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Tkay Maidza  

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Tkay Maidza tour dates and tickets 2024-2025 near you

Want to see Tkay Maidza in concert? Find information on all of Tkay Maidza’s upcoming concerts, tour dates and ticket information for 2024-2025.

Tkay Maidza is not due to play near your location currently - but they are scheduled to play 5 concerts across 3 countries in 2024-2025. View all concerts.

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Tkay Maidza announces North American tour in 2024

She has also shared a new video for ‘Won One’

Tkay Maidza has announced a tour of North America in early 2024 – see the full list of dates below.

• READ MORE: Tkay Maidza – ‘Sweet Justice’ review: her eclectic resurrection through karmic truth

The Zimbabwean-Australian singer took to X early this morning (December 7) to announce the upcoming dates . Her American tour will see her perform in 19 venues between early February and March, beginning in Seattle, Washington on February 8, continuing through cities including Vancouver, New York and Austin, before concluding in Los Angeles, California on March 8. A full list of her ‘Sweet Justice’ North American tour dates can be seen below.

SURPRISE! i’m going on a north american tour next year 🫦❤️ tickets are available for pre-sale NOW! Tickets officially go on sale this friday (12/8) at 10AM PST 🕸️✨ more info here on https://t.co/amnGdQhVKL pic.twitter.com/Kyvj2VI7Pu — yung gra$$hopper 🦗❤️‍🔥 (@TKAYMAIDZA) December 6, 2023

Pre-sale tickets are available for purchase now through Maidza’s official website , while general sales commence on Friday, December 8 at 10AM pacific standard time (PST).

In addition to her tour announcement, Maidza has also released a new music video for ‘Won One’, a highlight from her sophomore album, ‘Sweet Justice’ , which she released in early November. Directed by Munachi, the clip depicts Maidza performing the track against rain- and fire-themed backdrops.

Watch Tkay Maidza’s video for ‘Won One’ below:

Recommended

‘Sweet Justice’ is the follow-up to Maidza’s ‘Last Year Was Weird’ trilogy of EPs, the last of which was released in July 2021. Later that year, she was nominated for two categories in the BandLab NME Awards 2022 , namely, Best Australian Song for her collaboration with Baby Tate, ‘Kim’, and Best Australian Solo Act. At the ceremony, she took home the award for Best Australian Solo Act .

Since then, she has been releasing one-off singles and collaborations, including a remix of ‘Last Year Was Weird’ cut ‘High Beams’ which served as her third collaboration with JPEGMAFIA , and her festive track ‘Nights In December’ . In July this year, she released her first collaboration with Australian electronic producer Flume , ‘Silent Assassin’ .

‘Sweet Justice’ received a four-star rating from NME , with Kayleigh Watson praising Maidza’s eclectic range of styles, writing: “While not teasing her next chapter, in her quest for more, Maidza has crafted a collection of perfectly constructed songs that encapsulate her karmic truth: that living well is the best revenge.”

Tkay Maidza’s 2024 North American tour dates are:

FEBRUARY 08 – Seattle, Washington – Neumos 09 – Vancouver, British Columbia – Biltmore Cabaret 15 – Minneapolis, Minnesota – 7th St Entry 16 – Chicago Illinois – Lincoln Hall 18 – Ann Arbor, Michigan – Blind Pig 20 – Toronto, Ontario – The Axis Club 21 – Montreal, Quebec – Le Belmont 23 – Allston, Massachusetts – Brighton Music Hall 24 – New York, New York – Racket 29 – Atlanta, Georgia – Hell at The Masquerade

MARCH 02 – Austin, Texas – Antone’s 03 – Dallas, Texas – House of Blues Dallas 07 – Oakland, California – The New Parish 08 – Los Angeles, California – El Rey Theatre

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Tkay Maidza Announces 2024 North American Tour

Plus, the CoSign alum has unveiled a new video for the Sweet Justice cut "Won One"

CoSign alum Tkay Maidza has mapped out a 2024 North American tour in support of her latest album,  Sweet Justice .

After kicking off the trek on February 8th in Seattle, the Zimbabwean-Australian artist will make stops in Chicago, Toronto, New York City, and more before wrapping up in Los Angeles on March 8th. See the full itinerary below.

An artist presale will begin on Wednesday, December 6th (use access code SW33TJUSTIC3 ) ahead of the general on-sale slated for Friday, December 8th via Ticketmaster .

Once tickets are on sale, you can also find them at StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

Get Tkay Maidza Tickets Here

Alongside the tour announcement, Maidza has unveiled a new music video for the Sweet Justice cut “Won One.” Watch the Munachi-directed clip below.

Sweet Justice arrived this past November and was previewed by the singles “Silent Assassin,” “Ring-A-Ling,” and “WUACV.”

