steve forbert tour glasgow

Watch the second single, "Purple Toyota,"  on YouTube

Steve Forbert - "Sound Existence" Music Video

Steve Forbert - "On The Streets Of This Town" (Music Video) [Remastered Audio 2023]

Steve Forbert - "What's A Dog Think?" (Music Video with "she")

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Steve Forbert

The Fallen Angels Club Presents Steve Forbert on the 28th of June 2022.

Original date: 30th June 2020

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Our Daylight Sessions are back! A lazy afternoon with music, brunch & booze if you desire. An event for all ages. On Sat 15th April our line-up features @johnrushmusicuk Martha May & @Concretekid67 who all play our All Dayer on Sat 3rd of June! 12pm-4pm 🫳 Free entry pic.twitter.com/YKjXTmrWXo

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We’re buzzing for the return of the Saint Luke’s All Dayer w/ @spyr3s @bertakennedy_ @brontesband , @Concretekid67 @dankotheband @dillonsquire_ @herpictureband @johnrushmusicuk @thekatuns @marthamaymonday @paisleyparcuk @pink_limit @therolymoband @_SHREDD & @tina__sandwich pic.twitter.com/smdmKn9spV

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When @RagNBoneMan joined @Barrioke1 on stage!  Just over 2 weeks to go until Barrioke's Scottish debut as part of the @GlasgowComedy Festival! youtube.com/watch?v=0Rh-i4…

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Steve Forbert and his music could well be described as a 'one hit wonder,' having achieved a no. 11 Billboard Chart positioning 1980 for his song "Romeo's Tune." After this success, Forbert has not exactly achieved the same heights but nonetheless, he is still going strong over thirty years later and performing regularly. His performance at McCoole's in Pennsylvania proved he is a well-seasoned musician with a vast and varied set, offering the large crowd a delightful performance. With a raspy voice and a harmonica strapped upon his neck, Forbert offers folk and blues that can certainly be met with comparisons to Bob Dylan. He played songs from throughout his career, such as "Blackbird Tune," "Stolen Identity" as well as a cover of Muddy Water's "Trouble No More." And of course his hit, "Romeo's Tune," which was met with a rapturous reception, being the overall highlight of the night. "Say Goodbye to Little Jo" was also a particularly poignant song, still holding its sense of bitterness that has clearly continued to this day. It was a fun and entertaining set that was finely tuned, displaying his vast experience as a performer. `Forbert has done well to have enjoyed a long career, even if it hasn't achieved wide success. Yet his music is still full of good songs that perhaps deserve more appreciation.

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I try never to miss Steve Forbert when he is in the area. Fabulous show with old songs and new from his great new CD The Magic Tree. My only complaint is with the venue Union Stage. Steve wanted to play another tune or two but they shut him down due to another later show following. Bush league move. Don't schedule an unrelated later show or at least push it back.

Steve's show was fantastic. He had the energy of a 20 something on stage. He played much of what his audience requested and a few sing-a-longs that made the night memorable. His guitar playing was once again masterful. He's a true pro at his craft. Loved the show and highly recommend seeing him if you have the opportunity.

Excellent performance. Steve is a great entertainer and songwriter and worked many old and new songs in...great night. Highly recommended if you are a long time fan or just becoming familiar.

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The 9th Ward

Bryn Mawr Twilight Series

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Steve Forbert tour dates and tickets 2024-2025 near you

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Steve Forbert is not due to play near your location currently - but they are scheduled to play 7 concerts across 2 countries in 2024-2025. View all concerts.

