Desperate Journey

Desperate Journey

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Film Details

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Brief Synopsis

Cast & crew, raoul walsh, errol flynn, ronald reagan, nancy coleman, raymond massey, photos & videos, technical specs.

desperate journey 1942 movie

A unit of the British Royal Air Force is assigned to bomb a German railway. Although they are ordered to fly at a high altitude, their bomber is spotted by the Germans, who attack them from both air and land. After the squadron leader is shot, Flight Lt. Terrence Forbes takes charge and rashly flies the plane beneath the cloud cover, causing the plane to be shot down. The plane crashes in the woods and the survivors--Forbes, an Australian; Flying Officer Johnny Hammond, an American; Flight Sergeant Kirk Edwards, a Scot; Flying Officer Jed Forrest, a Canadian; and Flight Sergeant Lloyd Hollis, the wounded son of a famous World War I flyer--hide hurriedly. The plane explodes in flames, and the Germans assume that everyone perished in the crash until a German soldier spots blood from one of the wounded flyers. After they are captured, the flyers are sent to a prison camp, where camp commander Major Otto Baumeister interviews them. Johnny pretends to cooperate, but at the first opportunity, knocks the major unconscious. Terry, who speaks German, then tricks the other soldiers inside. Once they have subdued the Germans, the men search the office and find papers relating to a hidden Messerschmidt factory. They then begin their dangerous trip across enemy territory. Believing that his wounds imperil the group, Lloyd decides to give himself up to the Germans, but the other men stop him before he gets very far. They then overpower enough German soldiers to provide them all with Nazi uniforms and board a train. When Baumeister learns of the attack, he flies to meet the train in Berlin, but as the men had earlier been discovered and ejected from the train, Baumeister fails to capture them. While searching for provisions, Terry learns that they are near an important chemical plant and suggests that the men sabotage it. Jed tries to stop them, but the men override his objections and successfully destroy the plant. Lloyd is wounded again and Terry searches for a doctor. With the help of Kaethe Brahms, a member of the underground, he finds one who is anti-Nazi, but Lloyd's agonized moans are overheard by one of the doctor's patients, and she summons the Gestapo. The men overpower the police, but despite the doctor's best efforts, Lloyd dies. Kaethe sends them to her parents' house near the Dutch border. When they arrive, they are warmly welcomed by the Brahmses, but Kaethe later reveals that they are impostors and that her real parents are in a concentration camp. Kirk is killed during their escape over the roof, and the others steal Baumeister's car and drive to the border, where Kaethe leaves the men to carry on in Germany. Across the border, the men run out of gas and follow a passing gasoline carrier, which leads them to a camouflaged airplane. It turns out to be a captured English bomber destined for a surprise attack on the Battersea waterworks in England. As the three remaining flyers board the plane, Jed is shot, leaving Terry and Johnny to fly the plane to England. There they learn that Jed will recover from his wounds.

desperate journey 1942 movie

Arthur Kennedy

desperate journey 1942 movie

Ronald Sinclair

desperate journey 1942 movie

Albert Basserman

desperate journey 1942 movie

Patrick O'moore

Felix basch, ilka gruning, else basserman.

desperate journey 1942 movie

Charles Irwin

Richard fraser, davis roberts, henry victor, bruce lester, lester matthews, walter brooke, harry lewis, don phillips, hans schumm, robert stephenson, william yetter, gene garrick, dewolfe hopper.

desperate journey 1942 movie

Douglas Walton

Harold daniels, carl harbaugh, rudolf steinbeck, philip van zandt, hans twardowski, rolf lindau, henry rowland, walter bonn, ferdinand schumann-heink, otto reichow, rex williams, sigfried tor, frank alten, lester sharpe, charles flynn, william vaughn, ludwig hardt, elsa basserman, victor zimmerman, rudolf myzet, richard ryen, fred vogeding, hans von morhart, carl ekberg, fred giermann, erno verebes, john banner, james harker, roland varno, peter michael.

desperate journey 1942 movie

Helmut Dantine

Leslie denison, pat o'hara, barry bernard, milo anderson, squadron leader o. cathcart-jones, edwin a. dupar, leo f. forbstein, hugo friedhofer, bert glennon, byron haskin, arthur t. horman, nathan levinson, hugh macmullan, c. a. riggs, russ saunders, max steiner, perc westmore, carl jules weyl.

desperate journey 1942 movie

Award Nominations

Best special effects.

Desperate Journey

Errol Flynn Adventures - OBJECTIVE, BURMA! & 4 More in the New ERROL FLYNN ADVENTURES DVD box set

Errol flynn adventures - objective, burma & 4 more in the new errol flynn adventures dvd box set, ronald reagan, 1911-2004 - tcm remembers ronald reagan.

"Now for Australia and a crack at those Japs!" - Flight Lieutenant Terrence Forbes

News items in Hollywood Reporter add the following information about the production: Some scenes were shot on location at Sherwood Lake, CA, the Warner Ranch in Calabasas, CA and Metropolitan Airport in Los Angeles. Nancy Coleman replaced Kaaren Verne in the role of "Kaethe Brahms." Byron Haskin and Nathan Levinson received an Oscar nomination for Best Special Effects.

Miscellaneous Notes

Released in United States 1942

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Desperate Journey

Critics reviews, audience reviews, cast & crew.

Raoul Walsh

Errol Flynn

Flight Lt. Terrence "Terry" Forbes

Ronald Reagan

Flying Officer Johnny Hammond

Raymond Massey

Major Otto Baumeister

Nancy Coleman

Kaethe Brahms

Flight Sergeant Kirk Edwards

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Desperate Journey

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Desperate journey.

Directed by Raoul Walsh

Man alive, Just picture this excitement!

During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after learning German secret information and knocking out a Nazi major. With the angry major in hot pursuit, aided by military personnel, Gestapo agents and Hitler-loyal citizens, the five wend their way across perilous Germany, intent on reaching the UK with the secrets they have learned.

