metallica tour 1993

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Nowhere Else To Roam Tour

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The Nowhere Else To Roam Tour was the seventh concert tour by American Heavy Metal band Metallica , beginning in January of 1993. This tour featured some concerts that Metallica had their first time shows at like Thailand, Philippines, Singapore, and Indonesia. There was three types of setlists. The US leg setlist, The European setlist, The South American leg. All 5 nights at Mexico City were later released on Live Shit: Binge & Purge .

• 1 Typical Setlist
• 2 Tour Dates
• 4 Personnel
• 5 References

Typical Setlist [ ]

• Creeping Death
• Harvester of Sorrow
• Welcome Home (Sanitarium)
• Of Wolf and Man
• The Unforgiven
• Eye of the Beholder
• The Frayed Ends of Sanity
• ...And Justice for All
• Sad But True
• Wherever I May Roam
• Guitar Solo
• Through the Never
• For Whom the Bell Tolls
• Fade to Black
• Master of Puppets
• Seek & Destroy
• Enter Sandman
• Nothing Else Matters
• Am I Evil? Diamond Head cover
• Last Caress Misfits cover

Tour Dates [ ]

Songlist [ ], personnel [ ].

• James Hetfield - Lead Vocals, Rhythm Guitar
• Kirk Hammett - Lead Guitar, Backing Vocals
• Jason Newsted - Bass Guitar, Backing Vocals
• Lars Ulrich - Drums

References [ ]

• 1 M72 World Tour
• 2 Dave Mustaine
• 3 Metal Up Your Ass (demo)

• Statistics Stats
• You are here:
• March 1, 1993 Setlist

Metallica Setlist at Palacio de los Deportes, Mexico City, Mexico

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Tour: Wherever We May Roam Tour statistics Add setlist

• Song played from tape The Ecstasy of Gold ( Ennio Morricone  song) Play Video
• Enter Sandman Play Video
• Creeping Death Play Video
• Harvester of Sorrow Play Video
• Welcome Home (Sanitarium) Play Video
• Sad but True Play Video
• Of Wolf and Man ( followed by "Third Stone from the Sun" jam ) Play Video
• The Unforgiven Play Video
• Eye of the Beholder / Blackened / The Frayed Ends of Sanity / ...And Justice for All ( followed by "Born Under a Bad Sign" jam ) Play Video
• Bass Solo ( with "My Friend of Misery", "N.I.B.", "Metalshock" and "The Star-Spangled Banner" ) Play Video
• Guitar Solo ( with "Dazed and Confused", "Killing Floor" and "Funeral March of a Marionette" ) Play Video
• Through the Never Play Video
• For Whom the Bell Tolls ( followed by Kirk doodle ) Play Video
• Fade to Black Play Video
• Master of Puppets ( Short Version ) Play Video
• Seek & Destroy ( Extended Version ) Play Video
• Whiplash Play Video
• Nothing Else Matters Play Video
• Wherever I May Roam Play Video
• Am I Evil? ( Diamond Head  cover) ( half; with "Smoke on the Water", "The Four Horsemen" and "Jump in the Fire" jam ) Play Video
• Last Caress ( Misfits  cover) Play Video
• One Play Video
• So What ( Anti-Nowhere League  cover) ( up until the guitar solo ) Play Video
• Battery Play Video
• The Four Horsemen Play Video
• Motorbreath Play Video
• Stone Cold Crazy ( Queen  cover) Play Video

Note: Recorded for the Live Shit: Binge & Purge CD.

Edits and Comments

91 activities (last edit by Luke71 , 16 Dec 2023, 22:44 Etc/UTC )

Songs on Albums

• Enter Sandman
• Nothing Else Matters
• Of Wolf and Man
• Sad but True
• The Unforgiven
• Through the Never
• Wherever I May Roam
• Motorbreath
• Seek & Destroy
• The Four Horsemen
• Am I Evil? by Diamond Head
• Last Caress by Misfits
• So What by Anti-Nowhere League
• Stone Cold Crazy by Queen
• Eye of the Beholder / Blackened / The Frayed Ends of Sanity / ...And Justice for All
• Harvester of Sorrow
• Master of Puppets
• Welcome Home (Sanitarium)
• Creeping Death
• Fade to Black
• For Whom the Bell Tolls
• Guitar Solo

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Metallica gig timeline.