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• June 28, 2022 Setlist

Steve Forbert Setlist at Saint Luke's, Glasgow, Scotland

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Steve Forbert Gig Timeline

• Jun 15 2022 Band on the Wall Manchester, England Add time Add time
• Jun 19 2022 Bristol Folk House Bristol, England Add time Add time
• Jun 28 2022 Saint Luke's This Setlist Glasgow, Scotland Add time Add time
• Oct 15 2022 Jammin Java Vienna, VA, USA Start time: 6:30 PM 6:30 PM
• Oct 21 2022 My Father's Place at the Metropolitan Glen Cove, NY, USA Add time Add time

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Steve Forbert & The Soundbenders

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Past Events

Here are the most recent UK tour dates we had listed for Steve Forbert & The Soundbenders. Were you there?

October 2012

• Fri 5 Oct Glasgow, St Andrews In The Square Steve Forbert & The Soundbenders

January 2008

• Thu 17 Jan London, Dingwalls Steve Forbert & The Soundbenders, Southern Tenant Folk Union
• Wed 16 Jan Leeds, New Roscoe Steve Forbert & The Soundbenders

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Makin Waves with Steve Forbert: Keep on Keepin' on

Asbury Park-based folk-rock great Steve Forbert recently released his latest album, “Daylight Savings Time.” PHOTOS BY MARCUS MADDOX

Now based in Asbury Park, Meridian, MS-raised singer-songwriter Steve Forbert is an American musical treasure whose latest album, “Daylight Savings Time,” is another omnivorously observant chronicle of magic and meaning within everyday moments. As he approaches his 70 th birthday, Steve explores aging with beautiful, natural metaphors and a few man-made ones, such as the fun-loving “Purple Toyota,” the album’s second single.

“Daylight Savings Time” marks Steve’s fourth LP with Blue Rose Music, a Brooklyn-based independent label that donates a portion of revenue to pre-school scholarships to financially disadvantaged children. The album is his third helmed by Asbury Park-based producer-engineer Steve Greenwell. Its core components were cut old-school style at Greenwell's studio in AP with drummer Aaron Comess (Spin Doctors) and keyboard player Rob Clores (Jesse Malin, The Black Crowes). Supple bass lines were contributed by Byron House (Dolly Parton, Emmylou Harris, Al Green), while Gurf Morlix, whose guitar and production gifts were elemental in launching Lucinda Williams into the spotlight, tracked his note-perfect six-string contributions at his Austin home studio.

In 1975, when Steve arrived in New York City from Meridian, the same hometown as country music pioneer Jimmie Rodgers, his aim was establishing a lifetime of creating, performing, and recording the songs he'd started writing at age 17 after cutting his teeth as a teen in local rock bands. He slotted seamlessly into the “new folk” revival in such Manhattan clubs as Folk City, The Bitter End, and Kenny's Castaways, yet at the same time took the stage at CBGB, ground zero of the burgeoning punk/new wave movement. He also busked on the streets of Greenwich Village and in the elegant confines of Grand Central Station.

Steve chose his solo approach of voice, acoustic guitar, and harmonica, accented by foot stomps, to best approximate the melodic fullness and drive of a band. It inevitably caused him to be tagged as one of the numerous “new Dylans” that emerged in the 1970s.

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He quickly won a major label deal with Nemperor/CBS Records and released his heralded debut, “Alive on Arrival,” in 1978. His next album ,  “Jackrabbit Slim,” won similar acclaim and brought wider renown to Steve with its No. 11 pop chart hit “Romeo's Tune.” It provided the stature for his troubadour existence, which has kept him active ever since as “a striking performer, very much worth seeing and hearing,” according to “The New York Times.”

Steve has released 20 studio albums featuring his songwriting gifts. His live show is markedly different and genuinely of the moment. It has yielded four live albums, plus 14 more concert recordings available exclusively on his website at steveforbert.com/ . His oeuvre is further rounded out by a 2002 tribute album to fellow Meridian native, country music founding father Jimmie Rodgers. “Any Old Time” was nominated for a Best Folk Album Grammy Award.

