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In This Article Expand or collapse the "in this article" section Travel Writing

Introduction, introductory works.

• Theoretical Approaches
• Reference Works and Resources
• Single-Author Studies
• Early Modern Exploration and Conquest
• The Grand Tour
• The Home Tour
• Romanticism
• Transatlantic, 19th Century
• The Age of Empire
• Between the World Wars
• Travel Writing after 1945
• Postcolonial Travel Writing
• Travel Writers on Travel Writing

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Travel Writing by Alasdair Pettinger LAST REVIEWED: 31 July 2019 LAST MODIFIED: 31 July 2019 DOI: 10.1093/obo/9780199846719-0119

A minimal definition of travel writing might be any account of a journey or description of a place that is based on firsthand experience. As such, it may be found in many different kinds of text: diaries, letters, postcards, newspaper and magazine articles, blogs, essays, official reports, promotional brochures, and ethnographies, as well as travel books. Travel writing is often distinguished from guidebooks on the one hand and imaginative fiction, drama, and poetry on the other, but the term may sometimes include them, especially when discussing writings from before the 19th century, when such distinctions would have carried less weight with authors and readers. While it has long served as a vital source material by historians and biographers, travel writing rarely, even in those cultural histories documenting the “images” of or “attitudes” toward “other” races or nationalities that proliferated in the 1960s and 1970s, attracted the kind of close critical attention commonly given to literary fiction until the 1980s, coinciding with several related developments. First, there was an increasingly politicized self-questioning within literary studies and anthropology, combined with an interdisciplinary theoretical sophistication. Second, beyond the academy, there was a surge in popularity of literary travel writing, associated with authors such as Bruce Chatwin, Jonathan Raban, Paul Theroux, Colin Thubron, and others, promoted especially in the English-speaking world by Granta magazine. Within two decades, travel-writing studies could claim to be an academic discipline in its own right, with dedicated journals, textbooks, research centers, and conferences. If most of the influential early studies were dominated by anglophone critics studying anglophone texts, the field has since broadened significantly. Nevertheless, many studies of travel writing, without announcing it in their titles, continue to be largely concerned with English-speaking authors, often British. The reasons for restricting their scope in this way are rarely explicitly addressed; it is as if this is a default position for the scholars concerned rather than because “British and Irish travel writing” is a coherent object of study as such. As in many other fields, “British” is often used when “English” would be more accurate, and “English” sometimes silently includes texts that might be better described as Scottish, Welsh, or Irish.

The growth of travel-writing studies as an academic discipline has generated a number of general introductions to the subject aimed at students, typically offering a combination of historical overviews and discussions of key topics such as genre, techniques of representation, narrative organization, the relationship with the reader, and the treatment of race, nation, and gender. Blanton 1997 , Gannier 2001 , and Thompson 2011 provide the most-approachable introductions, while Hulme and Youngs 2002 , Youngs 2013 , Thompson 2015 , and Das and Youngs 2019 survey the field in more depth and reflect its shifting preoccupations. Most of these works acknowledge the difficulty in defining “travel writing.” Borm 2004 makes a case for a broad definition that includes fictional as well as nonfictional writing, but the decision made in Youngs 2013 to restrict it to “predominantly factual, first-person prose accounts that have been undertaken by the author-narrator” (p. 3) is more typical.

Blanton, Casey. Travel Writing: The Self and the World . Studies in Literary Themes and Genres 15. New York: Twayne, 1997.

Short historical overview, focusing on “the modern travel book,” with close readings of texts by James Boswell, Mary Kingsley, Graham Greene, Peter Matthiessen, V. S. Naipaul, Bruce Chatwin, Paul Theroux, and Roland Barthes. Includes useful list of recommended titles and a survey of critical scholarship.

Borm, Jan. “Defining Travel: On the Travel Book, Travel Writing and Terminology.” In Perspectives on Travel Writing . Edited by Glenn Hooper and Tim Youngs, 13–26. Studies in European Cultural Transition 19. Aldershot, UK: Ashgate, 2004.

Argues for a broad definition of “travel writing” (or “travel literature”) to include “texts both predominantly fictional and non-fictional whose main theme is travel” (p. 13), while restricting the terms “travel book” or “travelogue” to predominantly nonfictional narratives.

Das, Nandini, and Tim Youngs, eds. The Cambridge History of Travel Writing . Cambridge, UK: Cambridge University Press, 2019.

