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Have Faith, Will Travel: Kip Moore’s Spiritual Journey to ‘Slowheart’

Kip Moore  has been labeled 'fire and ice,' but songs from his new Slowheart album prove he's more complex. We sat down with Moore before the release of his third studio album — an album that's more playful and buoyant that any he's shared to date. Maturity and experience have allowed him to accept dark spots in his soul, but something else bubbles beneath the surface.

K ip Moore found God in Iceland. He felt his touch while enjoying a symphony of cold March winds, waterfalls and understood silence. Here, off a beaten path once or twice removed from a true beaten path, is where the singer’s next chapter begins.

Like Moore, Iceland is misunderstood. The climate is warmer than most places at that latitude, with the Gulf stream creating dynamic shifts from season to season. It’s a small, compact country full of intellectuals and poets , most huddled near the capital city of Reykjavik. This leaves miles and miles of open inland desert and coastal shores for exploring.

“The Lord pour out his largess there as long as earth continues,” famed poet Jonas Hallgrimson writes of his home country in “A Toast to Iceland.”

Like whiskey, milk, wine or water, the Lord’s largess is wasted if one is not thirsty or holding out his hands. You won’t catch it with your cell phone up, poised to document the experience for a purpose that is unclear. Faith comes with few accessories.

“I’ve always had it,” Moore, a raised Baptist, says of his faith. “It weakens at times. I definitely have a lot of flaws, but I always hold onto it and it always pulls me back up.” He’s seated at a back corner table in a grungy pool hall that’s tucked beneath the rising, overpriced condominiums and trendy restaurants of Nashville’s 8th Ave. This quiet sanctuary tastes like smoke and sin, but at this late morning hour, the tables are wiped, the floor is mopped and the jukebox is resting.

Moore, on the other hand, is restless. After an early power lunch from a local juicer, the 37-year-old country veteran is engaged in his least favorite part of the job, but you’d never know it. He's cordial — it was tough to convince him that no one was upset he was eating — and pays close attention to detail and efficiency. He doesn’t enjoy having his picture taken, but he’s good at posing and has strong opinions on the results. In conversation Moore shepherds you through the facts, taking great care to ensure that the story you're telling about him doesn't step out of the walls of truth. He's kind, but firm — imagine all of the fire of his live shows, but with half the smiles.

M oore sang about his relationship with God once. It didn’t go well. “ Dirt Road ” stalled inside the Top 50 on the Country Airplay chart and started him on a spiral of depression that birthed Wild Ones (2015), a stormy album that did not include his lyrically challenging analysis of a greater power and heaven. “ Young Love ” was another unreleased single that didn’t stick. Longtime friend and co-writer Westin Davis helped with both, and he was there for the aftermath.

“I think he kind of saw how quickly it could all go away, and he worked so hard,” Davis shares. “When those two failed, he went through a place of, ‘Well I thought I had this thing figured out, but maybe I don’t.’”

God led Moore out of the darkness, he admits in an uncharacteristic near-whisper midway through the chat. Religion isn’t a bullet-point topic, and he hesitates to approach it, as if he’s just beginning a rebirth. Simple explanations become more abstract. Stoic words hang in the air. Moore glances around the room a bit and looks down, as if he’s not quite comfortable or hasn’t quite figured out all of the ‘right’ answers. It’s this discovery process that started a chain of events that led to Slowheart (MCA Records, Sept. 8), his most optimistic record to date. Yes, Moore thinks a lot about faith.

“I felt it strong in Iceland,” he says. “That’s something I’ll never be able to explain to you at the table — you had to be in my skin to understand it.”

“I believe I’m going somewhere,” he adds when pressed. “Everybody’s got their own way to look at things and, yeah … I think that I’ve been saved by grace, that’s what I think.”

The commercial success and critical praise of Wild Ones left his record label team eager for a new album, but unsolicited suggestions and opinions on songs he should record, or lyrics he should tweak, found cracks in a tight inner circle that surrounds him. Moore passed on hits. He spurned songs aimed at a younger audience because they weren’t true to him. His record label suggested changing a lyric on a new song called “Bittersweet Company” to make it more appealing to radio stations. He wouldn’t budge.

“A lot of times as artists we get backed into this corner because we all want our music played to the masses, and a lot of times the only thing you’ll hear on the radio are happy go-lucky songs,” Moore points out. “When it comes to my music, I’m never going to sacrifice my song for the sake of being played on the radio.”

