meticulously memorizing routines from the popular show "Soul Train."

While the effectiveness of his dancing prowess on the opposite sex remains unknown, it undeniably became a valuable asset in his acting career. Cruise's ability to move with grace and rhythm added an extra dimension to his performances, enhancing his versatility as an actor.

Bona Fide Booty

In the film "Valkyrie," Tom Cruise had a notable scene that captured the attention of viewers. However, one curious Twitter user speculated that Cruise might have been wearing a prosthetic butt for that particular scene. The tweet quickly gained traction, going viral and leaving fans intrigued.

In response, Cruise dismissed the accusation, asserting that he indeed performed the scene without any assistance and humorously remarked, "I do my own mooning." Despite the actor's assurance, the authenticity of the butt in question continues to be a topic of debate among fans.

It’s All in the Family

Coming from a family with three sisters, Tom Cruise had a close bond with his sibling Lee Anne, who eventually became his publicist in 2004. Prior to Lee Anne taking on the role, Cruise had been represented by the renowned Pat Kingsley. However, after just a year in the position, Lee Anne was unexpectedly removed from the publicist role.

Despite this professional change, it appears that Tom and Lee Anne maintain a positive relationship, suggesting that their personal connection remains strong. While the circumstances surrounding Lee Anne's departure remain undisclosed, their continued camaraderie indicates that their bond as a family transcends any professional dynamics.

Adventuring

Apart from his passion for flying and racing, Tom Cruise finds enjoyment in other adventurous activities such as scuba diving and skydiving. It seems there is no limit to the physical challenges the star is willing to take on. These pursuits bring him joy and contribute to maintaining his physical fitness and stamina, ensuring he remains in prime condition for his demanding roles.

By actively engaging in these outdoor hobbies, Cruise satisfies his appetite for thrilling experiences and embraces an active and healthy lifestyle that complements his action-packed on-screen persona. By actively engaging in these outdoor hobbies, Cruise satisfies his appetite for thrilling experiences and embraces an active and healthy lifestyle that complements his action-packed on-screen persona. Is there anything this guy can't do?

Behind the Scientology

Despite being raised in the Catholic faith, Tom Cruise's religious journey took a different path as he became deeply involved in Scientology. His first wife, Mimi Rogers, initially introduced him to the teachings and practices of Scientology. Since then, Cruise has embraced the religion wholeheartedly, becoming a vocal advocate for its beliefs and dedicating a significant portion of his life to its principles.

The significance of Scientology in Cruise's life was evident when the head of the Church of Scientology, David Miscavige, served as the best man at his wedding to Katie Holmes in 2006, underscoring the influence and importance of the religion in his personal relationships as well.

Almost A Mobster

Throughout his illustrious career, Tom Cruise has tackled a wide range of roles, but one archetype he has yet to portray is that of a mobster. However, there was a moment when Cruise came remarkably close to taking on such a role. Martin Scorsese's "Goodfellas" stands as one of the most iconic mobster films following the trailblazing "Godfather" franchise, making it a coveted project for any actor.

Cruise was an option for the lead role of Henry Hill, a character that would have highlighted his versatility and intensity. However, the part ultimately went to Ray Liotta, leaving audiences to wonder what Cruise's take on the role might have been.

It Takes One to Know One

In the world of entertainment, it is not uncommon for actors to form connections and friendships with their fellow celebrities. Tom Cruise is no exception, as he has cultivated enduring relationships with several well-known figures in the industry. Among his circle of friends are fellow stars such as Will Smith, known for his charismatic performances, and the iconic footballer David Beckham.

The talented comedian Adam Sandler, the multi-talented Jamie Foxx, and the renowned filmmaker Stephen Spielberg are also among his circle of friends. Having so many talented and first-class celeb pals is not as common as we think in Hollywood. This just shows Tom's ability to invest in deep and meaningful relationships, transcending boundaries.

A Family Man

In addition to his biological daughter, Suri, from his marriage to Katie Holmes, Tom Cruise is a father to two adopted children, Connor and Isabella, whom he shares with his ex-wife Nicole Kidman. The decision to adopt came after Cruise and Kidman experienced the pain of multiple miscarriages during their marriage.

Both Connor and Isabella were reportedly born into families affiliated with the Church of Scientology but were unable to remain with their biological parents. As they have grown into young adults, Connor and Isabella have maintained a close relationship with their father, forming strong bonds that transcend blood ties.

