journey's first number one hit

Top Journey Songs

11 Song Chart Appearances

Journey first charted 6 years after their formation or first release. Journey first charted in 1979. Their last appearance in the charts was 1986. They had chart topping singles covering a span of 8 years.

Ask The Lonely

Separate Ways (Worlds Apart)

Who's Crying Now

Don't Stop Believin'

Stone In Love

Be Good to Yourself

The Party's Over (Hopelessly in Love)

Girl Can't Help It

Lovin', Touchin', Squeezin'

Related chart trivia, similar artist top songs.

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List of Singles for Foghat

The list of top singles for Foghat come from the Playback.fm charts. Chart appearances and counts span from 1900-2016 only. Chart appearances include Pop, R&B, Country and Rock. Other genres are not yet included. This list only includes the first billed artist for the given track. It may include writing credits and featured credits in the near future. The data is for entertainment purposes only.

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Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band members Neal Schon (guitar), Ross Valory (bass) and Gregg Rolie (keyboards) hired singer Steve Perry in 1977 and embarked on a more popular direction. Journey went through another line-up change when Jonathan Cain replaced Rolie, ahead of recording their 1981 album Escape. The LP sold twelve million copies worldwide and featured the songs Who’s Sorry Now and Don’t Stop Believin’, which itself had a curious sales afterlife having only reached the giddy height of 62 in 1982, became a hit again in 2009 due to its use in the US television programme Glee. Steve Perry left Journey in 1998, and Arnel Pineda took over lead vocals in 2007. Image: Marion Curtis/Starpix/Shutterstock

JOURNEY Songs stats

Journey albums stats, journey news.

Official Singles Chart

DON'T STOP BELIEVIN' JOURNEY

WHO'S CRYING NOW JOURNEY

BE GOOD TO YOURSELF JOURNEY

WHO'S CRYING NOW {1989} JOURNEY

DIGITAL EP JOURNEY

SEPARATE WAYS (WORLDS APART) JOURNEY

Official Albums Chart

ESCAPE JOURNEY

FRONTIERS JOURNEY

EVOLUTION JOURNEY

• Peak: 100 ,

RAISED ON RADIO JOURNEY

TRIAL BY FIRE JOURNEY

REVELATION JOURNEY

DON'T STOP BELIEVIN' - THE BEST OF JOURNEY

GREATEST HITS JOURNEY

ECLIPSE JOURNEY

FREEDOM JOURNEY

Official Singles Chart Update

Please note, the data displayed for this chart reflects the title's midweek position only, peak positions on this chart also relate to midweek chart positions. Official Singles Chart Update data available on officialcharts.com goes back to October 2014.

Official Singles Sales Chart

Official singles downloads chart, official albums chart update.

Please note, the data displayed for this chart reflects the title's midweek position only, peak positions on this chart also relate to midweek chart positions. Official Albums Chart Update data available on officialcharts.com goes back to October 2014.

Official Scottish Albums Chart

Official albums sales chart, official album downloads chart, official physical albums chart, official record store chart, end of year singles chart, end of year albums chart, official rock & metal albums chart.

The data displayed for this chart goes back to 1994, however we hope to be able to offer deeper historic information at a future point

Official Rock & Metal Singles Chart

OPEN ARMS JOURNEY

FAITHFULLY JOURNEY

Official Independent Albums Chart

GENERATIONS JOURNEY

LIVE IN CONCERT AT LOLLAPALOOZA JOURNEY

The data displayed for this chart goes back to 1997, however we hope to be able to offer deeper historic information at a future point

Official Music Video Chart

GREATEST HITS 1978-1997 JOURNEY

2001 JOURNEY

LIVE IN TOKYO JOURNEY

LIVE IN MANILA JOURNEY

DON'T STOP BELIEVIN - EVERYMAN'S JOURNEY JOURNEY

ESCAPE & FRONTIERS JOURNEY

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Journey would have been huge in the UK if Radio 1 had bothered to play their records. It took them over 20 years give Don't stop believin' some airplay.

Top 10 Journey Songs Loved By Fans

After quickly abandoning the plan to be a backup group, the band experimented with a jazz-fusion sound. The band’s self-titled debut album was released in 1975, followed by Look into the Future a year later and Next in 1977. Sales of these first few albums were not promising, with only one (just barely) making the top 20. These disappointments led the band to move further away from their jazz roots and towards a harder (and more popular) rock sound. This coincided with Steve Perry joining the band as frontman, a change which, coupled with the band’s new sound, saw their fortunes improve dramatically.

Journey achieved their first top 20 single in 1979, while the band’s sixth album, Departure (1980), charted at number eight. The early ’80s saw the band peak their popularity, earning a number-one album, Escape, in 1981 and many successful singles. Following an explosion of success, the band took some time off, with a few members, including Steve Perry , working on solo projects. Raised on the Radio (1986) was a massive hit for the band, but Steve Perry felt unable to continue with the group, causing them to go on hiatus for almost a decade between 1987 and 1995.

The band eventually reformed to a decent enough reception, but following a hip injury, Steve Perry decided to leave the band for good. Ironically, he was replaced by another Steve, Steve Augeri (of Tyketto and Tall Story) while Dean Castronovo replaced drummer Steve Smith (who also left). The band’s 2001 album, Arrival , was met with quiet success, after which Augeri was forced to leave the band due to problems with his throat. The remaining band members scoured YouTube to find a new singer, eventually settling on Arnel Pineda. The first record released with Pineda on lead vocals ( Revelation, 2008 ) was a great success, and this was shortly followed by the TV series Glee, which introduced the band’s music to a whole new generation of listeners.

Although the glory days of the bands are over, it makes a nice change for an iconic band such as Journey to be decently still chugging along almost half a century since their debut. Despite an ever-changing lineup, the band created some extraordinary tracks, the best of which will be featured on this list of the top ten Journey songs.

# 10 –  Lovin’, Touchin’, Squeezin’

This single from Evolution (1979) was the band’s first song to break into the Billboard Top Twenty, where it peaked at number 16. Steve Perry wrote the track and seems to be an extremely personal track about a relationship that is believed to be inspired by actual events. The song sees Steve Perry’s  girlfriend having an affair with someone else, leaving him feeling broken and lonely. During the final chorus, the girl gets a taste of her own medicine when it is revealed that the guy she cheated with is now cheating on her. This twist allows Steve Perry to get the last laugh, even if his heart is broken.

The track begins with a bass-infused drum beat, quickly joined by a squealed guitar and lush piano chords. The screeched guitar soon makes way for a crunchy, distorted sound, which captures the familiar mix of joy and pain that is love when paired with the gorgeous piano notes. Steve Perry imbues the lyrics with anguish and emotion, particularly evident during the song’s title hook.

Most of the song’s second half is taken up by a Beatles’ Hey Jude -inspired “Na na na” section. In less capable hands, this could seem lazy or uninspired, but mixed with soaring guitar runs, Journey manages to create a catchy and evocative outro.  Lovin’, Touchin’ , Squeezin’ was the first of many Journey songs to succeed, so it thoroughly deserves its place on this list.

# 9 –  Only the Young

Initially intended for inclusion on Frontiers (1983), this track was sold to the band Scandal, who received significant payment after Journey decided to record and release their version of the song. As the title suggests, the track covers a timeless topic: youth’s boundless promise and freedom. Journey puts their spin on things by suggesting that the young are potentially smarter than the generations before and can see through past lies, allowing them to build a better future.

This track is full of ’80s rock essentials, including a powerful and catchy chorus and a face-melting guitar solo. Neal Schon’s solo is only short on this track, but he manages to pack it full of ideas, somehow suggesting freedom, victory, and a hint of sadness with just a few chords.

A sad story goes along with this song, as it was played to a sixteen-year-old fan with cystic fibrosis as part of a request from the Make a Wish Foundation. The band was deeply moved by this experience and was devastated to find out that the fan passed away the next day. This must have been incredibly upsetting given the song’s theme, and is believed to have caused the group to realize that in-band tension was petty and unimportant in the grand scheme of things. The track was used to open the band’s Raised on Radio tour in tribute to the departed teenager.

Only the Young is one of those often underrated Journey songs, which, especially given its backstory, comes with a real punch of genuinely powerful emotion.

# 8 –  Wheel in the Sky

Although it was only a minor hit upon release – peaking at number 57 in the US – Wheel in the Sky has become a bonafide Journey classic. Recorded in 1977, the track comes from when the band was transitioning toward a harder rock sound, so much of the song features edgy and immediate guitar chords and simple rock beats.

The track begins with an instrumental section composed of a thoughtful and subdued sound, quite unlike the rest. The ominous atmosphere begins to build as soon as the growling guitar kicks in. The song’s churning guitar riffs echo the titular wheel in the sky, representing the idea that time goes on and on, that seasons will change and repeat forever, and there’s nothing anyone can do about it.

The song’s references to being on the road and away from home suggest that the band’s incessant touring could also have informed the song’s lyrics. The track ends on a hopeful note, where the final instance of the song’s chorus hook changes from “turning” to “yearning,” hinting that the band finds hope and promise in their existence rather than an endless cycle of repetition.

Unlike many Journey songs, the meaning of “Wheel in the Sky” is ambiguous and open to interpretation. This ambiguity mixes with the track’s moody and vaguely menacing instrumental, creating an exciting and uneasy hard rock Journey classic.

# 7 –  Lights

One of the first Journey songs to feature Steve Perry , “Lights” is a soft rock ballad that has gone from being a minor hit (reaching number 68 on the charts) to being one of the band’s signature tracks. The song has become a mainstay of classic rock stations and San Francisco based sports events.

The track is an ode to San Francisco, where Journey originated, and is full of references to the beauty of the city and its bay. Ironically, Steve Perry originally wrote the track about Los Angeles but found that the lyrics did not scan as well as he’d hoped. Realizing that the band’s precious San Francisco would be a better fit, Perry and Schon tweaked the track and made history.

“Lights” is a calming and soothing rock song, and it’s almost impossible to resist finding a lighter to sway about. The track features tender chords, just on the very edge of distortion, and a harmonious, tinkling piano. Dramatic keyboard notes sound subtly in the background, adding further atmosphere to the song’s images.

The instrumental complements the track’s lyrics, creating a relaxed and peaceful image of San Francisco. Having never visited the place, you can’t help but imagine yourself watching a gorgeous sunset surrounded by loved ones.

“Lights” has gone from humble beginnings to being one of Journey’s best-loved tracks. You don’t have to be from San Francisco to understand how magical this dreamy track is.

# 6 –  Who’s Crying Now

“Who’s Crying Now “ is one of the more successful Journey songs, peaking at number four in the US and becoming the highest-charting Journey single in the UK. The track is a soulful piece with a simple piano riff. According to the band, Steve Perry wrote the song’s chorus while coming to Jonathan Cain’s house during a storm. Upon his arrival, Cain had a few suggestions for changes, and the song was finished that afternoon.

The instrumental is moody and bitter, and you can tell it was inspired by a storm. The central piano hook is catchy but not particularly joyful, and when this is paired with Schon’s piercing and high-pitched guitar solo, you get the sense of the tense and tragic relationship described by the song. The lyrics tell a story of a toxic and tumultuous relationship, which, once again, can be linked to the song’s stormy inspiration.

This was the first Journey song to feature Cain, who had previously been a member of The Babys . It speaks volumes of Cain’s talent that he was so effortlessly able to slot into the band’s lineup and help create such an evocative and atmospheric piece. Of additional note is the curious decision for the drumbeat to be absent for much of the song, only appearing during the chorus and towards the track’s end. This allows for Cain’s impressive piano hook to become the song’s anchor, allowing its greatness to take center stage. Who’s Crying Now is a grim and tempestuous masterpiece.

# 5 –  Open Arms

The third single from 1981’s Escape , this track is an emotional power ballad and is often seen as being one of the best examples of this vibrant sub-genre. It is believed that Cain had already begun working on the song when he was a member of The Babys , but that band was not keen on the melody. After hearing the concept, Steve Perry was immediately interested, and the two finished the track together. The rest of the band were not so enamored with the track (or ballads in general), but after performing the track live, they saw the crowd’s warm reaction to the song and changed their hearts.

The track’s lyrics see Steve Perry (in extraordinary vocal form) pleading with his lover to forgive his wrongdoings and restart their relationship. The track utilizes some sparkling piano chords, a heartbeat-like drum, and beautiful orchestral elements, all contrasted by some gritty guitar runs.

The track is one of the band’s most successful songs, earning them their highest position on the Billboard 100 (number two). The track has been introduced to a broader (and more contemporary) audience by becoming a staple of many pop diva’s covers discography, including Mariah Carey , Britney Spears , and Celine Dion . Open Arms’ immense popularity is undoubtedly down to its relatable, heartfelt lyrics and gorgeous instrumental. You can be sure that many couples have used this – and other Journey songs – as the first dance at their wedding, and it’s easy to see why.

# 4 –  Faithfully

Another one of those stunningly powerful Journey songs, “Faithfully,” comes from 1983’s Frontiers. The track was written by Jonathan Cain while on the road and was completed in an extremely short time (something which the religious Cain puts down to divine intervention). The track is a charming ode to Cain’s wife, which pays particular attention to the realities of a relationship with a rock star and how these issues aren’t a problem for them. The song is unusual because it has no actual chorus; instead, it features two chorus-like sections ending on the same lines.

Being two of the band’s best-known power ballads, it’s inevitable that Faithfully will be compared to Open Arms . While traditionalists might prefer the more conventional Open Arms , “Faithfully”   imbues the power ballad with even more layers of drama and emotion. The strident and chiming electric chords that follow the first “chorus” are magical and a perfect example of the unbelievable range of sounds that guitars can create.

Bryan Adams (who supported Journey on the Frontiers Tour is thought to have been heavily influenced by “Faithfully” while writing “Heaven,” and legend has it that Prince called Cain to check whether or not he thought Purple Rain sounded too similar to the track. That “Faithfully”   could inspire such iconic songs should give you some idea of the sheer magnetism and brilliance of this moving and timeless power ballad.

# 3 –  Separate Ways (Worlds Apart)

This moody ’80s classic comes from Frontiers  and was a decent hit for the band, staying at number eight on the chart for six consecutive weeks. Separate Ways (Worlds Apart) is a dark and moody piece brooding with heavy, atmospheric guitar and foreboding synthesizer chords.