Errol Flynn Ronald Reagan Arthur Kennedy Alan Hale Ronald Sinclair Raymond Massey Rudolph Anders Nancy Coleman Albert Bassermann Sig Ruman Patrick O'Moore Ilka Grüning Elsa Bassermann Charles Irwin Richard Fraser Henry Victor Walter Brooke Kurt Katch Harry Lewis Otto Reichow

Director Director

Raoul Walsh

Producer Producer

Hal B. Wallis

Writer Writer

Arthur T. Horman

Editor Editor

Cinematography cinematography.

Bert Glennon

Composer Composer

Max Steiner

Costume Design Costume Design

Milo Anderson

Warner Bros. Pictures

Primary Language

Spoken languages.

German English

Releases by Date

21 sep 1942, 25 sep 1942, 26 sep 1942, 29 may 1945, releases by country.

  • Theatrical M/12
  • Premiere Harrisburg, Pennsylvania
  • Premiere New York City, New York
  • Theatrical NR

107 mins   More at IMDb TMDb Report this page

Popular reviews

comrade_yui

Review by comrade_yui ★★★ 4

it's so bizarre to watch a young ronald reagan and realize that he was at one point considered a serious movie star. the arch-deco absurdism of the warners war film becomes national policy in the white house -- every american president after nixon has been either a performer or a tycoon, reality receding into the studio backlot. reagan went from fighting fictional nazis in the 1940s to placing floral wreathes on their real graves in the 1980s; i doubt he ever stopped acting.

📀 Cammmalot 📀

Review by 📀 Cammmalot 📀 ★★★½

”The iron fist has a glass jaw”

When an allied bomber is shot down over Germany the surviving crew, including Errol Flynn and Ronald Reagan, start rampaging their way through occupied Europe trying to get back home while still taking the time to give the Nazi’s all kinds of hell along the way.

Leave it to Raoul Walsh to create a World War II film right in the midst of World War II that somehow manages to have all the energy and attitude of an 80’s action movie.

Viewer results may vary, but this was so tonally different than every other movie I’ve seen from this era that it totally sucked me in. And I was completely fascinated by the…

AJ

Review by AJ ★★★½

A non-stop men behind enemy lines film from the exact classic director you want helming this kind of picture: Raoul Walsh. Extremely solid core cast of Errol Flynn, Ronald Reagan, Alan Hale, Arthur Kennedy with Raymond Massey as the obsessed Nazi commander chasing them.

The tone is all over the place, feels more like a "the zany adventures of Errol Flynn behind enemy lines! watch as he kills and fools Nazis who may as well not have brains!" Maybe zany is a little too extreme, but it's very lighthearted in parts and plays for laughs in a lot of situations. As long as you can sync up with the strange tone and you like men on a mission films then it's a great time! Not a lost classic but definitely a hidden gem.

mrbalihai

Review by mrbalihai ★★★★ 2

More Errol Flynn Adventure Time with this gung-ho, two-fisted WWII action film about a downed Allied bomber crew who fight their way out of Germany with guns, physical prowess, and sheer wit, to carry critical intelligence back to Blighty.

Raoul Walsh directs a not-yet totally debauched Flynn paired up with his evergreen onscreen pal, Alan Hale Sr., and young Ronnie Raygun. The pace never lets up for a second as they're chased across Hitlerland by an increasingly frustrated Nazi Major (Raymond Massey sporting an excellent command auf Deutsch ). Walsh intersperses witty dialogue, especially with the scene of Reagan bamboozling the Major with rapid-fire technobabble, and some humorous spitball action courtesy of Hale with the gritty action scenes, but never lets…

Glenn Kenny

Review by Glenn Kenny ★★★★½

In a 1963 roundtable for "Cahiers," while reassessing AMerican cinema, Jacques Rivette observed "Generally speaking, it's the ambitious films you feel appallingly let down by, and the frankly commercial films you're very happily surprised by." Truffaut responds, "That's absolutely right. 'Desperate Jurney,' which was shown again on television, is tremendous." He's right.

LeeJK54

Review by LeeJK54 ★★★★ 2

Really enjoyed this 1942 war film directed by Raoul Walsh with performances by Errol Flynn, Arthur Kennedy, Ronald Reagan, and Alan Hale. Hale provides comedic relief, as a bomber crew goes on a solitary mission over Germany to knock out a strategic target. Misfortune ensues, and the team must find a way back home by crossing back through enemy territory. This film has everything, escapes, boat rides, train rides, car chases, intrigue, suspense, and action. Especially notable is Ronald Reagan double-talking a Nazi. The opening scene shows spy intelligence being shared via carrier pigeon, showing that every means was used to gather intelligence against the enemy. Fairly good pacing as the movie moves along in a spirited manner.

Jandy Hardesty

Review by Jandy Hardesty ★★★★

Me when I started up this movie: "Okay, fine, lesser-known probably middling Errol Flynn war movie, should be an okay diversion."

Me the whole time I was watching this movie: "THIS IS AWESOME WHY DOES NO ONE TALK ABOUT THIS MOVIE."

This movie has everything. Errol Flynn, Ronald Reagan, Alan Hale, Raymond Massey, Arthur Kennedy, and some others are on a one-bomber RAF mission to take out a railyard in eastern Germany, almost to the Polish border. They get shot down, and then have to make their across just about the whole of Germany (including the middle of Berlin) to get safely back to England, doing what damage they can along the way.

There's aerial battles, a plane crash, capture,…

Patrick Delmore

Review by Patrick Delmore ★★

I preferred Reagan when he was punching Nazis in the movies to when he was President and putting wreaths on their graves.  My mom’s review ‘Ridiculous, and I don’t think they’re actually speaking German’.

hellohildy

Review by hellohildy ★★★★

A popcorn action-adventure war movie made early in the US entry into WWII.  Warners let Errol be Errol, playing a jovial, risk-taking Aussie, this time in uniform(s)!  He and his gang of flyers find themselves behind enemy lines, and make their way across Germany out-smarting those dumb Nazis. Much of it is far-fetched, but it’s good fun and ably directed by Raoul Walsh.

RKO_Chester

Review by RKO_Chester ★★★

Entertaining WW2 film made during WW2 to be entertaining .