Tkay Maidza 2024 Tour Dates: 02/08 – Seattle, WA @ Neumos 02/09 – Vancouver, BC @ Biltmore 02/10 – Portland, OR @ Hawthorne 02/13 – Denver, CO @ Cervantes Other Side 02/15 – Minneapolis, MN @ 7th Street 02/16 – Chicago, IL @ Lincoln Hall 02/18 – Ann Arbor, MI @ Blind Pig 02/20 – Toronto, ON @ Axis Club 02/21 – Montreal, QC @ Le Belmont 02/23 – Boston, MA @ Brighton Music Hall 02/24 – New York, NY @ Racket 02/25 – Philadelphia, PA @ The Foundry 02/27 – Washington, DC @ Howard Theater 02/29 – Atlanta, GA @ The Masquerade, Hell Stage 03/02 – Austin, TX @ Antone’s 03/03 – Dallas, TX @ HOB Cambridge Room 03/04 – Houston, TX @ House of Blues, Bronze Peacock 03/07 – Oakland, CA @ The New Parish 03/08 – Los Angeles, CA @ El Rey

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Tkay Maidza – Sweet Justice North American Tour + Tayla Parx

Tkay maidza – sweet justice north american tour ,, about the event, this show is at the howard theatre.

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Tkay Maidza tour dates

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Tkay Maidza Sweet Justice Record Release Tour

Frontier Touring  & MG Live are excited to announce Zimbabwean-born, Australian-raised, Los Angeles based rapper, singer and producer, Tkay Maidza will perform two special headline shows in Sydney and Melbourne this November on her Sweet Justice Record Release Tour .

Unfortunately the Tkay Maidza show in Melbourne at The Forum on Thursday 23rd November is no longer going forward as scheduled. All tickets will be refunded to point of sale. MG Live and Frontier Touring apologise for the inconvenience.

Unfortunately the Tkay Maidza show in Sydney at Roundhouse on Tuesday 28th November is no longer going forward as scheduled. All tickets will be refunded to point of sale.  MG Live and Frontier Touring apologise for the inconvenience.

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Tkay Maidza Plots 2024 North American Tour

It includes Canadian shows in Vancouver, Toronto and Montreal

BY Megan LaPierre Published Dec 6, 2023

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I think I can understand why the mixtape is something of a dilemma for the reviewer. The mixes are muddy, vocals are often incomprehensible. On the other hand, the marvelous unpredictability of the tracks is what makes it genius. It’s Sosa’s danger and his solution. His voice is slow and whacked out. The odd mumbling lurches into auto-tuned falsettos that are grounded by beats, TV samples, and intense special effects. It makes me feel fucked up and hilarious. The overblown bass makes me want to punch my fist into the air and scream bitch. The mixtape came out two years ago and they gave it two stars. Reddit hates it. I exhale more smoke. Laugh.

I’m in California and it’s been a decade since Almighty So came out. I still like Sosa in the car. I feel real tough when my hands beat up a steering wheel with the wind shooting through my hair. I laugh in time to the witchy laugh track in “Woulda Coulda”. I stop at a red light and hear my applause as I finish reading a reddit thread from when the mixtape was released in 2013. It’s satisfying to see user gayboicarti do a takesies-backsies of his original hate. So many suckers are presently clicking behind keyboards to absolve their misjudgements. I know it’s because they all hear the same thing. The “thank yous”. Carti says thank you. Lil Uzi says thank you. Yeat says thank you. Lucki says thank you. Lil Yachty says thank you. Now all the soundcloud rappers say it in unison, with your chest, after the gunshot sample, Thank you Sosa for letting me sleep in your bed. Good. Now all I am waiting to hear is the promised Almighty So 2 album. It’s supposed to come out today but I’m not holding my breath. It's been delayed too many times since its first announcement in 2019.

I have a big imagination, but I have no idea why Chief Keef has put over a decade of space between Almighty So and Almighty So 2 . I listened to Almighty So all of last week with the loose hope that its successor would be released last Friday. It filled me with the conviction that Chief Keef is a great artist. The album earned him pioneer status. Change isn’t evil. Laughter is contagious. I bite at the inside of my cheeks and sigh against my parked car, reading the new release date of May 10th, 2024. If he follows through, I know how my first time looks.

(DREAM SCENARIO): MAY 10, 2024

I clench my jaw and shift my hijacked car into sports mode. I’m speeding down the Pacific Coast Highway pretending I’m some big-shot in GTA V . It’s 7 pm and the red dot sinks towards tomorrow. I’m in for a Miami bruise sunset, and if I close my eyes it smells like home too. Salty. I hug the coastline as I click on the album. A young Sosa smiles up at me from a picture frame. It looks like Lil Wayne’s album art. Sosa loves Wayne. I smirk. I love them. I press play, turn the volume up, and flatten the pedal. The bass pulses into my tanned ass and I have this fucked up smile on my face because I’m imagining all the ways I can explode my vehicle. It’s banging, it’s out of control. I punch out into the violet. The rich people stand on their balconies and stare through binoculars at my tail. They whisper curses under their breath because they want to feel this free too.