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. The track was written on tour while Schon and Valery were both going through stressful divorces, which no doubt informed the song’s creation. The track is notable for making its debut halfway through the tour, with these live performances being the first time fans would hear the record. The fan reaction was highly positive.

The song’s release coincided with the creation of MTV , meaning bands were forced to develop wacky and weird concepts for their music videos. This track has, unfortunately (if not unfairly), been labeled as having one of the worst music videos of all time. The video features the band playing cringeworthy imaginary instruments on a pier. As well as looking completely ludicrous, the video does a real disservice to what is a powerful and edgy piece of ‘80s rock.

# 2 –  Any Way You Want It

The opening track of Departure , Any Way You Want It, is an immense, stadium-filling, feel-good track. The song is often used to close Journey shows, finishing concerts on a genuinely euphoric note that will stick with fans. At the center of this hard rock track is a call and response between vocals and guitar, which is simply an absolute, unbridled pleasure to listen to. This method is believed to have been inspired by Thin Lizzy bassist Phil Lynott , who was jamming with Steve Perry and Neal Schon while the two bands were on tour together.

Even if you’ve never heard of Journey, chances are you will be familiar with this track, as it has been featured in many different films, TV shows, and commercials since its release. The song is well suited to this type of setting as it’s a real rip-roarer of a track that grabs listeners immediately with that introductory vocal hook and doesn’t let go until it reaches its end three and a half minutes later.

As well as the call and response guitar, the most notable part of the song is the sparkling organ (and mellotron) notes, which briefly play during the chorus, adding a pinch of variety and manic glamour to the proceedings. When a track is as shiny and genuinely excellent as this, it’s no surprise that it has become a mainstay of popular culture.

# 1 –  Don’t Stop Believin’

Love it or loathe it (not that that’s possible), there is truly no other track that will ever top a list of Journey songs. Taken from 1981’s Escape , this track is, quite simply, one of the most anthemic and catchy rock songs of all time.

Don’t Stop Believin’ begins with a glittering and iconic keyboard riff, which is soon joined by Perry’s vocals and some urgent and jittering guitar. From there, the song gets bigger and bigger, introducing some catchy pre-choruses and instrumentals before finally climaxing with that enormous chorus.

Like many Journey songs, this track did decently enough upon first release but, over time, morphed into achieving legendary status. Thanks to various television shows over the years ( The Sopranos, Glee , The X-Factor), the song has been in and out of the chart ever since its initial release, even managing to become the 25th best-selling track of 2010 in the UK, over twenty years since its release.

The track’s enduring popularity can be attributed to its cheerful and feel-good message, which everyone needs to hear at some point in their lives. The clever structure and progression also take the listener on (ironically) a journey. Don’t Stop Believin’ is a heavenly piece of everlasting rock goodness that will undoubtedly keep listeners believin ’ long into the future.

Journey’s various incarnations have created many memorable and moving tracks throughout their career, creating an impressive and influential discography. You can be sure that each of the Journey songs on this list will be remembered and cherished for years.

Feature Photo: Bruce Alan Bennett / Shutterstock.com

Top 10 Journey Songs article published on Classic RockHistory.com© 2024

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All 173 Journey Songs Ranked Worst to Best

Journey 's discography will always have a clear line of demarcation: before Steve Perry and after Steve Perry. That makes sense on a couple of levels. The albums they made together remain Journey's best-selling and best-loved. But, as the following list of All 173 Journey Songs Ranked Worst to Best shows, the band did important work before he arrived and it's had some perhaps overlooked successes afterward. ( Revelation , their first with current singer Arnel Pineda , was a platinum-selling No. 5 hit, for instance.)

So, we decided to take a complete accounting. Whether you're a fan of original contributions by Gregg Rolie or Jonathan Cain , George Tickner or Steve Augeri, they're all here. The only thing we left out were live takes and cover songs including Perry's version of Sam Cooke's "Good Times" from the Time3 box and Pineda's return to earlier Journey songs on Revelation . Which one will end up on top? Keep scrolling as we count them all down on the following list of All 173 Journey Songs Ranked Worst to Best.

No. 173. "Back Talk" from 'Frontiers' (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn it this spot.

No. 172. "Gone Crazy" from 'Generations' (2005)

For a singer, co-founding member Ross Valory is a terrific bassist.

No. 171. "Can Do" from 'Infinity' (1978)

Actually, can't.

No. 170. "Butterfly (She Flies Alone)" from 'Generations' (2005)

Steve Augeri, Perry's first replacement, drew a bad hand. He had to follow a legend, to lead a difficult transition after Journey was dropped by Columbia Records, to endure gimmicky moves like sharing the mic with everyone in the band, then to step aside after faltering out on the road. But this misfire was all his.

No. 169. "Baby I'm a Leavin' You" from 'Trial By Fire' (1996)

If you were wondering what Journey would sound like as a reggae band.

No. 168. "Venus" from 'Eclipse' (2011)

As Journey co-founder Neal Schon consolidated his latter-day power, a long-dreamt-of goal of a guitar-focused Journey album – on hold since 1977's Next – finally came to fruition. This freed Pineda, a former cover-band singer Schon found on YouTube, from the trap of sounding exactly like Steve Perry. But it also opened the door for plenty of indulgent Schon-related moments. Eclipse inevitably ended with yet another three-and-a-half minutes of Schon.

No. 167. "Pride of the Family" from 'Generations' (2005)

Augeri had to have been dismayed as some of the best material on his second album went elsewhere – including "A Better Life," found later on our list of Journey Songs Ranked Worst to Best. But Jonathan Cain's thin, objectively lazy bonus track (he swipes a line from .38 Special ) isn't one of those times.

No. 166. "The Journey (Revelation)" from 'Revelation' (2008)

If you're wondering what Journey would sound like as a boring fusion-jazz band.

No. 165. "Human Feel" from 'Eclipse' (2011)

Eclipse at its worst took Eclipse at its best to a mind-numbing zenith. What's missing on this pummeling, endlessly propulsive track is, ironically enough, human feel. It's is all head, no heart.

No. 164. "After All These Years" from 'Revelation' (2008)

Another of Journey's undeniably well-crafted, but often un-involving later-period ballads.

No. 163. "Departure" from 'Departure' (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.

No. 162. "I'm Cryin'" from 'Departure' (1980)

Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.

No. 161. "Every Generation" from 'Generations' (2005)

This is the first time Cain had been at the mic since singing lead on "All That Really Matters," a Frontiers -era leftover found elsewhere on our list of Journey Songs Ranked Worst to Best. Admittedly, he's a better singer than Ross Valory, but not Deen Castronovo – and certainly not Augeri. A missed opportunity.

No. 160. "Positive Touch" from 'Raised on Radio' (1986)

The demos for Raised on Radio were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Part way through the sessions, it became the latter. "They felt that the drum machine itself was part of the compositions," Smith later complained in Don't Stop Believin': The Untold Story of Journey . "I started feeling that it wasn't a band, and it certainly didn't have the same band approach as when we wrote collectively."

No. 159. "La Do Da" from 'Infinity' (1978)

Steve Perry's initial collaborations with Schon were a revelation. So many of the group's foundational songs emerged from those initial writing sessions. And then there was this.

No. 158. "Liberty" from 'Time3' (1992)

If you were wondering what Journey would sound like as a country band.

No. 157. "Troubled Child" from 'Frontiers' (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 156. "Wildest Dream" from 'Revelation' (2008)

Schon wants to rock, and he's always talking about rocking, so every once in a while they let him rock. The results are sometimes better than those undeniably well-crafted, but often uninvolving later-period ballads. And sometimes, as with "Wildest Dream," they are not.

No. 155. "Into Your Arms" from 'Time3' (1992)

One of a pair of unfinished jams from the Raised on Radio sessions that were later completed for release as part of the Journey's Time3 box set, and the less interesting of the two.

No. 154. "Tantra" from 'Eclipse' (2011)

Pineda spends most of the album inhabiting a fresh, almost feral persona, which makes this downshift into required balladry even more jarring. He sings like it's required too, recalling every Perry tick he can manage without giving any of himself to the lyric.

No. 153. "Lady Luck" from 'Evolution' (1979)

Journey join a number of artists who have sung tracks called "Lady Luck," including Deep Purple , Rod Stewart and David Lee Roth . Come to think of it, none of those are really any good either.

No. 152. "Karma" from 'Next' (1977)

The last pre-Steve Perry album ends with a grinding, unfocused rocker featuring Schon at the mic. Changes were coming.

No. 151. "Resonate" from 'Eclipse' (2011)

There might have been a hook buried in this song somewhere. Schon's army of guitars marched right over it, though.

No. 150. "Happy to Give" from 'Raised on Radio' (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.

No. 149. "Ritual" from 'Eclipse' (2011)

Imagine one of those classic-era mid-tempo Journey tracks, but in a wild-eyed 'roid rage. Settle down, boys.

No. 148. "What I Needed" from 'Revelation' (2008)

There's slightly more drama here than on the weirdly slack "After All These Years," but Journey seemed to be struggling to update their tried-and-true ballad style in Augeri's absence. Pineda co-wrote this song, but he's utterly subsumed in the trademark Journey sound. He ends up sounding like the nondescript tribute singer he once was.

No. 147. "Topaz" from 'Journey' (1975)

There's no denying the level of musicianship here. It's just not very interesting music.

No. 146. "Believe" from 'Generations' (2005)

Any good coach will tell you players have to be positioned to their strengths. So if you have Jonathan Cain available to play, you let Jonathan Cain play, right? Instead, we find Augeri at the keyboard on a repetitive song that becomes pure drudgery. "Well, I have a love and a desire to play the piano, and I love the way Jon plays and I get a chance to listen to him every night," Augeri told Melodic Rock in 2005. "So, he has influenced my writing and my arranging." Seriously, though, coach: Put Cain in.

No. 145. "Chain of Love" from 'Eclipse' (2011)

Journey spend roughly a minute and a half lulling you into thinking that they've put the sledgehammer away. Then: nah.

No. 144. "In the Morning Day" from 'Journey' (1975)

This serviceable mid-tempo song abruptly turns into mostly shapeless jam.

No. 143. "Change for the Better" from 'Revelation' (2008)

A Journey-by-the-numbers tune, kicked into another gear by Pineda's undeniable energy.

No. 142. "La Raza Del Sol," B-side of "Still They Ride" (1981)

The song's heart in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.

No. 141. "Let It Take You Back" from 'Revelation' (2008)

This was the first bonus track on Pineda's initial studio album with Journey, and a much better conclusion that Schon's amorphous instrumental "The Journey (Revelation)."

No. 140. "All the Things" from 'Arrival' (2001)

The last thing Augeri – a largely unknown Brooklyn-born singer trying to separate himself from the obvious Steve Perry comparisons – needed to be saddled with was an anonymous rocker. But that's what he was given.

No. 139. "Knowing That You Love Me" from 'Generations' (2005)

Jonathan Cain has been trying to write the next "Faithfully" since the day after he brought it into a Journey recording session. He still hasn't found it.

No. 138. "Mother, Father" from 'Escape' (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.

No. 137. "I Got a Reason" from 'Arrival' (2001)

This isn't as a faceless as "All the Things," but it's close.

No. 136. "The Time" from 'Red 13' (2002)

After a promising opening track that tapped the band's Journey's early fusion-loving roots, "The Time" falls back into more comfortable, and far less intriguing, blues rock.

No. 135. "Better Together" from 'Generations' (2005)

Augeri boasts a rare co-composing credit on a Glenn Hughes -ish song that tries very hard to be heavy, to be anthemic, to be defiant. Too hard, actually.

No. 134. "Majestic" from 'Evolution' (1979)

An abbreviated multi-tracked instrumental that was used as this album's opening theme, their last with producer Roy Thomas Baker. It's probably best remembered as the taped intro music for Journey concerts during this era.

No. 133. "Colors of the Spirit" from 'Trial By Fire' (1996)

This seemed like it was going to be more intriguing. They begin (and end) with a vague world-music feel, but return to expected post '80s-era Journey-isms in between.

No. 132. "All That Really Matters" from 'Time3' (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.

No. 131. "With Your Love" from 'Arrival' (2001)

Unfortunately, "With Your Love" doesn't live up to the thoughtful reinvention surrounding "Loved by You," found later in our list of Journey Songs Ranked Worst to Best.

No. 130. "Homemade Love" from 'Departure' (1980)

Despite discovering a newfound chart prowess, Journey were still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.

No. 129. "One More" from 'Trial by Fire' (1996)

The first in a number of Trial by Fire songs that made overt faith references. That became an underlying theme on the album, sparked when Perry arrived at the sessions carrying a Bible.

No. 128. "Never Too Late" from 'Generations' (2005)

Augeri was probably relieved to learn that Castronovo didn't get all the good songs.

No. 127. "To Be Alive Again" from 'Arrival' (2001)

There's nothing too offensive about this one, but nothing all that interesting either.

No. 126. "I Can Breathe" from 'Red 13' (2002)

This often-forgotten EP was initially self-released as a thank-you note to fans after Journey lost their longtime label support from Columbia. It's formatted as a kind of four-song travelogue through their history, with a proggish track, a blues rocker, the expected ballad and a more uptempo melodic rocker. The latter is the least interesting of the bunch. Augeri is in fine voice, but he's saddled with poor material.

No. 125. "Nothin' Comes Close" from 'Arrival' (2001)

This deep into Side Two of the ballad-heavy Arrival , basically any rocker was a relief. Even one this generally unimaginative.

No. 124. "To Whom It May Concern" from 'Eclipse' (2011)

Pineda's crying vocal gives this otherwise rather mechanical slow song a notable emotional underpinning.

No. 123. "Live and Breathe" from 'Arrival' (2001)

Yes, another ballad. At this point, even Neal Schon was, like, "Dude, really?" And he was listed as co-composer on almost all of them. "Yeah, I did write a lot of music on this album with Jon and everybody else this time – a lot of ballads and a lot of rock too," Schon told Melodic Rock in 2001. "But I had no idea that, you know, they'd pick every ballad that all of us wrote, you know what I'm saying?"