A Ladies' Man?

Throughout his life, Tom Cruise has been involved in a series of high-profile relationships, both before and between his three marriages. His dating history reveals a wide array of connections with notable women in the entertainment industry. Among those linked to Cruise are actress Melissa Gilbert, the stunning Sofia Vergara, Penelope Cruz, and Heather Locklear.

Cruise has shown a penchant for relationships with older women, even sharing a brief romantic involvement with the iconic Cher. These relationships have fueled public intrigue and speculation, adding to Cruise's enigmatic persona and captivating the curiosity of his fans

A Friend of His Fans

One of the most heartwarming aspects of Tom Cruise's personality is his genuine affection for his fans. Known for his dedication to meeting and interacting with them, Cruise has made it a point to individually greet fans at premieres, generously offering his time for autographs and photos. His commitment to his fans goes beyond the red carpet, as he once went the extra mile by personally calling a fan who was unable to attend an event just to say hello.

Despite the allure and privileges of his celebrity status, Cruise understands the importance of being kind, authentic, and approachable, realizing that these qualities leave a lasting impact on his fans. This genuine connection and consideration for his admirers contribute to his enduring legacy as an actor who delivers captivating performances and touches the hearts of those who support him.

Acting Stays in the Family

Did you know that Cruise isn't the only actor in his family? No, we're not talking about his former wives, Mimi Rogers, Nicole Kidman, and Katie Holmes, who are all actors. We're actually talking about his cousins. William Mapother, Katherine Mapother, and Amy Mapother are all Cruise's cousins. You might have seen William on shows like "Lost" and "The Mentalist."

In addition to that, His sister, Lee Anne DeVette, had a brief acting career and later became Cruise's publicist. Furthermore, his niece, Isabella Jane Cruise, pursued a career in makeup artistry rather than acting. The Cruise family has certainly left their mark on the entertainment industry in various ways.

Historic Win

Throughout his career, Tom has seen and gained many different titles. Some would even say that he has acquired almost all possible titles. Well, let us add one to the list. Empire magazine crowned the actor as one of the 100 Sexiest Stars in film history. Not just during a certain year or a decade but in the entire history of film. Could you believe that?

It's a remarkable achievement to be celebrated across the entirety of cinematic history, showcasing Cruise's enduring appeal to audiences worldwide. He seems only to improve as he matures, so he might hold on to that title for a few more years.

A Change of Heart

When Tom worked on the 1986 film "The Color of Money," he met a man that changed his life. That man was his co-star, Paul Newman. The politically active Newman and the oblivious Cruise engaged in many political conversations. This, in turn, changed Tom's mind about certain topics and also made a difference in the types of movies he would choose to star in. In 1989 Cruise participated in "Born on the Fourth of July," a film that has a strong anti-war tone.

The film's sentiment aligned with the newfound perspective he had gained through his conversations with Newman, sparking a desire within Cruise to use his platform to promote thought-provoking narratives that resonated with larger societal issues.

A Risk That Paid Off

Those of you who follow Cruise's career would know that for his role in 2000's "Mission: Impossible II" he earned about $75 million. What not many know is that he took a big risk in order to make those millions. He decided to turn down any type of upfront salary. Instead, he asked to get 30% of the film's gross revenue.

The higher the risk, the higher the salary, or so they say. This bold move allowed Cruise to reap substantial financial rewards. As the film went on to become a box office success, grossing over $546 million worldwide, Cruise's unconventional compensation structure proved to be a shrewd business move, resulting in a staggering payday.

Missing the Matrix

1999's "The Matrix" was a cultural phenomenon like no other. To this day, the movie is still talked about and remembered as an incredibly influential film. We all know that Keanu Reeves was the lead star, but not many know that Tom Cruise himself was actually considered for the lead role of Neo. What can we say? You can't have it all.

While Cruise's involvement would have undoubtedly brought a unique energy to the role, Reeves' portrayal became iconic, contributing to the film's enduring legacy. As with any career, choices, and opportunities shape one's path, and Cruise's journey has been defined by his remarkable career-making moments in the world of cinema.

Cruz & Cruise

While the two were never married, Cruise had a high-profile relationship with his "Vanilla Sky" C0-star, Penélope Cruz. When the two met, Cruise was actually still married to Kidman. Cruz and Cruise fell in love and spent time together from 2001 to 2004. The relationship collapsed under the pressures of Tom's religion and his ex-wife and children, who did not get along with Penélope.