The thirty-six essays here collectively showcase the latest scholarship on the genre, exhibiting historical depth and a truly global reach, extending well beyond North American and Western European authors. Includes sections that examine writings about different kinds of places, analyze a wide range of literary forms, and profile a selection of critical approaches.

Gannier, Odile. La littérature de voyage . Thèmes & Études. Paris: Ellipses, 2001.

Short introduction, drawing on mainly francophone examples but tackling general issues such as the definition of travel writing, the relationship between author and reader, representation, language, and tourism.

Hulme, Peter, and Tim Youngs, eds. The Cambridge Companion to Travel Writing . Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, 2002.

Fifteen essays by leading scholars in the field, arranged in three sections dealing with particular historical periods, key geographical regions, and general topics (gender, ethnography, and theory). Includes useful chronology and extensive guide to further reading.

Thompson, Carl. Travel Writing . New Critical Idiom. New York: Routledge, 2011.

DOI: 10.4324/9780203816240

A concise introduction that offers a broad historical overview and discussions of major topics such as the definition of the genre, authority and veracity, representation of the self and the other, and gender. Close readings of a small group of texts by representative authors from William Dampier to Bill Bryson.

Thompson, Carl, ed. The Routledge Companion to Travel Writing . Routledge Literature Companions. London: Routledge, 2015.

Forty-two essays that approach the subject from a wide range of historical, geographical, theoretical, thematic, and stylistic perspectives. Especially important for its coverage of themes (ethics, corporeality) and subgenres (guidebooks, blogs, dark tourism) that are relatively new areas of interest to travel-writing scholars.

Youngs, Tim. The Cambridge Introduction to Travel Writing . Cambridge Introductions to Literature. Cambridge, UK: Cambridge University Press, 2013.

An impressive condensation of a wide range of scholarship, illustrated by insightful readings of representative primary texts from the Middle Ages to the early 21st century. Reflects more-recent trends with its attention to travel writers of non-European descent and closes by identifying some emerging developments that are likely to be important in the coming decades.

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6 ‘TRAVEL WRITING AND ITS THEORY’

From the book transatlantic literary studies.

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29 Travel and Travel Writing

Maria Pretzler is Lecturer in Ancient History at Swansea University.

• Published: 18 September 2012
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Greek travellers tried to take their city with them: travel is typically conducted as a civic act, one justified and defined by one's tie to the city: trade, for example, or martial aggression, or colonization. This article discusses the range of travel experiences reflected in surviving literature. The study of ancient travel focuses on the process of travelling, on individual travellers' movements and their reactions to particular journeys and places. The evidence is therefore mainly literary, with valuable additions from epigraphic sources. The remains of sites that were particularly attractive to ancient travellers, depictions of their means of transport, shipwrecks, and traces of ancient roads can add further information. Greek travel literature had a strong influence on early modern geography and ethnography, and it still has an impact on how people understand the Greek world.

G reeks liked to think about their world by tracing colonists' movements from the old motherland to distant Mediterranean shores: they considered mobility as a crucial factor in defining what, and who, was essentially Greek. Myth and epic poetry set the scene by depicting an earlier age of travellers, be it the Achaeans on their overseas campaign against Troy and then on their tortuous journeys to return home, or adventurous heroes such as Heracles or Jason and the many founders of Greek cities everywhere. For us, the Odyssey in particular provides a wide range of responses to the experience of travelling overseas in the crucial period when Greek colonization began to shape the ancient Mediterranean as we know it. In Odysseus' tales we encounter a variety of travellers engaged in friendships, diplomacy, and marriage outside their own community, and many people risking adventures for gain through trade, piracy, war, or increased knowledge. Others were forced to leave their home, either displaced as slaves or seeking refuge after conflict. Odysseus, always longing to go home to Ithaca while experiencing both the benefits and the horrors of a long overseas journey, shows how the image of the traveller could be reconciled with that other crucial aspect of Greek identity, a close and lasting connection to one's polis. Many did, however, not return home: by the end of the archaic period we find hundreds of colonies, new poleis, around the coasts of the Mediterranean, and some Greeks sought opportunities well beyond the regions settled by colonists.