RE: REALITY: MAY 11TH 2024

I’m now gunning it down the Pacific Coast Highway and there is no baby Sosa grinning up at me. Nonetheless, Almighty So 2 is out and I can believe in it. Chief Keef’s release made my heart, head and hat spring for the ceiling. I may not physically be in my car, but I’m living a lifestyle. I am swimming upstream in a sea of bodies beneath hundreds of Tokyo’s ultraviolet escort signs with my headphones in. The countless snare rolls and the bizarrely amusing lyrics puts that twisted evil grin on my face. It’s charmingly Sosa. I feel fueled up and hot, listening to him rap in “Treat Myself” about wearing yellow diamonds, looking like he peed himself and how he’s gotta treat himself. I slow down in front of one of the glittering escort signs. Should I treat myself and rent a boyfriend after I finish my second round of listening to huge beats and underwear filling bass? Why not?  Sosa produced the album in its entirety, and he pays homage to many genres, evoking the ghost of Carl Orff in intro track “Almighty”, then crashing into tracks that source the seventies, soul, and underground drill. It’s a culmination and development of all his previous work — a solid delivery with sharp mixing that cuts through the thickness of mundanity. I pump my arms, hitting a sprint. I skid up the hyper clean sidewalks, redlining in wonder past endless businesses marketed in the most adorable way possible. I could pitstop into any of these places and enter a new story. Suits karaoking, bustling izakayas serving horse meat, chef’s murdering live shrimp with vodka at your table, and bartenders singing kanpai as we take a shot of snake liquor together that scorches down my esophagus. I want to see, hear, taste, and feel it all. Sosa’s jabbing cadence thrills me and the timing couldn’t be better. Its organized madness matches this city and my mind. Spring’s sprung, and Sosa gifted us all with a phantom whip. Come on — it’s summer. 

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Breaking News: Wisp Isn’t Shoegaze

office — Where are you right now?

Wisp — California.

Oh god, it’s so early for you, I’m so sorry.

It’s ok — I had to wake up early for rehearsal anyway.

For the Pachinko show, right? That’s major — congratulations. How’d you swing that?

My manager hit me up about it — Pachinko had reached out and wanted me to support them on tour. I thought that was really cool, because Pachinko was one of the first concerts I ever went to. It’s a really crazy full-circle moment. 

Did you tell them that? 

Yeah — they’re super sweet guys. And we basically have the same demographic, which is really cool. 

So where does the name come from?

I got the name back when I had like, two hundred followers on Instagram because I didn’t have any music out on any streaming platforms yet. But there was this one guy who found me on Soundcloud and he was following me on Instagram. I had posted one of those question stickers that said, “What should my artist name be?” And he swiped up and said “Wisp.” So I just chose that. There were some longer names that had like, two words in them, but I wasn’t really feeling those. Wisp was perfect. It’s been good. 

It feels right for your music. Did you have a musical upbringing? 

I used to play violin from fourth grade to eighth grade. And when I was little, my mom put me into classes, so that was the only musical instrument I played. But I kind of hated violin because I was forced to learn it. After that, I started taking guitar lessons for a finger–style guitar, but I got tired of that too. I learned electric guitar on my own.

How old were you then?

I was sixteen, so about three years ago. 

I feel old. Did you grow up listening to the type of music you make now? 

Kind of. It definitely changed throughout the years. I started off with alternative music — I was really into emo rock when I was in middle school. 

You and me both. 

I was really emo in middle school. It was kind of embarrassing. But I think it fostered my music taste now, so I’m grateful. 

And who wasn’t emo in middle school?

That’s true. 

If you say you weren’t emo in middle school, I think you’re a liar. 

That’s also true. 

After all the emo music I started listening to dreampop, which was kind of my gateway into the shoegaze world. I was still into older rock as well, so Beach House and Oasis were two of my favorite bands. 

Do you remember when you started blowing up?

I was posting a lot on social media and the TikTok algorithm did its thing and my music did really well there.

There’s a little bit of controversy around music that comes from TikTok — did you experience any of that?

I think as long as your music feels genuine to yourself and you’re marketing it as your own work, then it’s a really good platform to promote your work. I see TikTok as more positive than negative because I’ve seen it give a lot of artists all these opportunities to sign to labels, or even to just make more music or have more stream revenue from all the exposure. And that’s really helpful toward achieving your goals and pushing your music out in different ways. 

And it helps you find your community. The algorithm is super spooky, but when it knows where you are and shows you people in your area doing the same thing, you have the chance to meet up and support each other.

I’ve made a lot of good friends. Not through TikTok specifically, but the reason I started posting on TikTok was because I saw a post from this band called Juggler — they’re another LA shoegaze band. And now we’re super close buddies. 