While their romance may have ended, Cruise and Cruz have maintained a level of respect and professionalism towards each other. They have occasionally reunited onscreen for collaborative projects and have spoken positively about their time together, acknowledging the fond memories and the impact they had on each other's lives.

The 2002 Academy Awards

In 2002, Cruise was chosen to open the Academy Awards. He fulfilled his duties all right but took off after his part was done. Why? Well, just like any other father, Cruise had to be with his kids. Turns out that the day of the Academy Awards was also the day it was Tom's turn to look after the children.

He watched the rest of the ceremony on TV, like the rest of us. This relatable gesture showcased Cruise's devotion to his family amidst the glitz and glamour of Hollywood. He knows when to bring himself down to earth (or he really needed a night out of the limelight).

All About His Parents

With such a successful career and three actor cousins, you'd think it was something in his blood that compelled Cruise to become an actor. But, his parent's occupations were as far away from that as one could imagine. His father, Thomas Mapother III, was born in 1934 and was an electrical engineer.

His mother, Mary Lee Pfeiffer, who was born in 1936, was a special education teacher displaying her passion for education and supporting students with unique learning needs. It's fascinating to see how Cruise's path diverged from his parents' professional choices, highlighting the individuality and diverse influences shaping one's journey.

No Action for Tom

If you stop and think about some of your favorite celebrities, especially those who are a part of big franchises — you'll most likely remember you've seen their image in a video game. Maybe you even own an action figure of them. But there's a very slim chance that you would own anything that looks like Cruise or that you've ever seen his face in a video game.

Why is that? Well, it's because he refuses to give his likeness to be used in video games or for action figures! By maintaining this level of control over his image, Cruise preserves a sense of exclusivity and enigma, emphasizing his focus on his craft rather than commercial endorsements. It adds to the enigmatic allure that surrounds the iconic actor.

The Playhouse

If you were ever curious about what has turned Tom into the wonderful actor he is, there's a great chance we have the answer. Cruise attended an acting school called the Neighborhood Playhouse in New York City. While there, he had the honor of learning from some of the best ones, including the legendary Sanford Meisner, whose innovative techniques emphasized emotional authenticity and truthful performances.

Additionally, Cruise benefitted from the mentorship of Phil Gushee, a renowned acting coach who further honed his craft. The guidance and wisdom imparted by these influential figures undoubtedly contributed to shaping Cruise's exceptional talent and success in the world of acting.

Tom the Philanthropist

Like many other celebrities and stars of his caliber, Tom donates money to charity. Some of the charities he has donated to in the past include The Tsunami Relief Fund, The Ashley Flint Fund, and Themoms.biz Diabetes Fund. Additionally, Cruise has been associated with the Church of Scientology, a religion to which he adheres, and has reportedly made significant financial contributions to support its activities and initiatives.

In the realm of politics, Cruise has been reported to have made donations to campaigns, including those of Hillary Clinton, showcasing his involvement and support for specific candidates and causes. These acts of philanthropy and engagement illustrate Cruise's commitment to giving back and aligning himself with organizations and movements that resonate with his beliefs and values.

The Proposal

While everyone remembers Tom jumping on Oprah's couch and declaring his love for Katie Holmes, not everyone knows everything that happened after. Tom Cruise proposed to Katie at the Eiffel Tower in Paris, which many claim is the world's most romantic place. The proposal happened in June of 2005, as the two were dining at an Eiffel Tower restaurant.

Tom gave Katie a five-carat yellow diamond ring, symbolizing their commitment to each other. This picturesque proposal in one of the world's most renowned locations added an extra touch of grandeur to their highly publicized relationship. There is no need to mention the outcomes of this love story which ended in a very Hollywood style.

Marrying Holmes

In a lavish ceremony befitting their star status, Tom Cruise and Katie Holmes tied the knot at the enchanting Odescalchi Castle in Italy in 2006. Rumor has it that the bride's parents did not attend the wedding. They were both Catholics and were not keen on attending a Scientology wedding. But, many famous figures did attend the wedding.

From Jim Carrey and Brooke Shields to John Travolta, Will Smith and Jada Pinkett Smith, Russell Crowe, and even Jennifer Lopez, the guest list boasted an impressive array of Hollywood stars, adding an extra layer of glitz and glamour to the celebration.