It is possible to document complex and dense connections between places and regions around the ancient Mediterranean and beyond (Horden and Purcell 2000 ), but most of the evidence for high levels of connectivity in the ancient world does not provide information about the actual process of travelling. The general and vague information derived from imported objects found on archaeological sites suggests the movements of people without offering much insight into the mode or direction of particular journeys. Nevertheless, the general observation that travel was not an exceptional activity in the ancient world should inform our approach to ancient texts dealing with travel experiences. The study of ancient travel focuses on the process of travelling, on individual travellers' movements and their reactions to particular journeys and places. The evidence is therefore mainly literary, with valuable additions from epigraphic sources. The remains of sites which were particularly attractive to ancient travellers, depictions of their means of transport, shipwrecks, and traces of ancient roads can add further information.

Much of what we know about ancient travel concerns the small, eloquent elite that generally dominated the ancient literary record. Throughout antiquity travel was a part of life for wealthy individuals who were involved in the affairs of their community. They were particularly active in maintaining contacts beyond their community, from the elaborate guest-friendships of the Homeric epics to embassies to the emperor in the Roman period. Throughout antiquity, members of the elite relied on widespread contacts which could include acquaintances who were not Greek. Travelling as we see it in most ancient texts was expensive, because eminent people travelled in grand style, with numerous attendants and considerable luggage (Casson 1994 : 176–8). Early Christian texts, particularly the Gospels, Acts, and some of St Paul's epistles, look beyond the small, wealthy elite and offer a different cultural perspective, but this valuable source-material has yet to be fully integrated with classical scholarship.

Information about the activities and routines of ancient travel has to be pieced together from disparate references in ancient texts, and the bulk of the evidence dates from the Roman period (Casson 1974 ; Camassa and Fasce 1991 ; André and Baslez 1993 ). The preferred mode of long-distance travel was by ship: not only was sea travel faster and more comfortable (e.g. Pliny, Epistles 10.17a; Casson 1974 : 67–8, 178–82), but few important Greek sites were located far from the sea. Journeys on land probably often meant walking, even for long distances, although wealthy travellers would use carriages. Mainland Greece at least had a dense road network suitable for vehicles which reached even remote, mountainous locations. Many of these roads date back to the archaic or early classical period and they were in use until the end of antiquity (Pikoulas 2007 ; Pritchett 1980 : 143–96). These practical aspects of ancient travel are rarely the focus of modern research, but they are crucial for our understanding of how ancient travellers interpreted their surroundings. The slow pace of ancient journeys facilitated intensive encounters with landscapes, sites, and local people, while ancient travellers were often less interested in the wider context of their location. Geographical overviews and accurate maps of large regions seem to have remained the domain of scholarly experts, while many travellers may have adopted a view which organizes the landscape along particular routes without paying much attention to a ‘global’ perspective (cf. the Peutinger Table and Pausanias, with Snodgrass 1987 : 81–6).

Trade, war, and the search for opportunities may have accounted for a majority of individual journeys in antiquity (Purcell 1996 ), but these activities are rarely at the centre of attention. Journeys made for the sake of travelling, usually for the spiritual and intellectual benefit of a particular individual, account for much of the information about travel experiences that can be found in ancient texts, and modern scholarship reflects this emphasis on what we might call ‘cultural travel’. Early Greek travellers were often engaged in new discoveries, encountering unknown regions and strange cultures. The exploration by Greeks of regions around the western Mediterranean and the Black Sea may be reflected in the epic tradition, particularly the Odyssey , although it came too early to leave credible traces in the literary record. Areas beyond the Mediterranean remained largely unknown well into the Hellenistic period. The Atlantic coasts of both Europe and Africa were occasionally visited by explorers who recorded their observations, for example Hanno and Pytheas of Massalia (Carpenter 1966 ). Egypt and the Middle East had always been more accessible to the Greeks, not least because there they encountered highly developed cultures that were much older than their own.

By the end of the archaic period Greeks had travelled widely and extended the boundaries of their known world: from Egypt they had reached the upper Nile Valley and brought news of regions further south, and, from the sixth century, knowledge about distant regions of the East as far as India could be obtained through good connections with the Persians. Herodotus criticizes the theories about the shape of the earth inferred from such information by the geographical theorists of sixth-century Ionia, but he also testifies to the usefulness of maps created in this period and he includes geographical information about distant regions in his own work (Herodotus 4.39, 5.49; Harrison 2007 ). Alexander's conquests in the East and the expansion of the Roman empire, especially in western Europe, provided the Greeks with opportunities to reach hitherto unknown regions and to obtain more detailed geographical information (Polybius 3.59; Clarke 1999 ). The edges of the earth, however, remained a matter of legends about unusual peoples and cultures and wondrous natural phenomena (Hartog 1988 : 12–33; Romm 1992 ). All surviving ancient explorers' tales have been subjected to intense scrutiny to match them to actual regions and cultures. Recent scholarly attention, however, has been focused on the particularly Greek perspective on alien cultures which often describes strange people in terms of stark contrasts with what was familiar to the writer and his audience. In fact, authors dealing with ‘barbarians’ often seem more concerned with exploring their own culture than with giving an accurate picture of a distant region and its people. (Hartog 1988 : 212–59).