• Feb 26 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Feb 27 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Mar 01 1993 Palacio de los Deportes This Setlist Mexico City, Mexico Add time Add time
• Mar 02 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Mar 12 1993 Neal S. Blaisdell Arena Honolulu, HI, USA Add time Add time

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[url=https://www.setlist.fm/setlist/metallica/1993/palacio-de-los-deportes-mexico-city-mexico-33d6d8e9.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=33d6d8e9[/img][/url] [url=https://www.setlist.fm/edit?setlist=33d6d8e9&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/metallica-3bd680c8.html]More Metallica setlists[/url]

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30 heavy albums turning 30 in 2024

Posted: June 3, 2024 | Last updated: June 3, 2024

While it's true that heavy music took a dive in popularity in the '90s, it also went underground, which is where it thrives today. Heavy music morphed and changed into a lot of different things, and while some of the albums on this list are not the artist's best works, they are at least a document of growing pains where they attempt to figure out what to do next. Not every band can hire fashion consultants and cut their hair to weather the storm. Take a look at these 30 heavy albums turning 30 in 2024.

Melvins - Stoner Witch

It's pretty amazing that Melvins were on a major label, and it seems absolutely impossible that they lasted on Atantic for three albums. Truthfully, Atlantic cared so little about Melvins, they continues releasing singles, an album, and a box set on other labels... and none of it was archival, it was new material. Stoner Witch is front loaded with fast and heavy songs, and then capped off with three bizarre instrumentals. This band has always subverted expectations.

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Pride & Glory - Pride & Glory

What do you do when you're the sideman for arguably the world's biggest metal singer and he "retires"? Why, you turn your thoughts to southern swamp rock, of course! Zakk Wylde's sudden shift to Allman Brothers style jams in 1994 was a mild shock to fans, but the fans found they liked his new direction. The trio was rounded out by bassist James LoMenzo (White Lion) and drummer Brian Tichy. However, by October 1994, Pride & Glory were finished. But fear not — Ozzy Osbourne un-retired in 1995, and Wylde rejoined him in 2001.

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Megadeth - Youthanasia

It's easy to look back and ask what should've been done differently. Should Megadeth have cut their hair? Should they have waited another year or two for their next album? On Youthanasia , we're seeing the last gasp of the Rust In Peace lineup of Megadeth, they had one more album in them, but it didn't really work out for them. In its time, Youthanasia  didn't sell well when compared to their breakthrough Countdown To Extinction , but today a lot of fans consider it one of their most intelligent and listenable records. Unfortunately, the popular music landscape had already largely moved on and couldn't be bothered.

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Korn - Korn

Whether you blame Faith No More, The Judgment Night Soundtrack , or Blondie ("Rapture" is a jam), Nu Metal was a big deal and has been going through a re-evaluation as of late. Korn's self-titled debut album is often called "the first nu metal album." That descriptor ignores Rage Against the Machine's self-titled debut from two years earlier, but I digress. No matter who you blame, or who came first, Korn mixes hip-hop inspired beats with down-tuned guitars (and bagpipes!) syncopated to feel like a punch in the throat.

Corrosion of Conformity - Deliverance

North Carolina's Corrosion of Conformity began life as a hardcore band, then crossover thrash, then metal, then stoner rock (before it was cool). 1991's Blind started to get them greater attention, but 1994's Deliverance was the major label debut that put them on the map. The album is an amazing slab of Sabbath worship that the band has been trying to replicate ever since.

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Slayer - Divine Intervention

When the musical landscape changes, you can adapt, or you can do what Slayer did and dig in deep and stay the course. A lot had changed in the four years from 1990's Seasons In the Abyss to 1994's  Divine Intervention . The only thing Slayer changed was drummers, swapping out Dave Lombardo for Paul Bostaph. At the time, the album has a mixed reception, but the nice thing about staying the same through cultural changes — it's less embarrassing when you look back.

Helmet - Betty

Helmet hit big in 1992 with "Unsung" from their major label debut, Meantime . The band had a lot riding on their followup, 1994's Betty . The band's unique fusion of alt-metal, post-hardcore, and noise rock was present, but they started to add flourishes of jazz and blues. Some fans had trouble following the plot. At the time it was released, reception for Betty was lukewarm, but over the years its legacy has only grown and is regarded as fairly influential.