Hailed by concert promoter Peter Jest as “a beacon of authenticity in a world saturated with noise” with an “ability to craft songs that capture the essence of the human spirit,” Steve can be enjoyed live Sept. 12, AyurPrana Listing Room, Asheville, NC; Sept. 13, Sundella Concert Series, Auburn, AL; Sept. 14, Eddies Attic, Decatur, GA; Sept. 15, City Winery, Nashville; Sept. 29, Fitzgerald’s, Berwyn, IL; Oct. 4, Iridium, New York City; Oct. 5, New Hope Winery; Oct. 19, Jersey Shore Arts Center, Ocean Grove, with Pam Flores, and Oct. 20, Turning Point, Piedmont, NY.

Enjoy the following chat with this legendary Asbury transplant!

It’s safe to say that Steve Forbert is a survivor. You’ve not only overcome a music industry that tried to derail your career, but you’ve also survived kidney cancer while remaining steady with album releases. Comment on how you are the embodiment of one of the characters in your songs who must rely on the human spirit to keep on keeping on.

I just keep trying to write songs. I guess some of my songs have said that. I don’t know of any in particular. I got into this songwriting when I was 17. Before that, I was way into music. ‘Mr. Tambourine Man’ so inspiring to me. I found something I love doing, that’s all.

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‘Daylight Savings Time’ is your fourth album on Blue Rose Music. How and why did you sign with them, and what do you like most about working with them?

It enables me to keep making records in a way that I’m happy with. It has enabled me to have enough budget to make these records with Steve Greenwell. All but one was produced by Steve Greenwell. It’s enabled me to keep making records and have some access to a good producer and studio time. And to keep on keepin’ on.

What is the theme of ‘Daylight Savings Time,’ and does the title have a double meaning?

It’s a summer treat. The first song, ‘Clouds Roll Past the Sky,’ is saying, ‘make the most of it.’ I’m 69. I don’t think I’m elderly, but I’m certainly not middle-aged anymore. When you look at Daylight Savings Time, you get an extra hour and it gets darker later. It is a double meaning because it’s saying, ‘Why get freaked and fret? Summer’s not done yet. Have another hit and make the most of it.’

Are ‘One Lone Leaf’ and ‘Dixie Miles’ metaphors about aging?

‘Dixie Miles’ is not. That’s about riding the highway heading south from Nashville to Gulf Shores, AL. ‘One Lone Leaf’ is similar to the first song, ‘Clouds Roll Past the Sky.’ ‘One Lone Leaf’ is that point in the summer when you get a feeling from the first leaf that falls out of the woods and hits your feet. It’s just ‘One Lone Leaf,’ but eventually, they all hit the ground. It takes account of getting older. You see the first leaf of fall drift down. This is the beginning of the end of summer. The whole thing about summer as a positive metaphor.

What is your favorite song from the album to play live and why?

It’s pretty fun to play ‘Purple Toyota.’ It certainly has lots of words. ‘Sound Existence’ I’m having a good time playing. That was the first single. It just seems like it’s appropriate to my style. I’ve played about five times in concert. It’s going over good and seems like a winner.

What do you like most about the video for ‘Sound Existence’?

I usually play and sing in the videos, but I thought what if you didn’t have me in this one? I worked with a friend, Tom Parr. We asked his girlfriend, Cynthia Soler, to appear in the video. I went so well, I decided not be it.

Who plays on the album, and do they ever play with you live?

Aaron Comes has been on three of my records now. He’s from Spin Doctors. He’s playing drums. Steve Greenwell went down to Nashville not long ago to work with bass player Byron House and ask him to play on the record. Gurf Morlix is on lead guitar. He’s a Texas musician. He produced the first few records by Lucinda Williams. I’ve known him for a while. He understands this music so we asked him to play on the whole album. And keyboardist Rob Clores plays with me. When I do duos, he plays with me.