Most ancient travellers stayed within the familiar confines of the Mediterranean, but there was plenty of scope for ‘cultural’ travel in the Greek world and among its immediate neighbours. Educated Greeks would embark on sightseeing tours to visit famous places, for example a number of historical sites in mainland Greece, including Athens, Olympia, Delphi, and perhaps Sparta, some of the cultural centres of Asia Minor such as Ephesus or Pergamon, and Ilium as the main location of the Trojan War. Egypt, with its spectacular ancient sites (Casson 1974 : 253–61), was also an attractive destination. These sightseeing activities are sometimes described as ancient tourism, but this term is rather misleading because it invites analogies with the seasonal mass movements of today. The Grand Tours of wealthy Europeans of the eighteenth and nineteenth centuries would be a more appropriate analogy (see Cohen 1992 ). Most visitors were particularly interested in ancient monuments with historical connections, artworks by famous artists, and sights that could be classified as curiosities. In most places with important historical monuments a visitor could employ professional tourist-guides to explain the sights, and wealthy travellers could apparently rely on members of the local elite to provide a tour appropriate for refined tastes and educated interests (as Plutarch does in his work On the Pythia's Prophecies ; and cf. Jones 2001 ).

In recent years ancient pilgrimage has attracted particular interest (Hunt 1984 ; Dillon 1997 ; Elsner 1997 ; Elsner and Rutherford 2005 : esp. 1–30). The applicability of this term to the activities of ancient travellers is contentious (Morinis 1992 : 1–28; Scullion 2005 : 121–30), but valuable interpretations of ancient texts have emerged from this line of enquiry. Throughout antiquity many sanctuaries saw large numbers of visitors, and some festivals could attract considerable crowds. Many people undertook such visits on their own initiative, but states also maintained regular official links with specific sanctuaries beyond their borders. The concept of pilgrimage invites new enquiries into the function and meaning of such journeys, especially as a means of defining identities and collective memories. Pilgrimage can also be a useful category in assessing ancient attitudes to historical sites. After all, the classical texts played a dominant role in the lives of educated Greeks and determined their approach to places that were in some way linked to the literary tradition. Historical sites, such as important battle-fields or places that played a crucial role in the Homeric epics, allowed visitors to explore localities with which they were intimately familiar from their reading since childhood, and which were part of a common Greek consciousness. Visits to such places could therefore have a profound effect which cannot easily be distinguished from a spiritual or religious experience (Hunt 1984 ). This approach to spiritual, cultural, and emotional aspects of pagan visits to significant places also allows a new evaluation of Christian pilgrimage in late antiquity (e.g. Egeria), by considering it in the context of earlier, pre-Christian traditions (Hunt 1982 ; Holum 1990 ).

Travelling was seen as an important source of knowledge and wisdom, and it was closely linked to the ideals of Greek culture and education ( paideia ) (Pretzler 2007 b ). A traveller could learn by seeing and experiencing different places and civilizations for himself, and he might gain access to information which was not available in Greece. The Greeks were aware that some civilizations were far more ancient than their own, and they assumed that in some countries, for example Egypt, Mesopotamia, or India, travellers might be able to acquire considerable knowledge, particularly about the remote past. There were many legends about the extensive journeys of famous sages such as Solon or Pythagoras, echoed by later traditions about the adventures of Apollonius of Tyana, or Dio Chrysostom's claims about his own wanderings while he was in exile (Hartog 2001 : 5, 90–1, 108–16, 199–209). In the Roman period, many aspiring young men from all over the Roman world travelled to acquire a Greek education: they would move to one of the leading cultural centres such as Pergamon, Athens, or Smyrna to study with a distinguished sophist. Prominent intellectuals could enhance their reputation by travelling to give lecture tours and to compete with their peers (Anderson 1993 : 2–30). Educated Greeks were therefore expected to be acquainted with famous cities and sites, and such personal knowledge influenced intellectual debates and texts. Experience gained through travelling became particularly important to enhance the credibility of arguments and reports. Authors often stress that they have personally seen places or witnessed events they are describing, and such claims of autopsia became a standard literary topos, particularly in historical and geographical works (e.g. Thucydides 1.1; Strabo 2.5.11; Polybius 3.4; Nenci 1953 ; Lanzillotta 1988 ; Jacob 1991 : 91–4).