But he’s not afraid to say no. “If not being a pushover means being an asshole, then maybe I’m an asshole,” he furthers, now pounding his fingertips on the table. “But I’m not a pushover.”

Miles of text has been published on Moore’s penchant for being a bull. Drama sells, and media is quick to jump on controversy, shaping a narrative that paints this singer as prickly or difficult. He’s honest, and he’ll answer questions set in front of him, but he argues that the questions set the tone. He may be right.

“You guys will make click bait,” he says of the modern entertainment business model. “You’ll do a title to get people to look, and it completely misrepresents what the actual moment was.”

“It’s no secret that I can’t stand that people can’t step away from their phones for two seconds and actually be present. But anytime I give people a hard time at a show, it’s always in good fun,” Moore explains. “A lot of times I’ll even bring them on stage or bring them back to the dressing room after the show to take a picture and have a beer. It’s never in a malicious light. I am intense and I’m not the guy that walks in a room and makes a loud noise to be seen and be heard — I’m kind-hearted behind the curtain, where I think that it matters.”

A new song on Slowheart called "Good Thing" captures the good-natured, carefree side of Kip Moore. The singer recalls Sam Cooke early on, describing the sweet simple love you dream of. This part of the conversation comes easy, but in the end Moore admits the emotion may have been fleeting. As a rule he’s slow to fall in love, thrives off of misery and has chosen his career over his personal life again and again for nearly two decades.

“I’ve definitely loved before, but I’m the king of letting it slip through my fingers and not doing anything about it,” he says.

“More Girls Like You” is a subtle shift. He’s not ready to settle down, but he’s open to the idea. He wants kids one day, yes, but introduction of his music video should clarify his intent with that song, the leadoff single from Slowheart . “It’s more of that person that you find so amazing that you hope that when you have a kid, they turn out as amazing as her,” he says. “That’s what this new song is about.”

“I think that every situation I’ve ever been in, I’ve taken the time, when it’s over to truly reflect on what it was” Moore says. “I’ve taken the time to truly take in whatever the other person has told me. I allow my vulnerabilities to be exposed after the fact. And that’s usually when the learning process comes.”

When he released “More Girls Like You” as a single (February 2017), media pounced on the idea that he was suddenly domesticated. That too, it seems, was exaggerated by headlines. Slowheart isn’t a love album. While there’s more playfulness and optimism found in its walls, it doesn’t rest there. You will still find familiar intensity and dark nostalgia. Songs like “Try Again” leave a clear passageway to true love, but the final 90 seconds of “ Guitar Man ” all but shut the door again.

“ Well I had me a pretty baby, thought she was the one / But she soon grew tired of this love on the run / Said she felt second, told me I had to choose / She’s back in Georgia and I’m here with you ,” Moore sings on a song best compared to Billy Joel’s “Piano Man.” It’s his most personal, autobiographical song to date and the song he’d recommend if you were to only listen to one of the album’s 13 tracks.

T o live happily in Iceland is to learn to love long stretches of cold and darkness — or at the very least draw inspiration from this isolating time. Volcanoes dot the land, and as much of 10 percent of the country is made up of glaciers. Weather patterns on this Nordic island shift with a moment’s notice. Spring leads to an endless summer that eventually bleeds into the green-lit skies of autumn and early winter, and finally, three months of 20-hour dark days. Iceland can break your heart and sew your soul back together. So can Kip Moore, it would seem.

“What fuels (Bruce) Springsteen and Springsteen says fuels other people is their insecurities,” Davis says, adding of Moore, “And there’s something always bothering him. Always.”

The forever-focused, self-evaluating Moore summarizes his life more succinctly. The fire and ice? The long stretches of darkness followed by an album that blasts sunshine like an endless summer? It’s an absolute commitment to his art.

“I’ve had to swim against the current a lot,” Moore says, giving that familiar grin that somehow makes his eyes blue and brighter. “But you know, I’ve always enjoyed the current.”

Kip Moore: The Cover Shoot

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Kip Moore - Slowheart Album

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Watch Kip Moore - The Journey To Slowheart

SLOWHEART follows the acclaim that surrounded Moore’s sophomore album WILD ONES heralded as “an impressively singular release from Music Row” by The Guardian

Kip Moore - The Journey To Slowheart is a 2016 documentary with a runtime of 33 minutes.