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Pantera - Far Beyond Driven

Pantera's Far Beyond Driven is one of the few heavy music triumphs of 1994. While not as critically well-received as Vulgar Display of Power , Driven debuted at No. 1 on the Billboard 200 and was their fastest-selling album. It was certified Platinum in the United States, Australia, and Canada, and certified Gold in Japan and the United Kingdom. While the album meanders a little bit, it does close with a fantastic, faithful, and unexpected cover of Black Sabbath's "Planet Caravan".

Prong - Cleansing

Prong's trajectory through their first three albums includes hardcore, crossover thrash, and groove metal. On their fourth album, Cleansing , they were exploring industrial sounds with new bass player Paul Raven (ex-Killing Joke) and keyboardist John Bechdel (Ministry). The result was what is often referred to as the band's best album. The biggest single, "Snap Your Fingers, Snap Your Neck" has been covered by several bands who see Prong as an influence.

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Killing Joke - Pandemonium

Killing Joke has always been a hard band to pin down. With Pandemonium , we got to see the band on their third reunion, and a return to post-punk mixed with some industrial sounds. Guitarist Geordie Walker's guitar (R.I.P., 1958-2023) was as incendiary as ever, and Jaz Coleman's vocals and lyrics were as insane and thought provoking as you would expect.

Machine Head - Burn My Eyes

Former Vio-kence guitarist Robb Flynn formed Machine Head in 1991. The band released their debut Burn My Eyes in 1994, and they were immediately granted goodwill from the metal community... which they immediately squandered and re-earned over and over again through the last three decades. Despite what you think about Machine Head's scattershot discography or Flynn and his rotating cast of musicians, Burn My Eyes is a classic.

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Front Line Assembly - Millennium

Canada's Front Line Assembly is probably one of the last artists you'd think of when thinking of heavy album releases. The band's then-label Third Mind was bought out by Roadrunner, and it's hard to say if it was label pressure or a natural progression, but Bill Leeb and Rhys Fulber went all in on industrial metal. Sampling Metallica, Pantera, and Sepultura, as well as featuring live guitars by a then-unknown Devin Townsend, the result is a slab of heavy, and sometimes unsettling, music.

Nailbomb - Point Blank

Sepultura's Max Cavalera and Fudge Tunnel's Alex Newport were just hanging out and showing each other riffs, when Max's wife Gloria said they should make a band out of it. It wasn't supposed to be a real project, just some messing around, but naturally Roadrunner Records was interested. Their sole album, Point Blank , still looms large in metal circles with its mix of thrash, drum machines, and distorted (and uncleared!) samples. The group played one show before calling it quits — for good — in 1995.

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Sick of It All - Scratch the Surface

NYHC went mainstream (kind of) when Sick of It All signed with Warner Bros. imprint East West Records in 1993. When Scratch the Surface  was released in 1994, it may not have been the breakthrough the label was hoping for, but it did allow the band to reach middle America and all the other rural areas where they were unknown prior. This allowed Sick of It All to have the longevity most hardcore bands can't manage.

Converge - Halo in a Haystack

While a lot of established acts were faltering in the face of the changing musical landscape, the next decade's headliners were putting out their first albums. Salem, Massachusett's Converge released their self-funded debut, Halo in a Haystack , only in 1,000 copies of black vinyl. The album has never been reissued in any format, although nine of the album ten tracks have appeared on other compilation albums.

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Kyuss - Welcome To Sky Valley

Even if you count the time before Kyuss was Kyuss, they only existed for eight years in their first run, before splintering into a mess of different projects. While the different members have been fighting over the last three decades, the slab of stoner rock contained in Welcome To Sky Valley remains a favorite of their rabid fan base. Will they reunite to play this album in its entirety? No, probably not, but stranger reunions have happened.

Monster Voodoo Machine - Suffersystem

Of course, sometimes there are bands that should have a bigger following. Toronto's Monster Voodoo Machine released Suffersystem in 1994 on RCA Records, and it haunted used CD bins for the rest of the decade. Not surprising a major label wouldn't know what to do with them, but don't be fooled, the album is an industrial-metal rocket ride, with guest appearances from Leslie Rankine (Silverfish, Ruby), Roddy Bottum (Faith No More), and Wesley Willis (!).