While travelling and travel experiences play a crucial role in many ancient texts, there is no clearly defined genre of Greek travel literature. Modern examples of the genre often offer an insight into personal experiences on a journey, and they reflect reactions to strange landscapes, places, and people (Campbell 2002 ). Few ancient texts cover any of these aspects extensively, and a study of literary responses to travel experiences needs to include texts which touch upon the subject although they belong to different genres. There is no comprehensive modern study of Greek travel writing, and the re-evaluation of relevant texts as travel literature is a relatively recent phenomenon (e.g. Elsner 2001 ; Hutton 2005 ; Roy 2007 ); much work remains to be done in this field. As far as we can tell, the expectations of ancient readers of travel texts differed considerably from those of their modern counterparts. Few ancient writers provide a clear sense of the topography of a place, and they rarely attempt to create a comprehensive image of a location that would allow readers to visualize what the traveller has seen. In fact, ancient travel writers are usually very selective about what to report: particular features of a landscape are usually only mentioned if they represent a curiosity or if they are relevant to the author's aims, for example sporadic topographical details in a historian's account of a battle. Detailed descriptions of objects were the subject of rhetorical exercises ( ekphrasis ), and landscape descriptions play a particular role in pastoral poetry, but they rarely take up much space in ancient travel accounts (Bartsch 1989 : 7–10; Pretzler 2007 a : 57–63, 105–17).

Ancient travel writing (in the widest sense) can be roughly divided into two categories: on the one hand there are accounts of particular journeys, and on the other hard there are texts which present facts about places or cultures without discussing the process of travelling. The tradition of such ‘factual’ geographical texts was traced back to the ‘Catalogue of Ships’ in the Iliad (2.484–760; cf. 2.815–77), which provides a list of Greek cities and tribes in a roughly geographical order. The earliest geographical texts probably took the form of periploi (e.g. ps. -Scylax), essentially seafarers' logs describing coastlines with important places and landmarks, or stadiasmoi which listed paces and distances along overland routes (Giesinger 1937 ; Janni 1984 : 120–30). Hecataeus' Periodos Gēs developed this genre further by combining a periplous -style description of the world with a scientific discussion of the shape of the earth and the layout of the continents. Later geographers continued to rely on verbal descriptions of coastlines and regional topographies which were never fully superseded by maps (Janni 1984 : 15–19; Jacob 1991 : 35–63). As Strabo shows, geographical works could include information about the landscape, history, and culture of particular places. Texts dealing with particular regions, for example local histories (e.g. Atthidography, Arrian's Bithyniaca ), could go into more detail and would usually rely on an intimate knowledge of landscape, monuments, and local traditions.

Most descriptions of regions and sites were probably mainly interested in historical monuments, religious sites, and significant artworks, not unlike the ‘cultural’ travel-guides of today (Bischoff 1937 ; Hutton 2005 : 247–63). Only two such works survive, Lucian's On the Syrian Goddess , a description of the sanctuary of Atargatis in Hierapolis which is clearly not meant entirely seriously (Lightfoot 2003 ), and Pausanias' Periēgēsis Hellados , ten books describing the Peloponnese and a part of central Greece which represent the longest extant ancient travel text (Habicht 1985 ; Alcock, Elsner, and Cherry 2001 ; Hutton 2005 ; Pretzler 2007 a ). Pausanias, a Greek from Asia Minor carried out extensive research between about 160 and 180 ce , but he rarely refers to his own travel experiences, probably in order to maintain his credibility as an objective observer. Pausanias shows little interest in the life of contemporary communities or the natural landscape. Instead, he focuses on sites with a historical or religious significance, and he provides detailed information about the symbolic and cultural interpretations that Greeks could attach to the landscape. The Periēgēsis follows a long ethnographic tradition, and particularly Herodotus, but instead of reflecting on his own identity by contrasting it with the strange customs of barbarians, Pausanias applies his observations to the heartlands of the Greek world, and he presents an intensive study of the history and state of Greek culture in his own time. A fragment of an early Hellenistic description of Greece by Heraclides Criticus offers a very different view of the landscape of Attica and Boeotia (Pfister 1951 ; Arenz 2006 ). He adopts an often humorous and somewhat flippant tone to comment on the customs and character of contemporary people and on general conditions for a traveller. Heraclides also records his impressions of the landscape and the general appearance of the cities on his route: his approach to the landscape remains unique among the preserved ancient Greek travel texts.