No. 122. "Dixie Highway" from 'Captured' (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 121. "Livin' to Do" from 'Arrival' (2001)

This song doesn't live up to thoughtful reinvention surrounding "Loved by You," either. It nevertheless holds an important place in the band's catalog because of a strong connection with Neal Schon's father Matt, who had earlier co-writes on "Winds of March" and "Mother, Father." "It was a couple of years before he passed away, and it was one of the last things that him and I sat down on a piano and we were playing together," Schon told Melodic Rock in 2001. He presented the rough idea to Cain and lyricist Kim Tribble, "and before the day was out, that song was sitting there. We really didn't change much at all in the studio on that one from the demo."

No. 120. "It's Just the Rain" from 'Trial By Fire' (1996)

Perry achieves a sweet sense of reverie, his most favored place, but the surroundings owe too much to rather boring solo forays into smooth jazz by Cain and Schon.

No. 119. "Lifetime of Dreams" from 'Arrival' (2001)

Journey's inventive call-and-response, first vocally and then with Schon's growling guitar, lifts an otherwise somewhat rote ballad to the next level.

No. 118. "The Place in Your Heart" from 'Generations' (2005)

Augeri sings his guts out, but this kind of undistinguished Cain/Schon-composed melodic rock is why Generations sunk to a paltry No. 170.

No. 117. "Keep On Runnin'" from 'Escape' (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.

No. 116. "Trial by Fire" from 'Trial by Fire' (1996)

This track made direct reference to verses in 2 Corinthians, underscoring once again how Cain's long-dormant songwriting partnership with Perry was reborn through a shared interest in scripture. "It was refreshing," Cain later told the Christian Post . "We wrote about 'treasures in jars of clay, let the light shine in the darkness.' I thought, 'This was fresh.' That was my first encounter with scripture and music, and I have been a believer all my life." Cain later returned to the theme on 2016's What God Wants to Hear , which consisted exclusively of faith-based songs.

No. 115. "Next" from 'Next' (1977)

Journey remind you of their canny knack for achieving liftoff here, but this time it's only window dressing for a song that doesn't feel completed.

No. 114. "Remember Me" from 'Armageddon: The Album' (1998)

Steve Augeri's first song with Journey was actually a soundtrack contribution that arrived years before his official full-length debut on 2001's Arrival . "Remember Me," unfortunately, was more utilitarian than memorable. They'd incorporated a nifty soundalike, but still needed to figure out how to draw out something creative from what began as a blatantly commercial decision.

No. 113. "Still She Cries" from 'Trial by Fire' (1996)

See "It's Just the Rain."

No. 112. "Dead or Alive" from 'Escape' (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.

No. 111. "City of the Angels" from 'Evolution' (1979)

"Lights," found later on our list of Journey Songs Ranked Worst to Best, was originally about Los Angeles , before Perry shifted its locale to his new home base in San Francisco. He later returned to the idea of paying tribute to L.A., with much poorer results.

No. 110. "I Can See It in Your Eyes" from 'Trial by Fire' (1996)

The obvious goal of getting the early-'80s lineup back together was to recreate the sound of that era – and they did that here. Unfortunately, it was the sound of their throwaway stuff on Side Two of Frontiers .

No. 109. "With a Tear" from 'Time3' (1992)

A leftover instrumental track from the Raised on Radio -era that Schon and Cain returned to finish in 1992. After "Be Good to Yourself," this would have been the edgiest thing on the album, had it come to fruition earlier.

No. 108. "Can't Tame the Lion" from 'Trial by Fire' (1996)

See "I Can See It in Your Eyes."

No. 107. "Kiss Me Softly" from 'Arrival' (2001)

One of four Jack Blades co-writes on Arrival , "Kiss Me Softly" started out as a much heavier vehicle for a Schon riff before the Night Ranger singer-bassist suggested they move in a different direction. It worked.

No. 106. "Escape" from 'Escape' (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs.

No. 105. "Winds of March" from 'Infinity' (1978)

Credited to a crowd including Matt and Neal Schon, Fleischman, Rolie and Perry, "Winds of March" actually sounds like a meeting of two minds: Perry, who deftly croons his way through the first two minutes, and his new bandmates – who absolutely tear through the remaining three.

No. 104. "Someone" from 'Eclipse' (2011)

The penultimate moment on Journey's heaviest album since the pre-Perry days was – wait, what? – a pop song. And a pretty good one, to boot. It's like a fever that just broke.

No. 103. "Line of Fire" from 'Departure' (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."

No. 102. "Signs of Life" from 'Arrival' (2001)

This appropriately titled song emerged from a period of deep uncertainty, when Schon and Cain were still waiting for Perry to make up his mind about rejoining Journey. "I said, Why don't we start writing?" Schon told Melodic Rock in 2001. "I mean, you know, maybe Steve will decide that he wants to come back, maybe he won't. But at least when we decide what we're going to do, and we figure out what's going on, we won't be starting right at the beginning again." Steve Augeri eventually stepped in, and they had a ready-made song to help introduce him to fans.

No. 101. "Precious Time" from 'Departure' (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 100. "Lay It Down" from 'Escape' (1981)

Smith approximates co-founding drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.

No. 99. "Turn Down the World Tonight" from 'Revelation' (2008)

Pineda breaks the mold here, following Augeri's example of doing more with less emoting. There's another twist: "Turn Down the World Tonight" appears headed toward an almost operatic conclusion before they switch gears again, ending on a nicely placed grace note.

No. 98. "Midnight Dreamer" from 'Look Into the Future' (1976)

The book on Journey was always that Steve Perry arrived and they suddenly shook themselves awake to commercial considerations. One listen to "Midnight Dreamer," and a good portion of the album it originated from, makes a powerful counter-argument. They still stretch out – dig that crazy keyboard solo! – but "Midnight Dreamer" wasn't that far from what album-oriented radio was playing at the time.

No. 97. "Chain Reaction" from 'Frontiers' (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.

No. 96. "Once You Love Somebody" from 'Raised on Radio' (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.

No. 95. "What It Takes to Win" from 'Revelation' (2008)

Pineda lets a roughness slip into his vocal, and a little bit more of himself. "What It Takes to Win" is better for it. He was 40 when he joined Journey, a fully formed singer in his own right. He deserves a lot more of these moments.

No. 94. "For You" From 'Time3' (1992)

An important, if not entirely successful, Robert Fleischman-sung track from the demo phase for 1978's Infinity . Journey were already headed toward a more compact, radio-ready direction, even before Perry arrived.

No. 93. "World Gone Wild" from 'Arrival' (2001)

The Augeri-era Journey lineup credibly recreates a "Separate Ways"-type groove, switching things up with a spacious, inspirational bridge.

No. 92. "Never Walk Away" from 'Revelation' (2008)

Arnel Pineda came bursting out of the gates with the opening track on his first Journey studio effort, singing with power to spare. Kevin Shirley, back for his third Journey album after 1996's Trial by Fire and 2001's Arrival , turns everything up around Pineda – in particular Schon.

No. 91. "In My Lonely Feeling / Conversations" from 'Journey' (1975)

The cool interplay between Schon and quickly departed co-founding rhythm guitarist George Tickner is perhaps best showcased on this composition by Rolie and Valory. Tickner was given two subsequent songwriting credits for 1976's Look Into the Future , but was already gone by the time it was released.

No. 90. "I'm That Way" from 'Arrival' (2001)

Augeri's ability to handle this kind of lithe, very Steve Perry-esque ballad is precisely why they brought him in. Unfortunately, you'll have to search way too hard to find it: For some reason, Journey originally tucked "I'm That Way" away as a bonus track on the Japanese version of Augeri's debut.

No. 89. "Natural Thing," B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.

No. 88. "People" from 'Next' (1977)

Journey get proggy, and it would've worked – a few years earlier.

No. 87. "Easy to Fall" from 'Trial by Fire' (1996)

Presented in their classic arena-ballad style, but without much to differentiate it from other, better, more popular iterations, "Easy to Fall" is the sound of Journey trying to sound like Journey. This would go on for a while.

No. 86. "Walkin' Away from the Edge" from 'Red 13' (2002)

Before being felled by vocal issues, Augeri was able to convey a depth, a relative darkness, that no other Journey singer since Gregg Rolie could touch.

No. 85. "On a Saturday Nite" from 'Look Into the Future' (1976)

Rolie opens their second album with an approachable, yet still tough-minded song that confidently moves Journey more toward traditional classic rock, if not all the way over to the pop-leaning sound that later sent them to the top of the charts.

No. 84. "Rubicon" from 'Frontiers' (1983)

This song drove a seemingly permanent wedge in the band. Schon was playing "Rubicon," he told The New York Times in 2003, when Perry came over and turned down his amplifiers. "They want to hear the voice," Schon remembered Perry saying. "That was the start of it for me." They put out only two more albums together, and it took them 13 years to do it.

No. 83. "Look Into the Future" from 'Look Into the Future' (1976)

Everybody was into Led Zeppelin at this point, including Journey.

No. 82. "When I Think of You" from 'Trial by Fire' (1996)

"When I Think of You" appeared on Journey's Perry-curated Greatest Hits 2 not because of its chart history, but because of what it meant to him. Perry wrote this little-known deep cut after his late mother appeared, happy and healthy, in a particularly vivid dream. "She had been sick for so long that this was what I needed to know – even if it was a dream," Perry said in a 2011 fan Q&A . "I later went to Jon Cain's and told him I wanted to write a song about this experience and started singing a melody, and we finished it together."

No. 81. "She Makes Me (Feel Alright)" from 'Look Into the Future' (1976)

"She Makes Me (Feel Alright)" builds on Rolie's album-opening foray into more digestible song structures, though Schon's metallic asides nearly push it into hard rock.

No. 80. "Loved by You" from 'Arrival' (2001)

Augeri updates the patented Journey ballad model by staying modulated, singing with a steadier, quieter certitude. That showed no small amount of guts. Problem: This was not what Journey fans wanted. Arrival stalled at No. 56, the group's worst finish since Next in 1977.

No. 79. "Mystery Mountain" from 'Journey' (1975)

"The way I look at the early Journey stuff is, if we played that now, we'd be out with Phish, or the [Dave] Matthews Band ," Rolie remembered in 2011 . "We were a great jam band." Exhibit A: their trippy debut album-closing "Magic Mountain," written by Rolie and Tickner with help from Ross Valory's wife.

No. 78. "Frontiers" from 'Frontiers' (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for warmongers: "War is for fools; crisis is cool."

No. 77. "In Self-Defense" from 'Generations' (2005)

A track that had been bouncing around since Schon's 1982 Here to Stay collaboration with Jan Hammer. That version showcased Journey's early-'80s lineup (minus Cain) at the peak of their increasingly rare heavy-rocking form. Same here, with Castronovo in place of Steve Smith. They miss Perry's elevating vocals during the solo, though.

No. 76. "It Could Have Been You" from 'Raised on Radio' (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.

No. 75. "She's a Mystery" from 'Eclipse' (2011)

A lovely, Pineda co-written acoustic aside, "She's a Mystery" is that rare moment on Eclipse where Journey take their foot off the gas without swerving into power-ballad cliche.

No. 74. "Sweet and Simple" from 'Evolution' (1979)

Perry brought this dream-like song with him, having written it years before while looking out over Lake Tahoe. Journey completed it with a quickly ascending final segment that matched now-patented multi-tracked vocals with a Schon's typical pyro.

No. 73. "All the Way" from 'Arrival' (2001)

In their first album without Perry, Journey clearly had an eye on recapturing the successes they found when Jonathan Cain joined the band in the '80s. Cain was game, co-writing this instantly familiar love song with Schon, Michael Rhodes and the recently installed Steve Augeri. "All the Way" may not have been a big hit, but it showed Journey could still be Journey even without their famous former frontman.

No. 72. "Cookie Duster" from 'Time3' (1992)

Journey's label asked that they replace this underrated Ross Valory instrumental with something more commercial for 1977's Next . The album stalled at No. 85 anyway.

No. 71. "Anything Is Possible" from 'Eclipse' (2011)

On an project that boldly reanimated the wide-open heavy fusion of Journey's original '70s-era records – a period when Schon fiercely pulled and stretched his muse – "Anything is Possible" gave Arnel Pineda an opportunity to showcase his pop-star sensibilities. There's a feeling of soaring expectancy here that balances the tough, guitar-focused tracks found elsewhere on Eclipse .

No. 70. "Where Were You" from 'Departure' (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. They were just coming off an opening gig with AC/DC at this point, and clearly the headliner's knack for outsized, riffy rockers rubbed off.

No. 69. "Spaceman" from 'Next' (1977)

Co-written by Aynsley Dunbar and Gregg Rolie, "Spaceman" offers Journey fans some of the most obvious initial flowerings of a pop sensibility. They placed it first on the album, and released it as a single – to no avail. "Spaceman" failed to chart as a single, and Journey were ordered to rework their lineup. They briefly added Robert Fleischman — who arrived shortly after the album’s release, toured with the band and even received co-writing credit on three songs for Journey’s following album — but eventually settled on Perry.

No. 68. "Castles Burning" from 'Trial by Fire' (1996)

A badly needed rocker on an album that too often played down to their ballad- and mid-tempo-loving fan base.

No. 67. "Beyond the Clouds" from 'Generations' (2005)

A slow burner co-written by Steve Augeri in his final outing with the band, "Beyond the Clouds" illustrates why he was such a good initial fit. Augeri's ability to elevate, as this track zooms into the stratosphere, and then to wind down into a whispery vulnerability recalls a Certain Other Steve. This wouldn't prove to be his principal strength, but it mattered at the time.

No. 66. "Like a Sunshower" from 'Revelation' (2008)

Schon couldn't have done a better job of smoothing the way for the just-arrived Pineda than he did on "Sunshower," which begins with a lick straight out of "Stay Awhile" from Departure . Fans reacted positively, making Revelation Journey's first platinum-selling project since Trial by Fire , their last with Perry.

No. 65. "Little Girl," B-side of "Open Arms" (1981)

"Little Girl" was the most Journey-sounding thing on 1980's Dream After Dream , which isn't really part of the band's catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey were already on a pop-chart roll after the Top 25 hits "Lovin,' Touchin,' Squeezin'" and "Anyway You Want It." Unsurprisingly, Dream After Dream disappeared without a trace once Journey issued their multi-multi-platinum smash Escape a year later. This too-often-overlooked song has since became known — if it was known at all — simply as a B-side to the "Open Arms" single.