Now I’m always playing as duo with Rob Clores, but sometimes a trio with upright bassist Todd Lanka from Clinton, NJ. Sometimes I’m a trio, sometimes a duo with Rob. Sometimes we add a drummer, Joe Bellia, from the Shore area. He plays with a lot of people. He’s really good. And he’s in our group whenever we have drums.

Several of Steve Forbert’s latest albums have been produced by Grammy-winning Asbury Park-based producer-engineer Steve Greenwell.

The new album is your third produced by Asbury Park-based Steve Greenwell. How and why did you come to work with Steve, and what do you like most about working with Steve?

I heard some records he had mixed several years ago. He was working with Joss Stone, and I asked how he mixed those records. Then I found out that Steve Greenwell lives here in Asbury Park. I contacted him to mix a record in 2015, ‘Comprised.’ That’s when I got to know him, and it just progressed from there. In about a year, I started with him producing. He mixed that record ‘Comprised.’ Then we made ‘Magic Tree,’ which was a compiling of previous recordings that went with my book, my memoir, ‘Big City Cat.’ At that time I released ‘Magic Tree,’ I was ready to start a new recording from scratch and asked Steve Greenwell to produce ‘Early Morning Rain.’ We just going from there. We made ‘Moving to America’ and now this new one, ‘Daylight Savings Time.’

He’s very skilled. He engineers these records, mixes them. He has a working studio in Asbury Park so he’s convenient and very talent. He’s a good music person. He’s a good person to get a good feel about what’s the best way to approach the drums and percussion. When I come in with a song, it’s just a skeleton, just vocal and guitar, but he knows what to do with it.

Steve is one of several connections you have with Asbury Park. Have you ever and do you still live there?

I’ve lived here for about seven years now.

What and/or who introduced you to Asbury Park?

I discovered it years ago in the early ’80s when I lived in New York City. It was a fun place to go to get out of the city, get some fresh air. Much later on, I started a relationship with Diane DeFazio. That made it so I actually lived here to be near her.

What do you like most about Asbury Park and why?

It has a music scene. A lot of cities have music scenes. Atlanta does, Washington, DC, and Boston, but one good thing about Asbury Park is that it’s a good scene for older music fans, people who had grown up with the Springsteen phenomenon. A lot of that energy is still alive in the area. It’s a good music scene for older rock ‘n’ roll fans.

I just played an outdoor concert on St. John’s Island. That’s an example. That sort of people showed up. It was free admission. I played with Vini ‘Mad Dog’ & the Expensive Winos. They played, then we played as a trio with Rob and Todd. Who was there were all these older rock ‘n’ roll fans. That crowd is a big part of what’s good to me about Asbury Park.

When I got started, a lot of interest was really plugged into this area as part of the territory of WNEW. It stretched to WIOQ and WMMR in Philadelphia. There also was a radio station around here, WHTG 106.3. Back then, they were playing new rock ‘n’ roll. This whole Northeast area from Boston to DC was very plugged in with lot of magazines and things, such as The Aquarian. There were a lot of radio stations. There were a lot people at a lot of colleges. It was a really good place for me to work.

Do you prefer Asbury Park to Nashville?

I got tired of coming up here from Nashville to play most of my shows. I can drive to Boston now, drive to Richmond, drive out to Harrisburg. This area good for me. It makes good sense just to live here.

When look around at the musicians in Asbury Park, like Todd, Rob and Joe, they’re not country musicians, like in Nashville. People around here play the folk rock ‘n’ roll that I play. The Nashville scene doesn’t appeal to me a lot because I don’t really play country music.

Has Asbury Park influenced your music in any way?

The energy of it has been helpful in my just keeping on and keeping at it. To facilitate someone like Steven Greenwell is a good connection. I don’t know if it’s influenced the music -- it’s still folk rock -- but certainly has enabled it.

How did growing up in Meridian, Mississippi influence your music?

