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• October 15, 2007

alright norwich la, I ope lethal bizzle warmed you up good and proper yeah <small woop> we’re from liverpool 1 2 3 4. what? warmed you up? it’s 10 past 8. and anyway, since when should it have been wombats/milburn/holloways/pigeon detectives/other bunch of students on after lethal bizzle? I’m about as interested in the wombats as I was about the mystery jets who opened the NME tour last year who I missed because I was at a parent’s evening or something but lethal bizzle sounded like he might at least be a bit interesting even if he does just kind of shout about running away from the filth after he’s crashed his joyride up that london or wherever it is. but never mind its not busy in the Lethargic Cramped Ruin like it was last year either, but that’s because there isn’t the same wet pants frenzy around the enemy as there was around arctic monkeys so even though its chocked up with 15 year olds there’s a satisfyingly healthy contingent of stoners and boners who look like they might have a fight later, which, coincidentally, they do. even as the wombats tread pedestrianly through their me too english eccentricities there’s loads of space to wander down to the sticky wooden floor. you’d even say it was a bit empty really. the thing about the NME tours is that they don’t turn up the house lights in between the acts, so you’re never quite sure how many people are in and what their demographic is, but in the main, everybody is short tonight, except for the occasional 6 foot 7 20 year old who’s getting lambasted by small groups of carlsberg exports for just being tall which isn’t funny really but they’ve got that pissed-up local turn of phase that I still think is funny even when they’re lobbing a pint of watery lager at your head. after the adverts for the NME have scrolled around on the projected backdrop about a million times and we’re all wondering what the shock might be about the new radiohead album the lights that there are go dim and there’s a small ripple of enemy, enemy, enemy, after which more projection, but very loud this time, and that cleverly pitched (old idea, new audience) railway station noticeboard rattle begins as it flips through a number of provincial towns until it finally settles on norwich, which elicits a deafening “norwich, har, look, norwich, thass good hint ut” and then today’s date. it’s cringingly basic, but splendid all the same. and then the jam come on stage and do in the city a few times. if last year was faux shakespearian ponderings from sheffield and reading, then this year is cmon norwich lets see what you’re made of up for it no f**kin abaht from the heart of the empire, erm, coventry. the enemy are quite angry about stuff, mainly inner city decay and provincial apathy and the loss of identity and the hopelessness of youth and slashed seat affairs and travelling on buses etc., but they are wantonly uplifting and undeniably up for it. I’d tell you more about them, but their web site is currently just a black page with nothing on, which is probably appropriate. I mean, they are the jam reincarnate, but without the red wellerism. not sure what else you would need to know. they shouted most of the album and there were nice fights going on between delirious stoners and petrified students in the circle of death. the sound was terrible and it was all over by about 10:30. I watched a programme about sharks and hitler when I got home.

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NME Albums Of The Year 2007 by New Music Express (2007)

New Musical Express is a British music, film, gaming, and culture website and brand. These are their best albums of 2007. (Official website: https://www.nme.com )

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Interpol add US dates to 2024 ‘Antics’ 20th anniversary tour

The new shows follow on from the dates planned for across the UK, Ireland and Europe

Interpol have added a number of US dates to their 2024 ‘Antics’ 20th anniversary tour. Find ticket details below.

• READ MORE: Interpol on 20 years of ‘Antics’ and touring with The Cure: “It was another era” 

The album, which was released in 2004, marked the band’s second studio album and peaked at Number 15 on the Billboard 200 and at Number 21 in the UK Albums Chart. It included indie disco staples including ‘ Slow Hands ’, ‘Evil’ , alongside fan favourites ‘ C’mere ’ and ‘Narc’ .

Not only did it catapult the members to new heights following the breakthrough LP ‘Turn On The Bright Lights’, it also led to them signing to a major label for the follow-up ‘Our Love To Admire’.

Now, following on the heels of a number of shows across the UK and Europe to celebrate the 20th anniversary of the album, the band have confirmed details of some tour dates across the pond.

Three dates have been lined up, with the first taking place at The Salt Shed venue in Chicago on November 19. The second show will be held at The Moody Amphitheater in Austin, Texas, the following night, followed by a final show at the Kia Forum in Los Angeles on November 23.

The band will be joined in each of the three cities by a different special guest – with Deafheaven , …And You Will Know Us by the Trail of Dead, and The Walkmen acting as support respectively.

Tickets go on sale this Friday (June 14) at 10am local time. Visit here for tickets and check below for US tour dates.

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Interpol’s US tour dates are:

NOVEMBER 19 – The Salt Shed, Chicago, IL 20 – The Moody Amphitheater, Austin, TX 23 – Kia Forum, Los Angeles, CA

Before the US tour, the band will play the album in full for six shows in the UK in November. These were the first run of dates announced, however, back in April it was confirmed that they had also locked in some European shows to celebrate the album’s 20th anniversary.

Now, the tour will kick off in Stockholm on October 19 before moving on to Copenhagen the following night and will finish with two shows in Amsterdam on October 29 and 30. Visit here for UK and European tickets.

The announcement comes as the band’s drummer Sam Fogarino recently confirmed that he will not be joining the band on the road “for the time being” after undergoing spinal surgery .

Interpol played ‘Antics’ in full at a special gig in Paris last year , months ahead of the 19th anniversary of that album. The show took place at the Philharmonie de Paris and saw the band air ‘A Time To Be So Small’ for the first time since 2007.

Speaking to NME recently , guitarist Daniel Kessler explained what fans can expect from their upcoming shows. “We did two shows in France where we played ‘Antics’ in full [last year], and it’s been really strange. It’s nerve-wracking at first,” he explained.

“It might not seem that much of a stretch for a band to play an album in sequence, but it really is. It’s sequenced for the record in a very intentional way, but performing it as such means going from first gear to fourth gear and vice versa.

“When we did those two shows, it really took some activating and getting used to – regardless of how many times you’ve played those songs before.”

He also looked back at the legacy around the album, and what it was like to see that it had been leaked before the official release date. “Honestly, it was easy come, easy go. It was another era. I was happy that we had the last final taste of that era of the music industry, but it had all just evolved so rapidly from piracy to downloads to streaming. It was at break-neck speed, so when it happened I wasn’t that angry – but I was surprised.

“It’s not something you wish for, but there was also something amazing with what was happening. If you lived in a remote part of the world with a certain taste in music then suddenly you wouldn’t be punished for your geographical location. That excited me more than I was disappointed that the record leaked.”

In other Interpol news, the band are among those listed as the bookies have shared their odds for who may be playing a secret set at Glastonbury 2024 .

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