• Genres Documentary Music
• Cast Kip Moore
• Director Not Specified
• Release Date 2016
• Runtime 33 min

Kip Moore Lyrics

• Artists add

Don't Stop Believin'

Don't stop believin' lyrics.

Ask specific questions and get answers to unlock more indepth meanings & facts.

Add your song meanings, interpretations, facts, memories & more to the community.

What a bunch of simpletons (not all of you, there are some insightful posts on here)!

Yes there are lyrics that loosely allude to a hooker. It's called an allegory people (look it up if you need to).

The song is about the common search for love and the fear of loneliness. The lyrics you are focusing in on are a metaphor for all of the things we use to fill the void in out lives so we don't feel the pain of emptiness and loneliness. The chorus provides an optimistic counterpoint to this - "Don't stop belivin'" Yes, it's a lonely world, and finding someone is hard, but hope makes it all bearable (believing that there is someone there for you).

It also addresses escaping from your past, whatever it may be, and looking toward a better tomorrow.

For those who have to have it spelled out line by line (or at least stanza by stanza):

Small town girl..city boy...midnight train: A commonality between us all, regardless of our backgrounds, the loneliness of adolescence, escaping from your past.

Smokey room...for a smile...on and on: Metaphoric for the places/circumstances we seek love and companionship (the stereotype being a bar). We are so desperate to not be lonely that we'll form a relationship simply on the basis of a smile (again metaphorical, though often literal). "On and On," again referring to our common condition, this scene is repeatedly played out day in and out - we're all searching for love and companionship.

"Strangers waiting": We are all strangers to each other, no one has experienced exactly what you have, and there is a certain inherent isolation in that. "Up and down the boulevard": Everywhere, every town, every person, through all life experience. "Their shadows searching in the night": The night represents isolation and separation from others. Shadows are our own inner darkness (or demons, our deepest secrets). We are haunted by our personal ghosts, and are seeking someone who will understand and relate to us despite who we are. The shadows aren't really seeking (since shadows aren't actually anything, but the absence of light), but us seeking someone with whom we can share who we really are. "Streetlight, people": What we project ourselves to be to the world - how we want people to see us. "Living just to find emotion": Again, we are isolated and seeking meaningful relationships, but willing to settle for something to make us feel less empty, so we will fill that void with any sort of connection. "Hiding, somewhere in the night": See above, any sort of superficial emotional connection seems to be preferable to being alone in the darkness.

"Working hard to get my fill, everybody wants a thrill":Putting forth a great deal of effort to make those connections, the fact that we often substitute cheap thrills (sex?) for true meaning and connection in relationships. "Payin' anything...": We will sacrifice a great deal to avoid being loney, even if the reward is fleeting. "Some will win...": Some will find a true, meaningful relationship, some won't, some never will. "the movie...": This cycle goes on and on with, just the players change over time.

"Don't stop believin', Hold on to that feelin'": Don't give up hope, keep searching for that meaningful relationship regardless of how difficult and trying the search is. "Streetlight people": Again, see above - everyone has their "public face" which we present. Despite our inherent shallowness, keep seeking the deeper, more meaningful connection.

I know it's popular to bash Journey and this song simply because of how popular they were in the 80's and that they to some extent defined popular music for that era - move beyond that. I'm a huge Rush fan, I love the work that Neil Peart puts into crafting his lyrics and the meaning behind them. That said, I defy you to find another song that in 19 lines more accurately sums up the human condition when it comes to seeking out someone to connect with and the loneliness everyone feels. I guarantee you a good portion of the popularity of this song is that so many people can relate to it, even if they can't exactly define why. This is a masterfully written (and performed piece of art), and deserves recognition as such.

@Tristar I completely appreciate every word you took the time to break this down so well, seems like You wrote the song!