In this rollicking adjective action adventure the crew of an Allied bomber shot down in National Socialist Germany gets into precarious situations one after another. Is it realistic? No, it isn't and it wasn't written to be. It does have its merits, though:

Nancy Coleman plays is serious and is captivating in several scenes. Errol Flynn and Ronald Reagan have their moments, too, but tack back and forth between being serious soldiers and adventurers.

There's a fine, very unexpected, twist in the middle to the 2nd half of this. Allan Hale puts in a respectable performance, too.

Adding the period atmosphere of this movie, most of the Germans only speak German…

Lowbacca

Review by Lowbacca ★★★

This does feel like a fairly standard WWII propaganda film, though making an anti-Nazi film does come with a bit of a deference to the filmmakers for being relatively heavy-handed as I'm not going to be bothered with the Nazis not getting treated 'fairly'. Though I do also think it's rather interesting that this movie has an in-film reason why there's Germans speaking English with one another, and using German extensively otherwise. It's decently convincing.

While the plot here doesn't strike me as particularly stand-out, and the same largely can be said for much of the films other elements, I do think the casting does help sell this a bit. I'm always a fan of Alan Hale, Errol Flynn puts…

Adriana Scarpin

Review by Adriana Scarpin ★★★★

Ôpa, esse é filmaço! Dá até para arriscar um palpite de que este trabalho é o pai de certos filmes cultuados dos anos 60, tais como Os Doze Condenados e Fugindo do Inferno, é mantido o mesmo clima, sobretudo o bom humor, mas o que o faz ainda melhor é um distanciamento temporal que poucos os filmes de guerra dos anos 40 possuíam e que o gênero só reconquistaria a partir dos anos 50. Também é a prova do porquê Walsh é o maior diretor de cinema de aventura desde os anos 20, a ação não deixa de nos empolgar um só minuto, a dinâmica dos atores é perfeita, as situações são engraçadíssimas e não há o ranço propagandista emotivo que se via usualmente nos filmes da época. Desperate Journey mostra também o quanto Spielberg foi influenciado pelo cinema de Walsh, mas este é um assunto para uma outra hora…

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Desperate Journey (1942)

Directed by raoul walsh.

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Description by Wikipedia

Desperate Journey is a 1942 American World War II action and aviation film starring Errol Flynn and Ronald Reagan, directed by Raoul Walsh. The supporting cast includes Raymond Massey, Alan Hale, Sr., and Arthur Kennedy. The melodramatic film featured a group of downed Allied airmen making their way out of the Third Reich, often with their fists.

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Desperate Journey

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Errol flynn (as flight lt. terrence 't...), ronald reagan (as flying officer johnny ...), nancy coleman (as kaethe brahms), desperate journey overview:.

Desperate Journey (1942) was a Action - Adventure Film directed by Raoul Walsh and produced by Hal B. Wallis.

desperate journey 1942 movie

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Desperate journey (1942).

Desperate Journey Directed by Raoul Walsh Written by Arthur T. Horman 1942/USA Warner Bros First viewing/Errol Flynn Adventures DVD What with the banter among the air crew and some incredibly?stupid Nazis, this journey was less desperate than entertaining. An RAF bomber crew led by Flight Lt. Terry ... Read full article

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Movie Review

Desperate journey.

US Release Date: 09-26-1942

Directed by: Raoul Walsh

Starring ▸ ▾

  • Errol Flynn ,  as
  • Flight Lt. Terrence Forbes
  • Ronald Reagan ,  as
  • Flying Officer Johnny Hammond
  • Nancy Coleman ,  as
  • Kaethe Brahms
  • Raymond Massey ,  as
  • Major Otto Baumeister
  • Alan Hale ,  as
  • Flight Sergeant Kirk Edwards
  • Arthur Kennedy ,  as
  • Flying Officer Jed Forrest
  • Ronald Sinclair ,  as
  • Flight Sergeant Lloyd Hollis
  • Albert Bassermann ,  as
  • Sig Ruman as

Alan Hale, Ronald Reagan, Errol Flynn, and Arthur Kennedy on a desperate journey.

Sometimes I find myself enjoying films with the simplest of plots. Scott can attest, that sometimes I get confused if there are too many characters and scene changes. I know that is not something a film critic should mention, but some movies can be too damn complicated.

Desperate Journey follows a bomber on a mission over Nazi Germany. It gets shot down after bombing their target. They get captured by the Nazi's, but in the process discover a hidden German aircraft factory. They escape and try to make their way back to England. Not only do they want to make it back to friendly territory, but they need to let the powers that be know of the secret factory.

On their journey across Germany, Lt. Forbes decides that he and his men should try to cause as much damage to German interests as possible. This sounds heroic, but it comes with a cost as his men start dying along the way. Like Tom Hanks' character ordering his men to take the German position they could have just as easily walked around in Saving Private Ryan (1998), Forbes makes decisions here that I am sure he would question the rest of his life.

Desperate Journey works as an action adventure film. The men steal vehicles and get into car chases. They run over roof tops being pursued by Nazis. They get shot at and never know who to trust. This all makes for a fairly exciting film. Alan Hale provides some levity along the way. He is good for a couple of laughs, but his antics of spitting seeds at everyone, including Nazi guards, threaten to erase the tension.

The story line rarely leaves the men on their escape. This keeps the movie focused, and the plot driven. The men are a smorgasbord of nationalities. There is a Brit, an Aussie, a Yank and a Canadian in the flight crew. I do not believe there were actually too many international crews, but for the sake of the viewing audience of 1942, it demonstrated international solidarity against Nazi oppression.

Errol Flynn, Ronald Reagan, Alan Hale and Ronald Sinclair hitch a ride in Goring's personal train car in Desperate Journey .

An overly complicated plot is certainly not a problem for this movie. A child could follow this old fashioned Boy's Own adventure story. It's a straightforward rousing action tale that remains almost as entertaining today as it must have been to audiences of the day.

The story plays out like a fantasy. This small group of international allies are dropped behind enemy lines where they wreak havoc with impunity, outwitting the dimwitted Nazis at every turn. Yes, some of the good guys die, but they're all clean and noble deaths with the men gladly sacrificing their lives for the cause. This small group of commandos are so effective that it's a wonder they don't single-handedly win the war all on their own.