That’s so sweet. Can I ask why you decided to be faceless on Instagram? 

It wasn't really on purpose. I just didn't feel the need to post my face that much, but I started getting more comfortable doing that. So it's not something that I mind doing anymore. It's a whatever thing. 

Have you noticed that people treat you any differently — before they knew what you looked like versus after?

Not necessarily, I don't think it makes that big of a difference, which is why I'm pretty comfortable showing my face.

What brought all the songs on Pandora together?

I think, sonically, they just sound really good together. Some songs like “Pandora” and “Luna” share a lot of cool elements that are pretty similar. And I think the themes in the songs are also the same, so they worked well together.

And how has Pandora differed from some of your earlier projects? 

It’s definitely more experimental. At the beginning of my music journey or whatever we’ll call it, I was a bit more comfortable with how I was making music and how I wanted my music to sound. But ever since collaborating with other artists and getting inspiration from how they make music as well, I’ve been stepping out of my comfort zone and creating music that’s more experimental. But I’m going down a path that I definitely want to take. I don’t want to just conform to one genre. I want to add different elements from other genres. 

That’s what’s so cool about shoegaze. It’s all under the same moniker, and you have a bunch of stuff going on there and everyone hears the distortion and they’re like, “I guess we’ll call it shoegaze if we have to call it anything.” But I think that’s cool — I think you found yourself in a really cool niche. 

I think so too. I don’t like to call my music shoegaze. It’s shoegaze adjacent. If I had to coin a term for it, it would probably be nu gaze or something like that. 

What’s the ideal situation to listen to your music?

A car ride. Or a beach at night. Back in San Francisco, I’d take beach walks at night, and that was around the time I started making music. I’d be listening to my own music and taking walks on the beach, so that’s a memory and visual that I have paired with my music.

I wish I could do that. I’ve never been to California. 

I’m in New York right now and I grew up in Ohio, so I didn’t grow up along the beach. 

I love beaches. But I’ve never been to New York either. 

Well, you're about to come here.

We can trade.

Do you think growing up in California influenced your sound in any way If you had grown up in any other place, do you think you’d sound different? 

I think so. Just because shoegaze is so discoverable in the Bay Area and California in general. It helps foster a community if you’re closer with musical people that are in the same genre and share the same tastes as you. And if I grew up anywhere else, my music taste would have been different. And I feel like the foggy, gloomy vibe in SF really reflects my sound. 

Have you ever seen Twilight ?

No, but I know what you’re talking about — that gloominess. 

I mean, in Ohio it’s just as gloomy, but instead of newgaze, we got midwest emo. 

It’s a different type of location-based depression. 

What’s something you want people to know about you?

I want a Frenchie so bad. I don’t have any pets but I want a Frenchie.

Someone will read this and be like, “I know a guy who’s selling dogs.” What’s something you don’t want people to know about you?

My bad habits.

We’ll keep it vague for the people.

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Blu DeTiger —  Do you know Mitch?

office — Of course.

The other night, I had this big album release party and he was there.

Yeah, I ended up there briefly with my buddy Harrison. We were at our friend’s birthday and he was like, “Do you want to come to Gonzo’s with me?” And I love Gonzo’s, so of course. Didn’t see Mitch, though.

You guys probably got there a bit later. But you didn’t say hi!

We didn’t leave for Gonzo’s until 1 am, so we were super late. I didn’t see you — I was in the back studio with my buddy Lucas. We were noodling around on the bass and guitar. You set those up, right?

Yeah, I wanted to have jam vibes at the party. And I was having fun. I thought it was like, the most fun party ever… Shit, do you know Cassie and Liv? And Caitlan? She styled my album cover. I was in the first issue of office.

I was street cast when I was like, fifteen, at Afropunk festival, and they were like, “I’m shooting for this magazine.” So, full circle. I’m glad you were at the party.

It’s weird how we’ve never crossed paths before. Gonzo’s is such a good place to hang. The cheetah carpets are so hot.

It was so hot in general. I was like, “You guys gotta turn the AC up.” But it was fine. It was the best DJs, who were actually just old friends from New York who’ve seen me grow up since I was seventeen and DJing in the city. They were all at the party, which was another really cute full circle moment. They’re such a supportive and sweet cast of characters.

How’d you meet everyone?

I don’t know — I was just in it. I just knew them because I’m like, cool, I guess. I don’t know. I just know everyone from music and the city and going out and whatever. Growing up in New York, you just kind of meet everyone.  

Where are you now?

I’m in LA, but I grew up in New York. My parents are still in the city, so I go there all the time. I hadn’t even been to LA until I was nineteen. I’ve been playing in New York since I was seven — my first ever gig was at CBGB.

You were seven and playing CBGB?