@Tristar LMAO... are you a dumbass. Calling people names, when you are 100% off the writer of the song, comes right out and proclaims its about his walk to jesus. Before you start throwing rocks, best make sure your in a kevlar building...https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.iamsecond.com%2Ffilm%2Fjonathan-cain%2F%3Ffbclid%3DIwAR08mVjNKpmiYkDeN4iIiv8XvOmFgUtKgpZDzAc0AG5BEj-9TjpQVJGG8Ck&h=AT0uwblU9MRqsUyLUm52qqSRJsWMiGnZSWar03FBDDu9uUuF7TDwll8Ftyaiz0RUz0jOJ_sW8nI3QywjGq6mW37GkqCebe-169a2_RhS7nHRxO2z0JGfmvqLJP5pQ4cmL2xeDDwUwzhvnOzV2cujqHY&__tn__=-UK-R&c[0]=AT2cxduPXuVvU5kPcYQN4gCs4BXghfDh1xQdLJznG8CEUVgwWy0xYyuk6bSUBDYuR0f99ehP_shsLw4p1oNU_uxc0e_JV_Bmcwy4dEtI4-pkyqsXNFQXOYJk5ighVNAMNSXZ2hQIT_LUKl7z2q4sWwB70X20DYBZlO-q9OdQO55Ggj63bk0AOg...

@Tristar LMAO... are you a dumbass. Calling people names, when you are 100% off the writer of the song, comes right out and proclaims its about his walk to jesus. Before you start throwing rocks, best make sure your in a kevlar building... https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.iamsecond.com%2Ffilm%2Fjonathan-cain%2F%3Ffbclid%3DIwAR08mVjNKpmiYkDeN4iIiv8XvOmFgUtKgpZDzAc0AG5BEj-9TjpQVJGG8Ck&h=AT0uwblU9MRqsUyLUm52qqSRJsWMiGnZSWar03FBDDu9uUuF7TDwll8Ftyaiz0RUz0jOJ_sW8nI3QywjGq6mW37GkqCebe-169a2_RhS7nHRxO2z0JGfmvqLJP5pQ4cmL2xeDDwUwzhvnOzV2cujqHY&__tn__=-UK-R&c[0]=AT2cxduPXuVvU5kPcYQN4gCs4BXghfDh1xQdLJznG8CEUVgwWy0xYyuk6bSUBDYuR0f99ehP_shsLw4p1oNU_uxc0e_JV_Bmcwy4dEtI4-pkyqsXNFQXOYJk5ighVNAMNSXZ2hQIT_LUKl7z2q4sWwB70X20DYBZlO-q9OdQO55Ggj63bk0AOg

That one line..."some will win, some will lose.." That line couldnt be more true. this one time i won, and then this other time, i lost. steve perry really tells it like it is.

This song is about never giving up on love. Everyone feels lonely sometimes. This song makes me think that every time I am sad or lonely there is someone else out there who might be lonely too and that someday we will meet. It sounds dumb I guess, maybe naive or hopelessly romantic but I think its true. I "hold on to that feeling" of hope all the time.

This song is extremely special to me. My father died when I was young and always used to tell me "Keep the faith, Kris. Keep the faith." This song has never let me down and I think it's exactly that; keep the faith and don't stop believing no matter what happens. There is always something great out there as long as you believe it exists. I've experienced some rough things in my life and whenever I asked God to help me, this song would play on the radio or wherever I was.

I was supposed to graduate from college in May 2011, and I couldn't because I had to repeat my 90 hours for teaching. I knew God had a plan for me for some reason although I didn't know what. I ended up student teaching at the school attached to my Church. I could not have asked for a better experience. I honestly could not or would not have asked for a better sign from God that I have a bright future in this field.

Never give up on yourself or your dreams, keep going and NEVER stop believing.

i love this song. best journey song hands down.

I think this song is defintely about fate, hope, love, and of course, believing. We all want love/thrill/emotion.. and we try to find it, often through lust. we end up not getting it. it's saying just don't stop believing. it will happen someday.

this song is about fate. How two lonley people from two different areas are lookingand waiting for love. Everybody wants emotion(love) but not all of us are that lucky. And for those who arn't that lucky well "Dont stop believin".

Just a small town girl, living in a lonely world She took the midnight train going anywhere

just a city boy, born and raised in South Detroit He took the midnight train going anywhere

( Ok so listen up because this is where you have to really start thinking... I solely hope to concey both clearly and simply to you why this song is in my mind, about prostitutes. Yes, hookers, harlots, and whores... To many times people for lack of better words " Judge a book by it's cover". I know that the first couple of lines have confused...