Flynn, as usual, is terrific as the charming, rogue adventurer. The term dashing should have a picture of his face next to the definition in the dictionary. His light hearted bantering is even more impressive when you learn that during filming he was diagnosed with Tuberculosis. Flynn, worried about taking unpaid time off to recover, chose to conceal his condition from the studio.

Although Flynn and Reagan share a nice chemistry on the screen, reportedly there was some friction behind the scenes when Reagan was given the scene where he lulled Massey's Nazi into a false sense of security with some rapid-fire double talk before slugging him unconscious. Flynn is said to have sulked and lobbied to be given the scene, but to no avail.

Reagan received his real life call-up papers during filming and while the studio lobbied for him to be given a 30-day extension, the Air Force was only willing to offer him an extra week, forcing director Walsh to shoot Reagan's scenes first. This film marked the highlight of Reagan's career as his post-war career, in Hollywood at least, would never again burn as bright.

Something that does stand out about this film is the way that not all Germans are portrayed as evil. Very often in war movies of the day, everything is kept very much in terms of black and white, good vs evil. Here though, there are several Germans shown to be fighting against the Nazis and willing to help Flynn and company along on their journey.

A Desperate Journey is a rip roaring adventure story. It might not be very realistic, but it is entertaining.

Errol Flynn, Alan Hale, and Ronald Reagan in Desperate Journey .

Desperate Journey is such a product of its time. Take the last scene, which is pure propaganda. As the surviving heroes fly into the setting sun over England, Flynn says, “Now for Australia and a crack at those Japs!” You have to admire the spirit behind this movie. It was 1942 and the outcome of the war was far from certain but America, and Hollywood, were confident enough to make this picture. There isn't a cowardly moment in it.

Sure the action is unrealistic, and old fashioned in style, but in the experienced hands of director Raoul Walsh this remains gripping entertainment. The comic book ease with which these downed Allied soldiers outwit, out maneuver, and out fight the Nazis borders on self parody. Just check logic at the door and go with it and you're certain to enjoy this exciting WWII adventure yarn.

It wastes no time on unnecessary exposition or periphery characters. As Eric said, the focus never strays from Flynn and Company as they do damage behind enemy lines. The formula becomes clear early in the picture. They are forever hiding just in the nick of time to elude capture only to overpower the enemy and steal their uniforms. This setup is repeated several times in various forms until the riveting climactic battle where they steal the plane intended to bomb London.

Not only are there different nationalities represented but it also includes two of the most common war movie character cliches; the grizzled old veteran (Hale) who fought in the last war, and the young rookie (Sinclair) who's the son of a war hero. Flynn is the impossibly heroic leader, Reagan the wisecracking Yank, and Arthur Kennedy the serious, levelheaded one, against taking unnecessary chances. Together this band of soldiers form a classic war picture trope.

Ronald Reagan really shines as the lone American in the outfit. His doubletalk scene with Raymond Massey (boy he made a great villain) is his best moment. There is also an inside joke that audiences of the day would have found amusing. After being awakened, he complains, “Why do you have to wake me up every time I got a date with Ann Sheridan?” Reagan had played opposite Sheridan three times, including in his two previous pictures.

It's been said before many times but it's worth repeating in regards to Desperate Journey ; they sure don't make movies like this anymore!

Photos © Copyright Warner Bros. Pictures (1942)

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desperate journey 1942 movie

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Product Description

They're downed but not out. Five Allied airmen shot down after a bombing run over Germany set out to fight and finagle their way back to England in this rousing World War II spirit lifter. From the opening frames to Errol Flynn's famed parting verbal salvo, Desperate Journey teems with excitement. A factory is blasted to smithereens, one narrow escape is topped by the next, and an enemy bomber is swiped and used against the pursuing Nazis. The airmen plunge into their adventures with swashbuckling elan -- exactly as Raoul Walsh (White Heat) intended. With Walsh's fast-paced handling, Flynn's bravado and Reagan's boy-next-door gumption, this Journey is a mission accomplished!

Product details

  • MPAA rating ‏ : ‎ NR (Not Rated)
  • Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.5 inches; 2.47 ounces
  • Director ‏ : ‎ Raoul Walsh
  • Media Format ‏ : ‎ NTSC, Subtitled
  • Run time ‏ : ‎ 1 hour and 48 minutes
  • Release date ‏ : ‎ April 28, 2020
  • Actors ‏ : ‎ Errol Flynn, Ronald Reagan, Nancy Coleman, Raymond Massey, Alan Hale
  • Subtitles: ‏ : ‎ English, Spanish, French
  • Producers ‏ : ‎ Hal B. Wallis
  • Studio ‏ : ‎ Warner Bros.
  • ASIN ‏ : ‎ B085RVPVQL
  • Writers ‏ : ‎ Arthur T. Horman
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • #37,671 in DVD

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Desperate Journey (1942)

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desperate journey 1942 movie

Desperate Journey

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desperate journey 1942 movie

  • Dennis Schwartz Movie Reviews Dennis Schwartz A rousing Hollywood propaganda World War II adventure film.
  • Chicago Reader Dave Kehr Instinctive existentialism of a very high order, and a very entertaining adventure (1942).
  • Cine-Mundial Aurelio Pego If I summarize the plot, the movie may seem mediocre, but it has enthusiastic performances and it is very pleasant. [Full Review in Spanish]
  • Classic Film and Television Michael E. Grost Lively adventure.
  • TV Guide Desperate Journey was viewed at the time of its release as a ludicrous, comic-strip war adventure. That view has only been strengthened over the years.

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A Murderers’ Row of Hit Men on Film

desperate journey 1942 movie

It’s nothing if not familiar: The archetype of the sleek hit man looms large in movie history. Be it a calm professional in a suit, a machine-gun-wielding mob tough, or a slinky secret agent, the role of the hired killer is par for the course in much of crime and action cinema. Yet it remains fascinating psychological and narrative terrain for a variety of directors. In The Killer , David Fincher’s most recent film, starring Michael Fassbender, the hit man is reduced to a dead-eyed corporate shill even as he self-mythologizes about how great he is at his job. And in Richard Linklater’s new charming romantic caper — the aptly titled Hit Man — an enterprising young sociopath (Glen Powell) goes undercover as a hired gun to catch local criminals. Fake mustaches and all, it’s a hilarious and smart deconstruction of the old tough-guy stories movies usually tell about contract killers; it even features a brief montage of other hit-man movies. From ’60s Japan to John Wick, see how many from our list of essential hired-gun movies you can spot in Hit Man .