It was through School of Rock, which was this after-school thing every semester. There would be different shows and they’d be tributes to different artists. So the first time, it was Rolling Stones, and you’d practice the songs for a few months and then have the show at the end of the semester. And the shows we did were always at CBGB. But yeah, I got that New York blood in me.

My first bass teacher was from School of Rock — I was learning on this little short-scale. Being able to play with other kids is really important, especially when you’re learning an instrument. It’s a conversation — you’re learning how to converse with other musicians by playing and improvising — as opposed to just playing in your room practicing. It’s totally different.

Nowadays, when musicians get big, they get big as individuals and then they’re like, “Now I have to learn how to be in a band.” It’s kind of backwards.

And it’s so important, especially for bass. It’s all about fitting in the music with the other instruments.

So you started with bass and have been there ever since?

Yeah — obviously I sing now, and play guitar and produce and all that other stuff, but bass was my first love.

How’d you learn all that other stuff?

I guess if you’ve been playing music forever, you can kind of grasp guitar from bass. And everyone has a voice, of course, so I just started singing. But I didn’t really get into singing and studying my own voice until I was seventeen, when I was ready to make my own music and put out my own stuff. So, that came a little bit later to me. But it’s all music — you just pick things up here and there. Once you have your head around one instrument, it’s easier to transfer your music knowledge and theory to other instruments.

That’s so true — I tried to learn bass when I was younger but it was too big for me — too heavy. So I had to get one of those ¾ guitars and honestly, just from picking up the bass first, I was playing the guitar like a bass. How’d you get into writing?

I guess I was always kind of writing. I was in bands growing up ad we’d write together, but I started writing songs for myself was at seventeen. I was nineteen when I put out my first song under my name. It’s kind of funny, because growing up, singing and playing guitar and singer-songwriter stuff — that wasn’t my thing. It kind of came to me later in life, and you can hear that in my music. I always approach things from the bass and the groove, and all the rest kind of falls into place.

The bass is really underappreciated.

Tell me about it.

I think a lot of people forget that the bass isn’t just root notes — I mean, you of all people know what I mean.

That’s what I’m trying to do with my music — just showcase what the instrument can do and bring it to the forefront and inspire people to pick it up.

Growing up, would you only play with the other kids from School of Rock? Or would you also play with adults?

I was always the young one in the group because it’s harder to find bass players anyways. Especially good ones. So when I was in middle school, I was playing with high school kids. And then when I was in high school, I was playing with all the NYU kids and they’d hire me to be in their band for their showcase or whatever, and I would make like, a hundred bucks or something. I was always kind of with the older kids. And I was DJing from a really young age too. I started DJing when I was seventeen and I was DJing with like, thirty-year-olds.

The DJ scene is really funny, especially when you’re B2B with someone who’s been DJing for longer than you’ve been alive.

Oh totally. It’s really crazy. But that’s also how you learn — playing with other people, seeing other DJs work and learning their technique or style or whatever. You’re always picking bits and pieces up from different place.

It’s funny — I’ve been into music since I was really young. I was seven or eight and listening to the Rolling Stones and the Beatles, so I have this vast music knowledge so I can hang with the bros, I can hang with the old heads, I can hang with anyone. I have a lot of music knowledge that also comes from DJing, because when you’re spinning four times a week, you got to know all the hits from every decade. You have to know like, every song ever. You’re a taste maker, so you have to know all the cool shit. So DJing was really important for expanding my music knowledge.

So,  All I Ever Want Is Everything — what’s the story?

The story? The story is just that it was time for me to make an album. I had an EP before that, and these past few years I’ve been touring a lot and writing between all these shows and festivals. It was just the time in my career — I had to put out a full body of work and that’s what this is. It’s about the past few years — growing up and the transitional phase of becoming an adult and ups and downs and life and all that shit.

I’m a producer on everything but I worked alongside a lot of cool collaborators. Uffie is on a few songs — she’s a legend.

I saw her at Dorian Electra.

I love Dorian — they were at my LA release party. We went crazy.

What was the difference between the New York and LA party?

It’s so different. The New York energy is so different. LA — the party only goes until 2, dies out at 1.

Were you recording with a full band? Or is it just you on everything?

It kind of depends on the song. Obviously, I’m singing and playing bass on everything. My brother Rex played the drums on a lot of the tracks and he played a little guitar, but I played a lot of the guitar as well.

Do you prefer doing it that way? Where you’re doing everything and putting it all together at the end?

Yeah — if it’s my album and my name on it, I’d rather do everything I can. I want to feel like it’s coming from me.

Do you find there’s a difference in what you’re putting out when you’re in New York versus LA?

For sure. Anywhere you write, it always feels different — just different energy. I wrote most of the record in LA, but being from New York and growing up there, it’s like that saying, “You can take the girl out of the city but you can’t take the city out of the girl,” whatever the fuck that means. It’s kind of true. No matter where I am, I still have the New York edge and grit. In the production, you hear the broadness and grittiness of the sounds being used. Are you from New York as well?