It seems that authors who described places without discussing a particular journey found it easier to assert their credibility. Accounts of individual journeys had a long tradition, but such stories rarely allowed clear distinctions between fact and fiction. Heated discussions about the veracity of tales about distant regions show that ancient readers were aware of this problem, but their conclusions about particular texts often do not agree with modern opinions (e.g. Strabo 1.2.2–19; Romm 1992 : 184–93; Prontera 1993 ). Fictional travel accounts should therefore be included in any study of ancient travel literature because they add to the range of possible literary responses to travel experiences, even if they may not provide factual information about ‘real’ places or journeys. Greek travel writing begins with a fictional tale, namely the Odyssey , with its stories about monsters and incredible events (Jacob 1991 : 24–30; Hartog 2001 ). What is more, its main narrator, Odysseus, is clearly an unreliable reporter who tells untrue stories (‘Cretan tales’) about himself and his adventures, and the epic demonstrates how a traveller can construct false tales which will stand up to scrutiny. Odysseus therefore was a hard act to follow: in his wake no traveller reporting adventures in distant lands could be without suspicion, and many did indeed feel free to add fantastic details to their accounts. The earliest explorers' accounts usually took the form of a periplous which would include some details about specific adventures and discoveries (e.g. Hanno, Pytheas of Massalia). In the Roman period, Arrian revisited the genre and demonstrated its potential complexities: he reports his activities as governor of Cappadocia in a Periplous of the Black Sea , which also allows him to explore his own position as a Greek with multiple identities (Stadter 1980 : 32–41; Hutton 2005 : 266–71; Pretzler 2007 b : 135–6).

Few ancient travel accounts deal with emotional responses to a journey or the transforming impact of the experience on an individual's character, knowledge, or spiritual state. Aristides' Sacred Tales are unique in presenting the authors' personal perspective on his activities, including many journeys, in the pursuit of health and a special relationship with Asclepius (Behr 1968 : 116–28). Most texts dealing with such personal experiences are fictional, and can take the form of extensive accounts, for examples a trip to India in Philostratus' Life of Apollonius , or the Greek novels that usually send their main characters on convoluted journeys before they can settle down to live happily ever after (Morgan 2007 ; Rohde 1960 : 178–310). Some travel authors make no attempt to disguise the fact that their stories are invented, and this can lead to fresh perspectives on the experience of travel. For example, Apuleius' Golden Ass (cf. Lucian, Ass ) takes the opportunity to consider a journey from the point of view of a beast of burden, and it describes a spiritual transformation which turns the main character into a devout follower of Isis. The story also provides a rare chance to observe various travellers who are not members of the elite (Schlam 1992 ; Millar 1981 ). Lucian's fantastic stories ( Lovers of Lies, True Histories ) and other examples of ancient fiction can be seen as a humorous exploration of the many devices employed by travel writers to make their accounts believable (Ní Mheallaigh 2008 ).

Travel accounts could recover some credibility in the context of historiography: after all, Herodotus' Enquiries ( Historiai ) involved extensive travelling around the eastern Mediterranean, and autopsy remained crucial to enhance a historian's authority. Some journeys were themselves historical events, for example long military campaigns, and they inspired a new kind of travel account which owed much to historiography but could also follow some of the conventions of ancient adventurers' tales. Xenophon's Anabasis is the most extensive personal account of a specific journey that survives from antiquity, although the author never admits that he is in fact one of the main characters in the story. Xenophon includes specific information about distances, topography, flora, fauna, and local people, and he gives the impression that decades after the events he can draw on detailed memories, perhaps even a travelogue (Cawkwell 2004 ; Roy 2007 ). His perspective, however, is not that of an explorer whose main aim it is to describe a foreign region, but that of a historian who includes details about landscape and people when they are relevant to the events described. Alexander's conquests inspired a number of participants to write accounts which probably took the form of historical accounts in the mould of Xenophon's Anabasis (Pearson 1960 ). In the East, Alexander's military operations turned into a journey of exploration, and his scientific staff gathered reliable, factual information about areas which had hitherto been almost unknown to the Greeks (Strabo 1.2.1; 2.1.6). Well-founded knowledge could, however, be superseded by fantasy: if Strabo (2.1.9) is anything to go by, realistic reports about India did not have a lasting impact and were soon replaced by the old traditions about an exotic land full of strange wonders (Seel 1961 ; Romm 1992 : 94–109). Alexander's campaign became itself the subject of the Alexander Romance , which reinterpreted historical events in the tradition of myths and fictional adventure stories: in ancient travel writing, imagination could sometimes be stronger than reality.