Playing With Nicole

Did you know that Cruise and Kidman appeared in three different movies together? They first met in 1990 on the set of "Days of Thunder." Later, in 1992, they both appeared in "Far and Away," and in 1999, they appeared in their final movie together, 1999's "Eyes Wide Shut." In 2001, the two got a divorce. We guess that a couple that works together... doesn't stay together.

Unfortunately, despite their shared creative endeavors, Cruise and Kidman's relationship ultimately faced challenges, leading to their divorce in 2001. Their journey serves as a reminder that while professional collaborations can be fruitful, the complexities of personal relationships may unfold differently.

He's the Last Real Movie Star

Calling Tom Cruise the last ever real movie star might sound offensive to other stars at first, but hear us out. In 2022, The New York Times declared that they think that Cruise is "Hollywood's Last Real Movie Star." According to the Times, he is one of the only major film actors with no television appearances.

All of his movies have always debuted exclusively in cinemas. Maybe they have a point there! While opinions may vary, this perspective underscores Cruise's enduring dedication to the traditional art of filmmaking and his distinction as a true movie star.

High-Risk Stunts

Tom Cruise takes doing his own stunts very seriously, and his dedication to performing his own actions is legendary in the film industry. When it came time to shoot 2018's "Mission: Impossible – Fallout," Tom he went above and beyond. He had already trained for a full year in order to perform his own HALO (High Altitude Low Opening) stunt, and in the same film, Cruise had to make a speedy 180-degree turn while driving down steps.

Cruise had four takes for the job, and he landed three of them perfectly, showcasing his precision and adrenaline-fueled prowess as an action star that can take on almost any role in any movie category.

Casually Crashing a Plane

You'd think that at a certain point, Cruise would feel like he has proven that he's capable of doing his stunts and would let a double do the hard work, but that couldn't be further away from the truth. He shows no signs of waning. For his 2017 film "American Made," Tom learned how to crash a plane.

He used four different planes for training, crashing them "properly." The jaw-dropping crash sequence captured on screen was, without a doubt, executed by Cruise himself, emphasizing his unwavering dedication to authenticity and pushing the boundaries of realism in filmmaking.

Tom Cruise's Roommates

You'd think that a big star like Cruise would not be caught dead sharing a room. But, while filming 2017's "American Made," Cruise actually shared a house with director Doug Liman and writer Gary Spinelli. It gets weirder – the house they all shared was the same one used for filming! Couldn't they afford to sleep off-location? The story goes that they all did the house chores and everything.

In an interview with The Hollywood Reporter, Cruise explained that it's all about building camaraderie and creating a family-like environment on set. "You're working together for months, you're a team, and you're focused on creating something together," he said. "I think it's just part of creating that team mentality and that sense of unity."

Born on the Fourth of July

One of his most notable films is 1989's "Born on the Fourth of July" where Cruise plays Ron Kovic. Kovic was injured in Vietnam and later became a peace activist. After Tom's character, Kovic, becomes paralyzed, Cruise had to use a wheelchair. But the actor did not get off the wheelchair after the director yelled cut.

To immerse himself fully in the character, Cruise continued to use a wheelchair even when not filming, striving to understand the physical challenges Kovic faced daily. This dedication and attention to detail demonstrate Cruise's unwavering commitment to authenticity and his willingness to go the extra mile to deliver a truly compelling performance. Kovic's gesture of presenting Cruise with his own Bronze Star speaks volumes about the impact the actor's portrayal had on him.

Jake Johnson Couldn't Keep Up With Cruise

Jake Johnson was lucky enough to be offered a role in 2017's "The Mummy." The actor was extremely excited about the opportunity, partly because of how much he admired Cruise and his commitment to doing his own stunts. But, after having signed the contract, Jake was in for a surprise. He read the script and learned that he and Cruise will be doing some pretty dangerous things together.

He almost got cold feet, but Cruise took him in and gave him a four-month training course to ensure they both tackled the challenges with confidence and expertise. This gesture reflects Cruise's commitment to supporting his co-stars and fostering a collaborative environment on set.

A War on Tom

Premieres are usually pretty chill events. The stars walk in, show off their expensive clothes, pose for photos, do a couple of interviews, and then everyone enters the theater to watch the movie. But that wasn't entirely the case for the London premiere of 2005's "War of the Worlds."