No, I’m from Ohio. I grew up in Cleveland but my parents are back in Columbus.

That’s sick. I played a show in Columbus and a festival in Cleveland.

The house shows are awesome in Columbus, but you can understand why I wanted to not be in Ohio, right?

Of course. New York is the best city in the world. It’s the dopest.

You’re gonna say that to all the LA people reading this?

Yeah. I don’t mind. I say it all the time. It’s where I’m from, it’s in my blood.

What do you want people to know about you?

Just listen to the album and you can figure it out from there. Come to the show.

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Tkay Maidza at El Rey Theatre, Los Angeles, CA, USA

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Tkay Maidza at Hell @ The Masquerade, Atlanta, GA, USA

Tkay maidza at racket, new york, ny, usa.

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Tkay Maidza at Brighton Music Hall, Boston, MA, USA

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Tkay Maidza at The Axis Club, Toronto, ON, Canada

Tkay maidza at lincoln hall, chicago, il, usa.

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Tkay Maidza at 7th Street Entry, Minneapolis, MN, USA

Tkay maidza at hawthorne theatre, portland, or, usa, tkay maidza at biltmore cabaret, vancouver, bc, canada, tkay maidza at spilt milk perth 2023.

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Pitchfork Music Festival 2024 Schedule: All the Set Times You Need to Know

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The 2024 Pitchfork Music Festival is just about two months away. We are excited now to share the full breakdown of stages and set times . Below, see when you can check out headliners Black Pumas, Jamie xx, and Alanis Morissette, along with other great acts like Jai Paul, 100 gecs, Jessie Ware, Brittany Howard, Carly Rae Jepsen, De La Soul, Kara Jackson, Crumb, Jessica Pratt, Rosali, Maxo, and many others.

Pitchfork Music Festival 2024 takes place from Friday, July 19, to Sunday, July 21, and tickets are on sale now . Prices are currently at Tier 2 for all ticket types, including $239 for three-day passes and $119 for single-day passes. The Pitchfork PLUS upgrade, including a range of exclusive amenities, is $419 for a three-day pass and $219 for a single-day pass. In addition, for the first time, the Pitchfork VIP upgrade is available for $729 for a three-day pass and $399 for a single-day pass. More details can be found here .

For more information about Pitchfork Music Festival 2024—including lineups, event news, and the latest updates—please visit the festival’s website and Facebook page , and follow @PitchforkFest on Instagram and X . Plus, listen to some of the best music from the Pitchfork Music Festival 2024 performers in our Spotify and Apple Music playlists.

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Friday, July 19, 2024

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1:00-1:40pm: Black Duck (Green) 1:45-2:25pm: Angry Blackmen (Red) 2:30-3:15pm: ML Buch (Green) 2:45-3:30pm: Rosali (Blue) 3:20-4:10pm: Tkay Maidza (Red) 4:00-4:45pm: Doss (Blue) 4:15-5:10pm: billy woods & Kenny Segal (Green) 5:15-6:10pm: Yaeji (Red) 5:15-6:00pm: Amen Dunes (Blue) 6:15-7:15pm: 100 gecs (Green) 6:30-7:15pm: Sudan Archives (Blue) 7:25-8:25pm: Jai Paul (Red) 7:45-8:30pm: Jeff Rosenstock (Blue) 8:30-9:45pm: Black Pumas (Green)

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• Regent Seven Seas Cruises

Best of Moscow by high speed train

By shuguley , February 15, 2014 in Regent Seven Seas Cruises

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Sure would appreciate someone who has taken "Best of Moscow by high speed train" from St. Petersburg could please share their impressions of this shore excursion. From the description this sounds like a very long day.

Wondering how the 4 hour train trip was in terms of accommodations, etc. Also what time did you leave the ship and what time at night did you return? Were both legs of the trip on the high speed rail (I read that slower trains also travel the same tracks)?

My wife and I are considering this excursion. We thought that if we are making all the effort to go to Russia then how could we pass up going to Moscow, walking in Red Square, seeing St. Basil, etc.

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If you are considering this on the 2015 June Baltic cruise on Voyager; my suggestion is don't. There is so much to do in St. Petersburg and although a train is one of my favorite ways to travel the time would be far better spent in St. P.

Thanks for the advice. Yes, this would be on the Voyager during the 2015 season but not yet sure exactly which cruise.