No. 64. "Out of Harms Way" from 'Generations' (2005)

A hard-nosed war song, "Out of Harms Way" was handled with an eye-opening aggression unique to Journey, thanks to the gone-too-soon Augeri.

No. 63. "It's All Too Much" from 'Look into the Future' (1976)

Journey drill down to the marrow on this throwaway piece of psychedelia, finding a seriously nasty groove beneath the Beatles ' old atmospherics.

No. 62. "Raised on Radio" from 'Raised on Radio' (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. It's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, he also could see himself as a DJ, rather than a huge pop star. "I love radio," Perry said in that 2011 fan Q&A. "I think the idea of playing whatever music comes to your mind and talking about it is exciting to me."

No. 61. "City of Hope" from 'Eclipse' (2011)

You could say Schon is an unstoppable force on this song, except that Pineda – in one of his most impressive vocal performances – is every bit the equal of his molten riffs. At least at first. Eventually, Schon and company step forward for a floorboard-rattling, song-closing jam that edges all the way into fusion. Journey, who saw Eclipse become the second consecutive Pineda-sung Top 20 album, haven't sounded this wide open since the Jimmy Carter administration.

No. 60. "Nickel and Dime" from 'Next' (1977)

This very Mahavishnu Orchestra-influenced instrumental was originally constructed in three parts. The final section was ultimately cut off, however, leaving a pair of segments with unusual Aynsley Dunbar signatures – thus the name, "Nickel and Dime."

No. 59. "Higher Place" from 'Arrival' (2001)

Journey again move beyond Augeri's similarities with Perry on this composition by Schon and Jack Blades, which at one point has an almost a proggy feel. In that way, "Higher Place" references the group’s previous successes, but ultimately uses them as a foundation for something new.

No. 58. "Message of Love" from 'Trial by Fire' (1996)

A continuation of the untroubled sleekness of Raised on Radio -era Journey, this could have easily passed as a Steve Perry solo track.

No. 57. "Red 13 / State of Grace" from 'Red 13' (2002)

Journey return after the soft rock-dominated Arrival with a scorching, fusion-kissed EP-opening song. They spend two minutes easing into things before launching into a wrecking-ball groove – and Augeri is with them, step for breathless step.

No. 56. "I'm Gonna Leave You" from 'Look Into the Future' (1976)

Early rhythm guitarist George Tickner – he joined after a stint in the San Francisco psych-rock band Frumious Bandersnatch with Ross Valory – wasn't around long. He left behind this intriguingly offbeat 5/4 shuffle for fans to ponder what might have been.

No. 55. "A Better Life" from 'Generations' (2005)

Poor Steve Augeri. One of the best moments on his final album with Journey is this delicately conveyed track, featuring one of Schon's more restrained turns. And Deen Castronovo on vocals.

No. 54. "Where Did I Lose Your Love" from 'Revelation' (2008)

Here's Pineda's version of the familiar arena-ballad Journey sound, which is, on one level, very much in the style of their Escape / Frontiers era. Castronovo and Cain, who co-wrote this track with Schon, even close things out with a fierce entanglement that also must have brought older fans right back to "Separate Ways." But Pineda adds a few new wrinkles along the way to ultimately move past the same old Perry comparisons.

No. 53. "Ask the Lonely" from 'Two of a Kind' (1983)

"The guy can write love songs in his sleep," Jonathan Cain said of Perry in the liner notes for Journey's Time3 box set. Unfortunately, this only-okay leftover is an example of that assembly line-type approach. That said, "Ask the Lonely" is still better than most of the stuff on the back end of Frontiers .

No. 52. "Faith in the Heartland" from 'Generations' (2005)

The urge to return to an everyday working-stiff theme has been almost unavoidable for a group that, in no small way, is best remembered for "Don't Stop Believin.'" And yet "Heartland" never slips into tribute – or, worse still, parody. Credit goes most of all to Augeri, who strikes a visceral pose on upbeat tracks like this one, singing every line as if his whole heart is in it. Unfortunately, Generations went nowhere, and Augeri – citing throat problems – was gone after just two albums with Journey.

No. 51. "Lovin' You Is Easy" from 'Evolution' (1979)

Starts out as another cookie-cutter '70s-era Journey song, then Perry gets to the ear-worm title lyric and everything changes.

No. 50. "Anyway" from 'Look Into the Future' (1976)

A dark then searching rocker from Journey's second album, featuring one of Rolie's most desirous vocals.

No. 49. "When You Love a Woman" from 'Trial by Fire' (1996)

Featuring a saccharine sentiment with a too-sweet string section to match, this is Journey balladry at its limpest. Still, "When You Love a Woman" became a gold-selling No. 12 smash. Because, Steve Perry.

No. 48. "We Will Meet Again" from 'Arrival' (2001)

Deen Castronovo's inventively layered rhythm gives "We Will Meet Again" a distinct character among Journey's more anthemic-leaning tunes, setting the stage for a moment of controlled fury from Augeri. It all builds toward a sweeping vista reminiscent of Journey's Roy Thomas Baker-helmed sides like "Winds of March" and "Opened the Door," a welcome development indeed. And as with those two 1978 tracks, "We Will Meet Again" serves as an emotionally resonant side-closing moment.

No. 47. "Don't Be Down on Me Baby" from 'Trial by Fire' (1996)

Nobody aches like Steve Perry.

No. 46. "Hustler" from 'Next' (1977)

An explosion of heavy-rocking sexuality, "Hustler" found Journey considerably toughening up its by-then-established fusion-based formula — something the group would eventually return to, but only decades later, with 2011's impressively muscular Eclipse .

No. 45. "Why Can't This Night Go on Forever" from 'Raised on Radio' (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 44. "Edge of the Moment" from 'Eclipse' (2011)

Castronovo and Valory create a foundation-rattling rhythm, while the big-voiced Pineda ably conveys a fiery sense of sensuality required by the song's narrative. But "Edge of the Moment" will always belong to Neal Schon, who is by turns melodic, out there, gurgling, eruptive – and nothing like we've heard from him since the days of the spaceman 'fro. Long after their hit single-making days, and a couple of albums into Arnel Pineda's tenure, Journey finally found their rock-music mojo again on this track, emerging with a sense of furious third-act abandon.

No. 43. "To Play Some Music" from 'Journey' (1975)

The most accessible song on Journey's self-titled debut, "To Play Some Music" provides a down-to-earth vocal vehicle for Rolie on an album dominated by epic, often spacey instrumentals.

No. 42. "Patiently" from 'Infinity' (1978)

Schon memorably gave Perry a ride home after sitting in with Azteca in San Francisco, but had no idea his passenger was a singer. Five years later, Perry finally got the chance to make an impression. He stopped by Schon's hotel the day after a Journey show in Denver, and they wrote this song. "It was really about the determination of me wanting to get next to those players," Perry said in the Time3 liner notes.

No. 41. "I Would Find You" from 'Next' (1977)

Schon takes a rare vocal turn with Journey, and it's his most successful.

No. 40. "Kohoutek" from 'Journey' (1975)

Named after a comet then approaching Earth's orbit, "Kohoutek" bridges the sounds that Rolie and Schon made earlier as part of Santana with those to come from their new band. Makes sense: This track dates back to Journey's earliest rehearsals.

No. 39. "You're on Your Own" from 'Look Into the Future' (1976)

Their slow-fast approach gives "You're on Your Own" a noticeably modern feel; Rolie's heartfelt singing centers it all.

No. 38. "The Eyes of a Woman" from 'Raised on Radio' (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds a palpable tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers sound.

No. 37. "Here We Are" from 'Next' (1977)

Perhaps Journey's heaviest-ever pop song. Rolie had a knack for Beatlesque touches (see their earlier cover of George Harrison 's "It's All Too Much"), even if it was buried in a cacophony of sound from Schon and Dunbar (see their earlier cover, etc. etc.).

No. 36. "Suzanne" from 'Raised on Radio' (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush. "It was a fantasy encounter with a film star, who also had a vocal artist career," Perry said in a 2011 fan Q&A. "Just a secret person that's in the song to live forever in that song. Real or not, she's real in the track."

No. 35. "Somethin' to Hide" from 'Infinity' (1978)

Journey's first attempt at a power ballad was devastatingly effective, though it arrived years before "Open Arms." Perry's final cry is just astonishing.

No. 34. "Edge of the Blade" from 'Frontiers' (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 33. "If He Should Break Your Heart" from 'Trial by Fire' (1996)

One of the best-ever meldings of Solo Steve (verses) and Journey Steve (the rest).

No. 32. "Be Good to Yourself" from 'Raised on Radio' (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert prevailed. "[Perry] phoned me at my house, and just went nuts about 'Be Good to Yourself' having been the first choice of a single," Herbert told Melodic Rock in 2008. "And I said, 'It's a great song, it's a great production, it's great sound – it's Journey.' That was the problem: It sounds too much like Journey. Well, too many of the other songs sound too much like a glorified Steve Perry solo record."

No. 31. "Of a Lifetime" from 'Journey' (1975)

Journey's recorded output begins here, with a seven-minute jazz fusion-influenced, at times Pink Floyd -ish excursion that boldly stepped away from Rolie and Schon's previous work in Santana. "Talking about Santana screws up the whole concept of everyone in this band," Rolie lamented in Don't Stop Believin' . "A lot of people would come to see us and expect conga drums. The last thing I was to see for the rest of my life is conga drums!"

No. 30. "I'll Be Alright Without You" from 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 29. "Only Solutions" from 'Tron' (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 28. "People and Places" from 'Departure' (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 27. "Opened the Door" from 'Infinity' (1978)

The last song on the first album to feature Perry, "Open the Door" begins like every gorgeous, ear-wormy love song they ever hit with a few years later — but after Perry's initial three minutes, Rolie joins in a huge vocal bridge ( "Yeah, you opened ..." ), and from there Schon and company are loosened from those binding conventions. Drummer Aynsley Dunbar, on his final recording date with Journey, sets a thunderous cadence, and Schon powers the song — and this career-turning album — to its quickly elevating conclusion.

No. 26. "Faithfully" from 'Frontiers' (1983)

Cain has said this No. 14 power-ballad smash, written in tribute to a happily married musician's life on the road, came from nowhere – literally. "He told me he got the melody out of a dream," Schon later mused in the Time3 liner notes. "I wish something like that would happen to me." Cain wrote it in his own key, and that allowed Perry to explore a different vocal timbre. They finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 25. "When You're Alone (It Ain't Easy)" from 'Evolution' (1979)

Perry chirps and coos his way through this winking tease of a song – that is, until about a third of the way through, when Schon provides a moment of release.

No. 24. "Forever in Blue" from 'Trial by Fire' (1996)

As with "Girl Can't Help It," found later on our list of Journey Songs Ranked Worst to Best, "Forever in Blue" represents that rare moment when the latter-day edition puts it all together again.

No. 23. "Wheel in the Sky" from 'Infinity' (1978)

He never got much credit, but Robert Fleischman played an important role in Journey. "Wheel in the Sky," the band's initial Billboard chart entry, was originally a poem written by Ross Valory's wife – until Fleischman rounded it into song form. Schon added a guitar melody, and they handed it to Steve Perry after Fleischman's ouster. The rest is, as they say, history.

No. 22. "Walks Like a Lady" from 'Departure' (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, reportedly one of his favorites.

No. 21. "Too Late" from 'Evolution' (1979)

A delicate, beautifully conveyed song of encouragement, "Too Late" was aimed at a friend of Perry's who had fallen into drug abuse.

No. 20. "Girl Can't Help It" from 'Raised on Radio' (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was the exception. This was classic Journey, spit-shined up for a new era.

No. 19. "After the Fall" from 'Frontiers' (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 18. "Good Morning Girl" / "Stay Awhile" from 'Departure' (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 17. "Who's Crying Now" from 'Escape' (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Jonathan Cain's new presence changed Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in the Time3 notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 16. "Do You Recall" from 'Evolution' (1979) Maybe the perfect blending of Journey's tough early sound and Perry's sun-flected sense of reminiscence. Roy Thomas Baker's familiar stacked vocals propel the bridge to untold heights.

No. 15. "Someday Soon" from 'Departure' (1980)

The final major vocal collaboration featuring Perry and the soon-to-depart Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared on Journey's next-to-last album with Rolie. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured .

No. 14. "Open Arms" from 'Escape' (1981)

If you dislike power ballads, blame Jonathan Cain. He brought this seminal example of the genre to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms," either. But Perry intervened, and they turned it into a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 13. "Lovin', Touchin', Squeezin'" from 'Evolution' (1979)

A song with a real-life storyline, "Lovin', Touchin', Squeezin'" came to life in another Journey jam session, then went on to become their very first Top 20 hit. Rolie's Nicky Hopkins-esque honky tonk piano rides atop a stuttering, 12/8 rhythm, building inexorably toward a cloud-bursting nah-nah-nah conclusion. Steve Smith has compared that blues shuffle to "Nothing Can Change This Love" by key Perry influence Sam Cooke. The heartbroken Perry, who's described the writing of this song as "love justice," again played the bass on the initial sessions. The results opened the pop-chart floodgates.

No. 12. "Still They Ride" from 'Escape' (1981)

A touchingly emotional trip back to Perry's San Joaquin Valley youth, "Still They Ride" showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 11. "The Party's Over (Hopelessly in Love)" from 'Captured' (1981)

"After I left," Rolie later mused , "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner.

No. 10. "Stone in Love" from 'Escape' (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest.

No. 9. "Daydream" from 'Evolution' (1979)

An episodic triumph, "Daydream" is defined by dreamy, Jon Anderson -esque verses, rangy guitar riffs and forward-thinking keyboard asides – very much in keeping with the prog-rock pretensions of the '70s, though that sound had already become decidedly passe.

No. 8. "Separate Ways (Worlds Apart)" from 'Frontiers' (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words.

No. 7. "Just the Same Way" from 'Evolution' (1979)

Built off a Rolie piano riff, "Just the Same Way" once again leveraged Journey's layered harmony vocals, already a trademark of producer Roy Thomas Baker from his previous work with Queen . Baker achieved this effect by having Perry and Rolie double and triple their parts, an incredibly time-consuming new approach that almost derailed "Anytime." (Rolie and Schon still considered themselves jam guys at this point.) But that's what ultimately gave this song – and Journey themselves – such a striking propulsion.