It was just a good place to be from. The fact that it’s Jimmie Rodgers’ hometown didn’t have a lot to do with my very early years. I was inspired more by things like The Byrds, The Beatles, The British Invasion, but I later discovered Jimmie Rodgers. That was important. He was the father of country music. He was a very significant synthesis of American music putting in all elements that made him popular. He had blues, Tin Pan Alley, and Appalachian stylings. A lot of that went into what I was doing. My inspiration mainly was off the AM radio. The Byrds’ ‘Mr. Tambourine Man’ was a magical record that influenced everybody that was hearing it all over the country. By then, Steppenwolf and stuff like ‘Brandy’ by Hour Glass were out. All of these influences were going on all over the country. It’s harder to say if being from Meridian was unique to all that I listened to in the Top 40.

How did it feel to be nominated for a Grammy for your tribute to Jimmie Rodgers?

Well, it was really good, a surprise. We didn’t make that record with any scheme involved. It was just something I felt obligated to do because I’m from Meridian, MS, making folk-rock records for several years. I mentioned that to Garry Tallent, and he said he’d produce. That was all I needed. June Carter passed away that year. She had just put out a record called ‘Wildwood Flower.’ It was a no brainer that she would win because she had just passed away and had made a good record that I liked a lot. It was good to be nominated. There you have it.

After several years of not being able to record due to legal issues with Columbia, you worked with E Street Band bassist Garry Tallent on the 1988 Geffen album ‘Streets of this Town.’ Like you, Bruce Springsteen was prohibited from recording during the course of a lawsuit. Have you ever discussed that stagnation with Garry and/or Bruce? If so, what insights did they give you and/or you give them?

I haven’t discussed it with Bruce, but I’ve spent a lot of time with Garry, and Garry really helped me get back in the game. He was curious what I was up to. He listened to the songs I was writing. Listened to my band. We were playing everywhere. The Rough Squirrels. He took us into studio, which was Shorefire in Long Branch. There wasn’t a lot to talk about as far as not being able to record. What Garry did was get us in the studio and roll tape. He produced us and made that happen.

Do you own Rolling Tide Music and if so, were you able to buy back your early albums from Columbia and reissue them?

Rolling Tide is my publishing company one of three. Nat Weiss allowed me to put out records. I don’t have problem with Nat Weiss and Nemperor Records. I decided I wanted to try to be on Columbia, and that didn’t work out. It was no fault of Nat Weiss. He was a wonderful person. I miss him a lot. He allowed me to put out these records I made for Nemperor.

You have a distinctive harmonica style in which you roll the notes more than anyone else I’ve ever heard. How did you learn and/or develop that technique?

I don’t know. I’ve played lot harmonica over years. It’s just my style I came up with. Just one of those things I tried, and I just added it into my harmonica style.

Bob Makin has produced Makin Waves since 1988. Follow Makin Waves  on Facebook  and contact Bob at  [email protected] .

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Glide video premiere: steve forbert announces new album ‘moving through america’, shares video for “living the dream”.

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Steve Forbert concerts and tickets

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sat 19 jun 8:00 pm sat 8:00 pm Steve Forbert & the New Renditions at Tim McLoone's Supper Club BUY TICKETS NOW

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STEVE FORBERT & THE NEW RENDITIONS DOORS OPEN AT 6:30 pm, SHOW STARTS AT 8  pm "An introspective, homespun philosopher" - New York Times Steve Forbert is one of the few artists who

STEVE FORBERT & THE NEW RENDITIONS DOORS OPEN AT 6:30 pm, SHOW STARTS AT 8  pm “An introspective, homespun philosopher” – New York Times

Steve Forbert is one of the few artists who can mesmerize a crowd with nothing but a distinctive voice, an acoustic guitar and his trusty harmonica slung around his neck. More than four decades have passed since Forbert first made his way to New York City from Meridian, Mississippi and his intimate verbal imagery, paired with a roots-rock musical approach, struck a chord with millions of people during the transitional period between ’70s folk-rock and ’80s New Wave. Forbert’s debut album, Alive On Arrival, became one of 1978’s most acclaimed records. Rolling Stone contributing editor David Wild recently reflected that “now or then, you would be hard-pressed to find a debut effort that was simultaneously as fresh and accomplished,” comparing it to “a great first novel by a young author who somehow managed to split the difference between Mark Twain and J.D. Salinger.”