( Ok so listen up because this is where you have to really start thinking... I solely hope to concey both clearly and simply to you why this song is in my mind, about prostitutes. Yes, hookers, harlots, and whores... To many times people for lack of better words " Judge a book by it's cover". I know that the first couple of lines have confused many people, but what the writer really tries to get you to do is create in your mind a character for you to get to understand, and hopefully also sympathies with by the end of the narrative. People will confuse themselves often, as they create the story in their minds with two protagonists for the song, because well they want to think it is about themselves. Though while it is an effective literary technique to put the reader in the story, I believe that this story is ment to be looked at from afar to picture a story of people we will probably never get to know. Now that I have your attention please feel free to re-read the lyrics, I have even provided my own comments on the lines for those who chose to read them ) . . . . . .

A singer in a smoky room The smell of wine and cheap perfume

( when writers tell a story they know that one element of that tale is the setting, the where, the when, and sometimes the why. In the case of these lines the author, as i will call the writer or writers, the author is developing the where, by enlightening multiple of our senses to the setting. The singer gives us something to picture hearing, and maybe even watching as she is providing entertainment. The smoky room gives us something to picture smelling, and again maybe is gives us a visual of smoke in hanging in the air as it often does in a bar. The last line I will leave you to interpret, but i would ask if you try to let your imagination wander.)

For a smile they can share the night It goes on and on and on and on

( Now that the author has developed a setting for us he reintroduces the protagonist [ Prostitute ], and the other character [ male Client ]. And then for whatever reason, destiny or randomness, these two people, which few people on here tend to agree on what method is the right one. Yes the male smiles and yes the pair share the night in whatever ways your imagination can take you. )

Strangers waiting, up and down the boulevard Their shadows searching in the night

( Now the author ask us to picture a different setting, note that the protagonist is not necessarily present. The author shows us people on a boulevard probably one that looks much like one you've seen as it is your own creation to imagine. There shadows most typically an ominous symbol in literature describe the setting quite differently than the up beat tempo of the music. This darkness is actually quite a prevalent theme throughout. " Midnight Train", "Shadows searching in the night". )

Hiding somewhere in the night

( These lines tell us about the people in this new scene. The streetlight's depict how they can be found on street corners, where the look for emotion, whether it is happiness because of that they feel nought, or also find sadness, because there possibly self-destructive habits lead them to repeatably find themselves in terrible situations, "On and on and on and on.".

Working hard to get my fill, everybody wants a thrill Paying anything to roll the dice just one more time

( The use of the word my should suggest to the reader that the author is now speaking in first person through the protagonist. She is work hard at prostitution just to get a fill, not a T.V. or Car, like many of us including myself, look forward to saving for. But after all as we have been told many times, prostitution is the oldest profession and, "Everybody wants a thrill". There is a reason why there is a general consensus, that, "Streetlight People" as I like to call them are some of the lowest people. This is because they have said au revoir to there morals and paid the highest price and made the greatest sacrifice in selling the one thing they truly own... their bodies.)

Some will win, some will lose, some were born to sing the blues Oh the movie never ends, it goes on and on and on and on

( Yes some people will win, they will be rich maybe be famous, others will lose as we all have once or twice, and, "Some were born to sing the blue's". And what better music for the author to use to describe the life of a prostitute than the most soulful, most passionate, and often the saddest ever produced. And yes this movie you have imagined for yourself, "Goes on and on and on and on".

Hold on to that feeling Streetlight people

( And the story ends with touching sentiments and a kind high pitched final farewell, to all those Streetlight people that obviously everyone seems to like so much. )

* This is my take of the song, I hope you enjoyed how I tried to connect most every line if not word, but if you still have any questions or if you want to try to rebut me feel free to email me at [email protected] my name is Stephen Graham Hajosy and would love to hear other peoples input to a song that I personally love to sing at the top of my lungs at every home Oregon Ducks football game**

it's just basically telling us that there is that special someone out there for each of us. except i think i would be the one who "sings the blues" as steve perry put it.

Love what Glee did with this. The cover is amazing, and I think it captures all the energy of the original. Wow. This was (and still is) such a FANTASTIC song!

I have always interpreted this song as to the randomness of two souls finding each other. Out of nowhere, completely unexpected, not even looking, but their hearts are open to the possibility. The conclusion of these lyrics is actually the first verse of the song.