No. 6. "Send Her My Love" from 'Frontiers' (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Live" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith said in 2011 , "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 5. "Only the Young" from 'Vision Quest' (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . "Only the Young," which opened every concert on Journey's subsequent tour, will be forever associated with his brave fight.

No. 4. "Lights" from 'Infinity' (1978)

Perry had an early version of this song in his back pocket when he joined Journey, and it's a good thing. Rolie has said that the rest of the band wasn't sold on Perry until they harmonized on "Lights" while backstage at the Swing Auditorium in San Bernardino. "It dawned on me right then," Rolie later admitted in the Time3 notes, "that this could really be great."

No. 3. "Any Way You Want It" from 'Departure' (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. "I loved his ability and phrasing," Perry revealed in Open Arms: The Steve Perry Anthology . "This guy is one of the more under-recognized geniuses of that era." Perry and Rolie brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit.

No. 2. "Don't Stop Believin'" from 'Escape' (1981)

It difficult to believe, considering how rightfully ubiquitous this anthem has become, but "Don't Stop Believin'" originally only barely cracked the Top 10. What's up with that, 1981?

No. 1. "Feeling That Way" / "Anytime" from 'Infinity' (1978)

These paired songs took a convoluted path to the top of this list, as everyone worked and reworked both halves into a legacy-defining moment for Journey and their new singer. "Feeling That Way" began as a Rolie track called "Velvet Curtain" then evolved into "Let Me Stay," which was considered for Next . When Perry arrived, he added a gliding new chorus, and they were halfway there. Meanwhile, the Fleischman co-written "Anytime" – released as a separate, No. 83-charting single but forever linked on the album and rock radio – was going nowhere. At one point, Journey almost dropped it altogether. Then Schon decided to tap the music of his childhood by adding a Beatlesque lyric, " Anytime that you want me ." The then-new mixture of Perry and Rolie's voices did the rest. "As soon as the vocals were put in, the song came alive," Rolie remembered in 2014 , laughing. "I'm glad we didn't can it!" The results meld every great thing about the band's earthy first era with the pop-facing second era to come. In that way, it's the perfect Journey moment.

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Albums in Order

Get here List of Albums in order.

All 15 Journey Albums in Order of Release Date

by Ram · Published August 25, 2024 · Updated August 25, 2024

Journey Albums in Order: This American rock band Journey, born in San Francisco in 1973, has left its mark on the music world by flashing some very unforgettable hits that show strong performances.

The band Journey had started off initially with members from other notable bands such as Santana, the Steve Miller Band, and Frumious Bandersnatch before later developing into a quintessence of rock music, especially during the period of peak commercial success from 1978 to 1987 with lead vocalist Steve Perry. Their range and durability are supported by a vast catalog to their credit, some of which are even timeless pieces like the case of “Don’t Stop Believin’,” which ironically became the best-selling iTunes song of the pre-21st-century era. There are twenty-five gold and platinum albums to Journey’s credit, including the 18-time platinum Greatest Hits, that justify it across the world.

In their chronological form, most Journey albums have the ability to clearly define the band’s development from its progressive rock roots to the pinnacle of its career as pop-rock giants—making them one of the best-selling bands of all time and earning their induction into the Rock and Roll Hall of Fame. So, if you are a die heart fan of Journey Albums then check out here we have list of Journey albums in order of release so far.

All Journey Albums Available on:  Apple Music 

Also See: Def Leppard Albums in Order

How many albums does Journey have?

  Journey has released 15 studio albums, one soundtrack album, five live albums, 11 compilation albums, and 52 singles since 1975.

 The List of Journey Albums in Order of Release Date

Here is the List of Journey Album in order of release date:

• Journey — April 1, 1975
• Look into the Future — January 1, 1976
• Next — February 1977
• Infinity — January 20, 1978
• Evolution — March 23, 1979
• Departure — February 29, 1980
• Escape — July 17, 1981
• Frontiers — February 22, 1983
• Raised on Radio — April 21, 1986
• Trial by Fire — October 22, 1996
• Arrival — December 1, 2000
• Generations — August 29, 2005
• Revelation — June 3, 2008
• Eclipse — May 24, 2011
• Freedom — July 8, 2022

All Journey Band Albums List in Order

1. journey (1975).

• Of a Lifetime
• In the Morning Day
• To Play Some Music
• In My Lonely Feeling / Conversations
• Mystery Mountain

“Journey” was the first studio album by American rock band Journey, released by Columbia Records on April 1, 1975. Far from the sound of their later years, this first release was in a more jazzy progressive rock direction with strong instrumental aspirations; among other things, it also had rhythm guitarist George Tickner in an oddity distinction in their lineup. Before this release, Journey had recorded a demo album with the same songs but in a different order, and it had Prairie Prince as the drummer. Quite a number of unreleased tracks—including some instrumentals—and the original title track, “Charge of the Light Brigade,” had not been included in this very basic starting album.

2. Look into the Future (1976)

• On a Saturday Nite
• It’s All Too Much
• She Makes Me (Feel Alright)
• You’re on Your Own
• Look into the Future
• Midnight Dreamer
• I’m Gonna Leave You

“Look into the Future,” Journey’s second studio album, was released through Columbia Records in January 1976 and marked a change in musical direction for the band. Though it tempered a lot of the overt progressiveness of that debut self-titled album, this sophomore effort still maintained a lot of its experimental feel, particularly in songs like the title track and “I’m Gonna Leave You.” The record also included a cover of The Beatles’ “It’s All Too Much,” which was originally featured in the Yellow Submarine film. “Look into the Future” remains the longest recorded Journey song. Importantly, it was the last album to feature rhythm guitarist George Tickner; hence, his exit reduced the membership to the lineup of Gregg Rolie, Neal Schon, Ross Valory, and Aynsley Dunbar.

3. Next (1977)

• I Would Find You
• Here We Are
• Nickel and Dime

“Released in 1977, ‘Next’ was Journey’s third studio album and became a continuation of the band’s sound, merging elements from 1976’s ‘Look into the Future’ with traces of their earlier jazz-progressive rock style. Distinctly, ‘Next’ marked the end of an era: it was the last album to feature Gregg Rolie as the primary lead singer. The single release from this album was ‘Spaceman’/ ‘Nickel and Dime.’ Curiously, on early pressings, an instrumental track named ‘Cookie Duster’ was listed but not included. ‘Next’ peaked at No. 85 on the Billboard 200 Albums chart and saw the beginning of lead vocalist Robert Fleischman with the band, setting the stage for the evolution of the group’s musical direction.

4. Infinity (1978)

• Feeling That Way
• Wheel in the Sky
• Somethin’ to Hide
• Winds of March
• Opened the Door

“Infinity” is the fourth studio album by the famous American rock band Journey, which became a real landmark in the group’s history. This January 1978 release of Columbia Records became a real turning point for the band since it was the first to present the powerful vocals of Steve Perry and also their first album with him as the vocalist. It was also the last to include Aynsley Dunbar as a drummer. Such a landmark release pointed toward Journey’s new sound and set up the path for the band’s future successes, setting the stage for an iconic musical journey to come.

5. Evolution (1979)

• Lovin’, Touchin’, Squeezin’
• City of the Angels
• When You’re Alone (It Ain’t Easy)
• Sweet and Simple
• Lovin’ You Is Easy
• Just the Same Way
• Do You Recall

The fifth studio album by American rock band Journey, “Evolution,” was the breakthrough. It came out in March 1979 via Columbia Records and was the first to include Steve Smith on drums in the lineup. It was the highest-charting album the group had at that time, peaking at number 20 on the US Billboard 200, and has sold three million copies in the US. Produced by Roy Thomas Baker, famous for his work with the band Queen, the album included the hit “Lovin’, Touchin’, Squeezin’,” their first Top 20 single, and “Just the Same Way,” which duetted both the original lead vocalist Gregg Rolie and Steve Perry. Having tracks like “Too Late,” “Evolution” really pushed the limits of rock ballads with Neal Schon’s impressive guitar work.

6. Departure (1980)

• Any Way You Want It
• Walks Like a Lady
• Someday Soon
• People and Places
• Precious Time
• Where Were You
• I’m Cryin’
• Line of Fire
• Good Morning Girl
• Stay Awhile
• Homemade Love
• Natural Thing
• Little Girl

Their sixth studio album, “Departure,” was released on February 29, 1980, by the American rock band Journey through Columbia Records. This was a breakout album for Journey in that it would be their first top 10 Billboard 200 chart peaking at No. 8. With the Top 25 single “Any Way You Want It,” “Departure” had a bit harder edge to it because of its “live in studio” recording method.

The album had three singles, and these were supplemented in their effect on the charts by “Walks Like a Lady” and a medley of “Good Morning Girl” and “Stay Awhile”. Of special note is the fact that this album was the last to include founding member Gregg Rolie and the first to set the stage for the inclusion of Jonathan Cain into the band. In the years that followed, “Departure” would be remastered and reissued to feature bonus tracks for fans everywhere.

7. Escape (1981)

• Don’t Stop Believin’
• Stone in Love
• Who’s Crying Now
• Keep On Runnin’
• Still They Ride
• Lay It Down
• Dead or Alive
• Mother, Father

In a word, Escape—stylized as E5C4P3 on the album cover—was the epitome of Journey’s musical career. This seventh studio album, released on 17 July 1981 via Columbia Records, reached number one on the American Billboard 200 chart. Here is the bona fide chart-topping sensation, equipped with an impressive quartet of Billboard Hot 100 singles: the classic anthem “Don’t Stop Believin'” (no. 9), “Who’s Crying Now” (no. 4), “Still They Ride” (no. 19), and the heart-rending ballad “Open Arms” reaching No. 2. This rock opus also bestowed the airwaves with another immortal classic, ‘Stone in Love.’ With the RIAA certifying it diamond in July 2021, it became Journey’s most successful studio album and the second most overall successful album, only behind their greatest hits package.

8. Frontiers (1983)

• Separate Ways (Worlds Apart)
• Send Her My Love
• Chain Reaction
• After the Fall
• Edge of the Blade
• Troubled Child

“Frontiers,” the eighth studio album by the American rock band Journey, was released on February 1, 1983, via Columbia Records. Noticeably, it was the last performance with bassist Ross Valory until the 1996 release of “Trial by Fire.” It became their biggest seller to date, peaking at No. 2 on the Billboard 200 and generating four top 40 singles: “After the Fall” (No. 23), “Send Her My Love” (No. 23), “Faithfully” (No. 12), and “Separate Ways (Worlds Apart)” (No. 8). “Frontiers” was later certified six times platinum by the RIAA. Interestingly, the tracklist for this album was changed at the last minute. Two songs were exchanged, one of which, “Only the Young,” gained some popularity in the movie “Vision Quest.”

9. Raised on Radio (1986)

• Girl Can’t Help It
• Positive Touch
• Be Good to Yourself
• Once You Love Somebody
• Happy to Give
• Raised on Radio
• I’ll Be Alright Without You
• It Could Have Been You
• The Eyes of a Woman
• Why Can’t This Night Go on Forever

“Raised on Radio,” the ninth studio album by the American rock band Journey, was released in April 1986 on the Columbia Records label. This was a radical lineup change, as it was their first album without founding bassist Ross Valory; he was substituted by session bassist Bob Glaub and later by Randy Jackson. Only a few cuts were performed by drummer Steve Smith before he was replaced, and then supplemented by the session drummer Larrie Londin, and Mike Baird for the following tour. The album was very successful and issued three US top 20 singles: “Girl Can’t Help It,” “I’ll Be Alright Without You,” and “Suzanne.” It peaked at No. 4 on the Billboard 200 and was certified Double Platinum in the USA.

10. Trial by Fire (1996)

• Message of Love
• When You Love a Woman
• If He Should Break Your Heart
• Forever in Blue
• Castles Burning
• Don’t Be Down on Me Baby
• Still She Cries
• Colors of the Spirit
• When I Think of You
• Easy to Fall
• Can’t Tame the Lion
• It’s Just the Rain
• Trial by Fire
• Baby I’m a Leavin’ You
• I Can See It in Your Eyes

“Trial by Fire,” the tenth studio album by the American rock group Journey, was released on October 22, 1996. It marked the return of the classic 1981–1985 lineup, which had not recorded together since the aforementioned “Frontiers.” Produced by Kevin Shirley, it also included the return of bassist Ross Valory and drummer Steve Smith from the aforementioned set. This was the last to feature vocalist Steve Perry. Standout songs on the album include Grammy-nominated hit, “When You Love a Woman”, and a set of spiritually-inspired songs. This album was, however, the only Journey release never to receive supporting on local tours, due to internal disagreements and the hip injury that Perry had. It reached No. 3 on the Billboard 200, and it was also done on platinum.

11. Arrival (2001)

• Higher Place
• All the Way
• Signs of Life
• All the Things
• Loved by You
• Livin’ to Do
• World Gone Wild
• I Got a Reason
• With Your Love
• Lifetime of Dreams
• Live and Breathe
• Nothin’ Comes Close
• To Be Alive Again
• Kiss Me Softly
• We Will Meet Again

“Arrival,” the eleventh studio album by the legendary American rock band Journey, was released on April 3, 2001, and in Japan during 2000, with one song substituted. The record became a real watershed event in the history of this band since it presented a new vocalist, Steve Augeri, after the unforgettable Steve Perry, and a new drummer, Deen Castronovo, succeeding Steve Smith. “Arrival” was a record that mixed the hard rock elements reminiscent of the ’70s and ’80s material of the band with their trademark ballads, which sounded more like Perry. Although it turned out to be a commercial success by hitting #12 on Billboard’s Top Internet Albums chart, the album received mixed reviews from critics; some praised Neal Schon’s guitar work but called it formulaic.

12. Generations (2005)

• Faith in the Heartland
• The Place in Your Heart
• A Better Life
• Every Generation
• Butterfly (She Flies Alone)
• Knowing That You Love Me
• Out of Harms Way
• In Self-Defense
• Better Together
• Beyond the Clouds
• Never Too Late
• Pride of the Family

“Generations,” Journey’s twelfth studio album, was the final performance by this iconic American rock band with lead singer Steve Augeri. It was the final act in a period of time, released in 2005 on Sanctuary Records, that had cemented the lineup which debuted on 2000’s “Arrival” and continued with 2002’s “Red 13 EP” with Deen Castronovo on drums. One of the distinctive things about the album was that all members of the band took turns singing lead vocals, a decision instigated by Augeri’s vocal fatigue. Critical reception was mixed—some liked Augeri’s performance and the various musical direction taken by the band but questioned the decision to share lead vocals. It peaked at No. 170 on the Billboard 200, and Augeri left the band in the middle of the 2006 tour with a throat infection, thus ending the era of Journey’s sound.