This Gun for Hire (1942)

Alan Ladd and Veronica Lake starred in a series of stone-cold classic crime thrillers during World War II and just after — a period when shadows grew more jagged and anti-heroes more complex, giving birth to the rise of film noir. Ladd’s character of the Raven was one of the most iconic hit men committed to celluloid, coolly masculine and rather elegant in mien, when prior to that most contract killers depicted by Hollywood were thugs and oafs.

Ladd and Lake are often lesser celebrated these days in favor of those other steamy co-stars of the 1940s, Bogie and Bacall, but the Ladd-and-Lake noirs together are generally darker and sexier. They’re often based vaguely on real cases of L.A. seediness. Co-written by former Chicago crime reporter W.R. Burnett, there’s an air of the genuine to This Gun for Hire and, with the brief discussion of the Raven’s history of childhood abuse and deprivation, a sense of basic criminal psychology, to boot.

Blast of Silence (1961)

A sleek 77-minute New York City ode to the disaffected, the glum, and the criminal on the most wholesome night of the year — Christmas Eve — Allen Baron’s Blast of Silence is a cut above most cult movies of its type and regularly makes lists of the great alternative (or anti-) festive movies . Starring the director himself as a hit man who miserably wanders the twinkling, snow-filled streets, Blast of Silence feels like a pointed rejoinder to the capitalist fervor of American life, when you can even buy a murder on the free market. Its jazzy, deeply misanthropic voice-over about the suckers and idiots of the world feels like a howl of rage from the underside of a prosperous city.

Lady Snowblood (1974)

Decades before La Femme Nikita or the glut of female-assassin films that came in its wake, Japanese cinema had its fair share of women killers for hire. Set in turn-of-the-century Japan, a young woman seeks vengeance for the torture of her imprisoned and murdered family. Meiko Kaji cuts a striking figure, slicing through her enemies with elegantly choreographed bloodshed.

The film is utterly defined by Kaji’s performance, who had already starred in the remarkable, stylish rape-revenge series Female Convict Scorpion ; she represented a brand-new kind of female star in an era dominated by yakuza men and masculine samurai epics. From Quentin Tarantino to the women of HBO’s Shogun , her impact was enormous.

The Hit (1984)

This existential and eccentrically British take on the hit-man movie is from Stephen Frears, a man well suited to tackle life on the margins ( My Beautiful Laundrette , Dangerous Liaisons ). A former gangster who turned witness for the government — played by the powerful Terence Stamp — is being chased down to his luxe Spanish retirement. Hot on his heels is an expert killer (John Hurt) and his more junior apprentice (an early-career Tim Roth; it’s hard to fault this cast). As the three men are forced on a possibly deadly hostage-bearing road trip to Paris, power dynamics, insecurities, and lies pass around among them, undercutting the classic action of the hit-man tale and instead asking vicious questions about human nature under duress.

The Killer (1989)

The Killer may well be the daddy of Hong Kong crime flicks of its era — and that is saying something given what a rich period it was for the so-called “Heroic Bloodshed” movie (films that typically focused on violent-crime plots and the honor system among criminals). The beloved John Woo made his reputation with The Killer , starring Chow Yun-Fat as a Triad contract killer who accidentally blinds a pretty nightclub singer (Sally Yeh) on one of his jobs. He’s drawn further into the undertow of her world as he falls for her. Equally, he is drawn into a classic cop-criminal dynamic with a detective he grows to respect. A near-Shakespearean romance amid its HK shoot-’em-up trappings, with all of Woo’s panache and theatricality in full force, this might be the hit-man film you’d choose to bring in the uninitiated.

The Long Kiss Goodnight (1996)

God bless Shane Black. The action-comedy screenwriter of films like The Last Boy Scout and Lethal Weapon took his pen to this story of an assassin with amnesia to ingenious results. With a brilliantly lopsided framework on the whole hired-gun tale, director Lenny Harlin and Black craft the story of Samantha (Geena Davis), a beatific, ugly-Christmas-sweater-wearing woman of painfully conventional sensibility. Except that she’s none of these things. She’s an expert CIA killer who knows her way around a knife but has no memory of her past. Her idyllic existence is turned upside down by dangerous intrusions from her previous life, and she joins private detective Mitch (Samuel L. Jackson) in an attempt to understand who wants her dead. The pair’s rapid-fire dialogue and odd-couple chemistry give a real sense of fun to the proceedings.

Grosse Pointe Blank (1997)

The Long Kiss Goodnight was not the only dark comedy about an assassin that came out in the ’90s, and along with that film, Grosse Pointe Blank shares the sense of the fish out of water, placing their killers in wholesome American suburbia. In George Armitage’s 1997 film, John Cusack is a perfect Gen-X hit man: quipping, muttering, and slouching through the movie. He’s brilliant in this ironic little romantic story of an L.A. hit man back in his hometown for a high-school reunion, which is soundtracked by offbeat New Wave and ’80s alt-rock. Hit man as hipster started here.

In Bruges (2008)

Martin McDonagh’s pitch-black comedy is still an oddity the likes of which we rarely get (though you could say that about plenty of his films, in fairness). This is the story of two Irish hit men, played unforgettably by the gruff Brendan Gleeson and the animated Colin Farrell, on the lam after the latter accidentally murders a child in a hit gone awry. In the incongruously beautiful medieval city of Bruges, the pair kill time and try not to kill each other.

They tour landmarks while Farrell drags his feet and grapples with suicidal thoughts; they contemplate God and the many Catholic artworks of the city while cracking jokes about suffering and make deeply un-PC remarks about each other’s sexuality. Ultimately, the two go on a journey of friendship, betrayal, existential musing, and mortality, culminating in an oddly poignant conclusion for a film so darkly violent. With a tone of off-kilter, voluble humor you’ll be familiar with if you’ve seen The Banshees of Inisherin , this is a film both markedly of its time in its often problematic language but curiously timeless as a nasty little cult favorite.