The rest is filled with methaphors of the arduous journey, and seemingly hopeless search. It may seem like a lost cause at times, but like the title of the song says, "Don't stop believin'".

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Top 10 Journey Songs

From the ashes of Santana and Frumious Bandersnatch born this beast of a band in San Francisco in 1973. Full of artistic ups and downs, Journey’s strongest times were between 78′ and 87′ when Steve Perry was the lead vocalist.

For some of us, they are the band that wrote “that song from 80’s movies(Song #3),” and for some of us, they’re the summit of our teenage years. Let’s take a look at the top 10 songs of this amazing band!

Table of Contents

1. In My Lonely Feeling / Conversations

Released in one of their earliest albums ‘Journey’, the band influenced by the psychedelic feels of their previous bands, decided to take on a memorable riff that has you bobbing your head for days. 

Here’s a link to the performance at Winterland:

2. Nickel & Dime 

Journey got you covered with this 1977 instrumental, this track is filled with energy and real rock n’ roll. A classic hit from their third album that cannot be skipped! 

Here’s a link to the instrumental: 

3. Look Into The Future

We all like to reminiscence every now and then, or ‘reflect’ for those that don’t want to admit it. With all their emotions literally felt through the song, this song is probably the best option for a get together. 

Here’s a link to the winner of the list: 

4. It’s All Too Much

It’s summer, burgers are nearly done and in the meanwhile you’re nibbling on chips whilst you’re trying to dance in a socially acceptable manner. You just can’t help but shake it with this song! 

Here’s a link to the track: 

Released in their third album, this song meets the criteria of ‘I want a song that’s perfect start to my drive’. 

Here’s a link to your new Sing-A-Long track: 

6. Sweet & Simple

I mean, the song is sweet and simple… 

Here’s a link to something that will have you in your feels: 

7. Natural Thing

Soulful & genuine, the vocals alone will have you in a trance for the whole 3 mins. 

Here’s a link to that long needed shower song: 

Compared to the likes of Hendrix, this rockin’ piece will help you move on and let go of whatever it is that made you want to listen to this in the first place. 

Here’s a link: 

9. Any Way You Want It 

This opening track of Departure is an immense, energy-filled, good vibes track. It is usually used as the last song on any Journey show. Finishing in a  high tune like that is an experience that sticks in a good way. If you haven’t heard this song in 2010 during the heavily saturated world of Glee advertisements everywhere on your screen, then you’re quite lucky. 

Here’s a link to probably one of the second most famous Journey songs:

10. Keep on Runnin’ 

You’re missing out on that Journey tribute that’s going on in town? Don’t fret, this performance will have you feeling like you’re back in 1981! 

Here’s a link to the song: 

11. Lovin’, Touchin’, Squeezin’ 

From the romantic mind of Perry, this extremely personal song about a relationship (which is believed to be inspired by true events) was the band’s first song to break into the Billboard top twenty, and It peaked at number 16.

12. Only The Young 

As you can guess from the title, this song is about the infinite promise and freedom of youth. Unfortunately, there’s a sad story about this song; this song was played to a 16-year-old fan with cystic fibrosis as part of a request from Make a Wish Foundation. Unfortunately, the fan died a day later, leaving the band with a broken heart.

13. Wheel In the Sky 

Started slowly by peaking at number 57 in the US – this song has gone on to become one of the strong Journey classics.

14. Lights 

One of the first Journey songs featuring Steve Parry, this one also started as a minor hit (#68 on charts) but became one of the signature songs.

15. Who’s Crying 

This soulful piece is Dressed in a beautiful piano riff. It is one of the most successful songs of the band. Peking at #4 in the US and becoming the highest UK charting Journey single at the time.

16. Open Arms 

This track is also one of the most successful songs of the band, earning them their highest position on the Billboard 100 (#2). Song was introduced to a wider and more contemporary audience by becoming a staple of many pop artists’ covers, including Mariah Carey.

17. Faithfully 

One of the most powerful Journey songs. Written by Jonathan Cain on the road and was completed very quickly (which the religious Cain puts down to divine intervention). 

18. Separate Ways 

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. As some of us know as ” that song from the 80s’ movies.”

19. Don’t Stop Believin’ 

The most iconic song of this band. This amazing song taken from 1981’s Escape is one of the most anthem-like catchy rock songs of all time. 

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