13. Revelation (2008)

• Never Walk Away
• Like a Sunshower
• Change for the Better
• Wildest Dream
• After All These Years
• Where Did I Lose Your Love
• What I Needed
• What It Takes to Win
• Turn Down the World Tonight
• The Journey (Revelation)
• Let It Take You Back

“Revelation” was the thirteenth studio album by the American rock band Journey, which was the first to feature their new lead singer, Arnel Pineda. It includes 11 new tracks and 11 re-recorded greatest hits, both proving the vocals of Pineda. Added to this in the North American version was a DVD of the band performing dynamically on March 8, 2008, in Las Vegas. Other notable singles included “Never Walk Away,” “Where Did I Lose Your Love,” and “After All These Years,” both written by Neal Schon and Jonathan Cain, did very well on the adult contemporary charts. The album earned very good reviews; many praised Pineda’s vocals and the band’s return to form. An extra track, “Let It Take You Back,” was included in the European release.

14. Eclipse (2011)

• City of Hope
• Edge of the Moment
• Chain of Love
• Anything Is Possible
• She’s a Mystery
• To Whom It May Concern

Eclipse is the fourteenth studio album by the powerhouse American rock band Journey and the second with lead singer Arnel Pineda. It was released worldwide on different dates in 2011, coming out first on May 24 in the United States and Canada, then on May 27 in Japan, May 30 in the United Kingdom, and finally on June 3 for the international release. With songwriting credits are Neal Schon and Jonathan Cain; Pineda provided his share of songwriting as well. It is the final appearance of bassist Ross Valory, who left the band in 2020. The ‘Eclipse’ adds another chapter to Journey’s long-lived musical history.

15. Freedom (2022)

• Together We Run
• Don’t Give Up on Us
• Still Believe in Love
• You Got the Best of Me
• Live to Love Again
• The Way We Used to Be
• Come Away with Me
• Let It Rain
• Holdin’ On
• All Day, All Night
• Don’t Go
• United We Stand
• Life Rolls On
• Beautiful as You Are

“Freedom” is the fifteenth studio album released by the American rock legends Journey on 8 July 2022 through BMG Rights Management and Frontiers Records. Marking a landmark change in this regard, it is the group’s second album without band co-founder bassist Ross Valory, who has been replaced by Randy Jackson, the last of whose work with Journey was in 1986’s “Raised on Radio”. Featuring fifteen tracks running a grand one hour, thirteen minutes, it becomes Journey’s longest album, excluding greatest hits compilations. While it was hailed for its performance and musicianship, this album got very mixed critical reviews, but most of the critics—or, more importantly, most reviews—were mentioning the poor production, poor mixing, and general overlongness of it.

Conclusion:

The fact that such a journey has endured is purely a testament to their ability to provide timeless rock anthems that go on and on, basically, forever—to connect with people from all corners of the globe. From the early days of just another progressive rock band to a pop-rock powerhouse, Journey’s albums show it all. With over 100 million records sold worldwide, and hit songs such as “Don’t Stop Believin’,” Journey still does not give any hint of slowing down to become one of the most popular rock bands ever. A look through Journey albums in order points to the fact that the group has hauled its long journey through several decades of music; surely it has cemented its place within the pages of rock history but, more importantly, within the hearts of their fans everywhere.

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Flashback: Journey Introduce Steve Perry to America in 1978

By Andy Greene

Andy Greene

Steve Perry emerged from two decades of seclusion in August with new single “No Erasin'” off his upcoming album Traces . It was a rather stunning development for Journey fans that had largely given up on ever hearing him sing again, especially after he refused to perform with his old group when they were inducted into the Rock and Roll Hall of Fame last year. But in new interviews, Perry revealed that after losing his girlfriend Kellie Nash to cancer in 2012, he decided it was time to face the world again.

Perry said he’s considering promoting Traces with a solo tour, but don’t expect to see him back onstage with Journey. They’ve been doing just fine without him ever since Arnel Pineda became their new singer 10 years ago and have even played stadiums this summer on their co-headlining tour with Def Leppard. They exclusively play songs from the Perry era of the group, and Pineda sounds almost exactly like his predecessor did in 1983. Most audiences are quite happy to sing along with their favorite hits and don’t really care if the original guy isn’t actually on the stage.

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Forty years ago, however, Perry was a crucial part of Journey’s success. The group began in 1973 as an offshoot of Santana with guitarist Neal Schon and keyboardist/singer Gregg Rolie, but their first three albums failed to find a mass audience and they faced getting dropped from their record label. Steve Perry was brought into the group to help them develop a more commercial sound, beginning with 1978’s Infinity. The gambit worked immediately as lead single “Wheel in the Sky” reached Number 57 on the Hot 100. Here’s video of them playing their first hit song on The Midnight Special in February 1978, which was the first time many in America saw the group play with Perry.

If Perry decides to tour in support of Traces , Journey will face some competition on the road. Fans have had plenty of chances to see Journey minus Perry play the hits, but Perry minus Journey hasn’t done any sort of tour since a brief one in 1995 to support his solo album  For the Love of Strange Medicine . The tour generated very little interest since Journey were aggressively uncool in the Lollapalooza era, but things have changed quite a bit since then. He hasn’t sang “Wheel in the Sky” in over 23 years, but should he decide to go out and do it again he’ll probably be shocked by how many people are willing to pay big bucks to hear it.

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The Best Journey Songs Of All Time

f you’re on the lookout for the best Journey songs of all time, you’ve landed in the right spot. Journey, the legendary rock band formed in the 1970s, has an extensive catalog of hits that continue to resonate with fans old and new. Their iconic anthems, powerful ballads, and infectious melodies have made them a staple in rock music history.

Among their most unforgettable tracks is "Don't Stop Believin'," a song that has become an anthem of hope and perseverance, spanning generations and inspiring countless sing-alongs. Then there's "Faithfully," a heartfelt ballad that captures the struggles and dedication of life on the road, showcasing Steve Perry’s soaring vocals and emotional delivery. And let’s not forget "Any Way You Want It," an up-tempo classic that’s guaranteed to get the crowd energized with its catchy chorus and electrifying guitar riffs.

Now it’s your turn to participate. Scroll through our list and vote on your favorite Journey songs. Whether you’re drawn to the timeless classics or have a personal favorite that brings back memories, your votes will help highlight the tracks that define Journey’s enduring legacy. Let’s celebrate the music that continues to inspire and move us.

Best Lyrics:

And being apart ain't easy on this love affair Two strangers learn to fall in love again I get the joy of rediscovering you Oh girl, you stand by me I'm forever yours, faithfully

Don't Stop Believin'

Strangers waiting Up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night

Separate Ways (Worlds Apart)

Someday, love will find you Break those chains that bind you One night will remind you How we touched and went our separate ways

If he ever hurts you True love won't desert you You know I still love you Though we touched and went our separate ways

Who's Crying Now

One love, feeds the fire One heart, burns desire I wonder who's crying now? Two hearts, born to run Who'll be the lonely one? I wonder who's crying now?

Stone in Love

In the heat with a blue jean girl Burning love comes once in a lifetime She found me singing by the rail road tracks Took me home, we danced by the moonlight

Those summer nights are calling Stone in love Can't help myself, I'm falling

Any Way You Want It

She said, any way you want it That's the way you need it Any way you want it

I was alone I never knew What good love could do Ooh, then we touched Then we sang About the lovin' things

Only the Young

Shadows of a golden age A generation waits for dawn Brave carry on Bold and the strong

Only the young can say They're free to fly away Sharing the same desire Burnin' like wildfire

Send Her My Love

Callin' out your name I'm dreamin' Reflections of a face I'm seein' It's her voice That keeps on haunting me

Send her, send her my love Roses never fade Memories remain

When the lights go down in the City And the sun shines on the bay Ooh, I wanna be there in my City, oh Oh, oh, oh

Wheel in the Sky

Winter is here again, oh lord Haven't been home in a year or more I hope she holds on a little longer Sent a letter on a long summer day Made of silver, not of clay I've been runnin' down this dusty road

Wheel in the sky keeps on turnin' I don't know where I'll be tomorrow

Feeling That Way

Opened my eyes to a new kind of way All the good times that you saved Are you feeling You feeling that way too Or am I just Am I just a fool

Still They Ride

Spinning 'round, in a spell It's hard to leave this carousel 'Round and 'round And 'round and 'round

Still they ride, on wheels of fire They rule the night Still they ride, the strong will survive Chasing thunder

Girl Can't Help It

If he could hold her, so close in his arms again If she could show him The letter her heart forgot to send why They're livin' dreams on their own Ooh they'll never stop running

The girl can't help it, she needs more He hasn't found what he's lookin' for They're still standing in the rain He can't help it, and she's just that way

Ask The Lonely

You've got some fascination With you high expectations This love is your obsession Your heart, your past possession Let down your defenses Won't be up to the one who cares

Touchin', Lovin', Squeezin'

It won't be long, yes, till you're alone When your lover, oh, he hasn't come home 'Cause he's lovin' who he's touchin', he's squeezin' another

He's tearin' you apart Ooh, every day, every day

I'll Be Alright Without You

I'll be alright without you Oh love's an empty face, I can't replace (You don't need it) People wonderin' why we broke apart The great pretender here I go again These things I do (It's all because of you) I'll keep holdin' but I'll try (Try not to think of you)

Just The Same Way

Take a chance now the timing's right. You're free to leave the key to my life. Stay with me. Won't you stay the night, In the mornin' feelin' fine, yeah.

That's the same way you love me. 

Be Good To Yourself

Runnin' out of self-control Gettin' close to an overload Up against a no win situation Shoulder to shoulder, push and shove I'm hangin' up my boxin' gloves I'm ready for a long vacation

Be good to yourself when, nobody else will Oh be good to yourself You're walkin' a high-wire, caught in a crossfire

Mother, Father

Through bitter tears And wounded years, those ties Of blood were strong So much to say, those yesterdays So now don't you turn away.

Hey, mother, father, sister Hey, come back, tryin', believein' Hey, mother, father, dreamer

When You Love A Woman

When you love a woman You see your world inside her eyes When you love a woman (Well) You know she's standing by your side A joy that lasts forever There's a band of gold that shines Waiting somewhere, oh, yeah

The Party's Over (Hopelessly In Love)

So I will tell you this, Our love is in a fix. Just what more can I do. When I'm hopelessly in love with you?

I see your face at the movies I hear your voice on the radio You're making love on the silver screen I want you more than you will ever know Temptation...Infatuation

Suzanne, don't walk away

Why Can't This Night Go On Forever

Lost in twilight, the memories Precious moments, you and me We've been old friends, all through the years Picture postcards, sharing tears

What's in our hearts, there's never time, to say Need you tonight, lover don't fade away I've seen your city lights As I walk away Why can't this night...go on forever

After The Fall

But a head strong stubborn man Only works it out the best he can Valentines he never sent There's not enough time he's a working man

Can't stop falling Heartaches calling Finds you after the fall

After All These Years

A faded wedding photograph You and me in our first dance Our eyes are closed We're lost in one sweet embrace Since those days the world has changed But our love remains the same God knows we've had our share of saving grace

Where Were You

I didn't know what the hell was goin' on, Someday you're gonna break. So don't try to get yourself straight, You're just a little too late.

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Journey’s Greatest Hits: 11 of Their Best Songs, Ranked

Find out if your favorites made the cut!

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Journey’s greatest hits? That’s a tough question when you consider that lead singer Steve Perry , lead guitarist Neal Schon , bassist Ross Valory , rhythm guitarist George Tickner , keyboardist Gregg Rolie , and drummer Aynsley Dunbar — collectively known as Journey — have had 25 albums go gold and platinum.

Journey hit its highest career points between 1978 and 1987, with their most popular album being Escape (1981), which reached No. 1 on the Billboard charts and features some of the band’s most well-known songs.

To check them out for yourself, read on (and listen to!) Journey’s greatest hits!

11. “Stone in Love” (1981): Journey’s greatest hits

Neal Schon came up with the idea for “Stone in Love” (featured on Escape ) at a house party, writing the signature riff and structure, while Steve Perry, with the help of Jonathan Cain (who replaced Rolie in the band as keyboardist), finished the song. However, you can hear Perry’s influence on the song during the guitar solo towards the end.

10. “Just the Same Way” (1979)

Written by Gregg Rolie, Schon and Ross Valory, this song appeared on Journey’s Evolution album (1979). With catchy lyrics and memorable beats, this song is the epitome of the kind of music the band is best known for.

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9. “ask the lonely” (1983): journey’s greatest hits.

Reaching number 3 on the Billboard charts in 1984, this track has just the right amount of rock and roll infused into it. It featured in the film Two of a Kind and appeared on its soundtrack. It was written by Perry and Cain.

8. “Who’s Crying Now” (1981)

Another amazing song written by Cain and Perry. This song debuted at number 4 on the Billboard charts and was the Bang-highest charting single in the UK until “Don’t Stop Believin'” was released later that year. This track appeared on the Escape album and highlighted Steve Perry’s impressive vocal range.

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7. “when you love a woman” (1996): journey’s greatest hits.

Appearing on the band’s 10th album, Trial by Fire (1996), the love song “When You Love a Woman” hit number 1 on the Billboard charts and stayed there for four weeks, while also finding itself nominated for a Grammy Award. It was co-written by Perry, Schon and Cain, and was one of Perry’s last songs as lead vocalist for the band.

6. “Someday Soon” (1980)

Originally written by Ian Tyson and sung by him and Sylvia Fricker in 1963, Journey debuted their version of this song in 1980. With hard-hitting drum beats and stunning background vocals, this cover version really makes the band shine in a brand-new way.

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5. “be good to yourself” (1986): journey’s greatest hits.

“Be Good to Yourself” was the band’s first song in over three years due to Perry’s solo tour. It was written by Perry, Cain, and Schon — the only ones to appear on the track as the band was dealing with losing Ross Valory and Steve Smith at the time of its recording.