Apparently, some prankster found a way to squirt water into Tom's face during some kind of a trick interview. Tom had the last laugh as the offender was charged with assault. This incident serves as a reminder of the challenges that come with fame and the importance of maintaining security and respect for the stars attending such events.

Working With the Greats

You will not come across an actor who has so worked with many different notable directors throughout his career. He has pretty much worked with all of the greats. Need some proof? Tom worked with Steven Spielberg, Martin Scorsese, Stanley Kubrick, Francis Ford Coppola, Paul Thomas Anderson, Oliver Stone, Robert Redford, and Rob Reiner. That's not even the full list, you guys.

Tom is one lucky man. This illustrious list merely scratches the surface of the accomplished filmmakers who have worked with Cruise, showcasing his ability to attract top talent and his reputation as a sought-after actor in the industry.

The Masked Man

When you've been a part of different projects throughout your career, patterns start to accumulate. It's known that Cruise has played more than his fair share of soldiers, but did you know that there are six different movies in which he wears a mask? The first three ones are easy, as they are the first three Mission: Impossible films.

He also sports a mask in 1999's "Eyes Wide Shut," 2001's "Vanilla Sky," and 2002's "Minority Report." This recurring element adds an intriguing layer to Cruise's diverse range of roles and showcases his ability to seamlessly blend into different characters and their deceptive identities.

Cruise's Eleven

It's a known fact that Cruise had three wives, Mimi Rogers, Nicole Kidman, and Katie Holmes. Looking at them, they all seem to be very different people, and they might be, but the whole three do have one thing in common. They were all born eleven years apart from each other. Mimi was born in 1956, Nicole was born in 1967, and Kaite in 1978.

While it's purely coincidental, it sparks curiosity about whether Cruise's hypothetical future wife would follow the same pattern, potentially being born in 1989. However, only time will tell if this pattern holds any significance in Cruise's personal life.

His Idea of Success

A man like Tom Cruise literally has everything. He's worth 600$ million, which means there is nothing he could want that would be behind his means. But, if you ask the actor about his idea of success, you'd find that it's not about the money for him.

Winning for him is just doing your best. He knows that there is a lot he can't control, especially in the film industry, where there are directors, editors, and studios. By focusing on doing this, he embraces the process and challenges, recognizing that true success lies in personal growth, dedication, and the pursuit of excellence rather than the accumulation of wealth alone.

He Had His Own Production Company

Cruise and his agent, Paula Wagner, Co-founded a production company together in 1992. They called it "Cruise/Wagner Productions." The company produced 1996's "Mission: Impossible." In 2008, they ended up closing the company because Paramount decided to stop working with them. It came after having grossed $3 billion at the box office, so we don't think Cruise and Wagner had any hard feelings.

Acting Can Be Very Boring

We've never heard Tom himself admitting to it. In fact, most actors won't talk about it. They talk about the dramatic scenes or the action scenes they had to prepare for, but nobody talks about having to redo really boring shots. While filming the 1999 film "Eyes Wide Shut," Cruise was required to do 95 takes of the same moment. The moment was just walking through a door!

It's a testament to the meticulous attention to detail demanded by director Stanley Kubrick, who was known for his perfectionism. While such repetitive shots may not be the glamorous side of acting, they emphasize the dedication and professionalism required to achieve cinematic excellence.

Skydiving With His Mama

Tom Cruise has always been known for his adventurous spirit, and he took it to new heights by going skydiving with his mom. Yes, you read the title correctly. Tom Cruise went skydiving with his mom. It was while he was filming 1990's "Days of Thunder." It was Mother's Day, so naturally, Tom took his mom skydiving.

The event was captured on video, creating a memorable and exhilarating moment for both Cruise and his family, who were pleasantly surprised by this unexpected adventure. It's a testament to Cruise's close relationship with his mother and his penchant for creating unforgettable experiences.

Losing a Role to Will Smith

When it comes to choosing between two highly acclaimed films "Enemy of the State" and "Eyes Wide Shut," it's fascinating to speculate on the different paths Tom Cruise's career could have taken. If you were given the choice, which movie would you want to have your name tied up with?

Tom was about to be involved in both, but his first commitment was to "Eyes Wide Shut." which provided him with the chance to collaborate with the enigmatic Stanley Kubrick. Scheduling conflicts prevented him from joining "Enemy of the State," and his role ended up being given to the amazing Will Smith, who deliver an outstanding performance in his own right.