We did the Moscow excursion "on a different luxury line", but from your brief description it sounds very much like the same trip, so I will operate on that assumption. It is a VERY long day! We left the ship at 5:30 AM and returned at 12:30 AM. The highspeed train trip is comfortable, and while they call it "Business Class" it does not compare well to the equivalent class on say Rail Europe. When we did it in 2011, we did have highspeed both ways, and the trip back seemed much longer as the adrenaline and excitement had worn off!:D

Moscow itself is not that terribly different from any other big city in the world, but this Cold War kid never thought he would ever stand in Red Square, never mind walk the grounds of The Kremlin, or tour The Kremlin Palace, or see (but not visit) Lenin's Tomb, or visit The Armoury. But he did, and he loved every minute of it! Yes, it is a long day, and you barely scratch a scratch on the surface, but it is worth it. There is a tremendous amount to see in St. Petersburg, but every Baltic cruise goes to St. Petersburg, so you can go back if you choose to. Not every cruiseline offers you the chance to see Moscow.

I have not personally done this tour, but our last time in St Petersburg, the private guide that we hired for a day was leading the regent tour to Moscow on the high speed train the next day. He said it was way better than the previous alternative, which was flying to Moscow and back. He said that you actually got to Moscow faster because you didn't have to deal with airline checkin etc. it did seem like a very long day to me, and there is so much to see and do in st. Petersburg that I didn't consider doing it.

countflorida

We toured to Moscow from St. Petersburg via the hi-speed SAPSAN train last September, from a Baltic cruise on the Oceania Marina. You need to have a two-night, three day port call in St. Petersburg to take this tour because the tour typically leaves the ship around 5:00 - 5:30 AM and doesn't return until after midnight the next day. We didn't take the ship's tour; we made private arrangements with TravelAllRussia for three days of touring, the first and third days in St. Petersburg and the second day the tour to Moscow by train. Our cost for the private tour for three days was about the same as what the ship charged for the excursion to Moscow alone. There are a number of private tour agencies that operate in St. Petersburg and offer the Moscow train tours; we would strongly recommend them over the ship's tours.

All three days had private guides with car and driver. The second day, the driver picked us up at the ship and took us to the train, but we were alone on the train, and met in Moscow by the guide on the station platform. After our tour and dinner, we were brought back to the train and after the return train trip met by the driver and taken back to the ship. Because you are alone on the train you must have your own Russian visas.

If this is your first visit to St. Petersburg, I would agree there is much more to see there. We found Moscow somewhat a disappointment, particularly Red Square. The Kremlin and the cathedral in Red Square were also worth seeing. But the best thing we saw was the Moscow subway! I worked for the Washington Metro system back in the 1980s as it grew from 40 to 80 miles and although I was in the computer area, I learned a lot about the challenges of running a subway system. We used the Moscow system to get across the city from where we had dinner to the train station, and I was amazed at the cleanliness', speed of operation, the short headways maintained, and the courtesy of everyone involved. A very impressive experience!

We had been to St. Petersburg before, and so had the time to take a day and go to Moscow. Also, I really like trains, and the SAPSAN is a German train set running on Russian rails. Seats are like first class domestic air, spacious but not too plush or comfortable, but with enough room. Not too much recline, and almost 8 hours on the train in two shots is a lot for an old man. They come through and sell drinks, candy, etc. but the sellers don't speak English and no one around us helped, so we had just poor coffee once coming, and brought stuff with us for the trip back. Not too much to see from the train either, particularly on the return when it is night the whole way.

If you decide to go, take a private tour and avoid the overly expensive ship's tour. I'm glad we did it, but wouldn't bother to repeat the tour; we've seen Moscow.

Thanks so much to all of you for the thorough and thought insight. Yhe information you have provided is most helpful.

countflorida: Your detailed post is very helpful. We are not quite ready for a Baltic cruise but should do so within a year. Time enough to do our pre travel research, bookings and visa gathering.:) Thank you!

Emperor Norton

Sure would appreciate someone who has taken "Best of Moscow by high speed train" from St. Petersburg could please share their impressions of this shore excursion. From the description this sounds like a very long day.   Wondering how the 4 hour train trip was in terms of accommodations, etc. Also what time did you leave the ship and what time at night did you return? Were both legs of the trip on the high speed rail (I read that slower trains also travel the same tracks)?   My wife and I are considering this excursion. We thought that if we are making all the effort to go to Russia then how could we pass up going to Moscow, walking in Red Square, seeing St. Basil, etc.

I did this on Seabourn. IMO DONT. Take Aeroflop (er Aeroflot). The train has non folding seats where you are literally knee to knee with your fellow passenger (facing each other). Further they don't believe in air conditioning. It's also the worlds slowed bullet train. I think I would have found more enjoyment wandering around the St. Petersburg and Moscow airports.

Countflorida,

This is a little off topic,, however we had planned a river cruise in Russia but decided we would rather stay on land and have booked about two weeks with Travel-All-Russia using the private guide and driver. I'm curious as to how you found them as a tour company.