4. “Anyway You Want It” (1980)

Written on a tour bus by Perry and Schon, this song earned its place in music history after appearing in the 1980 comedy film Caddyshack . Over the years, it has also been heard in The Simpsons , Charlie’s Angels 2: Full Throttle and Glee.

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3. “lovin’ touchin’ squeezin'” (1979): journey’s greatest hits.

Released in 1979, this song takes listeners on a wild ride as they learn that a woman is cheating on a boyfriend, but it ends with them learning he is cheating on her, too. Written by Perry, this one has heartfelt lyrics and a slower, more soulful beat.

2. “Separate Ways (Worlds Apart)” (1983)

Appearing on their 1983 Frontiers album, this song spent six weeks on the Billboard charts. However, some fans heard about it in 1982, when the band decided to play it on their Escape tour. Most recently, the song appeared in the Season 4 finale of the hit Netflix show Stranger Things .

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1. “don’t stop believin'” (1981) journey’s greatest hits.

Arguably their most famous song, “Don’t Stop Believin'” was the second song released from the Escape album. It was a top 10 hit worldwide in 1981 and later became the band’s signature song. Written by Cain, Schon and Perry, in 2009 it became the top selling track in iTunes history up to that point.

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15 Best Journey Songs Of All Time

Journey formed in 1973 and would go on to become one of the most iconic rock bands of the 20th century. The pioneers of arena rock have been inducted into the Rock and Roll Hall of Fame, sold over 100 million albums worldwide, and been featured on numerous lists of the best rock bands of all time. In this article, we’ll be looking at the 15 best Journey songs of all time. 

1. Don’t Stop Believin’

I would be remiss if I didn’t place this track in this list’s number-one position. Other Journey songs might have performed better on the charts and a different one might be your favorite, but Don’t Stop Believin’ is by far the band’s most famous track.

Nothing gets the middle-aged folk moving at the bar like this song. It’s also one of the best-selling tracks of all time with more than seven million digital download sales. It’s also safe to say that the song is Journey in its purest form, a track driven by pop-style vocals and hard rock guitar riffs.

Recommended: Interesting facts about Journey the band

2. When You Love A Woman

For the number-two spot, I’m jumping away from their most popular and including Journey’s best-performing track when it came to the actual charts. When You Love A Woman only peaked at number 12 on the Billboard Hot 100 , but it spent 22 weeks on the chart, the longest of any song by them.  It was released as the lead single of their Trial By Fire album in 1996 and was nominated for Best Pop Performance by a Duo or Group at the Grammy Awards. It departs a bit from their arena-rock style and was one of the final vocal performances of Steve Perry with the band.

3. Faithfully

Faithfully also peaked at number 12 on the Billboard Hot 100 and would go down in history as one of Journey’s most enduring songs. Originally, this was written by Jonathan Cain to describe the troubles of maintaining a healthy marriage while on the road so much. It struck a chord with many listeners as one of the ultimate love tracks, especially for those away from their loved ones. Apparently though, being forever hers wasn’t in the cards, as the marriage dissolved four years after the release of the song . 

4. I’ll Be Alright Without You

Again, I’m pulling away from the most popular Journey songs to look at one of their top chart performers. It’ll be a theme as we go forward, so if your favorite ranks lower than expected, that’ll probably be why. Anyways, I’ll Be Alright Without You rose to number 14 on the Billboard Hot 100 and spent a total of 21 weeks on the chart, a record that puts it just behind When You Love A Woman and ties it with Who’s Crying Now . It’s a classic ballad from the band and features a rich bassline that has made many fans call it their favorite track. 

5. Separate Ways (Worlds Apart)

If you’re looking for that classic, hard rock Journey sound, you can’t go wrong with Separate Ways (Worlds Apart) . It holds onto the general love themes in most of their popular songs but also has hard-hitting guitar riffs and powerful vocals that’ll bring goosebumps to your arms.

While the two partners in the track are separating, the singer confesses his undying love despite the breakup and reassures the other person that if their new partner fails them, he’ll still be there. It’s the first song the band shot a choreographed music video , though it’s more famous for the fact that they are seen playing invisible instruments in it.

Next: Best 1980s music videos list

6. Open Arms

Open Arms might have been the band’s highest chart performer, reaching the number-two spot on the Billboard Hot 100 and holding it for six weeks. While they might not have felt it was too light for them, the track has been named one of the greatest love songs ever composed, with VH1 naming it the greatest power ballad of all time. Like most of their most popular singles, the track was certified gold by the RIAA and has been used in television shows and competitions consistently in the years since its release. 

7. Any Way You Want It

Any Way You Want It is probably as recognizable for Journey as Don’t Stop Believin’ . The song today is a classic and a frequent fixture on classic rock radio stations. This has been included on all four of their live albums and remains one of their most frequently-performed tracks today. It debuted on the band’s Departure album in 1980, which was considered one of their edgier ones. This was recorded more like a live performance than a studio album, giving it a rougher quality that fans ate up. 

8. Lovin’, Touchin’, Squeezin’

This one became Journey’s first Top 20 hit, making it to the number 16 spot on the Billboard Hot 100 and powering their album Evolution to triple-platinum status. It starts off with a bluesy drum and guitar intro and is overall a slower-tempo song from them. You can also bet the rolling chant at the end will have everyone around you singing along, even if they miss out on the tough situation the narrative describes. 

9. Wheel In The Sky

Wheel In The Sky originated as a poem titled Wheels In My Mind written by Diane Valory, the wife of Journey’s bassist at the time. The poem was rewritten into the song by Valory, alongside Robert Fleischman and Neal Schon. It would reach number 57 on the Billboard Hot 100 in 1978, becoming their first track to make it onto that chart. It is one of their most memorable songs, and the hard-rock tune is one of the earliest tracks that helped turn them into the legendary band we know them as today.  

Lights was one of Journey’s first songs written by Perry with the band. It was originally written about Los Angeles, but it was changed to be about San Francisco, the birthplace of Journey. The iconic line “When the lights go down in the city, and the sun shines on the bay” originally said “LA” instead of “the bay,” but Perry didn’t like the way it sounded. This eventually went on to become a ridiculously popular track on classic and oldies radio today, but when it was released, it wasn’t a big hit. Though it never got higher than number 68 on the charts, it’s become an iconic example of classic rock.

Recommended: Songs about San Francisco  

11. Who’s Crying Now

Who’s Crying Now was Journey’s best-charting song in the UK until they released Don’t Stop Believin’ , making it all the way to number 46 on the UK charts and number four on the Hot 100 charts in the US. Critics acclaimed the track as one of the “most appealing love songs of 1981.” The solo at the end of the track was originally much more aggressive and experimental, but the band didn’t like it too much, leading to Schon doing it over again as the version we ended up getting in the song. 

12. Send Her My Love

Send Her My Love is another one of Journey’s underrated songs that performed surprisingly well and became well-known today. As the fourth single released from the Frontiers album, it eventually climbed to number 23 on the US Pop charts. It’s yet another example of the chemistry between Schon and Perry , highlighting their talent when it comes to rockin’ ballads. 

13. Only The Young

Journey wrote Only The Young for their Frontiers album but decided to sell the song to the band Scandal instead. Eventually, they released their own version of the track in 1985. It’s all about how young people are smarter than older generations and can build a better future since they aren’t held back by the lies of those who came before them. While this isn’t always mentioned on top-ten lists of Journey songs, it’s absolutely one of their best compositions, containing both emotional messages and the classic sound you expect from them. 

14. Girl Can’t Help It

Girl Can’t Help It is a special song for Journey since at the time it was released, only Perry, Schon, and Cain remained with the band. It was the third release from the Raised On Radio album, and like Be Good to Yourself and Suzanne , it would go on to be a Top 40 hit. While it made it to number 17 on the Top 40, this reached the Top 10 on the Mainstream Rock charts, peaking at number nine. 

15. Forever In Blue

Released on the Trial By Fire album alongside massive hits like When You Love A Woman and Message Of Love, Forever In Blue was not a song that saw radio airtime. It only saw plays on the album, but it remains an incredible track. Even without radio playtime, the song is one of the band’s best, and it’s unfortunate that it isn’t as well-known as many of their other tracks.

As a contributing writer for Music Grotto, Dakotah writes and produces professional music/media content. He works closely with editorial staff to meet editorial standards and create quality content for the Music Grotto website. Dakotah is passionate about music in a wide variety of genres, from hip-hop to country and lo-fi to metal, and he enjoys creating music pieces for Music Grotto.

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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Journey's Greatest Hits: 11 of The Band's Best Songs Ranked

J ourney's greatest hits? That's a tough question when you consider that lead singer Steve Perry , lead guitarist Neal Schon , bassist Ross Valory , rhythm guitarist George Tickner , keyboardist Gregg Rolie , and drummer Aynsley Dunbar - collectively known as Journey - have had 25 albums go gold and platinum.

Journey hit its highest career points between 1978 and 1987, with their most popular album being Escape (1981), which reached No. 1 on the Billboard charts and features some of the band's most well-known songs.

To check them out for yourself, read on (and listen to!) Journey's greatest hits!

11. "Stone in Love" (1981): Journey's greatest hits

Neal Schon came up with the idea for "Stone in Love" (featured on Escape ) at a house party, writing the signature riff and structure, while Steve Perry, with the help of Jonathan Cain (who replaced Rolie in the band as keyboardist), finished the song. However, you can hear Perry's influence on the song during the guitar solo towards the end. 

10. "Just the Same Way" (1979) 

Written by Gregg Rolie, Schon and Ross Valory, this song appeared on Journey's Evolution album (1979). With catchy lyrics and memorable beats, this song is the epitome of the kind of music the band is best known for. 

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9. "Ask the Lonely" (1983): Journey's greatest hits

Reaching number 3 on the Billboard charts in 1984, this track has just the right amount of rock and roll infused into it. It featured in the film Two of a Kind and appeared on its soundtrack. It was written by Perry and Cain. 

8. "Who's Crying Now" (1981) 

Another amazing song written by Cain and Perry. This song debuted at number 4 on the Billboard charts and was the Bang-highest charting single in the UK until "Don't Stop Believin'" was released later that year. This track appeared on the Escape album and highlighted Steve Perry's impressive vocal range. 

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7. "When You Love a Woman" (1996): Journey's greatest hits

Appearing on the band's 10th album,  Trial by Fire (1996), the love song "When You Love a Woman" hit number 1 on the Billboard charts and stayed there for four weeks, while also finding itself nominated for a Grammy Award. It was co-written by Perry, Schon and Cain, and was one of Perry's last songs as lead vocalist for the band. 

6. "Someday Soon" (1980) 

Originally written by Ian Tyson and sung by him and Sylvia Fricker in 1963, Journey debuted their version of this song in 1980. With hard-hitting drum beats and stunning background vocals, this cover version really makes the band shine in a brand-new way. 

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5. "Be Good to Yourself" (1986): Journey's greatest hits

"Be Good to Yourself" was the band's first song in over three years due to Perry's solo tour. It was written by Perry, Cain, and Schon - the only ones to appear on the track as the band was dealing with losing Ross Valory and Steve Smith at the time of its recording. 

4. "Anyway You Want It" (1980) 

Written on a tour bus by Perry and Schon, this song earned its place in music history after appearing in the 1980 comedy film  Caddyshack . Over the years, it has also been heard in  The Simpsons ,  Charlie's Angels 2: Full Throttle and Glee. 

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3. "Lovin' Touchin' Squeezin'" (1979): Journey's greatest hits

Released in 1979, this song takes listeners on a wild ride as they learn that a woman is cheating on a boyfriend, but it ends with them learning he is cheating on her, too. Written by Perry, this one has heartfelt lyrics and a slower, more soulful beat. 

2. "Separate Ways (Worlds Apart)" (1983) 

Appearing on their 1983  Frontiers  album, this song spent six weeks on the Billboard charts. However, some fans heard about it in 1982, when the band decided to play it on their  Escape  tour. Most recently, the song appeared in the Season 4 finale of the hit Netflix show  Stranger Things . 

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1. "Don't Stop Believin'" (1981) Journey's greatest hits

Arguably their most famous song, "Don't Stop Believin'" was the second song released from the  Escape  album. It was a top 10 hit worldwide in 1981 and later became the band's signature song. Written by Cain, Schon and Perry, in 2009 it became the top selling track in iTunes history up to that point.

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Top 10 Best Journey Songs Of All Time

Ahead of their time with pioneering live shows and productions, Journey is one of the most influential bands of all time. One of the first bands to successfully play ‘arena rock,’ Journey’s pioneering live shows are still seen as the standard to be met by international rock bands today.

Formed in 1973 in San Francisco, the band has gone through various lineup changes over the years. With over 20 albums released, they gave us plenty of material to draw from when creating our list of the best Journey songs.

Originally, Journey consisted of Neal Schon on lead guitar (also in Santana’s band), Gregg Rolie on keyboards and lead vocals, Ross Valory on bass guitar, George Tickner on rhythm guitar, and Prairie Prince as the drummer.

Originally called the Golden Gate Rhythm Section, the band’s sole intention was to be a backup band for other established Bay area artists. However, this backup band concept was abandoned soon after as they began writing jazz-fusion music and changed their name to Journey.

In 1974, Aynsley Dunbar joined the band on drums after recently working with one of the biggest stars on the planet, David Bowie . 1975 saw the departure of rhythm guitarist George Tickner with Neal Schon taking over the full duties of the guitar.

After poor sales of their first album, fortunes changed in October 1977 as Steve Perry was hired as the new lead singer.

Working with the producer Roy Thomas Baker, Journey began recording with a layered sound approach, something that has become ingrained in the recording industry to this very day.

Over the next 10 or so years, Journey enjoyed their biggest commercial success and recorded some of the best selling and most beloved rock songs in history such as Don’t Stop Believing, the top-selling track in iTunes history back in 2009.

It’s not been plain sailing for Journey as with any band as their recording and live show processes have come in for some criticism over the years. But, as it should be with any artist, it is their music that matters most.

Their iconic blend of hard rock guitar-driven music with powerful vocals has endured over the last 40 years with generation after generation finding a new admiration for the band.

From their early mix of progressive and rock fusion to their shift into a more commercial direction, Journey has recorded songs that will appeal to everyone.