Like Odysseus, Greek travellers are often unreliable witnesses of places and events they have seen, but their tales offer great insights into ancient perceptions of the world. Greek travel literature had a strong influence on early modern geography and ethnography, and it still has an impact on how we understand the Greek world. Since the Renaissance, western travellers who set out to discover the eastern Mediterranean relied on ancient texts to guide them to classical sites and to help them interpret the historical landscape. They also drew on similarities between the reactions of travellers in the Roman period and their own feelings about ancient sites and the loss of Greek culture. Ultimately, our understanding of antiquity owes much to ancient travellers who contributed their observations and interpretations to the definition of Greek culture and identity. The reception of ancient travel literature, especially of major texts such as Strabo or Pausanias, deserves attention, not least in the context of the development of our own disciplines, namely Classics, Ancient History, and Classical Archaeology.

Suggested Reading

The classic account of many facets of ancient travel in English is Casson (1994) . Casson gathers the ancient evidence to describe the activities and aims of ancient travellers, and his work offers a useful introduction to the subject. André and Baslez (1993) cover similar ground, but in addition to gathering and digesting the sources their work also reflects more recent developments in the study of ancient travel, and they offer more discussion of the cultural and intellectual context of their material. Two collections of articles on travel and travel writing, namely Camassa and Fasce (1991) and Adams and Roy (2007) , provide a good insight into a variety of lines of enquiry that have influenced the study of ancient travel in recent years.

Ancient travel writing has mainly been covered in works about specific authors. Recently the study of Pausanias in particular has led to further investigations of travel and travel writing. Pretzler (2007 a ) offers a general discussion of ancient travel, travel literature, and attitudes to geography and landscapes. Hutton (2005) analyses methods of travel writing, with a particular emphasis on the geographical structure of texts that deal with landscapes. Alcock, Cherry, and Elsner (2001) presents a wide range of approaches, including a number of papers discussing the reception of Pausanias.

Travel to distant places and the role the edges of the known world played in the imagination has been at the centre of stimulating discussion in recent years. Carpenter (1966) provides a basic overview of ancient explorers and their discoveries on the margins of the oikoumenē . Ideas about distant regions are discussed in Romm (1992) , and Hartog (1988 and 2001 ) contributes many valuable insights. Pilgrimage is another special aspect of travelling that has recently attracted a good deal of scholarly attention: much progress has been made in the analysis of pilgrimage in an ancient pagan as well as an early Christian context. Elsner and Rutherford (2005) is a collection of conference papers which offer a good overview of recent debates.

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• Prof. Mary Fuller

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• International Literature
• Nonfiction Prose

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World literatures: travel writing, course description.

This semester, we will read writing about travel and place from Columbus’s Diario through the present. Travel writing has some special features that will shape both the content and the work for this subject: reflecting the point of view, narrative choices, and style of individuals, it also responds to the …

This semester, we will read writing about travel and place from Columbus’s Diario through the present. Travel writing has some special features that will shape both the content and the work for this subject: reflecting the point of view, narrative choices, and style of individuals, it also responds to the pressures of a real world only marginally under their control. Whether the traveler is a curious tourist, the leader of a national expedition, or a starving, half-naked survivor, the encounter with place shapes what travel writing can be. Accordingly, we will pay attention not only to narrative texts but to maps, objects, archives, and facts of various kinds.

Our materials are organized around three regions: North America, Africa and the Atlantic world, the Arctic and Antarctic. The historical scope of these readings will allow us to know something not only about the experiences and writing strategies of individual travelers, but about the progressive integration of these regions into global economic, political, and knowledge systems. Whether we are looking at the production of an Inuit film for global audiences, or the mapping of a route across the North American continent by water, these materials do more than simply record or narrate experiences and territories: they also participate in shaping the world and what it means to us.