The guides they provided were fine. We had a different guide each of the days in St. Petersburg, but both were flexible, pleasant, knowledgeable and spoke English very well, as did the guide in Moscow, incidentally. She was a bit aloof, distant, not too friendly, but otherwise fine. In fact, she was the one who suggested taking the Metro, which unexpectedly became one of the highlights of the Moscow excursion. If I have a complaint with AllTravelRussia, it is with their plan and its execution (more later).

I had requested emphasis on World War II (in Russia, the Great Patriotic War) sites and info. In scheduling us, they weren't careful about dates and a couple of the sites we wanted to see were scheduled on the third day, after we'd been to Moscow. But both sites were closed that day of the week, and that info was readily available, right on web sites describing them. Also, the included meals (lunches in St. Pete, dinner in Moscow) were not what we asked for: light meals with some choices, so we could avoid things we didn't like and choose things we did like. My request was ignored; we were given full Russian meals with a fixed menu, no choice. On the first day, a fish dish was the entre, but I am allergic to fish. Fortunately, I had the e-mail I'd sent with me and showed it to the guide, and she was able to change my entre to chicken, which was very good actually. But we didn't want a 3-4 course lunches or dinner (in Moscow). We had the guide drop the lunch the third day, although we never got any credit or refund. But, particularly in contrast to the ship's tours, the prices were so reasonable we didn't worry too much about it.

The people who were on the ship's tour to Moscow saw us boarding the same train for which they were forced to queue up and wait on the way back, and asked us what we had done. I was candid and open so they were not happy when I explained what we had arranged and particularly what it had cost. Also, when we returned to the ship, we found they had laid on a late supper for those who had gone to Moscow, so up we went and had something. Well, it turns out the late supper was supposed to be just for those on the ship's tour, but we and others on 'independent' tours, there were a dozen or more of us, crashed the party, actually got there first, and they didn't realize it until the larger group arrived and there weren't enough tables/places set. By that time, the 'independents' had all gotten served and were eating; what could they do?

A couple from the larger group sat down with us and asked us about our tour, and they were the ones I told about our arrangement and its cost. They turned to others who’d been with them and announced the details, loudly enough so the whole room heard, which started a lot of bitching and complaining. I gathered they weren't very happy with the ship's tour to begin with, and this was the straw that broke the camel's back. We finished up and beat it out of there, but overheard later that one of the excursion staff came to check on something and ran into a real mess. I caught a cold on the trip, which forced me to bed the second day following in Tallinn, so by the time we reappeared we heard about the contretemps' but apparently no one recalled who started it, thankfully.

Because of what happened to us, I would probably not use AllTravelRussia if I were to go again, or if I did, I would be sure to get confirmation of every detail of the tour. They do have good reviews generally, and we were certainly helped by their visa department and liked the guides and drivers. Their weakness, I say now with full 20:20 hindsight, is that once the sales person who plans the tour, sells it to you and collects your money, he (or she) transfers the plan to their Russia office for implementation; there is no follow-up to make sure it gets done right. And that is where our problems arose; we paid for a custom tour but got a standard package with a few destinations switched, and no one checked them out, even to see when they were open the day we were scheduled to go. If you check every detail that’s important to you, it should be OK, but that’s a hell of a way to have to do business, in my opinion.

Thank you for the 20/20 hindsight observation on your Russian tour operator, and better priced than the ship's excursion cost.

Thanks very much for the feedback.

We had the same experience as you so far as price. We originally booked a Viking Cruise but, hearing some things about the river cruises that made us unhappy, looked into other options. T-A-R cost the same or less than a cruise and had us in hotels for 11 days. We opted for the private tour. They have three tour levels, based on hotels. We originally opted for the four star as it did not cost much more than the three star hotels. Finally we decided to throw it all in and upgraded to five star. In Moscow we will be at the newly opened Kempinsky which is two blocks from Red Square. In St. Petersburg it is the Grand Hotel Europe, one of the most vaunted luxury hotels in Russia. Location is important for us as the tours use up only part of the day so being in the center of everything for our independent touring is important. As with many other cities, the less you pay, the farther out of the center of town you are.

We have been working with our salesman in D.C. and he seems to get back to us with the changes we want. He recently returned from Russia so is up on everything. When I asked they said they paid the full TA commission if I wanted so I got my usual TA on board so he is watching our back and giving us that extra level of comfort. He also set up our air, which I know pays him little or nothing, and got us business class for much less than T-A-R wanted for economy, though it took working for a while with a consolidator. He's happy to get his 10 percent on this trip without having booked it. He also took care of the trip insurance. We've been doing a lot of research on the CC sister site Trip Advisor and will write a report there. We will, I guess, become a source of info for CC members after having spent 5 days in Moscow and 6 in SP.

• 4 months later...

scubacruiserx2

Anybody considering a day trip to Moscow from St. Petersburg on the Sapsan may want to look at our travelogue filled with pictures.

http://boards.cruisecritic.com/showthread.php?t=1927687

Very informative. Thanks dor sharing. Jeff

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