John Wick Series (2014–)

A brilliant combination of influences, from ’90s action flicks to John Woo, stuntman turned filmmaker Chad Stahelski effortlessly weaves together cinema lore to make the self-aware beat-’em-up. What began as a modestly budgeted Keanu Reeves revenge flick was spun into a phenomenon, helped by Stahelski’s visual flair and talent for staging a memorable fight sequence, be it at a gas station or Paris landmark. By creating a universe for the John Wick story — a secret cabal of hit men united by a string of special hotels and an international group known as the High Table — Stahelski has made his idea pay dividends over the course of a four-film franchise. When John Wick goes “ex-communicado,” Stahelski can play with every possible movie trope of the hit man, from brusque Russian arms dealers to sexily feline lady agents. The Wick series is a knowingly heightened, brilliantly postmodern experience of the hit-man flick.

The Irishman (2019)

A towering late-career masterpiece from that great chronicler of American masculinity gone rotten, Martin Scorsese, The Irishman is loosely based on a nonfiction book by Charles Brandt, I Heard You Paint Houses , and the life of Mafia hit man Frank Sheeran (Robert De Niro). Sheeran claimed he was the one to have made longtime friend and union leader Jimmy Hoffa (Al Pacino) “disappear.” Here, Scorsese deglamorizes the mafioso world that he has been accused of romanticizing in his earlier films (see GoodFellas ), revealing Sheeran’s life as a slow trudge toward loneliness and death. The typical organized-crime values of omertà and loyalty are shown as expendable within the hard reality of mob life — and ultimately empty in that context. By the time the film closes, with Sheeran & Co. alienated from friends and family alike, the film lays bare the desperate loneliness of the career hit man.

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desperate journey 1942 movie

A Murderers’ Row of Hit Men on Film

I t’s nothing if not familiar: The archetype of the sleek hit man looms large in movie history. Be it a calm professional in a suit, a machine-gun-wielding mob tough, or a slinky secret agent, the role of the hired killer is par for the course in much of crime and action cinema. Yet it remains fascinating psychological and narrative terrain for a variety of directors. In The Killer , David Fincher’s most recent film, starring Michael Fassbender, the hit man is reduced to a dead-eyed corporate shill even as he self-mythologizes about how great he is at his job. And in Richard Linklater’s new charming romantic caper — the aptly titled Hit Man — an enterprising young sociopath (Glen Powell) goes undercover as a hired gun to catch local criminals. Fake mustaches and all, it’s a hilarious and smart deconstruction of the old tough-guy stories movies usually tell about contract killers; it even features a brief montage of other hit-man movies. From ’60s Japan to John Wick, see how many from our list of essential hired-gun movies you can spot in Hit Man .

This Gun for Hire (1942)

Alan Ladd and Veronica Lake starred in a series of stone-cold classic crime thrillers during World War II and just after — a period when shadows grew more jagged and anti-heroes more complex, giving birth to the rise of film noir. Ladd’s character of the Raven was one of the most iconic hit men committed to celluloid, coolly masculine and rather elegant in mien, when prior to that most contract killers depicted by Hollywood were thugs and oafs.

Ladd and Lake are often lesser celebrated these days in favor of those other steamy co-stars of the 1940s, Bogie and Bacall, but the Ladd-and-Lake noirs together are generally darker and sexier. They’re often based vaguely on real cases of L.A. seediness. Co-written by former Chicago crime reporter W.R. Burnett, there’s an air of the genuine to This Gun for Hire and, with the brief discussion of the Raven’s history of childhood abuse and deprivation, a sense of basic criminal psychology, to boot.

Blast of Silence (1961)

A sleek 77-minute New York City ode to the disaffected, the glum, and the criminal on the most wholesome night of the year — Christmas Eve — Allen Baron’s Blast of Silence is a cut above most cult movies of its type and regularly makes lists of the great alternative (or anti-) festive movies . Starring the director himself as a hit man who miserably wanders the twinkling, snow-filled streets, Blast of Silence feels like a pointed rejoinder to the capitalist fervor of American life, when you can even buy a murder on the free market. Its jazzy, deeply misanthropic voice-over about the suckers and idiots of the world feels like a howl of rage from the underside of a prosperous city.

Lady Snowblood (1974)

Decades before La Femme Nikita or the glut of female-assassin films that came in its wake, Japanese cinema had its fair share of women killers for hire. Set in turn-of-the-century Japan, a young woman seeks vengeance for the torture of her imprisoned and murdered family. Meiko Kaji cuts a striking figure, slicing through her enemies with elegantly choreographed bloodshed.

The film is utterly defined by Kaji’s performance, who had already starred in the remarkable, stylish rape-revenge series Female Convict Scorpion ; she represented a brand-new kind of female star in an era dominated by yakuza men and masculine samurai epics. From Quentin Tarantino to the women of HBO’s Shogun , her impact was enormous.

The Hit (1984)

This existential and eccentrically British take on the hit-man movie is from Stephen Frears, a man well suited to tackle life on the margins ( My Beautiful Laundrette , Dangerous Liaisons ). A former gangster who turned witness for the government — played by the powerful Terence Stamp — is being chased down to his luxe Spanish retirement. Hot on his heels is an expert killer (John Hurt) and his more junior apprentice (an early-career Tim Roth; it’s hard to fault this cast). As the three men are forced on a possibly deadly hostage-bearing road trip to Paris, power dynamics, insecurities, and lies pass around among them, undercutting the classic action of the hit-man tale and instead asking vicious questions about human nature under duress.

The Killer (1989)

The Killer may well be the daddy of Hong Kong crime flicks of its era — and that is saying something given what a rich period it was for the so-called “Heroic Bloodshed” movie (films that typically focused on violent-crime plots and the honor system among criminals). The beloved John Woo made his reputation with The Killer , starring Chow Yun-Fat as a Triad contract killer who accidentally blinds a pretty nightclub singer (Sally Yeh) on one of his jobs. He’s drawn further into the undertow of her world as he falls for her. Equally, he is drawn into a classic cop-criminal dynamic with a detective he grows to respect. A near-Shakespearean romance amid its HK shoot-’em-up trappings, with all of Woo’s panache and theatricality in full force, this might be the hit-man film you’d choose to bring in the uninitiated.