There’s no doubt that the band’s level of instrumentation and Perry’s incredible vocal range and ability were ahead of most bands of the time and arguably ever since.

To really understand Journey’s impact on music, we need to delve into their musical archive. And that is exactly what we are doing today. Below, we will be guiding you through our choice of the top 10 Journey songs that you must check out if you didn’t know already.

From unforgettable rock anthems to some of the biggest choruses in popular music, join us as we take a glimpse into Journey’s back catalog of incredibly well-written and performed songs.

Our List Of The Top 10 Best Journey Songs (Including That One From Family Guy)

Table of Contents

10. Only The Young

We begin with a song that was originally going to be included on their 1983 album Frontiers. However, Only The Young was then sold to another band, Scandal. After Journey ended up recording and releasing their own version, Scandal received a large payment much to their delight.

As the name of the song suggests, Only The Young is about the freedom and promise of youth.

Rather than sing about younger generations in derogatory terms, as so many older generations have done throughout history, the band suggests that the youth are arguably smarter than any generation before them.

By seeing all the lies in the past, it’s an opportunity for the young to build a better and brighter future.

Although this song is full of positive connotations, there is some sadness behind it. It was played to a 16-year-old fan who suffered from cystic fibrosis on behalf of the Make a Wish Foundation. The band found out about this and were deeply moved.

However, they were devastated to find out that the young fan passed away the day after listening to the track. Given what the song is about, it is believed that the band members realized how unimportant any tension between them was in the grand scheme of life.

The song eventually opened up their shows on their Raised on radio Tour in tribute to the young teen.

As for the song itself, Only The Young has everything you would come to expect from 1980s Journey. A powerful and catchy chorus and, of course, a mind-blowing epic guitar solo from Neil Schon.

Although the solo is short in comparison to most of Schon’s work, it is full of intricate ideas. Somehow, the solo has some symbolism of freedom but is tinged with some sadness.

Not only is Only The Young a timeless classic and beautifully written song, its emotional backstory just gives it more meaning than it ever would have had otherwise.

9. Lovin’, Touchin’, Squeezin’

Going back to 1979, we have Lovin’, Touchin’, Squeezin’, from the band’s Evolution album. This is an important track for the band as it was the first to break into the Billboard top twenty eventually peaking at number 16.

Written by lead singer, Steve Perry, this song appears to be deeply personal to the songwriter. It is believed that it is about a real relationship Perry had where he found out his girlfriend was having an affair with someone. Of course, this left Perry in a broken, lonely, and dark place.

But, the song takes a twist as the girl gets a taste of her own medicine. The man who she cheated with is found to be cheating on her. Talk about karma! Although the song is heartbreaking, it allows Perry to get the last laugh in and come out of the experience with some relief.

Unlike many of the band’s upbeat, anthemic commercial successes, this song starts with a bass-driven drum beat with a blues vibe. Of course, Schon soon enters with some bluesy, rich guitar tones as well as some warm piano chords from Gregg Rolie.

The screeching guitar soon transforms into a distorted sound. Combined with the beautiful piano chords and Perry’s heartfelt vocals, Lovin’, Touchin’, Squeezin’ has a mix of joyful as well as painful emotions throughout.

The anguish behind Perry’s lyrics and voice is none more evident than in the catchy title hook of the track.

The song moves from heartfelt and deeply meaningful lyrics to an almost Hey Jude (The Beatles) inspired second half. Perry sings “Na na na” repeatedly which could be considered lazy songwriting on the band’s behalf. But, this is Journey! They know how to write a song.

With the “Na na nas” soaring about the chunky guitar runs, Journey manages to perform a very catchy and enjoyable track. The song builds and builds until we are met with a very catchy and beautiful harmonized outro.

While it may not be as catchy as some other anthemic Journey songs, Lovin’, Touchin’, Squeezin’ is certainly a perfect song to sing along to and enjoy. And, the fact it was instrumental in the band’s success means it may be one of their most important tracks.

8. Stone In Love

From one of Journey’s most emotional and slower-paced songs to a hard rock track that is considered quite heavy for the band. Taken from Journey’s seventh studio album Escape, Stone In Love saw the introduction of newcomer Jonathan Cain’s songwriting talents.

Cain, who took over from Gregg Rolie on keyboards, wrote Stone In Love alongside Perry and Schon.

A combination of heavy rock riffs, mind-bending, storming guitar solos, and infectious melodies mean this song is an absolute classic. If you ever want to make a compilation CD for a road trip, you must add this!

Topped off with the world-class vocals of Steve Perry, Stone In Love quickly became a staple of rock radio and has remained so ever since.

This song was something that hardcore Journey fans had been waiting for. Although they had become famous for their anthems, some would argue that the band hadn’t explored their heavier side on many albums. But, this track changed all that.

The heavy riffs that any heavy metal band would be proud of thump you in the face and Perry’s vocals are more powerful than ever.

Stone In Love reminds us that Journey always had the melody of a song as their principal focus but could also rock out when they needed to as well.

And, it also reminds us that their album Escape was far more than a collection of power ballads. It was an example of Journey doing what they loved and doing it well.

7. Wheel In The Sky

Wheel In The Sky may not have been the hit Journey had hoped for when it was first released in 1978 but that doesn’t mean it’s not one of their best songs. Peaking at number 57 in the US charts, Wheel In The Sky’s impact has only been felt decades after its initial release.

Ask any bonafide Journey megafan and they will usually include Wheel In The Sky on their top 10 list.

Wheel In The Sky was recorded during a time when the band was changing their sound somewhat into a more edgy, hard rock direction. The guitar chords became more immediate and the rock beats had transitioned from intricate timings to more simple 4/4 timing signatures.

Beginning with an instrumental section, this track’s intro is more subdued than the rest of the song. But, as you come to expect from Journey, the guitar starts to growl, and the atmospheric sound kicks in, shadowing the song in an almost-ethereal essence.

Much like a wheel turning and turning, the guitar riffs churn over and over, as if to symbolize the ever-present movement of time. The wheel in the sky keeps turning like the seasons keep changing forever and ever.

Recorded in 1977, this song came at a time when the band had been touring continuously for some time. Wheel In The Sky references their time on the road and being away from home.

However, while being away can be tiring, the song ends on a more positive note where the hook changes from “turning” to “yearning.” It could be a sign that the band has found some hope and meaning through their endless touring and repetitive work cycle.

Of course, the meaning behind this song is not set in stone. Like many Journey songs, it is open to interpretation. What is for sure is that Wheel In The Sky is a Journey hard rock classic.

6. Who’s Crying Now

Beginning with impactful piano chords by Jonathan Cain and a synthesized sounding bass guitar riff by Ross Valory, Who’s Crying Now soon grows with the help of Perry’s rich vocal tones.

The bass behind this song is not “in your face” but the riffs are very tasteful and act as the backbone to the whole track.

One of the most successful songs for Journey, Who’s Crying Now peaked at number four in the US. But, it was in the UK where this song shone brightest becoming the band’s highest-charting single in the country.

Compared to other Journey songs, this is one of their most soulful pieces of work. It is believed that the song’s chorus was written by Perry on his way to Jonathan Cain’s house where they both started working on it that afternoon.

Moody and atmospheric, the instrumental of this song is almost like a storm. The fact that Perry was traveling in a storm whilst coming up with its chorus line is certainly evident.

With no surprise, Schon’s epic high-pitched and searing guitar solo enters the song’s frame giving us the sense of the tragic, stormy relationship sang about in the song.

This was actually the band’s first song to feature Cain and it is a testament to how easily he gelled with the other members both performance and songwriting-wise.

This is perhaps why this song is so piano orientated with very little drumbeat appearing throughout. This more ‘naked’ sound allows Cain’s piano hook to take center stage and act as the song’s anchor alongside the chunky bass line.

5. Any Way You Want It

Any Way You Want It was co-penned by Perry and Schon and released in 1980. When you listen to this track, it may not come as much of a shock to learn that it was inspired by Phil Lynott, the frontman of Thin Lizzy.

He was doing a rhyme scheme exercise with the two Journey members while waiting backstage when Thin Lizzy and Journey were on tour together.

Released on the band’s 1980 Departure album, the construction of Any Way You Want It and the interchanges between the instruments soon bear the influence of Thin Lizzy.

If Thin Lizzy released this song, it would have been different in terms of vocals but the overall sound would probably have been very similar.

The guitars seem to glide like Thin Lizzy’s iconic sound. Even Perry’s storytelling approach is similar to Lynott’s way of singing. But, it is undoubtedly a Journey song and an absolute classic.

The Departure album has a “live in the studio” sound to it and Any Way You Want It is a prime example. It is edgier than many previous Journey songs but it still contains Schon’s fast-fingered solos and the high notes and power of Perry’s vocals.

Lights was one of Journey’s first songs to feature Steve Perry on lead vocals. The beginning of something very special!

A soft rock ballad, Lights was initially a minor hit for the band, only peaking at number 68 on the US charts. However, it has become one of the band’s signature tunes and a favorite of Journey fans worldwide ever since.

Tune in to a whole host of classic rock radio stations or visit a sports event in San Francisco and you will probably hear Lights.

Its popularity in San Francisco is down to the fact that the song is an ode to the city which is where the band formed. Lights reference the beauty of the entire city including the bay.

However, Perry once stated that he originally wrote the song about Los Angeles but the lyrics didn’t suit LA so well. Therefore, Perry and Schon tweaked the track to help it become a San Francisco favorite.

Lights has not got that giant wall of sound to it like so many Journey songs. It is a subtle, soothing, and light ballad. With soft chords that verge on a little distortion, sweet piano chords, and beautiful harmonies, Lights is perfect to sway gently to wherever you are.

Relaxed and peaceful, Lights gives us an image of a serene and dreamy San Francisco.

3. Open Arms

Our number three spot belongs to the band’s third single off their 1981 album Escape. Another emotional power ballad, Open Arms is considered by many to be one of the best emotive songs from this sub-genre ever.

Before joining Journey, Jonathan Cain was a member of The Babys. It is believed that he started writing this song when in that band but the other members were not fans of the melody. However, Perry took an interest in the song immediately and soon finished writing it with Cain.

Again, the rest of the band were not that keen on the track but after playing it live, the audience’s reaction was warm and extremely positive. This led to Open Arms becoming a staple of the band’s live shows.

Yet again, Perry’s vocal prowess is awe-inspiring as he pleads with his lover to forgive his mistakes and rekindle their broken relationship. Unsurprisingly, Open Arms is full of vibrant piano chords, gritty guitar runs, and a thumping heartbeat drum pattern.

Produced with some wonderful orchestral instruments, this song is as emotional as Journey has made.

Reaching number two on the Billboard 100 chart, Open Arms is one of Journey’s most successful songs. Almost 20 years after its first release, the song reached new audiences as pop stars such as Britney Spears and Mariah Carey covered it for their respective albums.

And, it’s no surprise that this relatable and heartfelt song, as well as many other Journey tracks, have been used as first dances at so many weddings over the years.

2. Separate Ways (Worlds Apart)

If you wanted to find a sound that encapsulates the 1980s, Separate ways (Worlds Apart) may just be it. Recorded for the band’s 1983 album Frontiers, this song is a classic 80’s tune.

Reaching number eight on the chart for six consecutive weeks, Separate Ways (Worlds Apart) may not be one of the band’s biggest hits but it has all the ingredients of a timeless Journey track.

This is certainly one of Journey’s most dark and moody songs in their vast discography with atmospheric yet heavy guitar licks and those foreboding yet distinctly 80’s synth chords.

The song itself is about a couple who have broken up and headed their separate ways. However, they still share a deep connection from the time they were together. Again, this song was written from personal experiences.

Both Schon and Valery were going through pretty bitter divorces at the time they wrote this on tour. As a matter of fact, Journey debuted the song halfway through their tour meaning audiences heard Separate ways *Worlds Apart) live before ever hearing the recorded version.

As you can probably imagine, the song was greeted with positive reviews and love by Journey fans during and after the tour.

This song was released around the same time MTV came to prominence. Therefore, Journey had to come up with imaginative ideas for their music videos. Although the band would have thought long and hard about the video, it has gone down in history as one of the worst music videos of all time.

Click the link above and you will probably agree! Seeing these legendary musicians play air instruments alongside a wharf and looking at the camera with angst and some broodiness, the video is pretty damn ludicrous.

But, the song itself is a masterpiece that is probably best enjoyed on a record player without the music video in sight.

1. Don’t Stop Believing

If this song wasn’t on the list yet, you must have been expecting it to be number one! Whether you love it or hate it, Don’t Stop Believing is one of the most popular and famous songs of all time , let alone by Journey.

It’s so popular, it came in at number 13 on the poll of Top 100 Classic Rock Songs and became the best-selling track of the digital era with over 5 million sales.

Recorded for the band’s 1981 album Escape, Don’t Stop Believing is undoubtedly one of the most catchy, anthemic rock songs that have ever been. Written by Perry, Cain, and Schon, this song has become a favorite across multiple generations.

Not only is its arrangement out of this world catchy, but it holds an inspirational message of always believing in yourself and your dreams. A song that appeals to fans, young and old, all over the world.

Beginning with that now iconic keyboard riff, Perry joins in with his upbeat, powerful vocals. Next, the guitar steps in with some sort of urgency before building up and fading off for Perry to take the reins again.

The song just grows and grows with a catchy pre-chorus and infectious instrumentals before climaxing with one of the most gigantic, almighty, energetic choruses of all time.

Although a legendary song now, Don’t Stop Believing wasn’t as big a hit as you would expect when it was released. Like many Journey songs, it made a decent climb in the charts.

But, thanks to various TV shows such as The X Factor and Glee in recent years, the song was introduced to new audiences and re-entered the charts on numerous occasions. In 2010, 29 years after its initial release, the song was the 25th best-selling track of the year in the UK.

With its endearing, feel-good lyrics and upbeat music, Don’t Stop believing has enduring popularity. It is ingrained in the structure of rock’s most iconic songs and has certainly been on one of the most extraordinary journeys since its first release.

We hope you have enjoyed our journey into Journey’s top 10 songs. The band has created a plethora of everlasting feel-good rock songs over the years. Not only has the band created catchy anthems for arenas to sing along to but they have become one of the most influential bands ever.

You can be sure that audiences and generations far from now will continue listening to Journey’s songs and won’t stop believing in the band’s impact on the world of music.

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