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Drive Like Jehu - Yank Crime

San Diego's Drive Like Jehu signed with Interscope for their second (and final) album. Yank Crime exists at a crossroad where math-rock meets post hardcore, and the result is an abrasive yet listenable outing. While the album never took off in the mainstream, Yank Crime was heavily influential in the post-hardcore and emo scenes.

Danzig - Danzig 4

In 1993, Danzig had found great success on MTV with the live version of "Mother". The band used that goodwill to attempt to broaden their sound, however slightly, by adding wind chimes, recorders, and harmoniums. These really amped up the atmosphere with their songs about sex with demons and black masses. Danzig 4  (or sometimes, Danzig 4P ) would be the last album from the original lineup, as drummer Chuck Biscuits was fired, while guitarist John Christ and bassist Eerie Von quit after the supporting tour.

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Testament - Low

Some bands, whether by accident or by design, were able to use the reduced spotlight to broaden their sound. Testament lost guitarist Alex Skolnik and drummer Louie Clemente, and then lost their replacements before they even entered the studio to record Low . The resulting album used the bedrock of thrash, and then explored death metal, hard rock, and groove metal to create an album that was critically well-received, despite having no charting singles.

Biohazard - State of the World Address

After Biohazard's Urban Discipline broke through in 1992 ("Punishment" was the most played video on Headbanger's Ball at the time), they were poised for a huge followup. After the diversions of remixing Onyx's "Slam" and appearing with them on the Judgment Night Soundtrack, it seemed natural to have Cypress Hill's Sen Dog and House of Pain's DJ Lethal on the lead single. The gambit paid off them, and reviews for State of the World Address were strong for the band as they were seen as "forward thinking". It wouldn't last however, as this would be the last album from the original lineup until 2012.

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Various Artists - Nativity In Black: A Tribute to Black Sabbath

Today, tribute albums are mostly handled by smaller, niche labels. In the '90s, however, they were big business for major labels. It helps that people actually bought albums 30 years ago. Columbia Records assembled a collection of (mostly) new covers, and some new one-off "supergroups" for the project, featuring legends Bruce Dickinson, Rob Halford, as well as original Sabbath members Ozzy Osbourne, Bill Ward, and Geezer Butler. If nothing else, we received outstanding covers by Type O Negative, Sepultura, and Corrosion of Conformity, among others.

(You can call it entry 22.5 if you like — Priority Records released their own Sabbath tribute in 1994 titled  Eternal Masters , which is a more extreme take on the Sabbath catalog featuring Sacred Reich, Cannibal Corpse, Exhorder, and more.)

downset. - downset.

Starting in 1989 as Social Justice, the group self-released an album and EP under this name before rebranding as downset. in 1992. With a foundation of hardcore, downset. fused elements of funk and politically charged rap, which gained the attention of Mercury Records. downset. was their major label debut, featuring their lead single "Anger" (with the offending Rage Against the Machine diss removed).  downset . is a fiery album that not only makes the body move, but engages the mind as well.

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Circle of Dust - Brainchild

You'd be forgiven for dismissing Circle of Dust as a "Christian" rock band, that is, if you had never heard them. Klayton (Circle of Dust's sole member) takes a page from industrial metallers Ministry, KMFDM, and their ilk. The band was originally called Brainchild and the album Mindwarp was released in 1992. However, Klayton was unhappy with the result and re-recorded the entire album as Circle of Dust in 1994. Brainchild is a frantic and aggressive blast, and don't worry about being radicalized, the lyrics are indecipherable anyway.

Black Sabbath - Cross Purposes

While most of the world was looking backward, sole remaining original Black Sabbath member Tony Iommi was looking forward. After 1992's semi-disastrous reunion with Ronnie James Dio, Iommi brought back singer Tony Martin and enlisted new drummer Bobby Rondinelli (Rainbow, Quiet Riot). Sabbath signed with I.R.S. Records, which was more known for alternative and college rock at that time. While Cross Purposes  isn't regarded today as a great album, it is definitely higher regarded than their final I.R.S. album, 1995's Forbidden .