The Long Kiss Goodnight (1996)

God bless Shane Black. The action-comedy screenwriter of films like The Last Boy Scout and Lethal Weapon took his pen to this story of an assassin with amnesia to ingenious results. With a brilliantly lopsided framework on the whole hired-gun tale, director Lenny Harlin and Black craft the story of Samantha (Geena Davis), a beatific, ugly-Christmas-sweater-wearing woman of painfully conventional sensibility. Except that she’s none of these things. She’s an expert CIA killer who knows her way around a knife but has no memory of her past. Her idyllic existence is turned upside down by dangerous intrusions from her previous life, and she joins private detective Mitch (Samuel L. Jackson) in an attempt to understand who wants her dead. The pair’s rapid-fire dialogue and odd-couple chemistry give a real sense of fun to the proceedings.

Grosse Pointe Blank (1997)

The Long Kiss Goodnight was not the only dark comedy about an assassin that came out in the ’90s, and along with that film, Grosse Pointe Blank shares the sense of the fish out of water, placing their killers in wholesome American suburbia. In George Armitage’s 1997 film, John Cusack is a perfect Gen-X hit man: quipping, muttering, and slouching through the movie. He’s brilliant in this ironic little romantic story of an L.A. hit man back in his hometown for a high-school reunion, which is soundtracked by offbeat New Wave and ’80s alt-rock. Hit man as hipster started here.

In Bruges (2008)

Martin McDonagh’s pitch-black comedy is still an oddity the likes of which we rarely get (though you could say that about plenty of his films, in fairness). This is the story of two Irish hit men, played unforgettably by the gruff Brendan Gleeson and the animated Colin Farrell, on the lam after the latter accidentally murders a child in a hit gone awry. In the incongruously beautiful medieval city of Bruges, the pair kill time and try not to kill each other.

They tour landmarks while Farrell drags his feet and grapples with suicidal thoughts; they contemplate God and the many Catholic artworks of the city while cracking jokes about suffering and make deeply un-PC remarks about each other’s sexuality. Ultimately, the two go on a journey of friendship, betrayal, existential musing, and mortality, culminating in an oddly poignant conclusion for a film so darkly violent. With a tone of off-kilter, voluble humor you’ll be familiar with if you’ve seen The Banshees of Inisherin , this is a film both markedly of its time in its often problematic language but curiously timeless as a nasty little cult favorite.

John Wick Series (2014–)

A brilliant combination of influences, from ’90s action flicks to John Woo, stuntman turned filmmaker Chad Stahelski effortlessly weaves together cinema lore to make the self-aware beat-’em-up. What began as a modestly budgeted Keanu Reeves revenge flick was spun into a phenomenon, helped by Stahelski’s visual flair and talent for staging a memorable fight sequence, be it at a gas station or Paris landmark. By creating a universe for the John Wick story — a secret cabal of hit men united by a string of special hotels and an international group known as the High Table — Stahelski has made his idea pay dividends over the course of a four-film franchise. When John Wick goes “ex-communicado,” Stahelski can play with every possible movie trope of the hit man, from brusque Russian arms dealers to sexily feline lady agents. The Wick series is a knowingly heightened, brilliantly postmodern experience of the hit-man flick.

The Irishman (2019)

A towering late-career masterpiece from that great chronicler of American masculinity gone rotten, Martin Scorsese, The Irishman is loosely based on a nonfiction book by Charles Brandt, I Heard You Paint Houses , and the life of Mafia hit man Frank Sheeran (Robert De Niro). Sheeran claimed he was the one to have made longtime friend and union leader Jimmy Hoffa (Al Pacino) “disappear.” Here, Scorsese deglamorizes the mafioso world that he has been accused of romanticizing in his earlier films (see Goodfellas ), revealing Sheeran’s life as a slow trudge toward loneliness and death. The typical organized-crime values of omertà and loyalty are shown as expendable within the hard reality of mob life — and ultimately empty in that context. By the time the film closes, with Sheeran & Co. alienated from friends and family alike, the film lays bare the desperate loneliness of the career hit man.

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Vulture; Photos: Artists International, Everett Collection, Netflix

COMMENTS

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  2. Desperate Journey

    Desperate Journey is a 1942 American World War II action and aviation film directed by Raoul Walsh and starring Errol Flynn and Ronald Reagan.The supporting cast includes Raymond Massey, Alan Hale Sr., and Arthur Kennedy.The melodramatic film featured a group of downed Allied airmen making their way out of the Third Reich, often with their fists.. Director Raoul Walsh called it "a war comedy ...

  3. Desperate Journey (1942)

    Desperate Journey: Directed by Raoul Walsh. With Errol Flynn, Ronald Reagan, Nancy Coleman, Raymond Massey. When the crew of a downed British bomber escape from their Nazi captors with Top Secret intelligence, they make a desperate journey to get out of Germany alive.

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    Desperate Journey (1942) -- (Movie Clip) Half American, Half Jersey City Nazi Major Baumeister (Raymond Massey) is telling the crew of the downed RAF bomber (Errol Flynn, Arthur Kennedy, Alan Hale, Ronald Sinclair) they have no prospects, but he has an idea to flip American Johnny (Ronald Reagan), who himself turns the tables, directed by Raoul Walsh, in a famous bit from Desperate Journey, 1942.

  5. Desperate Journey (1942)

    Desperate Journey (1942) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows.

  6. Watch Desperate Journey (1942)

    When the crew of a downed British bomber escape from their Nazi captors with Top Secret intelligence, they make a desperate journey to get out of Germany alive. In 1942, a lone RAF bomber flying deep into Germany (just inside the old Polish border) is shot down after completing its mission. The skipper is killed, and left in command is Flight Lieutenant Terry Forbes.

  7. Desperate Journey

    Desperate Journey (1942) Movie Info Synopsis A Royal Air Force bomber with a mission to destroy a rail line crash-lands in Germany after the commanding pilot is shot.