Authors will include Olaudah Equiano, Caryl Philips, Claude Lévi-Strauss, Joseph Conrad, Jamaica Kincaid, William Least Heat Moon, Louise Erdrich, Álvar Núñez Cabeza de Vaca.

Expeditions will include those of Lewis and Clark (North America), Henry Morton Stanley (Africa), Ernest Shackleton and Robert F. Scott (Antarctica).

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Importance of travel writing in literature

Travel writing as a genre of literature has not been a contemporary happening, as a cursory look at the annals of literary history shows us that from the biblical times till the present day, though the forms and media have changed, the passion of travel writing has remained much in vogue. The paper explores the ways in which travel writing has been an indispensable part of English literature, both in terms of its contribution to its richness as well as an avenue for human's development. Human's psychology is positively impacted through travel and the resultant travel memoirs prepared-discoveries, mysteries, and socio-cultural planes give humans experiences with nature and people inhabiting them, so as to result in various forms of travel writing-travelogues, guides, and stories. These, in turn, inspire others to undertake a similar travel and experience firsthand their " acquired knowledge from travel writings ". The paper also explores the ways in which travel accounts of voyage and discovery of new lands led to the development of the genre of travel writing in literature, and how it had positive externalities towards enriching other disciplines as well like history, geography, science etc. In turn, it has also been influenced by the socio-cultural settings, as well as questions of identity in society. The paper also traces the writing styles of Charles Darwin in his masterpiece " Origin of Species " and how that set the path right for the flourishing of the genre further. Charles Dickens, Carl Thompson, James Cook, Lawrence, Henry James are other luminaries who embraced literature through their travel writings. The paper also throws light on the inhibitions and bottlenecks which a traveler has to face while on travel-alienation from the homeland, feeling of otherness among a foreign crowd, loss of self-identity and seclusion from the larger group, inability to comprehend alien culture, religion, customs etc. But overcoming such challenges is the very essence of a hardcore travel writer-the passion to undertake travel against all odds to distant places to feel oneness with nature and hence contribute to humankind's development.

Related Papers

Justin Taillon

I S MacLaren

Working forward from Hakluyt, this essay proposes a model for the discussion of the usually complicated way in which often one-time authors are generated out of explorers and travellers in the centuries before the age of professional travel writers.

John Zilcosky

Anglisticum

Olivera Popovic

The intention of this paper is to provide an overview of the development and the characteristics of the travelogue genre with reference to recent theoretical and literary publications on this issue. At the center of our attention is the impact of motivations for travelling and of the perceptions of the world on the creation of certain travel paradigms, giving also an overview of the socio-historical and other circumstances that have conditioned the continuity or the interruption of the conventions of travel writing through the ages

Text Journal of Writing and Writing Programs

Stephanie Green

Encounters with the historical and contemporary materiality of travel may occur objectively and/or imaginatively, as the traveller moves by air, land or water, passes streets, squares, buildings, enters rooms, museums, palaces, crosses bridges, mountains, canyons. Even other people can present as material entities, encapsulating the shock of difference, the flesh and odours of lived reality, the impossibility of possession. However prepared for a journey by reading, thinking, and research, in the end, for the writer as traveller, it is the act of travel while writing itself which becomes the heuristic enterprise, the experiment which leads to a solution, an understanding or a new question that may never be definitively solved. This discussion explores the representability of travel writing as material engagement and as a creative endeavour of scholarly inquiry. The presentation will take the form of a framed auto/narrative which follows a sequence of journeys undertaken by the author, in reverse order that speak to questions of authenticity and illusion across space and time.

International journal of english, literature and social science

priya kharyal

Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies

Edina Crunfli

Debashish Panigrahi

The paper explores the perception of a travel writer that often constructs the piece of writing, and the truth value it carries. Perception itself is subjective and preconditioned by the cultural and social background of an observer. Yet the affordances (a clue to the function of an object) available in every interpretative activity bring new perspectives to the existing perception. The reader of travel writings visits a foreign land through the eyes of the travel writer and constructs the picture of the land from his perception of the textual world. Under such circumstances it is fascinating to analyse how the traveller gathers his experience of the world and how authentic his perception is.

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