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Body Count - Born Dead

After the controversy of "Cop Killer", the world at large just assumed the band would go away. Not so. After getting dropped from Warner Bros., Body Count signed with Virgin Records and released their second album, Born Dead . While the album suffers from the sophomore slump, it does have a surprisngly good cover of "Hey Joe", based on the Jimi Hendrix rendition (which was also featured on Stone Free: A Tribute to Jimi Hendrix ).

Bruce Dickinson - Balls to Picasso

When Bruce Dickinson left Iron Maiden in 1993, he apparently needed something to do other than fly commercial Boeing 747s and write books. Dickinson recorded an entire album with British band Skin, and then scrapped it, deciding that it wasn't strong enough. He assembled a band from scratch and Balls to Picasso was the result. When the original artwork was deemed not cost effective, he simply drew two squares on a public bathroom wall, and the rest, as they say, was history. Well, maybe not history, exactly, but it made for an interesting story. The album was generally well-received (better received than Iron Maiden's The X-Factor , anyway), and saw Dickinson go in a more hard rock direction.

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Napalm Death - Fear, Emptiness, Despair

Would you ever expect a band like Napalm Death to be on a major label? No one else expected it, but Fear, Emptiness, Despair was released by Columbia Records... through a partnership with Earache, of course. Naturally, Columbia had their influence in the mix, and more elements of groove metal were present. In the end, however, Napalm Death is Napalm Death. While some members of the band were unhappy with the final product, the album was generally well received.

Overkill - W.F.O.

New Jersey's Overkill released their seventh album in 1994, which would be their last for Atlantic Records. The fact that they were able to release five albums on Atlantic is a minor miracle. W.F.O. sees the band adding elements of doom and stoner to their unique brand of thrash metal. Although W.F.O. was critically loved, sales were not there to support the album. This would be their final album with guitarists Rob Cannavino and Merritt Gant.

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Mercyful Fate - Time

In 1992, everyone's favorite Danish heavy metal band reunited! Mercyful Fate's 1993 album, In the Shadows was well-regarded, and 1994's Time continued that tradition. The album was another 47 minutes of horror-themed metal (heavy of the H.P. Lovecraft). The great thing about Mercyful Fate (and King Diamond) is that they are never afraid to be overly theatric, even if that makes them seem a little silly.

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Beabadoobee announces North American tour in support of her forthcoming Rick Rubin-produced album This Is How Tomorrow Moves

London-based singer/songwriter Beabadoobee lines up shows in the US and Canada

Following on from her appearance at Radio 1's Big Weekend festival, Beabadoobee has announced details of a September North American tour. The London-based singer/songwriter recently shared a new single, Take A Bite , as the first taste of her forthcoming Rick Rubin-produced third album This Is How Tomorrow Moves, s et for release on August 16 on Dirty Hit. In a statement announcing the album, Beabadoobee says that it has “helped me so much more than anything else has in navigating this new era, this new understanding of where I’m at”, adding, “I guess it’s about becoming a woman.”

“I think I’m more aware of my actions in these songs,” the singer reveals. “In my previous records, I would consistently sing about my reaction towards other people’s doings, like a blame game. But in this record, it’s accepting that there’s an inevitability of my fault in there too. Whether it’s childhood trauma or relationship issues, it takes two to tango in everything.”

The singer's North American tour will visit.

Sep 08: Philadelphia The Met Philadelphia, PA Sep 09: Washington DC The Anthem Sep 11: New York SummerStage in Central Park, NY Sep 13: Boston MGM Music Hall at Fenway, MA Sep 15: Toronto Coca-Cola Coliseum, Canada Sep 17: Chicago Byline Bank Aragon Ballroom, IL Sep 18: Maryland Heights, MO @ Saint Louis Music Park, MO Sep 20: Denver Fillmore Auditorium, CO Sep 21: Salt Lake City The Union, UT Sep 24: Woodinville Chateau Ste. Michelle Winery, WA Sep 26: San Francisco Bill Graham Civic Auditorium, CA Sep 28: Los Angeles Greek Theatre, CA Tickets go on-sale on June 6 here .

Beabadoobee will also play London's All Points East on Sunday August 18, with Mitski, Ethel Cain, Arlo Parks and more. Tickets, and full details of all this summer's All Points shows, are available from the festival website . 

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A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica ( Birth School Metallica Death , co-authored with Ian Winwood), his Eddie Van Halen biography ( Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

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