  8. Desperate Journey (1942)

    Synopsis. A unit of the British Royal Air Force is assigned to bomb a German railway. Although they are ordered to fly at a high altitude, their bomber is spotted by the Germans, who attack them from both air and land. After the squadron leader is shot, Flight Lt. Terrence 'Terry' Forbes (Errol Flynn) takes charge and rashly flies the plane ...

  9. Desperate Journey (1942)

    During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after learning German secret information and knocking out a Nazi major. With the angry major in hot pursuit, aided by military personnel, Gestapo agents and Hitler-loyal citizens, the five wend their way across perilous Germany, intent on reaching the UK with the ...

  10. ‎Desperate Journey (1942) directed by Raoul Walsh

    During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after learning German secret information and knocking out a Nazi major. With the angry major in hot pursuit, aided by military personnel, Gestapo agents and Hitler-loyal citizens, the five wend their way across perilous Germany, intent on reaching the UK with the ...

  11. Desperate Journey (1942)

    In 1942, a lone RAF bomber flying deep into Germany (just inside the old Polish border) is shot down after completing its mission. The skipper is killed, and left in command is Flight Lieutenant Terry Forbes (Errol Flynn), an Australian who plans on leaving damage behind on the ground so the Germans remember him, even if he doesn't make it back ...

  12. Trailer

    Desperate Journey (1942) #WarnerArchive #WarnerBros #DesperateJourneyThey're downed but not out. Five Allied airmen shot down after a bombing run over German...

  13. Desperate Journey (1942)

    59. NR 1 hr 47 min Sep 21st, 1942 Action, War, Adventure. During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after ...

  14. Desperate Journey ( 1942) TV Rip

    movies. Desperate Journey ( 1942) TV Rip. Topics xcv. xcv Addeddate 2022-02-06 23:11:28 Identifier desperate-journey-1942-tv-rip Scanner Internet Archive HTML5 Uploader 1.6.4 . plus-circle Add Review. comment. Reviews There are no reviews yet. Be the first one to write a review. 2,076 ...

  15. Desperate Journey (1942) : Classic Movie Hub (CMH)

    Desperate Journey (1942) - Directed by Raoul Walsh, produced by Hal B. Wallis, Jack Saper and starring Errol Flynn, Ronald Reagan, Nancy Coleman, Raymond Massey, Alan Hale, Arthur Kennedy, Ronald Sinclair, Albert Bassermann,and more...

  16. Desperate Journey (movie, 1942)

    All about Movie: directors and actors, where to watch online, Oscars and other awards, reviews and ratings, trailers, stills, backstage. ... 1942 Premiere: USA: September 21, 1942 ... they make a desperate journey to get out of Germany alive. Сast and Crew. Stars

  17. Desperate Journey (1942) Starring: Errol Flynn ...

    Desperate Journey works as an action adventure film. The men steal vehicles and get into car chases. They run over roof tops being pursued by Nazis. ... You have to admire the spirit behind this movie. It was 1942 and the outcome of the war was far from certain but America, and Hollywood, were confident enough to make this picture. There isn't ...

  18. Desperate Journey (1942)

    Amazon.com: Desperate Journey (1942) : Raoul Walsh, Errol Flynn, Ronald Reagan, Nancy Coleman, Raymond Massey, Alan Hale, Arthur Kennedy, Arthur T. Horman, Hal B ...

  19. Desperate Journey

    Desperate Journey. 1942. Add to wishlist. infoThis item is not available. About this movie. arrow_forward. A Royal Air Force bomber with a mission to destroy a rail line crash-lands in Germany after the commanding pilot is shot. The surviving crew, led by Flight Lt. Terry Forbes (Errol Flynn) and including Johnny Hammond (Ronald Reagan) and Jed ...

  20. Desperate Journey streaming: where to watch online?

    Synopsis. During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after learning German secret information and knocking out a Nazi major. With the angry major in hot pursuit, aided by military personnel, Gestapo agents and Hitler-loyal citizens, the five wend their way ...

  21. Desperate Journey (1942)

    7/10. good fun. blanche-2 27 March 2009. Errol Flynn, Alan Hale, Ronald Reagan, Arthur Kennedy, and Ronald Sinclair are on a "Desperate Journey" in this 1942 wartime film directed by Raoul Walsh. The film also stars Raymond Massey as a German commandant and Nancy Coleman as a member of the underground. Flynn and his pals crash land in Germany ...

  22. Ronald Reagan and Raymond Massey in Desperate Journey

    Ronald Reagan and Raymond Massey in Desperate Journey (1942) with Errol Flynn & Alan Hale. Didn't Hogan do something like this to Col. Klink a couple decade...

  23. Where to stream Desperate Journey (1942) online? Comparing 50

    Desperate Journey. NR 1942 Action, Adventure, War · 1h 47m. We've checked all the major streaming services, and this title is not found on any of them right now. Get Notified. During WWII, when an allied bomber is shot down over Germany, the five surviving crew are captured but cleverly escape detention after learning German secret information ...

  24. Watch Desperate Journey (1942) Full Movie Online

    When Flight Lt Forbes and his crew are shot down after bombing their target they discover valuable information about a hidden German aircraft factory that must get back to England. In their way across Germany, they try to cause as much damage as possible. Then, with the pursuing Germans about to pounce, they come up with an ingenious plan to escape.

  25. Customer Reviews: Desperate Journey [1942]

    Desperate Journey [1942] SKU: 34937693. User rating, 4.5 out of 5 stars with 2 reviews. 4.5 (2 Reviews) $14.99 Your price for this item is $14.99. Sold Out. ... Actually a pretty good movie Alan hale provided a little humor but Flynn and Reagan is a great combo I recommend this movie to all classic movie fans.

  26. 12 Essential Hit-Man Movies

    A sleek 77-minute New York City ode to the disaffected, the glum, and the criminal on the most wholesome night of the year — Christmas Eve — Allen Baron's Blast of Silence is a cut above ...

  27. A Murderers' Row of Hit Men on Film

    A sleek 77-minute New York City ode to the disaffected, the glum, and the criminal on the most wholesome night of the year — Christmas Eve — Allen Baron's Blast of Silence is a cut above ...