Anyone who reviews Steve’s catalog of music can see the writer in the musician. His songs are as literary as they are musically vibrant. Brutally honest lyrics delivered with sensitivity create an uncommon trust with his listeners. Excelling in every decade of his career, Forbert exemplifies the heart and soul of the troubadour tradition. Forbert continues to tour extensively, both nationally and internationally and we’re very happy to have him, once again, back at Tim McLoone’s Supper Club!

(Saturday) 8:00 pm - 8:00 pm

Tim McLoone’s Supper Club

1200 Ocean Avenue Asbury Park, NJ 07712

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Steve Cummings appeared set to make a return to working as a directeur sportif (DS) on the ground for Ineos Grenadiers at the Tour of Britain Men this week, but was replaced just before the race began, by Tom Pidcock’s coach, Kurt Bogaerts . 

Cummings has not been physically present at races for the team since he was seen at the Critérium du Dauphiné in early June. Despite being promoted to director of racing in December last year, he was also left out of the team’s on the ground race management group for all three Grand Tours this year , including the Tour de France . 

Cummings was listed as DS for the Tour of Britain on the initial start list, but was removed on Monday. He was also listed as DS for August's Deutschland Tour, but he was later removed.

At the Tour of Britain Men, Cummings has been replaced by fellow Ineos DS, and Tom Pidcock’s personal coach, Kurt Bogaerts. The Belgian former pro is working alongside Ian Stannard as one of the team’s sports directors this week. 

Tom Pidcock’s presence in the Ineos Grenadiers team selection has made the British registered squad one of the two favourites for overall victory at the six day stage race. Pidcock’s tense relationship with Cummings was notable in the second series of the Tour de France:Unchained documentary on Netflix. 

Pidcock was present at the Tour in July, and suggested that he felt Cummings surprise absence from the team would have no negative impact on their strategy for the race . 

"I don’t think it’ll have an impact," Pidcock said. "Things change, it’s not really for me to comment."

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During the Tour, Ineos insisted that Cummings was supporting the team’s DS group remotely. 

"Steve’s still working on the Tour, he’s just not at the Tour," team CEO John Allert said at the time. "He’s feeding stuff in, he’s part of a team, we’ve got a team of coaches and DSs and he’s obviously an important part of that."

Cummings (left) at Paris-Nice earlier this year

However, the team’s lead sports director on the ground, Zak Dempster, said that he felt it would it would be challenging for the former pro to be involved in decisions remotely. 

"I think that’s impossible," Dempster said. "For the moment I am the lead DS here and it’ll be me managing the race on behalf of the performance team."

Speaking after the first stage of the Tour of Britain in Kelso, Ian Stannard told journalist Daniel Benson’s Substack page that Cummings was supporting remotely once again. 

Stannard also suggested that the Ineos DS group had continued to undergo major overhaul which has inadvertently meant that Cummings role on the team is changing. 

"A provisional start list changes all the time, just like the riders," Stannard said. "Steve’s supporting from home."

"He’s the director of racing, he’s sorting stuff out for the team," Stannard added. "He’s working on the race programme for next year, the signings, the planning and stuff like that."

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Tom has been writing for Cycling Weekly since 2022 and his news stories, rider interviews and features appear both online and in the magazine. 

Since joining the team, he has reported from some of professional cycling's biggest races and events including the Tour de France and the World Championships in Glasgow. He has also covered races elsewhere across the world. 

As well as on the ground reporting, Tom writes race reports from the men's and women's WorldTour and helps with coverage of UK domestic cycling. 

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